“
…There is the heat of Love, the pulsing rush of Longing, the lover’s whisper, irresistible—magic to make the sanest man go mad.
”
”
Homer (The Iliad)
“
Then Day reaches out and touches my hand with his. He encloses it in a handshake. And just like that, I am linked with him again, I feel the pulse of our bond and his- tory and love through our hands, like a wave of magic, the return of a long-lost friend. Of something meant to be. The feeling brings tears to my eyes. Perhaps we can take a step forward together.
“Hi,” he says. “I’m Daniel.”
“Hi,” I reply. “I’m June.
”
”
Marie Lu (Champion (Legend, #3))
“
Jealous?"
"Maybe."
"No reason. I like my ladies with a pulse.
”
”
Rachel Caine (Feast of Fools (The Morganville Vampires, #4))
“
Why is this so hard?” I whispered.
His pulse leaped crazily at my admission. “Everything worth fighting for is hard.
”
”
Rachel Vincent (Shift (Shifters, #5))
“
But the love of sisters needs no words. It does not depend on memories, or mementos, or proof. It runs as deep as a heartbeat. It is as ever present as a pulse.
”
”
Lisa Wingate (Before We Were Yours)
“
Warmth radiated from her skin in waves. Her pulse beneath his fingertips. The telltale flutter in her neck. Life. It mattered, was precious. And could be taken away in an instant.
”
”
J. Rose Black (Losing My Breath)
“
Need was Adam’s baseline, his resting pulse. Love was a privilege. Adam was privileged; he did not want to give it up. He wanted to remember again and again how it felt.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
And what is a kiss, specifically? A pledge properly sealed, a promise seasoned to taste, a vow stamped with the immediacy of a lip, a rosy circle drawn around the verb 'to love.' A kiss is a message too intimate for the ear, infinity captured in the bee's brief visit to a flower, secular communication with an aftertaste of heaven, the pulse rising from the heart to utter its name on a lover's lip: 'Forever.
”
”
Edmond Rostand (Cyrano de Bergerac)
“
I caught his hand. “What do you want me to do?”
Leaning down, he kissed the pulse beating on my neck just above the damaged skin. “Tomorrow, I need you to die.
”
”
Priya Ardis (My Merlin Awakening (My Merlin, #2))
“
We are the ones who take this thing called music and line it up with this thing called time. We are the ticking, we are the pulsing, we are underneath every part of this moment. And by making the moment our own, we are rendering it timeless. There is no audience. There are no instruments. There are only bodies and thoughts and murmurs and looks. It's the concert rush to end all concert rushes, because this is what matters. When the heart races, this is what it's racing towards.
”
”
Rachel Cohn (Nick & Norah's Infinite Playlist)
“
Grief reunites you with what you've lost. It's a merging; you go with the loved thing or person that's going away. You follow it a far as you can go.
But finally,the grief goes away and you phase back into the world. Without him.
And you can accept that. What the hell choice is there? You cry, you continue to cry, because you don't ever completely come back from where you went with him -- a fragment broken off your pulsing, pumping heart is there still. A cut that never heals.
And if, when it happens to you over and over again in life, too much of your heart does finally go away, then you can't feel grief any more. And then you yourself are ready to die. You'll walk up the inclined ladder and someone else will remain behind grieving for you.
”
”
Philip K. Dick (Flow My Tears, the Policeman Said)
“
A weak but steady throb lay beneath Kev's searching fingertips. Win's heartbeat...the pulse that sustained his universe.
”
”
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
“
I can’t promise you it’ll always be sweet and tender because you and I fight hard. But I’m pretty sure it won’t be a horror ride either because you and I love even harder. What I can promise is you’ll always mean more to me than my next breath, and it’ll always be you in my life. No one else.
”
”
Gail McHugh (Pulse (Collide, #2))
“
I feel the pulse of our bond and history and love through our hands, like a wave of magic, the return of a long-lost friend. Of something meant to be. The feeling brings tears to my eyes. Perhaps we can take a step forward together.
'Hi,' he says. 'I'm Daniel.'
'Hi,' I reply. 'I'm June.
”
”
Marie Lu (Champion (Legend, #3))
“
Irial!”
“Still here.” Irial didn’t open his eyes, but he smiled a little.
“You’re an ass,” Niall said, but he kept his hands on Irial’s chest so that he could feel both pulse and breath.
“You too, Gancanagh,” Irial murmured.
”
”
Melissa Marr (Darkest Mercy (Wicked Lovely, #5))
“
I want to break the rules with you. Kiss you passionately every day. Make you smile when you’re about to cry. I want no regrets with us. I want us to laugh together until we can’t breathe and it hurts. No man will ever love you the way I’m going to love you, Emily. You’re it. My last. My forever.
”
”
Gail McHugh (Pulse (Collide, #2))
“
My heartbeat is a pulse, and it pumps out sonic vibrations that resonate with her mind as she lays her head on my chest. Listen silently and you can hear the frequency of love.
”
”
Jarod Kintz (This Book is Not for Sale)
“
The library smells like old books — a thousand leather doorways into other worlds. I hear silence, like the mind of God. I feel a presence in the empty chair beside me. The librarian watches me suspiciously. But the library is a sacred place, and I sit with the patron saint of readers. Pulsing goddess light moves through me for one moment like a glimpse of eternity instantly forgotten. She is gone. I smell mold, I hear the clock ticking, I see an empty chair. Ask me now and I'll say this is just a place where you can't play music or eat. She's gone. The library sucks.
”
”
Laura Whitcomb (A Certain Slant of Light (Light, #1))
“
Liv or love?" she asks. I brush her hair away from her neck and rest my hand there, feeling the beating of her pulse. "Either," I answer. "They're the same to me.
”
”
Veronica Rossi (Roar and Liv (Under the Never Sky, #0.5))
“
A light which lives on what the flames devour,
a grey landscape surrounding me with scorch,
a crucifixion by a single wound,
a sky and earth that darken by each hour,
a sob of blood whose red ribbon adorns
a lyre without a pulse, and oils the torch,
a tide which stuns and strands me on the reef,
a scorpion scrambling, stinging in my chest--
this is the wreath of love, this bed of thorns
is where I dream of you stealing my rest,
haunting these sunken ribs cargoed with grief.
I sought the peak of prudence, but I found
the hemlock-brimming valley of your heart,
and my own thirst for bitter truth and art.
- Stigmata of Love
”
”
Federico García Lorca
“
The music enchanted the air. It was like the south wind, like a warm night, like swelling sails beneath the stars, completely and utterly unreal... It made everything spacious and colourful, the dark stream of life seemed pulsing in it; there were no burdens any more, no limits; there existed only glory and melody and love, so that one simply could not realize that, at the same time as this music was, outside there ruled poverty and torment and despair.
”
”
Erich Maria Remarque (Three Comrades)
“
My love for her was a heavy, pulsing, living thing, and it made me feel crazy, and anxious, and famished.
”
”
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
“
She Was A Phantom of Delight
She was a Phantom of delight
When first she gleam'd upon my sight;
A lovely Apparition, sent
To be a moment's ornament:
Her eyes as stars of twilight fair;
Like twilight's, too, her dusky hair;
But all things else about her drawn
From May-time and the cheerful dawn;
A dancing shape, an image gay,
To haunt, to startle, and waylay.
I saw her upon nearer view,
A Spirit, yet a Woman too!
Her household motions light and free,
And steps of virgin liberty;
A countenance in which did meet
Sweet records, promises as sweet;
A creature not too bright or good
For human nature's daily food,
For transient sorrows, simple wiles,
Praise, blame, love, kisses, tears, and smiles.
And now I see with eye serene
The very pulse of the machine;
A being breathing thoughtful breath,
A traveller between life and death:
The reason firm, the temperate will,
Endurance, foresight, strength, and skill;
A perfect Woman, nobly plann'd
To warn, to comfort, and command;
And yet a Spirit still, and bright
With something of an angel light.
”
”
William Wordsworth
“
Willow, you know that you said you couldn't tell how I felt at the rest stop?"
I nodded, and he took my hand, laying it flat on his chest with his own resting over it. "Can you tell now?" he asked.
His heart beat firmly under my hand; my own pulse was pounding so hard that I could barely think straight. Closing my eyes, I took a deep, steadying breath, and then another as I tried to clear my mind, to feel what he was feeling. For a moment there was just the softness of our breathing--then all at once it washed over me in a great wave.
He was in love with me, too.
I opened my eyes. Alex was still holding my hand to his chest, watching me, his expression more serious than I'd ever seen it. Unable to speak, I slowly dropped my hand and wrapped my arms around him. His own arms came around me as he rested his head on my hair.
"I really do, you know," he said, his voice rough.
"I know," I whispered back. "I do, too.
”
”
L.A. Weatherly (Angel (Angel, #1))
“
Stardust
If you came to me with a face I have not seen, with a voice I have never heard, I would still know you. Even if centuries separated us, I would still feel you. Somewhere between the sand and the stardust, through every collapse and creation, there is a pulse that echoes of you and I.
When we leave this world, we give up all our possessions and our memories. Love is the only thing we take with us. It is all we carry from one life to the next.
”
”
Lang Leav (Memories)
“
We've made a beautiful mess of things lately, haven't we?" He flashed that sexy crooked smile at me, which made my heart flutter.
"But it's our crazy story," "It's been ours, only ours. There's been a lot of romance, sometimes way too much drama..." "very memorable comedy, a few pulse-racing action scenes..."
"We've also had our fair share of suspense and raw terror, and unfortunately gut-wrenching heartache too."
"I think we've covered it all, everything except fo being captured by aliens!"
"But through it all you've loved me unconditionally, and I know how fortunate I am to have your love. I don't want to live without you, not for one more minute, not for one more second. I want to spend the rest of my days living my story with you...only you."
"It is here that I fell in love with you"
"And as fate would have it, it is here that I humbly kneel before you and ask you to be my wife.
”
”
Tina Reber (Love Unscripted (Love, #1))
“
Her Yankees-loving, bottle cap-giving, dimpled smile other half was gone, and there wasn’t anything she wouldn’t do to turn back time.
”
”
Gail McHugh (Pulse (Collide, #2))
“
the warmth
in my mouth.
that rush
through my veins
making my heartache
my pulse quicken
my head-
just a bit dizzy.
my legs-
just a bit numb.
my tongue
years for more
more of you
right now.
now.
i can't wait anymore.
this is torture.
seriously.
i'm in hell.
waiting for you.
i just want to shout
to this giant crowd of people
"how hard is it to make a latte, fuckers?"
i love you, coffee.
”
”
Pamela Ribon (Why Girls Are Weird)
“
Dead. It was me who was with her, me who found her. Felt her throat, no pulse. I gotta tell you, Red, there is nothin', not one thing in the world worse than puttin' your hand to the throat of someone you love and...feelin'...nothin'.
”
”
Kristen Ashley (Motorcycle Man (Dream Man, #4))
“
Have you ever really held the hand of someone you love? Not just in passing, a loose link between you - but truly clasped, with the pulses of your wrists beating together and your fingers mapping the knuckles and nails like a cartographer learning a country by heart?
”
”
Jodi Picoult (Salem Falls)
“
I wanted to drown inside a woman in the feeling and drooling of the love I could give her. I wanted her pulse to crush me with its intensity. That's what I wanted. That's what I wanted myself to be.
”
”
Markus Zusak (Getting the Girl (Wolfe Brothers, #3))
“
His touch both consoles and devastates me; I feel my heart pulse, then wither, naked as a stone on the roaring mattress while the lovely, moony night slides through the window to dapple the flanks of this innocent who makes cages to keep the sweet birds in. Eat me, drink me; thirsty, cankered, goblin-ridden, I go back and back to him to have his fingers strip the tattered skin away and clothe me in his dress of water, this garment that drenches me, its slithering odour, its capacity for drowning.
”
”
Angela Carter (The Bloody Chamber and Other Stories)
“
Not only does my world revolve around her, but she is my world. She's not just my reason for breathing, she's air itself. She's the meaning behind every one of my thoughts, every thrum of my pulse, every whisper of my conscience. She's my entire everything. It's as simple and as complex as that.
”
”
Laurelin Paige (Forever with You (Fixed, #3))
“
His arms wrapped around my waist from behind and he kissed my neck again, closer to the wound this time. My pulse accelerated. I wanted him to bite me; I wanted to be his.
”
”
Joann I. Martin-Sowles (Laney (The Brookehaven Vampires, #1))
“
But more than anything… thank you for loving me. Thank you for your dimpled smile and your bottle caps.
”
”
Gail McHugh (Pulse (Collide, #2))
“
Silence falls, pulsing with the truth of what I’ve learned and what Dean has yet to acknowledge. Our relationship, our love, cannot and will never be perfect. It will, however, always belong only to us in all its flawed, intense beauty. Perfect in its very imperfection.
”
”
Nina Lane (Allure (Spiral of Bliss, #2))
“
The tender June day persisted, refusing to die. Each pulse of light was fainter and more exquisite than the last, as if bidding farewell to the earth, full of love and regret.
”
”
Irène Némirovsky (Suite Française)
“
Pianos, unlike people, sing when you give them your every growl. They know how to dive into the pit of your stomach and harmonize with your roars when you’ve split yourself open. And when they see you, guts shining, brain pulsing, heart right there exposed in a rhythm that beats need need, need need, need need, pianos do not run. And so she plays.
”
”
Francesca Lia Block (Love Magick)
“
Because Adam practised at many things, Adam was good at many things, but this – what was it even called? Scrying, sensing, magic, magic, magic. He was not only good at it, but he longed for it, wanted it, loved it in a way that nearly overwhelmed him with gratitude. He had not known that he could love, not really. Gansey and he had fought about it, once – Gansey had said, with disgust, Stop saying privilege. Love isn’t privilege. But Gansey had always had love, had always been capable of love. Now that Adam had discovered this feeling in himself, he was more certain than ever that he was right. Need was Adam’s baseline, his resting pulse. Love was a privilege. Adam was privileged; he did not want to give it up. He wanted to remember again and again how it felt.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Relief and anguish pulse heavily in my blood. I've wanted to see him every day. But also, I never wanted to see him again.
”
”
Christina Lauren (Love and Other Words)
“
But the love of sisters needs no words. It does not depend on memories, or mementos, or proof. It runs as deep as a heartbeat. It is as ever present a s a pulse.
”
”
Lisa Wingate (Before We Were Yours)
“
I, being born a woman and distressed
By all the needs and notions of my kind,
Am urged by your propinquity to find
Your person fair, and feel a certain zest
To bear your body's weight upon my breast;
So subtly is the fume of life designed,
To clarify the pulse and cloud the mind,
And leave me once again undone, possessed.
Think not for this, however, the poor treason
Of my stout blood against my staggering brain,
I shall remember you with love, or season
My scorn with pity, - let me make it plain:
I find this frenzy insufficient reason
For conversation when we meet again.
”
”
Edna St. Vincent Millay
“
Glad you like it."
"No. I love it."
He grunted. "You ready?"
"Ready for what?"
"For me to ask you to dinner yet."
Her pulse tripped all over itself. Got up. Tripped again. "Did you think you needed to build a pergola to convince me?"
"No. I, uh..." He tossed down the rag, shoved his hands into his pockets. "I needed something to keep me busy while I worked up the nerve to ask.
”
”
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
“
He had green eyes, so I wanted to sleep with him. Green eyes flecked with yellow, dried leaves on the surface of a pool. You could drown in those eyes, I said. The fact of his pulse, the way he pulled his body in, out of shyness or shame or a desire, not to disturb the air around him. Everyone could see the way his muscles worked, the way we look like animals, his skin barely keeping him inside. I wanted to take him home, and rough him up and get my hands inside him, drive my body into his like a crash test car. I wanted to be wanted, and he was very beautiful, kissed with his eyes closed, and only felt good while moving. You could drown in those eyes, I said, so it's summer, so it's suicide, so we're helpless in sleep and struggling at the bottom of the pool.
”
”
Richard Siken
“
Old boy," said Grimes, "you're in love."
"Nonsense!"
"Smitten?" said Grimes.
"No, no."
"The tender passion?"
"No."
"Cupid's jolly little darts?"
"No."
"Spring fancies, love's young dream?"
"Nonsense!"
"Not even a quickening of the pulse?"
"No."
"A sweet despair?"
"Certainly not."
"A trembling hope?"
"No."
"A frisson? a Je ne sais quoi?"
"Nothing of the sort."
"Liar!" said Grimes.
”
”
Evelyn Waugh (Decline and Fall)
“
eventually tides will be the only calendar you believe in…
And someone’s face, whom you love, will be as a star
Both intimate and ultimate,
And you will be heart-shaken and respectful.
And you will hear the air itself, like a beloved, whisper
Oh let me, for a while longer, enter the two
Beautiful bodies of your lungs...
Look, and look again.
This world is not just a little thrill for your eyes.
It’s more than bones.
It’s more than the delicate wrist with its personal pulse.
It’s more than the beating of a single heart.
It’s praising.
It’s giving until the giving feels like receiving.
You have a life- just imagine that!
You have this day, and maybe another, and maybe
Still another…
And I have become the child of the clouds, and of hope.
I have become the friend of the enemy, whoever that is.
I have become older and, cherishing what I have learned,
I have become younger.
And what do I risk to tell you this, which is all I know?
Love yourself. Then forget it. Then, love the world.
”
”
Mary Oliver (Evidence: Poems)
“
Real love feels less like a throbbing, pulsing animal begging for its freedom and beating against the inside of my chest and more like, 'Hey, that place you like had fish tacos today and i got you some while i was out', as it sets a bag spotted with grease on the dining room table. It's not a game you don't understand the rules of, or a test you never got the materials to study for. It never leaves you wondering who could possibly be texting at 3 am. Or what you could possibly do to make it come home and stay there. It's fucking boring, dude. I don't walk around mired in uneasiness, waiting for the other shoe to drop. No parsing through spun tales about why it took her so long to come back from the store. No checking her emails or calling her job to make sure she's actually there. No sitting in my car outside her house at dawn, to make sure she's alone when she leaves. This feels safe, and steadfast, and predictable. And secure. It's boring as shit. And it's easily the best thing I've ever felt.
”
”
Samantha Irby (We Are Never Meeting in Real Life.)
“
There’s nothing lonelier than empty relationships. At least when you’re alone you can be yourself, but when you’re in empty relationships you can’t even be yourself.
You can be real alone, or you can be a ghost with false friends.
Pulse proximity is not intimacy, and it’s worse than no friends at all.
”
”
Stefan Molyneux
“
The first moment I saw you, I knew you were my share of the world. Iʹve always loved you. If I could choose my fate, Iʹd never be parted from you. Acushla ... pulse of my heart, breath of my soul ... thereʹs nothing on this earth more fair and fine than you. Your shadow on the ground is sunlight to me.
”
”
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
“
He started to dance. And all at once, because Cole was dancing, I was dancing. And this Cole was even more persuasive than the last one. This was everything about Cole's smile made into a real thing, a physical object made out of his hands looped around me, and his long body pushed up against mine. I loved to dance, but I'd always been aware that I was dancing, aware of what my body was doing. Now, with this music thumping and Cole dancing with me, everything became invisible but the music. I was invisible. My hips were the booming bass. My hands on Cole were the wails of the synthesizer. My body was nothing but the hard, pulsing beat of the track.
My thoughts were flashes in between the downbeats.
beat:
my hand pressed on Cole's stomach
beat:
our hips crushed together
beat:
Cole's laugh
beat:
we were one person
Even knowing that Cole was good at this because it was what he did didn't make it any less of an amazing thing. Plus, he wasn't trying to be amazing without me--every move of his body was to make us move together. There was no ego, just the music and our bodies.
When the track ended, Cole stepped back, out of breath, half a smile on his face. I couldn't see how he could stop. I wanted to dance until I couldn't stand up. I wanted to crush our bodies against each other until there was no pulling them apart.
"You're an addiction," I told him.
"You should know.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
Love—the desire to love and be loved, to hold and be held, to give love even if your experience as a recipient has been compromised or incomplete—is the constant on the continuum of hunger, it's what links the anorexic to the garden-variety dieter, it's the persistent pulse of need and yearning behind the reach for food, for sex, for something.
”
”
Caroline Knapp (Appetites: Why Women Want)
“
So I pointed at the sun ascending in the horizon. Just as the darkened sky began to lighten. “Keep your eyes there.” Her green ones flickered to me before following my finger. Her pulse picked up speed. “And what happens when it disappears?” I would’ve loved to tell her that it never would. That no matter where we were the sun would always be present. But it wouldn’t have been true. The only thing we could count on was that the sun would rise again. “Wait for it to return,” I told her.
”
”
Krista Ritchie (Long Way Down (Calloway Sisters, #4))
“
And then I wonder, does my brother think of me this way? We entered this world together, one after the other, beats in a pulse. But I will be first to leave it. That's what I've been promised. When we were children, did he dare to imagine an empty space beside him where I then stood giggling, blowing soap bubbles through my fingers?
When I die, will he be sorry that he loved me? Sorry that we were twins?
Maybe he already is.
”
”
Lauren DeStefano (Fever (The Chemical Garden, #2))
“
She’s a maze with no escape. An ethereal, steady pulse. She’s there, but just barely. I love her so much I sometimes hate her. And it terrifies me, because deep down, I know what she is. An unsolvable puzzle. And I know who I am. The idiot who would try to fix her. At any cost.
”
”
L.J. Shen (Scandalous (Sinners of Saint, #3))
“
She was very beautiful and he felt he loved her. She was not beautiful as a state or a picture is beautiful; she was beautiful as a meadow across which the wind blows. It was life that pulsed in her and that had formed her into what she was.
”
”
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
“
Eliminate the concept of division by class, skills, race, income, and nationality. We are all equals with a common pulse to survive. Every human requires food and water. Every human has a dream and desire to be happy. Every human responds to love, suffering and pain. Every human bleeds the same color and occupies the same world. Let us recognize that we are all part of each other. We are all human. We are all one.
”
”
Suzy Kassem
“
You don't want me to feel obligated? Well, I'm sorry, Lily. I am here
because I feel obligated." He brought her hand to his chest, pressing her
palm flat against his rapidly thumping pulse. "I'm obligated by my heart. It's
decided you're essential to my existence, you see. And it's threatening to go out on labor strike if I don't make you mine this very day. So yes. I am here on bended knee, acting from a deep, undeniable sense of obligation. I am, quite simply, yours." He swallowed hard. "If you'll have me.
”
”
Tessa Dare (Three Nights with a Scoundrel (Stud Club, #3))
“
The ass that’s officially owned by me?” Gavin caressed his hands down her waist, settling on said ass. “This one? Ah, yes. Yes, this one. I love this ass.”
“Owned?” Emily playfully questioned.
“Yes… owned. Never to be leased by another. I’m king landlord, sweets.
”
”
Gail McHugh (Pulse (Collide, #2))
“
I wanted her and only her.
I wanted to be a part of her storm.
I wanted to feel my pulse against hers.
I wanted the bitter on her sweet tongue.
I wanted the sadness in her sweet syrup eyes.
I wanted the silence in her screaming mind and the enigma that is really quite simple- a complicated happiness. I wasn't willing to let go. I was falling completely, forever, into solid fucking love that was swimming through my veins.
I wanted to be the breath in her mouth and the rhythm in her chest that would beat only for me.
”
”
Shey Stahl (Waiting for You (Waiting for You, #1))
“
where do we go from here my love
when it's over and i'm standing between us
whose side do i run to
when every nerve in my body is pulsing for you
when my mouth waters at the thought
when you are pulling me in just by standing there
how do i turn around and choose myself
”
”
Rupi Kaur (The Sun and Her Flowers)
“
And your girl,” he says, cocking his head at me. “Your Juliette?”
I flinch at the sound of her name. My pulse is racing so fast it feels like a whisper.
“If I were to shoot three holes in her head, how would that make you feel?” He stares at me. Watches me. “Disappointed, because you’d have lost your pet project? Or devastated, because you’d have lost the girl you love?
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
“
But she was half in love with chaos... With all her yearning for the ordinary life, she was born to admire outsiders. You could see she felt enlarged by drama and trouble, by the electric pulse of things going wrong, and her vision of the easy life remained in most ways a recurring dream.
”
”
Andrew O'Hagan
“
My wife's the reason anything gets done,
She nudges me toward promise by degrees.
She is a perfect symphony of one,
Our son is her most beautiful reprise.
We chase the melodies that seem to find us
Until they're finished songs and start to play
When senseless acts of tragedy remind us
That nothing here is promised, not one day.
This show is proof that history remembers
We live through times when hate and fear seem stronger.
We rise and fall and light from dying embers
Remembrances that hope and love last longer.
And love is love is love is love is love
is love is love is love cannot be killed or swept aside.
I sing Vanessa’s symphony, Eliza tells her story
Now fill the world with music, love and pride.
”
”
Lin-Manuel Miranda
“
What do you think? Does everything look right? "
" You really expect me to look at anything but you? "
She laughed even as her pulse jittered. " Boy, I must be in bad shape when a shopworn line like that hits the mark. "
" I mean it, " he said and watched her smile fade. " I adore looking at you. " Laying a hand on her knees with a long, slow, thorough kiss. " Beautiful Margo. mine. "
" Well, you're certainly taking my mind off my ... kiss me again. "
" Glad to.
”
”
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
“
I love you," Gavin whispered, slowly breaking the kiss. Still cupping her cheeks, he dipped his head and leaned his forehead against hers. "I want to break the rules with you. Kiss you passionately every day. Make you smile when you're about to cry. I want no regrets with us. I want us to laugh together until we can't breathe and it hurts. No man will ever love you the way I'm going to love you, Emily. You're it. My last. My forever/
”
”
Gail McHugh (Pulse (Collide, #2))
“
Damen said, with helpless honesty, "Laurent, I am your slave."
The words laid him open, truth exposed in the space between them. He wanted to prove it, as though, inarticulate, he could make up for what divided them. He was aware of the shallowness of Laurent's breath, it matched his own; they were breathing each other's air.
He reached out, watching for any hesitation in Laurent's eyes. The touch he offered was accepted as it had not been last time, fingers gentle on Laurent's jaw, thumb passing over his cheekbone, soft. Laurent's controlled body was hard with tension, his rapid pulse urgent for flight, but he closed his eyes in the last seconds before it happened. Damen's palm slid over Laurent's warm nape; slowly, very slowly, making his height an offering, not a threat, Damen leaned in and kissed Laurent on the mouth.
The kiss was barely a suggestion of itself, with no yielding of the rigidity in Laurent, but the first kiss became a second, after a fraction of parting in which Damen felt the flicker of Laurent's shallow breathing against his own lips.
It felt, in all the lies between them, as if this was the only true thing. It didn't matter that he was leaving tomorrow. He felt remade with the desire to give Laurent this: to give him all he would allow, and to ask for nothing, this careful threshold something to be savoured because it was all Laurent would let himself have.
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
Gavin leaned in closer, brushing his lips against hers. "I can't promise you it'll always be sweet and tender because you and I fight hard. But I'm pretty sure it won't be a horror ride either because you and I love even harder. What I can promise is you'll always mean more to me than my next breath, and it'll always be you in my life. No one else.
”
”
Gail McHugh (Pulse (Collide, #2))
“
He shook his head. 'It's not.'
She shook her head a little more. Just a little.
'You're going to regret this,' she said.
That made him laugh, so he had to wait a second before he kissed her.
It wasn't terrible. Eleanor's lips were soft and warm, and he could feel her pulse in her cheek. It was good that she was so nervous- because it forced him not to be. It steadied him to feel her trembling.
”
”
Rainbow Rowell (Eleanor & Park)
“
He took a deep breath. “You make me question myself,” he said. “All the time, every day. I was brought up to believe I had to be perfect. A perfect warrior, a perfect son. Even when I came to live with the Lightwoods, I thought I had to be perfect, because otherwise they would send me away. I didn’t think love came with forgiveness. And then you came along, and you broke everything I believed into pieces, and I started to see everything differently. You had—so much love, and so much forgiveness, and so much faith. So I started to think that maybe I was worth that faith. That I didn’t have to be perfect; I had to try, and that was good enough.” He lowered his eyelids; she could see the faint pulse at his temple, feel the tension in him. “So I think you were the wrong person for the Jace that I was, but not the Jace that I am now, the Jace you helped make me. Who is, incidentally, a Jace I like much better than the old one. You’ve changed me for the better.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
You think my feelings toward you apathetic? You think you bore me?”
“Don’t I?”
He shook his head slowly, continuing toward her, stalking her in the small space.
“No.God knows you are infuriating . . And impulsive . . .” Her back came up against the wall, and she gave a little squeak, even as he advanced. “And altogether maddening . . .” He placed one hand to her jaw, carefully lifting her face to his, feeling the leap of her pulse under his fingertips. “And thoroughly intoxicating . . .” The last came out on a low growl, and her lips parted, soft and pink and perfect.
He leaned close, his lips a fraction from hers.
“No . . . you are not boring.
”
”
Sarah MacLean (Eleven Scandals to Start to Win a Duke's Heart (Love By Numbers, #3))
“
Everything. If you were mine, I’d do everything.” Our gold bubble locks shut, and a little universe fills it. The possibilities are infinite.
“I have a big imagination. Could you be more specific?” I put my hand on the side of his neck and stroke down to the hard bar of his collarbone. His skin is hot satin. His pulse nudges me.
Mine, mine, mine. One thousand percent mine until the end of time. He looks like he agrees.
“Everything you wanted or needed, I’d do it.” Amazing how he can keep it clean, but it feels so dirty. That’s the thing about good boys.
“I want and need a lot.”
A big white smile now. “No kidding. Well, I’m a hard worker.
”
”
Sally Thorne (99 Percent Mine)
“
The porn films are not about sex. Sex is airbrushed and digitally washed out of the films. There is no acting because none of the women are permitted to have what amounts to a personality. The one emotion they are allowed to display is an unquenchable desire to satisfy men, especially if that desire involves the women’s physical and emotional degradation. The lightning in the films is harsh and clinical. Pubic hair is shaved off to give the women the look of young girls or rubber dolls. Porn, which advertises itself as sex, is a bizarre, bleached pantomime of sex. The acts onscreen are beyond human endurance. The scenarios are absurd. The manicured and groomed bodies, the huge artificial breasts, the pouting oversized lips, the erections that never go down, and the sculpted bodies are unreal. Makeup and production mask blemishes. There are no beads of sweat, no wrinkle lines, no human imperfections. Sex is reduced to a narrow spectrum of sterilized dimensions. It does not include the dank smell of human bodies, the thump of a pulse, taste, breath—or tenderness. Those in films are puppets, packaged female commodities. They have no honest emotion, are devoid of authentic human beauty, and resemble plastic. Pornography does not promote sex, if one defines sex as a shared act between two partners. It promotes masturbation. It promotes the solitary auto-arousal that precludes intimacy and love. Pornography is about getting yourself off at someone else’s expense.
”
”
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
“
There is a love that equals in its power the love of man for woman and reaches inwards as deeply. It is the love of a man or a woman for their world. For the world of their center where their lives burn genuinely and with a free flame.
The love of the diver for his world of wavering light. His world of pearls and tendrils and his breath at his breast. Born as a plunger into the deeps he is at one with every swarm of lime-green fish, with every colored sponge. As he holds himself to the ocean's faery floor, one hand clasped to a bedded whale's rib, he is complete and infinite. Pulse, power and universe sway in his body. He is in love.
The love of the painter standing alone and staring, staring at the great colored surface he is making. Standing with him in the room the rearing canvas stares back with tentative shapes halted in their growth, moving in a new rhythm from floor to ceiling. The twisted tubes, the fresh paint squeezed and smeared across the dry on his palette. The dust beneath the easel. The paint has edged along the brushes' handles. The white light in a northern sky is silent. The window gapes as he inhales his world. His world: a rented room, and turpentine. He moves towards his half-born. He is in Love.
The rich soil crumbles through the yeoman's fingers. As the pearl diver murmurs, 'I am home' as he moves dimly in strange water-lights, and as the painter mutters, 'I am me' on his lone raft of floorboards, so the slow landsman on his acre'd marl - says with dark Fuchsia on her twisting staircase, 'I am home.
”
”
Mervyn Peake (Titus Groan (Gormenghast, #1))
“
Oh cold, cold, rigid, dreadful Death, set up thine altar here, and dress it with such terrors as thou hast at thy command: for this is thy dominion! But of the loved, revered, and honoured head, thou canst not turn one hair to thy dread purposes, or make one feature odious. It is not that the hand is heavy and will fall down when released; it is not that the heart and pulse are still; but that the hand was open, generous, and true; the heart brave, warm, and tender; and the pulse a man's. Strike, Shadow, strike! And see his good deeds springing from the wound, to sow the world with life immortal.
”
”
Charles Dickens (A Christmas Carol)
“
Emotion. It's a lethal weakness of our kind. A sickness that inhibits logic and eventually drives our minds toward the breaking point. It's our kryptonite – our fatal flaw and our saving grace.
After all, emotions make us who we are. They make us capable of love and compassion and selflessness, bring out the best in us.
At the same time, they ruin us. Make us feel hatred and pain and guilt. Cause our muscles to lock, our pulses to spike, our hearts to split in half.
These things called…feelings…could break every single one of us, if we let them.
”
”
Tiana Dalichov (Simulation 8 (Rebellion Rising #2))
“
I’m saying this because it’s said breaths are stolen during a passionate kiss. That’s not true, Gavin, because I literally can’t breathe before your lips even touch mine. I try, but I’m unable to. I can’t think when you look at me. You strip my mind bare. You always have, and it’s beautiful and consuming. It’s magical and everything a girl is supposed to feel. It’s said you’re truly in love with someone if your skin tingles from their touch. Mine tingles when I hear your voice; I don’t need you to touch me. I can feel you when you’re not near me. I feel you in my dreams. I felt you when you were a thousand miles away.
”
”
Gail McHugh (Pulse (Collide, #2))
“
Winter’s head snapped around, away from Scarlet. Scarlet’s pace slowed, dread pulsing through her as she, too, heard the footsteps. Pounding footsteps, like someone was running at full speed toward them. She reached for the knife Jacin had given her. A man barrelled around the corner, heading straight for the princess. Winter tensed half a second before he reached her. Grabbing Winter’s elbow, he yanked back the red hood.
Scarlet gasped. Her knees weakened. The man stared at Winter with a mixture of confusion and disappointment and maybe even anger, all locked up in eyes so vividly green that Scarlet could see them glowing from here. She was the one hallucinating now.
She took a stumbling, uncertain step forward. Wanting to run toward him, but terrified it was a trick. Her hand tightened around the knife handle as Wolf, ignoring how Winter was trying to pull away, grabbed her arm and smelled the filthy red sleeve of Scarlet’s hoodie, streaked with dirt and blood. He growled, ready to tear the princess apart. “Where did you get this?” So desperate, so determined, so him. The knife slipped out of Scarlet’s hand. Wolf’s attention snapped to her. “Wolf?” she whispered.
His eyes brightened, wild and hopeful. Releasing Winter, he strode forward. His tumultuous eyes scooped over her. Devoured her.
When he was in arm’s reach, Scarlet almost collapsed into him, but at the last moment she had the presence of mind to step back. She planted a hand on his chest. Wolf froze, hurt flickering across his face.
“I’m sorry,” said Scarlet, her voice teetering with exhaustion. “It’s just…I smell so awful, I can hardly stand to be around myself right now, so I can’t even imagine what it’s like for you with your sense of sm-“
Batting her hand away, Wolf dug his fingers into Scarlet’s hair and crushed his mouth against hers. Her protests died with a muffled gasp. This time, she did collapse, her legs unable to hold her a second longer. Wolf fell with her, dropping his knees to break Scarlet’s fall and cradling her body against his. He was here. He was here.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
You scared me the moment I saw you, and I think it’s because I knew, I just knew, I was going to fall in love you. I didn’t know our worlds were already intertwined, but my heart somehow knew it belonged to you from the start. I didn’t believe a pain so deep existed while we were apart, but I also didn’t believe a love like ours existed. You’ve shown me it does. You’ve shown me good when there was bad. You’ve given me pleasure above all of my pain. You’ve given me life when I thought I was dead.
”
”
Gail McHugh (Pulse (Collide, #2))
“
This is the opposite of love, I realize, when I look over and see my empty couch, see right through my imaginary companions. The opposite of love isn't hate; it isn't even indifference. It's fucking disembowelment. Hara-kiri. Taking a huge shovel and digging out your own heart, and your intestines, and leaving behind nothing. Nothing of yourself to give, nothing, even, to take away. Nothing but a quiet pulse and some mildly entertaining soap operas.
If to love is to hand over self and heart, then this, my friend, this - to self-disembowel - is its opposite.
I wish I knew how to needlepoint so I could stitch it onto a fucking pillow.
”
”
Julie Buxbaum (The Opposite of Love)
“
The War Sonnets: V. The Soldier
If I should die, think only this of me:
That there's some corner of a foreign field
That is for ever England. There shall be
In that rich earth a richer dust concealed;
A dust whom England bore, shaped, made aware,
Gave, once, her flowers to love, her ways to roam,
A body of England's, breathing English air,
Washed by the rivers, blest by suns of home.
And think, this heart, all evil shed away,
A pulse in the eternal mind, no less
Gives somewhere back the thoughts by England given;
Her sights and sounds; dreams happy as her day;
And laughter, learnt of friends; and gentleness,
In hearts at peace, under an English heaven.
”
”
Rupert Brooke (If I Should Die (Phoenix 60p Paperbacks))
“
I have a rendezvous with Death
At some disputed barricade,
When Spring comes back with rustling shade
And apple-blossoms fill the air —
I have a rendezvous with Death
When Spring brings back blue days and fair.
It may be he shall take my hand
And lead me into his dark land
And close my eyes and quench my breath —
It may be I shall pass him still.
I have a rendezvous with Death
On some scarred slope of battered hill,
When Spring comes round again this year
And the first meadow-flowers appear.
God knows 'twere better to be deep
Pillowed in silk and scented down,
Where love throbs out in blissful sleep,
Pulse nigh to pulse, and breath to breath,
Where hushed awakenings are dear...
But I've a rendezvous with Death
At midnight in some flaming town,
When Spring trips north again this year,
And I to my pledged word am true,
I shall not fail that rendezvous.
”
”
Alan Seeger
“
Our life settled into a pulse, a heartbeat, a collection of breaths. In the silence between them, I memorized the cadence of Max's barefoot steps padding down the hallways at night, the way one single muscle in his throat twitched when he was stressed, the whisper of a laugh that always followed one of my quips (however unfunny). I learned that one side of his smile aways started first - the left side, a fraction of a second before the right - and that he loved ginger tea above all else and the list of things he wasn't made for.
And, in turn, he quietly memorized me, too. I knew he did, because one day I realized he had long ago stopped asking me how I took my tea and we mysteriously always had a never-ending stock of raspberries, even though I knew he didn't like them.
”
”
Carissa Broadbent (Daughter of No Worlds (The War of Lost Hearts, #1))
“
Although people call love a capricious and unaccountable emotion that arises like an illness, nonetheless it has its own laws and reasons, like everything else. If these laws have been little studied so far, that is because a person struck down by love is in no condition to observe with a scholar's eye as the impression steals into his soul and shackles his emotions like a dream, as first his eyes go blind, at which moment his pulse and then his heart begin beating harder, all of a sudden there arises as of yesterday an undying devotion, the desire to sacrifice oneself; one's I gradually vanishes and crosses over into him or her; the mind becomes wither unusually dull or unusually sharp; the will surrenders to the will of another; and the head bows, the knees shake and the tears and fever come.
”
”
Ivan Goncharov (Oblomov)
“
Or I would be the rain itself, wreathing over the island, mingling in the quiet of moist places, filling its pores with its saturated breaths. And I would be the wind, whispering through the tangled woods, running airy fingers over the island’s face, tingling in the chill of concealed places, sighing secrets in the dawn. And I would be the light, flinging over the island, covering it with flash and shadow, shining on rocks and pools, softening to a touch in the glow of dusk. If I were the rain and wind and light, I would encircle the island like the sky surrounding earth, flood through it like a heart driven pulse, shine from inside it like a star in flames, burn away to blackness in the closed eyes of its night. There are so many ways I could love this island, if I were the rain.
”
”
Richard Nelson (The Island Within)
“
He smiled without his teeth. Small, shyly. I found myself smiling back. Like an impulse
Then he ruined it by saying…
"You're not like other girls, are you?"
And I activated.
Every single emotion I'd been squashing into my guts exploded like a burst appendix. I jumped off the bed and turned to him with a scowl I was sure he'd need permanent therapy to recover from.
"Are you kidding me Harry?"
"Woah Audrey. Hey, hey, hey. It's a compliment."
I felt like screaming.
"It's NOT a compliment.
I threw my arms up, any motion to get rid of the rage pulsing through me.
It's an insult to every single woman on this PLANET. Don't you DARE try and pull that shit on me.
"What shit?!" Harry was stupid enough to ask. "I was saying something nice…"
I shook my head so hard.
"No, you were saying something clichéd and UNTRUE. I AM like other girls, Harry. Don't misinterpret my hatred of romance as some kooky, laid-back, manic pixie NONSENSE. I am DAMAGED. I am not CUTE. I am emotionally-fucking-traumatised right now, okay? I am screaming on the inside. I am too angry and messed up to contain all the stuff girls spend every day containing. That's why I seem different. That is NOT sexy.
”
”
Holly Bourne (It Only Happens in the Movies)
“
You entered,
Abrupt like “Take it!”,
Mauling suede gloves, you tarried,
And said:
“You know,-
I’m soon getting married.”
Get married then.
It’s all right,
I can handle it.
You see - I’m calm, of course!
Like the pulse
Of a corpse.
Remember?
You used to say:
“Jack London,
Money,
Love and ardour,”--
I saw one thing only:
You were La Gioconda,
Which had to be stolen!
And someone stole you.
Again in love, I shall start gambling,
With fire illuminating the arch of my eyebrows.
And why not?
Sometimes, the homeless ramblers
Will seek to find shelter in a burnt down house!
You’re mocking me?
“You’ve fewer emeralds of madness
than a beggar kopecks, there’s no disproving this!”
But remember
Pompeii came to end thus
When somebody teased Vesuvius!
Hey!
Gentlemen!
You care for
Sacrilege,
Crime
And war.
But have you seen
The frightening terror
Of my face
When
It’s
Perfectly calm?
And I feel-
“I”
Is too small to fit me.
Someone inside me is getting smothered.
”
”
Vladimir Mayakovsky
“
The potion drunk by lovers is prepared by no one but themselves. The potion is the sum of one's whole existence. Every word spoken in the past accumulated forms and color in the self. What flows through the veins besides blood is the distillation of every act committed, the sediment of all the visions, wishes, dreams, and experiences. All the past emotions converge to tint the skin and flavor the lips, to regulate the pulse and produce crystals in the eyes.
The fascination exerted by one human being over another is not what he emits of his personality at the present instant of encounter but a summation of his entire being which gives off this powerful drug capturing the fancy and attachment.
No moment of charm without long roots in the past, no moment of charm is born on bare soil, a careless accident of beauty, but is the sum of great sorrows, growths, and efforts.
But love, the great narcotic, was the hothouse in which all the selves burst into their fullest bloom . . .
”
”
Anaïs Nin
“
Nearly a Valediction"
You happened to me. I was happened to
like an abandoned building by a bull-
dozer, like the van that missed my skull
happened a two-inch gash across my chin.
You were as deep down as I’ve ever been.
You were inside me like my pulse. A new-
born flailing toward maternal heartbeat through
the shock of cold and glare: when you were gone,
swaddled in strange air I was that alone
again, inventing life left after you.
I don’t want to remember you as that
four o’clock in the morning eight months long
after you happened to me like a wrong
number at midnight that blew up the phone
bill to an astronomical unknown
quantity in a foreign currency.
The U.S. dollar dived since you happened to me.
You’ve grown into your skin since then; you’ve grown
into the space you measure with someone
you can love back without a caveat.
While I love somebody I learn to live
with through the downpulled winter days’ routine
wakings and sleepings, half-and-half caffeine-
assisted mornings, laundry, stock-pots, dust-
balls in the hallway, lists instead of longing, trust
that what comes next comes after what came first.
She’ll never be a story I make up.
You were the one I didn’t know where to stop.
If I had blamed you, now I could forgive
you, but what made my cold hand, back in prox-
imity to your hair, your mouth, your mind,
want where it no way ought to be, defined
by where it was, and was and was until
the whole globed swelling liquefied and spilled
through one cheek’s nap, a syllable, a tear,
was never blame, whatever I wished it were.
You were the weather in my neighborhood.
You were the epic in the episode.
You were the year poised on the equinox.
”
”
Marilyn Hacker (Winter Numbers: Poems)
“
Time is so subjective, its measure totally dependent upon the means by which we mark its passage. When we follow the conventional milestones, meting out our lives with birthdays and graduations and anniversaries and funerals, we are left with voids along the way-vast stretches of empty space lost forever, never to be filled. As time grows short, the significance of each moment increases, until finally every heartbeat is of monumental importance. Or so it seems at first. I have discovered, almost too late, that time is not just arbitrary, but of no great consequence after all. She has taught me that a touch is a lifetime, a kiss forever, and that passion will transcend the limitations of fragile existence to span eternity.
I no longer worry about the beat of my heart-I need only the memory of her to live on. My soul, my very being, pulses with wonder at the places within me that she has filled, with gratitude for the wounds she has healed, and with everlasting devotion for the love she has given. In her arms, I found passion and peace and a place to rest. No matter where I travel or what road I take to reach my detestation, I will always have the comfort of her hand in my and the soft whisper of her voice reminding me that I do not need to be afraid. This, this has always been my secret desire, and now I need search no further. I am Loved, and I am content,
”
”
Radclyffe (Love's Masquerade)
“
My mom always said, there are two kinds of love in this world: the steady breeze, and the hurricane.
The steady breeze is slow and patient. It fills the sails of the boats in the harbor, and lifts laundry on the line. It cools you on a hot summer’s day; brings the leaves of fall, like clockwork every year. You can count on a breeze, steady and sure and true.
But there’s nothing steady about a hurricane. It rips through town, reckless, sending the ocean foaming up the shore, felling trees and power lines and anyone dumb or fucked-up enough to stand in its path. Sure, it’s a thrill like nothing you’ve ever known: your pulse kicks, your body calls to it, like a spirit possessed. It’s wild and breathless and all-consuming.
But what comes next?
“You see a hurricane coming, you run.” My mom told me, the summer I turned eighteen. “You shut the doors, and you bar the windows. Because come morning, there’ll be nothing but the wreckage left behind.”
Emerson Ray was my hurricane.
Looking back, I wonder if mom saw it in my eyes: the storm clouds gathering, the dry crackle of electricity in the air. But it was already too late. No warning sirens were going to save me. I guess you never really know the danger, not until you’re the one left, huddled on the ground, surrounded by the pieces of your broken heart.
It’s been four years now since that summer. Since Emerson. It took everything I had to pull myself back together, to crawl out of the empty wreckage of my life and build something new in its place. This time, I made it storm-proof. Strong. I barred shutters over my heart, and found myself a steady breeze to love. I swore, nothing would ever destroy me like that summer again.
I was wrong.
That’s the thing about hurricanes. Once the storm touches down, all you can do is pray.
”
”
Melody Grace (Unbroken (Beachwood Bay, #1))
“
The raft finally got here,” he said. Calypso snorted. Her eyes might have been red, but it was hard to tell in the moonlight. “You just noticed?” “But if it only shows up for guys you like—” “Don’t push your luck, Leo Valdez,” she said. “I still hate you.” “Okay.” “And you are not coming back here,” she insisted. “So don’t give me any empty promises.” “How about a full promise?” he said. “Because I’m definitely—” She grabbed his face and pulled him into a kiss, which effectively shut him up. For all his joking and flirting, Leo had never kissed a girl before. Well, sisterly pecks on the cheek from Piper, but that didn’t count. This was a real, full-contact kiss. If Leo had had gears and wires in his brain, they would’ve short-circuited. Calypso pushed him away. “That didn’t happen.” “Okay.” His voice sounded an octave higher than usual. “Get out of here.” “Okay.” She turned, wiping her eyes furiously, and stormed up the beach, the breeze tousling her hair. Leo wanted to call to her, but the sail caught the full force of the wind, and the raft cleared the beach. He struggled to align the guidance console. By the time Leo looked back, the island of Ogygia was a dark line in the distance, their campfire pulsing like a tiny orange heart. His lips still tingled from the kiss. That didn’t happen, he told himself. I can’t be in love with an immortal girl. She definitely can’t be in love with me. Not possible. As his raft skimmed over the water, taking him back to the mortal world, he understood a line from the Prophecy better—an oath to keep with a final breath. He understood how dangerous oaths could be. But Leo didn’t care. “I’m coming back for you, Calypso,” he said to the night wind. “I swear it on the River Styx.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
What are you doing here?"
He takes a deep breath. "I came for you."
"And how on EARTH did you know I was up here?"
"I saw you." He pauses. "I came to make another wish,and I was standing on Point Zero when I saw you enter the tower. I called your name,and you looked around,but you didn't see me."
"So you decided to just...come up?" I'm doubtful,despite the evidence in front of me.It must have taken superhuman strength for him to make it past the first flight of stairs alone.
"I had to.I couldn't wait for you to come down,I couldn't wait any longer. I had to see you now.I have to know-"
He breaks off,and my pulse races. What what what?
"Why did you lie to me?"
The question startles me.Not what I was expecting.Nor hoping.He's still on the ground,but he stares up at me.His brown eyes are huge and heartbroken. I'm confused. "I'm sorry, I don't know what-"
"November.At the creperie. I asked you if we'd talked about anything strange that night I was drunk in your room.If I had said anything about our relationship,or my relationship with Ellie.And you said no."
Oh my God. "How did you know?"
"Josh told me."
"When?"
"November."
I'm stunned. "I...I..." My throat is dry. "If you'd seen the look on your face that day.In the restaurant. How could I possibly tell you? With your mother-"
"But if you had,I wouldn't have wasted all of these months.I thought you were turning me down.I thought you weren't interested."
"But you were drunk! You had a girlfriend! What was I supposed to do? God,St. Clair,I didn't even know if you meant it."
"Of course I meant it." He stands,and his legs falter.
"Careful!"
Step.Step.Step. He toddles toward me,and I reach for his hand to guide him.We're so close to the edge. He sits next to me and grips my hand harder. "I meant it,Anna.I mean it."
"I don't under-"
He's exasperated. "I'm saying I'm in love with you! I've been in love with you this whole bleeding year!"
My mind spins. "But Ellie-"
"I cheated on her every day.In my mind, I thought of you in ways I shouldn't have,again and again. She was nothing compared to you.I've never felt this way about anybody before-"
"But-"
"The first day of school." He scoots closer. "We weren't physics partners by accident.I saw Professeur Wakefield assigning lab partners based on where people were sitting,so I leaned forward to borrow a pencil from you at just the right moment so he'd think we were next to each other.Anna,I wanted to be your partner the first day."
"But..." I can't think straight.
"I doubt you love poetry! 'I love you as certain dark things are loved, secretly,between the shadow and the soul.'"
I blink at him.
"Neruda.I starred the passage.God," he moans. "Why didn't you open it?"
"Because you said it was for school."
"I said you were beautiful.I slept in your bed!"
"You never mave a move! You had a girlfriend!"
"No matter what a terrible boyfriend I was,I wouldn't actually cheat on her. But I thought you'd know.With me being there,I thought you'd know."
We're going in circles. "How could I know if you never said anything?"
"How could I know if you never said anyting?"
"You had Ellie!"
"You had Toph! And Dave!
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
But as I stood across from Archer, I couldn't forget that I was completely, stupidly in love with the one person I could never have.
The laughter died on my lips, and I dashed at my eyes with the back of my hand. "I need to get back," I said.
"Right," he replied. He was still holding his sword in his right hand, and he twirled the hilt, the point sratching the wooden floor. "So this is it. We're done."
"Yeah," I said, my voice cracking. I cleared my throat. "And I have to say, the world's first and last Eye-demon reconnaissance mission went pretty well." It was a struggle to meet his eyes, but I managed it. "Thank you."
He shrugged, his dark gaze full of something I couldn't quite read. "We were a good team."
"We were." In more ways than one, I thought. Which is why this sucked so bad.
I stepped back. "Anyway, I should go. See ya,Cross." Then I laughed, only it sounded suspiciously like another sob. "Except I won't, will I So I guess I should say goodbye." I felt like I was about to shatter into a million tiny shards, like the mirrors I'd broken with Dad. "okay, well, best of luck with the whole Eye thing, then. Try not to kill anyone I know." I turned away, but he reached out and caught my wrist.
I could feel my pulse hammering under his fingers. "Mercer, that day in the cellar..." He searched my face, and I could sense him struggling for what he wanted to say. Then finally, "I didn't kiss you back because I had to. I kissed you because I wanted to." His eyes dropped to my lips,and it was like the whole world had shrunk to just me and him and the shaft of light between us. "I still want to," he said hoarsely. He tugged my wrist and pulled me into his arms.
My brain registered the sound of his sword clattering to he ground as his other hand came up to grab the back of my neck, but once his lips were on mine, everything else faded away. I clutched at his shoulders, raising up on my tiptoes, and kissed him with everything I had in me. As the kiss deepened, we held each other tighter, so I didn't know if the pounding heartbeat I felt was mine or his.
How stupid,I thought dreamily, to have ever thought I could give this up. Not just the kissing, although, as Archer's hands cupped my face, I had to admit that part was pretty awesome. But all of it: joking with him and working beside him. Being with a guy who was my friend and could still make me feel like this.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Season late, day late, sun just down, and the sky
Cold gunmetal but with a wash of live rose, and she,
From water the color of sky except where
Her motion has fractured it to shivering splinters of silver,
Rises. Stands on the raw grass. Against
The new-curdling night of spruces, nakedness
Glimmers and, at bosom and flank, drips
With fluent silver. The man,
Some ten strokes out, but now hanging
Motionless in the gunmetal water, feet
Cold with the coldness of depth, all
History dissolving from him, is
Nothing but an eye. Is an eye only. Sees
The body that is marked by his use, and Time's,
Rise, and in the abrupt and unsustaining element of air,
Sway, lean, grapple the pond-bank. Sees
How, with that posture of female awkwardness that is,
And is the stab of, suddenly perceived grace, breasts bulge down in
The pure curve of their weight and buttocks
Moon up and, in swelling unity,
Are silver and glimmer. Then
The body is erect, she is herself, whatever
Self she may be, and with an end of the towel grasped in each hand,
Slowly draws it back and forth across back and buttocks, but
With face lifted toward the high sky, where
The over-wash of rose color now fails. Fails, though no star
Yet throbs there. The towel, forgotten,
Does not move now. The gaze
Remains fixed on the sky. The body,
Profiled against the darkness of spruces, seems
To draw to itself, and condense in its whiteness, what light
In the sky yet lingers or, from
The metallic and abstract severity of water, lifts. The body,
With the towel now trailing loose from one hand, is
A white stalk from which the face flowers gravely toward the high sky.
This moment is non-sequential and absolute, and admits
Of no definition, for it
Subsumes all other, and sequential, moments, by which
Definition might be possible. The woman,
Face yet raised, wraps,
With a motion as though standing in sleep,
The towel about her body, under her breasts, and,
Holding it there hieratic as lost Egypt and erect,
Moves up the path that, stair-steep, winds
Into the clamber and tangle of growth. Beyond
The lattice of dusk-dripping leaves, whiteness
Dimly glimmers, goes. Glimmers and is gone, and the man,
Suspended in his darkling medium, stares
Upward where, though not visible, he knows
She moves, and in his heart he cries out that, if only
He had such strength, he would put his hand forth
And maintain it over her to guard, in all
Her out-goings and in-comings, from whatever
Inclemency of sky or slur of the world's weather
Might ever be. In his heart he cries out. Above
Height of the spruce-night and heave of the far mountain, he sees
The first star pulse into being. It gleams there.
I do not know what promise it makes him.
”
”
Robert Penn Warren
“
I smack into him as if shoved from behind. He doesn't budge, not an inch. Just holds my shoulders and waits. Maybe he's waiting for me to find my balance. Maybe he's waiting for me to gather my pride. I hope he's got all day.
I hear people passing on the boardwalk and imagine them staring. Best-case scenario, they think I know this guy, that we're hugging. Worst-case scenario, they saw me totter like an intoxicated walrus into this complete stranger because I was looking down for a place to park our beach stuff. Either way, he knows what happened. He knows why my cheek is plastered to his bare chest. And there is definite humiliation waiting when I get around to looking up at him.
Options skim through my head like a flip book.
Option One: Run away as fast as my dollar-store flip flops can take me. Thing is, tripping over them is partly responsible for my current dilemma. In fact, one of them is missing, probably caught in a crack of the boardwalk. I'm getting Cinderella didn't feel this foolish, but then again, Cinderella wasn't as clumsy as an intoxicated walrus.
Option two: Pretend I've fainted. Go limp and everything. Drool, even. But I know this won't work because my eyes flutter too much to fake it, and besides, people don't blush while unconscious.
Option Three: Pray for a lightning bolt. A deadly one that you feel in advance because the air gets all atingle and your skin crawls-or so the science books say. It might kill us both, but really, he should have been paying more attention to me when he saw that I wasn't paying attention at all.
For a shaved second, I think my prayers are answered because I go get tingly all over; goose bumps sprout everywhere, and my pulse feels like electricity. Then I realize, it's coming from my shoulders. From his hands.
Option Last: For the love of God, peel my cheek off his chest and apologize for the casual assault. Then hobble away on my one flip-flop before I faint. With my luck, the lightning would only maim me, and he would feel obligated to carry me somewhere anyway. Also, do it now.
I ease away from him and peer up. The fire on my cheeks has nothing to do with the fact that it's sweaty-eight degrees in the Florida sun and everything to do with the fact that I just tripped into the most attractive guy on the planet. Fan-flipping-tastic.
"Are-are you all right?" he says, incredulous. I think I can see the shape of my cheek indented on his chest.
I nod. "I'm fine. I'm used to it. Sorry." I shrug off his hands when he doesn't let go. The tingling stays behind, as if he left some of himself on me.
"Jeez, Emma, are you okay?" Chloe calls from behind. The calm fwopping of my best friend's sandals suggests she's not as concerned as she sounds. Track star that she is, she would already be at my side if she thought I was hurt. I groan and face her, not surprised that she's grinning wide as the equator. She holds out my flip-flop, which I try not to snatch from her hand.
"I'm fine. Everybody's fine," I say. I turn back to the guy, who seems to get more gorgeous by the second. "You're fine, right? No broken bones or anything?"
He blinks, gives a slight nod.
Chloe setts her surfboard against the rail of the boardwalk and extends her hand to him. He accepts it without taking his eyes off me. "I'm Chloe and this is Emma," she says. "We usually bring her helmet with us, but we left it back in the hotel room this time.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
His mouth comes down on mine, harder now, more demanding, a raw, hungry need in him rising to the surface. “You belong to me,” he growls. “Say it.”
“Yes. Yes, I belong to you.” His mouth finds mine again, demanding, taking, drawing me under his spell.
“Say it again,” he demands, nipping my lip, squeezing my breast and nipple, and sending a ripple of pleasure straight to my sex.
“I belong to you,” I pant.
He lifts me off the ground with the possessive curve of his hand around my backside, angling my hips to thrust harder, deeper. “Again,” he orders, driving into me, his cock hitting the farthest point of me and blasting against sensitive nerve endings.
“Oh … ah … I … I belong to you.”
His mouth dips low, his hair tickling my neck, his teeth scraping my shoulders at the same moment he pounds into me and the world spins around me, leaving nothing but pleasure and need and more need.
I am suddenly hot only where he touches, and freezing where I yearn to be touched. Lifting my leg, I shackle his hip, ravenous beyond measure, climbing to the edge of bliss, reaching for it at the same time I’m trying desperately to hold back. Chris is merciless, wickedly wild, grinding and rocking, pumping.
“I love you, Sara,” he confesses hoarsely, taking my mouth, swallowing the shallow, hot breath I release, and punishing me with a hard thrust that snaps the last of the lightly held control I possess. Possessing me. A fire explodes low in my belly and spirals downward, seizing my muscles, and I begin to spasm around his shaft, trembling with the force of my release.
With a low growl, his muscles ripple beneath my touch and his cock pulses, his hot semen spilling inside me. We moan together, lost in the climax of a roller-coaster ride of pain and pleasure, spanning days apart, and finally collapse in a heap and just lie there. Slowly, I let my leg ease from his hip to the ground, and Chris rolls me to my side to face him.
Still inside me, he holds me close, pulling the jacket up around my back, trailing fingers over my jaw. “And I belong to you.
”
”
Lisa Renee Jones (Being Me (Inside Out, #2))
“
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him.
I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!"
"I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.”
He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable.
"There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests.
I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough.
Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere.
"Letha? Where are you at?”
My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon.
Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze.
"Have you ever been with anyone before?" he asked wonderingly.
I shook my head.
"How did you ... I never imagined you doing that...”
"I learn fast.”
He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...”
"Tonight," I agreed.
He backed away then, eyes still smoldering. "I love you. You are my life.”
"I love you too." I smiled and watched him go.
”
”
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
“
I used to read in books how our fathers persecuted mankind. But I never appreciated it. I did not really appreciate the infamies that have been committed in the name of religion, until I saw the iron arguments that Christians used. I saw the Thumbscrew—two little pieces of iron, armed on the inner surfaces with protuberances, to prevent their slipping; through each end a screw uniting the two pieces. And when some man denied the efficacy of baptism, or may be said, 'I do not believe that a fish ever swallowed a man to keep him from drowning,' then they put his thumb between these pieces of iron and in the name of love and universal forgiveness, began to screw these pieces together. When this was done most men said, 'I will recant.' Probably I should have done the same. Probably I would have said: 'Stop; I will admit anything that you wish; I will admit that there is one god or a million, one hell or a billion; suit yourselves; but stop.'
But there was now and then a man who would not swerve the breadth of a hair. There was now and then some sublime heart, willing to die for an intellectual conviction. Had it not been for such men, we would be savages to-night. Had it not been for a few brave, heroic souls in every age, we would have been cannibals, with pictures of wild beasts tattooed upon our flesh, dancing around some dried snake fetich.
Let us thank every good and noble man who stood so grandly, so proudly, in spite of opposition, of hatred and death, for what he believed to be the truth.
Heroism did not excite the respect of our fathers. The man who would not recant was not forgiven. They screwed the thumbscrews down to the last pang, and then threw their victim into some dungeon, where, in the throbbing silence and darkness, he might suffer the agonies of the fabled damned. This was done in the name of love—in the name of mercy, in the name of Christ.
I saw, too, what they called the Collar of Torture. Imagine a circle of iron, and on the inside a hundred points almost as sharp as needles. This argument was fastened about the throat of the sufferer. Then he could not walk, nor sit down, nor stir without the neck being punctured, by these points. In a little while the throat would begin to swell, and suffocation would end the agonies of that man. This man, it may be, had committed the crime of saying, with tears upon his cheeks, 'I do not believe that God, the father of us all, will damn to eternal perdition any of the children of men.'
I saw another instrument, called the Scavenger's Daughter. Think of a pair of shears with handles, not only where they now are, but at the points as well, and just above the pivot that unites the blades, a circle of iron. In the upper handles the hands would be placed; in the lower, the feet; and through the iron ring, at the centre, the head of the victim would be forced. In this condition, he would be thrown prone upon the earth, and the strain upon the muscles produced such agony that insanity would in pity end his pain.
I saw the Rack. This was a box like the bed of a wagon, with a windlass at each end, with levers, and ratchets to prevent slipping; over each windlass went chains; some were fastened to the ankles of the sufferer; others to his wrists. And then priests, clergymen, divines, saints, began turning these windlasses, and kept turning, until the ankles, the knees, the hips, the shoulders, the elbows, the wrists of the victim were all dislocated, and the sufferer was wet with the sweat of agony. And they had standing by a physician to feel his pulse. What for? To save his life? Yes. In mercy? No; simply that they might rack him once again.
This was done, remember, in the name of civilization; in the name of law and order; in the name of mercy; in the name of religion; in the name of Christ.
”
”
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
“
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me."
His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?"
Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year."
Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak.
The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him?
"Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth.
When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes."
She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about."
Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile."
"I wanted to kiss every one of them," she lied indignantly.
"No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you."
Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul.
He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation.
Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit."
Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Ultimately, the roast turkey must be regarded as a monument to Boomer's love.
Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards.
See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy.
The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage.
Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird?
And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted?
The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together.
And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering.
Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe.
Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder.
Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs.
Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.
”
”
Tom Robbins (Skinny Legs and All)