“
He pulls back to look down at me and when he sees my tears, he brings his hands up to my cheeks. “In the future... if by some miracle you ever find yourself in the position to fall in love again... fall in love with me.
”
”
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
“
What you are is a fucking tragedy, Simon Snow. You literally couldn't be a bigger mess."
He tries to kiss me, but I pull back- "And you like that?"
"I love it." He says
"Why?"
"Because we match.
”
”
Rainbow Rowell (Carry On (Simon Snow, #1))
“
My God, Sage. Your eyes. How have I never noticed them?"
That uncomfortable feeling was spreading over me again. "What about them?"
"The color," he breathed. "When you stand in the light. They're amazing... like molten gold. I could paint those..." He reached toward me but then pulled back. "They're beautiful. You're beautiful.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
I’m too selfish to leave you,” I said. Noah pulled back so I could see his smile. “I’m too selfish to let you.
”
”
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
“
When you go into the ER, one of the first things they ask you to do is rate your pain on a scale of one to ten, and from there they decide which drugs to use and how quickly to use them. I'd been asked this question hundreds of times over the years, and I remember once early on when I couldn't get my breath and it felt like my chest was on fire, flames licking the inside of my ribs fighting for a way to burn out of my body, my parents took me to the ER. nurse asked me about the pain, and I couldn't even speak, so I held up nine fingers.
Later, after they'd given me something, the nurse came in and she was kind of stroking my head while she took my blood pressure and said, "You know how I know you're a fighter? You called a ten a nine."
But that wasn't quite right. I called it a nine because I was saving my ten. And here it was, the great and terrible ten, slamming me again and again as I lay still and alone in my bed staring at the ceiling, the waves tossing me against the rocks then pulling me back out to sea so they could launch me again into the jagged face of the cliff, leaving me floating faceup on the water, undrowned.
”
”
John Green (The Fault in Our Stars)
“
Stop fighting me!" he said, trying to pull on the arm he held.
He was in a precarious position himself, straddling the rail as he tried to lean over far enough to get me and actually hold onto me.
“Let go of me!” I yelled back.
But he was too strong and managed to haul most of me over the rail, enough so that I wasn’t in total danger of falling again.
See, here’s the thing. In that moment before I let go, I really had been contemplating my death. I’d come to terms with it and accepted it. I also, however, had known Dimitri might do something exactly like this. He was just that fast and that good. That was why I was holding my stake in the hand that was dangling free.
I looked him in the eye. "I will always love you."
Then I plunged the stake into his chest.
It wasn’t as precise a blow as I would have liked, not with the skilled way he was dodging. I struggled to get the stake in deep enough to his heart, unsure if I could do it from this angle. Then, his struggles stopped. His eyes stared at me, stunned, and his lips parted, almost into a smile, albeit a grisly and pained one.
"That’s what I was supposed to say. . .” he gasped out.
Those were his last words.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
I'm so sorry," I whisper. I lean forward and kiss him.
His eyelashes flutter and he looks at me through a haze of opiates. "Hey, Catnip."
"Hey, Gale," I say.
"Thought you'd be gone by now," He says.
My choices are simple. I can die like a quarry in the woods or I can die here beside Gale. "I'm not going anywhere. I'm going to stay right here and cause all kinds of trouble."
"Me, too," Gale says. He just manages a smile before the drugs pull him back under.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Life is a series of pulls back and forth. You want to do one thing, but you are bound to do somehing else. Something hurts you, yet you know it shouldn't. You take certain things for granted, even when you know you should never take anything for granted.
”
”
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
“
Get stuffed, don't you have more publicity stunts to pull?" Bones shot back. "How about chatting with another writer who can smear your name into greater popularity?"
"What, did Anne Rice not return your calls, mate?" Vlad asked scathingly. "Jealousy is such an ugly trait.
”
”
Jeaniene Frost (At Grave's End (Night Huntress, #3))
“
Fang! Come Back!" I started pulling his hair. Shaking his head and shoulders. Hard. "Wake up! Snap out of it! You stupid jerk! I am going to kill you if you die on me!
”
”
James Patterson (Fang (Maximum Ride, #6))
“
Like driving along a bumpy road and losing control of the steering wheel, tossing you—just a tad—off the road. The wheels kick up some dirt, but you're able to pull it back. Yet no matter how hard you try to drive straight, something keeps jerking you to the side. You have so little control over anything anymore. And at some point, the struggle becomes too much—too tiring—and you consider letting go. Allowing tragedy... or whatever... to happen.
”
”
Jay Asher (Thirteen Reasons Why)
“
The illusion of freedom will continue as long as it's profitable to continue the illusion. At the point where the illusion becomes too expensive to maintain, they will just take down the scenery, they will pull back the curtains, they will move the tables and chairs out of the way and you will see the brick wall at the back of the theater.
”
”
Frank Zappa
“
That seems like stealing, doesn't it?" Simon pulled a cup toward him. He drew the lid back. "Ooh. Mochaccino." He looked at Magnus. "Did you pay for these?"
"Sure," said Magnus, while Jace and Alec snickered. "I make dollar bills magically appear in their cash register."
"Really?"
"No." Magnus popped the lid off his own coffee. "But you can pretend I did if it makes you feel better. So, first order of business is what?
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Have you ever seen anything quite as pathetic?" said Malfoy. "And he’s supposed to be our teacher!"
Harry and Ron both made furious moves toward Malfoy, but Hermione got there first - SMACK!
She had slapped Malfoy across the face with all the strength she could muster. Malfoy staggered. Harry, Ron, Crabbe, and Goyle stood flabbergasted as Hermione raised her hand again.
"Don’t you dare call Hagrid pathetic you foul—you evil—"
"Hermione!" said Ron weakly and he tried to grab her hand as she swung it back.
"Get off Ron!"
Hermione pulled out her wand. Malfoy stepped backward. Crabbe and Goyle looked at him for instructions, thoroughly bewildered.
"C’mon," Malfoy muttered, and in a moment, all three of them had disappeared into the passageway to the dungeons.
"Hermione!" Ron said again, sounding both stunned and impressed.
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
Kitten,” he growled roughly.
I kissed him softly, sliding my hands into his silky locks, letting the pieces slide through my fingers. I tasted in him my own rising desire, my own need and heartache. Thrilling. Frightening. I pulled back.
“Kitten,” he said again, voice strained. “You don’t get to do that and then stop. That’s not how it works.”
I stared at him, my breath stalling in my lungs.
“Not when you’re mine.” Daemon backed us up and slid down the wall, pulling me on his lap so I was straddling him. “And you’re mine.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
I clinked my bottle against his. “To being the only girl a
guy with no standards doesn’t want to sleep with.” I said,
taking a swig.
“Are you serious?” he asked, pulling the bottle from my
mouth. When I didn’t recant, he leaned toward me. “First of
all…I have standards. I’ve never been with an ugly woman.
Ever. Second of all, I wanted to sleep with you. I thought
about throwing you over my couch fifty different ways, but I
haven’t because I don’t see you that way anymore. It’s not
that I’m not attracted to you, I just think you’re better than
that.”
I couldn’t hold back the smug smile that crept across my
face. “You think I’m too good for you.”
He sneered at my second insult. “I can’t think of a single
guy I know that’s good enough for you.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
No one can pull anyone back from anywhere. You save yourself or you remain unsaved.
”
”
Alice Sebold (Lucky)
“
She won't understand. And when she goes over the edge, there will be nothing to pull her back."
"She will find her way back. She always does."
Tears formed, but the princess blinked them away. "For all our sakes, I hope you're right.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
I didn’t know enough to dream you, Bree, but somehow you came true anyway. How did that happen?” He rubbed his nose along mine, pausing and then pulling back again. “Who read my mind and knew exactly what I wanted, even when I didn’t?
”
”
Mia Sheridan (Archer's Voice)
“
Try it again," I said. "Kiss me."
"No," he said.
"Kiss me."
"No," And then he smiled. "You kiss me."
I placed my hand on the back of his neck. I pulled him toward me. And kissed him. I kissed him. And I kissed him. And I kissed him. And I kissed him. And he kept kissing me back.
”
”
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
“
Whatever happened to the dragon?"
I mustered my primmest tone. "He has a name, you know."
Adrian pulled back and gave me a curious look. "I didn't know, actually. What'd you decide on?"
"Hopper." When Adrian laughed, I added, "Best rabbit ever. He'd be proud to know his name is being passed on."
"Yes, I'm sure he would. Did you name the Mustang too?"
"I think you mean the Ivashkinator."
He stared at me in wonder. "I told you I loved you, right?
"Yes," I assured him. "Many times.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Ash pulled me back against him, brushing my hair from my neck. His mouth skimmed my shoulder, up my neck, sending butterflies swarming through my insides. "If you want to rest, then do so," he murmured against my skin. "The rain will not touch you, I promise.
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
“
Leo’s voice boomed over the loudspeaker: ‘SURRENDER! YOU ARE SURROUNDED BY ONE SPANKING HOT WAR MACHINE!’
The giant Enceladus howled in outrage. ‘Valdez!’
‘WHAT’S UP, ENCHILADAS?’ Leo’s voice roared back. ‘NICE DAGGER IN YOUR FOREHEAD.’
‘GAH!’ The giant pulled Katoptris out of his head. ‘Monsters: destroy that ship!
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
I don't understand what you're still doing here."
She blinked and nodded miserably, then began to turn away.
"No!" He pulled her back. "Don't leave. It's just that you've never—we've never... gotten this far." He closed his eyes. "Will you say it again?" he asked, almost shyly. "Will you tell me ... what I am?"
"You're an angel," she repeated slowly, surprised to see Daniel close his eyes and moan in pleasure, almost as if they were kissing. "I'm in love with an angel.
”
”
Lauren Kate (Fallen (Fallen, #1))
“
Outside, the ocean was crashing, waves hitting sand, then pulling back to sea. I thought of everything being washed away, again and again. We make such messes in this life, both accidentally and on purpose. But wiping the surface clean doesn't really make anything neater. It just masks what is below. It's only when you really dig down deep, go underground, that you can see who you really are.
”
”
Sarah Dessen (What Happened to Goodbye)
“
Fury didn’t stop her prep. “Bryce was a ghost for a long while, Hunt. She pretended she wasn’t, but she was.” The helicopter finally pulled into the air. “You brought her back to life.
”
”
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
“
The cord, a familiar voice said. Remember your lifeline, dummy!
Suddenly there was a tug in my lower back. The current pulled at me, but it wasn't carrying me away anymore. I imagined the string in my back keeping me tied to the shore.
"Hold on, Seaweed Brain." It was Annabeth's voice, much clearer now. "You're not getting away from me that easily."
The cord strengthened.
I could see Annabeth now- standing barefoot above me on the canoe lake pier. I'd fallen out of my canoe. That was it. She was reaching out her hand to haul me up, and she was trying not to laugh. She wore her orange camp T-shirt and jeans. Her hair was tucked up in her Yankees cap, which was strange because that should have made her invisible.
"You are such an idiot sometimes." She smiled. "Come on. Take my hand."
Memories came flooding back to me- sharper and more colorful. I stopped dissolving. My name was Percy Jackson. I reached up and took Annabeth's hand.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
The bastard kissed her. She was so mad, she bit him hard enough to draw blood. Raphael pulled back, lip already beginning to swell. “We are no longer even, Elena. You’re now in debt.”
“You can deduct it from my slow and painful death.
”
”
Nalini Singh (Angels' Blood (Guild Hunter, #1))
“
He is the most beautiful creature I have ever seen and it's not about his face, but the life force I can see in him. It's the smile and the pure promise of everything he has to offer. Like he's saying, 'Here I am world, are you ready for so much passion and beauty and goodness and love and every other word that should be in the dictionary under the word life?' Except this boy is dead, and the unnaturalness of it makes me want to pull my hair out with Tate and Narnie and Fitz and Jude's grief all combined. It makes me want to yell at the God that I wish I didn't believe in. For hogging him all to himself. I want to say, 'You greedy God. Give him back. I needed him here.
”
”
Melina Marchetta (On the Jellicoe Road)
“
Don't leave me," I begged, when I found air to speak. Kellan wrapped his arms around me just as tight. Voice cracking he murmured, "I won't...I'm yours, Kiera, for as long as you want me." Pulling back I cupped his face. "Forever, I want you forever.
”
”
S.C. Stephens (Effortless (Thoughtless, #2))
“
You don't stick a knife in a man's back nine inches and then pull it out six inches and say you're making progress ... No matter how much respect, no matter how much recognition, whites show towards me, as far as I am concerned, as long as it is not shown to everyone of our people in this country, it doesn't exist for me.
”
”
Malcolm X
“
The phone at my ass started ringing, I leaned forward and pulled it out.
“Don’t answer that,” Noah ordered.
“Fuck you,” I shot back, saw the display said “Luke calling” and flipped it open.
“Yo.”
“Babe,” Luke replied.
“I’ve been kidnapped again,” I informed him.
“I know. I’m following.
”
”
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
“
I pull back. "I'm going to have to change my computer password."
"Oh yeah? To what?"
"I-love-Josh."
"4 eva, he replies."
"You cracked my password?
”
”
Sally Thorne (The Hating Game)
“
Choosing to be with you isn't a difficult decision, Jacqueline," he breathed, pulling back one final time to stare into my eyes. "It's easy. Incredibly easy.
”
”
Tammara Webber (Easy (Contours of the Heart, #1))
“
When you come out of the grips of a depression there is an incredible relief, but not one you feel allowed to celebrate. Instead, the feeling of victory is replaced with anxiety that it will happen again, and with shame and vulnerability when you see how your illness affected your family, your work, everything left untouched while you struggled to survive. We come back to life thinner, paler, weaker … but as survivors. Survivors who don’t get pats on the back from coworkers who congratulate them on making it. Survivors who wake to more work than before because their friends and family are exhausted from helping them fight a battle they may not even understand. I hope to one day see a sea of people all wearing silver ribbons as a sign that they understand the secret battle, and as a celebration of the victories made each day as we individually pull ourselves up out of our foxholes to see our scars heal, and to remember what the sun looks like.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
It wasn't that I forgot Hanna. But at a certain point the memory of her stopped accompanying me wherever I went. She stayed behind, the way a city stays behind as a train pulls out of the station. It's there, somewhere behind you, and you could go back and make sure of it. But why should you?
”
”
Bernhard Schlink (The Reader)
“
What do you want to show me?"
"Nothing, really. I just want to be alone with you for a minute."
He pulled her to the back of the driveway, where they were almost completely hidden by a line of trees and the RV and the garage.
"Seriously?" she said. "That was so lame."
"I know," he said, turning to her. "Next time, I'll just say, 'Eleanor, follow me down this dark alley, I want to kiss you.'"
She didn't roll her eyes. She took a breath, then closed her mouth. He was learning how to catch her off guard.
She pushed her hands deeper in her pockets, so he put his hands on her elbows. "Next time," he said, "I'll just say, 'Eleanor, duck behind these bushes with me, I'm going to lose my mind if I don't kiss you.'"
She didn't move, so he thought it was probably okay to touch her face. Her skin was as soft as it looked, white and smooth as freckled porcelain.
"I'll just say, 'Eleanor, follow me down this rabbit hole...'"
He laid his thumb on her lips to see if she'd pull away. She didn't. He leaned closer. He wanted to close his eyes, but he didn't trust her not to leave him standing there.
”
”
Rainbow Rowell (Eleanor & Park)
“
Curran shrugged and pulled me back to him. 'You don't pick the family you're born into. You pick the one you make. I already chose my mate and glued her ass to the chair to make sure she knew it.
”
”
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
“
They pulled apart when Keefe shouted, "YOU GUYS HAVE TO SEE THIS!"
They ran to the main room and found Keefe standing under the skylight, holding up Mr. Snuggles like it was a baby lion about to be made king. The sparkly red dragon twinkled almost as much as Keefe's eyes as he said, "I went in to check on our boy and found him cuddling with THIS!"
"Isn't that the same dragon Fitz brought to your house that one time?" Dex asked Sophie.
"WHAT?" Keefe shouted. "YOU KNEW AND YOU DIDN'T TELL ME?!"
"Mr. Snuggles wasn't my secret to share," Sophie said.
"IT'S NAME IS MR. SNUGGLES?! That is... I can't even..." Keefe ran back to Fitz's room shouting, "ARE YOU MISSING YOUR SNUGGLE BUDDY?!"
"Fitz is going to die of embarrassment, you know that, right?" Biana asked.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
I will always love you, Kellan. Your heart is safe with me.”
Kellan pulled me into a hug and let out a long, shaky breath as he held me. “Promise?” he whispered?
I squeezed him just a little bit tighter. “I promise.” Pulling back, I rested my forehead against his. “Not loving you isn’t possible. Trust me, I tried.
”
”
S.C. Stephens (Reckless (Thoughtless, #3))
“
Depression weighs you down like a rock in a river. You don't stand a chance. You can fight and pray and hope you have the strength to swim, but sometimes, you have to let yourself sink. Because you'll never know true happiness until someone or something pulls you back out of that river--and you'll never believe it until you realize it was you, yourself who saved you.
”
”
Alysha Speer
“
Do you realize we could’ve been doing this for years if you weren’t such a pain in the ass?”
“Nah—I didn’t like you until recently.”
“Enemies-to-lovers—it’s our trope, Buxbaum.”
“You poor, confused little love lover.” A giggle shimmied through me before I set my hands on his face and said as I pulled him back to me, “Just shut up and kiss me.
”
”
Lynn Painter (Better Than the Movies (Better Than the Movies, #1))
“
When she comes
She pulls you close
She breathes in short bursts
Her eyes close
Her head tilts back
Her mouth opens slightly
Her thighs turn to steel, and then melt
She is perfect
And you feel like you are everything.
”
”
Henry Rollins (The Portable Henry Rollins)
“
You forgot to call,' he says.
I throw open my arms. He pulls me into them, and we kiss, and his lips are cold, and I think he's crying, and I'm definitely crying, and I pull back to say, 'I am so in love with you, Joshua Wasserstein. Of course I'll wait for you.
”
”
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
“
What are you working on?" I ask.
"The last page." He gestures towards the table, where a pencilled sketch is being turned into inked brushstrokes. It's a drawing of us, in this café, in this moment.
I smile up at him "It's beautiful. But what comes next?"
"The best part." And he pulls me back into his arms. "The happily ever after.
”
”
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
“
Alexander, you broke my heart. But for carrying me on your back, for pulling my dying sled, for giving me your last bread, for the body you destroyed for me, for the son you have given me, for the twenty-nine days we lived like Red Birds of Paradise, for all our Naples sands and Napa wines, for all the days you have been my first and last breath, for Orbeli- I will forgive you.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
You hated me that much?'
'No.' I grabbed a branch and pulled myself up, my back still to him. 'I missed you that much.
”
”
Bree Despain (The Dark Divine (The Dark Divine, #1))
“
Why did she do it? Nobody dared to ask. Because - what courage! Who had the courage to burn herself? Twenty aspirin, a little slit alongside the veins of the arm, maybe even a bad half hour standing on a roof: We've all had those. And somewhat more dangerous things, like putting a gun in your mouth. But you put it there, you taste it, it's cold and greasy, your finger is on the trigger, and you find that a whole world lies between this moment and the moment you've been planning, when you'll pull the trigger. That world defeats you. You put the gun back in the drawer. You'll have to find another way.
What was that moment like for her? The moment she lit the match. Had she already tried roofs and guns and aspirins? Or was it just an inspiration?
I had an inspiration once. I woke up one morning and I knew that today I had to swallow fifty aspirin. It was my task: my job for the day. I lined them up on my desk and took them one by one, counting. But it's not the same as what she did. I could have stopped, at ten, or at thirty. And I could have done what I did do, which was go onto the street and faint. Fifty aspirin is a lot of aspirin, but going onto the street and fainting is like putting the gun back in the drawer.
She lit the match.
”
”
Susanna Kaysen (Girl, Interrupted)
“
I like you in my bed,” Patch said. “I rarely pull down the covers. I rarely sleep. I could get used to this picture.”
“Are you offering me a permanent place?”
“Already put a spare key in your pocket.”
I patted my pocket. Sure enough, something small and hard was snug inside. “How charitable of you.”
“I’m not feeling very charitable now,” he said, holding my eyes, his voice deepening with a gravelly edge. “I missed you, Angel. Not one day went by that I didn’t feel you missing from my life. You haunted me to the point that I began to believe Hank had gone back on his oath and killed you. I saw your ghost in everything. I couldn’t escape you and I didn’t want to. You tortured me, but it was better than losing you.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
She reaches in, digs her hand deep into the ball, and pulls out a slip of paper. The crowd draws in a collective breath, and then you can hear a pin drop, and I'm feeling nauseous and so desperately hoping that it's not me, that it's not me, that it's not me.
Effie Trinket crosses back to the podium, smoothes the slip of paper, and reads out the name in a clear voice. And it's not me.
It's Primrose Everdeen.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
You're right. And so was my snake."
Snake?"
He pulled my arm out to expose my bracelet. "When I carved this my thoughts were on you, love. Your life is like this snake's coils. No matter how many turns it makes, you'll end up back where you belong. With me.
”
”
Maria V. Snyder
“
Maia pulled on a braid. "I ran into Eric of all people. He told me what happened and that you'd backed out of Millenium Lint's gigs for the past two weeks because of it."
"Actually, they changed their name," Jordan said. "They're Midnight Burrito now.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Angelina leaned forward as Sara pulled Miki back to her, "You know what they say about curiosity? That it stabbed the annoying biker girl over and over and over again until she spit up blood.
”
”
Shelly Laurenston (Pack Challenge (Magnus Pack, #1))
“
Slowly he looked at me, and then he bent down, planting his lips on mine. The kiss was unexpected—deep and forceful. Stunned I just stood there as he pulled back, nipping at my bottom lip. "Tasty, Kitten." Then he spun, planted his right hand on Blake’s shoulder, knocking him back into a locker. “See you around,” he said, smirking.
”
”
Jennifer L. Armentrout (Opal (Lux, #3))
“
The older I get, the more I see there are these crevices in life where things fall in and you just can't reach them to pull them back out. So you can sit next to them and weep or you can get up and move forward. You have to stop worrying about who's not here and start worrying about who is.
”
”
Alex Witchel (The Spare Wife)
“
Butterfly.
What a beautiful word
What a delicate creature.
Delicate like the cruel words that flow right out of your mouths and the food that flies right out of your hands…
Does it make you feel better?
Does it make you feel good ?
Does picking on a girl make you more of a man?
Well, I’m standing up for myself
Like I should have done before
I’m not putting up with your Butterfly anymore."
(Kiersten slides the sack off her wrist and opens it, pulling out a handful of hand-made butterflies. She takes the microphone out of the stand and begins walking down the stairs as she continues speaking.)
“I’d like to extend to others what others have extended to me.”
(She walks up to Mrs. Brill first and holds out a butterfly)
“Butterfly you, Mrs. Brill.”
(Mrs. Brill smiles at her and takes the butterfly out of her hands. Lake laughs out loud and I have to nudge her to get her to be quiet. Kiersten walks around the room, passing out butterflies to several of the students, including the three from the lunchroom.)
“Butterfly you, Mark.
Butterfly you, Brendan.
Butterfly you, Colby.”
(When she finishes passing out the butterflies, she walks back onto the stage and places the microphone back into the stand.)
“I have one thing to say to you
And I’m not referring to the bullies
Or the ones they pursue.
I’m referring to those of you that just stand by
The ones who don’t take up for those of us that cry
Those of you who just…turn a blind eye.
After all it’s not you it’s happening to
You aren’t the one being bullied
And you aren’t the one being rude
It isn’t your hand that’s throwing the food
But…it is your mouth not speaking up
It is your feet not taking a stand
It is your arm not lending a hand
It is your heart
Not giving a damn.
So take up for yourself
Take up for your friends
I challenge you to be someone
Who doesn’t give in.
Don’t give in.
Don’t let them win.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Do. You. Still. Love. Me?” I enunciate every word and lean right into his space just to prove that I’m not intimidated by him. He cups the back of my neck and pulls me within inches of his face—close enough to kiss. “I could reach the rank of Maven, lead armies of dark wielders against everyone we care for, and watch every vein in my body turn red as I channel all the power in the Continent, and I would still love you. What I did doesn’t change that. I’m not sure anything can.
”
”
Rebecca Yarros (Onyx Storm (The Empyrean #3))
“
Don't pull any shit because you want to show off.”
“Wait a second.” She looked down then back up. “Nope, I haven't grown a cock in the last few minutes. I have no need to prove whose is bigger.
”
”
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
“
Rhys’s lip pulled back from his teeth. “I dare you.” Temper—he had to be in some mood today to let his temper show this much. Good. That made two of us. I flung my other shoe right at his head, as swift and hard as the first one.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Maybe all you need to pull you back form the ledge is to know someone would miss you if you fell.
”
”
Leah Raeder (Black Iris)
“
Do you always wear underwear like this, or is it for me?”
I rolled to my back and pulled the sheet to my waist.
“It isn’t for you, I’ve been wearing underwear like this since Gram gave me my first Frederick’s of Hollywood box on my sixteenth birthday. Now, I owe Victoria’s Secret my first-born child.”
Before speaking again, Lee waited several seconds that can only be described as ‘loaded silence’. While this silence was going on, he pulled the sheet back down.
“You’re tellin’ me that since you were sixteen you’ve been sittin’ next to me every year at Christmas Dinner wearin’ underwear like this?
”
”
Kristen Ashley (Rock Chick (Rock Chick, #1))
“
I love you," he said.
She looked up at him, her eyes shiny and black, then looked away. "I know," she said.
He pulled one of his arms out from under her and traced her outline against the couch. He could spend all day like this, running his hand down her ribs, into her waist, out to her hips and back again.... If he had all day, he would. If she weren't made of so many other miracles.
"You know?" he repeated. She smiled, so he kissed her. "You're not the Han Solo in this relationship, you know."
"I'm totally the Han Solo," she whispered. It was good to hear her. It was good to remember it was Eleanor under all this new flesh.
"Well, I'm not the Princess Leia," he said.
"Don't get so hung up on gender roles," Eleanor said.
”
”
Rainbow Rowell (Eleanor & Park)
“
You know what my mother said to me when she came to say good-bye, as if to cheer me up, she says maybe District Twelve will finally have a winner. Then I realized she didn't mean me, she meant you!" bursts out Peeta.
"Oh, she meant you," I say with a wave of dismissal.
"She said, 'She's a survivor, that one.' She is," says Peeta.
That pulls me up short. Did his mother really say that about me? Did she rate me over her son? I see the pain in Peeta's eyes and know he isn't lying.
Suddenly I'm behind the bakery and I can feel the chill of the rain running down my back, the hollowness in my belly. I sound eleven years old when I speak. "But only because someone helped me.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
...you can't control how people look at you, but you can control how far back you pull your shoulders and how high you lift your chin
”
”
Elizabeth Acevedo (With the Fire on High)
“
She found him standing before the water staring unseeing at its frozen surface. He was shivering. She watched him doubtfully for a moment. 'Po,' she said to his back, where’s your coat?'
'Where’s yours?'
She moved to stand beside him. 'I’m warm.'
He tilted his head to her. 'If you’re warm and I’m coatless, there’s only one friendly thing for you to do.'
'Go back and get your coat for you?'
He smiled. Reaching out to her, he pulled her close against him. Katsa wrapped her arms around him, surprised, and tried to rub some warmth into his shivering shoulders and back.
'That’s it exactly,' Po said. 'You must keep me warm.'
She laughed and held him tighter.
”
”
Kristin Cashore (Graceling (Graceling Realm, #1))
“
Time slowed, and stilled. It was just the two of us, me murmuring in the empty, sunlit room. Will didn't say much. He didn't answer back, or add a dry comment, or scoff. He nodded occasionally, his head pressed against mine, and murmured, or let out a small sound that could have been satisfaction at another good memory.
"It has been, the best six months of my entire life."
"Funnily enough, Clark, mine too."
And then, just like that, my heart broke. My face crumpled, my composure went and I held him tightly and I stopped caring that he could feel the shudder of my sobbing body because grief swamped me. It overwhelmed me and tore at my heart and my stomach and my head and it pulled me under, and I couldn't bear it.
”
”
Jojo Moyes (Me Before You (Me Before You, #1))
“
I pull my foot back again, but Four's hands clamp around my arms, and he pulls me away from her with irresistible force. I breathe through gritted teeth, staring at Molly's blood-covered face, the color deep and rich and beautiful, in a way. She groans, and I hear a gurgling in her throat, watch blood trickle from her lips. "You won," Four mutters. "Stop." I wipe the sweat from my forehead. He stares at me. His eyes too wide; they look alarmed. "I think you should leave," he says. "Take a walk." I'm fine," I say. "I'm fine now," I say again, this time for myself.
I wish I could say I felt guilty for what I did.
I don't.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
I pull away, you pull me back, you grab my hand and wrap me around. What you did not know is—– my heart is my hand.
”
”
Coco J. Ginger
“
You look ridiculous,” Wren said.
“What?”
“That shirt.” It was a Hello Kitty shirt from eighth or ninth grade. Hello Kitty dressed as a superhero. It said SUPER CAT on the back, and Wren had added an H with fabric paint. The shirt was cropped too short to begin with, and it didn’t really fit anymore. Cath pulled it down self-consciously.
“Cath!” her dad shouted from downstairs. “Phone.”
Cath picked up her cell phone and looked at it
“He must mean the house phone,” Wren said.
“Who calls the house phone?”
“Probably 2005. I think it wants its shirt back.
”
”
Rainbow Rowell (Fangirl)
“
He started to say something, maybe an apology and maybe not, and then he stopped, he leaned over and pulled me toward him - like by gravitational force. He kissed me, hard, and his skin was stubbly and rough against my cheek. My first thought was, I guess he didn't have time to shave this morning, and then - I was kissing him back, my fingers winding through his soft yellow hair and my eyes closed. He kissed like he was drowning and I was air. It was passionate, and desperate, and like nothing I had ever experienced before.
This was what people meant when they said the earth stopped turning. It felt like a world outside of that car, that moment, didn't exist. It was just us.
”
”
Jenny Han (It's Not Summer Without You (Summer, #2))
“
I flipped the good doctor the bird.
Snorting, Gideon caught my hand and pulled me back down the hall.
"What is it with you and giving people the finger?"
"What? It's a classic.
”
”
Sylvia Day (Reflected in You (Crossfire, #2))
“
You wanted us all back together again!" Bonnie shouted at Caroline, and pulled the scandalized girl into the dance. Meredith, her dignity forgotten, joined them too.
And for a long time in the clearing there was only rejoicing.
”
”
L.J. Smith (Dark Reunion (The Vampire Diaries #4))
“
I shoved him. "Kishan. Kishan! Wake up!"
He woke only halfway and pulled me closer. "Shh, go back to sleep. It's not morning yet."
"Yes, it is morning." I pushed against his ribs. "Time to wake up. Come on!"
"Okay, honey, but how about a kiss first? A man needs some motivation to get out of bed."
"That kind of motivation keeps a man in bed. I'm not kissing you. Now get up.
”
”
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
“
Hey, wait," I said, pulling back, "you are the son of Satan. Maybe we need a safe word."
His grin morphed into something wickedly charming. "Okay, how about, 'Oh, my god, it's so big.'"
Laughter burst out of me before I could stop it. Not that it wasn't. "That would be a safe phrase, but okay." I thought about it, then said, "How about 'Is that all you've got?
”
”
Darynda Jones (Fifth Grave Past the Light (Charley Davidson, #5))
“
His hands slid up my neck, searing hot. Pressing his thumbs gently into my throat, he tipped my head back. I felt his lips come against mine so hard he stopped whatever name I'd been about to call him from coming out. His hands dropped to my shoulders, skimmed down my arms, and came to rest at the small of my back. Little shivers of panic and pleasure shot through me. He tried to pull me against him, and I bit him on the lip.
He licked his lip with the tip of his tongue. "Did you just bite me?"
"Is everything a joke to you?" I asked.
He dabbed his tongue to his lip again. "Not everything."
"Like what?"
"You.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
I'm begging you, to come be with me." And she pressed her mouth against his and murmured against his lips. "Forever."
For a few seconds he didn't respond.
Then a groan escaped his throat and he thrust his fingers in her hair, pulling her mouth back to his with a fierce hunger.
"Kiss me," she whispered. "And don't stop.
”
”
Aprilynne Pike (Destined (Wings, #4))
“
True story
This morning I jumped on my horse
And went for a ride,
And some wild outlaws chased me
And shot me in the side.
So I crawled into a wildcats cave
To find a place to hide
But some pirates found me sleeping there
And soon they had me tied
To a pole and built a fire
Under me---I almost cried
Till a mermaid came and cut me loose
And begged to be my bride
So I said id come back Wednesday
But I must admit I lied.
Then I ran into a jungle swamp
But I forgot my guide
And I stepped into some quicksand
And no matter how hard I tried
I couldn’t get out, until I met
A watersnake named Clyde
Who pulled me to some cannibals
Who planned to have me fried
But an eagle came and swooped me up
And through the air we flied
But he dropped me in a boiling lake
A thousand miles wide
And you’ll never guess what I did then---
I DIED
”
”
Shel Silverstein
“
Gods, religions and national boundaries are absolutely imaginary. They don't tend to exist. As soon as you pull back half a mile and look down at the Earth there are no national boundaries. There aren't even national boundaries when you get down and walk around. They're just imaginary lines we draw on maps. I just get fascinated by people who assume that things that are imaginary have no relevance to their lives.
”
”
Neil Gaiman
“
Half way down, he encountered Saphira, who had jammed her head and neck as far up the stair as she could, gouging the wood in her frenzy.
Little one. She flicked out her tongue and caught him on the hand with its rough tip. He smiled. Then she arched her neck and tried to pull back, but to no avail.
What's wrong?
I'm stuck.
You're... He could not help it;he laughed even though it hurt. The situation was too absurd.
”
”
Christopher Paolini (Eldest (The Inheritance Cycle, #2))
“
A deep rumble echoed in his chest.
I pulled back, laughing. "Are you growling at me?"
He laughed softly, twisted my hair ribbon around his fingers, and pulled gently, loosening my braid. Biting my ear lightly, he whispered a threat, "You have been driving me crazy for three weeks. Your lucky all I'm doing is growling.
”
”
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
“
No more tubs for me." I jumped off the bed and pulled on a pair of Pack sweats. "They make me lose all sense."
Curran sprawled on the bed with a big self-satisfied smile. "Want to know a secret?"
"Sure."
"It's not the bathtub, baby."
Well, aren't we smug. I picked up the corner of the lowest mattress and made a show of looking under it.
"What are you looking for?"
"A pea Your Majesty."
"What?"
"You heard me."
I jumped back as he lunged and his fingers missed me by an inch.
"Getting slow in your old age."
"I thought you liked it slow."
A flashback to last night mugged me and my mind executed a full stop.
He laughed. "Ran out of snappy comebacks?"
"Hush. I'm trying to think of one.
”
”
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
“
Yeah, and we still have to deal with The Eye being…Eyeish, and me learning to be Head of the Council, which will probably involve lots of boring books and—” Archer pressed his mouth to mine, effectively shutting me up and kissing the hell out of me. When he pulled back, he was grinning. “And you have an arrogant, screwed-up former demon hunter who is stupidly in love with you.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
I would have chosen you over anything," Zane hissed. He pulled back, breaking Ty's hold, bunched the front of Ty's shirt in both hands, and jerked Ty forward until they were nose-to-nose, until Ty's feet weren't solidly on the floor. "My job, my family, my wife. I would have given my life for you! But you! You can't even given me the truth!
”
”
Abigail Roux (Touch & Geaux (Cut & Run, #7))
“
He pulled my face up with his hand cupping my cheek and kissed me on my trembling mouth. He smoothed his hands down my arms, my back, my hair, my cheek, soothing me.
“There’s a picture of you two in the dictionary under ‘get a room’,” Kyle said from behind me.
”
”
Shelly Crane (Accordance (Significance, #2))
“
She sucked in a shuddering breath, and he pulled back far enough for them to share breath. Her fingers shook as she brushed them against his mouth, and his control nearly shredded apart right there.
'What are you waiting for?' he said, the words near guttural.
'Bastard,' she murmured, and kissed him.
Her mouth was soft and warm, and he bit back a groan. His body went still—his entire world went still—at that whisper of a kiss, the answer to a question he’d asked for centuries. He realized he was staring only when she withdrew slightly. His fingers tightened at her waist.
'Again,' he breathed.
She slid out of his grip. 'If we live through tomorrow, you’ll get the rest.'
He didn’t know whether to laugh or roar. 'Are you trying to bribe me into surviving?'
She smiled at last. And damn if it didn’t kill him, the quiet joy in her face.
They had walked out of darkness and pain and despair together. They were still walking out of it. So that smile … It struck him stupid every time he saw it and realized it was for him.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
And I pull her in. Press my forehead to hers. “Those who do not understand you,” I say softly, “will always doubt you.”
She leans back, just an inch. Looks up.
“And I,” I say, “I have never doubted you.”
“Never?”
I shake my head. “Not once.
”
”
Tahereh Mafi (Restore Me (Shatter Me, #4))
“
Logan?'
'Yes?' I pulled my clothes back on even though the fabric stuck to my wounds. So much for trying to keep them clean.
'How did you know it wasn’t really me?'
'Are you kidding? Your eyeballs could be on fire and you wouldn’t bat your lashes at me like that.
”
”
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
“
John glances at me. “We’re not going to make it.” Between us, Day has faded into a semiconscious state. If the brothers continue on and I run back to fight the soldiers, I’ll probably only take down a few before they overwhelm me. They’ll still reach John and Day.
John stops walking, and I feel Day’s weight shift over to me. “What—” I begin to say, until I see John pull the blindfold off of Day’s neck. Then he turns around. My eyes widen. I know what he’s going to do. “No, stay with us!”
“You need more time,” John says. “They want an execution? They’ll get one.” He starts running away from us. Back down the hall.
”
”
Marie Lu (Legend (Legend, #1))
“
He started to touch the mechanism under the keyboard,
then pulled his hand back with a snap.
"Ah," he said. "Must deactivate the security....Turn around, please."
"What?"
"Turn around, Claire. It's a secure password!"
"You have GOT to be kidding."
"Why ever would I joke about that? Please turn.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
You didn't listen to me," Lan whispered. One last lesson. The hardest. Demandred struck, and Lan saw his opening. Lan lunged forward placing Demandred's sword point against his own side and ramming himself forward onto it.
"I did not come here to win," Lan whispered, smiling. "I came here to kill you. Death is lighter than a feather."
Demandred's eyes opened wide, and he tried to pull back. Too late. Lan's sword took him straight though the throat.
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
Wait,” Kaidan called from behind me. I squeezed my eyes shut for a second, but kept walking. Then I felt his hand around my
wrist, spinning me in a half circle and pulling me to his chest. His face was so close. He reached down and cupped my face with one
woolly hand, and wiped the top corner of my lip hard with his thumb. I flinched back.
“What are you doing?”
“I...” He appeared to have no idea himself. “I wanted to see your freckle.”
A vulnerable tenderness flashed across his face, more painful to see than the coldness. It took every ounce of strength I had not to
beg for one last kiss. As fast as his expression had softened, it was back to stone again.
“What do you want from me, Kai?”
“For starters?” His voice lowered to sexy, dangerous depths. “I want to introduce myself to every freckle on your body.”
A powerful shiver ripped through me.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Harper: In your experience of the world. How do people change?
Mormon Mother: Well it has something to do with God so it's not very nice.
God splits the skin with a jagged thumbnail from throat to belly and then plunges a huge filthy hand in, he grabs hold of your bloody tubes and they slip to evade his grasp but he squeezes hard, he insists, he pulls and pulls till all your innards are yanked out and the pain! We can't even talk about that. And then he stuffs them back, dirty, tangled and torn. It's up to you to do the stitching.
Harper: And then up you get. And walk around.
Mormon Mother: Just mangled guts pretending.
Harper: That's how people change.
”
”
Tony Kushner (Angels in America)
“
Child, child, have patience and belief, for life is many days, and each present hour will pass away. Son, son, you have been mad and drunken, furious and wild, filled with hatred and despair, and all the dark confusions of the soul - but so have we. You found the earth too great for your one life, you found your brain and sinew smaller than the hunger and desire that fed on them - but it has been this way with all men. You have stumbled on in darkness, you have been pulled in opposite directions, you have faltered, you have missed the way, but, child, this is the chronicle of the earth. And now, because you have known madness and despair, and because you will grow desperate again before you come to evening, we who have stormed the ramparts of the furious earth and been hurled back, we who have been maddened by the unknowable and bitter mystery of love, we who have hungered after fame and savored all of life, the tumult, pain, and frenzy, and now sit quietly by our windows watching all that henceforth never more shall touch us - we call upon you to take heart, for we can swear to you that these things pass.
”
”
Thomas Wolfe (You Can't Go Home Again (Perennial Library))
“
Um, Bella? You've got a huge cut on your forehead, and it's gushing blood," he informed me.
I clapped my hand over my head. Sure enough, it was wet and sticky. I could smell nothing but the damp moss on my face, and that held off the nausea.
Oh, I'm so sorry, Jacob." I pushed hard against the gash, as if I could force the blood back inside my head.
Why are you apologizing for bleeding?" he wondered as he wrapped a long arm around my waist and and pulled me to my feet.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
As I shut the door and started to walk away, I heard him say, "Hey. Sydney."
"Yeah?"
"You had on a shirt with mushrooms on it, and your hair was pulled back. Silver earrings. Pepperoni slice. No lollipop."
I just looked at him, confused. Layla was walking toward us now.
"The first time you came into Seaside," he said. "You weren't invisible, not to me. Just so you know.
”
”
Sarah Dessen (Saint Anything)
“
You two should really get a room," Apollo said from out of nowhere.
"My poor eyes..."
I groaned. Even in his true identity, he still had impeccable timing.
"Gods," Aiden spat. He pulled back, casting Apollo a disgusted look over my head. "Do you get off on sneaking up on us?"
"You probably don't want to know what I get off on.
”
”
Jennifer L. Armentrout (Apollyon (Covenant, #4))
“
I never thought of myself as anything but plain and ordinary until you came along. The way you look at me, the way you see me . . . you pull something out of me. When I want to hide, you urge me forward. When I think I’m not good enough, you make me believe I am. When I feel anything but pretty, you convince me I’m beautiful. Just being around you makes me feel special. You don’t think you’re good at loving people, but you are. Your friends, your family . . . the level of love that you have for people astounds me. You don’t think people love you back, but they do. They fiercely love you. I fiercely love you. I’ve never met anyone as passionate as you, as kindhearted as you . . . as amazing as you. You love with every fiber of your soul. You inspire me every day. And if you’ll agree to be my husband, I’ll do my best to make you proud of me, to inspire you.
”
”
S.C. Stephens (Reckless (Thoughtless, #3))
“
In the old days, before I was married, or knew a lot of women, I would just pull down all the shades and go to bed for three or four days. I'd get up to shit. I'd eat a can of beans, go back to bed, just stay there for three or four days. Then I'd put on my clothes and I'd walk outside, and the sunlight was brilliant, and the sounds were great. I felt powerful, like a recharged battery. But you know the first bring-down? The first human face I saw on the sidewalk, I lost half my charge right there.
”
”
Charles Bukowski (Charles Bukowski: Sunlight Here I Am: Interviews and Encounters 1963-1993)
“
You aren't going to go crazy," I said firmly. "You're stronger than you think. The next time you feel that way, find something to focus on, to remind you of who are."
"Like what? Got some magic object in mind?"
"Doesn't have to be magic," I said. I racked my brain. "Here." I unfastened the golden cross necklace. "This has always been good for me. Maybe it'll help you." I set it in his hand, but he caught hold of mine before I could pull back
”
”
Richelle Mead
“
We’re still going to be seeing each other,” he murmured. “And don’t even lie. I know that makes you happy, You told me you wanted me.”
Hold your horses. “When?”
“At the lake.” He slanted his headm and I should’ve pulled back. His lips curved knowingly against mine, and he let go of my wrist. “You said you wanted me.”
Both of my hand were on his chest. They had a mind of their own. I claimed no responsibility for them. “I had a fever. Lost my mind.”
“Whatever, Kitten.” Daemon gripped my hips, lifting me onto the edge of he desk with an ease that was disturbing. “I know better.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
He started to pull away again but she called his name so he stopped.
“Yeah?”
“Before you go, give me the dimples,” she demanded.
That thing in his throat prickled and Hawk dipped his head and kissed the indentation at the base of his wife’s throat. Then he lifted his head and smiled at her.
Her hand came to his face and he felt the pad of her thumb in one of his dimples.
Then her eyes moved from her thumb to his and she smiled back.
”
”
Kristen Ashley (Mystery Man (Dream Man, #1))
“
Aware of every breath, every movement, I sat in his lap. His hands gently braced my hips as I studied his face. “And now I want you to know, Rhysand, that I love you. I want you to know … ” His lips trembled, and I brushed away the tear that escaped down his cheek. “I want you to know,” I whispered, “that I am broken and healing, but every piece of my heart belongs to you. And I am honored—honored to be your mate.”
His arms wrapped around me and he pressed his forehead to my shoulder, his body shaking. I stroked a hand through his silken hair.
“I love you,” I said again. I hadn’t dared say the words in my head. “And I’d endure every second of it over again so I could find you. And if war comes, we’ll face it. Together. I won’t let them take me from you. And I won’t let them take you from me, either.”
Rhys looked up, his face gleaming with tears. He went still as I leaned in, kissing away one tear. Then the other. As he had once kissed away mine.
When my lips were wet and salty with them, I pulled back far enough to see his eyes. “You’re mine,” I breathed.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
think when it's all over it just comes back in flashes, you know? It's like a kaleidoscope of memories; it just all comes back. But he never does. I think part of me knew the second I saw him that this would happen. It's not really anything he said, or anything he did ― it was the feeling that came along with it. Crazy thing is, I don't know if I'm ever going to feel that way again. But I don't know if I should. I knew his world moved too fast and burned too bright, but I just thought, 'How can the devil be pulling you toward someone who looks so much like an angel when he smiles at you?' Maybe he knew that when he saw me. I guess I just lost my balance. I think that the worst part of it all wasn't losing him. It was losing me.
”
”
Taylor Swift
“
This is where you belong, Calla.” He pulled me closer, tilting my chin up. “Be with me. Tell me it’s what you want.”
I couldn’t tear my eyes from his. “What I want?”
“Yes. Anything, everything you need, I’ll give you. Always. I promise. Just tell me one thing.”
“What?”
“That you want this, us.” His voice dropped so low I could barely hear him. “That someday you’ll love me.”
My hands began to tremble where they rested around his neck. “Ren, you know we’re going to be together. We’ve both known that for a long time.”
He gave me a hard look. “That’s not what I’m talking about.”
“Why are you asking me this?” I tried to pull back, but he held me against him.
The glimmer of a smile appeared on his lips. “Why not?”
My temper flared. “Are you trying to say that you love me?”
I meant it as a challenge rather than a serious question, but his eyes seemed to catch fire.
“What do you think?” He touched his lips to mine, softly at first, gradually building pressure, parting them.
”
”
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
“
And then one student said that happiness is what happens when you go to bed on the hottest night of the summer, a night so hot you can't even wear a tee-shirt and you sleep on top of the sheets instead of under them, although try to sleep is probably more accurate. And then at some point late, late, late at night, say just a bit before dawn, the heat finally breaks and the night turns into cool and when you briefly wake up, you notice that you're almost chilly, and in your groggy, half-consciousness, you reach over and pull the sheet around you and just that flimsy sheet makes it warm enough and you drift back off into a deep sleep. And it's that reaching, that gesture, that reflex we have to pull what's warm - whether it's something or someone - toward us, that feeling we get when we do that, that feeling of being safe in the world and ready for sleep, that's happiness.
”
”
Paul Schmidtberger (Design Flaws of the Human Condition)
“
Lovey-dovey bullshit. Now let me tell you about what happens when you betray everything you hold dear and the bitch doesn’t return the favor. Oh, wait, you know that lesson already. The problem is you take the leap and you don’t know until it’s too late to pull back if you’re going to land on a foam-covered mattress or jagged rocks where you lie impaled, slowly bleeding and wishing you’d just die already. (Jaden)
”
”
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
“
Life is a series of pulls back and forth. You want to do one thing, but you are bound to do something else. Something hurts you, yet you know it shouldn’t. You take certain things for granted, even when you know you should never take anything for granted. “A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle. “ Sounds like a wrestling match, I say. “A wrestling match.” He laughs. “Yes, you could describe life that way.” So which side wins, I ask? “Which side wins?” He smiles at me, the crinkled eyes, the crooked teeth. “Love wins. Love always wins.
”
”
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
“
The raft finally got here," he said.
Calypso snorted. Her eyes might have been red, but it was hard to tell in the moonlight. "You just noticed?"
"But if it only shows up for guys you like-"
"Don't push your luck, Leo Valdez," she said. "I still hate you."
"Okay."
"And you are not coming back here," she insisted. "So don't give me any empty promises."
"How about a full promise?" he said. "Because I'm definitely-"
She grabbed his face and pulled him into a kiss, which effectively shut him up.
For all his joking and flirting, Leo had never kissed a girl before. Well, sisterly pecks on the cheeck from Piper, but that didn't count. This was a real, full-contact kiss. If Leo had had gears and wires in his brain, they would've short-circuited.
Calypso pushed him away. "That didn't happen."
"Okay." His voice sounded an octave higher than usual.
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
He froze. “I . . .” Then, as he searched my face with wonder, he slid from his seat and down to one knee. “My sweet, lovely Anna. I love you . . . and I want to marry you. But only if you want to. Do you? I mean, will you? Marry me?”
Be still my heart. His proposal was so adorably awkward that I had to laugh, sliding out of my chair so I could face him on my knees, too. I grabbed his face and kissed him for saying exactly what I needed to hear. We kissed once, twice, three times before he pulled back.
“Does it always take this long for someone to answer? It’s making me bloody nervous.”
I looked into his eyes. “Yes, Kai. I’ll marry you.
”
”
Wendy Higgins (Sweet Reckoning (Sweet, #3))
“
He suddenly leaned in, and his fingers brushed my cheek. Warmth flooded my skin, and I frozen, waiting for him to pull back.
He didnt. The tips of his fingers lingered on my cheek for a moment. Then, very slowly, his hand slipped forward, the palm brushing my skin. Frozen, I stared at him, watching his face as his fingers moved from my cheek to my forehead to my chin, like a blind man tracing someone's features to see them in his mind.
"What are you doing to me?" he whispered.
”
”
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
“
It doesn't matter how busy life's been, how long the five of us have gone without seeing one another: meeting at the cottage is like pulling on a favourite sweatshirt, worn to perfection.
Time doesn't move the same way when we're there. Things change, but we stretch and grow and make room for one another.
Our love is a place we can always come back to, and it will be waiting, the same as it ever was.
You belong here.
”
”
Emily Henry (Happy Place)
“
Are you sure you’re not too tired?” Taylor taunted, lacing her fingers through his hair and pulling him between her legs. “Although you do seem to have a lot of energy for a thirty-nine-year-old.”
Jason grabbed her by the back of the neck, pulling her mouth to his. “Thirty-eight, smart-ass. I have a December birthday.
”
”
Julie James (Just the Sexiest Man Alive)
“
I sighed softly and basked in the barrage of Ren's kisses- drowning kisses, soft kisses, sultry kisses, kisses that lasted a mere second, and kisses that lasted an eternity. It was easy to believe that my warrior-angel had captured me and had flown me up to heaven. A deep rumble echoed in his chest.
I pulled back, laughing. "Are you growling at me?"
He laughed softly, twisted my hair ribbon around his fingers, and pulled gently, loosening my braid. Biting my ear lightly, he whispered a threat, "You have been driving me crazy for three weeks. You're lucky all I'm doing is growling.
”
”
Colleen Houck
“
Whatever teaches us to talk to ourselves is important: whatever teaches us to sing ourselves out of despair. But the painting has also taught me that we can speak to each other across time. And I feel I have something very serious and urgent to say to you, my non-existent reader, and I feel I should say it as urgently as if I were standing in the room with you. That life—whatever else it is—is short. That fate is cruel but maybe not random. That Nature (meaning Death) always wins but that doesn’t mean we have to bow and grovel to it. That maybe even if we’re not always so glad to be here, it’s our task to immerse ourselves anyway: wade straight through it, right through the cesspool, while keeping eyes and hearts open. And in the midst of our dying, as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn’t touch. For if disaster and oblivion have followed this painting down through time—so too has love. Insofar as it is immortal (and it is) I have a small, bright, immutable part in that immortality. It exists; and it keeps on existing. And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next.
”
”
Donna Tartt (The Goldfinch)
“
Curran and Kate stood by the door.
“I can’t believe you decided to come down here and check on me,” she said.
“The guy once handed you a fan and told you to fan yourself if the sight of his naked torso was too much.”
“That was like a year ago. Will you let it go already?”
“No.” Curran grabbed her and pulled her to him, kissing her. “Never.”
She kissed him back and smiled.
Awww. Kate and the Beast Lord sitting in a tree…
”
”
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
“
Naptime,ʺ said Christian, leading her toward the bed.
ʺI still need a shower.ʺ
ʺSleep first. Shower later.ʺ He pulled back the covers. ʺIʹll sleep with you.ʺ
ʺSleep or sleep?ʺ she asked dryly, sliding gratefully into bed.
ʺReal sleep. You need it.ʺ He crawled in beside her, spooning against her and resting his face on her shoulder. ʺOf course, afterward, if you want to conduct any official Council business...ʺ
ʺI swear, if you say ‘Little Dragomirs,ʹ you can sleep in the hall.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
The tension of opposites:
Life is a series of pulls back and forth. You want to do one thing, but you are bound to do something else. Something hurts you, yet you know it shouldn't. You take certain things for granted, even when you know you should never take anything for granted.
A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle.
”
”
Morrie Schwartz
“
The walls weren't moving, and the room was open - gaping. No colors, but shades of darkness, of night . Only those star-flecked violet eyes were bright, full of color and light. He gave me a lazy smile before he leaned forward.
I pulled away, but his hands were like shackles. I could do nothing as his mouth met with my cheek, and he licked away a tear. His tongue was hot against my skin, so startling that I couldn't move as he licked away another path of salt water, and then another. My body went taut and loose all at once and I burned, even as chills shuddered along my limbs. It was only when his tongue danced along the damp edges of my lashes that I jerked back.
He chuckled as I scrambled for the corner of the cell. I wiped my face as I glared at him.
He smirked, sitting down against a wall. "I figured that would get you to stop crying."
"It was disgusting." I wiped my face again.
"Was it?" He quirked an eyebrow and pointed to his palm - to the place where my tattoo would be. "Beneath all your pride and stubbornness, I could have sworn I detected something that felt differently. Interesting."
"Get out."
"As usual, your gratitude is overwhelming.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Emma,” he said, reaching for her hand. “I will never, never give up on you.”
It was a strange irony, she thought, a terrible irony that because she loved him so much and knew him so well, she knew exactly what she had to do to destroy everything he felt for her, in a single blow.
She pulled away from him and started back toward the house. “Yes,” she said. “You will.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
Do you know what I see in you now? The usual aura. A steady golden yellow, healthy and strong, with spikes of purple here and there. But when I do this. . . .”
He rested a hand on my hip, and my whole body tensed up. That hand moved around my hip, slipping under my shirt to rest on the small of my back. My skin burned where he touched me, and the places that were untouched longed for that heat.
“See?” he said. He was in the throes of spirit now, though with me at the same time. “Well, I guess you can’t. But when I touch you, your aura . . . it smolders. The colors deepen, it burns more intensely, the purple increases. Why? Why, Sydney?” He used that hand on me to pull me closer. “Why do you react that way if I don’t mean anything to you?” There was a desperation in his voice, and it was legitimate.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
When I found you, I didn’t know what I was finding,” Alec said. “Words about things that are beautiful and precious to me don’t come easily. You know that. You know me better than anyone.” He licked his dry lips. “And when one day people look back on me and what my life meant, I don’t want them to say, ‘Alec Lightwood fought in the Dark War’ or even ‘Alec Lightwood was Consul once.’ I want them to think, ‘Alec Lightwood loved one man so much he changed the world for him.’ ”
Magnus’s eyes shone bright as stars. He gazed at Alec with eyes full of joy, of a feeling so profound Alec felt humbled to be a part of it. “You know you’ve already changed the world for me.”
“Will you marry me?” Alec whispered. His heart was beating like a frantic bird’s wings. “Right now? Tonight?”
Magnus nodded wordlessly and pulled Alec to his feet. They wrapped their arms around each other, and Alec leaned up just that little bit, since Magnus was just that little bit taller, which he had always loved.
And they kissed for a long time.
”
”
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
“
This way,” he murmurs and abruptly is inside me once more, but he doesn’t start his usual punishing rhythm straight away. He leans over, releases my hands, and pulls me upright so I am practically sitting on him. His hands move up to my breasts, and he palms them both, tugging gently on my nipples. I groan, tossing my head back against his shoulder. He nuzzles my neck, biting down, as he flexes his hips, deliciously slowly, filling me again and again.
“Do you know how much you mean to me?” he breathes against my ear.
“No,” I gasp.
He smiles against my neck, and his fingers curl around my jaw and throat, holding me fast for a moment. “Yes, you do. I’m not going to let you go.” I groan as he picks up speed. “You are mine, Anastasia.” “Yes, yours,” I pant. “I take care of what’s mine,” he hisses and bites my ear.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
Miki held up a tennis ball, looked at Sara’s new Pack, and tossed it out into the forest away from the ongoing rave. They all watched it go, then they turned back to Miki.
“Okay. Go…”
Sara and Angelina slapped their hands over their friend’s mouth before the word “fetch” could come out of it.
They pulled her over to one of the food tables.
“Are you out of your ever-loving mind?! Everyone here but us is like Sara.” Angelina snapped.
“And after seeing them in action I’d rather not fuck with them!”
Miki gave that innocent smile. “It was just a little experiment.
”
”
Shelly Laurenston (Go Fetch! (Magnus Pack, #2))
“
You'll have to pardon me," the magus said. "But with your country at war I can't see how any of it really matters."
Standing up, Eugenides pulled the papers from the magus's hands. "It matters, because I can't do anything, anymore, for this country, and it matters," he yelled as he threw the papers back to his desk, "because I only have one hand and it isn't even the right one!" Turning, he picked an inkpot off the desk and threw it to shatter on the door of his wardrobe, spraying black ink across the pale wood and onto the wall. Black drops like rain stained the sheets of his bed.
...
Eddis sighed. "Will you sit down and stop shouting?" she asked.
"I'll stop shouting. I won't sit down. I might need to throw more inkpots.
”
”
Megan Whalen Turner (The Queen of Attolia (The Queen's Thief, #2))
“
Before Van realized it, he was walking her back toward her stairs. He didn't stop kissing her, he wouldn't. The last thing he wanted was for her to change her mind. He managed to get her to the upstairs hallway before she pulled her mouth away. "What are you doing?" she panted out.
"Taking you to your bed."
"Forget it."
And Van, if he were a crying man, would be sobbing. Until uptight Irene Conridge added, "The wall. Use the Wall.
”
”
Shelly Laurenston (When He Was Bad (Magnus Pack, #3.5; Pride, #0.75; Smith's Shifter World, #3.5))
“
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.”
Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?”
… “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.”
“You don’t have to do this, Clary, it’s a trick—” (Simon)
...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.”
“That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too.
Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count.
He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said.
Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough.
His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud...
His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up.
...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?”
The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Twenty aspirin, a little slit alongside the veins of the arm, maybe even a bad half hour standing on a roof: We've all had those. And somewhat more dangerous things, like putting a gun in your mouth. But you put it there, you taste it, it's cold and greasy, your finger is on the trigger, and you find that a whole world lies between this moment and the moment you've been planning, when you'll pull the trigger. That world defeats you. You put the gun back in the drawer. You'll have to find another way.
”
”
Susanna Kaysen (Girl, Interrupted)
“
So did you really mean all that stuff you said when I was a dead man?"
"Every word."
"Could you say it again?" he asks. "My memory's a little fuzzy."
"Which part?" The part where I said I wanted to stay with you forever?"
"Yeah," he murmurs, his face close to mine, his breath hot on my cheek.
"When I said that I love you?"
He pulls back a little, searches my eyes with his. "Yes. Say it."
"I love you."
He takes a deep, happy breath. "I love you," he says back. "I love you, Clara."
Then his gaze drops to my lips again, and he leans in, and the rest of the world simply goes away.
”
”
Cynthia Hand (Boundless (Unearthly, #3))
“
Gemma talking to Charley...
"Got it. Have you seen my pants?"
"Speaking of which, how did you get home without them?"
"I borrowed a pair of you sweats. I ran into a convenience store with them on. I talked to neighbors out in their yard when I pulled up. And only after I got inside did I realize the had 'Exit Only' written across the back."
"You stole my favorite sweats?"
"I wanted to die."
"It's weird that sweats would make you suicidal. I'd analyze the crap out of that if I were you."
"Do you actually wear those in public?"
"Only when I go out in them
”
”
Darynda Jones (Fourth Grave Beneath My Feet (Charley Davidson, #4))
“
Only two years dead, and it was getting harder for me to feel…anything. I was starting to slip into the darkness. The numbness. And the worst part is that it wasn’t even scary. I was losing myself, and I didn’t even care. Then I met you, and at first I didn’t understand what had happened. What had changed. All I knew was that I wanted to be near you. Then you helped me with Addison, even though it nearly got you killed—I nearly got you killed—and I started to understand how special you are. But by then, you were getting serious with Nash. With my brother—one of few people in the whole world I still gave a damn about. So I tried to stay away. I tried so hard.” His voice cracked on the last word, and my heart cracked with it. Tears stood in my eyes, but I was afraid to let them fall. I was afraid to even breathe for fear of missing a single word. "But you kept pulling me back. You’re the brightest thing I’ve ever seen, Kaylee. You’re this beautiful ball of fire spitting sparks out at the world, burning fiercely, holding back the dark by sheer will. And I always knew that if I reached out—if I tried to touch you—I’d get burned. Because you’re not mine. I’m not supposed to feel the fire. I’m not supposed to want it. But I do. I want you, Kaylee, like I’ve never wanted anything. Ever. I want the fire. I want the heat, and the light, and I want the burn.
”
”
Rachel Vincent (If I Die (Soul Screamers, #5))
“
What are you doing following me around the back streets of London, you little idiot?” Will demanded, giving her arm a light shake.
Cecily’s eyes narrowed. “This morning it was cariad (note: Welsh endearment, like ‘darling’ or ‘love’), now it’s idiot.”
“Oh, you’re using a Glamour rune. There’s one thing to declare, you are not afraid of anything when you live in the country. But this is London.”
“I’m not afraid of London,” Cecily said defiantly.
Will leaned closer, almost hissing in her ear *and said something very complicated in Welsh*
She laughed. “No, it wouldn’t do you any good to tell me to go home. You are my brother, and I want to go with you.”
Will blinked at her words.
You are my brother, and I want to go with you.
It was the sort of thing he was used to hearing Jem say.
Although Cecily was unlike Jem in every other conceivable possible way, she did share one quality with him. Stubbornness. When Cecily said she wanted something, it did not express an idle desire, but an iron determination.
“Do you even care where I’m going?” he said. “What if I were going to hell?”
“I’ve always wanted to see hell,” Cecily said. “Doesn’t everyone?”
“Most of us spend our time trying to stay out of it, Cecily. I’m going to an ifrit den, if you must know, to purchase drugs from vile, dissolute criminals. They may clap eyes on you, and decide to sell you.”
“Wouldn’t you stop them?”
“I suppose it would depend on whether they cut me a part of the profit.”
She shook her head. “Jem is your parabatai,” she said. “He is your brother, given to you by the Clave, but I am your sister by blood. Why would you do anything for him, but you only want me to go home?”
“How do you know the drugs are for Jem?” Will said.
“I’m not an idiot, Will.”
“No, more’s the pity. Jem- Jem is like the better part of me. I would not expect you to understand. I owe him. I owe him this.”
“So what am I?” Cecily said.
Will exhaled, too desperate to check himself. “You are my weakness.”
“And Tessa is your heart,” she said, not angrily, but thoughtfully. “I am not fooled. As I told you, I’m not an idiot. And more’s the pity for you, although I suppose we all want things we can’t have.”
“Oh,” said Will, “and what do you want?”
“I want you to come home.” A strand of black hair was stuck to her cheek by the dampness, and Will fought the urge to pull her cloak closer about her, to make her safe as he had when she was a child.
“The Institute is my home,” Will sighed, and leaned his head against the stone wall. “I can’t stand out her arguing with you all evening, Cecily. If you’re determined to follow me into hell, I can’t stop you.”
“Finally,” she said provingly. “You’ve seen sense. I knew you would, you’re related to me.”
Will fought the urge to shake her.
“Are you ready?”
She nodded, and he raised his hand to knock on the door.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Open your eyes.”
Julia looked up into a pair of blue orbs that were startlingly clear and very emotional, but she could not decipher the emotions. He smiled and pressed his lips to her forehead again before rolling onto his back and gazing up at the stars.
“What are you thinking?” She shifted herself so that she was curled up at his side, close to but not touching him with her body.
“I was thinking about how I waited for you. I waited and waited, and you never came.” He smiled at her sadly.
“I’m sorry, Gabriel.”
“You’re here now. Apparuit iam beatitudo vestra.”
“I don’t know what that means.” She sounded shy.
“It means now your blessedness appears. But really, it should be now my blessedness appears. Now that you’re here.” He pulled her closer, snaking his arm beneath her neck and down to her waist where he splayed his hand, fingers wide, at the small of her back. “For the rest of my life, I’ll dream of hearing your voice breathe my name.
”
”
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
“
The cord pulled taut and she rebounded, flying back up before falling again. As her velocity slowed, she opened her eyes and found herself dangling at the end of the cord, about five feet above Jace. He was grinning.
"Nice," he said. "As graceful as a falling snowflake."
"Was I screaming?" She asked, genuinely curious. "You know, on the way down."
He nodded. "Thankfully no one's home, or they would have assumed I was murdering you."
"Ha. You can't even reach me." She kicked out a leg and spun lazily in midair.
Jace's eyes glinted. "Want to bet?"
Clary knew that expression. "No," she said quickly. "Whatever you're going to do-"
But he'd already done it. When Jace moved fast, his individual movements were almost invisible. She saw his hand go to his belt, and then something flashed in the air. She heard the sound of parting fabric as the cord above her head was sheared through. Released, she fell freely, too surprised to scream- directly into Jace's arms. The force knocked him backward, and they sprawled together onto one of the padded floor mats, Clary on top of him. He grinned up at her.
"Now," he said, "that was much better. You didn't scream at all."
"I didn't get the chance." She was breathless, and not just from the impact of the fall. Being sprawled on top of Jace, feeling his body against hers, made her hands shake and her heart beat faster.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
The Saddest Thing
There was someone I knew, a long time ago. I was so in love with him I couldn’t see straight. The saddest thing is, he felt the same way about me.
It was easy in the beginning. All we had to do was laugh at the same things and love took care of the rest. I had never felt so connected to another person.
He would always say it felt as though I was made for him. How glad he was to have met me. We were so sure of what we felt. We should have held tight, onto that certainty.
There is never one particular reason why two people are pulled apart. All these years later, I have stopped looking for answers. I know better now, that love is never a guarantee. Not when you have the rest of the world to contend with.
Sometimes you have to step back and look at these things from a philosophical standpoint. And I know loving him has taught me something about myself, it has broadened my understanding of the world. And if it has done the same for him, then it wasn’t all in vain.
”
”
Lang Leav (Lullabies)
“
Gwenvael looked down at his body. Horrified, he sat up. “What is this? What’s happened to me?”
“Calm down. It’ll heal quick enough, I’m sure.”
“Heal? I’m hideous!”
“You’re alive.”
“Hideously alive!” He covered her face with his hands. “Don’t look at me! Look away!”
“Stop it!” She pulled at his hands. “Have you lost your mind?”
Gwenvael dropped back to the bed, turned his face toward the wall. “You know what this means, don’t you?”
“Gwenvael—”
“I’ll have to live alone, at the top of a castle somewhere. I’ll hide from the daylight and only come out at night.”
“Please stop this.”
“I’ll be alone but not for long because you’ll all want me more. You’ll lust for the beautiful warrior I once was and pity the hideous creature I’ve become. Most importantly, you’ll want to soothe my pain.” He looked at her again. “Don’t you want to soothe my pain? Right now? Without that dress on?”
“No. I do not.”
Dagmar tried to stand, and Gwenvael caught her hand, pulling her back down. “You can’t leave me. I’m tortured and brooding. You need to show me how much you adore me so I can learn to love myself again.”
“You’ve never stopped loving yourself.”
“Because I’m amazing.
”
”
G.A. Aiken (What a Dragon Should Know (Dragon Kin, #3))
“
Start by pulling him out of the fire and
hoping that he will forget the smell.
He was supposed to be an angel but they took him
from that light and turned him into something hungry,
something that forgets what his hands are for when they
aren’t shaking.
He will lose so much, and you will watch it all happen
because you had him first, and you would let the world
break its own neck if it means keeping him.
Start by wiping the blood off of his chin and
pretending to understand.
Repeat to yourself
“I won’t leave you, I won’t leave you”
until you fall asleep and dream of the place
where nothing is red.
When is a monster not a monster?
Oh, when you love it.
Oh, when you used to sing it to sleep.
Here are your upturned hands.
Give them to him and watch how he prays
like he is learning his first words.
Start by pulling him out of another fire,
and putting him back together with the pieces
you find on the floor.
There is so much to forgive, but you do not
know how to forget.
When is a monster not a monster?
Oh, when you are the reason it has become so mangled.
Here is your humble offering,
obliterated and broken in the mouth
of this abandoned church.
He has come back to stop the world
from turning itself inside out, and you love him, you do,
so you won’t let him.
Tell him that you will never know any better.
”
”
Caitlyn Siehl
“
You just couldn’t wait to get me naked, could you, Princess?” Loki asked tiredly. I started to pull my hand back, but he put his own hand over it, keeping it in place.
“No, I—I was checking for wounds,” I stumbled. I wouldn’t meet his gaze.
“I’m sure.” He moved his thumb, almost caressing my hand, until it hit my ring. “What’s that?” He tried to sit up to see it, so I lifted my hand, showing him the emerald-encrusted oval on my finger. “Is that a wedding ring?”
“No, engagement.” I lowered my hand, resting it on the bed next to him. “I’m not married yet.”
“I’m not too late, then.” He smiled and settled back in the bed.
“Too late for what?” I asked.
“To stop you, of course.” Still smiling, he closed his eyes.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
And then we jerked to a stop. Jared was blocking the exit. "Have you lost your mind, Ian?" he asked, shocked and outraged. "What are you doing to her?"
"Did you know about this?" Ian shouted back, shoving me toward Jared and shaking me at him.
"You're going to hurt her!"
"Do you know what she's planning?" Ian roared.
Jared stared at Ian, his face suddenly closed off. He didn't answer. That was answer enough for Ian.
Ian's fist struck Jared so fast that I missed the blow - I just felt the lurch in his body and saw Jared reel back into the dark hall.
"Ian, stop," I begged.
"You stop," he growled back at me.
He yanked me through the arch into the tunnel, then pulled me north. I had to almost run to keep up with his longer stride.
"O´Shea!" Jared shouted after us.
"I'm going to hurt her?" Ian roared back over his shoulder, not breaking pace. "I am? You hypocritical swine!"
There was nothing but silence and blackness behind us now. I stumbled in the dark, trying to keep up.
He jerked me along faster, and my breath caught in a moan, almost like a cry of pain.
The sound made Ian stumble to a stop. His breathing was hoarse in the darkness.
"Ian, Ian, I..." I chocked, unable to finish. I didn't know what to say, picturing his furious face.
His arms caught me abruptly, yanking my feet out from under me and then catching my shoulders before I could fall. He started running forward again, carrying me now. His hands were not rough and angry like before; he cradled me against his chest.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
Oh, good, it worked,” Archer said, his ghostly face relieved. Unlike Elodie, his voice came in loud and clear, and so familiar that my heart broke all over again.
I stood frozen, my back against the door. Even though he was faint, I could see him smirk.
“Um…Mercer? Haven’t seen you in nearly a month. I was expecting something like, ‘Oh, Cross, love of my heart, fire of my loins, how I’ve longed—’”
“You’re dead,” I blurted out, pressing a hand against my stomach. “You’re a ghost, and you think—”
All the humor disappeared from his face, and he held up both hands. “Whoa, whoa, whoa. Not dead. Promise.”
My heart was still hammering. “Then what the heck are you?”
Archer almost looked sheepish as he reached inside his shirt and pulled out some kind of amulet on a thin silver chain. “It’s a speaking stone. Lets you appear to people kind of like a hologram. You know. ‘Help me, Sophie-Wan Kenobi, you’re my only hope.’”
“Did you steal it from the cellar at Hecate, too?” Archer had collected all sorts of magical knickknacks back when we had cellar duty at Hex Hall.
“No,” he said, offended. “I found it at a…store. For magical stuff. Okay, yes, I stole it from the cellar.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
He blinks. Touches the side of my face, near my eyes. My eyes that are blue now, not green. With oval irises.
"I'm still me," I say, because my greatest fear now is that he doesn't want a hybrid Amy.
He cocks an eyebrow. "You think I care if your eyes are blue or green? I just care about you." His hand slips down my arm, and he wraps his pinky finger around mine.
"You came back to me," I say, my voice breaking over unshead tears of joy.
"I'll always come back to you," he tells me pulling me close.
Always.
”
”
Beth Revis (Shades of Earth (Across the Universe, #3))
“
And in me too the wave rises. It swells; it arches its back. I am aware once more of a new desire, something rising beneath me like the proud horse whose rider first spurs and then pulls him back. What enemy do we now perceive advancing against us, you whom I ride now, as we stand pawing this stretch of pavement? It is death. Death is the enemy. It is death against whom I ride with my spear couched and my hair flying back like a young man's, like Percival's, when he galloped in India. I strike spurs into my horse. Against you I will fling myself, unvanquished and unyielding, O Death!
”
”
Virginia Woolf (The Waves)
“
What are my options?"
"You could read obscure poetry while I play the triangle, I suppose. Or we can smother ourselves in peanut butter and howl at the moon. Use your imagination."
"Fine,"I said. "You take my hand and back up toward the bed."
"Excellent choice. What then?"
"You sit down, and pull me down with you."
"Where are you?" he asked.
"You pull me onto your lap."
"Where are your legs?"
"Around your waist."
"Well," Noah said, his voice slightly rough. "This is getting interesting. So I'm on the edge of your bed. I'm holding you on my lap as you straddle me. My arms are around you, bracing you there so you don't fall. What am I wearing?"...
"What do you usually wear to bed?" I asked.
Noah said nothing. I opened my eyes to an arched brow and a devious grin.
Oh my God.
"Close. Your. Eyes," he said. I did. "Now, where were we?"
"I was straddling you," I said.
"Right. And I'm wearing..."
"Drawstring pants."
"Those are quite thin, you know."
I'm aware.
...
"Right," he said. "So what are you wearing?"
"I don't know. A space suit. Who cares?"
"I think this should be as vivid as possible," he said. "For you," he clarified, and I chuckled. "Eyes closed," he reminded me. "I'm going to have to institute a punishment for each time I have to tell you."
"What did you have in mind?"
"Don't tempt me. Now, what are you wearing?"
"A hoodie and drawstring pants too, I guess."
"Anything underneath?"
"I don't typically walk around without underwear."
"Typically?"
"Only on special occasions."
"Christ. I meant under your hoodie."
"A tank top, I guess."
"What color?"
"White tank. Black hoodie. Gray pants. I'm ready to move on now."
I felt him nearer, his words close to my ear. "To the part where I lean back and pull you down with me?"
Yes.
"Over me," he said.
Fuck.
"The part where I tell you that I want to feel the softness of the curls at the nape of your neck? To know what your hipbone would feel like against my mouth?" he murmured against my skin. "To memorize the slope of your navel and the arch of your neck and the swell of your-
”
”
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
“
Derek and I went out for our walk after dinner. Alone.
There was an open field behind the motel and we headed there. Finally, when we were far enough from the motel, Derek led me into a little patch of woods. He hesitated then, unsure, still just holding my hand. When I stepped in front of him, though, his free hand went around my waist.
"So," I said. "Seems you're going to be stuck with me for a while."
He smiled. A real smile that lit up his whole face.
"Good," he said.
He pulled me against him. Then he bent down, breath warming my lips. My pulse was racing so fast I could barely breathe. I was sure he'd stop again and I tensed, waiting for that hesitation, stomach twisting. His lips touched mine, and still I kept waiting for him to pull back.
His lips pressed against mine, then parted. And he kissed me. Really kissed me- arms tightening around me, mouth moving against mine, firm, like he'd made up his mind that this was what he wanted and he wasn't backing down again.
I slid my arms around his neck. His tightened around me and he scooped me up, lifting me off his feet, kissing me like he was never going to stop, and I kissed him back the same way, like I didn't want him to ever stop.
It was a perfect moment, one where nothing else mattered. All I could feel was him. All I could taste was his kiss. All I could hear was the pounding of his heart. All I could think about was him, and how much I wanted this, and how incredibly lucky I was to get it, and how tight I was going to hold onto it.
This was what I wanted. This guy. This life. This me. I was never getting my old life back, and I didn't care. I was happy. I was safe. I was right where I wanted to be.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
But it had happened. I had followed Delia's van that night, I had told Wes my Truths, I had stepped into his arms, showing him my raw, broken heart. I could pretend otherwise, pushing it out of sight and hopefully out of mind. But if something was really important, fate made sure it somehow came back to you and gave you another chance. I'd gotten one reaching out to grab Kristy's hand as she pulled me into the ambulance; another during the trip to the hospital that ended with seeing Avery born. Events conspired to bring you back to where you'd been. It was what you did then that made all the difference: it was all about potential.
”
”
Sarah Dessen (The Truth About Forever)
“
Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery.
People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
”
”
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
“
As soon as he had her safe again in his arms he broke down and kissed her. Helen was so stunned she stopped crying before she had a chance to start and nearly fell out of the sky. Still the
better flyer, Lucas caught her and supported her as they tumbled on the wind, holding and kissing each other as he tumbled on the wind, holding and kissing each other as he guided them safely back down to the catwalk. As their feet touched down, the light inside the lighthouse switched on
and projected the shadows of their embracing figures out onto the choppy waves of the ocean.
“I can’t lose you,” Lucas said, pulling his mouth away from hers. “That’s why I didn’t tell you the whole truth. I thought if you knew how bad it was you’d send me away. I didn’t want you to give up hope. I can’t do this if you give up on us.”
(Starcrossed)
”
”
Josephine Angelini
“
Cupping my cheeks, he exhaled a soft groan, and his lips scorched mine as he deepened the kiss until we both were breathless from its intensity. Daemon moved as close as he could with the chair between us. Gripping his arms, I held onto him, wanting him closer. The chair prevented all but our lips and hands from touching. Frustrating.
Move, I ordered restlessly.
It trembled under my foot, and then the heavy oak chair slid out from under me, dodging our leaning bodies. Unprepared for the sudden void, Daemon lurched forward, and I was unable to carry the unexpected weight. I collapsed backward, bringing Daemon along with me.
The full contact of his body, flush against mine, sent my senses into chaotic overdrive. His tongue swept over mine as his fingers splayed across my cheeks. His hand slid down my side, gripping my hip as he urged me closer. The kisses slowed and his chest rose as he drank me in.
With one last lingering exploration, he lifted his head and smiled down at me.
My heart skipped a beat as he hovered over me with an expression that tugged deep in my chest. He moved his finger back up, along my cheek, trailing an invisible path to my chin.
"I didn't move that chair, Kitten."
"I know."
"I'm assuming you didn't like where it was?"
"It was in your way," I said. My hands were still curled around his arms.
"I can see that." Daemon smoothed a fingertip over the curve of my bottom lip before taking my hand, pulling me up.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
Halt waited a minute or two but there was no sound except for the jingling of harness and the creaking of leather from their saddles. Finally, the former Ranger could bear it no longer.
What?”
The question seemed to explode out of him, with a greater degree of violence than he had intended. Taken by surprise, Horace’s bay shied in fright and danced several paces away.
Horace turned an aggrieved look on his mentor as he calmed the horse and brought it back under control.
What?” he asked Halt, and the smaller man made a gesture of exasperation.
That’s what I want to know,” he said irritably. “What?”
Horace peered at him. The look was too obviously the sort of look that you give someone who seems to have taken leave of his senses. It did little to improve Halt’s rapidly growing temper.
What?” said Horace, now totally puzzled.
Don’t keep parroting at me!” Halt fumed. “Stop repeating what I say! I asked you ‘what,’ so don’t ask me ‘what’ back, understand?”
Horace considered the question for a second or two, then, in his deliberate way, he replied: “No.”
Halt took a deep breath, his eyebrows contracted into a deep V, and beneath them his eyes with anger but before he could speak, Horace forestalled him.
What ‘what’ are you asking me?” he said. Then, thinking how to make the question clearer, he added, “Or to put it another way, why are you asking ‘what’?”
Controlling himself with enormous restraint, and making no secret of the fact, Halt said, very precisely: “You were about to ask me a question.”
Horace frowned. “I was?”
Halt nodded. “You were. I saw you take a breath to ask it.”
I see,” Horace said. “And what was it about?”
For just a second or two, Halt was speechless. He opened his mouth, closed it again, then finally found the strength to speak.
That is what I was asking you,” he said. “When I said ‘what,’ I was asking you what you were about to ask me.”
I wasn’t about to ask you ‘what,’” Horace replied, and Halt glared at him suspiciously. It occurred to him that Horace could be indulging himself in a gigantic leg pull, that he was secretly laughing at Halt. This, Halt could have told him, was not a good career move. Rangers were not people who took kindly to being laughed at. He studied the boy’s open face and guileless blue eyes and decided that his suspicion was ill-founded.
Then what, if I may use that word once more, were you about to ask me?”
Horace drew a breath once more, then hesitated. “I forget,” he said. “What were we talking about?
”
”
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
“
Father . . . ," Gabriel began. "Father is a worm."
Will gave a short laugh. He was in gear as if he had just come from the practice room, and his hair curled damply against his temples. He was not looking at Tessa, but she had grown used to that. Will hardly ever looked at her unless he had to. "It's good to see you've come round to our view of things, Gabriel, but this is an unusual way of announcing it."
Gideon shot Will a reproachful look before turning back to his brother. "What do you mean, Gabriel? What did Father do?"
Gabriel shook his head. "He's a worm," he said again, tonelessly.
"I know. He has brought shame on the name of Lightwood, and lied to both of us. He shamed and destroyed our mother. But we need not be like him."
Gabriel pulled away from his brother's grip, his teeth suddenly flashing in an angry scowl. "You're not listening to me," he said. "He's a worm. A worm. A bloody great serpentlike thing. Since Mortmain stopped sending the medicine, he's been getting worse. Changing. Those sores upon his arms, they started to cover him. His hands, his neck, h-his face . . ." Gabriel's green eyes sought Will. "It was the pox, wasn't it? You know all about it, don't you? Aren't you some sort of expert?"
"Well, you needn't act as if I invented it," said Will. "Just because I believed it existed. There are accounts of it—old stories in the library—
”
”
Cassandra Clare (The Infernal Devices: Clockwork Princess (The Infernal Devices: Manga, #3))
“
Would you like to have dinner with me?”
“You mean go on a date?” I focused on stirring instead of my suddenly racing heart. “When?”
“Before the union. Have dinner with me and I’ll take you to Blood Moon for a couple of hours until it’s time for the ceremony.” His fingers moved from the pleats to the hem of my sweater, his hand slipping under the pale blue cashmere to stroke the skin of my lower back.
I gasped, caught his wrist in my fingers, and pulled his hand away from its provocative exploration.
“We are in class,” I hissed at him through clenched teeth.
”
”
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
“
I thought I made you up. I thought that I was living in a world of darkness and I imagined you into existence. That somehow my mind crafted you, placing you on that train months ago. But then I realized I could never dream of something so beautiful. “You’re the reason people believe in tomorrow. You’re the voice that scares the shadows away. You’re the love that makes me breathe. So for the next few seconds, I’m going to be selfish. I’m going to say things that I don’t want you to listen to.” My hands ran up and down her back as I pulled her closer, feeling her nerves rocking throughout her. I kissed the edge of her ear. “Don’t go. Stay with me forever. Please, Ashlyn. Let me be your everything. Make me your golden. Don’t. Go.
”
”
Brittainy C. Cherry (Loving Mr. Daniels)
“
I did not run to him, but I did wrap my arms around him, press my ear to his chest, hold on to him as if he were the last solid thing in the world. He stroked my hair and murmured to me in French. I understood enough to know he was glad to see me and that he thought I looked beautiful. But beyond that it was just pretty noise.
It wasn't until I felt Zerbrowski behind me that I pulled away, but when Jean-Claude's hand found mine, I welcomed it.
Zerbrowski was looking at me as if he'd never seen me before. "What?" It came out hostile.
"I've never seen you be that ... soft with anyone before."
It startled me. "You've seen me kiss Richard before."
He nodded. "That was lust. This is ..." He shook his head, glancing up at Jean-Claude, then back to me. "He makes you feel safe.
”
”
Laurell K. Hamilton (Narcissus in Chains (Anita Blake, Vampire Hunter, #10))
“
believe that this way of living, this focus on the present, the daily, the tangible, this intense concentration not on the news headlines but on the flowers growing in your own garden, the children growing in your own home, this way of living has the potential to open up the heavens, to yield a glittering handful of diamonds where a second ago there was coal. This way of living and noticing and building and crafting can crack through the movie sets and soundtracks that keep us waiting for our own life stories to begin, and set us free to observe the lives we have been creating all along without ever realizing it.
I don’t want to wait anymore. I choose to believe that there is nothing more sacred or profound than this day. I choose to believe that there may be a thousand big moments embedded in this day, waiting to be discovered like tiny shards of gold. The big moments are the daily, tiny moments of courage and forgiveness and hope that we grab on to and extend to one another. That’s the drama of life, swirling all around us, and generally I don’t even see it, because I’m too busy waiting to become whatever it is I think I am about to become. The big moments are in every hour, every conversation, every meal, every meeting.
The Heisman Trophy winner knows this. He knows that his big moment was not when they gave him the trophy. It was the thousand times he went to practice instead of going back to bed. It was the miles run on rainy days, the healthy meals when a burger sounded like heaven. That big moment represented and rested on a foundation of moments that had come before it.
I believe that if we cultivate a true attention, a deep ability to see what has been there all along, we will find worlds within us and between us, dreams and stories and memories spilling over. The nuances and shades and secrets and intimations of love and friendship and marriage an parenting are action-packed and multicolored, if you know where to look.
Today is your big moment. Moments, really. The life you’ve been waiting for is happening all around you. The scene unfolding right outside your window is worth more than the most beautiful painting, and the crackers and peanut butter that you’re having for lunch on the coffee table are as profound, in their own way, as the Last Supper. This is it. This is life in all its glory, swirling and unfolding around us, disguised as pedantic, pedestrian non-events. But pull of the mask and you will find your life, waiting to be made, chosen, woven, crafted.
Your life, right now, today, is exploding with energy and power and detail and dimension, better than the best movie you have ever seen. You and your family and your friends and your house and your dinner table and your garage have all the makings of a life of epic proportions, a story for the ages. Because they all are. Every life is.
You have stories worth telling, memories worth remembering, dreams worth working toward, a body worth feeding, a soul worth tending, and beyond that, the God of the universe dwells within you, the true culmination of super and natural.
You are more than dust and bones.
You are spirit and power and image of God.
And you have been given Today.
”
”
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
“
I turn to head outside when the boys make their way back into the house. Kel stops in the doorway and puts his hands on his hips, then looks up at me.
“Are you my sister’s boyfriend?”
I’m thrown off by his directness. I pull my jacket on and shake my head. “Um, no. Just her friend.”
“She told my mom you were taking her on a date. I thought only boyfriends took girls on dates.”
“Well,” I pause. “Sometimes boys take girls on dates to see if they want them to be their girlfriend.”
I notice Caulder standing beside me, taking in the conversation as if he’s just as curious. I wasn’t prepared to have to explain the rules of dating right now.
“So it’s like a test?” Caulder asks. “To see if you want Layken to be your girlfriend?”
I shrug and nod. “Yeah, I guess you could say that.”
Kel laughs. “You aren’t gonna like her. She burps a lot. And she’s bossy. And she never lets me drink coffee, so she probably won’t let you have any, either. And she has really bad taste in music and sings way too loud and leaves her bras all over the house. It’s gross.”
I laugh. “Thanks for the warning. You think it’s too late to back out now?”
Kel shakes his head, missing my sarcasm completely. “No, she’s already dressed so you have to take her now.”
I sigh, pretending to be annoyed. “Well, it’s just a few hours. Hopefully she won’t burp a lot and boss me around and steal my coffee and sing to her really bad music and leave her bra in my car.”
Or hopefully she will.
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
We'll earn it all back today," I say, and we both plow into our plates. Even cold, it's one of the things I've ever tasted. I abandon my fork and scrape up the last dabs of gravy with my fingers. "I can feel Effie trinket shuddering at my manners."
"Hey, Effie, watch this!" says Peeta. He tosses his fork over his shoulder and literally licks his plate his plate clean with his tongue making loud, satisfied sounds. Then he blows a kiss to her in general, and calls, "We miss you, Effie!"
I cover his hand with my mouth. But I am laughing.
"Stop! Cato could be right outside our cave."
He grabs my hand away."What do I care. I've got you to protect me now," says Peeta, pulling me to him.
"Come on," I say in exasperation, extricating myself from his grasp but not before he gets another kiss.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
I don’t want any more insults. I’d like to experience three whole minutes in your presence before you lay into me again…and we really should make sure the tools are all locked up. (Acheron)
(He pulled the sleeve of his jacket back to look at his watch.)
Let me start timing… (Acheron)
(She opened her mouth to respond, but he held his hand up.)
Wait for it. We got two minutes and fifty-give seconds to go. (Acheron)
I’m not that bad. (Tory)
Yeah…you’re not standing in my shoes. (Acheron)
And judging by the ungodly size of them, I don’t think there are many people who could. (Tory)
We almost made it to thirty seconds without an insult. I think we just set a new record. (Acheron)
”
”
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
“
What are you doing?” I tried to pull away, but his hand slipped from my hair to cup the nape of my neck.
When he whispered, his warm breath brushed over my lips. “Just let me kiss you, Calla. You don’t know how long I’ve wanted to. No one has to know.”
My lips parted as I drew a sudden, startled breath and in that instant his mouth was on mine, soft as velvet. I closed my eyes against the rush of a hundred wings that suddenly beat in my chest and soared through my body.
His scent was all around me. Leather, sandalwood, bonfires in autumn. He pulled back, but only for the sake of moving his lips to trail over my neck.
My blood was on fire and I was shaking. Is this really happening?
I couldn’t stop thinking about Shay in the clearing. About asking him to kiss me. The electric touch of his lips on mine.
But this is where I belong. I tried to push the memories back.
Ren stroked my knee, his fingers wandering up my thigh, sliding beneath the hem of my dress.
I grabbed his wrist. “Wait.”
He didn’t free his arm from my grasp but continued kissing my collar bone.
“Let’s skip the waiting part,” he murmured into my skin.
”
”
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
“
My sweet little whorish Nora I did as you told me, you dirty little girl, and pulled myself off twice when I read your letter. I am delighted to see that you do like being fucked arseways. Yes, now I can remember that night when I fucked you for so long backwards. It was the dirtiest fucking I ever gave you, darling. My prick was stuck in you for hours, fucking in and out under your upturned rump. I felt your fat sweaty buttocks under my belly and saw your flushed face and mad eyes. At every fuck I gave you your shameless tongue came bursting out through your lips and if a gave you a bigger stronger fuck than usual, fat dirty farts came spluttering out of your backside. You had an arse full of farts that night, darling, and I fucked them out of you, big fat fellows, long windy ones, quick little merry cracks and a lot of tiny little naughty farties ending in a long gush from your hole. It is wonderful to fuck a farting woman when every fuck drives one out of her. I think I would know Nora’s fart anywhere. I think I could pick hers out in a roomful of farting women. It is a rather girlish noise not like the wet windy fart which I imagine fat wives have. It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night. I hope Nora will let off no end of her farts in my face so that I may know their smell also.
You say when I go back you will suck me off and you want me to lick your cunt, you little depraved blackguard. I hope you will surprise me some time when I am asleep dressed, steal over to me with a whore’s glow in your slumberous eyes, gently undo button after button in the fly of my trousers and gently take out your lover’s fat mickey, lap it up in your moist mouth and suck away at it till it gets fatter and stiffer and comes off in your mouth. Sometimes too I shall surprise you asleep, lift up your skirts and open your drawers gently, then lie down gently by you and begin to lick lazily round your bush. You will begin to stir uneasily then I will lick the lips of my darling’s cunt. You will begin to groan and grunt and sigh and fart with lust in your sleep. Then I will lick up faster and faster like a ravenous dog until your cunt is a mass of slime and your body wriggling wildly.
Goodnight, my little farting Nora, my dirty little fuckbird! There is one lovely word, darling, you have underlined to make me pull myself off better. Write me more about that and yourself, sweetly, dirtier, dirtier.
”
”
James Joyce (Selected Letters of James Joyce)
“
What?" he whispered. "What are you smiling about?"
My fingers brushed against his hair, trying to smooth it down. I realized what I was doing a full minute after Liam had closed his eyes and leaned into my touch. Embarrassment flared up my chest, but he grabbed my hand before I could pull back and tucked it under his chin.
"Nope," he whispered, when I tried to tug it away. "Mine now."
Dangerous. This is dangerous. The warning was fleeting, banished to the back corners of my mind, where it wouldn't interrupt how good it felt to touch him - how right.
"I'm going to need it back eventually," I said, letting him run it along the stubble on his chin.
"Too bad."
"...crackers..." a voice breathed out behind us, "yessss..."
Both of us turned, watching as Chubs twisted around in his seat and settled back down, still fast asleep.
I pressed a hand over my mouth to keep from laughing. Liam rolled his eyes, smiling.
"He dreams about food," he said. "A lot."
"At least they're good dreams."
"Yeah," Liam agreed. "I guess he's lucky.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
What’s three?” I asked, hoping to move away from this uncomfortable topic.
The smile pulled at his lips again.
“Three.” One of his hands cupped my face and the other slid around my back. He pulled my body against his and my heart began to pound. I took advantage of my free hand and pushed at his chest.
“I don’t think so, Lily,” he said. “If you want to get rid of me, you’ll need to do better than that.”
I drew a sharp breath and tried to wiggle away, but he held me firmly in place, watching me struggle. He grinned as he lifted me up onto the sink.
“What are you doing?” I started to panic. “Someone could come in!”
“If they see us, they’ll just turn around and get out of here,” he murmured, lips touching my ear. “No one crosses me.”
His hips pressed against my knees, opening them, pushing my skirt up my legs. I gripped his shirt, clinging to him so I wouldn’t fall into the sink. His hand pushed into my lower back. I gasped as his body fitted against mine.
Heat flooded my chest, my pelvis. I thought I would drown in it.
“We can’t—” His lips stopped my words. The kiss just made me dizzier. I dug my fingers into his shoulders.
“You said you didn’t want to be left alone.” His tongue flicked over my cheekbone. “This is me pestering you.”
“Aren’t you breaking the rules?” I could barely get the words out. “What about the union?”
“I’d rather have you on my own terms.” His hand slipped between my thighs.
All strength fled my limbs. “I can’t breathe.”
“That means you like it.” He kissed me again.
”
”
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
“
But as I stood watching her, I realized how truly hard it was,really, to see someone you love change right before your eyes. Not only is it scary, it throws your balance off as well. This was how my mother felt, I realized, over the weeks I worked at Wish, as she began to not recognize me in small ways, day after day. It was no wonder she'd reacted by pulling me closer, frcibly narrowing my world back to fit insider her own. Even now, as I finally saw this as the truth it was, a part of me wishing my mother would stand up straight, take command, be back in control. But all I'd wanted when she was tugging me closer was to be able to prove to her that the changes in me were good ones, ones she'd understand if she only gave them a chance. I had that chance now. While it was scary, I was gong to take it.
~Macy, pgs 351 and 352
”
”
Sarah Dessen (The Truth About Forever)
“
Well, it was probably the fever. You were burning up.”
My eyes snapped back to his. “You touched me?”
“Yes, I touched you…and you weren’t wearing a lot of clothes.” The smug stretch of his lips spread. “And you were soaked …in a white T-shirt. Nice look. Very nice.”
Heat crept over my cheeks. “The lake…it wasn’t a dream?” Daemon shook his head.
“Oh my God, so I did go swimming in the lake?”
He pushed off the desk and took one step forward, which put him in the same breathing space as me… if he actually needed to breathe. “You did. Not something I expected to see on Monday night, but I'm not complaining. I saw a lot.”
“Shut up,” I hissed.
“Don’t be embarrassed.” He reached out, tugging on the sleeve of my cardigan. I smacked his hand away. “It’s not like I haven’t seen the upper part before, and I didn’t get a real good look down—“
I came off the desk swinging. My knuckles only brushed his face before he caught my hand. Wowzer, he was fast. Daemon pulled me up against his chest and lowered his head, eyes snapping with restrained anger. “Don’t hit, kitten. It’s not nice.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
Her hands brushed Shane's, and he let go of the cards and took hold.
And then somehow she was in his lap, and he was kissing her. Hadn't meant to do that but...well. She couldn't exactly be sorry about it, because he tasted amazing, and his lips were so soft and his hands were so strong...
He leaned back, eyes half shut, and he was smiling. Shane didn't smile all that much, and it always left her breathless and tingling. There was a secrecy about it like he only ever smiled at her, and it just felt... perfect. 'Claire, you're being careful right?' He smoothed hair back from her face. 'Seriously. You'd tell me if you got into trouble?'
'No trouble,' She lied, thinking about Monica's not-so veiled threats, and that glimpse of Shane's dad seated across from Oliver in the coffee shop.'No trouble at all.'
'Good.' He kissed her again, then moved down her jawline to her neck, and, wow neck nibbles took her breath away. She closed her eyes and buried her fingers in his warm hair, trying to tell him through every touch how much she liked this, like him, loved...
Her eyes came open, fast.
She did not just think about that.
Shane’s warm hands moved up her sides, thumbs grazing the sides of her breasts again, and he traced his fingers across the thin skin of her collarbone...down to where the neck of her T-shirt stopped him. Teasing. Pulling it down an inch, then two.
And then, maddeningly, he let go and leaned back, lips damp. He licked them, watching her, and then gave her that slow crazy, sexy smile again.
'Go to bed' he said. 'Before I decide to come with.
”
”
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
“
The Kissing Game goes like this, Shortcake. Press, retreat, tilt, breathe, repeat. Use your hands to angle just right. Loosen up until it’s a slow, wet slide. Hear the drum of blood in your own ears? Survive on tiny puffs of air. Do not stop. Don’t even think about it. Shudder a sigh, pull back, let your opponent catch you with lips or teeth and ease you back into something even deeper. Wetter. Feel your nerve endings crackle to life with each touch of tongue. Feel a new heaviness between your legs. The aim of the game is to do this for the rest of your life. Screw human civilization and all it entails. This elevator is home now. This is what we do now. Do not fucking stop. He
”
”
Sally Thorne (The Hating Game)
“
I wasn’t aware of just how close he’d moved to me until now. So many details came into focus. The shape of his lips, the line of his neck. “I’m not dangerous,” I breathed.
He brought his face toward mine. “You are to me.”
And somehow, against all reason, we were kissing. I closed my eyes, and the world around me faded. The noise, the smoke . . . it was gone. All that mattered was the taste of his mouth, a mix of cloves and mints. There was a fierceness in his kiss, a desperation . . . and I answered, just as hungry for him. I didn’t stop him when he pulled me closer, so that I almost sat on his lap. I’d never been wrapped around someone’s body like that, and I was shocked at how eagerly mine responded. His arm went around my waist, pulling me onto him further, and his other hand slid up the back of my neck, getting entangled in my hair. He took his lips away from my mouth, gently trailing kisses down to my neck. I tipped my head back, gasping when the intensity returned to his mouth. There was an animalistic quality that sent shock waves through the rest of my body.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Keefe closed the distance between them.
And then... everything was new.
The soft press of his lips against hers.
The way their breath seemed to fall perfectly into sync as her heart and brain screamed FINALLY!
Some tiny part of her had always wondered if kissing could really be as great as everyone claimed.
But kissing Keefe was So. Much. Better.
He was the one to finally pull away, leaning back to study her in the shimmering light. "You're okay, right? No regrets?"
She grinned. "Absolutely none."
His relieved smile was the sweetest thing she'd ever seen- but it faded a little as he leaned his forehead against hers. "I don't want to mess this up," he whispered. "Please don't let me mess this up."
"I won't," she promised, tilting her chin up to steal another quick kiss.
”
”
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
“
Finally, he pushed back the chair and exhaled.
"He's alive," I said. "Your dad's alive."
He loooked up at me and, I couldn't help it-- I threw my arms around his neck and hugged him. Then I realized what I was doing. I let go, backing away, tripping over my feet, stammering. "I-I'm sorry. I'm just--I'm happy for you."
"I know."
Still sitting, he reached out and pulled me toward him. We stayed there, looking at each other, his hand still wrapped around my shirt hem, my heart hammering so hard I wash sure he could hear it.
"There's more," I said after a few seconds. "More emails, Tori said."
He nodded and swiveled back to the computer, making room for me. When I inched closer, not wanting to intrude, he tugged me in front of him and I stumbled, half falling onto his lap. I tried to scramble up, cheeks burning, but he pulled me down onto his knee, one arm going around my waist, tentative, as if to say Is this okay? It was, even if my blood pounded in my ears so hard I couldn't think.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
Sometmes when you pull knives on people, they get this impression that you're going to hurt them, and then they're completely terrified. Crazy, I know!"
"Okay," said Nick. He turned to Jamie & popped his left wrist sheath again. "Look."
Jamie backed up. "Which part of 'completely terrified' did you translate as 'show us your knives, Nick'? Don't show me your knives, Nick. I have no interest in your knives."
Nick rolled his eyes. "This is a quillon dagger. That's a knife with a sword handle. I like it because it has a good grip for stabbing."
"Why do you say these things?" Jamie inquired piteously. "Is it to make me sad?"
"I didn't have you cornered," Nick went on. "You could've run. And this dagger doesn't have an even weight distribution; it's absolute rubbish for throwing. If I had any intention of hurting you, I'd have used a knife I could throw."
Jamie blinked. "I will remember those words always. I may try to forget them, but I sense that I won't be able to.
”
”
Sarah Rees Brennan (The Demon's Covenant)
“
Ron seems to be enjoying the celebrations.” said Hermione. “Don’t pretend you didn’t see him. He wasn’t exactly hiding it, was — ?”
The door behind them burst open. To Harry’s horror, Ron came in, laughing, pulling Lavender by the hand.
“Oh,” he said, drawing up short at the sight of Harry and Hermione.
“Oops!” said Lavender, and she backed out of the room, giggling.
There was a horrible, swelling, billowing silence. Hermione was staring at Ron, who refused to look at her. She walked very slowly and erectly toward the door. Harry glanced at Ron, who was looking relieved that nothing worse had happened.
“Oppugno!” came a shriek from the doorway.
Harry spun around [...] The little flock of birds was speeding like a hail of fat golden bullets toward Ron, pecking and clawing at every bit of flesh they could reach.
“Gerremoffme!” he yelled, but with one last look of vindictive fury, Hermione wrenched open the door and disappeared through it. Harry thought he heard a sob before it slammed.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
I was trying to go... somewhere. But I kept getting pulled back here. I couldn't stop walking, couldn't stop thinking. About the first time I ever saw you, and how after I couldn't forget you. I wanted to, but I couldn't stop myself. I forced Hodge to let me be the one who came to find you and bring you back to the Institute. And even back then, in that stupid coffee shop, when I saw you with Simon, even then that felt wrong to me-- I should have been the one sitting with you. The one who made you laugh like that. I couldn't get rid of that feeling. That it should have been me. And the more I knew you, the more I felt it-- it had never been like that for me before. I'd always wanted a girl and then gotten to know her and not wanted her anymore, but with you the feeling just got stronger and stronger until that night when you showed up at Renwick's and I knew. And then to find out the reason I felt like that-- like you were some part of me I'd lost and never ever knew I was missing until I saw you again-- that the reason was that you were my sister, it felt like some cosmic joke. Like God was spitting on me. I don't even know for what-- for thinking that I actually get to have you, that I would deserve something like that, to be happy. I couldn't imagine what it was I'd done that I was being punished for--
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
He started to dance. And all at once, because Cole was dancing, I was dancing. And this Cole was even more persuasive than the last one. This was everything about Cole's smile made into a real thing, a physical object made out of his hands looped around me, and his long body pushed up against mine. I loved to dance, but I'd always been aware that I was dancing, aware of what my body was doing. Now, with this music thumping and Cole dancing with me, everything became invisible but the music. I was invisible. My hips were the booming bass. My hands on Cole were the wails of the synthesizer. My body was nothing but the hard, pulsing beat of the track.
My thoughts were flashes in between the downbeats.
beat:
my hand pressed on Cole's stomach
beat:
our hips crushed together
beat:
Cole's laugh
beat:
we were one person
Even knowing that Cole was good at this because it was what he did didn't make it any less of an amazing thing. Plus, he wasn't trying to be amazing without me--every move of his body was to make us move together. There was no ego, just the music and our bodies.
When the track ended, Cole stepped back, out of breath, half a smile on his face. I couldn't see how he could stop. I wanted to dance until I couldn't stand up. I wanted to crush our bodies against each other until there was no pulling them apart.
"You're an addiction," I told him.
"You should know.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
Prove it!" she hissed. "Prove you are who you are!"
"We don't have time for this! You really want me to prove who I am?" he asked.
"Yes!" she challenged.
In answer, he took her in his arms, lifting her up and against the wall. He pressed his lips against hers, and with each kiss she could see into his mind, into his soul. She saw a year of hate...saw him alone, alienated, hurt. She had lied to him and had left him. With every kiss he made her see, made her feel...every emotion, every dream he had of her...every ounce of his wanting and his need...and his love...his all-consuming, life-affirming love for her. In the darkness they found each other again...and she kissed him back, so greedily and hungrily, she never wanted to stop kissing him...to feel his heart against hers, the two of them intertwined together, his hands in her hair, then down the small of her back. She wanted to cry from the overwhelming emotion that engulfed the two of them....
"Now do you belive me?" Jack asked huskily, pulling away from a moment so they could look into each other's eyes. Schuyler nodded, breathless. Jack. Every fiber of her being tingled with love and desire and remorse and forgiveness. Oh Jack...the love of her life, her sweet, her soul...
”
”
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
“
Can I borrow your phone?" she asked.
I frowned, unsure what she would do. "Sure." I pulled my phone from my pocket, handing it to her.
She fingered the buttons for a moment, and then dialed, closing her eyes as she waited.
"I'm sorry for calling you so early," she stammered, "but this couldn't wait. I . . . can't go to dinner with you on Wednesday."
She had called Parker. My hands trembled with apprehension, wondering if she was going to ask him to pick her up - to save her - or something else.
She continue, "I can't see you at all, actually. I'm . . . pretty sure I'm in love with Travis."
My whole world stopped. I tried to replay her words over. Had I heard them correctly? Did she really just say what I thought she had, or was it just wishful thinking?
Abby handed the phone back to me, and then reluctantly peered up into my eyes.
"He hung up," she said with a frown.
"You love me?"
"It's the tattoos," she said, flippant and shrugging, as if she hadn't just said the one thing I'd ever wanted to hear.
Pigeon loved me.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
Andrius turned. His eyes found mine. "I'll see you," he said.
My face didn't wrinkle. I didn't utter a sound. But for the first time in months, I cried. Tears popped from their dry sockets and sailed down my cheeks in one quick stream. I looked away.
The NKVD called the bald man's name.
"Look at me," whispered Andrius, moving close. "I'll see you," he said. "Just think about that. Just think about me bringing you your drawings. Picture it, because I'll be there."
I nodded.
"Vilkas," the NKVD called.
We walked toward the truck and climbed inside. I looked down at Andrius. He raked through his hair with his fingers. The engine turned and roared. I raised my hand in a wave good-bye.
His lips formed the words "I'll see you." He nodded in confirmation.
I nodded back. The back gate slammed and I sat down. The truck lurched forward. Wind began to blow against my face. I pulled my coat closed and put my hands in my pockets. That's when I felt it. The stone. Andrius had slipped it into my pocket. I stood up to let him know I had found it. He was gone.
”
”
Ruta Sepetys (Between Shades of Gray)
“
I reach out and take his hand.
“Well, he probably used up a lot of resources helping me knock you out,” I say mischievously.
“Yeah, about that,” says Peeta, entwining his fingers in mine. “Don’t try something like that again.”
“Or what?” I ask.
“Or . . . or . . .” He can’t think of anything good. “Just give me a minute.”
“What’s the problem?” I say with a grin.
“The problem is we’re both still alive. Which only reinforces the idea in your mind that you did the right thing,” says Peeta.
“I did do the right thing,” I say.
“No! Just don’t, Katniss!” His grip tightens, hurting my hand, and there’s real anger in his voice. “Don’t die for me. You won’t be doing me any favors. All right?”
I’m startled by his intensity but recognize an excellent opportunity for getting food, so I try to keep up. “Maybe I did it for myself, Peeta, did you ever think of that? Maybe you aren’t the only one who . . . who worries about . . . what it would be like if. . .”
I fumble. I’m not as smooth with words as Peeta. And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don’t want him to die. And it’s not about the sponsors. And it’s not about what will happen back home.
And it’s not just that I don’t want to be alone. It’s him. I do not want to lose the boy with the bread.
“If what, Katniss?” he says softly.
I wish I could pull the shutters closed, blocking out this moment from the prying eyes of Panem. Even if it means losing food. Whatever I’m feeling, it’s no one’s business but mine.
“That’s exactly the kind of topic Haymitch told me to steer clear of,” I say evasively, although Haymitch never said anything of the kind. In fact, he’s probably cursing me out right now for dropping the ball during such an emotionally charged moment. But Peeta somehow catches it.
“Then I’ll just have to fill in the blanks myself,” he says, and moves in to me.
This is the first kiss that we’re both fully aware of. Neither of us hobbled by sickness or pain or simply unconscious. Our lips neither burning with fever or icy cold. This is the first kiss where I actually feel stirring inside my chest. Warm and curious.
This is the first kiss that makes me want another.
But I don’t get it. Well, I do get a second kiss, but it’s just a light one on the tip of my nose because Peeta’s been distracted.
“I think your wound is bleeding again. Come on, lie down, it’s bedtime anyway,” he says.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
He turned to leave, then hesitated. "One more thing."
He walked up to me. "I've also been thinking about your declaration of undying love or whatever."
"I didn't - it wasn't -"
He clamped his hands on the sides of my gooey face and kissed me.
I had to wonder: was it possible to dissolve into chocolate on a molecular level and melt into a puddle on the carpet? Because that's how I felt. I'm pretty sure Valhalla had to resurrect me several times during the course of that kiss. Otherwise, I don't know how I was still in one piece when Alex finally pulled away.
He studied me critically, his brown and amber eyes taking me in. He had a chocolate moustache and goatee now, and chocolate down the front of his sweater vest.
I'll be honest. A small part of my brain thought, Alex is male right now. I have just been kissed by a dude. How do I feel about that?
The rest of my brain answered: I have just been kissed by Alex Fierro. I am absolutely great with that.
In fact, I might have done something typically embarrassing and stupid, like making the aforementioned declaration of undying love, but Alex spared me.
"Eh." He shrugged. "I'll keep thinking about it. I'll get back to you. In the meantime, definitely take that shower."
He left, whistling a tune that might have been a Frank Sinatra song from the elevator, "Fly Me to the Moon".
”
”
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
“
You cold or something?' he said. She strained against him; she wanted to pass clear through him: 'It's a chill, it's nothing'; and then, pushing a little away: 'Say you love me.'
I said it.'
No, oh no. You haven't. I was listening. And you never do.'
Well, give me time.'
Please.'
He sat up and glanced at a clock across the room. It was after five. Then decisively he pulled off his windbreaker and began to unlace his shoes.
Aren't you going to, Clyde?'
He grinned back at her. 'Yeah, I'm going to.'
I don't mean that; and what's more, I don't like it: you sound as though you were talking to a whore.'
Come off it, honey. You didn't drag me up here to tell you about love.'
You disgust me,' she said.
Listen to her! She's sore!'
A silence followed that circulated like an aggrieved bird. Clyde said, 'You want to hit me, huh? I kind of like you when you're sore: that's the kind of girl you are,' which made Grady light in his arms when he lifted and kissed her. 'You still want me to say it?' Her head slumped on his shoulder. 'Because I will,' he said, fooling his fingers in her hair. 'Take off your clothes--and I'll tell it to you good.
”
”
Truman Capote (Summer Crossing)
“
Michael Pollan likens consumer choices to pulling single threads out of a garment. We pull a thread from the garment when we refuse to purchase eggs or meat from birds who were raised in confinement, whose beaks were clipped so they could never once taste their natural diet of worms and insects. We pull out a thread when we refuse to bring home a hormone-fattened turkey for Thanksgiving dinner. We pull a thread when we refuse to buy meat or dairy products from cows who were never allowed to chew grass, or breathe fresh air, or feel the warm sun on their backs.
The more threads we pull, the more difficult it is for the industry to stay intact. You demand eggs and meat without hormones, and the industry will have to figure out how it can raise farm animals without them. Let the animals graze outside and it slows production. Eventually the whole thing will have to unravel.
If the factory farm does indeed unravel - and it must - then there is hope that we can, gradually, reverse the environmental damage it has caused. Once the animal feed operations have gone and livestock are once again able to graze, there will be a massive reduction in the agricultural chemicals currently used to grow grain for animals. And eventually, the horrendous contamination caused by animal waste can be cleaned up. None of this will be easy.
The hardest part of returning to a truly healthy environment may be changing the current totally unsustainable heavy-meat-eating culture of increasing numbers of people around the world. But we must try. We must make a start, one by one.
”
”
Jane Goodall (Harvest for Hope)
“
Want your boat, Georgie?' Pennywise asked. 'I only repeat myself because you really do not seem that eager.' He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore.
Yes, sure,' George said, looking into the stormdrain.
And a balloon? I’ve got red and green and yellow and blue...'
Do they float?'
Float?' The clown’s grin widened. 'Oh yes, indeed they do. They float! And there’s cotton candy...'
George reached.
The clown seized his arm.
And George saw the clown’s face change.
What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke.
They float,' the thing in the drain crooned in a clotted, chuckling voice. It held George’s arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches.
They float,' it growled, 'they float, Georgie, and when you’re down here with me, you’ll float, too–'
George's shoulder socked against the cement of the curb and Dave Gardener, who had stayed home from his job at The Shoeboat that day because of the flood, saw only a small boy in a yellow rain-slicker, a small boy who was screaming and writhing in the gutter with muddy water surfing over his face and making his screams sound bubbly.
Everything down here floats,' that chuckling, rotten voice whispered, and suddenly there was a ripping noise and a flaring sheet of agony, and George Denbrough knew no more.
Dave Gardener was the first to get there, and although he arrived only forty-five seconds after the first scream, George Denbrough was already dead. Gardener grabbed him by the back of the slicker, pulled him into the street...and began to scream himself as George's body turned over in his hands. The left side of George’s slicker was now bright red. Blood flowed into the stormdrain from the tattered hole where his left arm had been. A knob of bone, horribly bright, peeked through the torn cloth.
The boy’s eyes stared up into the white sky, and as Dave staggered away toward the others already running pell-mell down the street, they began to fill with rain.
”
”
Stephen King (It)
“
This was it. And it was right. Perfect without the dinner, movies, and flowers, because how could you really plan something like this?
You couldn't
Daemon sat back-
A fist pounded on the door, and Andrew's voice intruded.
"Daemon, are you awake?"
We stared at each other in disbelief. "If I ignore him," he whispered, "do you think he'll go away?"
My hands dropped to my sides. "Maybe"
The pounding came again. "Daemon, I really need you downstairs. Dawson is ready to go back to Mount Weather. Nothing Dee or I are saying to him is making a bit of difference. He's like a suicidal Energizer bunny."
Daemon squeezed his eyes shut. "Son of a bitch..."
"It's okay." I started to sit up. "He needs you."
He let out a ragged sigh. "Stay here and get some rest. I'll talk-or beat some sense into him." He kissed me briefly and then gently pushed me back down. "I'll be back."
Settling in, I smiled. "Try not to kill him."
"No promises." He stood, pulled on his pajama bottoms, and headed for the door. Stopping short, he looked over his shoulder,his intense gaze melting my bones. "Dammit."
A few seconds after he stepped out into the hallway and closed the door behind him, there was a fleshly smack and then Andrew yelling. "Ouch. What in the hell was that for?"
"Your timing sucks on an epic level," Daemon shot back.
”
”
Jennifer L. Armentrout (Opal (Lux, #3))
“
GGRRROOCCCCK...
Ian's knees buckled. The rock outcropping shook the ground, sending a spew of grayish dust that quickly billowed around them.
Shielding his eyes, he spotted Amy standing by the figurine, which was now moving toward her. She was in shock, her backpack on the ground by her feet.
"Get back!" he shouted.
Ian pulled Amy away and threw her to the ground, landing on top of her. Gravel showered over his back, embedding into his hair and landing on the ground like a burst of applause.
His second though was that the shirt would be ruined. And this was the shock of it-that his first thought had not been about the shirt. Or the coin. Or himself.
It had been about her.
But that was not part of the plan. She existed for a purpose. She was a tactic, a stepping stone. She was...
"Lovely," he said.
Amy was staring up at him, petrified, her eyelashes flecked with dust. Ian took her hand, which was knotted into a fist. "Y-y-you don't have to do that," she whispered.
"Do what?" Ian asked.
"Be sarcastic. Say things like 'lovely.' You saved my life. Th-thank you."
"My duty," he replied. He lowered his head and allowed his lips to brush hers. Just a bit.
”
”
Peter Lerangis (The Sword Thief (The 39 Clues, #3))
“
Your Royal Bloody Pain in My Back,
We're bloody waiting here to talk to you, and we're getting angry perturbed. (That means angry.) Thom says that you're a queen now, but I figure that changes nothing, sense you acted like a queen all the time anyway. Don't forget that I carried halled your pretty little backside out of a hole in Tear, but you acted like a queen then, so I guess I don't know why I'm surprised now that you act like one when you really are a queen.
So I'm thinking I should treat you like a bloody Queen and send you a bloody letter and all, speaking with high talk and getting your attention. I even used my ring as a signet, like it was paper proper. So here my formal salutation. So BLOODY STOP TURNING ME AWAY so we can talk. I need your bellfounders. It's bloody important.
--Mat
p.s. Salutation means greeting.
p.p.s. Don't mind the scratched out words and bad spellings. I was going to rewrite this letter, but Thom is laffing so hard at me that I want to be done.
p.p.s. Don't mind me calling your backside pretty. I hardly ever spent any time looking at it, as I've an awareness that you'd pull my eyes out if you saw me. Besides, I'm married now, so that all doesn't matter.
”
”
Robert Jordan
“
A man walks into a bar and says:
Take my wife–please.
So you do.
You take her out into the rain and you fall in love with her
and she leaves you and you’re desolate.
You’re on your back in your undershirt, a broken man
on an ugly bedspread, staring at the water stains
on the ceiling.
And you can hear the man in the apartment above you
taking off his shoes.
You hear the first boot hit the floor and you’re looking up,
you’re waiting
because you thought it would follow, you thought there would be
some logic, perhaps, something to pull it all together
but here we are in the weeds again,
here we are
in the bowels of the thing: your world doesn’t make sense.
And then the second boot falls.
And then a third, a fourth, a fifth.
A man walks into a bar and says:
Take my wife–please.
But you take him instead.
You take him home, and you make him a cheese sandwich,
and you try to get his shoes off, but he kicks you
and he keeps kicking you.
You swallow a bottle of sleeping pills but they don’t work.
Boots continue to fall to the floor
in the apartment above you.
You go to work the next day pretending nothing happened.
Your co-workers ask
if everything’s okay and you tell them
you’re just tired.
And you’re trying to smile. And they’re trying to smile.
A man walks into a bar, you this time, and says:
Make it a double.
A man walks into a bar, you this time, and says:
Walk a mile in my shoes.
A man walks into a convenience store, still you, saying:
I only wanted something simple, something generic…
But the clerk tells you to buy something or get out.
A man takes his sadness down to the river and throws it in the river
but then he’s still left
with the river. A man takes his sadness and throws it away
but then he’s still left with his hands.
”
”
Richard Siken
“
Maxon, I hope you find someone you can't love without. I really do. And I hope you never have to know what it's like to have to try and live without them."
Maxon's face was a shallow echo of my own pain. He looked absolutely brokenhearted for me. More than that, he looked angry.
"I'm sorry, America. I don't..." His face shifted a little. "Is this a good time to pat your shoulder?"
His uncertainty made me smile. "Yes. Now would be a great time."
He seemed as skeptically as he'd been the other day, but instead of just patting my shoulder, he leaned in and tentatively wrapped his arms around me.
"I only really ever hug my mother. Is this okay?" he asked.
I laughed. "It's hard to get a hug wrong."
After a minute, I spoke again. "I know what you mean, though. I don't really hug anyone besides my family."
I felt so drained after the long day of dressing and the Report and dinner and talking. It was nice to have Maxon just hold me, sometimes even patting my hair. He wasn't as lost as he seemed. He patiently waited for my breathing to slow, and when it did, he pulled back to look at me.
"America, I promise you I'll keep you here until the last possible moment. I understand that they want me to narrow the Elite down to three and then choose. But I swear to you, I'll make it to two and keep you here until then. I won't make you leave a moment before I have to. Or the moment you're ready. Whichever comes first."
I nodded.
"I know we just met, but I think you're wonderful. And it bothers me to see you hurt. If he were here, I'd...I'd..." Maxon shook with frustration, then sighed. "I'm so sorry, America."
He pulled me back in, and I rested my head on his broad shoulder. I knew Maxon would keep his promises. So I settled into perhaps the last place I ever thought I'd find genuine comfort.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
And...like I said. We’re an hour away from each other. All year.”
He wanted Ilya to see this vision as clearly as he could. It seemed tantalizingly possible. Easy, even.
“And you’d be in Canada. And you could apply for citizenship eventually.”
“Yes. I understand that part.”
“And maybe...someday. When we both retire. We can...be together. For real.”
Ilya looked stunned by that part. “You really think that far ahead, Hollander?”
“I do about this.”
“You want that? To be together?”
“I do. So much it terrifies me.”
Ilya turned his face away from Shane, and was silent. Cold dread flooded Shane’s stomach; he had admitted too much."
“But Ilya turned back and quickly rolled on top of Shane and was kissing him and kissing him and kept murmuring the same thing in Russian over and over again until he pulled back and translated:
“I love you.”
Shane froze. And then Ilya froze.
“Holy shit,” Shane whispered. It wasn’t how he had meant to respond.
“I...” Ilya’s eyes were so wide and so scared.
“I love you too,” Shane said.
Ilya gave a shaky smile and exhaled. “Thank Christ.”
“Does it...does it feel like agony for you too?”
Ilya started to nod, then stopped. He shook his head slowly instead.
“Not anymore.
”
”
Rachel Reid (Heated Rivalry (Game Changers, #2))
“
But I suppose if you're friends of Magnus's ..." He went completely still. His runes faded. Then he leaped out of my hand and flew towards Annabeth, his blade twitching as if he was stiffing the air. "Where is she? Where are you hiding the babe?"
Annabeth backed towards the rail. "Whoa, there, sword. Personal space?"
"Jack, behave," Alex said. "What are you doing?"
"She's around here somewhere," Jack insisted. He flew to Percy. "Aha! What's in your pocket, sea boy?"
"Excuse me?" Percy looked a bit nervous about the magical sword hovering at his waistline.
Alex lowered his Ray-Bans. "Okay, now I'm curious. What do you have in your pocket, Percy? Enquiring swords want to know."
Percy pulled a plain-looking ballpoint pen from his jeans. "You mean this?"
"BAM!" Jack said. "Who is this vision of loveliness?"
"Jack," I said. "It's a pen."
"No, it's not! Show me! Show me!"
"Uh ... sure." Percy uncapped the pen.
Immediately it transformed into a three-foot-long sword with a leaf-shaped blade of glowing bronze.. Compared to Jack, the weapon looked delicate, almost petite, but from the way Percy wielded it I had no doubt he'd be able to hold his own on the battlefields of Valhalla with that thing.
Jack turned his point towards me, his runes flashing burgundy. "See Magnus? I told you it wasn't stupid to carry a sword disguised as a pen!"
"Jack, I never said that!" I protested. "You did.
”
”
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
“
He smiled at her. “Now, are you going to thank me properly?”
“I said ‘thank you.’ That’s considered in some cultures as thanking you properly.”
“I was hoping for a little more than that.”
She studied him for a long moment before she nodded.
“All right.” She scooted down a bit on the bed, pulled her gown up high on her thighs, and relaxed back into the mattress. “If you could make it quick before the food gets here, that would be great.”
Gwenvael felt a small twitch beneath his eye. He often got something similar right on his eyelid but only when he had to deal with his father. Apparently a new one had developed that belonged only to Lady Dagmar. “That’s not what I meant.”
“I hope you’re not expecting me to get on my knees because I don’t think the healer—”
“No!” Good gods, this woman! “That’s not what I meant, either.”
“That’s always what men mean when they ask to be thanked properly.”
“Your world frightens me. I want us to be clear on that.” He leaned over and grabbed her waist, lifting her until her back again rested on the propped-up pillows.
“I’m unclear as to what you want, then.”
“A kiss,” he said, pulling her dress back down to her ankles. “A simple kiss.
”
”
G.A. Aiken (What a Dragon Should Know (Dragon Kin, #3))
“
He said, “I know somebody you could kiss.”
“Who?” She realized his eyes were amused. “Oh, wait.”
He shrugged. He was maybe the only person Blue knew who could preserve the integrity of a shrug while lying down. “It’s not like you’re going to kill me. I mean, if you were curious.”
She hadn’t thought she was curious. It hadn’t been an option, after all. Not being able to kiss someone was a lot like being poor. She tried not to dwell on the things she couldn’t have.
But now—
“Okay,” she said.
“What?”
“I said okay.”
He blushed. Or rather, because he was dead, he became normal colored. “Uh.” He propped himself on an elbow. “Well.” She unburied her face from the pillow. “Just, like—”
He leaned toward her. Blue felt a thrill for a half a second. No, more like a quarter second. Because after that she felt the too-firm pucker of his tense lips. His mouth mashed her lips until it met teeth. The entire thing was at once slimy and ticklish and hilarious.
They both gasped an embarrassed laugh. Noah said, “Bah!” Blue considered wiping her mouth, but felt that would be rude. It was all fairly underwhelming.
She said, “Well.”
“Wait,” Noah replied, “waitwaitwait.” He pulled one of Blue’s hairs out of his mouth. “I wasn’t ready.”
He shook out his hands as if Blue’s lips were a sporting event and cramping was a very real possibility.
“Go,” Blue said.
This time they only got within a breath of each other’s lips when they both began to laugh. She closed the distance and was rewarded with another kiss that felt a lot like kissing a dishwasher.
“I’m doing something wrong?” she suggested.
“Sometimes it’s better with tongue,” he replied dubiously.
They regarded each other.
Blue squinted, “Are you sure you’ve done this before?”
“Hey!” he protested. “It’s weird for me, ‘cause it’s you.”
“Well, it’s weird for me because it’s you.”
“We can stop.”
“Maybe we should.”
Noah pushed himself up farther on his elbow and gazed at the ceiling vaguely. Finally, he dropped his eyes back to her. “You’ve seen, like, movies. Of kisses, right? Your lips need to be, like, wanting to be kissed.”
Blue touched her mouth. “What are they doing now?”
“Like, bracing themselves.”
She pursed and unpursed her lips. She saw his point.
“So imagine one of those,” Noah suggested.
She sighed and sifted through her memories until she found one that would do. It wasn’t a movie kiss, however. It was the kiss the dreaming tree had showed her in Cabeswater. Her first and only kiss with Gansey, right before he died. She thought about his nice mouth when he smiled. About his pleasant eyes when he laughed. She closed her eyes.
Placing an elbow on the other side of her head, Noah leaned close and kissed her once more. This time, it was more of a thought than a feeling, a soft heat that began at her mouth and unfurled through the rest of her. One of his cold hands slid behind her neck and he kissed her again, lips parted. It was not just a touch, an action. It was a simplification of both of them: They were no longer Noah Czerny and Blue Sargent. They were now just him and her. Not even that. They were only the time that they held between them.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Nora Stephens,” he says, “I’ve racked my brain and this is the best I can come up with, so I really hope you like it.”
His gaze lifts, everything about it, about his face, about his posture, about him made up of sharp edges and jagged bits and shadows, all of it familiar, all of it perfect. Not for someone else, maybe, but for me.
“I move back to New York,” he says. “I get another editing job, or maybe take up agenting, or try writing again. You work your way up at Loggia, and we’re both busy all the time, and down in Sunshine Falls, Libby runs the local business she saved, and my parents spoil your nieces like the grandkids they so desperately want, and Brendan probably doesn’t get much better at fishing, but he gets to relax and even take paid vacations with your sister and their kids. And you and I—we go out to dinner.
“Wherever you want, whenever you want. We have a lot of fun being city people, and we’re happy. You let me love you as much as I know I can, for as long as I know I can, and you have it fucking all. That’s it. That’s the best I could come up with, and I really fucking hope you say—”
I kiss him then, like there isn’t someone reading one of the Bridgerton novels five feet away, like we’ve just found each other on a deserted island after months apart. My hands in his hair, my tongue catching on his teeth, his palms sliding around behind me and squeezing me to him in the most thoroughly public groping we’ve managed yet.
“I love you, Nora,” he says when we pull apart a few inches to breathe. “I think I love everything about you.
”
”
Emily Henry (Book Lovers)
“
When you got captured, I didn't know..." He trailed off, had to chug whiskey before he could continue. "If it'd be like..."
"What?"
"Like it was with Clotile."
"Oh, Jackson, no. I was okay. I'm unharmed."
"Didn't know if I'd get there too late," he said with a shudder. Then he crossed over to me, until we stood toe-to-toe. "Evie, if you ever get taken from me again, you better know that I'll be coming for you." He cupped my face with a bloodstained hand. "So you stay the hell alive! You don't do like Clotile, you doan take that way out. You and me can get through anything, just give me a chance."--his voice broke lower "just give me a chance to get to you." He buried his face in my hair, inhaling deeply. "There is nothing that can happen to you that we can't get past."
...
"When you say we...?"
He pulled back, gazing down at me, his eyes blazing. "I'm goan to lay it all out there for you. Laugh in my face--I don't care. But I'm goan to get this off my chest."
"I won't laugh. I'm listening."
"Evie, I've wanted you from the first time I saw you. Even when I hated you, I wanted you." He raked his fingers through his hair. "I got it bad, me."
My heart felt like it'd stopped--so that I could hear him better.
"For as long as you've been looking down your nose at me, I've been craving you, an envie like I've never known."
"I don't look down at you! I'm too busy looking up to you."
...
"The corners of his lips curled for an instant before he grew serious again. "You asked me if I had that phone with your pictures, if I'd looked at it. Damn right, I did! I saw you playing with a dog at the beach, and doing a crazy-ass flip off a high dive, and making faces for the camera. I learned about you"- his voice grew hoarse -"and I wanted more of you. To see you every day." With a humourless laugh, he admitted, "After the Flash, I was constantly sourcing ways to charge a goddamned phone--that would never make a call."
I murmured, "I didn't know...I couldn't be sure."
"It's you for me, peekon.
”
”
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
“
We should go back inside," she said, in a half whisper. She did not want to go back inside. She wanted to stay here, with Will achingly close, almost leaning into her. She could feel the heat that radiated from his body. His dark hair fell around the mask, into his eyes, tangling with his long eyelashes. "We have only a little time-"
She took a step forward-and stumbled into Will, who caught her. She froze-and then her arms crept around him, her fingers lacing themselves behind his neck. Her face was pressed against his throat, his soft hair under her fingers. She closed her eyes, shutting out the dizzying world, the light beyond the French windows, the glow of the sky. She wanted to be here with Will, cocooned in this moment, inhaling the clean sharp scent of him., feeling the beat of his heart against hers, as steady and strong as the pulse of the ocean.
She felt him inhale. "Tess," he said. "Tess, look at me."
She raised her eyes to his, slow and unwilling, braced for anger or coldness-but his gaze was fixed on hers, his dark blue eyes somber beneath their thick black lashes, and they were stripped of all their usual cool, aloof distance. They were as clear as glass and full of desire. And more than desire-a tenderness she had never seen in them before, had never even associated with Will Herondale. That, more than anything else, stopped her protest as he raised his hands and methodically began to take the pins from her hair, one by one.
This is madness, she thought, as the first pin rattled to the ground. They should be running, fleeing this place. Instead she stood, wordless, as Will cast Jessamine's pearl clasps aside as if they were so much paste jewelry. Her own long, curling dark hair fell down around her shoulders, and Will slid his hands into it. She heard him exhale as he did so, as if he had been holding his breath for months and had only just let it out. She stood as if mesmerized as he gathered her hair in his hands, draping it over one of her shoulders, winding her curls between his fingers. "My Tessa," he said, and this time she did not tell him that she was not his.
"Will," she whispered as he reached up and unlocked her hands from around his neck. He drew her gloves off, and they joined her mask and Jessie's pins on the stone floor of the balcony. He pulled off his own mask next and cast it aside, running his hands through his damp black hair, pushing it back from his forehead. The lower edge of the mask had left marks across his high cheekbones, like light scars, but when she reached to touch them, he gently caught at her hands and pressed them down.
"No," he said. "Let me touch you first. I have wanted...
”
”
Cassandra Clare
“
When you get older, you notice your sheets are dirty. Sometimes, you do something about it. And sometimes, you read the front page of the newspaper and sometimes you floss and sometimes you stop biting your nails and sometimes you meet a friend for lunch. You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, five years ago.
You remember your umbrella, you check up on people to see if they got home, you leave places early to go home and make toast. You stand by the toaster in your underwear and a big t-shirt, wondering if you should just turn in or watch one more hour of television. You laugh at different things. You stop laughing at other things. You think about old loves almost like they are in a museum. The socks, you notice, aren’t organized into pairs and you mentally make a note of it. You cover your mouth when you sneeze, reaching for the box of tissues you bought, contains aloe.
When you get older, you try different shampoos. You find one you like. You try sleeping early and spin class and jogging again. You try a book you almost read but couldn’t finish. You wrap yourself in the blankets of: familiar t-shirts, caffe au lait, dim tv light, texts with old friends or new people you really want to like and love you. You lose contact with friends from college, and only sometimes you think about it. When you do, it feels bad and almost bitter. You lose people, and when other people bring them up, you almost pretend like you know what they are doing. You try to stop touching your face and become invested in things like expensive salads and trying parsnips and saving up for a vacation you really want. You keep a spare pen in a drawer. You look at old pictures of yourself and they feel foreign and misleading. You forget things like: purchasing stamps, buying more butter, putting lotion on your elbows, calling your mother back. You learn things like balance: checkbooks, social life, work life, time to work out and time to enjoy yourself.
When you get older, you find yourself more in control. You find your convictions appealing, you find you like your body more, you learn to take things in stride. You begin to crave respect and comfort and adventure, all at the same time. You lay in your bed, fearing death, just like you did. You pull lint off your shirt. You smile less and feel content more. You think about changing and then often, you do.
”
”
Alida Nugent (You Don't Have to Like Me: Essays on Growing Up, Speaking Out, and Finding Feminism)
“
Arobynn continued to pin her with that lover’s gaze. “Nothing is without a price.” He brushed a kiss against her cheekbone, his lips soft and warm. She fought the shudder that trembled through her, and made herself lean into him as he brought his mouth against her ear and whispered, “Tell me what I must do to atone; tell me to crawl over hot coals, to sleep on a bed of nails, to carve up my flesh. Say the word, and it is done. But let me care for you as I once did, before … before that madness poisoned my heart. Punish me, torture me, wreck me, but let me help you. Do this small thing for me—and let me lay the world at your feet.”
Her throat went dry, and she pulled back far enough to look into that handsome, aristocratic face, the eyes shining with a grief and a predatory intent she could almost taste. If Arobynn knew about her history with Chaol, and had summoned the captain here … Had it been for information, to test her, or some grotesque way to assure himself of his dominance? “There is nothing—”
“No—not yet,” he said, stepping away. “Don’t say it yet. Sleep on it. Though, before you do—perhaps pay a visit to the southeastern section of the tunnels tonight. You might find the person you’re looking for.” She kept her face still—bored even—as she tucked away the information. Arobynn moved toward the crowded room, where his three assassins were alert and ready, and then looked back at her. “If you are allowed to change so greatly in two years, may I not be permitted to have changed as well?
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice.
Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember.
“Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms.
She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire.
Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.”
“What to get the Shadowhunter who has everything,” Simon said with a grin.
“Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?”
“A piano.”
“Simon.”
“A really huge metronome that could also double as a weapon?”
Clary sighed, exasperated.
“Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.”
“Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?”
“I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets.
“Oh, come on. Isabelle’s easy.”
“That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.”
“You really have to DTR, Simon.”
“What?”
“Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?”
Simon blanched. “What? Seriously?”
“Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—”
“Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother.
where are you? It’s an emergency.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Gareth sucked in a breath. Hyacinth’s brother wasn’t going to make this easy on him. But that didn’t matter. He had vowed to do this right, and he would not be cowed.
He looked up, meeting the viscount’s dark eyes with steady purpose. “I would like to marry Hyacinth,” he said. And then, because the viscount did not say anything, because he didn’t even move, Gareth added, “Er, if she’ll have me.”
And then about eight things happened at once. Or perhaps there were merely two or three, and it just seemed like eight, because it was all so unexpected.
First, the viscount exhaled, although that did seem to understate the case. It was more of a sigh, actually—a huge, tired, heartfelt sigh that made the man positively deflate in front of Gareth. Which was astonishing. Gareth had seen the viscount on many occasions and was quite familiar with his reputation. This was not a man who sagged or groaned.
His lips seemed to move through the whole thing, too, and if Gareth were a more suspicious man, he would have thought that the viscount had said, “Thank you, Lord.”
Combined with the heavenward tilt of the viscount’s eyes, it did seem the most likely translation.
And then, just as Gareth was taking all of this in, Lord Bridgerton let the palms of his hands fall against the desk with surprising force, and he looked Gareth squarely in the eye as he said, “Oh, she’ll have you. She will definitely have you.”
It wasn’t quite what Gareth had expected. “I beg your pardon,” he said, since truly, he could think of nothing else.
“I need a drink,” the viscount said, rising to his feet. “A celebration is in order, don’t you think?”
“Er…yes?”
Lord Bridgerton crossed the room to a recessed bookcase and plucked a cut-glass decanter off one of the shelves. “No,” he said to himself, putting it haphazardly back into place, “the good stuff, I think.” He turned to Gareth, his eyes taking on a strange, almost giddy light. “The good stuff, wouldn’t you agree?”
“Ehhhh…” Gareth wasn’t quite sure what to make of this.
“The good stuff,” the viscount said firmly. He moved some books to the side and reached behind to pull out what looked to be a very old bottle of cognac. “Have to keep it hidden,” he explained, pouring it liberally into two glasses.
“Servants?” Gareth asked.
“Brothers.” He handed Gareth a glass. “Welcome to the family.
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))
“
A Kite is a Victim
A kite is a victim you are sure of.
You love it because it pulls
gentle enough to call you master,
strong enough to call you fool;
because it lives
like a desperate trained falcon
in the high sweet air,
and you can always haul it down
to tame it in your drawer.
A kite is a fish you have already caught
in a pool where no fish come,
so you play him carefully and long,
and hope he won't give up,
or the wind die down.
A kite is the last poem you've written
so you give it to the wind,
but you don't let it go
until someone finds you
something else to do.
A kite is a contract of glory
that must be made with the sun,
so you make friends with the field
the river and the wind,
then you pray the whole cold night before,
under the travelling cordless moon,
to make you worthy and lyric and pure.
Gift
You tell me that silence
is nearer to peace than poems
but if for my gift
I brought you silence
(for I know silence)
you would say
This is not silence
this is another poem
and you would hand it back to me
There are some men
There are some men
who should have mountains
to bear their names through time
Grave markers are not high enough
or green
and sons go far away to lose the fist
their father’s hand will always seem
I had a friend he lived and died
in mighty silence and with dignity
left no book son or lover to mourn.
Nor is this a mourning song
but only a naming of this mountain
on which I walk
fragrant, dark and softly white
under the pale of mist
I name this mountain after him.
-Believe nothing of me
Except that I felt your beauty
more closely than my own.
I did not see any cities burn,
I heard no promises of endless night,
I felt your beauty
more closely than my own.
Promise me that I will return.-
-When you call me close
to tell me
your body is not beautiful
I want to summon
the eyes and hidden mouths
of stone and light and water
to testify against you.-
Song
I almost went to bed
without remembering
the four white violets
I put in the button-hole
of your green sweater
and how i kissed you then
and you kissed me
shy as though I'd
never been your lover
-Reach into the vineyard of arteries for my heart.
Eat the fruit of ignorance and share with me the mist and
fragrance of dying.-
”
”
Leonard Cohen (The Spice-Box of Earth)
“
The Voyager
We are all lonely voyagers sailing on life's ebb tide,
To a far off place were all stripling warriors have died,
Sometime at eve when the tide is low,
The voices call us back to the rippling water's flow,
Even though our boat sailed with love in our hearts,
Neither our dreams or plans would keep heaven far apart,
We drift through the hush of God's twilight pale,
With no response to our friendly hail,
We raise our sails and search for majestic light,
While finding company on this journey to the brighten our night,
Then suddenly he pulls us through the reef's cutting sea,
Back to the place that he asked us to be,
Friendly barges that were anchored so sweetly near,
In silent sorrow they drop their salted tears,
Shall our soul be a feast of kelp and brine,
The wasted tales of wishful time,
Are we a fish on a line lured with bait,
Is life the grind, a heartless fate,
Suddenly, "HUSH", said the wind from afar,
Have you not looked to the heavens and seen the new star,
It danced on the abyss of the evening sky,
The sparkle of heaven shining on high,
Its whisper echoed on the ocean's spray,
From the bow to the mast they heard him say,
"Hope is above, not found in the deep,
I am alive in your memories and dreams when you sleep,
I will greet you at sunset and with the moon's evening smile,
I will light your path home.. every last lonely mile,
My friends, have no fear, my work was done well,
In this life I broke the waves and rode the swell,
I found faith in those that I called my crew,
My love will be the compass that will see you through,
So don't look for me on the ocean's floor to find,
I've never left the weathered docks of your loving mind,
For I am in the moon, the wind and the whale's evening song,
I am the sailor of eternity whose voyage is not gone.
”
”
Shannon L. Alder
“
Winter’s head snapped around, away from Scarlet. Scarlet’s pace slowed, dread pulsing through her as she, too, heard the footsteps. Pounding footsteps, like someone was running at full speed toward them. She reached for the knife Jacin had given her. A man barrelled around the corner, heading straight for the princess. Winter tensed half a second before he reached her. Grabbing Winter’s elbow, he yanked back the red hood.
Scarlet gasped. Her knees weakened. The man stared at Winter with a mixture of confusion and disappointment and maybe even anger, all locked up in eyes so vividly green that Scarlet could see them glowing from here. She was the one hallucinating now.
She took a stumbling, uncertain step forward. Wanting to run toward him, but terrified it was a trick. Her hand tightened around the knife handle as Wolf, ignoring how Winter was trying to pull away, grabbed her arm and smelled the filthy red sleeve of Scarlet’s hoodie, streaked with dirt and blood. He growled, ready to tear the princess apart. “Where did you get this?” So desperate, so determined, so him. The knife slipped out of Scarlet’s hand. Wolf’s attention snapped to her. “Wolf?” she whispered.
His eyes brightened, wild and hopeful. Releasing Winter, he strode forward. His tumultuous eyes scooped over her. Devoured her.
When he was in arm’s reach, Scarlet almost collapsed into him, but at the last moment she had the presence of mind to step back. She planted a hand on his chest. Wolf froze, hurt flickering across his face.
“I’m sorry,” said Scarlet, her voice teetering with exhaustion. “It’s just…I smell so awful, I can hardly stand to be around myself right now, so I can’t even imagine what it’s like for you with your sense of sm-“
Batting her hand away, Wolf dug his fingers into Scarlet’s hair and crushed his mouth against hers. Her protests died with a muffled gasp. This time, she did collapse, her legs unable to hold her a second longer. Wolf fell with her, dropping his knees to break Scarlet’s fall and cradling her body against his. He was here. He was here.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
Life is like a train ride.
The passengers on the train are seemingly going to the same destination as you, but based on their belief in you or their belief that the train will get them to their desired destination they will stay on the ride or they will get off somewhere during the trip.
People can and will get off at any stop.
Just know that where people get off is more of an reflection on them, than it is on you.
There will be a few people in your life that will make the whole trip with you, who believe in you, accept that you are human and that mistakes will be made along the way, and that you will get to your desired destination - together, no matter what.
Be very grateful of these people.
They are rare and when you find one, don't let go of them - ever.
Be blessed for the ones who get on at the worst stops when no one is there.
Remember those people, they are special.
Always hold them dear to your heart.
Be very wary of people sneaking on at certain stops when things are going good and acting like they have been there for the whole ride.
For they will be the first to depart.
There will be ones who secretly try to get off the ride and there will be those that very publicly will jump off.
Don't pay any heed to the defectors.
Pay heed to the passengers that are still on the trip.
They are the important ones.
If someone tries to get back on the train - don't be angry or hold a grudge, let them.
Just see where they are around the next hard turn.
If they are buckled in - accept them.
If they are pulling the hand rail alarm again - then let them off the train freely and waste no space in your head for them again, ever.
There will be times that the train will be moving slow, at almost a crawls pace.
Appreciate that you can take in the view.
There will be times where the train is going so fast that everything is a blur.
Enjoy the sense of speed in your life, as it is exhilarating but unsustainable.
There will also be the chance that the train derails.
If that does happen, it will hurt, a lot, for a long time.
But there will be people who will appear out of no where who will get you back on track.
Those will be the people that will matter most in your life.
Love them forever.
For you can never repay these people.
The thing is, that even if you could repay them, they wouldn't accept it anyway.
Just pay it forward.
Eventually your train will get to its final stop and you will need to deboard.
At that time you will realize that life is about the journey AND the destination.
Know and have faith that at the end of your ride your train will have the right passengers on board and all the passengers that were on board at one time or another were there for a distinct purpose.
Enjoy the ride.
”
”
JohnA Passaro
“
History is ending because the dominator culture has led the human species into a blind alley, and as the inevitable chaostrophie approaches, people look for metaphors and answers. Every time a culture gets into trouble it casts itself back into the past looking for the last sane moment it ever knew. And the last sane moment we ever knew was on the plains of Africa 15,000 years ago rocked in the cradle of the Great Horned Mushroom Goddess before history, before standing armies, before slavery and property, before warfare and phonetic alphabets and monotheism, before, before, before. And this is where the future is taking us because the secret faith of the twentieth century is not modernism, the secret faith of the twentieth century is nostalgia for the archaic, nostalgia for the paleolithic, and that gives us body piercing, abstract expressionism, surrealism, jazz, rock-n-roll and catastrophe theory. The 20th century mind is nostalgic for the paradise that once existed on the mushroom dotted plains of Africa where the plant-human symbiosis occurred that pulled us out of the animal body and into the tool-using, culture-making, imagination-exploring creature that we are. And why does this matter? It matters because it shows that the way out is back and that the future is a forward escape into the past. This is what the psychedelic experience means. Its a doorway out of history and into the wiring under the board in eternity. And I tell you this because if the community understands what it is that holds it together the community will be better able to streamline itself for flight into hyperspace because what we need is a new myth, what we need is a new true story that tells us where we're going in the universe and that true story is that the ego is a product of pathology, and when psilocybin is regularly part of the human experience the ego is supressed and the supression of the ego means the defeat of the dominators, the materialists, the product peddlers. Psychedelics return us to the inner worth of the self, to the importance of the feeling of immediate experience - and nobody can sell that to you and nobody can buy it from you, so the dominator culture is not interested in the felt presence of immediate experience, but that's what holds the community together. And as we break out of the silly myths of science, and the infantile obsessions of the marketplace what we discover through the psychedelic experience is that in the body, IN THE BODY, there are Niagaras of beauty, alien beauty, alien dimensions that are part of the self, the richest part of life. I think of going to the grave without having a psychedelic experience like going to the grave without ever having sex. It means that you never figured out what it is all about. The mystery is in the body and the way the body works itself into nature. What the Archaic Revival means is shamanism, ecstacy, orgiastic sexuality, and the defeat of the three enemies of the people. And the three enemies of the people are hegemony, monogamy and monotony! And if you get them on the run you have the dominators sweating folks, because that means your getting it all reconnected, and getting it all reconnected means putting aside the idea of separateness and self-definition through thing-fetish. Getting it all connected means tapping into the Gaian mind, and the Gaian mind is what we're calling the psychedelic experience. Its an experience of the living fact of the entelechy of the planet. And without that experience we wander in a desert of bogus ideologies. But with that experience the compass of the self can be set, and that's the idea; figuring out how to reset the compass of the self through community, through ecstatic dance, through psychedelics, sexuality, intelligence, INTELLIGENCE. This is what we have to have to make the forward escape into hyperspace.
”
”
Terence McKenna