“
I really like Matilda and that's not a clever book, is it? It's for children. But she's my favourite main character because she comes from an awful family and likes reading, like I do. Those special powers must've made her life a lot easier, though. She wouldn't be working in a pub at thirty-two.
”
”
Sara Pascoe (Weirdo)
“
The less you eat, drink, buy books, go to the theatre or to balls, or to the pub, and the less you think, love, theorize, sing, paint, fence, etc., the more you will be able to save and the greater will become your treasure which neither moth nor rust will corrupt—your capital. The less you are, the less you express your life, the more you have, the greater is your alienated life and the greater is the saving of your alienated being.
”
”
Karl Marx (Economic & Philosophic Manuscripts of 1844)
“
I hate solitude, but I'm afraid of intimacy. The substance of my life is a private conversation with myself which to turn into a dialogue would be equivalent to self-destruction. The company which I need is the company which a pub or a cafe will provide. I have never wanted a communion of souls. It's already hard enough to tell the truth to oneself.
”
”
Iris Murdoch (Under the Net)
“
Work. Home. The pub. Meeting girls. Living in the city. Life. Is that all there is?
”
”
Neil Gaiman (Neverwhere (London Below, #1))
“
The prospect of his future life stretched before him like a sentence; not a prison sentence but a long-winded sentence with a lot of unnecessary subordinate clauses, as he was soon in the habit of quipping during Happy Hour pickup time at the local campus bars and pubs. He couldn’t say he was looking forward to it, this rest-of-his-life.
”
”
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
“
People only know what you tell them.And it was true.People gave out their whole life stories to anyone and everyone without a second's thought.Stand at a bus stop,sit in a strange pub,get banged up,and someone would always give you their life story.It was as if they were trying to prove they existed
”
”
Martina Cole (Close)
“
Gavin had glared at Alastair Lowe and his brother from the back of the pub and wondered what it would be like to have someone in his life like that. Someone who knew him. Someone who saw him. Someone who would celebrate when, not if, he came home.
”
”
Amanda Foody (All of Us Villains (All of Us Villains, #1))
“
I carried my pint to a corner table and sat just looking at it for a moment: the head of foam, the tiny bubbles ascending through clear gold, the droplets condensing on the sides of the glass, then running down to form a wet circle on the beer mat. Reputations are ruined, marriages destroyed, lifes works forsaken for the beauty of such a sight. There are seven thousand pubs in London.
”
”
Poppy Z. Brite
“
I like it! I liked it when man to man no matter whether he is boss or he is ordinary worker, but in meantime they go to the pub, they drink beer together and call by first name. I like that. After few years, I think that Queensland is the best place in Australia … I am Queenslander! – Alex Sucharsky, Ukranian
”
”
Peter Brune (Suffering, Redemption and Triumph: The first wave of post-war Australian immigrants 1945-66)
“
Do you ever wonder if this is all there is?” “What?” Richard gestured vaguely, taking in everything. “Work. Home. The pub. Meeting girls. Living in the city. Life. Is that all there is?
”
”
Neil Gaiman (Neverwhere)
“
Have you noticed, now, the way people talk so loudly in snackbars and cinemas, how the shelved back gardens shudder with prodigies of talentlessness, drummers, penny-whistlers, vying transistors, the way you see and hear the curses and sign-language of high sexual drama at the bus-stops under ghosts of clouds, how life has come out of doors? And in the soaked pubs the old-timers wince and weather the canned rock. We talk louder to make ourselves heard. We will all be screamers soon.
”
”
Martin Amis (Money)
“
I don’t believe people are looking for the meaning of life as much as they are looking for a pub that stays open after 12.00.
”
”
Charles Cutting
“
I've never been thrown out of a pub, but I've fallen into quite a few
”
”
Benny Bellamacina (Philosophical Uplifting Quotes and Poems)
“
The woman dies.
She dies to provide a plot twist. She dies to develop the narrative. She dies for cathartic effect. She dies because no one could think of what else to do with her. Dies because there weren’t any better story ideas around. Dies because her death was the very best idea that anyone could come up with.
‘I’ve got it! Let’s kill her off!’
‘Yes! Her death will solve everything!’
‘Okay! Let’s hit the pub!’
And so, the woman dies. The woman dies so the man can be sad about it. The woman dies so the man can suffer. She dies to give him a destiny. Dies so he can fall to the dark side. Dies so he can lament her death. As he stands there, brimming with grief, brimming with life, the woman lies there in silence. The woman dies for him. We watch it happen. We read about it happening. We come to know it well.
”
”
Aoko Matsuda
“
Orwell wrote easily and well about small humane pursuits, such as bird watching, gardening and cooking, and did not despise popular pleasures like pubs and vulgar seaside resorts. In many ways, his investigations into ordinary life and activity prefigure what we now call 'cultural studies.
”
”
Christopher Hitchens
“
Finished off and washed up before your time-
But you will never run a pub. You will never own a shop-
Instead, you will have your revenge-
That is how you shall live-
In place of a life, revenge.
”
”
David Peace (The Damned Utd)
“
Any pub will do?”
“McPherson’s, I think. One with music that will alter my life forever, give me eternal happiness, and make me see God. You know. One like that.”
“So you need the magical sound of Ireland and some information about an Abbeyglen native. Francine”—Beckett’s eyes danced in the streaming sunlight—“I’m about to solve your every problem.” Beckett stood up and gave my hair a light tug. “Prepare to worship and adore me.
”
”
Jenny B. Jones (There You'll Find Me)
“
Scapegrace: Back then, I was full of ideas, I was going to renovate the whole front of the pub,, and extend out to the west, maybe get in a music system a little dancefloor. In the end, I decided not to. Too expensive, you know. And, like, nobody wanted to dance so.
Skulduggery: Vaurien, if you're trying to kill us, there are quicker ways than telling us your life story
Valkryie: Less painful too.
”
”
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
“
The State exists simply to promote and to protect the ordinary happiness of human beings in this life. A husband and wife chatting over a fire, a couple of friends having a game of darts in a pub, a man reading a book in his own room or digging his own garden--that is what the State is there for. And unless they are helping to increase and prolong and protect such moments, all the laws, parliaments, armies, courts, police, economics, etc., are simply a waste of time.
”
”
C.S. Lewis (Mere Christianity)
“
I someties think I want to write a book of my life
So that when I meet you - or anyone new - I can hand it over and you can read it
Instead of trying to read me.
You can take it away and decide whether it's worth giving me your time.
You can think about if, the next time we are walking towards
each other, you'll smile without slowing down
Or cross the street and pretend you haven't seen me
Or stop and put an arm round my shoulder, steer me into the nearest pub, and buy me a pint of stout.
Because you'll know, having read the book, that stout is what I drink.
You see elegance of my proposal.
But every time I sit down to write the book, I hit a snag.
I could tell so many stories.
I could be a poet or a magician or a faild mathematician.
I could be happy or soul-sore or lonely.
I could start when I was born, when I was twelve, when I left university.
And the book would be different for each story I choose.
And the book would be true, and untrue, for each.
Our pasts are as unfixed as our futures, if you think about it.
And I like the freedom I have to tell a different story.
”
”
Stephanie Butland (Lost For Words)
“
It is easy to think that the Church has a lot of different objects—education, building, missions, holding services. Just as it is easy to think the State has a lot of different objects—military, political, economic, and what not. But in a way things are much simpler than that. The State exists simply to promote and to protect the ordinary happiness of human beings in this life. A husband and wife chatting over a fire, a couple of friends having a game of darts in a pub, a man reading a book in his own room or digging in his own garden—that is what the State is there for. And unless they are helping to increase and prolong and protect such moments, all the laws, parliaments, armies, courts, police, economics, etc., are simply a waste of time. In the same way the Church exists for nothing else but to draw men into Christ, to make them little Christs. If they are not doing that, all the cathedrals, clergy, missions, sermons, even the Bible itself, are simply a waste of time.
”
”
C.S. Lewis (Mere Christianity: A Classic Non-Fiction Guide to Faith)
“
It was nearly eight before he returned to the office. This was the hour when he found London most lovable; the working day over, her pub windows were warm and jewel-like, her streets thrummed with life, and the indefatigable permanence of her aged buildings, softened by the street lights, became strangely reassuring. We have seen plenty like you, they seemed to murmur soothingly, as he limped along Oxford Street carrying a boxed-up camp bed. Seven and a half million hearts were beating in close proximity in this heaving old city, and many, after all, would be aching far worse than his. Walking wearily past closing shops, while the heavens turned indigo above him, Strike found solace in vastness and anonymity.
”
”
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
“
Reasons Why I Loved Being With Jen
I love what a good friend you are. You’re really engaged with the lives of the people you love. You organize lovely experiences for them. You make an effort with them, you’re patient with them, even when they’re sidetracked by their children and can’t prioritize you in the way you prioritize them.
You’ve got a generous heart and it extends to people you’ve never even met, whereas I think that everyone is out to get me. I used to say you were naive, but really I was jealous that you always thought the best of people.
You are a bit too anxious about being seen to be a good person and you definitely go a bit overboard with your left-wing politics to prove a point to everyone. But I know you really do care. I know you’d sign petitions and help people in need and volunteer at the homeless shelter at Christmas even if no one knew about it. And that’s more than can be said for a lot of us.
I love how quickly you read books and how absorbed you get in a good story. I love watching you lie on the sofa reading one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other galaxy.
I love that you’re always trying to improve yourself. Whether it’s running marathons or setting yourself challenges on an app to learn French or the fact you go to therapy every week. You work hard to become a better version of yourself. I think I probably didn’t make my admiration for this known and instead it came off as irritation, which I don’t really feel at all.
I love how dedicated you are to your family, even when they’re annoying you. Your loyalty to them wound me up sometimes, but it’s only because I wish I came from a big family.
I love that you always know what to say in conversation. You ask the right questions and you know exactly when to talk and when to listen. Everyone loves talking to you because you make everyone feel important.
I love your style. I know you think I probably never noticed what you were wearing or how you did your hair, but I loved seeing how you get ready, sitting in front of the full-length mirror in our bedroom while you did your make-up, even though there was a mirror on the dressing table.
I love that you’re mad enough to swim in the English sea in November and that you’d pick up spiders in the bath with your bare hands. You’re brave in a way that I’m not.
I love how free you are. You’re a very free person, and I never gave you the satisfaction of saying it, which I should have done. No one knows it about you because of your boring, high-pressure job and your stuffy upbringing, but I know what an adventurer you are underneath all that.
I love that you got drunk at Jackson’s christening and you always wanted to have one more drink at the pub and you never complained about getting up early to go to work with a hangover. Other than Avi, you are the person I’ve had the most fun with in my life.
And even though I gave you a hard time for always trying to for always trying to impress your dad, I actually found it very adorable because it made me see the child in you and the teenager in you, and if I could time-travel to anywhere in history, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beautiful and clever and funny you are. That you are spectacular even without all your sports trophies and music certificates and incredible grades and Oxford acceptance.
I’m sorry that I loved you so much more than I liked myself, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of myself, either. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental.
I love you. I always will. I'm glad we met.
”
”
Dolly Alderton (Good Material)
“
I wanted you to kiss me, Jack," I say, bereft. It's not as if he isn't aware what I wanted back there; to be coy would be pointless. "I don't like myself for it." He strokes my hair, cups my chin, looks me in the eyes. "If I tell you something, do you promise to never tell another living soul, not even a goldfish?" I swallow, eye to eye with him as I nod, and he takes my face between both of his hands. Whatever he's about to say, I think it's something I'm going to remember forever. "I wanted to kiss you back there in the pub, Laurie, and I want to kiss you even more right now. You're one of the loveliest people I've ever met in my whole life." He looks away, down the length of the deserted street and then back at me again. "You're beautiful and kind, and you make me laugh, and when you look at me like that with your summer hedgerow eyes...only a fucking saint wouldn't kiss you." Then he leans me against the wall with the weight of his body, and because he isn't a fucking saint, he kisses me. Jack O'Mara dips his head and kisses me in the snow, his lips trembling and then hot and sure, and I'm crying and kissing him back, opening my mouth to let his tongue slide over mine as he makes this low, injured animal noise in his throat. I feel the relief of him in every follicle of my hair, and in every cell of my body, and in the blood in my veins. His breathing is as shallow as mine, and it's so much more than I've ever imagined, and trust me, I used to let my imagination run riot where Jack O'Mara was concerned. He holds my face as if I'm precious and then pushes his fingers into my hair, cupping my head in his hands when I tip it back. This is the only time we will ever kiss each other. He knows it, I know it, and it's so achingly melancholy-sexy that I feel tears threaten again.
”
”
Josie Silver (One Day in December)
“
To look at Montmorency you would imagine that he was an angel sent upon the earth, for some reason withheld from mankind, in the shape of a small fox-terrier. There is a sort of Oh-what-a-wicked-world-this-is-and-how-I-wish-I-could-do-something-to-make-it-better-and-nobler expression about Montmorency that has been known to bring the tears into the eyes of pious old ladies and gentlemen. When first he came to live at my expense, I never thought I should be able to get him to stop long. I used to sit down and look at him, as he sat on the rug and looked up at me, and think: “Oh, that dog will never live. He will be snatched up to the bright skies in a chariot, that is what will happen to him.” But, when I had paid for about a dozen chickens that he had killed; and had dragged him, growling and kicking, by the scruff of his neck, out of a hundred and fourteen street fights; and had had a dead cat brought round for my inspection by an irate female, who called me a murderer; and had been summoned by the man next door but one for having a ferocious dog at large, that had kept him pinned up in his own tool-shed, afraid to venture his nose outside the door for over two hours on a cold night; and had learned that the gardener, unknown to myself, had won thirty shillings by backing him to kill rats against time, then I began to think that maybe they’d let him remain on earth for a bit longer, after all. To hang about a stable, and collect a gang of the most disreputable dogs to be found in the town, and lead them out to march round the slums to fight other disreputable dogs, is Montmorency’s idea of “life;” and so, as I before observed, he gave to the suggestion of inns, and pubs., and hotels his most emphatic approbation.
”
”
Jerome K. Jerome (Three Men in a Boat: To Say Nothing of the Dog)
“
...You know how you have real-life time versus story time, how stories leave out the boring bits and condense so much? A long-form RPG has some substance to it, leaves time to wander the desert or have a conversation or hang out in a pub. It might not be the closest thing to real life but pacing-wise it's closer than a movie or a TV show or a novel.
”
”
Erin Morgenstern (The Starless Sea)
“
He staggered back into the pub, clutching his stomach, a wordless, crumpled husk of ever-growing regret.
”
”
Sarah Winman (Still Life)
“
The pub, after all, is where so much of theater life takes place.
”
”
Nick Offerman (Paddle Your Own Canoe: One Man's Fundamentals for Delicious Living)
“
/A weekend toward the end of September, the bell above the door rang and there he was in the shop. Same old feeling in my guts.
I’ll go if you want me to, he said.
I smiled, I was so fucking happy to see him.
You’ve only just got here, you twat, I said. Now give us a hand with this, and he took the other end of the trestle table and moved it over to the wall. Pub? I said.
He grinned. And before I could say anything else he put his arms around me. And everything he couldn’t say in our room in France was said in that moment. I know, I said. I know. I’d already accepted I wasn’t the key to unlock him.
She’d come later.
It took a while to acknowledge the repercussions of that time. How the numbness in my fingertips traveled to my heart and I never even knew it.
I had crushes, I had lovers, I had orgasms. My trilogy of desire, I liked to call it, but I’d no great love after him, not really. Love and sex became separated by a wide river and one the ferryman refused to cross. The psychiatrist liked that analogy. I watched him write it down. Chuckle, chuckle, his pen across the page.
”
”
Sarah Winman (Tin Man)
“
I went to the pub to meet the young men. They never talk ideas, it is always people with them. The church is the vicar - that kind of thing. They seem, well, hemmed-in by the village itself.
”
”
Akenfield: Portrait of an English Village
“
I wanted to kiss you back there in the pub, Laurie, and I want to kiss you even more right now. You’re one of the loveliest people I’ve ever met in my whole life.” He looks away, down the length of the deserted street and then back at me again. “You’re beautiful and kind, and you make me laugh, and when you look at me like that with your summer hedgerow eyes…only a fucking saint wouldn’t kiss you.
”
”
Josie Silver (One Day in December)
“
Recipe for Goodbye From the Kitchen of Lila Reyes Ingredients: One Cuban girl. One English boy. One English city. Preparation: Give Polly her kitchen back and share a genuine smile, from one legitimate baker to another. Ride through the countryside on a vintage Triumph Bonneville. Walk through Winchester, all through town and on the paths you ran. Drink vanilla black tea at Maxwell’s. Eat fish and chips and curry sauce at your friend’s pub. Sleep in fits and bits curled up together on St. Giles Hill. *Leave out future talk. Any form of the word tomorrow. Cooking temp: 200 degrees Celsius. You know the conversion by heart.
”
”
Laura Taylor Namey (A Cuban Girl's Guide to Tea and Tomorrow)
“
If the case isn't plea bargained, dismissed or placed on the inactive docket for an indefinite period of time, if by some perverse twist of fate it becomes a trial by jury, you will then have the opportunity of sitting on the witness stand and reciting under oath the facts of the case-a brief moment in the sun that clouds over with the appearance of the aforementioned defense attorney who, at worst, will accuse you of perjuring yourself in a gross injustice or, at best, accuse you of conducting an investigation so incredibly slipshod that the real killer has been allowed to roam free.
Once both sides have argued the facts of the case, a jury of twelve men and women picked from computer lists of registered voters in one of America's most undereducated cities will go to a room and begin shouting. If these happy people manage to overcome the natural impulse to avoid any act of collective judgement, they just may find one human being guilty of murdering another. Then you can go to Cher's Pub at Lexington and Guilford, where that selfsame assistant state's attorney, if possessed of any human qualities at all, will buy you a bottle of domestic beer.
And you drink it. Because in a police department of about three thousand sworn souls, you are one of thirty-six investigators entrusted with the pursuit of that most extraordinary of crimes: the theft of a human life. You speak for the dead. You avenge those lost to the world. Your paycheck may come from fiscal services but, goddammit, after six beers you can pretty much convince yourself that you work for the Lord himself. If you are not as good as you should be, you'll be gone within a year or two, transferred to fugitive, or auto theft or check and fraud at the other end of the hall. If you are good enough, you will never do anything else as a cop that matters this much. Homicide is the major leagues, the center ring, the show. It always has been. When Cain threw a cap into Abel, you don't think The Big Guy told a couple of fresh uniforms to go down and work up the prosecution report. Hell no, he sent for a fucking detective. And it will always be that way, because the homicide unit of any urban police force has for generations been the natural habitat of that rarefied species, the thinking cop.
”
”
David Simon
“
The only thing you can rely on in all towns, big and small alike, is that there will be broken people. It's nothing to do with the place, just life; it can beat us up. And if that happens, it's easy to find your way to a pub; bars can quickly become sad places. Someone who has nowhere else to go can grasp a glass a little too tightly; someone who's tired of falling can take refuge in the bottom of a bottle, seeing as you can't fall much further from there.
”
”
Fredrik Backman (Us Against You (Beartown, #2))
“
Actually, using the Daleks would be a masterstroke. Everyone loves Doctor Who - who wouldn't be thrilled by the sight of a real-life Dalek squadron rolling down the high street, glinting in the sun? The sheer excitement would genuinely make the accompanying loss of liberty seem worthwhile. To liven things up even more, our rasping pepperpot overlords would be colour-coded. Blue Daleks would deal with minor infractions, and would spend most of their time issuing warnings and administering minor shocks - but they'd also be chummy and approachable, and willing to pose for photographs with your nephew. Red Daleks, on the other hand, would be emotionless killing machines. Imagine the atmosphere outside a pub on a hot summer's day: a Red Dalek trundles past, and the convivial hubbub suddenly fades to a whisper. Everyone stiffens. And then he turns the corner and a communal sigh of relief goes up, and the drinking continues and the jukebox plays louder and louder... community spirit lives again. Admit it: it'd be fantastic.
”
”
Charlie Brooker (Dawn of the Dumb: Dispatches from the Idiotic Frontline)
“
Pubs have always been the heart of Irish social life, but when the smoking ban came in, a lot of people moved to drinking at home. The ban doesn't bother me, although I'm confused by the idea that you shouldn't go into a pub and do anything that might be bad for you, but the level of obedience does. To the Irish, rules always used to count as challenges—see who can come up with the best way round this one—and this sudden switch to sheep mode makes me worry that we're turning into someone else, possibly Switzerland.
”
”
Tana French (The Likeness)
“
This was the hour when he found London most lovable; the working day over, her pub windows were warm and jewel-like, her streets thrummed with life, and the indefatigable permanence of her aged buildings, softened by the street lights, became strangely reassuring.
”
”
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
“
They began to amble off, under the streetlights. "Look, Gary," Richard began. "Do you ever wonder if this is all there is?"
"What?"
Richard gestured vaguely, taking in everything. " Work. Home. The pub. Meeting girls. Living in the city. Life. Is that all there is?
”
”
Neil Gaiman (Neverwhere (London Below, #1))
“
But there were moments - when he saw groups of friends sitting in neat, symmetrical rows on pub benches, or couples holding hands in the street, where he felt a wave of embarrassment that he [...] hadn't exchanged so much as a cup of tea with an acquaintance or a flirtatious smile with someone on a train in years - that he scared himself with how intense the feeling of longing was. Because maybe, actually, he did want to find people to be close to, to make friends and perhaps even find someone to spend the rest of his life with.
”
”
Richard Roper (How Not to Die Alone)
“
When you see true evil, it changes you forever. It wants to make sure laughter and joy die a violent death, but the best it can manage is to put them on life support. It’s up to the rest of us to make sure they don’t stay there.” -John Murphy, Bartender at Bulfinche’s Pub
”
”
Patrick Thomas (MURPHY'S LORE: REDEMPTION ROAD)
“
At least, man has always feared this 2x2=4 formula, and I still fear it. We may suppose a man may do nothing but search for such equations, crossing the oceans and dedicating his life to the quest; but succeeding, really finding them- I swear he will be afraid of that. Really, he will feel that if he finds them, he will have nothing left to search for. When workmen have finished work, they at least receive their money, they go and spend it in the pub, they get hauled off to the police- station- that's enough to occupy them for a week. But where can mankind go? To say the least, something uncomfortable is to be noticed to man on the achievement of similar goals. His likes progress towards the goal, but he does not altogether care for the achievement of it, and that, of course, is ridiculous. In short, mankind is comically constructed; all this plainly amounts to a joke.
”
”
Fyodor Dostoevsky (Notes from Underground)
“
But why have you dear English Jew whose forefathers fought to enter the country of Johnny Mill, the Stuart with a little heart, saunter in Haridwar, no pubs or fish and chips' counters here, only Ganga-Jal, -the holy ale- Quaff it for the spirit and carry it to the banks of Thames in a holy grail.
”
”
Aporva Kala (Life... Love... Kumbh...)
“
Life goes on much the same. In the face of terrifying dangers and golden political opportunities, people just keep-on keeping-on in a sort of twilight sleep in which they're conscious of nothing but the daily-round of work, family life, darts at the pub, exercising the dog, bringing home the supper, beer, etc, etc
”
”
George Orwell
“
To hang about a stable, and collect a gang of the most disreputable dogs to be found in the town, and lead them out to march round the slums to fight other disreputable dogs, is Montmorency’s idea of “life;” and so, as I before observed, he gave to the suggestion of inns, and pubs., and hotels his most emphatic approbation.
”
”
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
“
I feel an itch, a creeping itch, for drink as we walk through Forest Gate. We can’t find a pub. The Interpreter keeps pointing out the odd shop with a dirty England flag. ‘This is Muslim land, man, there are no pubs here because there are no English. But if you wanna go into one of those gross last of the English pubs we can.
”
”
Ben Judah (This is London: Life and Death in the World City)
“
have always been fascinated by relationships. I grew up in Britain, where my dad ran a pub, and I spent a lot of time watching people meeting, talking, drinking, brawling, dancing, flirting. But the focal point of my young life was my parents’ marriage. I watched helplessly as they destroyed their marriage and themselves. Still, I knew they loved each other deeply. In my father’s last days, he wept raw tears for my mother although they had been separated for more than twenty years. My response to my parents’ pain was to vow never to get married. Romantic love was, I decided, an illusion and a trap. I was better off on my own, free and unfettered. But then, of course, I fell in love and married. Love pulled me in even as I pushed it away. What was this mysterious and powerful emotion that defeated my parents, complicated my own life, and seemed to be the central source of joy and suffering for so many of us? Was there a way through the maze to enduring love? I followed my fascination with love and connection into counseling and psychology. As part of my training, I studied this drama as described by poets and scientists. I taught disturbed children who had been denied love. I counseled adults who struggled with the loss of love. I worked with families where family members loved each other, but could not come together and could not live apart. Love remained a mystery. Then, in the final phase of getting my doctorate in counseling psychology at the University of British Columbia in Vancouver, I started to work with couples. I was instantly mesmerized by the intensity of their struggles and the way they often spoke of their relationships in terms of life and death.
”
”
Sue Johnson (Hold Me Tight: Seven Conversations for a Lifetime of Love (The Dr. Sue Johnson Collection Book 1))
“
God is never impressed with the phony. He has no time or patience for the false; God deals only with truth. He says that to trust His Word as a plain statement of truth, ignoring all the mocking taunts of those who think they know better, will not be an easy path but it will be an absolutely sure one. That is what Hebrews 11 says to us.
”
”
Ray C. Stedman (How to Live What You Believe: A Life-Related Study in Hebrews/Paperback Commentary/Pub Order No S411111 (Bible Commentary for Layman))
“
This is one of the worst things about being a working mother. Oh, the work’s all right. You can make arrangements for the work. It’s all the other stuff. The drinks after work, the leaving dos, the Friday nights when someone suggests a curry. All the times, in fact, when the important bonding gets done. Ruth has to miss all that, and she’s lost count of the times when she’s been the last to hear about a dig because ‘we discussed it last night in the pub.’ Phil is a great one for networking, he’s always skulking off with a few cronies to plot over pasta but, then again, Phil is only a working father. Having children doesn’t seem to impinge on his professional life at all.
”
”
Elly Griffiths (The Outcast Dead (Ruth Galloway, #6))
“
The prospect of his future life stretched before him like a sentence; not a prison sentence, but a long-winded sentence with a lot of unnecessary subordinate clauses, as he was soon in the habit of quipping during Happy Hour pickup time at the local campus bars and pubs. He couldn’t say he was looking forward to it, this rest-of-his-life.
”
”
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
“
My interview was mostly conducted by Hugo Dyson, an Oxford ‘character’, known for his wit. I always found him alarming. He was like a hyperactive gnome, and stumped around on a walking stick which, when he was seized by one of his paroxysms of laughter, he would beat up and down as if trying to drive it through the floor. It brought to mind Rumpelstiltskin driving his leg into the ground in the fairy tale. He had been one of the ‘Inklings’ – the group of dons, including Tolkien and C. S. Lewis, who met during the 1930s in the Bird and Baby pub opposite St John’s. It was he and Tolkien who, one summer night in 1931, had converted Lewis to Christianity during a stroll along Addison’s Walk. So he was, at least in part, responsible for the Narnia books. I never asked him if he liked them. But it was well known that Tolkien’s Lord of the Rings was not to his taste. Tolkien had been in the habit of favouring the Inklings with readings from it, but one day Dyson, driven to exasperation, interjected, ‘Oh not another fucking elf!’ and after that the readings stopped. On
”
”
John Carey (The Unexpected Professor: An Oxford Life in Books)
“
I am silent in the Club,
I am silent the pub,
I am silent on a bally peak in Darien;
For I stuff away for life
Shoving peas in with a knife,
Because I am heart a Vegetarian
No more the milk of cows
Shall pollute my private house
Than the milk of the wild mares of the Barbarian
I will stick to port and sherry,
For they are so very, very,
So very, very, very Vegetarian.
- G. K. Chesterton
”
”
M.C. Beaton
“
People everywhere, enjoying life, smiling, and just slowing down to let the world take care of itself for a few hours.
The feeling was contagious. Especially when I stepped into McPherson's Pub to grab a bite of the special and listen to some traditional Irish music. The fiddle made me want to dance with myself, and many did. The drum beat like my very own heart. And some little flute that looked no wider than a pencil reminded me of the Aran Islands floating not too far from Abbeyglen.
God was here tonight. In the strings of the guitar and the call of the singer's voice. I realize how often I overlook him back at home.
And I know I don't want to do that anymore.
The LORD will send His faithful love by day; His song will be with me in the night a prayer to the Gid of my life.
”
”
Jenny B. Jones (There You'll Find Me)
“
Imagine that the brain and the genitals are a couple of friends on vacation together, wandering down the street deciding where to have dinner.
If they're women, it goes like this: The genitals notice any restaurant they pass, whether it's Thai food or pub grub, fast food or gourmet (while ignoring all the museums and shops),and say, "This is a restaurant. We could eat here." She has no strong opinion, she's just good at spotting restaurants. Meanwhile, the brain is assessing all the contextual factors [...] to decide whether she wants to try a place. "This place isn't delicious smelling enough," or "This place isn't clean enough," or "I'm not in the mood for pizza." The genitals might even notice a pet store and say, "There's pet food in here, I guess..." and the brain rolls her eyes and keeps walking.
[...] Now, if the friends are men, it goes like this: The genitals notice only specific restaurants -- diners, say -- and don't notice any restaurants that aren't diners. Once they find a diner, the brain says, "A diner! I love diners," and the genitals agree, "This is a restaurant, we could eat here," unless there's some pretty compelling reason not to, like a bunch of drunks brawling outside.
”
”
Emily Nagoski (Come as You Are: The Surprising New Science that Will Transform Your Sex Life)
“
They are taking away all the nice things there because they are impractical, as if that were reason enough – the red phone-boxes, the pound note, those open London buses that you can leap on and off. There is almost no experience in life that makes you look and feel more suave than jumping on or off a moving London bus. But they aren’t practical. They require two men (one to drive and one to stop thugs from kicking the crap out of the Pakistani gentleman at the back) and that is uneconomical, so they have to go. And before long there will be no more milk in bottles delivered to the doorstep or sleepy rural pubs and the countryside will be mostly shopping centres and theme parks. Forgive me. I don’t mean to get upset. But you are taking my world away from me, piece by little piece, and sometimes it just pisses me off. Sorry.
”
”
Bill Bryson (The Lost Continent: Travels in Small-Town America (Bryson Book 12))
“
As for Madelyne, she continued to ply her trade. But such a life takes a fast toll on a woman. It is easy to be a remote, untouchable beauty and stay that way for many, many years. And if a stunning tapestry is hung upon a wall, it remains unsullied and a work of art. However, if one drapes it across the floor of a pub and all manner of men tread upon it with their heavy boots, it's going to be worn rather thin, and rather quickly. Such was the case with my mother.
”
”
Peter David (Sir Apropos of Nothing (Sir Apropos of Nothing, #1))
“
We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio
very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters.
Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the
present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a
dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your
memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory
on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this?
Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how,
find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar,
dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on
for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but
who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your
life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy
robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch
around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again
and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second,
my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in
crayon like the akropolis rose! And so on.
”
”
Leonard Cohen (Beautiful Losers)
“
Hiro and Chuck grab the closest thing they can find to a corner table. Hiro
buttonholes a waiter and surreptitiously orders a pitcher of Pub Special, mixed
half and half with nonalcoholic beer. This way, Chuck ought to remain awake a
little longer than he would otherwise.
It doesn't take much to make him open up. He's like one of these old guys from
a disgraced presidential administration, forced out by scandal, who devotes the
rest of his life to finding people who will listen to him.
”
”
Neal Stephenson (Snow Crash)
“
That’s the difference between a friend and a lover, Jane. A friend doesn’t need the whole of you. If you don’t want to tell me about your life before we met, I don’t give a toss—I’m in it for the Jane that’s here and now, aren’t I? I take you as you come. But if I loved you, I’d want everything. Wouldn’t I? Don’t you want all of him? All his secrets? All the versions of Joseph that exist out there, all the people he is when he’s at work and with his mother and with the lads at the pub?
”
”
Beth O'Leary (The No-Show)
“
Penelope shared the public's illusion that writing is something that you sit down and do at prescribed sittings, and not that it is something that must be lived daily amid preoccuptions that have nothing to do putting together sentences - ordinary activities like cooking, going to the races, walking the dogs, seeing a bad movie and not writing about it, reading only for pleasure, going to pubs, the seaside, church. Not for her: embassy supper was obligatory, the church fete a tiresome frivolity.
”
”
John Osborne (Looking Back: Never Explain, Never Apologise)
“
The loneliness of the single woman. Too much time, not enough company. What was I gonna do? I had a sandwich and something to drink at a pub on the Worcester Road and in the afternoon I went for a walk along the hills. It calmed me, cleared my head. Perhaps I'm someone who only feels happy inside herself when she's halfway up a hill? Certainly I seem to have spent a lot of time these last few weeks climbing up to different vantage points. Maybe I'm at a point in my life where I need that Olympian perspective?
”
”
Jonathan Coe (The Closed Circle)
“
But in a way things are much simpler than that. The State exists simply to promote and to protect the ordinary happiness of human beings in this life. A husband and wife chatting over a fire, a couple of friends having a game of darts in a pub, a man reading a book in his own room or digging in his own garden—that is what the State is there for. And unless they are helping to increase and prolong and protect such moments, all the laws, parliaments, armies, courts, police, economics, etc., are simply a waste of time.
”
”
C.S. Lewis (Mere Christianity)
“
Then you can go to Cher's Pub at Lexington and Guilford, where that selfsame assistant state's attorney, if possessed of any human qualities at all, will buy you a bottle of domestic beer.
And you drink it. Because in a police department of about three thousand sworn souls, you are one of thirty-six investigators entrusted with the pursuit of that most extraordinary of crimes: the theft of a human life. You speak for the dead. You avenge those lost to the world. Your paycheck may come from fiscal services but, goddammit, after six beers you can pretty much convince yourself that you work for the Lord himself. If you are not as good as you should be, you'll be gone within a year or two, transferred to fugitive, or auto theft or check and fraud at the other end of the hall. If you are good enough, you will never do anything else as a cop that matters this much. Homicide is the major leagues, the center ring, the show. It always has been. When Cain threw a cap into Abel, you don't think The Big Guy told a couple of fresh uniforms to go down and work up the prosecution report. Hell no, he sent for a fucking detective.
”
”
David Simon (Homicide: A Year on the Killing Streets)
“
About twilight we came to the whitewashed pub
On a knuckle of land above the bay
Where a log was riding and the slow
Bird-winged breakers cast up spray.
One of the drinkers round packing cases had
The worn face of a kumara god,
Or so it struck me. Later on
Lying awake in the veranda bedroom
In great dryness of mind I heard the voice of the sea
Reverberating, and thought: As a man
Grows older he does not want beer, bread, or the prancing flesh,
But the arms of the eater of life, Hine-nui-te-po,
With teeth of obsidian and hair like kelp
Flashing and glimmering at the edge of the horizon.
”
”
James K. Baxter (Selected Poems of James K. Baxter (Oxford Poets))
“
Ex-Foreign Legionnaires in London, for instance, often use the same pubs, but more than that they all know where to contact each other if ever they’re threatened. If they’re ever in trouble - and by nature of the life they’ve led that’s highly probable - members of their tribe will immediately come from all over London to lend robust assistance. There are similar tribes in the underbelly of every city. I just happen to know about ex-Legionnaires because I’ve come across a couple, drank with them and listened to their stories. It’s like sitting with pirates, fortune-hunters, bank robbers and Gypsies
”
”
Karl Wiggins (Wrong Planet - Searching for your Tribe)
“
We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters.
Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this?
Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your
life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again
and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.
”
”
Leonard Cohen (Beautiful Losers)
“
But afterwards in the pub, they had dreamed about the big stories and talked for hours of how they would never be satisfied with the conventional or the shallow but instead would always dig deep. They were young and ambitious and wanted it all, all at once. There were times when Levin missed that, not the salary, or the working hours, or even the easy life in the bars and the women, but the dreams—he missed the power in them. He sometimes longed for that throbbing urge to change society and journalism and to write so that the world would come to a standstill and the mighty powers bow down. Even a hotshot like himself wondered: Where did the dreams go?
”
”
David Lagercrantz (The Girl in the Spider's Web (Millennium, #4))
“
...[W]hen's it all going to f***ing stop? I’m going to jump from rock to rock for the rest of my life until there aren’t any rocks left? I’m going to run each time I get itchy feet? Because I get them about once a quarter, along with the utilities bills. More than that, even… I’ve been thinking with my guts since I was fourteen years old, and frankly speaking, between you and me, I have come to the conclusion that my guts have s*** for brains.
I know what's wrong with Laura. What's wrong with Laura is that I'll never see her for the first or second or third time again. I'll never spend two or three days in a sweat trying to remember what she looks like, never again will I get to a pub half an hour early to meet her staring at the same article in a magazine and looking at my watch every thirty seconds, never again will thinking about her set something off in me like "Let's Get it On" sets something off in me. And sure, I love her and like her and have good conversations, nice sex and intense rows with her, and she looks after me and worries about me and arranges the Groucho for me, but what does all that count for, when someone with bare arms, a nice smile, and a pair of Doc Martens comes into the shop and says she wants to interview me? Nothing, that's what, but maybe it should count for a bit more.
”
”
Nick Hornby (High Fidelity)
“
Old couples began to pair off and spin each other around, and the younger ones lined the walls, clapping and stomping their feet and swishing their drinks. In that little pub, on that little stage by the windows, Kevin was a life force, a star. With the aid of an instrument, he could spend four hours in a new country and fit in better than Maggie could after four months. He sang about drunk tanks and love and Christmas hopes, but in the spaces between the words of the song and in the cold shadows of his closed eyes rested all the things that he allowed to escape from himself only on the stage. Watching him, Maggie thought of their conversation earlier that day--how he had quit the band, quit his music, hadn't picked up a guitar in months. She could see the way he picked gingerly at the strings on his uncalloused fingers. His voice wasn't beautiful, but it had always contained a kind of arresting truth. Now too, Maggie detected a new quality--a desperation that had not been there before. Looking around the table at her family, she knew that Nanny Eli heard it, too. Her grandmother was leaning forward, holding her cigarette aloft while the ash grew longer and longer, and she was not listening to her son like the rest of them were but watching him, the movements of his long, skeletal fingers, the closed bruises of his eyes.
”
”
Jessie Ann Foley (The Carnival at Bray)
“
God is light and God is love, and when you put those two together you get fire. Fire is both light and warmth. As someone has well pointed out, fire will destroy what it cannot purify, but it purifies what it cannot destroy. That is the whole explanation of life in this present hour. We are passing through fire which is designed either to destroy that which can be destroyed, or to purify that which can never be destroyed. God is leading us through these trials and through the difficulties of our day, in order that we may learn to cry with old Job, back there in the oldest book of the Bible, He knoweth the way that I take: when he hath tried me, I shall come forth as gold (Job 23:10).
”
”
Ray C. Stedman (How to Live What You Believe: A Life-Related Study in Hebrews/Paperback Commentary/Pub Order No S411111 (Bible Commentary for Layman))
“
For a time it was highly fashionable to build a hermitage and install in it a live-in hermit. At Painshill in Surrey, one man signed a contract to live seven years in picturesque seclusion, observing a monastic silence, for £100 a year, but was fired after just three weeks when he was spotted drinking in the local pub. An estate owner in Lancashire promised £50 a year for life to anyone who would pass seven years in an underground dwelling on his estate without cutting his hair or toenails or talking to another person. Someone took up the offer and actually lasted four years before deciding he could take no more; whether he was given at least a partial pension for his efforts is sadly unknown.
”
”
Bill Bryson (At Home: A Short History of Private Life)
“
He was thinking about men like his Uncle Ted, a Cornishman to his bones, who lived and would die in St. Mawes, part of the fabric of the place, remembered as long as there were locals, beaming out of fading photographs of the Life Boat on pub walls. When Ted died—and Strike hoped it would be twenty, thirty years hence—they would mourn him as the unknown Barrovian Grammar boy was being mourned: with drink, with tears, but in celebration that he had been given to them. What had dark, hulking Brockbank, child rapist, and fox-haired Laing, wife-torturer, left behind in the towns of their birth? Shudders of relief that they had gone, fear that they had returned, a trail of broken people and bad memories.
”
”
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
“
She hadn’t spoken to him about life on the chill northern archipelago where she had grown up, but he didn’t doubt it was in all essentials similar to here. The same vast and icy ocean crashed in on them both. The same befuddled men, even more thin-skinned and peevish in the aftermath of WHAT HAPPENED than their smuggler and wrecker ancestors had been, roamed angrily from pub to pub, ready to raise a hand to any woman who dared to refuse or twit them. Thick head? They’d show her a thick fist if she wasn’t careful! Snog her first – the snog having become the most common expression of erotic irritation between men and women: an antidote to the bland ballads of love the console pumped out – snog her first and cuff her later. An unnecessary refinement in Kevern’s view, since a snog was itself an act of thuggery.
”
”
Howard Jacobson
“
Like Dick Whittington, who set off with his possessions in a handkerchief and a surprisingly well-trained cat at his side, young ambitious people flock to cities to live a different life from the one they grew up with. They want the construct, just as much as those who dream of a bucolic ideal want theirs. City-dwellers have museums, restaurants, cinemas, theatres: they get everything when it’s new and they can decide whether they like it before anyone else does. They can see artists, hear musicians, buy groceries in the middle of the night and books on their way home from the pub. The city, for all its failings, so carefully enumerated by Juvenal, is still wonderful. So those of us who live in one should enjoy it for what is is, and always has been: a glorious, grubby, industrial, gastronomical, cultural, social mess.
”
”
Natalie Haynes (The Ancient Guide to Modern Life)
“
I listen to the things people want out of love these days and they blow my mind. I go to the pub with the boys from the squad and listen while they explain, with minute precision, exactly what shape a woman should be, what bits she should shave how, what acts she should perform on which date and what she should always or never do or say or want; I eavesdrop of women in cafes while they reel off lists of which jobs a man is allowed, which cars, which labels, which flowers and restaurants and gemstones get the stamp of approval, and I want to shout, Are you people out of your tiny minds? I never once bought Rosie flowers—too hard for her to explain at home—and I never once wondered whether her ankles looked exactly the way they were supposed to. I wanted her, all mine, and I believed she wanted me. Till the day Holly was born, nothing in my life has ever been so simple.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
I had to mold my entire life around yours, and I couldn't go to the pub with my friends without running it by you first. I couldn't turn my phone off during a movie because I had to be in constant contact with you, and God forbid I didn't answer your text in five minutes, or you'd call me. I couldn't even wear this coat because you didn't like it and I love this coat. I love it.'
I jab my chest so hard it hurts, but I ignore the pain. I ignore everything but the man in front of me and the gall he has to still look me in the eye.
'I didn't know any better because that was all I knew,' I say. 'Because you told me you loved me, and I believed you. So did everyone else. You put on this face for your family and your friends, but you're not like that at all, are you? You're controlling, and needy, and you lie, and you never listened to me. You never even knew me, and I—
”
”
Catherine Walsh (Snowed In (Fitzpatrick Christmas, #2))
“
Here are the world's first brothers, Abel and Cain, sons of Adam and Eve. They lived when the world was young, when everything was much different than it is today. It was before the days of income tax and smog and clogged highways and the terrible problems we struggle with. Yet, despite the fact that they enjoyed what we call "the simple life," they longed for something better, they hungered after God. For no matter how good life is, it is never good enough if you do not have God. Man is never satisfied without Him, and these boys hungered for God. Both had been told the way by which they could come to Him; this is implied in the account. But Cain chose to believe a lie, the lie that is still very evident today, that "one way is as good as another." He took the way that was easiest for him to work out and as a result he was rejected; for, of course, it is always a lie that one way is as good as another. That never works in anything- nature, life, or with God.
”
”
Ray C. Stedman (How to Live What You Believe: A Life-Related Study in Hebrews/Paperback Commentary/Pub Order No S411111 (Bible Commentary for Layman))
“
All of the fucking in “The Art of Joy” could put it in a class with “Story of O” or “The Sexual Life of Catherine M.” But Sapienza’s novel is about sex only insofar as an account of a woman’s artistic, intellectual, and political maturation must include her sexual career. Or, better, the discovery of pleasure initiates Modesta’s appetite more generally—for knowledge, for experience, for autonomy. It turns her outward, toward nonsexual things, by inwardly sustaining her. Her childish sadism is less sexual than it is basically libidinal: her erotic interest in her sister’s or St. Agatha’s pain, or the way in which her hatred of Leonora transmutes into arousal—these are signs of an exultant urge to live. “The real way of living is to answer to one’s wants,” D. H. Lawrence says in a letter (written, incidentally, from Italy). “I want that liberty, I want that woman, I want that pound of peaches, I want to go to sleep, I want to go to the pub and have a good time, I want to look abeastly swell today, I want to kiss that girl, I want to insult that man.
”
”
Disobedience is a Virtue On Goliarda Sapienza s The Art of Joy The New Yorker
“
They just talk too much. They have problems, goals, desires that I can’t
see in the same way as they do. Sometimes I sit with one of them in the little
garden of the pub and try to get the point across that this is everything – just
sitting in the quiet. Of course they understand, they agree, they think the same
way, but it’s only talk, only talk, that’s the point – they do feel it, but always
only with half of their being, a part of them is always thinking of something
else. They are so fragmented, no one feels it with his whole life; anyway, it is
impossible for me to put what I mean into proper words.
When I take a look at them, in their rooms, in their offices, in their jobs,
then I find it all irresistibly attractive, and I want to be part of it too, and
forget the war. But at the same time it repulses me, it is so restricted, how
can that fill a whole life, it deserves to be smashed to bits, how can things be
like that when shrapnel is whizzing over the trenches out there and the Verey
lights are going up, the wounded are being dragged back on tarpaulins and
the lads are taking cover in the trenches?
- Paul Baumer
”
”
Erich Maria Remarque (All Quiet on the Western Front)
“
Glenskehy is outside Dublin, tucked away in the Wicklow mountains near nothing very much. I'd lived half my life in Wicklow without getting any closer to it than the odd signpost. It turned out to be that kind of place: a scatter of houses getting old around a once-a-month church and a pub and a sell-everything shop, small and isolated enough to have been overlooked even by the desperate generation trawling the countryside for homes they can afford. Eight o'clock on a Thursday morning, and the main street - to use both words loosely - was postcard-perfect and empty, just one old woman pulling a shopping trolley past a worn granite monument to something or other, little sugared-almond houses lined up crookedly behind her, and the hills rising green and brown and indifferent over it all. I could imagine someone getting killed there, but a farmer in a generations-old fight over a boundary fence, a woman whose man had turned savage with drink and cabin fever, a man sharing a house with his brother forty years too long: deep-rooted, familiar crimes old as Ireland, nothing to make a detective as experienced as Sam sound like that.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
A visiting pastor at our church in Plains once told a story about a priest from New Orleans. Father Flanagan’s parish lay in the central part of the city, close to many taverns. One night he was walking down the street and saw a drunk thrown out of a pub. The man landed in the gutter, and Father Flanagan quickly recognized him as one of his parishioners, a fellow named Mike. Father Flanagan shook the dazed man and said, “Mike!” Mike opened his eyes and Father Flanagan said, “You’re in trouble. If there is anything I can do for you, please tell me what it is.ℍ “Well, Father,” Mike replied, “I hope you’ll pray for me.” “Yes,” the priest answered, “I’ll pray for you right now.” He knelt down in the gutter and prayed, “Father, please have mercy on this drunken man.ℍ At this, a startled Mike woke up fully and said, “Father, please don’t tell God I’m drunk.ℍ Sometimes we don’t feel much of a personal relationship between God and ourselves, as though we have a secret life full of failures and sins that God knows nothing about. We want to involve God only when we plan to give thanks or when we’re in trouble and need help. But the rest of our lives, we’d rather keep to ourselves.
”
”
Jimmy Carter (Through the Year with Jimmy Carter: 366 Daily Meditations from the 39th President)
“
Chrissy, m’boy. I would like to tell you that oars are pilchard stew.” “Pilchard stew?” He shook his head, his eyes never quite settling on me for a moment. “No, no, boy. I wanted to tell you that I saw a picture of you… in the newspaper. You looked most apple light and runcible.” He had a metal tankard in his hand – his own personal one which he took to the pub each day – and he waved it about in the air so that drops of beer splashed about the place. “Apple light and runcible?” I asked to check that it wasn’t my hearing that was the problem. “What do you mean, boy?” He examined me as if I were quite mad. “I said you looked upright and respectable. I haven’t used the word runcible in my life. I don’t even know what it means.” He stopped then and gazed about the room as though unsure what he was doing there. “Anyway, as I was saying, there was a phonograph…” I understood this slurred word without asking for clarification. “… of you with your grasshopper.” It went on like this for quite some time. I particularly enjoyed a story he told from when he was a child on his family’s grand estate. He was playing with his two best friends – a unicorn and a hacksaw – and they discovered a purple blancmange. By this point, I had given up asking what he really meant and tried to enjoy the bizarre story for what it was.
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Benedict Brown (The Christmas Candle Murders (Lord Edgington Investigates, #15))
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Bookish folk aren’t what they used to be. Introverted, reserved, studious. There was a time when bookish folk would steer clear of trendy bars, dinner occasions and gatherings. Any social or public encounters would be avoided at all costs because these activities were very un-bookish. Bookish people preferred to stay in, or to sit alone in a quiet pub, reading a good book, or getting some writing done. Writers, in fact, perhaps epitomised these bookish traits most strongly. At least, they used to.
These days, bookish people, such as writers, are commonly found on stage, headlining festivals, or being interviewed on TV. Author events and performances have proliferated, becoming established parts of a writer’s role. It’s not that authors have suddenly become more extroverted – it’s more a case that their job description has changed.
Of course, not all writers are bookish. Not in the traditional sense of the word anyway. Some are well suited for public life, particularly those from certain academic backgrounds where public speaking is encouraged and confidence in social situations is shaped and formed. These writers may even be termed ‘gregarious’, and are thus happy being offered up for speaking engagements, stage discussions and signings. Good for them. But the others – the timid, shy and mousy authors – they’re being thrust into the limelight too. That’s my lot. The social wipeouts. Unprepared and ill-equipped to face our reader audience. What’s most concerning is that no one is offering us any guidance or tips. We’re expected to hit the ground running, confident and ready, loaded with banter, quips and answers. It’s a disaster waiting to happen.
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Paul Ewen
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She could envision Shakespeare's sister. But she imagined a violent, an apocalyptic end for Shakespeare's sister, whereas I know that isn't what happened. You see, it isn't necessary. I know that lots of Chinese women, given in marriage to men they abhorred and lives they despised, killed themselves by throwing themselves down the family well. I'm not saying it doesn't happen. I'm only saying that isn't what usually happens. It it were, we wouldn't be having a population problem. And there are so much easier ways to destroy a woman. You don't have to rape or kill her; you don't even have to beat her. You can just marry her. You don't even have to do that. You can just let her work in your office for thirty-five dollars a week. Shakespeare's sister did...follow her brother to London, but she never got there. She was raped the first night out, and bleeding and inwardly wounded, she stumbled for shelter into the next village she found. Realizing before too long that she was pregnant, she sought a way to keep herself and her child safe. She found some guy with the hots for her, realized he was credulous, and screwed him. When she announced her pregnancy to him, a couple months later, he dutifully married her. The child, born a bit early, makes him suspicious: they fight, he beats her, but in the end he submits. Because there is something in the situation that pleases him: he has all the comforts of home including something Mother didn't provide, and if he has to put up with a screaming kid he isn't sure is his, he feels now like one of the boys down at the village pub, none of whom is sure they are the children of the fathers or the fathers of their children. But Shakespeare's sister has learned the lesson all women learn: men are the ultimate enemy. At the same time she knows she cannot get along in the world without one. So she uses her genius, the genius she might have used to make plays and poems with, in speaking, not writing. She handles the man with language: she carps, cajoles, teases, seduces, calculates, and controls this creature to whom God saw fit to give power over her, this hulking idiot whom she despises because he is dense and fears because he can do her harm.
So much for the natural relation between the sexes.
But you see, he doesn't have to beat her much, he surely doesn't have to kill her: if he did, he'd lose his maidservant. The pounds and pence by themselves are a great weapon. They matter to men, of course, but they matter more to women, although their labor is generally unpaid. Because women, even unmarried ones, are required to do the same kind of labor regardless of their training or inclinations, and they can't get away from it without those glittering pounds and pence. Years spent scraping shit out of diapers with a kitchen knife, finding places where string beans are two cents less a pound, intelligence in figuring the most efficient, least time-consuming way to iron men's white shirts or to wash and wax the kitchen floor or take care of the house and kids and work at the same time and save money, hiding it from the boozer so the kid can go to college -- these not only take energy and courage and mind, but they may constitute the very essence of a life.
They may, you say wearily, but who's interested?...Truthfully, I hate these grimy details as much as you do....They are always there in the back ground, like Time's winged chariot. But grimy details are not in the background of the lives of most women; they are the entire surface.
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Marilyn French (The Women's Room)
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Ken Wharfe
Before Diana disappeared from sight, I called her on the radio. Her voice was bright and lively, and I knew instinctively that she was happy, and safe. I walked back to the car and drove slowly along the only road that runs adjacent to the bay, with heath land and then the sea to my left and the waters of Poole Harbour running up toward Wareham, a small market town, to my right. Within a matter of minutes, I was turning into the car park of the Bankes Arms, a fine old pub that overlooks the bay. I left the car and strolled down to the beach, where I sat on an old wall in the bright sunshine. The beach huts were locked, and there was no sign of life. To my right I could see the Old Harry Rocks--three tall pinnacles of chalk standing in the sea, all that remains, at the landward end, of a ridge that once ran due east to the Isle of Wight. Like the Princess, I, too, just wanted to carry on walking.
Suddenly, my radio crackled into life: “Ken, it’s me--can you hear me?” I fumbled in the large pockets of my old jacket, grabbed the radio, and said, “Yes. How is it going?”
“Ken, this is amazing, I can’t believe it,” she said, sounding truly happy. Genuinely pleased for her, I hesitated before replying, but before I could speak she called again, this time with that characteristic mischievous giggle in her voice. “You never told me about the nudist colony!” she yelled, and laughed raucously over the radio. I laughed, too--although what I actually thought was “Uh-oh!” But judging from her remarks, whatever she had seen had made her laugh.
At this point, I decided to walk toward her, after a few minutes seeing her distinctive figure walking along the water’s edge toward me. Two dogs had joined her and she was throwing sticks into the sea for them to retrieve; there were no crowd barriers, no servants, no police, apart from me, and no overattentive officials. Not a single person had recognized her. For once, everything for the Princess was “normal.” During the seven years I had worked for her, this was an extraordinary moment, one I shall never forget.
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Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
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In the northernmost block, located next to a public square and close to the main thoroughfare, various non-residential uses have flourished alongside a range of dwelling types, including a student residence. The active ground floors include small shops, offices, and services, a “bodega” pub, a cellar restaurant and music venue, and a nursery school with big front windows. There is a co-op supermarket that has progressively expanded into neighboring buildings, including a former cinema and a bank, creating an important local shopping hub. The courtyard includes a nursery for the smallest children and a shared laundry for the student housing.
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David Sim (Soft City: Building Density for Everyday Life)
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You get hit in a fight in a pub, where you gotta prove you're a man. And every goddamn man with balls has a fight in a pub! But it ain't about getting hit. It's about getting right back up!
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Avijeet Das
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That day he actually sat us down and lectured us about how important Mum was to him. 'Your wife will be like a mirror to you,' he said, 'expect she'll show you your true self. A man can be he life of the party at the pub with his mates and a monster at home to his wife. Who is his real self? Not the mask he wears in public but the soul he shows only to her.
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Tiffany Reisz (The Pearl (The Godwicks, #3))
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NOTHING BETTER THAN SITTING IN A PUB, LOOKING OUT OF THE WINDOW AT ANOTHER PUB, TO WORK OUT WHERE YOU'RE GOING IN LIFE.
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Benny Bellamacina (You Are Only Limited By Your Own Imagination)
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Ever trying to get us to behave, he banned all alcohol from the green room and was exasperated one evening when, ten minutes before the show, we all had to be extracted from the pub next door.
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Sandi Toksvig (Between the Stops: The View of My Life from the Top of the Number 12 Bus)
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When we learn about threats as children, and they are accompanied by strong emotions such as fear, they can remain embedded in the neural circuits of the hippocampus for life. Neuroscientists call these “deep emotional learnings.” Like the old posters, they may have no use in the present. They may even be triggering us to react to threats that are entirely imaginary. Yet once learned, and reinforced by conditioned behavior, they are hard to change. Like the dusty posters in the pubs, they may hang around long after they’ve outlived their usefulness. When the hippocampus isn’t sure what to make of a piece of information, it refers it to the brain’s prefrontal cortex (PFC). That’s the brain’s executive center, the seat of discrimination and knowledge. It takes incoming information from the hippocampus and determines whether the apparent threat is real. For instance, you hear a loud bang and are immediately alarmed. “Gunfire?” wonders the hippocampus. “No,” the PFC tells it. “That was a car backfiring.” The reassured hippocampus then does not pass the alarm to the amygdala. Or perhaps the PFC says, “That group of young men hanging out in the parking lot looks suspicious,” and the hippocampus then signals the amygdala, which puts the body on Code Red. Using that path from the emotional center of the brain to the executive center is crucial to regulating our emotions. Because it involves a feedback loop with information going first to the PFC and then back to the hippocampus from the PFC, it’s called the long path: hippocampus > PFC > hippocampus > amygdala > FFF. The long path is the default for people with effective emotional self-regulation. 3.8. The long path. 3.9. The short path. In people with poor emotional self-regulation, such as patients with PTSD, this circuit is impaired. They startle easily and overreact to innocuous stimuli. The hippocampus cuts out the PFC. Instead of referring incoming threats to the wise discrimination of the primate brain, where the bang can be categorized as “car backfiring,” the hippocampus treats even mild stimuli as though they are life-threatening disasters and activates the amygdala. This short-circuit of the long path creates a short path: hippocampus > amygdala > FFF. The short circuit improves reaction speed, but at the expense of accuracy.
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Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
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Their subsequent journey to Europe took them to New York City, where they boarded a converted passenger liner and set off on a harrowing trip across the North Atlantic, during which German U-boats hunted for ships just like theirs. Finally, they landed in Britain, where, to their delight, they were welcomed by people who had never heard of segregation. The freedoms they experienced there were life-changing. In villages in Wales and Oxfordshire, they lifted pints in pubs alongside white men for the first time and danced with white girls. This warm welcome infuriated many white American soldiers, particularly southern ones, who tried, and failed, to poison the Britons against the “Negroes.
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Linda Hervieux (Forgotten: The Untold Story of D-Day's Black Heroes, at Home and at War)
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And yet, it was beautiful, what just happened in that pub, and needed. Something lovely in these people rose to the occasion. And overflowing with loveliness, they got totally wasted.
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George Saunders (A Swim in a Pond in the Rain)
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You mean to tell me that you—a human—come to this district almost every night, stab whatever poor vampire bastards you come across, become mysterious savior to the innocent human civilians, and yet, despite spending almost half your fucking life here, you've never interacted with these people? Never gone to a pub? Never said a quick hello to one of your rescuees? Nothing?"
He said it like it was ridiculous, and that offended me.
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Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
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I looked at the tall man through the rearview mirror—newly heroic and cheerfully crushed into my tiny car—and I knew that I loved him. Hot on the heels of this realization was the accompanying acknowledgment that it did not take a great deal for me to fall in love. Being defended, considerateness, a train door held open, making room on a crowded pub bench—these things regularly not only triggered my devotion, they also were watertight assurances of my lifelong happiness with this new stranger. The thing was, I was completely aware of how nuts it was to feel a whole life together on the back of a kind word, but it never stopped me from falling in love. As a truly terrible person I once fell in love with said when I told him I first loved him after he’d given me a lift home: “That’s not just nuts, it’s also crazy.
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Minnie Driver (Managing Expectations: A Memoir in Essays – A Poignant Collection of Personal Stories on Acting, Failure, and Motherhood's Joy)
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This nanny state, the worst this country has known since the days of Cromwell,” and then went on to say that if the pub, that centre of social life in the village, closed down, then the village would lose its heart.
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M.C. Beaton (There Goes the Bride (Agatha Raisin, #20))
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How many refugees have fled from Britain, or from the whole of the British Empire, during the past seven years? And how many from Germany? How many people personally known to you have been beaten with rubber truncheons or forced to swallow pints of castor oil? How dangerous do you feel it to be to go into the nearest pub and express your opinion that this is a capitalist war and we ought to stop fighting? Can you point to anything in recent British or American history that compares with the June Purge, the Russian Trotskyist trials, the pogrom that followed vom Rath’s assassination? Could an article equivalent to the one I am writing be printed in any totalitarian country, red, brown or black? The Daily Worker has just been suppressed, but only after ten years of life, whereas in Rome, Moscow or Berlin it could not have survived ten days. And during the last six months of its life Great Britain was not only at war but in a more desperate predicament than at any time since Trafalgar. Moreover – and this is the essential point – even after the Daily Worker’s suppression its editors are permitted to make a public fuss, issue statements in their own defence, get questions asked in Parliament and enlist the support of well-meaning people of various political shades. The swift and final ‘liquidation’ which would be a matter of course in a dozen other countries not only does not happen, but the possibility that it may happen barely enters anyone’s mind.
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George Orwell (Fascism and Democracy (Great Orwell))
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Living in London, it’s easy to forget that people can talk to each other. I walk my dogs around Wapping past hundreds of people on pavements and in parks and it is very rare a smile is exchanged or the silence broken. I occasionally get ‘Are you Graham Norton?’ ‘Love the show’ or a simple ‘Faggot!’ but for most people making their way through the capital, you soon learn that people generally only speak to you when they are (a) crazy, (b) want money, or (c) both. We quickly learn the rules and for the most part they work. In Ireland it is impossible to imagine not saying hello or commenting on the weather. When I first started going back home again, it would always take me a day or two to stop thinking everyone I met was trying to sell me something or explaining why they needed £2 to get the train. I know this is true of rural communities the world over, but talking seems to be something we in Ireland are especially gifted at. There are nights in the pub when my friends look on in slack-jawed incomprehension as someone opens their mouth and a torrent of words tumble free. Usually they don’t have anything to say. Their gate fell down. Who put it there. The man who fixed it. The general state of gates in the area. I will then remember an ‘interesting’ fact about my own gate. They will know the man who owned the forge where they made it. Are they a relation of the man who delivers the stuff? And so it goes. A seamless gush of phrases and banter as traditional as a sing-song or drink-driving. It is talking for the pure pleasure of it and not to communicate a single thing. It is the human equivalent of barking or birdsong.
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Graham Norton (The Life and Loves of a He Devil)
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The less you eat, drink, buy books, go to the theatre or to balls, or to the pub, and the less you think, love, theorize, sing, paint, fence, etc., the more you will be able to save and the greater will become your treasure which neither moth nor rust will corrupt—your capital. The less you are, the less you express your life, the more you have, the greater is your alienated life and the greater is the saving of your alienated being.”
― Karl Marx, Economic & Philosophic Manuscripts of 1844
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Karl Marx (Economic & Philosophic Manuscripts of 1844)
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I remember David Courts, the original maker of my skull ring, still a close friend, coming out to dinner in a pub near Redlands. He’d had some Mandrax and some bevvies and now wanted to rest his head in the soup. I remember it only because Mick carried him on his back to the car. He would never do something like that now —and I realize, remembering that incident, how very long ago it was that Mick changed. But that is another country.
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Keith Richards (Life)
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When Bill Wyman left, in 1991, I got extremely stroppy. I really did have a go at him. I wasn’t very nice. He said he didn’t like to fly anymore. He had been driving to every gig because he’d developed a fear of flying. That’s not an excuse—get outta here! I couldn’t believe it. I’d been in some of the most ramshackle aircraft in the world with that guy and he’d never batted an eyelid. But I guess it’s something that one can develop. Or maybe he did a computer analysis. He was very into that. Bill had one of the first. It satisfied that meticulous mind of his, I suppose. He probably got something out of the computer, like the odds against you after flying so many miles. I don’t know why he’s so worried about dying. It’s not a matter of avoiding it. It’s where and how! But then what did he do? Having freed himself by luck and talent from the constraints of society, that one-in-ten-million chance, he goes back into it, into the retail trade, putting his energy into opening up a pub. Why would you leave the best band in the fucking world to open a fish-and-chip shop called Sticky Fingers? Taking one of our titles with him. It seems to be doing well.
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Keith Richards (Life)
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When Bill Wyman left, in 1991, I got extremely stroppy. I really did have a go at him. I wasn’t very nice. He said he didn’t like to fly anymore. He had been driving to every gig because he’d developed a fear of flying. That’s not an excuse—get outta here! I couldn’t believe it. I’d been in some of the most ramshackle aircraft in the world with that guy and he’d never batted an eyelid. But I guess it’s something that one can develop. Or maybe he did a computer analysis. He was very into that. Bill had one of the first. It satisfied that meticulous mind of his, I suppose. He probably got something out of the computer, like the odds against you after flying so many miles. I don’t know why he’s so worried about dying. It’s not a matter of avoiding it. It’s where and how! But then what did he do? Having freed himself by luck and talent from the constraints of society, that one-in-ten-million chance, he goes back into it, into the retail trade, putting his energy into opening up a pub. Why would you leave the best band in the fucking world to open a fish-and-chip shop called Sticky Fingers? Taking one of our titles with him. It seems to be doing well. Not so Ronnie’s similarly inexplicable foray into the catering trade, always a nightmare of keeping people’s fingers out of the till. Josephine’s dream was to have a spa. They opened it, it was a disaster, it fell apart and went down in a blaze of insolvency proceedings.
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Keith Richards (Life)
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Over the years, Roland had grown accustomed to the quiet atmosphere of Dr. Gray’s office. Despite being just off the main street, there wasn’t much commotion during the day. Some nights one might hear a few of drunks cackling outside as they wandered home from the pub, but aside from that the street remained undisturbed.
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Ardin Patterson (Feral (Vermin, #2))
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The State exists simply to promote and to protect the ordinary happiness of human beings in this life. A husband and wife chatting over a fire, a couple of friends having a game of darts in a pub, a man reading a book in his own room or digging in his own garden - that is what the State is there for. And unless they are helping to increase and prolong and protect such moments, all the laws, parliaments, armies, courts, police, economics, etc., are simply a waste of time.
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C.S. Lewis (Mere Christianity)
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Stale beer sticks to wobbling tables. The cigarette machine flashes in the corner, mocking smokers who never have any change on them. There’s no natural light in this pub, so it’s dark and gloomy. The pain on the face of the staff tells its own story: overworked, underpaid, exploited and treated as expendable. I feel at home with them. They’re so scared they will be fired from their terrible jobs, every time I order a beer they ask me if I want any peanuts or crisps, in case between drinks I’ve turned into the dreaded mystery shopper. The air is chewy and weighs heavy on the skin. The fruit machines in the corners don’t make a sound, aware this is the last stop saloon for the drunk few who can’t afford to gamble properly. Everyone here is down to their last pint and pound.
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Craig Stone (Life Knocks)
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Ken Wharfe
In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV.
My memory of Diana is not her at an official function, dazzling with her looks and clothes and the warmth of her manner, or even of her offering comfort among the sick, the poor, and the dispossessed. What I remember best is a young woman taking a walk in a beautiful place, unrecognized, carefree, and happy.
Diana increasingly craved privacy, a chance “to be normal,” to have the opportunity to do what, in her words, “ordinary people” do every day of their lives--go shopping, see friends, go on holiday, and so on--away from the formality and rituals of royal life. As someone responsible for her security, yet understanding her frustration, I was sympathetic. So when in the spring of the year in which she would finally be separated from her husband, Prince Charles, she yet again raised the suggestion of being able to take a walk by herself, I agreed that such a simple idea could be realized.
Much of my childhood had been spent on the Isle of Purbeck in Dorset, a county in southern England approximately 120 miles from London; I remembered the wonderful sandy beaches of Studland Bay, on the approach to Poole Harbour.
The idea of walking alone on miles of almost deserted sandy beach was something Diana had not even dared dream about. At this time she was receiving full twenty-four-hour protection, and it was at my discretion how many officers should be assigned to her protection. “How will you manage it, Ken? What about the backup?” she asked. I explained that this venture would require us to trust each other, and she looked at me for a moment and nodded her agreement.
And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May.
As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see.
Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her.
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Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
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Ken Wharfe
In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV.
It was a strange sensation watching her walking away by herself, with no bodyguards following at a discreet distance. What were my responsibilities here? I kept thinking. Yet I knew this area well, and not once did I feel uneasy. I had made this decision--not one of my colleagues knew. Senior officers at Scotland Yard would most certainly have boycotted the idea had I been foolish enough to give them advance notice of what the Princess and I were up to.
Before Diana disappeared from sight, I called her on the radio. Her voice was bright and lively, and I knew instinctively that she was happy, and safe. I walked back to the car and drove slowly along the only road that runs adjacent to the bay, with heath land and then the sea to my left and the waters of Poole Harbour running up toward Wareham, a small market town, to my right. Within a matter of minutes, I was turning into the car park of the Bankes Arms, a fine old pub that overlooks the bay. I left the car and strolled down to the beach, where I sat on an old wall in the bright sunshine. The beach huts were locked, and there was no sign of life. To my right I could see the Old Harry Rocks--three tall pinnacles of chalk standing in the sea, all that remains, at the landward end, of a ridge that once ran due east to the Isle of Wight. Like the Princess, I, too, just wanted to carry on walking.
Suddenly, my radio crackled into life: “Ken, it’s me--can you hear me?” I fumbled in the large pockets of my old jacket, grabbed the radio, and said, “Yes. How is it going?”
“Ken, this is amazing, I can’t believe it,” she said, sounding truly happy. Genuinely pleased for her, I hesitated before replying, but before I could speak she called again, this time with that characteristic mischievous giggle in her voice. “You never told me about the nudist colony!” she yelled, and laughed raucously over the radio. I laughed, too--although what I actually thought was “Uh-oh!” But judging from her remarks, whatever she had seen had made her laugh.
At this point, I decided to walk toward her, after a few minutes seeing her distinctive figure walking along the water’s edge toward me. Two dogs had joined her and she was throwing sticks into the sea for them to retrieve; there were no crowd barriers, no servants, no police, apart from me, and no overattentive officials. Not a single person had recognized her. For once, everything for the Princess was “normal.” During the seven years I had worked for her, this was an extraordinary moment, one I shall never forget.
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Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
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No man has become world's richest man because he wasted his time in the pub in the cinemas watching movies and sports.
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Sunday Adelaja (How To Become Great Through Time Conversion: Are you wasting time, spending time or investing time?)
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Cooper,” she said. “Cooper Jax.” As if saying his name would someone break the spell, vanquish the mirage she was still faintly hoping she was seeing. It didn’t. Instead it brought the mirage a few strides farther into the pub as folks moved to clear a path. “What are you doing here?” she asked as she moved forward until the two were standing no more than five yards apart, encircled by the completely hushed crowd. She wished she sounded strong, strident even. They were on her turf now, in her world. He was the interloper, the traveler. But her voice was hoarse even to her own ears, a mere rasp; her throat was too tight, too dry, too…everything, to manage anything more than that.
His smile was brief, a slash of white teeth framed by a hard jaw, but his gaze never wavered. “It’s been a year, Kerry. More than. And I’ve come to realize there’s a question I didn’t ask you before you left. One I should have. And I can’t seem to get on with life until I know the answer.
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Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
“
Cooper,” she said. “Cooper Jax.” As if saying his name would someone break the spell, vanquish the mirage she was still faintly hoping she was seeing. It didn’t. Instead it brought the mirage a few strides farther into the pub as folks moved to clear a path. “What are you doing here?” she asked as she moved forward until the two were standing no more than five yards apart, encircled by the completely hushed crowd. She wished she sounded strong, strident even. They were on her turf now, in her world. He was the interloper, the traveler. But her voice was hoarse even to her own ears, a mere rasp; her throat was too tight, too dry, too…everything, to manage anything more than that.
His smile was brief, a slash of white teeth framed by a hard jaw, but his gaze never wavered. “It’s been a year, Kerry. More than. And I’ve come to realize there’s a question I didn’t ask you before you left. One I should have. And I can’t seem to get on with life until I know the answer.”
She had no idea what on earth he was talking about. She’d worked his cattle station for a year, the longest she’d ever stayed in one place. She’d left to come home for Logan’s wedding. And, if she were honest, to save herself from having to decide when to leave. Because she’d come close to admitting that maybe she didn’t want to. And she never let herself want. At least not something that wasn’t in her power to get. Fear. Of losing.
If there was nothing to lose, there was nothing to fear.
“What might that be?” she asked, having to force the bravado that was normally second nature to her. From the corner of her eye, she caught Fergus, his gaze swiveling between the two of them…a broad grin on his face. Auld codger. To think she’d stayed for him. He was the only one who knew. The only one she’d confided in. Of course he was loving this.
Cooper walked closer and a murmur of unease swelled, but Fergus waved his good hand, like a silent benediction, approving of what was about to unfold, and they fell silent again.
Cooper’s gaze was locked exclusively on hers, and suddenly it was as if they were the only two people in the room. Everything else fell away, and she felt herself getting pulled in, swallowed up. That was always how he’d made her feel, as if she was this close to drowning…and that maybe she should stop trying so hard to keep her head above water.
He stopped a foot in front of her and she lifted her gaze--and her chin--to stay even with his.
“Before, when you were there, working, living alongside us, I thought if I gave you room, gave you space, you’d figure out that Cameroo Downs was where you belonged,” he said.
”
”
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
“
She gave Cooper a quick nod, indicating she was going out the back, and didn’t wait around to see if he understood her meaning. She pushed through the swinging doors to the small kitchen in the back, snagged the keys to her truck from the hook, and replaced them with her apron. She gave a quick glance to the grill, making sure Sandy hadn’t left anything to burn on it when he’d been pulled out front, but everything looked in order. Stop stalling.
She sighed, shook her head, but the rueful smile that accompanied the movement was fleeting. For what might be the first time in her life, she had absolutely no idea how she was going to handle what came next.
“Only one way to find out,” she murmured. Tightening her grip on her keys, if not her emotions, she let herself out the back door of the pub and found herself staring straight up into the crystalline blue eyes of Cooper Jax.
”
”
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
“
Where were you planning on heading next, then, if not Australia?” Fiona asked.
“Oh, I’ll just toss a dart at the map like I usually do,” Kerry said, as blithely as she could.
Fiona eyed her closely, as if checking her sincerity. “Well, whenever you do head back out--wherever and with whomever that might be--we’ll make sure Gus hires someone to help him with the pub. So, you know, don’t let that part affect your decision making or anything.”
“‘Wherever or with whomever’?” Kerry repeated with a roll of her eyes.
Fiona beamed sweetly again. “Just saying.”
“All kidding aside, I’m not the settling down type, Fi.” At the flash of real sadness Kerry saw flicker through her too-optimistic-for-her-own-good sister, she made a show of sliding Fiona’s arm out from where it had been looped through hers and dropping it as if she was suddenly contagious. “Don’t go trying to spread all your bride cooties on me,” she teased, hoping to shift them back to their more comfortable pattern of affectionately swapping insults, and far, far away from delving in to the fears and worries that were truly the reason behind her defensive attitude.
Kerry knew her family and extended family--hell, everyone in the Cove--only wanted what was best for her, wanted her to be happy. She just wanted the space and time to figure out what, exactly, that was going to be, all by herself. “Some of us aren’t meant for home and hearth. For white picket fences. Or silly cattle dogs and stone fire pits.”
It was only when Fiona’s gaze sharpened again that she realized she’d said that last part out loud. A knowing smile played at the corners of Fiona’s mouth and her eyes sparked right back to matchmaker life.
“Don’t,” Kerry warned.
“Whatever do you mean?” Fiona said with false innocence. “I hear what you’re saying. And I believe you. At least, I believe you believe you.
”
”
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
“
But surely, if Fergus had actually spoken to Cooper, he wouldn’t have kept mum on that little detail. Who are you kidding? The man thrived on meddling, especially where his beloved McCrae girls were concerned. That would also explain why he’d so conveniently disappeared once Cooper had taken the floor. And why he hadn’t come back out carrying the shotgun they kept handy in the back. “Uncle Gus” was all she said.
He smiled briefly. “I thought that was a better bet than your chief-of-police brother. I’ve already guessed Fergus didn’t tell you about our little conversation.”
She shook her head. “How long ago?”
“A week. Not so long as all that.”
Long enough, she thought, already mentally rehearsing the conversation she’d be having with her uncle the minute she got back to the pub.
“We only had the one chat.”
“One was apparently all that was needed. What else did he share with you?” She immediately held up her hand. “On second thought, don’t tell me. I’ll have that little chat with him directly.”
“He wants you to be happy,” Cooper said.
“And he thought encouraging a man I haven’t seen in over a year, a man who was my former employer and nothing more, to hop on a plane and bop on up this side of the equator to see me was what would make me happy?”
Cooper’s smile deepened, and that twinkle sparked to life in his eyes again, making them so fiercely blue it caught at her breath. “He might have mentioned that you’d be less than welcoming of a surprise visit. He also said if I had a prayer of your still being here when I arrived, a surprise visit was pretty much my only shot. And how the frosty reception I was sure to receive was simply your automatic defense system, and how I should just ignore all that and ‘press my suit’ anyway, as I believed he called it.”
Kerry closed her eyes, willed her short fuse to wink out before it had the chance to get dangerously lit up. Yep, too late. She turned abruptly and moved to go around Cooper, aiming herself back toward the lot where the truck was parked. Cooper’s hand shot out and took hold of her arm, releasing it the moment she stopped and turned to look at him, her balance intact.
“His heart was in the right place, Starfish. He warned me. It was my choice to come here and risk it anyway. Don’t go unloading all the frustration you’re feeling about my unexpected arrival, not to mention the unfortunate public spectacle I made of this whole thing, on your poor uncle.
”
”
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
“
WILL emerges from the theatre into a street throbbing with nefarious life-whores, cutpurses, hawkers, urchins, tract-sellers, riffraff of all kinds in an area of stews (lowdown pubs), brothers and slums.
”
”
Marc Norman (Shakespeare in Love: A Screenplay)
“
it is a measure of a man, any man, be he married to a pub wench or a princess, how he cares for his bride. I am a Drakkar. My measure is different than any man’s and there are many facets to that but one of them explains why I turn away without a thought from those whose lifeblood seeps into the snow. Those who moved with intent to harm my bride. And I won’t think of them, ever. I will only turn my mind to how I can best care for my bride and that now includes undermining any threat that may loom for you. And I vow to you, my princess, if it means my own life, this will not happen.
”
”
Kristen Ashley (Wildest Dreams (Fantasyland, #1))
“
I am very bad at factual exams, yes-or-no questions, but can spread my wings with essays. Fifty pounds came with the Theodore Williams prize—£50! I had never had so much money at once. This time I went not to the White Horse but to Blackwell’s bookshop (next door to the pub) and bought, for £44, the twelve volumes of the Oxford English Dictionary, for me the most coveted and desirable book in the world. I was to read the entire dictionary through when I went on to medical school, and I still like to take a volume off the shelf, now and then, for bedtime reading.
”
”
Oliver Sacks (On the Move: A Life)
“
He left everything he knew behind. Not because life was too short. But because when you lived it alone, it was too damn long.
”
”
R.G. Alexander (One Night at Finn's (Finn's Pub Romance, #1))
“
From where I sit it today, pirate country starts about ten miles east of me. Foulness, Paglesham and the Blackwater. To this day, pubs out there go silent when a stranger walks in. You’re standing on their dirt, after all. A life on the ocean waves is one thing, but blood and soil are entirely another.
”
”
Bruce Sterling (Pirate Utopia)
“
There is a lot to life beyond the computer screen. There is food and music and art and friendship and talking and laughing and flowers and sports and, as you say, an argument down at the pub. To say that the internet changed everything is simply an alarming assertion for an intelligent person to make. You are spending way too much time in front of a computer screen.
”
”
Bob Hoffman (101 Contrarian Ideas About Advertising)
“
These incident acquaintances and the twisted stories that grew out of them, made John thinking that “Charles Dickens” was not just another pub, but a special place in the Universe, where life itself ties the knots.
”
”
Darren H. Pryce
“
If you do drink, surround yourself with loving individuals. Your weakened aura loses strength as negativity from others attaches itself to you. You may feel emotions such as anger, fear, anxiety, depression, or hate. Clearly, clubs, pubs, and bars are not good places. They’re filled with lower energies and earthbound spirits who are trying to continue their addictive behaviors.
”
”
Robert Reeves (Angel Detox: Taking Your Life to a Higher Level Through Releasing Emotional, Physical, and Energetic Toxins)
“
Over the door of Bulfinche’s Pub, there was a saying in Gaelic, Maireann dóchas is gliodar. Translated it means hope and happiness never die. There have been times of late that they seemed to be on life support. With luck, they’d make a full recovery and spread all around our world. Corny? Yep, but I’ve been called worse. And honestly, if things were a little more corny, we might all be a bit better off.
”
”
Patrick Thomas (Startenders: Book 1)
“
i promise will meet again subodh kumar
"Love does not grow on trees or it can not be brought from the market, but if you want to be "LOVED" you must first know how to give unconditional LOVE.."
The heart wants what it wants. There's no logic to these things. You meet someone and you fall in love and that's that. Nobody can ever say that love happens only once! And this love can happen at any age, anytime. But that story has got nothing do with anything that the modern world celebrates today. Yes!!! Today the so called "Love" has transformed a lot! Eye written statements of those earlier days turned into letters and this current world has got chatting, meeting, dating, pubs, parties, etc. I have written this book to tell the people about real love. And this is one such story!
Not exactly a story, it could be like a stolen life of a true love relation. If you want to know the answer to it all, read the book.
”
”
subodhkumar
“
Ray wondered how different his life would be if he was accompanied by music throughout his daily routine. Walking to the pub would be more dramatic with Wagner. Stacking shelves would be quicker with Metallica.
”
”
Phil Church (Robbery, Murder and Cups of Tea: A Novella)
“
upbeat one you’ve sent. You’re going to design clothes for the store, you’ve taken up riding, and you feel that life is currently very good. I’m so happy to hear of these positive developments! Most of all, I’m glad that you don’t feel guilty about being happy. A majority of people go through life carrying around guilt, feeling that they never quite measure up to the expectations of others or, more importantly, themselves. In your case, however, it sounds like you’re making sound decisions, ones that you’re not second guessing. If all of my parishioners were like you, I suspect I’d be out of a job and could take up golf or spend more time singing. Yes, I’ve found a new pub that allows me to sing my heart out, and the people there are so much fun to be with. When I take off my collar, I’m just one of the mates, a regular bloke as my friend Niles puts it when we have a pint. Unfortunately, I broke a finger the other day while working out at the gym. I jammed it while having a go at the hanging punching bag. I was taking out my frustrations since a parishioner recently told me that I sounded a little too happy and optimistic in my sermons. The woman, who is about sixty years old, said that Catholic priests should behave with more decorum. She also said that if I continued to preach as I do, she would report me to my bishop. She’s not really a bad soul but has a reputation as a troublemaker, so I’m not concerned. She is a
”
”
Lynn Steward (What Might Have Been: A Dana McGarry Novel)
“
In the days leading up to the war with Germany, the British government commissioned a series of posters. The idea was to capture encouraging slogans on paper and distribute them about the country. Capital letters in a distinct typeface were used, and a simple two-color format was selected. The only graphic was the crown of King George VI. The first poster was distributed in September of 1939: YOUR COURAGE YOUR CHEERFULNESS YOUR RESOLUTION WILL BRING US VICTORY Soon thereafter a second poster was produced: FREEDOM IS IN PERIL DEFEND IT WITH ALL YOUR MIGHT These two posters appeared up and down the British countryside. On railroad platforms and in pubs, stores, and restaurants. They were everywhere. A third poster was created yet never distributed. More than 2.5 million copies were printed yet never seen until nearly sixty years later when a bookstore owner in northeast England discovered one in a box of old books he had purchased at an auction. It read: KEEP CALM AND CARRY ON The poster bore the same crown and style of the first two posters. It was never released to the public, however, but was held in reserve for an extreme crisis, such as invasion by Germany. The bookstore owner framed it and hung it on the wall. It became so popular that the bookstore began producing identical images of the original design on coffee mugs, postcards, and posters. Everyone, it seems, appreciated the reminder from another generation to keep calm and carry on.1
”
”
Max Lucado (God Will Use This for Good: Surviving the Mess of Life)
“
There are probably a lot of things in life to ensure you remain part of the living. Threatening the child of a werewolf is not one of those things. Threatening the daughter of Thomas Carpenter is akin to walking into a pub in Liverpool and saying that Manchester United is great. There’s a chance you’re going to make it out alive, but it’s remote, and if you do, you’re going to forever remember the time you had your head inserted up your own ass.
”
”
Steve McHugh (Lies Ripped Open (Hellequin Chronicles #5))
“
As we started our long drive back to the zoo, we stopped at what could be called a general store. There was a pub attached to the establishment, and the store itself sold a wide variety of goods, groceries, cooking utensils, swags, clothing, shoes, even toys. As we picked up supplies in the shop, we passed the open doorway to the pub. A few of the patrons recognized Steve from television. We could hear them talking about him. The comments weren’t exactly positive.
Steve didn’t look happy. “Let’s just get out of here,” I whispered.
“Right-o,” he said.
One of the pub patrons was louder than the others. “I’m a crocodile hunter too,” he bragged. “Only I’m the real crocodile hunter. The real one, you hear me, mate?”
The braggart made his living at the stuffy trade, he informed his audience. A stuffy is a baby crocodile mounted by a taxidermist to be sold as a souvenir. To preserve their skins, hunters killed stuffys in much the same way that the bear poachers in Oregon stabbed their prey.
“We drive screwdrivers right through their eyes,” Mister Stuffy boasted, eyeing Steve through the doorway of the pub. “Right through the bloody eye sockets!”
He was feeling his beer. We gathered up our purchases and headed out to the Ute. Okay, I said to myself, we’re going to make it. Just two or three more steps…
Steve turned around and headed back toward the pub.
I’d never seen him like that before. My husband changed into somebody I didn’t know. His eyes glared, his face flushed, and his lower lip trembled. I followed him to the threshold of the pub.
“Why don’t you blokes come outside and tell me all about stuffys in the car park here?” he said. I couldn’t see very well in the darkness of the pub interior, but I knew there were six or eight drinkers with Mister Stuffy.
I thought, What is going to happen here? There didn’t seem any possible good outcomes. The pub drinkers stood up and filed out to face Steve. A half dozen against one. Steve chose the biggest one, who Mister Stuffy seemed to be hiding behind.
“Bring it on, mate,” Steve said. “Or are you only tough enough to take on baby crocs, you son of a bitch?”
Then Steve seemed to grow. I can’t explain it. His fury made him tower over a guy who actually had a few inches of height on him and outweighed him with a whole beer gut’s worth of weight. I couldn’t imagine how he appeared to the pub drinkers, but he was scaring me.
They backed down. All six of them. Not one wanted to muck with Steve, who was clearly out of his mind with anger. All the world’s croc farms, all the cruelty and ignorance that made animals suffer the world over, came to a head in the car park of the pub that evening.
Steve got into the truck. We drove off, and he didn’t say anything for a long time.
“I don’t understand,” I finally said in the darkness of the front seat, as the bush landscape rolled by us. “What were they talking about? Were they killing crocs in the wild? Or were they croc farmers?”
I heard a small exhalation from Steve’s side of the truck. I couldn’t see his face in the gloom. I realized he was crying. I was astounded. This was the man I had just seen turn into a furious monster. Five minutes earlier I’d been convinced I was about to see him take on a half-dozen blokes bare-fisted. Now he wept in the darkness.
All at once, he sat up straight. With his jaw set, he wiped the tears from his face and composed himself. “I’ve known bastards like that all my life,” he said. “Some people don’t just do evil. Some people are evil.”
He had told me before, but that night in the truck it hit home: Steve lived for wildlife and he would die for wildlife. He came by his convictions sincerely, from the bottom of his heart.
He was more than just my husband that night. He was my hero.
”
”
Terri Irwin (Steve & Me)
“
All over the world, people wrestle with their spiritual thirst. Some take it to the local pub. Some take it to hedonism and thrill-seeking, while others take it to an endless string of dead-end relationships. I took mine to church—and it worked for a while. A great feeling of personal satisfaction ensues when we are fulfilling the commands of God, and when we practice the principles of Christianity, we will experience positive results. Our relationships will improve if we implement what Jesus said about serving our fellow man. Our businesses will flourish if we practice what the Bible teaches about excellence and stewardship. Our families will be healthier if we follow the biblical principles that govern family dynamics. The principles really do work. The problem with principles, though, is that they are only rules that help us navigate our lives—they aren’t life itself. I love the principles of honor and love and communication that help to keep my marriage to Jessica strong and secure, but I can’t curl up in bed at night with a principle—I need a passionate relationship with a living and breathing person.
”
”
Chris Jackson
“
I’ve been thinking about it all day, over and over. Being a partner at Carter Spink is the dream I’ve had all my adult life. The glittering prize. It’s everything I ever wanted … Except all the things I never knew I wanted. Things I had no idea about until a few weeks ago. Like fresh air. Like evenings off. Unburdened weekends. Making plans with friends. Sitting in the pub after my work is done, drinking cider, with nothing to do, nothing hanging over me.
”
”
Sophie Kinsella (The Undomestic Goddess)
“
Book
As performed by Nathan Avebury at the George and Dragon
York, March 2016
I sometimes think I want to write a book of my life
So that when I meet you - or anyone new I can hand it over and you can read it
Instead of trying to read me.
You can take it away and decide whether it's worth giving me your time.
You can think about if, the next time we are walking towards each other, you'll smile without slowing down
Or cross the street and pretend you haven't seen me
Or stop and put an arm round my shoulder, steer me into the nearest pub, and buy me a pint of stout.
Because you'll know, having read the book, that stout is what I drink.
You see the elegance of my proposal.
But every time I sit down to write the book, I hit a snag.
I could tell so many stories.
I could be a poet or a magician or a failed mathematician.
I could be happy or soul-sore or lonely.
I could start when I was born, when I was twelve, when I left university
And the book would be different for each story I choose.
And the book would be true, and untrue, for each.
Our pasts are as unfixed as our futures, if you think about it.
And I like the freedom I have to tell a different story.
”
”
Stephanie Butland (Lost For Words)
“
This was the hour when he found London most lovable; the working day over, her pub windows were warm and jewel-like, her streets thrummed with life, and the indefatigable permanence of her aged buildings, softened by the street lights, became strangely reassuring. We have seen plenty like you, they seemed to murmur soothingly, as he limped along Oxford Street carrying a boxed-up camp bed. Seven and a half million hearts were beating in close proximity in this heaving old city, and many, after all, would be aching far worse than his. Walking wearily past closing shops, while the heavens turned indigo above him, Strike found solace in vastness and anonymity." Cuckoo Calling by J.K. Rowling
”
”
J.K. Rowling
“
Did you buy Daddy’s new pajamas? Did you? Did you wrap them? No. You wouldn’t even know what bloody size he is. You don’t even know what bloody size your own pants are because I BUY THEM FOR YOU. Did you get up at seven o’clock this morning to buy the bread for the sandwiches because some eejit came back from the pub last night and decided he needed to eat two rounds of toast and left the rest of the loaf out to get stale? No. You sat on your arse reading the sports pages. You gripe away at me for weeks on end because I’ve dared to claim back twenty percent of my life for myself, to try to work out whether there is anything else I can do before I shuffle off this mortal coil, and while I’m still doing your washing, and looking after Granddad, and doing the dishes, you’re there harping on at me about a shop-bought fecking cake. Well, Bernard, you can take the fecking shop-bought cake that is apparently such a sign of neglect and disrespect and you can shove it up your
”
”
Jojo Moyes (After You (Me Before You, #2))
“
It was the simple things of that life such as going to the pictures (the cinema), playing darts at the local pub, watching the local football team playing in the park on a Saturday afternoon and having a slap-up breakfast on a Sunday morning when you did not have to race off to work, these were the things we had craved to be reunited with.
”
”
John Martin (A Raid Over Berlin)
“
Sardines have been considered a low-grade fish since the old days. Unlike sea bream, left-eyed flounder and sweetfish, they're never used in first-class restaurants.
They've always been used as fertilizer in the fields or food for fish farms. People treat them as the lowest fish there is."
"Hmm..."
"Recently the size of the sardine catch has decreased, so people have begun to value them. But the chef here has been making sardine dishes since back when people thought of them as worthless.
You could almost say the chef here...
... has staked his life on this fish.
This place may seem shabby compared to a luxurious ryōtei that takes pride in using expensive ingredients...
But the food here is sincere and earnest. This restaurant is far more attractive to me than the average first-class ryōtei.
It may look shabby, but his spirit is noble. That's because the chef believed in himself and created this place from scratch by his own effort.
”
”
Tetsu Kariya (Izakaya: Pub Food)
“
Try this smoked chicken with a dressing made from wine vinegar and herbs.
Than the liver sashimi with just salt. Try the gizzard and chicken leg sashimi with salt and sesame oil.
This one is from Nakagomi-san's Yorozuya brewery. It's a Shunnoten Junmaishu, 'Takazasu.' I've warmed it so that it'll be 108 degrees when poured into your sake cup."
"108 degrees! Do you have to be that precise in warming the sake?!"
"Of course. That's why the Okanban's job is so important. I've made it slighty lukewarm to stimulate your taste buds, It should be just the right warmth to enjoy the delicate differences of the various sashimi."
"Wow. You really put a lot of thought into warming the sake."
"Okay. Let's try the sake and food together."
"The chicken leg is
sweet!
And the warm sake wraps that sweetness and enhances it in your mouth!"
"The warm sake spreads out the aftertaste of the liver on your tongue!"
"The more I chew on the gizzard, the richer the taste becomes!"
"Man, it's
totally different
from cold sake! Its scent and flavor are so lively!"
"Exactly. That's what's important. Warming the sake brings the flavor and scent to life, so they're much stronger than with cold sake. That's the reason you serve sake warm."
"I see... I never knew there was a reason like that behind warming sake."
"And now the main dish--- yakitori. Please start with the chicken fillet, heart and liver.
This is a Shunnoten Junmai Daiginjo that has been aged a little longer than usual. It's made from Yamadanishiki rice that has been polished down to 45 percent and then dry-steamed to create a tough malt-rice...
... which is then carefully fermented in low temperatures to create the sake mash.
Many people think I'm out of my mind to warm such a high-class Daiginjo. But when sake like this, which has been aged for a long time, is warmed to be 118 degrees when poured into the cup... you can clearly taste the deep flavor of the aged sake."
"Wow!"
"But 118 degrees is a little hot, isn't it?"
"I wanted you to taste the succulent, savory chicken heart and other skewers...
...with a hot Daiginjo that has a rich yet refreshing flavor and can wash away the fat."
"I think Junmai Ginjoshu tastes good when you warm it. People who claim that it's wrong to warm Junmai Ginjoshu don't know much about sake."
"Aah... the sake tastes heavier since it's warmer than the last one!"
"The flavor and scent of the sake fill my mouth and wash away the fat from the chicken too!"
"This sake has such a rich, mature taste!
”
”
Tetsu Kariya (Izakaya: Pub Food)
“
coming. Our friendship—the nascent journalist and the wizened asphalt guy hanging out—was one small expression of the pub theory of life, that we are all of a common fabric once we have a pint in our hands. Or, by extension, a line of coke between us.
”
”
David Carr (The Night of the Gun)
“
I hunched under that table wondering how I got to this point. Wasn’t I supposed to be a writer, rubbing elbows at poetry conferences with Mary Ruefle and Kim Addonizio? Wasn’t I supposed to be spending these late spring months at retreats wearing woven island commune hippie clothes designed by women named Star? Having Evan changed all that. This was a direction I never expected. This is supposed to be the meantime—teaching in a public school so that I could make money, get my graduate degrees, and move on to my real calling. The one where I learn, create, and pub- lish. The one where I’m not huddled under standard issue cafeteria tables contemplating the best place to run when gunfire broke out. The one where somebody else is responsible for the welfare of these children surrounding me. The one where I don’t give a shit.
”
”
Jennifer Rieger (Burning Sage)
“
Elphaba had an okay voice. He saw the imaginary place she conjured up, a land where injustice and common cruelty and despotic rule and the beggaring fist of drought didn't work together to hold everyone by the neck. No he wasn't giving her credit: Elphaba had a good voice. It was controlled and feeling and not histrionic. He listened through to the end, and the song faded into the hush of a respectful pub. Later, he thought: The melody faded like a rainbow after a storm, or like winds calming down at last; and what was left was calm, and possibility, and relief.
"You next, you promised," cried Elphaba, pointing at Fiyero, but nobody would sing again, because she had done so well. Nessarose nodded to Nanny to wipe a tear from the corner of her eye.
"Elphaba says she's not religious but see how feelingly she sings of the afterlife," said Nessarose, and for once no one was inclined to argue.
”
”
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
“
What's striking about the city as a construct is how it functions as a prism through which we contemplate our own identity and goals.
The pubs or places of worship we spend time in reflect our own internal architecture and one person's lived experience of a city can wildly oppose the next's.
This makes conversations about coorie in the city all the more interesting.
Coorie streets full of bustle might not always be beautiful but there is always the potential to polish what is there.
Life in a Scottish city can feel like a constant grapple between what's best for us and what we desire.
”
”
Gabriella Bennett (The Art of Coorie: How to Live Happy the Scottish Way)
“
Manchester United was once called Oldham Road and was based at the Three Crowns pub, with its players recruited from the men who regularly drank there. Everton began life at the Queen’s Head pub in the village of Everton in much the same way. But Queens Park Rangers started not as a pub team but a school team
”
”
Ruth Goodman (How to Be a Victorian: A Dawn-to-Dusk Guide to Victorian Life)
“
In Christ, God declares me to be ‘righteous, washed, pure and set apart for him’. And yet there is nothing in my experience to suggest that these things could be so in and of myself. If I live by my own estimate of my life, I act accordingly. Alternatively, I can surrender my life to the lordship of Jesus and live by God’s assessment of my life. So whose word will I live by? I am glad to live by God’s word and the blessed release that it brings, looking by faith to him for who I am, looking in love to my brothers for what I do. By his word, I am directed outward, never inward.
”
”
Eerdmans Pub Co (Possessed by God: A New Testament Theology of Sanctification and Holiness (New Studies in Biblical Theology))
“
The goal of the magician, particularly the chaos magician, is to position his or her life so that it responds positively to volatility rather than negatively. Volatility should make your life better, not worse, just as the thousands of microtears in your muscles during weight training lead to larger biceps. Be the bicep, not the teacup! It’s easier than it sounds, and it gets easier the further you stray from society’s recommended life. As for those who do not consider themselves risk takers, this reflects a fundamental misunderstanding of both risk and their own personalities. The appetite for risk exists on a spectrum, it is not binary. You may be so comfortable taking certain risks that you do not consider them risks at all, like smokers at the airport worrying about their flight, or patrons expressing concern over terrorism in the pub before driving home drunk. The other side of this inability to see risks you are comfortable with as inherently risky is the propensity to see risks that make you uncomfortable as much riskier than they are.
”
”
Gordon White (The Chaos Protocols: Magical Techniques for Navigating the New Economic Reality)
“
The times there was no money for food because he’d spent it all in the pub. The days when he would go missing and be brought home by the police after being locked up in a cell. The weeks he spent with other women before fighting his way back into their house again. The double life he led that she knew nothing of until she was old enough to understand … ‘But I expect so much has changed since then, anyway,
”
”
Mel Sherratt (Hush Hush (DS Grace Allendale, #1))
“
I then take the opportunity to ask him about the lemon rule and he laughs, tells me its quite simple: “You know how Nietzsche was all about creating your own morality and use your misfortune to learn from them? You know the tale of being hunted by the sleep paralysis demon and the eternal recurrence? To which he answered: Amor Fati, love your fate no matter what?” I nod. “Well I took the old saying, when life gives you lemons make lemonade and took it as an interpretation of his Amor Fati concept. That’s why we will all have a lemon with us tonight on the pub crawl. And if you lose it, in other words you hate your fate and are a nihilist, you have to drink.
”
”
Ryan Gelpke (Nietzsche’s Birthday Party: A Short Story Collection)
“
Pintman Paddy Losty.
Some of Dublin's great pintmen have been known to put away thirty pints or more in a day
”
”
Kevin C. Kearns (Dublin Pub Life and Lore: An Oral History)
“
His mother died when he was in junior high, a single car crash on her way home from work after a shortcut through the local pub. By the time the firetrucks arrived with the jaws of life, her pale blue Volkswagen Beetle had fervently fucked a large oak tree, the orgasm of twisted metal, blood, and Mom body parts shot in a load along the edge of the road and into the brush.
”
”
Rebecca Rowland (The Rack: Stories Inspired By Vintage Horror Paperbacks)
“
Feeling oddly deflated, I navigated to the photo app on my phone, curious to see what it could tell me about my life. I felt a little like I was voyeuristically spying on someone else’s life. Technically it was my own life, but it still felt illicit somehow. I scrolled through more than a hundred photos before I stopped. What the photos showed about my own life was just plain depressing. Almost all of the photos were taken at Toast or with the Toast employees at what looked like various pubs. Lots of group shots of me holding a pint with people I recognized as kitchen and waitstaff. There were a couple photos of me and a tall, sweet-looking man whom I surmised was Colin. In all the shots we appeared to be hill walking or standing in a large garden, me holding a bunch of beets or an armful of zucchini. Nicola was right, Colin did have bedroom eyes. In the photos he looked tall and a little gangly, but adorable, wearing an English driving cap and a sheepish grin. He had a freckled complexion and ginger hair. He reminded me of Rory. Apparently I have a type. I sighed and clicked off the phone. In some ways Toast was just as I imagined it, but in other ways this day was not quite what I’d envisioned. It wasn’t just the question of Rory, although that weighed heavily on my mind. It was my apparent lack of a good work-life balance. Did I have friends, hobbies, interests outside the restaurant? The photos I’d just seen would seem to indicate that I did not.
”
”
Rachel Linden (The Magic of Lemon Drop Pie)
“
In man social intercourse has centered mainly on the process of absorbing fluid into the organism, but in the domestic dog and to a lesser extent among all wild canine species, the act charged with most social significance is the excretion of fluid. For man the pub, the estaminet, the Biergarten, but for the dog the tree-trunk, the lintel of door or gate, and above all the lamp-post, form the focal points of community life.
”
”
Olaf Stapledon (Sirius)
“
Charles Royster analyzes this pursuit of model-based heroism as: …a concern for… reputation in the word “honor. “ The term referred not simply to. conscience or self-esteem, but also to pub- lic acknowledgement of(a) claim to respect. To have honor and to be honored were very close, if not the same.374
”
”
Michael J. Hillyard (Cincinnatus and the Citizen-Servant Ideal: The Roman Legend's Life, Times, and Legacy)
“
What the fuck are you doing," he said, "hiding away in your parents' house? You should be back here, where it's all happening! Life!"
He gestured around the pub, a forlorn place with bare floorboards covered in fag ends; who knows what visions he saw in his mind.
”
”
Rupert Smith (Interlude)
“
Attitude aside, a man in a five–hundred–dollar suit, no matter how wrinkled or soiled, does not take to street life nearly as easily as a fish takes to smog. First
”
”
Patrick Thomas (Murphy's Lore: Tales From Bulfinche's Pub)
“
Back in the days when rulers actually said “off with their heads” it was customary to give the executioner a monetary gift so he would be sure to kill you with the first stroke of the blade. If he didn’t, you were still alive but laying around, your head hanging partly chopped off. Not a fun way to spend the day, even the last day of the rest of your life. “The
”
”
Patrick Thomas (Murphy's Lore: Tales From Bulfinche's Pub)
“
Yesterday was the last day of the rest of my life’ pin
”
”
Patrick Thomas (Murphy's Lore: Tales From Bulfinche's Pub)
“
Too nice was a thief, robbing bits of your life out from underneath you, one experience at a time.
”
”
Mary Carter (The Pub Across the Pond)
“
Not because life was too short. But because when you lived it alone, it was too damn long.
”
”
R.G. Alexander (One Night at Finn's (Finn's Pub Romance, #1))
“
Cards on the table, girls? Karl has served a sentence at Exeter prison for assault; Antony for theft. Karl was merely sticking up for a friend, you understand, and – hand on heart – would do the same again. His friend was being picked on in a bar and he hates bullying. Me, I am struggling with the paradox – bullying versus assault, and do we really lock people up for minor altercations? – but the girls seem fascinated, and in their sweet and liberal naivety are saying that loyalty is a good thing and they had a bloke from prison who came into their school once and told them how he had completely turned his life around after serving time over drugs. Covered in tattoos, he was. Covered. ‘Wow. Jail. So what was that really like?’ It is at this point I consider my role. Privately I am picturing Anna’s mother toasting her bottom by her Aga, worrying with her husband if their little girl will be all right, and he is telling her not to fuss so. They are growing up fast. Sensible girls. They will be fine, love. And I am thinking that they are not fine at all. For Karl is now thinking that the safest thing for the girls would be to have someone who knows London well chaperoning them during their visit. Karl and Antony are going to stay with friends in Vauxhall and fancy a big night to celebrate their release. How about they meet the girls after the theatre and try the club together? This is when I decide that I need to phone the girls’ parents. They have named their hamlet. Anna lives on a farm. It’s not rocket science. I can phone the post office or local pub; how many farms can there be? But now Anna isn’t sure at all. No. They should probably have an early night so they can hit the shops tomorrow morning. They have this plan, see, to go to Liberty’s first thing because Sarah is determined to try on something by Stella McCartney and get a picture on her phone. Good girl, I am thinking. Sensible girl. Spare me the intervention, Anna. But there is a complication, for Sarah seems suddenly to have taken a shine to Antony. There is a second trip to the buffet and they swap seats on their return – Anna now sitting with Karl and Sarah with Antony, who is telling her about his regrets at stuffing up his life. He only turned to crime out of desperation, he says, because he couldn’t get a job. Couldn’t support his son. Son? It sweeps over me, then. The shadow from the thatched canopy of my chocolate-box life –
”
”
Teresa Driscoll (I Am Watching You)
“
Why can’t life be like a television show? Watchers usually get to know what’s going on well in advance, even if the characters haven’t found out yet. I hate not knowing things.
”
”
R.G. Alexander (One Night at Finn's (Finn's Pub Romance, #1))
“
As an author one of the most common things I get asked is, ‘where d’you get your ideas from?’ It’s the sixty-thousand dollar question and one that strikes fear and dread into the heart of most writers. As though we have an Ideas Factory, the location of which a closely guarded secret, lest someone else discovers it and we’re left adrift in the wilderness, without even a thinly disguised trope to keep us warm. Or perhaps there’s some dodgy geezer down the pub, sitting alone at the back, nursing his pint, a bag of ideas under the counter, waiting patiently for desperate writers to approach willing to give their last penny for a decent plot-line.
The truth is much more mundane; ideas, for me anyway, just seem to evolve. A seed of an idea can be planted from the most ordinary source. As a journalist all of my books are inspired by real life. My main character Oonagh O’Neil is a journalist (I took the ‘write about what you know' rather literally with this one) and the stories she investigates have all come from news items I’ve either covered myself, or have been interested in.
”
”
Theresa Talbot
“
Everyone is lonely at some point in their lives. If it goes on long enough, it becomes normal. There’s nothing to fix or make better if it’s normal. It’s life and you accept it, not knowing what you’re missing.
”
”
R.G. Alexander (Two Weeks and a Day (Finn's Pub Romance, #2))
“
now and had a merry smile on his face. ‘Well, goddammit, boys! If I ain’t just remembered! There’s a whorehouse open all night long just outside Pens’cola! You’re sure you won’t come with me?’ We were sure. He dropped us at the main gate of the station with cheery shouts of farewell and drove off about 1.30 in the morning to ‘round off his evening’. We were soon to learn that certain ‘Southern gentlemen’ dropped in to the local brothel with the easy nonchalance Englishmen pop into their local pub—but without their wives, of course! Generally speaking, it was rare for us to leave the station other than at weekends. Our working hours were long and our leisure hours short; so we had to find our entertainment within the station. However, almost every day we found time to swim in the lagoon which separates the mainland from Santa Rosa Island, where the big flying-boats taxied in and out, the deep rumble of their Pratt and Whitneys music to our ears. We became expert with surf-boards—rectangles of wood about the size of a large tea-tray with a pair of rope reins, towed behind a fast motor-boat. Was it the fore-runner of water-skis? The technique seems to have been virtually the same. But, whatever one’s leisure activities, life
”
”
Norman Hanson (Carrier Pilot)
“
And it was true. People gave out their whole life stories to anyone and everyone without a second’s thought. Stand at a bus stop, sit in a strange pub, get banged up, and someone would always give you their life story.
”
”
Martina Cole (Close)
“
Advika was given a chance at coaching to speak on
any topic she wishes, as it was their fun day.
As she was a good speaker she drafted a poem for people
like her who too were in the same level game of life,
dealing with the same hell, just different devils -
“If you like wearing short clothes, wear it,
If you like makeup, do it,
If you like going to pubs, go for it,
If you love pretending fake, pretend it,
If you like drinking, smoking, just do it,
But
If I like traditional clothes, let me wear it,
If I don’t put makeup, let me be that way,
If I don’t go to pubs, don’t force me to come along,
If I stay real and hate pretending fake, deal with it,
If I don’t want to drink, smoke, then don’t tag
me as old-fashioned.
If I do not go with the trend just let me breathe in
my comfort zone do not try to steal oxygen to make
me die someday just because I do not fit in your space.
Great ones usually do not fit it, so it is okay!
Everybody is unique so what if I am antique.
”
”
Garima Pradhan
“
Advika was given a chance at coaching to speak on
any topic she wishes, as it was their fun day.
As she was a good speaker she drafted a poem for people
like her who too were in the same level game of life,
dealing with the same hell, just different devils -
“If you like wearing short clothes, wear it,
If you like makeup, do it,
If you like going to pubs, go for it,
If you love pretending fake, pretend it,
If you like drinking, smoking, just do it,
But
If I like traditional clothes, let me wear it,
If I don’t put makeup, let me be that way,
If I don’t go to pubs, don’t force me to come along,
If I stay real and hate pretending fake, deal with it,
If I don’t want to drink, smoke, then don’t tag
me as old-fashioned.
If I do not go with the trend just let me breathe in
my comfort zone do not try to steal oxygen to make
me die someday just because I do not fit in your space.
Great ones usually do not fit it, so it is okay!
Everybody is unique so what if I am antique.
”
”
Garima Pradhan (A Girl That Had to be Strong)
“
Although there are some conflicting stories regarding the discoveries of the mid-Atlantic islands, it is safe to assume that in 1501 João da Nova discovered Ascension Island. The desolate island remained deserted until it was rediscovered two years later on Ascension Day by Alfonso de Albuquerque. He was also the first European to discover the Red Sea and the Persian Gulf.
The last time I was on Ascension Island I went to “The Pan American Club” which was the Island Pub. There were a few locals drinking at the bar but outside was a donkey looking for something to drink, which the locals gladly provided. It didn’t take much, and after a few bottles of beer the donkey fell down in a drunken stupor. It was the only time in my life that I actually saw a drunken ass! (True story!)
”
”
Hank Bracker
“
Shorn of consumeristic
malls and pubs
And parlour-fuelled
vanity rubs
Refurbished senses
Clearer goals
Mall rats transformed
Into inspired souls
QUARANTINE+VE
”
”
Puja Bhakoo
“
While I’m out working with Tommy Quinn, we get chatting about a session, a few nights previous, in a local pub called The Hill. It gets its name from the plain fact that it sits on top of a hill. The conversation moves on to the state of rural Ireland, and rural everywhere for that matter. He’s lived here in Knockmoyle for all of his life, so his opinions on the subject hold weight with me. He asks me what technology I think had the most dramatic impact on life here when he was growing up. I state what I feel are obvious: the television, the motor car and computers. Or electricity in general. Tommy smiles. The flask, he says. I ask him to explain. When he was growing up in the 1960s, he and his family would go to the bog, along with most of the other families of the parish, to cut turf for fuel for the following winter. They would all help each other out in any way they could, even if they didn’t always fully get on. Cutting turf in the old ways, using a sleán, is hard but convivial work, so each day one family would make a campfire to boil the kettle on. But the campfire had a more significant role than just hydrating the workers. As well as keeping the midges away, it was a focal point that brought folk together during important seasonal events. During the day people would have the craic around it as the tea brewed, and in the evenings food would be cooked on it. By nightfall, with the day’s work behind them, the campfire became the place where music, song and dance would spontaneously happen. Before the night was out, one of the old boys would hide one of the young lads’ wheelbarrows, providing no end of banter the following morning.
”
”
Mark Boyle (The Way Home: Tales from a life without technology)
“
THE POET FLORUS TO HADRIAN I wouldn’t want to be Caesar, And tramp round Britain, Getting ague in my knees For Scythian frosts later to freeze. HADRIAN’S REPLY I wouldn’t want to be Florus And lurk in pubs, Eating pies and peas And wander round wine-shops Getting infested with fleas. HISTORIA AUGUSTA Hadrian 16
”
”
Philip Matyszak (24 Hours in Ancient Rome: A Day in the Life of the People Who Lived There (24 Hours in Ancient History))
“
The prospect of his future life stretched before him like a sentence; not a prison sentence, but a long-winded sentence with a lot of unnecessary subordinate clauses, as he was soon in the habit of quipping during Happy Hour pickup time at the local campus bars and pubs.
”
”
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
“
When I begin to get the feeling that we're having a good time, I give her chances to get away: when there's a silence I start to listen to T-Bone telling Barry what Guy Clark is really like in real life as a human being, but Marie sets us back down a private road each time. And when we move from the pub to the curry house, I slow down to the back of the group, so that she can leave me behind if she wants, but she slows down with me. And in the curry house I sit down first, so she can choose where she wants to be, and she chooses the place next to me. It's only at the end of the evening that I make anything that could be interpreted as a move: I tell Marie that it makes sense for the two of us to share a cab.
”
”
Nick Hornby (High Fidelity)
“
But that didn’t mean that there wasn’t reaction, and he felt it sharply in late 1970 when Ace Books published columns one through fifty-two as The Glass Teat. Initial orders were so strong that Ace ordered another press run, and in August of that year, they contracted him to write The Other Glass Teat as soon as he’d generated enough additional columns to fill a second book. A late 1971 pub date was anticipated. Only it didn’t happen. Not only did The Other Glass Teat not come out as promised, sales of The Glass Teat suddenly dropped off sharply. An inside source in Sacramento leaked to Ellison that his name had been placed on then California Governor Ronald Reagan’s “subversives list.” The nomination had come from Richard Nixon’s Vice President, Spiro Agnew. Agnew was personally offended by Ellison’s repeated digs at his repressive policies and smarmy (and, as it turned out, hypocritical) morality. According to Ellison, word had been spread to bookstores and distributors to keep The Glass Teat off the market despite its popularity. Ace was forced to cancel their contract, telling Ellison to keep half of the advance. The embargo held until 1975 when Ace, sensing that the market had calmed, republished The Glass Teat and announced The Other Glass Teat as part of a twelve-book run of Ellison reissues and new titles.
”
”
Nat Segaloff (A Lit Fuse: The Provocative Life of Harlan Ellison)
“
Some say there is an invisible line in the world that separates the demi-monde, the world of magic, from the mundane world of everyday existence. They say that if you step over that line, however unknowingly, your world will be changed forever. They say that once you have taken that fateful step you can never go back, never unsee what you have seen, never unknow what you have discovered. This is of course total bollocks. Of course you can cross back; you can move to Burnley and become a hairdresser, or to Sutton and work in IT. You can go caravanning in Wales and never see a single dragon, and go swimming in the Severn and never meet the goddess Sabrina. Even the very strange can leave the demi-monde if they put their mind to it. There’s definitely at least one bridge troll that I know of teaching PE at a comprehensive in Reading. Those that don’t choose a quiet life teaching basketball to twelve-year-olds form what we call the demi-monde, because calling it the half-world in English would lead to too many questions. It’s made up of fae of all kinds, and also people who want to be fae or have been touched by the supernatural in some way, or just found this great pub with this really spooky atmosphere.
”
”
Ben Aaronovitch (Lies Sleeping (Rivers of London, #7))
“
Do you know, I think I saw that on the back of a matchbox in a pub in Grimsby. I’ve learned quite a lot in life from the back of matchboxes.
”
”
Colin Dexter (Death Is Now My Neighbor (Inspector Morse, #12))
“
There, in the horrors of prisons, lunatic asylums and hospitals, in drab suburban pubs, in brothels and gambling-hells, in the salons of the elegant, the Stock Exchanges, Socialist meetings, churches, revivalist gatherings and ecstatic sects, through love and hate, through the experience of passion in every form in his own body, he would reap richer stores of knowledge than textbooks a foot thick could give him,
”
”
James Hollis (Finding Meaning in the Second Half of Life: How to Finally, Really Grow Up)
“
The less you eat, drink, buy books, go to the theatre or to balls, or to the pub, and the less you think, love, theorize, sing, paint, fence, etc., the more you will be able to save and the greater will become your treasure which neither moth nor rust will corrupt—your capital. The less you are, the less you express your life, the more you have, the greater is your alienated life and the greater is the saving of your alienated being. Everything which the political economist takes from you in life and in humanity, he replaces for you in money and in wealth. All passions and all activities must therefore, be submerged in avarice. The worker may only have enough for him to want to live, and may only want to live, in order to have that.
”
”
Karl Marx
“
Every life she had tried so far since entering the library had really been someone else's dream. The married life in the pub had been Dan's dream. The trip to Australia had been Izzy's dream, and her regret about not going had been a guilt for her best friend more than a sorrow for herself. The dream of her becoming a swimming champion belonged to her father. And okay, so it was true that she had been interested in the Arctic and being a glaciologist when she was younger, but that had been steered quite significantly by her chats with Mrs. Elm herself, back in the school library. And The Labyrinths, well, that had always been her brother's dream.
”
”
Matt Haig (The Midnight Library (The Midnight World, #1))
“
Once they left school, Mark and Lucy stopped being religious. Instead of embodying the discourse and practices of the Catholic Church, they embodied the discourse and practice of love, sex and romance. Instead of going to church, they went to pubs and discos. Instead of embracing piety, humility and chastity, they embraced each other. Instead of kneeling down and praying, they shook their bodies to the rhythms of popular music. Instead of putting up pictures of holy men and women, they put up pictures of music and film stars. Instead of reading about the lives of saints, they read about the lives of celebrities. Instead of listening to hymns, they listened to songs about love and romance. Mark and Lucy were part of a new breed of people that began to emerge, particularly during the twentieth century, who believed more in themselves than God. They believed in the pursuit of happiness and pleasure more than in self-sacrifice. They saw passion and sex not as dangerous, but as central to living a fulsome life.
”
”
Tom Inglis (Love (Shortcuts))
“
Some people are. You used to be. You used to light up when you talked about this. You know, the pub. Before you had it. This is the life you dreamed of. You wanted me and you wanted this and yet you've been unfaithful and you drink like a fish and I think you only appreciate me when you don't have me, which is not a great trait to have. What about my dreams?
”
”
Matt Haig (The Midnight Library (The Midnight World, #1))
“
It was really happening. This was actually it. This was the pub life. This was the dream made reality.
”
”
Matt Haig (The Midnight Library (The Midnight World, #1))
“
Indeed, far more than today the East End was a society that lived its life out of doors. With no radio, television or internet to keep people occupied at home they would go out to chat to neighbours, take a walk or visit Pubs and clubs. At any hour of day or night there were a lot more People walking about Whitechapel in 1888 than is the case now.
”
”
Rupert Matthews (Jack the Ripper's Streets of Terror: Life during the reign of Victorian London's most brutal killer)
“
house, in the fields, taking me to the pub and feeding me crisps. Trying to make our millions. Not just for him, for me too. “Look.” I exhale. “I didn’t mean I can’t help. Maybe with the marketing stuff or something?” “There!” Biddy’s face lights up in delight. “I knew Katie would
”
”
Sophie Kinsella (My Not So Perfect Life)
“
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”
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247Torax Bangalore Escorts
“
He hadn’t appreciated it when that was his life; he’d mooched about and moaned and gone to the pub under duress, talked to these people out of a sense of duty. He’d always felt there was somewhere else he was supposed to be, other friends he should be hanging out with, some amazing life he was supposed to be living. And now that he was living a different life, the one he’d left behind glittered in his wake like dropped diamonds.
”
”
Lisa Jewell (The Third Wife)
“
The State exists simply to promote and to protect the ordinary happiness of human beings in this life. A husband and wife chatting over a fire, a couple of friends having a game of darts in a pub, a man reading a book in his own room or digging in his own garden—that is what the State is there for. And unless they are helping to increase and prolong and protect such moments, all the laws, parliaments, armies, courts, police, economics, etc., are simply a waste of time.
”
”
C.S. Lewis (The Reading Life: The Joy of Seeing New Worlds Through Others' Eyes)
“
they’ll start.” “What are they going to do about the Elder Council?” “Meritorious was a good man and the most powerful Grand Mage we had seen in a long time. The other Councils in Europe are worried about who will fill the vacuum now that he’s gone. The Americans are offering their support, the Japanese are sending delegates to help us wrest back some control, but…” “It sounds like a lot of people are panicking.” “And they have a right to. Our systems of power, our systems of self-government, are delicate. If we topple, others will follow. We need a strong leader.” “Why don’t you do it?” He laughed. “Because I’m not well liked, and I’m not well trusted, and I already have a job. I’m a detective, remember?” She gave her own little shrug. “Vaguely.” Another snippet of pub music drifted by the window, and Stephanie thought about the world she’d grown up in, and how different it was from the world she’d been introduced to, and yet how similar. There was joy and happiness in both, just as there was heartbreak and horror. There was good and evil and everything in between, and these qualities seemed to be shared equally in the worlds of the magical and the mundane. It was her life now. She couldn’t imagine living without either one. “How are you?” Skulduggery asked, his voice gentle.
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Derek Landy (Skulduggery Pleasant (Skulduggery Pleasant, #1))
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Desire. Need. Heartache. When I met him in the pub, he wore the last one like a suit of armor, but now that he'd shed that weight and allowed the other two to weave their way over him, he was fucking magnificent— a heart learning to take its first steps after being destroyed. I needed more of it, more of him, and the melody of his life already taking root in my heart.
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Hayden Locke (Sacrilege: A Forbidden Dark Romance Anthology)
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Rape culture has succeeded in convincing the general population that rapists never look like men you know, and, therefore, the men you know can never actually be rapists.
Supporters (conscious or otherwise) of rape culture are extremely invested in maintaining the fiction about what properly defines a rapist. A rapist isn't the man you work with or the one you drink beers with at the pub. He isn't the man you train with at the gym or the one you play football with on the weekend. He isn't the nice young lad who lives in a college dorm while studying engineering. A rapist isn't married with children, nor does he have parents or siblings or a network of people who've known him all his life. He isn't the bloke who fixes your car, the one who holds the door open for stragglers, the man who sells you veggies at the greengrocer or that nice guy who reads the weather on the evening news. He isn't your brother, your son, your boyfriend or your husband. He's certainly never wealthy or even from a moderate middle-class background, and his class--especially when combined with white skin--protects his actions from ever being liked to those of a real rapist.
Real rapists, as everyone knows, are those antisocial, itinerant Shadow Men who live in the walls and bear no resemblance to other men at all. Real rapists exhibit openly misogynistic attitudes, which is how you can tell the difference between them and men whose misogyny is carefully cloaked in more complex contradictions, the men who are 'really good blokes' who, at worst, have 'just made a mistake' and at best are being hounded by vengeful women after fame and money.
Listen, it would certainly be a lot easier if rapists were easy to identify by the five-pronged tail growing out of their butts. If we could clock rapists in both public and private spaces, we could better protect ourselves from their choices. Unfortunately, life isn't that simple. Rapists aren't accompanied by the piercing smell of rotten eggs, nor is their skin covered in thorns. Rapists do indeed look just like everyone else.
Why, some of them probably even look like men you know.
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Clementine Ford (Boys Will Be Boys: Power, Patriarchy and the Toxic Bonds of Mateship)
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I had started keeping a journal soon after seeing my future husband playing in his jazz band in the Cowley pub. My entries were never regular, and I often had to force myself to write them. I tried to keep going because, like Francis, I believed that most of life is oblivion. To rescue fragments of the past would be to claim a bigger existence.
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Ian McEwan (What We Can Know)
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As thirty-five approached, nearly every woman I know got pregnant, keen to hand in their homework to mother nature before the famous deadline. We had fewer and fewer people to hang out with, swallowed up by the sinking sand of parenthood. My godchildren multiplied. My social life was scheduled by the nap times and feeding schedules of babies. I held newborns on L-shaped sofas and pushed prams in the park and entertained toddlers in the pub while trying to have a conversation with their exhausted parents about anything other than babies and children. I waited for the moment when I would realize this was something I wanted and it never arrived.
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Dolly Alderton (Good Material)
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The Larktown Savannah by Stewart Stafford
Pierce the smog-shrouded end of town,
A wheezing, mirthless, blushing clown,
On the river, logs and sticks past me flew,
Ingredients of a swirling, brownish stew.
In the bait shop, the condemned crawl,
A carvery pub lunch next door for all,
The old cinema’s lights are long-dimmed,
A long grass lion’s zebra crossing skimmed.
Seagulls bomb the blustery bridge;
To the water, as to sunset, the midge;
An Elvis impersonator’s sparse crowd tell—
Rhinestone saviour in Wharf Street’s hotel.
© 2026, Stewart Stafford. All rights reserved.
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Stewart Stafford