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But I MUST say what I feel and think in some way β it is such a relief! But the effort is getting to be greater than the relief.
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Charlotte Perkins Gilman (The Yellow Wall-Paper)
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Now why should that man have fainted? But he did,and right across my path by the wall, so that I had to creep over him every time!
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Charlotte Perkins Gilman (The Yellow Wall-Paper)
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We depend on our surroundings obliquely to embody the moods and ideas we respect and then to remind us of them. We look to our buildings to hold us, like a kind of psychological mould, to a helpful vision of ourselves. We arrange around us material forms which communicate to us what we need β but are at constant risk of forgetting what we need β within. We turn to wallpaper, benches, paintings and streets to staunch the disappearance of our true selves.
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Alain de Botton (The Architecture of Happiness)
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He says that with my imaginative power and habit of story-making, a nervous weakness like mine is sure to lead to all manner of excited fancies, and that I ought to use my will and good sense to check the tendency.
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Charlotte Perkins Gilman (The Yellow Wallpaper: The classic 1892 *psychological book" (Annotated))
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I donβt know why I should write this. I donβt want to. I donβt feel able. And I know John would think it absurd. But I must say what I feel and think in some wayβit is such a relief! But the effort is getting to be greater than the relief.
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Charlotte Perkins Gilman (The Yellow Wallpaper: The classic 1892 *psychological book" (Annotated))
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You think you have mastered it, but just as you get well underway in following, it turns a back-somersault and there you are. It slaps you in the face, knocks you down, and tramples upon you.
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Charlotte Perkins Gilman (The Yellow Wallpaper: The classic 1892 *psychological book" (Annotated))
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(β¦) they must have had perseverance as well as hatred.
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Charlotte Perkins Gilman (The Yellow Wallpaper: The classic 1892 *psychological book" (Annotated))
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Pareidolia is a psychological phenomenon in which the human mind perceives familiar patterns and shapes within chaotic and/or ambiguous stimuli (clouds, darkness, patterned wallpaper, etc.). In short, it is the brainβs tendency to interpret abstract stimuli as something meaningful and recognizable. Common examples include seeing animals in clouds, spotting faces on surfaces such as tree bark, and/or perceiving music or voices in white noise.
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Marcus Kliewer (We Used to Live Here)
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The Ministry provided purportedly voluntary therapy sessions for all bridges, as our work was emotionally involved and psychologically taxing. I hadn't signed up. I felt that human connection shouldn't be professionally managed, or that I was somehow qualified for personal pain given a family history of pain. Fear and tragedy wallpapered my life.
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Kaliane Bradley (The Ministry of Time)