Pry School Quotes

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Nobody will ever pry the guns out of the hands of these Second Amendment American idiots. And if they do, God bless them. Only criminals will have weapons. 
Mark M. Bello (Betrayal High (Zachary Blake Legal Thriller, #5))
He sighs and wiggles around in his chair to get comfortable-it's going to be a long night. Watching humans play pretend for two hours doesn't exactly flip his fin. But he can tell Emma's getting restless. And so is he. Just as he nods off, a loud noise pops from the screen. Emma latches onto his arm as if he's dangling her over a cliff. She presses her face into his biceps and moans. "Is it over yet?" she whispers. "The movie?" "No. The thing that jumped out at her. Is it gone?" Galen chuckles and pries his arm from her grasp, then wraps it around her. "No. You should definitely stay there until I tell you it's clear." She whips her head up, but there's an almost-smile in her eyes. "I might take you up on that, pretend date or no. I hate scary movies." "Why didn't you tell me that? Everyone at school was practically salivating over this movie." The lady next to her leans over. "Shhh!" she whisper-yells. Emma nestles into the crook of his arm and buries her face in his chest, where she returns frequently as the movie goes on. Galen admits to himself that humans can make everything look pretty real. Still, he can't understand how Emma can be afraid when she knows they're only actors on the screen getting paid to scream like boiling lobsters. But who is he to complain? Their convincing performance keeps Emma in his arms for almost two solid hours. When the movie is over, he pulls the car to the curb and opens the door for her just as Rachel instructed. Emma accepts his hand as he helps her in. "What should we call our new little game?" he says on the way home. "Game?" "You know, 'Have some Lemonheads, sweet lips!'" "Oh, right." She laughs. "How about...Upchuck?" "Sounds appropriate. You realize it's your turn, right? I was thinking of making you eat a live crab." She leans over him. He almost swerves off the road when her lips brush his ear. "Where will you get a live crab? All I have to do is poke my head in the water and tell them to scatter." He grins. She's been getting more comfortable with her Gift. Yesterday, she sent some dolphins chasing after him.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Why do you choose to write about such gruesome subjects? I usually answer this with another question: Why do you assume that I have a choice? Writing is a catch-as-catch-can sort of occupation. All of us seem to come equipped with filters on the floors of our minds, and all the filters have differing sizes and meshes. What catches in my filter may run right through yours. What catches in yours may pass through mine, no sweat. All of us seem to have a built-in obligation to sift through the sludge that gets caught in our respective mind-filters, and what we find there usually develops into some sort of sideline. The accountant may also be a photographer. The astronomer may collect coins. The school-teacher may do gravestone rubbings in charcoal. The sludge caught in the mind's filter, the stuff that refuses to go through, frequently becomes each person's private obsession. In civilized society we have an unspoken agreement to call our obsessions “hobbies.” Sometimes the hobby can become a full-time job. The accountant may discover that he can make enough money to support his family taking pictures; the schoolteacher may become enough of an expert on grave rubbings to go on the lecture circuit. And there are some professions which begin as hobbies and remain hobbies even after the practitioner is able to earn his living by pursuing his hobby; but because “hobby” is such a bumpy, common-sounding little word, we also have an unspoken agreement that we will call our professional hobbies “the arts.” Painting. Sculpture. Composing. Singing. Acting. The playing of a musical instrument. Writing. Enough books have been written on these seven subjects alone to sink a fleet of luxury liners. And the only thing we seem to be able to agree upon about them is this: that those who practice these arts honestly would continue to practice them even if they were not paid for their efforts; even if their efforts were criticized or even reviled; even on pain of imprisonment or death. To me, that seems to be a pretty fair definition of obsessional behavior. It applies to the plain hobbies as well as the fancy ones we call “the arts”; gun collectors sport bumper stickers reading YOU WILL TAKE MY GUN ONLY WHEN YOU PRY MY COLD DEAD FINGERS FROM IT, and in the suburbs of Boston, housewives who discovered political activism during the busing furor often sported similar stickers reading YOU'LL TAKE ME TO PRISON BEFORE YOU TAKE MY CHILDREN OUT OF THE NEIGHBORHOOD on the back bumpers of their station wagons. Similarly, if coin collecting were outlawed tomorrow, the astronomer very likely wouldn't turn in his steel pennies and buffalo nickels; he'd wrap them carefully in plastic, sink them to the bottom of his toilet tank, and gloat over them after midnight.
Stephen King (Night Shift)
That would be showing him a part of her soul, a part of her mind, that she's never risked showing anyone. The raw and squirming part that indifferent high-school counselor were always prying at, the part therapists tried to trick her into showing them for free, the part her parents hated her for. The light and the darkness behind her eyes. The soft places.
Caitlín R. Kiernan (Threshold (Chance Matthews #1))
Ballad" Oh dream, why do you do me this way? Again, with the digging, again with the digging up. Once more with the shovels. Once more, the shovels full of dirt. The vault lid. The prying. The damp boards. Mother beside me. Like she’s an old hat at this. Like all she’s got left is curiosity. Like curiosity didn’t kill the red cat. Such a sweet, gentle cat it was. Here we go again, dream. Mother, wearing her take-out-the-garbage coat. I haven’t seen that coat in years. The coat she wore to pick me up from school early. She appeared at the back of the classroom, early. Go with your mother, teacher said. Diane, you are excused. I was a little girl. Already a famous actress. I looked at the other kids. I acted lucky. Though everyone knows what an early pick-up means. An early pick-up, dream. What’s wrong, I asked my mother. It is early spring. Bright sunlight. The usual birds. Air, teetering between bearable and unbearable. Cold, but not cold enough to shiver. Still, dream, I shiver. You know, my mother said. Her long garbage coat flying. There was a wind, that day. A wind like a scurrying grandmother, dusting. Look inside yourself, my mother said. You know why I have come for you. And still I acted lucky. Lucky to be out. Lucky to be out in the cold world with my mother. I’m innocent, I wanted to say. A little white girl, trying out her innocence. A white lamb, born into a cold field. Frozen almost solid. Brought into the house. Warmed all night with hair dryers. Death? I said. Smiling. Lucky. We’re barely to the parking lot. Barely to the car ride home. But the classroom already feels like the distant past. Long ago, my classmates pitying me. Arriving at this car full of uncles. Were they wearing suits? Death such a formal occasion. My sister, angry-crying next to me. Me, encountering a fragment of evil in myself. Evilly wanting my mother to say it. What? I asked, smiling. My lamb on full display at the fair. He’s dead! my sister said. Hit me in the gut with her flute. Her flute case. Her rental flute. He’s dead! Our father. Our father, who we were not supposed to know had been dying. He’s dead! The flute gleaming in its red case. Here, my mother said at home. She’d poured us each a small glass of Pepsi We normally couldn’t afford Pepsi. Lucky, I acted. He’s no longer suffering, my mother said. Here, she said. Drink this. The little bubbles flew. They bit my tongue. My evil persisted. What is death? I asked. And now, dream, once more you bring me my answer. Dig, my mother says. Pry, she says. I don’t want to see, dream. The lid so damp it crumbles under my hands. The casket just a drawerful of bones. A drawerful. Just bones and teeth. That one tooth he had. Crooked like mine.
Diane Seuss
Tonight, however, Dickens struck him in a different light. Beneath the author’s sentimental pity for the weak and helpless, he could discern a revolting pleasure in cruelty and suffering, while the grotesque figures of the people in Cruikshank’s illustrations revealed too clearly the hideous distortions of their souls. What had seemed humorous now appeared diabolic, and in disgust at these two favourites he turned to Walter Pater for the repose and dignity of a classic spirit. But presently he wondered if this spirit were not in itself of a marble quality, frigid and lifeless, contrary to the purpose of nature. ‘I have often thought’, he said to himself, ‘that there is something evil in the austere worship of beauty for its own sake.’ He had never thought so before, but he liked to think that this impulse of fancy was the result of mature consideration, and with this satisfaction he composed himself for sleep. He woke two or three times in the night, an unusual occurrence, but he was glad of it, for each time he had been dreaming horribly of these blameless Victorian works… It turned out to be the Boy’s Gulliver’s Travels that Granny had given him, and Dicky had at last to explain his rage with the devil who wrote it to show that men were worse than beasts and the human race a washout. A boy who never had good school reports had no right to be so morbidly sensitive as to penetrate to the underlying cynicism of Swift’s delightful fable, and that moreover in the bright and carefully expurgated edition they bring out nowadays. Mr Corbett could not say he had ever noticed the cynicism himself, though he knew from the critical books it must be there, and with some annoyance he advised his son to take out a nice bright modern boy’s adventure story that could not depress anybody. Mr Corbett soon found that he too was ‘off reading’. Every new book seemed to him weak, tasteless and insipid; while his old and familiar books were depressing or even, in some obscure way, disgusting. Authors must all be filthy-minded; they probably wrote what they dared not express in their lives. Stevenson had said that literature was a morbid secretion; he read Stevenson again to discover his peculiar morbidity, and detected in his essays a self-pity masquerading as courage, and in Treasure Island an invalid’s sickly attraction to brutality. This gave him a zest to find out what he disliked so much, and his taste for reading revived as he explored with relish the hidden infirmities of minds that had been valued by fools as great and noble. He saw Jane Austen and Charlotte Brontë as two unpleasant examples of spinsterhood; the one as a prying, sub-acid busybody in everyone else’s flirtations, the other as a raving, craving maenad seeking self-immolation on the altar of her frustrated passions. He compared Wordsworth’s love of nature to the monstrous egoism of an ancient bellwether, isolated from the flock.
Margaret Irwin (Bloodstock and Other Stories)
So buy a home. Find a pretty girl to marry. Settle down and start a family.” Bram shook his head. Impossible suggestions, all. He was not about to resign his commission at the age of nine-and-twenty, while England remained at war. And he damned well wasn’t going to marry. Like his father before him, he intended to serve until they pried his flintlock from his cold, dead grip. And while officers were permitted to bring their wives, Bram firmly believed gently bred women didn’t belong on campaign. His own mother was proof of that. She’d succumbed to the bloody flux in India, a short time before young Bram had been sent to England for school. He sat forward in his chair. “Sir Lewis, you don’t understand. I cut my teeth on rationed biscuit. I could march before I could speak. I’m not a man to settle down. While England remains at war, I cannot and will not resign my commission. It’s more than my duty, sir. It’s my life. I…” He shook his head. “I can’t do anything else.” “If you won’t resign, there are other ways of helping the war effort.” “Deuce it, I’ve been through all this with my superiors. I will not accept a so-called promotion that means shuffling papers in the War Office.” He gestured at the alabaster sarcophagus in the corner. “You might as well stuff me in that coffin and seal the lid. I am a soldier, not a secretary.” The man’s blue eyes softened. “You’re a man, Victor. You’re human.” “I’m my father’s son,” he shot back, pounding the desk with his fist. “You cannot keep me down.” He was going too far, but to hell with boundaries. Sir Lewis Finch was Bram’s last and only option. The old man simply couldn’t refuse. Sir Lewis stared at his folded hands for a long, tense moment. Then, with unruffled calm, he replaced his spectacles. “I have no intention of keeping you down. Much to the contrary.” “What do you mean?” Bram was instantly wary. “I mean precisely what I said. I have done the exact opposite of keeping you down.” He reached for a stack of papers. “Bramwell, prepare yourself for elevation.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
The Kapha Season Kapha season is like springtime for your body. For the first twenty years, your body builds bones and tissues, and the circadian rhythm fluctuates wildly at times, trying to find a balance. Babies aren’t born with a set sleep schedule, but they develop one quickly during the first months of life. Gradually, the body settles into a system in which the hormones, blood pressure, bowels, and other systems function on a diurnal schedule. Anyone with teenagers knows that they give up their regular sleep habits and become night owls. They are impossible to pry out of bed in the morning and sleep until noon on weekends. In fact, some researchers suggest that the real end of adolescence can be marked by the time when young adults give up trying to stay up so late. Teenagers’ eating schedules, too, become erratic as they crave energy while their bodies are growing and maturing. When they get out of balance, teens can struggle in school and get inflammatory conditions, such as acne. They can adopt dietary habits that will be harder to shake as they become adults, which can lead to weight gain and depression in adulthood. This is a crucial time to introduce kids to healthy eating, a good night’s sleep, and plenty of exercise. Their growing bodies demand a lot of fuel, and their muscles need to move in order to develop properly. I often see patients who are still in their teen years struggling with school, friendships, and finding a sense of purpose. Though it may sound surprising, I can often trace these problems back to an unhealthy schedule, including late nights of doing homework (or texting while pretending to do homework), and eating unhealthy foods late in the day. Another culprit is little or no exercise, and a lack of natural light. Kids need natural light during these critical growing years.
Suhas Kshirsagar (Change Your Schedule, Change Your Life: How to Harness the Power of Clock Genes to Lose Weight, Optimize Your Workout, and Finally Get a Good Night's Sleep (How to Harness the Pro))
Before the academy, Miri never had cause to wonder if a person was head smart or not. It seemed everyone was clever at something – there were those who were best at picking out the right fissure for prying a block of linder free and those who were best at making cheese or tanning hides, beating drums or tossing stones. Now, smart meant to Miri the talent to think around a new problem and learn new things.
Shannon Hale
Why are you so bitter?” Tuck asked. “It seems like there’s more than the cheating boyfriend?” I didn’t bother responding. “Why do you do that?” Tuck asked another burning question. “Do what?” confusion struck my thoughts as I asked. The sun found its way to us as we sat on the bench at the back of the school. “Let him get to you like that?” Tuck pried himself in and ended it with a smile. He was a nosy devil. “He who,” I asked, but I knew who’s he talking about, but I didn’t want to get too deep in it. “Your ex,” Tuck raised his eyebrows. He seemed angry and jealous. “He does nothing to me. What are you talking about?” I replied, biting down on my tongue. “Yes, he does, or what else is the reason for your putting yourself in prison,” Tuck said with a bite. “I’m not in prison.” I bit harder. The air becomes chilly, and a rock hits the side of my foot. “Yes, you are, and you’re in a war, a war where you’re the only one fighting.” Tuck’s tone was grave.
Kiki Fulton (Young Love (Ghostly Shadow, Book 1))
(from chapter 29, "Write in a Book What You See') "The phrase that gave us focus was 'a long obedience in the same direction.' (Nietzsche) ...Early on in my reading I came upon this sentence: 'The essential thing in heaven and earth is...that there should be a long obedience in the same direction; there thereby results, and has always resulted in the long run something that has made life worth living.' That struck me as a text I could live with. I saw myself assigned to give witness to the sheer liveability of the Christian life that everything in scripture and Jesus was here to be lived. In the mess of work and sin, of families and neighborhoods, my task was to pray and give direction and encourage that lived quality of the gospel - patiently, locally, and personally. Patiently: I would stay with those people; there are no quick or easy ways to do this. Locally: I would embrace the conditions of this place - economics, weather, culture, schools, whatever - so that there would be nothing abstract or piously idealized about what I was doing. Personally: I would know them, know their names, know their homes, know their families, know their work - but I would not pry. I would not treat them as a cause or a project. I would treat them with dignity. Preaching, of course, is part of it, teaching is part of it, administering a congregation as a community of faith is part of it. But the overall context of my particular assignment in the pastoral vocation, as much as I am able to do it, is to see to it that these men and women in my congregation become aware of the possibilities and the promise of living out in personal and local detail what is involved in following Jesus, and be companion to them as we do it together.
Eugene H. Peterson (The Pastor: A Memoir)
When was your first time?” “Oh.” He clears his throat in that familiar, stalling way. “I was sixteen. With Mary. She was my high school girlfriend.” I wonder if that means he’s only ever had sex with me and her. They could have been separated at some point. It’s possible he cheated on her, although he doesn’t seem the type. And it’s been years since she died. He could have had sex with someone else since then. That feels like too personal a question for our relationship, so instead, I ask, “What was she like?” I wouldn’t have asked that question earlier today. He’s not a talkative man, and I’ve been trying not to pry into his private thoughts and history. But he asked about me, so maybe I’m allowed to ask about him. I want to know more. A lot more. “Oh,” he mutters. “She was… I loved her.” I wait, but he doesn’t say anything else. He doesn’t need to. I understand. He’s a good man, so he doesn’t want to use me or take advantage of me, but there are clear boundaries around our relationship, and those boundaries will remain. He wants us to share this life and help each other out. He wants me to do the inside work that’s more than he can handle by himself. He wants to fuck me—no doubt about that. And he wants me to be safe and content in our practical arrangement. And he wants me to be honest and not keep secrets from him. But he doesn’t want me to be close to him. He’s not going to open up to me. His mother told me before I moved here that he got closed off after Impact, and it’s clear to me now that he’s likely to stay that way. That’s okay. It’s a little disappointing since something inside me wants to get close to him, but I don’t have to indulge that soft little instinct.
Claire Kent (Homestead (Kindled, #7))
The four school houses are named after them: Godric Gryffindor, Helga Hufflepuff, Rowena Ravenclaw and Salazar Slytherin. They built this castle together, far from prying Muggle eyes, for it was an age when magic was feared by common people, and witches and wizards suffered much persecution.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Then when I finally manage to fall asleep with my untouched mate lying next to me," he said, giving me a heated gaze, "She rolls right through her wall and onto me." "This has to be the bond--- I don't roll around in my sleep." I covered my face with a pillow. "And I certainly don't throw myself on men I've known only for a matter of weeks." I'd never thrown myself at men at all, to be honest, but Devin is not high school puppy love material, and he's no college fling that was never meant to be. If anything, he was straight out of the calendar Candace kept on her fridge. "Not that I was bothered by it. In fact, I wouldn't mind a repeat." I threw my pillow at him and covered my face as he laughed. "Please forget that happened." "Absolutely not." He pulled my hands from my face. "It was charming, don't be upset." He leaned forward and the rest of the blankets fell away. A burst of lust ran through me as my eyes wandered south, and I couldn't tell if it was from me or Devin or if it even mattered because we were both acutely aware of it. I groaned and covered my face with my hands. "I'm all yours to look at, you know." Devin gently pried my hands from my face, taking one of them to press against his chest.
Sabrina Blackburry (Dirty Lying Faeries (The Enchanted Fates, #1))
What the hell? Oh, that's right. It's the first Monday of the school year, so of course, Emma's beating the shit out of someone." "Hector — come on and help me pry her off Helena," said Arnold anxiously. "Oh, so that's who she's thrashing," Hector mused. "I should have recognized her solid gold pumps. Finally, someone who deserves it." "It doesn't matter if she deserves it or not," Arnold said in exasperation. "If the Principal or the teachers see her doing this..." "Fine," Hector sighed. "But she better not kick me in the balls again, like last time.
Robert G. Culp (Olympus Rising (The Fallen Book 1))
After the initial, unavoidably chaotic lockdown period in the spring of 2020, we should have paid more attention to the toll of online learning: the terrible equity impacts on lower-income families who didn’t have the tech; the way it left out many students with developmental disabilities who needed in-person supports; the way it made it impossible for single parents to work outside the home and often inside it, with devastating effects for mothers in particular; the mental health impacts that social isolation was having on countless young people. The solution was not to fling open school doors where the virus was still surging and before vaccines had been rolled out. But where were the more spacious discussions about how to reimagine public schools so that they could be safer despite the virus—with smaller classrooms, more teachers and teacher’s aides, better ventilation, and more outdoor learning? We knew early on that teens and young adults were facing a mental health crisis amid the lockdowns—so why didn’t we invest in outdoor conservation and recreation programs that could have pried them away from their screens, put them in communities of other young people, generated meaningful work for our ailing planet, and lifted their spirits all at the same time?
Naomi Klein (Doppelganger: a Trip into the Mirror World)
You all know, of course, that Hogwarts was founded over a thousand years ago- the precise date is uncertain- by the four greatest witches and wizards of the age. The four school Houses are named after them: Godric Gryffindor, Helga Hufflepuff, Rowena Ravenclaw, and Salazar Slytherin. They built this castle together, far from prying Muggle eyes, for it was an age when magic was feared by common people, and witches and wizards suffered much persecution." He paused, gazed blearily around the room, and continued. "For a few years, the founders worked in harmony together, seeking out youngsters who showed signs of magic and bringing them to the castle to be educated. But then disagreements sprang up between them. A rift began to grow between Slytherin and the others. Slytherin wished to be more selective about the students admitted to Hogwarts. He believed that magical learning should be kept within all-magic families. He disliked taking students of Muggle parentage, believing them to be untrustworthy. After a while, there was a serious argument on the subject between Slytherin and Gryffindor, and Slytherin left the school." Professor Binns paused again, pursing his lips, looking like a wrinkled old tortoise. "Reliable historical sources tell us this much," he said. "But these honest facts have been obscured by the fanciful legend of the Chamber of Secrets. The story goes that Slytherin had built a hidden chamber in the castle, of which the other founders knew nothing. Slytherin, according to legend, sealed the Chamber of Secrets so that none would be able to open it until his own true heir arrived at the school. The heir alone would be able to unseal the Chamber of Secrets, unleash the horror within, and use it to purge the school of all who were unworthy to study magic.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
I've written plenty of useless stuff in those books, getting my high school work out of the way. Now I'll put one to better use. Then, someday when people are able to pay more attention to what I say than to how old I am, I'll use these verses to pry them loose from the rotting past, and maybe push them into saving themselves and building a future that makes sense.
Octavia E. Butler (Parable of the Sower (Earthseed, #1))