Prophecy Movie Quotes

We've searched our database for all the quotes and captions related to Prophecy Movie. Here they are! All 19 of them:

I felt my heart expanding, making room for him to movie in permanently.
Cecily White (Prophecy Girl (Angel Academy, #1))
Black suits you," he commented. "Don't get any ideas, Romeo." His frown curled into a slow grin, at once mocking and devastatingly handsome. "Ah, Shakespeare. 'How silver sweet lovers' tongues by night, like softest music to attending ears.'" He laughed. "Saw the movie, did you?" "I also saw Buffy the Vampire Slayer," I said. "Guess which one I liked better.
Cecily White (Prophecy Girl (Angel Academy, #1))
In every big-budget science fiction movie there's the moment when a spaceship as large as New York suddenly goes to light speed. A twanging noise like a wooden ruler being plucked over the edge of a desk, a dazzling refraction of light, and suddenly the stars have all been stretched out thin and it's gone. This was exactly like that, except that instead of a gleaming twelve-mile-long spaceship, it was an off-white twenty-year-old motor scooter. And you didn't have the special rainbow effects. And it probably wasn't going at more than two hundred miles an hour. And instead of a pulsing whine sliding up the octaves, it just went putputputputput ... VROOOOSH. But it was exactly like that anyway.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
What a life we live. Full of questions, adventures, stories, mistakes, good, quests, bad, miracles, lessons, people, blessings, journeys, inventions, music, animals, history, cultures, religions, prophecies, planets, stars, careers, movies, plants, hate, love, and so much more.
Jonathan Anthony Burkett
We could, you know, go out for hot dogs. Don’t worry—they’re not actually dogs. It’s just a name. They’re these meat things that you put on buns—that’s a kind of bread—and then you top them with other things and—”             “I know what a hot dog is,” interrupted Mark. “You do?” I asked, legitimately surprised. “How?” “We’re not that remote. We have TV and movies. Besides, I’ve left Siberia, you know. I’ve been to the U.S.” “Really? Did you try a hot dog?”             “No,” he said. “I was offered one … but it didn’t look that appetizing.”             “What!” I exclaimed. “Blasphemy. They’re delicious.”             “Aren’t they compressed animal parts?” he pushed.             “Well, yeah… I think so. But so is sausage.”             Mark shook his head. “I don’t know. Something’s just not right about a hot dog.”             “Not right? I think you mean so right.
Richelle Mead (Foretold: 14 Tales of Prophecy and Prediction)
Plus, I can't look at him the same since I ran into Mrs. Marino at our family reunion. It's not comforting to learn you've made out with your cousin." "Third cousin once removed," I argued. "It's hardly incest." "Life is like a box of chocolates, Lisa," Katie noted around a half-chewed carrot stick. "You never know what you're going to get." Lisa narrowed her eyes, confused. "Did she just quote Forrest Gump at me?" "It's Matt's fault," I said. "She lost a bet and now anytime his name gets mentioned, she has sixty seconds to drop a relevant movie quote." "That's insane." "Yup," Katie piped in, "insanity tuns in my family. Its practically gallops." "Classic." I high-fived her.
Cecily White (Prophecy Girl (Angel Academy, #1))
WILL THERE BE A MOVIE, THEN? Neil likes to think that one day maybe there will, and Terry is certain that it will never happen. In either case, neither of them will believe it until they’re actually eating popcorn at the premiere. And even then, probably not.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Now is the time of prophecy without death as a consequence the universe will ultimately disappear Hollywood will rot on the windmills of Eternity Hollywood whose movies stick in the throat of God Yes Hollywood will get what it deserves Time Seepage of nerve-gas over the radio History will make this poem prophetic and its awful silliness a hideous spiritual music I have the moan of doves and the feather of ecstasy Man cannot long endure the hunger of the cannibal abstract
Allen Ginsberg (Kaddish and Other Poems)
No wait, let me guess. You tell me I'm some kind of chosen one and in exchange for my soul or some such nonsense you will save my mom. There's probably a prophecy involved, and some danger, and you think your sexy charms will overcome all that and sway me to your way of thinking, yes? Sorry, dude. I've seen that movie." He
Karpov Kinrade (Vampire Girl (Vampire Girl, #1))
People only use this prophecy to sell books and movies in Hollywood. On the Mayan calendar, this day is the end of an age. In the end of the age, the prophecy says that the people will have ceased to live as human beings, and something big will happen, and the people will see each other again. I
Lisa Wingate (Never Say Never)
At any rate,’ he continued, ‘we hoped that once the war was over the Oracle might start working again. When it did not … Rachel became concerned.’ ‘Who’s Rachel?’ Meg asked. ‘Rachel Dare,’ I said. ‘The Oracle.’ ‘Thought the Oracle was a place.’ ‘It is.’ ‘Then Rachel is a place, and she stopped working?’ Had I still been a god, I would have turned her into a blue-belly lizard and released her into the wilderness never to be seen again. The thought soothed me. ‘The original Delphi was a place in Greece,’ I told her. ‘A cavern filled with volcanic fumes, where people would come to receive guidance from my priestess, the Pythia.’ ‘Pythia.’ Meg giggled. ‘That’s a funny word.’ ‘Yes. Ha-ha. So the Oracle is both a place and a person. When the Greek gods relocated to America back in … what was it, Chiron, 1860?’ Chiron see-sawed his hand. ‘More or less.’ ‘I brought the Oracle here to continue speaking prophecies on my behalf. The power has passed down from priestess to priestess over the years. Rachel Dare is the present Oracle.’ From the cookie platter, Meg plucked the only Oreo, which I had been hoping to have myself. ‘Mm-kay. Is it too late to watch that movie?’ ‘Yes,’ I snapped. ‘Now, the way I gained possession of the Oracle of Delphi in the first place was by killing this monster called Python who lived in the depths of the cavern.’ ‘A python like the snake,’ Meg said. ‘Yes and no. The snake species is named after Python the monster, who is also rather snaky, but who is much bigger and scarier and devours small girls who talk too much. At any rate, last August, while I was … indisposed, my ancient foe Python was released from Tartarus. He reclaimed the cave of Delphi. That’s why the Oracle stopped working.’ ‘But, if the Oracle is in America now, why does it matter if some snake monster takes over its old cave?’ That was about the longest sentence I had yet heard her speak. She’d probably done it just to spite me. ‘It’s too much to explain,’ I said. ‘You’ll just have to –’ ‘Meg.’ Chiron gave her one of his heroically tolerant smiles. ‘The original site of the Oracle is like the deepest taproot of a tree. The branches and leaves of prophecy may extend across the world, and Rachel Dare may be our loftiest branch, but if the taproot is strangled the whole tree is endangered. With Python back in residence at his old lair, the spirit of the Oracle has been completely blocked.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
This is a perfect example of how a control drama interferes,” he said. “You were so aloof you didn’t allow an important coincidence to take place.” I must have appeared defensive. “It’s all right,” he said, “everyone plays a drama of one kind or another. At least now you understand how yours works.” “I don’t understand!” I said. “What exactly am I doing?” “Your way of controlling people and situations,” he explained, “in order to get energy coming your way, is to create this drama in your mind during which you withdraw and look mysterious and secretive. You tell yourself that you’re being cautious but what you’re really doing is hoping someone will be pulled into this drama and will try to figure out what’s going on with you. When someone does, you remain vague, forcing them to struggle and dig and try to discern your true feelings. “As they do so, they give you their full attention and that sends their energy to you. The longer you can keep them interested and mystified, the more energy you receive. Unfortunately, when you play aloof, your life tends to evolve very slowly because you’re repeating this same scene over and over again. If you had opened up to Rolando, your life movie would have taken off in a new and meaningful direction.
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
Could it be that end-times prophecies had become a kind of biblical sci-fi movie to my friends, where explosions are all fake and the crowds all background actors and paid extras? Did they consider the Damascus prophecy as something that might happen to real people, like the devastating reality of September 11? How could they not be tormented by the very thought?
Lois Tverberg (Walking in the Dust of Rabbi Jesus: How the Jewish Words of Jesus Can Change Your Life)
We ordered in Chinese for dinner (we both had a fondness for MSG-laden sweet and sour pork), laughed at our fortune cookie prophecies, watched a movie, made love, and fell asleep beneath a single sheet in my queen bed, as LA was draped in a muggy heat wave.
Jeremy Bates (Mountain of the Dead (World's Scariest Places #5))
Dynamism occurs in two matrixes of sequence. I mean matrix in the same sense as in the movie The Matrix—an environment or context in which things happen. Water is the matrix of tea, meaning that tea happens in water. Cyberspace is the matrix of e-mail, meaning that e-mail happens in cyberspace. The matrix of sequence in space is time, meaning that everything that happens happens in time. The matrix of sequence outside of space is eternity. Many people think that eternity is infinite time, but that isn’t how the Bible describes it. Eternity is a separate matrix of sequence in that every point of time is present to every point of eternity. That is why prophecy is possible. God lives in eternity, and from every point of the dynamic matrix of eternity, all of time is present.
Ellis Potter (3 Theories of Everything)
We received this prophecy twenty years ago,” the Strategos said, like a professor beginning a history lesson. It was especially annoying since the daughter of Poseidon already stated that fact. “We have spent a couple of decades deciphering it and sussing out its meaning. We believe we cracked most of the code, but there was one crucial piece missing.” A knot forged in my stomach, and my breath caught in my throat. I knew where this was going. I had read my fairy tales and my epic fantasy movies. Anyone could have pegged where this was going. I shot up another prayer to my dad or to any god that was listening. Please don’t let it be me. Please don’t let them be talking about me. “We believe that missing piece…” the Strategos took a dramatic pause. A long enough one for him to sit back up and return to leaning on his elbows. The man looked me straight in the eye, but I refused to connect. I switched to looking at the top of his head. I did whatever I could to stall the inevitable, but the Strategos’s gruff voice finished his sentence and sealed my fate. “Is you.” “Fuck,” I muttered.
Simon Archer (Forge of the Gods (Forge of the Gods, #1))
Hey, babe. I just saw your sisters get chased off a cliff and plummet to their deaths. You want to catch a movie or something?
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
In 1964, just as the Beatles were launching their invasion of America’s airwaves, Marshall McLuhan published Understanding Media: The Extensions of Man and transformed himself from an obscure academic into a star. Oracular, gnomic, and mind-bending, the book was a perfect product of the sixties, that now-distant decade of acid trips and moon shots, inner and outer voyaging. Understanding Media was at heart a prophecy, and what it prophesied was the dissolution of the linear mind. McLuhan declared that the “electric media” of the twentieth century—telephone, radio, movies, television—were breaking the tyranny of text over our thoughts and senses.
Nicholas Carr (The Shallows: What the Internet Is Doing to Our Brains)
lack of usage restrictions to these astronauts was called “unprecedented” by The Verge, which explained that these privileges, in addition to facility use, included “filming commercials or movies against the backdrop of space . . . [and allowing] private companies to buy time
Thomas Horn (The Wormwood Prophecy: Nasa, Donald Trump, and a Cosmic Cover-Up of End-Time Proportions)