Proper Goodbye Quotes

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What a terrible thing it is to botch a farewell. I am a person who believes in form, in the harmony of order. Where we can, we must give things a meaningful shape. For example - I wonder - could you tell my jumbled story in exactly one hundred chapters, not one more, not one less? I'll tell you, that's one thing I have about my nickname, the way the number runs on forever. It's important in life to conclude things properly. Only then can you let go. Otherwise you are left with words you should have said but never did, and your heart is heavy with remorse. That bungled goodbye hurts me to this day. I wish so much that I'd had one last look at him in the lifeboat, that I'd provoked him a little, so that I was on his mind. I wish I had said to him then - yes, I know, to a tiger, but still - I wish I had said, "Richard Parker, it's over. We have survived. Can you believe it? I owe you more gratitude than I can express I couldn't have done it without you. I would like to say it formally: Richard Parker, thank you. Thank you for saving my life. And now go where you must. You have known the confined freedom of a zoo most of your life; now you will know the free confinement of a jungle. I wish you all the best with it. Watch out for Man. He is not your friend. But I hope you will remember me as a friend. I will never forget you , that is certain. You will always be with me, in my heart. What is that hiss? Ah, our boat has touched sand. So farewell, Richard Parker, farewell. God be with you.
Yann Martel (Life of Pi)
It's important in life to conclude things properly. Only then can you let go. Otherwise you are left with words you should have said but never did, and your heart is heavy with remorse. That bungled goodbye hurts me to this day.
Yann Martel (Life of Pi)
They say funerals are not for the dead but for the living. Those rites are what permit you to move on, so if you don’t deal with the remains, you can never deal with the memories. That might be true; we may have walked in their dust down on Venice Minor, but it’s not the same as a proper good-bye.
Ann Aguirre (Aftermath (Sirantha Jax, #5))
We can never make proper goodbyes. It was your last ride in a Checker cab and you had no warning. It was the last time you were going to have Lake Tung Ting shrimp in that kinda shady Chinese restaurant and you had no idea. If you had known, perhaps you would have stepped behind the counter and shaken everyone's hand, pulled out the disposable camera and issued posing instructions. But you had no idea. There are unheralded tipping points, a certain number of times that we will unlock the front door of an apartment. At some point you were closer to the last time than you were to the first time, and you didn't even know it. You didn't know that each time you passed the threshold you were saying goodbye.
Colson Whitehead (The Colossus of New York)
She wouldn't even get the chance to say a proper goodbye. If he died before she returned, her last memory of him would be this one.
Kayla Krantz (Blood Moon (Blood Moon Trilogy #1))
Saying good-bye properly afforded me a measure of peace. It was a binding of a different sort, absent of the earth's power, but still hard proof that there is magic yet in the world.
Kevin Hearne (Hammered (The Iron Druid Chronicles, #3))
Hildy has resigned herself to this, that life is a series of sudden disappearences, leavetakings without the proper good-byes. Someday she too might vanish. Some days she looks forward to learning this trick.
Kelly Link (Stranger Things Happen)
The person who continues to break your heart isn’t in a place to properly care for your heart.
Lysa TerKeurst (Good Boundaries and Goodbyes: Loving Others Without Losing the Best of Who You Are)
Later, though, I would wish I had stayed longer. Woken them up, held them close. Given them the chance to say a proper goodbye. But such things only occur to you in hindsight, framed by the before and after of everything you’ve endured; when it is still happening, all you care about is what lies ahead.
Ann Liang (A Song to Drown Rivers)
A proper southern goodbye can take hours.
Reese Witherspoon (Whiskey in a Teacup: What Growing Up in the South Taught Me About Life, Love, and Baking Biscuits)
If they want to send me to hell, I'm going to at least say a proper goodbye.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
A crematorium crisis: the coffin got stuck halfway in, so the oven door couldn’t close properly. The coffin caught fire and the smoke seeped into the chapel. The crematorium had to be evacuated. Anyone who hadn’t already been weeping emerged teary eyed. That’s what I call a spectacular way to say goodbye.
Hendrik Groen (The Secret Diary of Hendrik Groen, 83¼ Years Old)
Maybe Ruth thought we'd be spending hours talking about my future; maybe she thought she'd have a big influence on whether or not I changed my mind.But I kept a certain distance from her, just as I did from Tommy. We didn't really talk properly again at the Cottages, and before I knew it, I was saying my goodbyes
Kazuo Ishiguro (Never Let Me Go)
Elliot and I were more 'adult' about it all. We'd kiss hello and goodbye and we'd kiss as part of foreplay, but we wouldn't kiss just for the sake of it. not when we got together properly. I would love to snog Jack Britcham. I would love to inhale the smell of him, feast in the scent of him, become intoxicated by him. And of course there is nothing wrong with looking at him. I would love to run my fingers over the lines of his body, touch him and see if I could absorb him through the pads of my fingers, have him enter my bloodstream and race through my veins. I would love to taste him. See if he tastes as good as he looks. I don't know why he's got so far under my skin, but he has. And that's not a bad thing, I didn't think. It gives me something to look forward to, I suppose. Loved-up saddo
Dorothy Koomson (The Woman He Loved Before)
Going to miss this,” he said as he kissed my cheeks, my jaw, my eyelids. “The way you taste.” He set his lips to the hollow beneath my ear. “The way you smell.” His hands slid up my back. “The way you feel.” My breath hitched as his hips settled against mine. Then he drew back, searching my eyes. “I wanted more for you,” he said. “A white veil in your hair. Vows we could keep.” “A proper wedding night? Just tell me this isn’t goodbye. That’s the only vow I need.” “I love you, Alina.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
Private thoughts, feelings, and moments are the currency of relationships. Give them their proper value by sharing them exclusively with the people who share your trust and love. (Goodbye Phone)
Paul Greenberg
Tank: …I would have liked to say a proper goodbye. It’s not often that we’re in the same state. Bess: You might be surprised. But I couldn’t take the risk of waking you up. After all, you got me naked about four minutes after arriving in your room. So I have no idea what “a proper goodbye” might mean to you. Restraints, probably. And a safe word. Tank: That sounds about right. Next time, then.
Sarina Bowen (Sure Shot (Brooklyn, #4))
Then he drew back searching my eyes. "I wanted more for you," he said. "A white veil in your hair. Vows we could keep." "A proper wedding night? just tell me this isn't goodbye. That's the only vow in need." "I love you, Alina.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
Some goodness in this world is understood by the presence of the opposite. One will value light in the middle of darkness, and appreciate clemency by encountering savagery. Likewise, a meeting is properly indulged after having known the devastating account of goodbye.
Aishah Madadiy (Bits of Heaven)
What a terrible thing it is to botch a farewell. I am a person who believes in form, in the harmony of order. Where we can, we must give things a meaningful shape. For example - I wonder - could you tell my jumbled story in exactly one hundred chapters, not one more, not one less? I'll tell you, that's one thing I have about my nickname, the way the number runs on forever. It's important in life to conclude things properly. Only then can you let go. Otherwise you are left with words you should have said but never did, and your heart is heavy with remorse. That bungled goodbye hurts me to this day. I wish so much that I'd had one last look at him in the lifeboat, that I'd provoked him a little, so that I was on his mind. I wish I had said to him then - yes, I know, to a tiger, but still - I wish I had said, "Richard Parker, it's over. We have survived. Can you believe it? I owe you more gratitude than I can express I couldn't have done it without you.
Yann Martel (Life of Pi)
I'll tell you, that's one thing I hate about my nickname, the way the number runs on forever. It's important in life to conclude things properly. Only then can you let it go. Otherwise you are left with words you should have said, but never did, and your heart is heavy with remorse. That bungled goodbye hurts me to this day.
Yann Martel (Life of Pi)
I sometimes think we should go back to the old days, when there was proper courtship, when people walked out together for weeks and weeks before anything happened. At least then you know something about each other, you have some solid ground to put your feet on. We're all so impatient now, we just want to get to the main action.
Tania Kindersley (Goodbye, Johnny Thunders)
I’m not sure what to say about this book and this series and this piece of my soul. I’ve spent almost every day of the last eight years with Ty and Zane, and saying good-bye to them as this series comes to a close is bittersweet. My world will be an emptier place without them. Ty and Zane started their lives as a message between myself and my former cowriter. A message asking, “What should we do now?” “How about murder?” was my reply, and that was that. We wrote Cut & Run, and we finished it with enough content to fill two books, and in the end Ty and Zane walked off into the sunset, happy and in love. It didn’t feel right. After a day to let the ending settle, it was painfully obvious that this was not the proper end of the story. There was more to tell, and the rewrite began. A story arc formed—a tortuous, cruel story that would force Ty and Zane to work for their happy ending. It
Abigail Roux (Crash & Burn (Cut & Run, #9))
You don't have to say that," she insisted. "I mean - I'll understand, if you hate me." "I could never hate you, Bee. I just...I miss you." There was no reproach in Connor's words, only a weary, unflinching truth. "I miss you, too." she said, and meant it. Beatrice's tears were coming more freely now, but that wasn't surprising. Nothing in life hurt more than hurting the people you loved. Yet Beatrice knew she had to say all of this. She and Connor had loved each other too fiercely for her to let him go without a proper goodbye. "I am...forever changed by you," she added, her voice catching. "I gave you part of my heart a long time ago, and I've never gotten it back." "You don't need it back." His voice was rough with unshed tears. "I swear that I'll keep it safe. Everywhere I go, that part of you will come with me, and I will guard and treasure it. Always." A sob escaped her chest. She hurt for Connor and with Connor and because of Connor, all at once. This wasn't how breakups were meant to go. In the movies they always seemed so hateful, with people yelling and throwing things at each other. They weren't meant to be like this, tender and gentle and full of heartache. "Okay," she replied, through her tears. "That part of my heart is yours to keep." Connor stepped back, loosening his hand from hers, and Beatrice felt the thread between them pull taut and finally snap. She imagined that she could hear it - a crisp sort of sound, like the stem of a rose being snapped in two. Her body felt strangely sore, or maybe it was her heart that felt sore, recognizing the parts of it that she had given away, forever. "You're such an amazing person, Connor. I hope you find someone who deserves you." Again he attempted a crooked smile. "It won't be easy on her, trying to live up to the queen. For a small person, you cast quite the shadow," he said, and then his features grew serious once more. "Bee - if you ever need me, I'll be there for you. You know that, right?" She swallowed against a lump in her throat. "The same promise holds for me, too. I'm always here if you need me." As she spoke, the steel panel began to lift back into the ceiling. Beatrice straightened her shoulders beneath the cool silk of the gown, drew in a breath. Somehow she managed to gather up the tattered shreds of her self-control, as if she wasn't a young woman who'd just said goodbye to her first love - to her best friend. As of she wasn't a young woman at all, but a queen.
Katharine McGee (American Royals II: Majesty)
About sixty thousand different thoughts are said to go through a person’s mind over the course of a day. Ninety-five percent of that is made up of the same things we’d been thinking about the day before, and 80 percent of those thoughts are believed to be negative. In my days as a maximalist, I lived in fear of my future, constantly worrying about my career and how others saw me. Forget about that 80 percent I mentioned a moment earlier—practically all my thoughts were negative. So, how do you make a slow computer like that work properly? Since our fifty-thousand-year-old hardware isn’t going to change, we need to get rid of the extra load that isn’t needed. Rather than trying to add more and more, running out of disk space and exhausting ourselves in the process, I think it’s time we started thinking about subtracting and refining to enhance the truly important things that might be buried deep down underneath all that excess.
Fumio Sasaki (Goodbye, Things: The New Japanese Minimalism)
Amy was on the point of crying, but Laurie slyly pulled the parrot's tail, which caused Polly to utter an astonished croak and call out, "Bless my boots!" in such a funny way, that she laughed instead. "What do you hear from your mother?" asked the old lady gruffly. "Father is much better," replied Jo, trying to keep sober. "Oh, is he? Well, that won't last long, I fancy. March never had any stamina," was the cheerful reply. "Ha, ha! Never say die, take a pinch of snuff, goodbye, goodbye!" squalled Polly, dancing on her perch, and clawing at the old lady's cap as Laurie tweaked him in the rear. "Hold your tongue, you disrespectful old bird! And, Jo, you'd better go at once. It isn't proper to be gadding about so late with a rattlepated boy like . . ." "Hold your tongue, you disrespectful old bird!" cried Polly, tumbling off the chair with a bounce, and running to peck the `rattlepated' boy, who was shaking with laughter at the last speech.
Louisa May Alcott (Little Women)
Do those things, god damnit, because nothing sucks worse than a girl who reads. Do it, I say, because a life in purgatory is better than a life in hell. Do it, because a girl who reads possesses a vocabulary that can describe that amorphous discontent as a life unfulfilled—a vocabulary that parses the innate beauty of the world and makes it an accessible necessity instead of an alien wonder. A girl who reads lays claim to a vocabulary that distinguishes between the specious and soulless rhetoric of someone who cannot love her, and the inarticulate desperation of someone who loves her too much. A vocabulary, god damnit, that makes my vacuous sophistry a cheap trick. Do it, because a girl who reads understands syntax. Literature has taught her that moments of tenderness come in sporadic but knowable intervals. A girl who reads knows that life is not planar; she knows, and rightly demands, that the ebb comes along with the flow of disappointment. A girl who has read up on her syntax senses the irregular pauses—the hesitation of breath—endemic to a lie. A girl who reads perceives the difference between a parenthetical moment of anger and the entrenched habits of someone whose bitter cynicism will run on, run on well past any point of reason, or purpose, run on far after she has packed a suitcase and said a reluctant goodbye and she has decided that I am an ellipsis and not a period and run on and run on. Syntax that knows the rhythm and cadence of a life well lived. Date a girl who doesn’t read because the girl who reads knows the importance of plot. She can trace out the demarcations of a prologue and the sharp ridges of a climax. She feels them in her skin. The girl who reads will be patient with an intermission and expedite a denouement. But of all things, the girl who reads knows most the ineluctable significance of an end. She is comfortable with them. She has bid farewell to a thousand heroes with only a twinge of sadness. Don’t date a girl who reads because girls who read are the storytellers. You with the Joyce, you with the Nabokov, you with the Woolf. You there in the library, on the platform of the metro, you in the corner of the café, you in the window of your room. You, who make my life so god damned difficult. The girl who reads has spun out the account of her life and it is bursting with meaning. She insists that her narratives are rich, her supporting cast colorful, and her typeface bold. You, the girl who reads, make me want to be everything that I am not. But I am weak and I will fail you, because you have dreamed, properly, of someone who is better than I am. You will not accept the life that I told of at the beginning of this piece. You will accept nothing less than passion, and perfection, and a life worthy of being storied. So out with you, girl who reads. Take the next southbound train and take your Hemingway with you. I hate you. I really, really, really hate you.
Charles Warnke
He was kind—unnaturally kind, for someone of his upbringing. He had a heart, she realized, and a conscience. He was different from the others. Timidly, almost clumsily, the assassin strode over to the Crown Prince and kissed him on the cheek. His skin was surprisingly hot, and she wondered if she’d kissed him properly as she pulled away and found his eyes bright and wide. Had she been sloppy? Too wet? Were her lips sticky from the candy? She hoped he wouldn’t wipe his cheek. “I’m sorry I don’t have a present for you,” she said. “I—er, I didn’t expect you to.” He blushed madly and glanced at the clock. “I have to go. I’ll see you at the ceremony—or perhaps tonight after the ball? I’ll try to get away as early as I can. Though I bet that without you there, Nehemia will probably do the same—so it won’t look so bad if I leave early, too.” She’d never seen him babble like this. “Enjoy yourself,” she said as he took a step back and almost crashed into the table. “I’ll see you tonight, then,” he said. “After the ball.” She hid her smile behind a hand. Had her kiss thrown him into such a tizzy? “Good-bye, Celaena.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Above the list of children she read: Mister Jackson Henry Clark married Miss Julienne Maria Jacques, June 12, 1933. Not until that moment had she known her parents’ proper names. She sat there for a few minutes with the Bible open on the table. Her family before her. Time ensures children never know their parents young. Kya would never see the handsome Jake swagger into an Asheville soda fountain in early 1930, where he spotted Maria Jacques, a beauty with black curls and red lips, visiting from New Orleans. Over a milkshake he told her his family owned a plantation and that after high school he’d study to be a lawyer and live in a columned mansion. But when the Depression deepened, the bank auctioned the land out from under the Clarks’ feet, and his father took Jake from school. They moved down the road to a small pine cabin that once, not so long ago really, had been occupied by slaves. Jake worked the tobacco fields, stacking leaves with black men and women, babies strapped on their backs with colorful shawls. One night two years later, without saying good-bye, Jake left before dawn, taking with him as many fine clothes and family treasures—including his great-grandfather’s gold pocket watch and his grandmother’s diamond ring—as he could carry. He hitchhiked to New Orleans and found Maria living with her family in an elegant home near the waterfront. They were descendants of a French merchant, owners of a shoe factory. Jake pawned the heirlooms and entertained her in fine restaurants hung with red velvet curtains, telling her that he would buy her that columned mansion. As he knelt under a magnolia tree, she agreed to marry him, and they wed in 1933 in a small church ceremony, her family standing silent.
Delia Owens (Where the Crawdads Sing)
I should say goodbye to him in the lounge, perhaps, before we left. A furtive, scrambled farewell, because of her, and there would be a pause, and a smile, and words like 'Yes, of course, do write', and 'I've never thanked you properly for being so kind', and 'You must forward those snapshots', 'What about your address?' 'Well, I'll have to let you know". And he would light a cigarette casually, asking a passing waiter for a light, while I thought, 'Four and a half more minutes to go. I shall never see him again.' Because I was going, because it was over, there would suddenly be nothing more to say, we would be strangers, meeting for the last and only time, while my mind clamoured painfully, crying 'I love you so much. I'm terribly unhappy. This has never come to me before, and never will again.' My face would be set in a prim, conventional smile, my voice would be saying, 'Look at that funny old man over there; I wonder who he is; he must be new here.' And we would waste the last moments laughing at a stranger, because we were already strangers to one another. 'I hope the snapshots come out well,' repeating oneself in desperation, and he 'Yes, that one of the square ought to be good; the light was just right.' Having both of us gone into all that at the time, having agreed upon it, and anyway I would not care if the result was fogged and black, because this was the last moment, the final goodbye had been attained. 'Well,' my dreadful smile stretching across my face, 'thanks most awfully once again, it's been so ripping..." using words I had never used before. Ripping: what did it mean? - God knows, I did not care; it was the sort of word that schoolgirls had for hockey, wildly inappropriate to those past weeks of misery and exultation. Then the doors of the lift would open upon Mrs Van Hopper and I would cross the lounge to meet her, and he would stroll back again to his corner and pick up a paper.
Daphne du Maurier (Rebecca)