Prom Girl Quotes

We've searched our database for all the quotes and captions related to Prom Girl. Here they are! All 100 of them:

If all the girls attending [the Yale prom] were laid end to end, I wouldn't be at all surprised.
Dorothy Parker (While Rome Burns)
I once gave a girl a bloody fake ear in a Tiffany jewelry box with a letter that said, “will you Gogh to prom with me?
Matthew Gray Gubler
Says the girl dressed up in formal Goth mourning," Shane said. "Seriously, who buys a black lace veil? You keep that on hand for special occasions, like prom and kid's birthdays?
Rachel Caine (Last Breath (The Morganville Vampires, #11))
Maybe wrist corsages cut off circulation to the brain? I mean, is that why so many girls do stupid things on prom night? I was really going to have to investigate this further, I decided
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
My major vice is sarcasm with a side of caffeine addiction.
Rosemary Clement-Moore (Prom Dates from Hell (Maggie Quinn: Girl Vs. Evil, #1))
It is a truth universally acknowledged, that a single girl of high standing at Longbourn Academy must be in want of a prom date.
Elizabeth Eulberg (Prom & Prejudice)
Remember. Make him cry uncle. Cry uncle, my posterior. I'm going to make him cry like a girl who broke her mom's designer heels at the prom.
Sherrilyn Kenyon (Illusion (Chronicles of Nick, #5))
Thinking, not for the first time, that life should come with a trapdoor. Just a little exit hatch you could disappear through when you´d utterly and completely mortified yourself. Or when you had spontaneous zit eruptions. “Good book?” he asked, taking it from her and reading the subtitle, “A Guide for Good Girls Who (Sometimes) Want to Be Bad,” out loud. But life did not come with a trapdoor.
Michele Jaffe (Prom Nights from Hell)
Once upon a time there was an eighteen-year-old girl who dragged her butt out of bed and hauled it all the way to school on a sunny day in May.
Laurie Halse Anderson
Foxy girls know that silence may be golden-but only for four seconds. Anything longer and you're heading for Awkward Avenue.
Meg Cabot (Prom Nights from Hell)
I don’t know. Word around the girls’ locker room is that all of you are so hard up, you were cruising the senior center, trying to find a prom date.” – Nick
Sherrilyn Kenyon (Invincible (Chronicles of Nick, #2))
They mean hot like 'I'm too good for you I got my own money don't be frontin' me.' You're more like 'Be my boyfriend I'll make you cookies come meet my dad ' know what I mean
Laurie Halse Anderson (Prom)
Death is a lot like prom - loud, overdone, and although the guy you came with was cool, you never know who'll end up taking you home.
Cecily White (Prophecy Girl (Angel Academy, #1))
Even as zombies, ridiculous prom gowns were the downfall of teenage girls, crippling them at the knees.
G.G. Silverman (Vegan Teenage Zombie Huntress (The Redvale Zombie Prom Series))
You look incredible, Kavanagh,” Quinn whispered close to my ear. “Are you trying to kill me?” “Ssshhh,” I hissed. “They’re going to hear you.” “I can’t tell my date she’s beautiful?” I turned my head. “No. No, you can’t.
Laura Anderson Kurk (Perfect Glass)
Jesse, who had not stirred the whole time from the spot he'd been standing, confident I could handle Cheryl myself, was grinning. "It's every girl's dream to guy to go to prom with the guy she loves?" he echoed, not just one, but both inky black eyebrows raised. "Don't start with me," I said. I tried to hide my suddenly flaming cheeks by scraping away what was left of the cannolis, and replacing them with the contents of an upended bag of chocolate chip cookies. "I have things to do.
Meg Cabot
If your last words are somehow meant to encapsulate your entire existence, Liz finds um strangely appropriate. Um means nothing. Um is what you say while you're thinking of what you'll really say. Um suggests someone interrupted before they'd begun. Um is a fifteen-year-old girl who gets hit by a taxicab in front of a mall on the way to help pick out a prom dress for a prom she isn't even going to, for God's sake.
Gabrielle Zevin (Elsewhere)
jenna had felt sexy-funny, like lucille ball with flour streaks on her face, a crumb-covered apron that didn't exactly flatter her, and yet nick had kissed her like a prom king falling for the reinvented girl in a movie.
Emily Franklin (The Girls' Almanac)
Mean girls die young, sweetie. Take my word for it.
Lena Brown
It's different for guys. They don't feel the same way about proms that girls do. Girls see it as a chance to feel like a princess. Guys see it as a chance to have sex.
Robyn Carr (My Kind of Christmas (Virgin River, #18))
I end up watching this movie about some girl who's supposed to be so smart and edgy and unpopular. She wears glasses, that's how you know she's so smart. And she's the only one that has dark hair in the school- a place that looks like Planet Blond. Anyway, she somehow ends up going to the prom- hello, gag- and she doesn't wear her glasses, so suddenly she's all beautiful. And she's bashful and shy because she doesn't feel comfortable wearing a dress. But then the guy says something like, "Wow, I never knew you were so pretty," and she feels on top of the world. So, basically, the whole point is she's pretty. Oh, and smart, too. But what's really important here is that she's pretty. For a second I think about Katie. About her thin little Clarissa Le Fey. It must be a pain being fat. There are NO fat people on Planet Blond. I don't get it. I mean, even movies where the actress is smart- like they seem like they'd be smart in real life, they're all gorgeous. And they usually get a boyfriend somewhere in the story. Even if they say they don't want one. They always, always end up falling in love, and you're supposed to be like, "Oh, good." I once said this to my mom, and she laughed. "Honey, Hollywood... reality- two different universes. Don't make yourself crazy." Which made me feel pretty pathetic. Like I didn't know the difference between a movie and the real world. But then when everyone gets on you about your hair and your clothes and your this and your that, and "Are you fat?" and "Are you sexy?" you start thinking, Hey, maybe I'm not the only one who can't tell the difference between movies and reality. Maybe everyone really does think you can look like that. And that you should look like that. Because, you know, otherwise you might not get to go to the prom and fall in love.
Mariah Fredericks (Head Games)
Guys like you don't usually talk to girls like me. Girls like me don't get invited to prom. Guys don't make fools of themselves for girls like me. Girls like me are ignored. Invisible. But I'm not a girl anymore. I'm a woman. Thanks for reminding me.
Olivia Cunning (Touch Me (One Night with Sole Regret, #4))
My life was awful. When I was a kid, I was fat, pretty ugly and had awful hair. I used to get teased every fucking day, slammed up against lockers, punched in the face - you name it. Hell, I had to go to prom with one of my female friends because I couldn’t even get a proper date. I can’t even look back at those photos because I look so bad. I transferred schools, but the teasing just got worse. After an, let’s say, ‘incident’ I had with the school play the bullying just got worse. But I made it through high school, only to find out that real life was pretty much the same. I just stayed in my dark room all day and didn’t talk to anyone. I didn’t go outside. I just stayed inside and drew. I’d draw vampires, mummies, heroes, villains. Anything to help me escape all the bad in the world. I went to art school and didn’t really belong. All I could draw was comic book characters. I tried to put my only good talent to use by drawing a cartoon and pitching it - only to have it turned down. Life to me was just pointless. I started drinking, doing drugs and just generally wasting my life drawing.
Then one day, I saw bodies falling from the sky. I witnessed people dying. And that’s when I decided to turn my life around. I called up anyone I knew who had an instrument and we formed a band. Being on tour for the first few years was bad. All we’d do is get drunk and do drugs, but I loved it. Because I was doing something I loved with people I loved. And a few years ago I met the most perfect woman ever. It’s like we share a wave-link or something. She just knows me without even knowing me, if you understand. And now, 2011, I have a beautiful baby girl, a caring wife and I get to perform for my adoring fans everyday. I am living proof that no matter how bad it gets, it gets better. I am Gerard Way, and I survived.
Gerard Way
Lainey is hot in a prom queen kind of way and we used to be friends back in grade school, but that was two lifetimes ago. Now she’s a varsity soccer player and card-carrying popular girl who hangs out with the kind of mean girls and douchebags who get killed first in horror movies.
Paula Stokes (Infinite Repeat (The Art of Lainey, #0.5))
I don’t believe in any actual thinking God that marks the fall of every bird in Australia or every bug in India, a God that records all our sins in a big golden book and judges us when we die—I don’t want to believe in a God who would deliberately create bad people and then deliberately send them to roast in a hell He created—but I believe there has to be something. Yeah, something. Some kind of insensate force for the good … I think there’s a force that keeps drunken teenagers—most drunken teenagers—from crashing their cars when they’re coming home from the senior prom or their first big rock concert.That keeps most planes from crashing even when something goes wrong. Not all, just most. Hey, the fact that no one’s used a nuclear weapon on actual living people since 1945 suggests that there has to be something on our side. Sooner or later someone will, of course, but over a half a century … that’s a long time. There’s something that keeps most of us from dying in our sleep. No perfect loving all-seeing God, I don’t think the evidence supports that, but a force.
Stephen King (The Girl Who Loved Tom Gordon)
I’ve been out with enough girls to know what I want. I know. You and me together? We’re not the same plain vanilla let’s-date-while-we’re-in-high-school, let’s-go-to-prom, let’s-promise-we’ll-talk-in-college relationship. We’re more like those fireworks on the Fourth of July that keep exploding with new bursts every time they’re done. Before we know it, we’ll be in rocking chairs side by side on the porch, holding hands and watching a houseful of great grandchildren chasing blue ghost fireflies on the lawn.
Martina Boone (Persuasion (The Heirs of Watson Island, #2))
Is Lisa going to the prom?" I shelved my worries for the moment. "I don't know, Mom. We don't talk about the You-Know-What. We made a pact." "You could go together, if you didn't want to mess with dates and things." "I don't want to mess with the prom at all, Mom." She ignored me, placidly eating popcorn, piece by piece. "Some girls in my high school class did that and had a wonderful time. They weren't lesbians or anything. Not that it would matter if they were." "That's nice, Mom. I'm glad you're so open-minded." I grabbed my Coke and the popcorn bowl and headed for the stairs, because I could go my whole life without ever hearing my mother talk about lesbians again. "Maybe you could take Justin to the prom," she called after me, laughter in her voice. "He is such a hottie." Shoot me now.
Rosemary Clement-Moore (Prom Dates from Hell (Maggie Quinn: Girl Vs. Evil, #1))
I liked my face. Ethan liked my face. A lot of people liked my face. Besides, makeup was really just glorified face paint.
D.A. Paul (Boost (A Haunted Addiction, #1))
I felt bad for the girls in my school, who flocked to prom like it was the second coming of Christ, complete with double-rainbows and unicorns.
G.G. Silverman (Vegan Teenage Zombie Huntress (The Redvale Zombie Prom Series))
You wouldn't know how to punch the right buttons on a girl if we came with manuals.
Elizabeth Eulberg (Prom & Prejudice)
Her parents are the ones who sold the prom dress,” I say. “Sometimes you need the money more than you need to live with yourself.
Grady Hendrix (The Final Girl Support Group)
In one universe, they are gorgeous, straight-teethed, long-legged, wrapped in designer fashions, and given sport cars on their sixteenth birthdays, Teachers smile at them and grade them on the curve. They know the first names of the staff. They are the pride of the school. In Universe #2, they throw parties wild enough to attract college students. They worship stink of Eau de Jocque. They rent beach houses in Cancun during Spring Break and get group-rate abortions before the prom. But they are so cute. And they cheer on our boys, inciting them to violence and, we hope, victory. They’re are our role models- the Girls Who Have It All. I bet none of them ever stutter or screw up or feel like their brains are dissolving into marshmallow fluff.
Laurie Halse Anderson (Speak)
But confidence bred confidence, that’s what her dad had always told her back in the days when she’d been a skinny, flat-chested nerd girl with a boy-intimidating vocabulary and no hope of being asked to the prom.
Megan Hart (Every Part of You: Resists Me (Every Part of You, #2))
The message couldn't have been clearer: women may rise to the top, but they must seem as though they don't care whether they win or lose. Nice girls care only about being nice. They win only by accident or by someone else's efforts.
Susan Shapiro Barash (Tripping the Prom Queen: The Truth About Women and Rivalry)
women all over the world envy what they perceive as the “prettier” girl—the prom queen, cheerleader, movie star—whom they view as capable of stealing away male interest and therefore frustrating their own chances for well-funded reproductive success.
Phyllis Chesler (Woman's Inhumanity to Woman)
So that's how we end up helping Aviva pick out a male escort. Even Darcy is impressed with Eugene's organization; each profile in the boy binder has two pictures, a head shot and a full-body shot, and lists essential information: age, school, height, weight, extracurriculars, hobbies, and dance ability (which ranges from "occasional Dance Dance Revolution participation" to "so good he could back up the Biebs").
Flynn Meaney (The Boy Recession)
I had seen Vi—Levi—leave for dates and go to prom with other girls and I was always completely fine! There were always twinges of jealousy, but I brushed it off as protectiveness for my best friend. But I had never seen him kiss anyone before. That…that felt wrong—intrusive actually.
Liana Cincotti (Picking Daisies on Sundays (Picking Daisies on Sundays, #1))
But sometimes I think what the church needs most is to recover some of its weird. There’s no sense in sending her through the makeover montage of the chick flick when she’ll always be the strange, awkward girl who only gets invited to prom on a dare. In the ritual of baptism, our ancestors acted out the bizarre truth of the Christian identity: We are people who stand totally exposed before evil and death and declare them powerless against love. There’s nothing normal about that.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
Come on, guys,” I said, laughing. “What? Did you think he was going to ask me to the prom?” I teased. “Or, hey, Mom’s burning macaroni and cheese for supper Sunday night; maybe he can come over and she can tell him about the time she jumped off a ninety-story balcony in Hong Kong with a parachute she made out of pillowcases.
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
Anna Banks (Of Triton (The Syrena Legacy, #2))
I read the following: Three local girls arrested in connection with area-wide drug-distribution ring, caught en route to the Collinsville South High Prom. "Your mother thinks we'll have news crews camped on our lawn," He said. I was less concerned about that and more concerned that it was now forever in black and white that we had been dateless for the prom.
Lisa Burstein (Pretty Amy (Pretty Amy, #1))
Girls, to her mind, suffered an agony of suspense and an embarrassing passivity during prom season.
Nora Roberts
Maybe wrist corsages cut off circulation to the brain? I mean, is that why so many girls do stupid things on prom night? I
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
What’s all about me?” I mean, I could understand the prom and the dress all seemed so important for the girl. “My life.” It was simply how it was for Gaze.
Debra Anastasia (Drowning in Stars)
Guess I’ll never find out what happened between me and Rick Springfield at my senior prom on the moon. Which sucks, because we were just grinding on a zero gravity dance floor, and he was telling me that I was way cuter than Jessie’s girl.
Anna Mitchael (Copygirl)
So they were going to put me in a jail cell. I wondered if this body was strong enough to bend bars. If they were only going to keep me in there a night, that shouldn’t be a big deal. I could wait a night. Then, whenever they took me away, I’d just run. I wouldn’t have to stop. I’d be halfway across the country before they got out of the state. But in the middle of my scheming, I heard Akinli’s voice. “What if she stayed here with us?” he asked. I couldn’t see it, but the silence let me know they were all staring at him. “Dude, the cop just told you the girl could be nuts. Yeah, why don’t we just let a psycho move in? Great idea.” Ben had the same strange sarcasm as Akinli. “Ben, are you seriously telling me you’re scared of a girl in a prom dress who can barely walk and can’t speak. Ohhhh, she’s sooo dangerous.” Yes, they were definitely related. I smiled to myself. I was dangerous, but I was glad Akinli didn’t see me that way. He paused for a moment. “Besides, I carried her here, and she was trembling. She’s scared. I think something bad happened to her, and I don’t think she should be put in a jail cell after whatever she went through.” Had I really trembled? I didn’t know I could do that.
Kiera Cass (The Siren)
But sometimes I think what the church needs most is to recover some of its weird. There’s no sense in sending her through the makeover montage of the chick flick when she’ll always be the strange, awkward girl who only gets invited to prom on a dare. In
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
It’s the moment when the girl in the teen rom-com abandons her glasses and ponytail and descends the stairs in all her prom-ready glory. It’s the moment when her high school crush finally sees her for the beautiful twenty-six-year-old actress that she is.
Alexis Daria (Only Santas in the Building (Under the Mistletoe Collection, #5))
Kylee laughed. "Nothing with you is normal. But speaking of abnormal, I saw this movie where these two girls liked the same boy, and one girl was a werewolf, and the other was a dragon, although she didn't know it yet, and it turned out the boy was a killer of, like, magical creatures, so both girls died and he took the head cheerleader to prom." "That sounds like a stupid movie," I said. "It actually was. But the boy had this shirt off a lot. I guess hunting magical creatures is great for stomach muscles.
Lindsey Leavitt (A Farewell to Charms (Princess for Hire, #3))
One day, an unusually exciting event interrupted the rhythm of our regular middle-class teenage lives. A Russian woman, the mother of a girl in our class, was run over by a New York City bound train right in the center of town. Our classmate left school in the middle of the semester. The gossip was that the woman must have thrown herself under the train. The adults whispered about reasons, usual ones, but my friends and I were too busy planning what to wear to the prom to wonder about the savagery of adult passion.
Inna Swinton (The Many Loves of Mila (Mila in America))
Camera shows a girl reach to spin it; it stops on a boy, and instead of kissing him, she says those three words:'Truth or Dare?' It wasn't Shakespeare, but it did the trick. The boy was Rodney,#58, wide receiver, and picked dare because you need at least two brain cells to rub together to choose truth.
Shukyou (This Year's Prom King)
Imagine if all girls called a moratorium on cool. How amazing would it be for women to stop demeaning themselves with morose jerks and actually demand decent guys. Maybe the best tip is this: Treat every day as though you’re preparing for the prom. If it doesn’t meet your expectations, make other plans. I’m free most weekends.
Greg Gutfeld (Not Cool: The Hipster Elite and Their War on You)
It is well known that women carry poison in their pockets. Did you expect a gun? A woman with a gun would be just another policeman. We fall in love with the convicts, remember that. Policemen marry girls from the neighborhood, high school looms over their unions, the first uniform is her prom dress and his black bow tie and white shirt. But the girls are thinking of poison, thinking of poison as the lights go out on the dresser where the revolver has been placed with care for the night. The black shoes, the fine, thick serge of the coat, shoulders and thighs of stallions. And the policemen are usually shot down by someone out of shape, thin, thin, nothing but living bones. Remember that.
Elizabeth Hardwick
I never got to take you to the prom. You went with Henry Featherstone. And you wore a peach-colored dress.” “How could you possibly know that?” Callie asked. “Because I saw you walk in with him.” “You didn’t know I was alive in high school,” Callie scoffed. “You had algebra first period, across the hall from my trig class. You ate a sack lunch with the same three girls every day, Lou Ann, Becky and Robbie Sue. You spent your free period in the library reading Hemingway and Steinbeck. And you went straight home after school without doing any extracurricular activities, except on Thursdays. For some reason, on Thursdays you showed up at football practice. Why was that, Callie?” Callie was confused. How could Trace possibly know so much about her activities in high school? They hadn’t even met until she showed up at the University of Texas campus. “I don’t understand,” she said. “You haven’t answered my question. Why did you come to football practice on Thursdays?” “Because that was the day I did the grocery shopping, and I didn’t have to be home until later.” “Why were you there, Calllie?” Callie stared into his eyes, afraid to admit the truth. But what difference could it possibly make now? She swallowed hard and said, “I was there to see you.” He gave a sigh of satisfaction. “I hoped that was it. But I never knew for sure.” Callie’s brow furrowed. “You wanted me to notice you?” “I noticed you. Couldn’t you feel my eyes on you? Didn’t you ever sense the force of my boyish lust? I had it bad for you my senior year. I couldn’t walk past you in the hall without needing to hold my books in my lap when I saw down in the next class.” “You’re kidding, right?” Trace chuckled. “I wish I were.” “Then it wasn’t an accident, our meeting like that at UT?” “That’s the miracle of it,” Trace said. “It was entirely by accident. Fate. Kisma. Karma. Whatever you want to call it.
Joan Johnston (The Cowboy (Bitter Creek #1))
Say you're bored. Or you can't sleep. Maybe your mom is yelling at you, or the boy/ girl you like doesn't like you back in the same way, or you're too fat to even consider going to prom. Or the closet person to you since you were babies in the cradle together has killed herself. The usual stuff. Dread not. Don't be depressed. Be a junkie! You can't count on people to nurture you through the trauma that is existence. But you already knew that. Start by drawing the shades in your bedroom. Welcome the darkness. Lift the pill from your nightstand, clutch the water glass in your hand. Offer your divine thanks in advance. Be greedy-swallow the pill whole rather than spit it in half to spread the wealth for a later date. Dilution is wasteful. Savor the wholesome wholeness. Now lay down in bed. Close your eyes. Wait. Just a little longer.
Rachel Cohn (You Know Where to Find Me)
Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late." "Always," Josh corrects. "Always running late." I clear my throat. "I think I met him last night. In the hallway." "Good hair and an English accent?" Meredith asks. "Um.Yeah.I guess." I try to keep my voice casual. Josh smirks. "Everyone's in luuurve with St. Clair." "Oh,shut up," Meredith says. "I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend. He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it." "This school has a prom?" I ask. "God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes." "Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead." "St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug. "No kiss? I'm crushed,mate." "Thought it might miff the ol' ball and chain. She doesn't know about us yet." "Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often. Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me. "Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race. Josh must be right. Every girl in school must be in love with him. "Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban." I'm determined to speak rationally in his presence. "I'm not sure how to order." "Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood." "I heard they raised it to three pints this year," Rashmi says. "Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe." "I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language." "You don't speak French?" Meredith asks. "I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris." "It's okay," Meredith says quickly. "A lot of people here don't speak French." "But most of them do," Josh adds. "But most of them not very well." Rashmi looks pointedly at him. "You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit." "Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk." I glance at the chalkboard again. It's still in French. "And, um, until then?" "Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Rumbling freedom is scary because at first it feels like chaos. Pronouns and bathrooms and girls taking girls to prom, oh my! But “progress” is just perpetually undoing our no-longer-true-enough systems in order to create new ones that more closely fit people as they really are. People aren’t changing, after all. It’s just that for the first time, there’s enough freedom for people to stop changing who they are. Progress is the acknowledgment of what is and what has always been. Progress is always a returning.
Glennon Doyle (Untamed)
The phrase was so simple and for most women, so generic. Any other female would have laughed off such a question from a boy she had no interest in. But in my case, it was a landmark moment in my life. Number 23 had gone where no other man had gone before. Until then, my history with men had been volatile. Instead of a boyfriend or even a drunken prom date, my virginity was forfeited to a very disturbed, grown man while I was unconscious on a bathroom floor. The remnants of what could be considered high school relationships were blurry and drug infused. Even the one long-lasting courtship I held with Number 3 went without traditional dating rituals like Valentine’s Day, birthdays, anniversary gifts, or even dinner. Into young adulthood, I was never the girl who men asked on dates. I was asked on many fucks. I was a pair of tits to cum on, a mouth to force a cock down, and even a playmate to spice up a marriage. At twenty-four, I had slept with twenty-two men, gotten lustfully heated with countless more, but had never once been given flowers. With less than a handful of dates in my past, romance was something I accepted as not being in the cards for me. My personality was too strong, my language too foul, and my opinions too outspoken. No, I was not the girl who got asked out on dates and though that made me sad at times, I buried myself too deeply in productivity to dwell on it. But, that day, Number 23 sparked a fuse. That question showed a glimmer of a simplistic sweetness that men never gave me. Suddenly he went from being some Army kid to the boyfriend I never had.
Maggie Georgiana Young (Just Another Number)
We walk inside, and I stop short. Our booth, the one we always sit in, has pale pink balloons tied around it. There’s a round cake in the center of the table, tons of candles, pink frosting with sprinkles and Happy Birthday, Lara Jean scrawled in white frosting. Suddenly I see people’s heads pop up from under the booths and from behind menus--all of our friends, still in their prom finery: Lucas, Gabe, Gabe’s date Keisha, Darrell, Pammy, Chris. “Surprise!” everyone screams. I spin around. “Oh my God, Peter!” He’s still grinning. He looks at his watch. “It’s midnight. Happy birthday, Lara Jean.” I leap up and hug him. “This is just exactly what I wanted to do on my prom night birthday and I didn’t even know it.” Then I let go of him and run over to the booth. Everyone gets out and hugs me. “I didn’t even know people knew it was my birthday tomorrow! I mean today!” I say. “Of course we knew it was your birthday,” Lucas says. Darrell says, “My boy’s been planning this for weeks.” “It was so endearing,” Pammy says. “We called me to ask what kind of pan he should use for the cake.” Chris says, “He called me, too. I was like, how the hell should I know?” “And you!” I hit Chris on the arm. “I thought you were leaving to go clubbing!” “I still might after I steal some fries. My night’s just getting started, babe.” She pulls me in for a hug and gives me a kiss on the cheek. “Happy birthday, girl.” I turn to Peter and say, “I can’t believe you did this.” “I baked that cake myself,” he brags. “Box, but still.” He takes off his jacket and pulls a lighter out of his jacket pocket and starts lighting the candles. Gabe pulls out a lit candle and helps him. Then Peter hops his butt on the table and sits down, his legs hanging off the edge. “Come on.” I look around. “Um…” That’s when I hear the opening notes of “If You Were Here” by the Thompson Twins. My hands fly to my cheeks. I can’t believe it. Peter’s recreating the end scene from Sixteen Candles, when Molly Ringwald and Jake Ryan sit on a table with a birthday cake in between them. When we watched the movie a few months ago, I said it was the most romantic thing I’d ever seen. And now he’s doing it for me.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
One of the best things about owning a brain is how you often seem to phase out of normalcy and briefly see your culture with a weirdly objective frame of mind. At some point every child realizes money is made up of slips of paper with no intrinsic value, and wonders why aloud. So, too, will children ask adults what’s up with shaking hands, or putting your fork on one side of the plate, or saying “Bless you” after a sneeze. Parents apply the glue that holds a culture together when explaining to a child that his socks must match, or that punctuality is paramount, or that picking his nose in public is a terrible habit. When a parent tells a boy he shouldn’t play with dolls, or a girl to wait for a boy to ask her to the prom, they are enforcing norms. When a kid asks, “But, why?” she is rightfully bringing to the attention of the adult world that all this stuff is just made up and mostly arbitrary nonsense often clung to for some long-forgotten reason. That feeling you sometimes get when you snap out of your culture for a moment, when the operating system crashes and slowly reboots, has been the subject of literature and drama for thousands of years.
David McRaney (You Are Now Less Dumb: How to Conquer Mob Mentality, How to Buy Happiness, and All the Other Ways to Outsmart Yourself)
Tommy and I put on a radio play to entertain everyone while they unpacked their cookies. It was about a girl who saves up money for a prom dress, but at the last minute she says, "It's only clothes," and buys war bonds instead. The play was a big success, and my whole school pledged to buy war bonds, which should have made me happy. But it gave me a queer feeling; it's easy to write propaganda when everyone agrees with you. Do you understand? I think I'd rather bake cookies; it feels more honest. Your friend, Lulu Sammy looked down at me. "A girl after your own heart!" he said. "In my experience it is a rare female who can say, 'It's only clothes,' and when the war came, you discovered who you really were. Women changed. Children grew up overnight. I wonder what happened to this one.
Ruth Reichl (Delicious!)
Life in the years between 1993 and 1998 went on as life in places like Derry always does: the buds of April became the brittle, blowing leaves of October; Christmas trees were brought into homes in mid-December and hauled off in the backs of Dumpsters with strands of tinsel still hanging sadly from their boughs during the first week of January; babies came in through the in door and old folks went out through the out door. Sometimes people in the prime of their lives went out through the out door, too. In Derry there were five years of haircuts and permanents, storms and senior proms, coffee and cigarettes, steak dinners at Parker's Cove and hotdogs at the Little League field. Girls and boys fell in love, drunks fell out of cars, short skirts fell out of favor. People reshingled their roofs and repaved their driveways. Old bums were voted out of office; new bums were voted in. It was life, often unsatisfying, frequently cruel, usually boring, sometimes beautiful, once in awhile exhilarating. The fundamental things continued to apply as time went by.
Stephen King (Insomnia)
New Rule: Conservatives have to stop complaining about Hollywood values. It's Oscar time again, which means two things: (1) I've got to get waxed, and (2) talk-radio hosts and conservative columnists will trot out their annual complaints about Hollywood: We're too liberal; we're out of touch with the Heartland; our facial muscles have been deadened with chicken botulism; and we make them feel fat. To these people, I say: Shut up and eat your popcorn. And stop bitching about one of the few American products--movies---that people all over the world still want to buy. Last year, Hollywood set a new box-office record: $16 billion worldwide. Not bad for a bunch of socialists. You never see Hollywood begging Washington for a handout, like corn farmers, or the auto industry, or the entire state of Alaska. What makes it even more inappropriate for conservatives to slam Hollywood is that they more than anybody lose their shit over any D-lister who leans right to the point that they actually run them for office. Sony Bono? Fred Thompson? And let'snot forget that the modern conservative messiah is a guy who costarred with a chimp. That's right, Dick Cheney. I'm not trying to say that when celebrities are conservative they're almost always lame, but if Stephen Baldwin killed himself and Bo Derrick with a car bomb, the headline the next day would be "Two Die in Car Bombing." The truth is that the vast majority of Hollywood talent is liberal, because most stars adhere to an ideology that jibes with their core principles of taking drugs and getting laid. The liebral stars that the right is always demonizing--Sean Penn and Michael Moore, Barbra Streisand and Alec Baldwin and Tim Robbins, and all the other members of my biweekly cocaine orgy--they're just people with opinions. None of them hold elective office, and liberals aren't begging them to run. Because we live in the real world, where actors do acting, and politicians do...nothing. We progressives love our stars, but we know better than to elect them. We make the movies here, so we know a well-kept trade secret: The people on that screen are only pretending to be geniuses, astronauts, and cowboys. So please don't hat eon us. And please don't ruin the Oscars. Because honestly, we're just like you: We work hard all year long, and the Oscars are really just our prom night. The tuxedos are scratchy, the limousines are rented, and we go home with eighteen-year-old girls.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Your belly’s getting big,” he said one night. “I know,” I answered, looking down. It was kind of hard to deny. “I love it,” he said, stroking it with the palm of his hand. I recoiled a little, remembering the black bikini I’d worn on our honeymoon and how comparatively concave my belly looked then, and hoping Marlboro Man had long since put the image out of his mind. “Hey, what are we naming this thing?” he asked, even as the “thing” fluttered and kicked in my womb. “Oh, man…” I sighed. “I have no idea. Zachary?” I pulled it out of my wazoo. “Eh,” he said, uninspired. “Shane?” Oh no. Here go the old movies. “I went to my senior prom with a Shane,” I answered, remembering dark and mysterious Shane Ballard. “Okay, scratch that,” he said. “How about…how about Ashley?” How far was he going to take this? I remembered a movie we’d watched on our fifteenth date or so. “How about Rooster Cogburn?” He chuckled. I loved it when he chuckled. It meant everything was okay and he wasn’t worried or stressed or preoccupied. It meant we were dating and sitting on his old porch and my parents weren’t divorcing. It meant my belly button wasn’t bulbous and deformed. His chuckles were like a drug to me. I tried to elicit them daily. “What if it’s a girl?” I said. “Oh, it’s a boy,” he said with confidence. “I’m positive.” I didn’t respond. How could I argue with that?
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Coley and I had to separate to get around a girl who was mostly eclipsed by the size of the power she was carrying some sort of project about World War II—a picture of Hitler doing his mustachioed Sieg heil, a gaunt concentration camp victim, a couple of American soldiers smoking cigarettes and scowling at the camera, the captions beneath each photo in glitter-bubble letters. If this had been the movie version of my life, I knew, somebody who did teenage stuff well, some director, would have lingered on that poster and maybe even have swelled some poignant music, out is in slow motion as the hallway continued on at regular speed around us, backlit the three of us—Coley and the poster board chick and me—and in doing so tried to make some statement about teenage frivolity and prom season as it stacked up against something authentic and horrible like war. But if renting all those movies had taught me anything more than how to lose myself in them, it was that you only actually have perfectly profound little moments like that in real life if you recognize them yourself, do all the fancy shot work and editing in your head, usually in the very seconds that whatever is happening is happening. And even if you do manage to do so, just about never does anyone else you’re with at the time experience that exact same kind of moment, and it’s impossible to explain as it’s happening, and then the moment is over.
Emily M. Danforth (The Miseducation of Cameron Post)
Coley and I had to separate to get around a girl who was mostly eclipsed by the size of the poster she was carrying, some sort of project about World War Two—a picture of Hitler doing his mustachioed Sieg heil, a gaunt concentration-camp victim, a couple of American soldiers smoking cigarettes and scowling at the camera, the captions beneath each photo in glitter-bubble letters. If this had been the movie version of my life, I knew, somebody who did teenage stuff well, some director, would have lingered on that poster and maybe even have swelled some sort of poignant music, put us in slow motion as the hallway continued on at regular speed around us, backlit the three of us—Coley and the posterboard chick and me—and in doing so tried to make some statement about teenage frivolity and prom season as it stacked up against something authentic and horrible like war. But if renting all those movies had taught me anything more than how to lose myself in them, it was that you only actually have perfectly profound little moments like that in real life if you recognize them yourself, do all the fancy shot work and editing in your head, usually in the very seconds that whatever is happening is happening. And even if you do manage to do so, just about never does anyone else you’re with at the time experience that exact same kind of moment, and it’s impossible to explain it as it’s happening, and then the moment is over.
Emily M. Danforth (The Miseducation of Cameron Post)
It wasn't only my friends who suffered from female rivalry. I remember when I was just sixteen years old, during spring vacation, being whisked off to an early lunch by my best friend's brother, only to discover, to my astonishment and hurt, that she was expecting some college boys to drop by and didn't want me there to compete with her. When I started college at Sarah Lawrence, I soon noticed that while some of my classmates were indeed true friends, others seemed to resent that I had a boyfriend. It didn't help that Sarah Lawrence, a former girls' school, included very few straight men among its student body--an early lesson in how competing for items in short supply often brings out the worst in women. In graduate school, the stakes got higher, and the competition got stiffer, a trend that continued when I went on to vie for a limited number of academic jobs. I always had friends and colleagues with whom I could have trusted my life--but I also found women who seemed to view not only me but all other female academics as their rivals. This sense of rivalry became more painful when I divorced my first husband. Many of my friends I depended on for comfort and support suddenly began to view me as a threat. Some took me out to lunch to get the dirt, then dropped me soon after. I think they found it disturbing that I left my unhappy marriage while they were still committed to theirs. For other women, the threat seemed more immediate--twice I was told in no uncertain terms that I had better stay away from someone's husband, despite my protests that I would no more go after a friend's husband than I would stay friends with a woman who went after mine. Thankfully, I also had some true friends who remained loyal and supportive during one of the most difficult times of my life. To this day I trust them implicitly, with the kind of faith you reserve for people who have proved themselves under fire. But I've also never forgotten the shock and disappointment of discovering how quickly those other friendships turned to rivalries.
Susan Shapiro Barash (Tripping the Prom Queen: The Truth About Women and Rivalry)
What’s he doing?” I asked, leaning over the side of the boat, searching for him beneath the water. If the tow rope had gotten tangled, he might need help. And someone would need to go in the water with him, perhaps accidentally sliding against him down where no one else could see. “Boo!” A handful of bryozoa rushed up at me from the lake. I screamed (for once I didn’t have to think about this girl-reaction) and fell backward into the boat. Sean hefted himself over the side with one arm, holding the bryozoan high in the other hand. It dripped green slime through his fingers. “Bwa-ha-ha!” He came after me. I squealed again. It was so unbelievably fantastic that he was flirting with me, but bryozoa was involved. Was it worth it? No. I paused on the side of the boat, ready to jump back into the water myself. He might chase me around the lake with the bryozoa, but at least it would be diluted. On second thought, I didn’t particularly want to jump into the very waters the bryozoa had come from. Sean solved the problem for me. He slipped behind me and showed me he was holding the ties of my bikini in his free hand. If I jumped, Sean would take possession of my bikini top. I had thought about double knotting my bikini. I’d hoped against hope that Stage Two: Bikini would work, and that Sean might try something like this. Of course, I didn’t really want my top to come off in front of everyone. Nay, in front of anyone. But I’d checked the double knots in the mirror. They’d looked…well, double knotted, for protection, sort of like wearing a turtleneck to the prom. I’d re-tied the strings normally. Now I wished I’d double knotted after all. Sean brought the dripping slime close to my shoulder. “Go ahead and jump,” he said, twisting my bikini ties in his finges. “Sean,” came McGullicuddy’s voice in warning. This surprised me. My brother had never taken up for me before. Of course, none of the boys had ever crossed this particular line. But that was nothing compared with my surprise when the bryozoa suddenly lobbed out of Sean’s hand, sailed through the air, and plopped into the lake. Adam, standing behind him, must have shoved his arm. Which meant I owed Adam my gratitude for saving me. Except I didn’t want him to save me from Sean, and I thought I’d made that clear. Saving me from Sean with bryozoa…that was a more iffy proposition. I wasn’t sure whether I should give Adam the little dolphin look again when our eyes met. But it didn’t matter. When I turned around, he was already stepping over Cameron’s legs to return to the driver’s seat.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Mazel Amsel- I have the obsession of destroying Nevaeh, she is so perfect, I cannot stand it! My girls have to be on top, and I am never going to let her be anything, I will make sure of it! That is what I have been doing for years. Nevaeh that no good little pussy licker; even if she knows it is me, she will not be able to ‘Prove it.’ I am just that well-liked by everyone, I am so powerful that no one will ever defeat me. I am the master manipulator, Nevaeh- yes, she is the tower! She is about for a hundred pounds, unnatural blond hair, lime green glowing eyes, and a voice that bellows! To me, she looks like a bulldog in the face, yet evil wicked witch-like also, yet to everyone else she blends in, to the others she looks as they do, just a normal mom, with normal kids. Yet I think she is crumbling, I think some people are seeing through her veil, because of what happened recently. Mazel- I have everyone wrapped around my little finger. Likewise, if they do not bow down to me, I will make their life a living hell. That is the way; I have to have it, all the time for Nevaeh! I have to know what she is doing at all times. I have to hack into her social networking and get her pears to think she is a ‘Creep’ and ‘Stocker’ to young girls. So, she has no friends at all. So, my girls can be the supreme of this area, so that they can do as they please, without anyone stopping them from being the best, no matter what, and from getting what they want, and what I want for them. Besides, foremost I wanted to make sure that she would never date anyone. So, I came up with the story of telling everyone that she was into girls and that she is just plain crazy. I should know my eyes are on her always. I did not want to see her go to proms; I did not want to see her succeed. I did not want her to be loved. I would like to see her die, and not walk away from it. I have dreamed of ways to kill her repeatedly. Like this one, I would like to see her be impaled on a sharp wooden stick, starting through her butt hole, and then slowly have gravity have it go up into her delicious miniature body until it hits her brain, and she screams out my girl’s names, as we get what we need. I would love to see a Nevaeh- kabob! I would love to see her stoned out in the open with rocks! I would love to see my girls bite their nipples off with their teeth! I want to see my girl claw her up to head to toe. I hunger to see them scratch her sweet blue eyes that are so heavenly right out of her face! I want to see her gush that cobalt blood like a waterfall from her naked sliced-up body. Yes, I want us to torture her any way we can until she says yes to us. We are going to get at anything of hers we can until she comes with us! As we would, all dance around her, as we would light her up, cheerfully for the last time. How I would love to bleach and fry that perfect hair with chemicals. I and we all in our family want to fuck her up and down anyways we can! Mwah Ha, ha! Yes, Beforehand, we all would kiss, touch, lick, and stick her, and do what we want to get the life from her by sucking away. We would eat her soul away as it would come down from the heavens then through her body, and into ours, as we would drink it out, the way we do. Yes, yes, hell- yes, I can see it now! Yes, I want her soul! Besides, anything or everything I can get out of her to add to my shrine. We even have a voodoo doll of her with pins in it. I have a few things of hers like her hymen-damaged red blood tarnished pink polka-dotted gym underwear, and her indigo pantiliner she had on. That my girl ripped off of her in school, the more things we have the more we can control her mind, but I want more!
Marcel Ray Duriez
Charlie drove up before any of the other boys, substituting speed for style, and hit the curb. His right front tire fell off and the hub ground against the asphalt of the driveway, sending a shower of sparks into the sea of taffeta and chintz. Girls banged into each other like pool balls, trying to avoid bursting into flame.
Lorena Cassady (Her Perilous Journey)
I hadn’t thought about prom, Bailey, or that car crash in years. I’d been under the assumption that therapy had wiped it from my mind completely. The search for Lizzie was doing something to me. Causing me to regress, in a way. Bailey Shepherd was no one to me, but at the same time, she was everything. My cause and value of life forever changed by a girl buried in a labyrinth of gnarled alloy and gasoline.
Clark West (The Organist)
Bridesmaid’s Dress Revisited You may not wear it more than once, but no need to let it collect dust in your closet when you can put it to good use as • Halloween costume • A daughter’s prom dress • Placemats or pillows • Giftwrap (bows especially) • Christmas tree skirt
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
When you almost lose something, you have to touch it often to reassure yourself it's still there.
Rosemary Clement-Moore (Prom Dates from Hell (Maggie Quinn: Girl Vs. Evil, #1))
Pronouns and bathrooms and girls taking girls to prom, oh my! But “progress” is just perpetually undoing our no-longer-true-enough systems in order to create new ones that more closely fit people as they really are. People aren’t changing, after all. It’s just that for the first time, there’s enough freedom for people to stop changing who they are. Progress is the acknowledgment of what is and what has always been. Progress is always a returning.
Glennon Doyle (Untamed)
You’re right. It is a good view,” Robbie whispered, but his eyes were still on me. It reminded me of those tropey moments in dramas where a boy pretends he’s calling a view beautiful, but he really means the girl.
Kat Cho (Once Upon a K-Prom)
Mrs.Gregory from U.S. History is one of the chaperones. She’s going around, trying to keep girls from grinding on their dates. She might as well try to keep the moon from rising.
Meg Cabot (Prom Nights from Hell)
The girl I like is smart and beautiful,” he said. “She’s funny and kind and full of life. Laurie is none of those things.
Alexandra Moody (The Wrong Prom Date: A Fake Relationship YA Romantic Comedy (The Wrong Match Book 3))
No one is interested with your past, non-professional relationship with Agent Harris, Detective Garner.” I cut them off. Seriously, nobody wants to hear it (I know I do not), since it is probably a perfect fairy tale of a prodigy guy and prodigy girl, and together they catch bad guys while looking excessively beautiful at doing it. They look so majestic side by side, like prom king and queen from some cheesy coming-of-age movie where they dance flawlessly and sing like pro despite that it’s their first gig. Also, their eyes sparkle. It takes a long, sort-of out-of-sense explanation why eyes can figuratively sparkle, but it just does. You know in romantic comedy movie where the guy stares far away and then he is smiling when he finally makes a decision involving the only girl he wants to spend eternity with? And girl when she meets a boy band member? Yeah, that’s how they look at each other. Jemma looks at this guy like how girl looks at boy (ah, it even sounds sexist in my head), but not at me. She looks like me like I am a special case that she wants to solve. She looks at me like she's trying to find my eyes (which is, always there, I don't know why it is so hard for her to see a pair of black dots above my nose), and maybe I am a little bit irritated because this Harris guy breathes and just like that, you can see the grace in Garner--how big, mushy twinkie, of a person she really is. Also, I am definitely irritated because Jemma's ex is terrifyingly perfect, it's alarming, but then there's me. She's settling down with me. I feel insecure and I do not like that feeling. So, like a literal five years old child, I stroll between them, ruining their unexpected reunion (hey, doesn't anyone want to talk about how Harris tracked down all cases at JCPD so he can jump into whatever his ex is currently working on? This is not reunion, it's stalking) and offer him a handshake. At the time like this, I wish I had electricity running through my palm. I probably couldn’t end this Harris guy’s life, but at least I could give his perfect blond hair a ‘struck by lightning’ makeover. “Hi, Detective Irving. Homicide Unit. Strategic Expert. By the way, I’m good at combining them, you know.” I introduce myself. Which is true, I can be writing a mental note on how to eliminate this threat in my head for all he knows. “Strategy, and murder. I can mix them up.
Rea Lidde (Haven (Clockwork #0.5))
Do you have a date? For this?” “No. I came with Rettie and Helena.” “That explains the booze on your breath. Helena’s a wild child.” “She’s a bad influence, but she has nothing on you.” Candy wanted him to kiss her so much she dug her fingernails into her palm. “That’s the truth.” His eyes went from welcoming to sad as he spoke, and she wished she could take it back. “Don’t ask me about dates,” she said instead. “Explain why it’s okay for you to show up here at my prom.” He took her elbow and pulled her off the main path. She expected his wiseass mouth, but instead he looked her up and down. “You, in my jacket, is my weakness, baby. You’re my girl.” He touched the lapel. “I didn’t think you had a weakness—especially when it came to me.” She stepped backward. He seemed older to her now, more worn. It had only been months, but his eyes had lost the carefree part of their recklessness. “Actually, the fact that I’ve been gone for so long—away from the way you smell, the little purr you get going when I breathe in your ear…” he stepped forward, not touching her, but crowding her personal space, and spoke into her neck “…should tell you more about my weakness than my mouth ever could.” Passion flared through her, flowing from her neck to all of the places she wished he would touch. She reached out and pressed her fingertips to his. “I missed you so much.” Beckett pulled back to look at her face. “Kiss you, miss you.
Debra Anastasia (Poughkeepsie Begins (Poughkeepsie Brotherhood, #0))
home only to pine over an ex-girlfriend, so he stopped. He apologized, saying a few more things that Catherine once again just nodded her head to, smiling, and before she knew it, she had plans to go see a movie with Dickie the following Friday. It was a date, the first of many. It went like this for two months: Friday night dates. Rides home from school while other girls looked on in jealousy. Long nights parked up at The Point, the low rumble of his car idling away while they made out with the heat blowing on her legs. Him sliding his hands up her skirt. Under her shirt. Her moaning. Her face flushing red. Her toes curling. The Rolling Stones on the radio. Why did he taste so good? Never sex, though. Even when he begged for it, she would refuse. She knew what their relationship really was. It was great and fun and wild and exciting, but she knew it wouldn’t last; he was off to college soon, and she remembered how he felt about being tethered to something familiar. That conversation never left her mind for the duration of their relationship, always reminding her to be ready to lose him. At the time, she was still a virgin, and as much as she loved Dickie she did not wish to give herself fully to someone who would more than likely forget about her within months, if not weeks, of leaving. Catherine was young, but never stupid or naive. She knew how the world worked… even Dickie’s world. What she felt and experienced with him may have been real by her definition, but she understood that that did not make the relationship everlasting or meant-to-be. Their time together had been great and fun and had changed her in ways she would never be able to put into words. She would forever cherish their moments together. Or at least, that’s what she’d thought at the time, before these cherished memories soured. Everything changed the night of the dance. The night he changed. The night she changed, too. It was Dickie’s senior prom. He invited her to go and she happily accepted. She even bought a new dress with the money she’d saved working shifts down at Woolworth’s. The dance was fine and good. They had a blast. They’d even kissed in the middle of the gymnasium during the last slow dance. It had been so romantic. But afterward was a different sort of time. Dickie and some of his friends rented a few rooms at the Heartsridge Motel for a place to hang out after the dance. But it was more than just a place to hang out. It was a place to party, a place to drink alcohol purchased illegally, a place for some of the looser girls to sleep with their dates. She had been to parties with Dickie before, parties with drinking and drugs and where there were rooms dedicated to fooling around. She wasn’t a square. But this was different. This place made her skin crawl. There was a raw energy in the air. She remembered feeling it on her skin. And the fact that it was a motel made the whole scene seem depraved. It just felt off, and she wanted to beg him to go somewhere else. But instead she held her tongue and went along with Dickie. He was leaving soon, after all. Why not appease him? He seemed excited about going. A few of them—all friends of Dickie’s—ended up together in one room, drinking Schnapps, smoking cigarettes, having
Christian Galacar (Cicada Spring)
You do not know me, Perry.”“No, I guess not.”“Perhaps by the end of the evening you will.”I looked at her. What was that supposed to mean? Ever since her comment about blood, I realized I’d been thinking about Sissy Spacek in Carrie, the high school loser in her homemade prom dress, drenched in pig blood, unleashing a firestorm of psychokinetic destruction on the high school gym ... The distress must have shown on my face, because for the first time ever, Gobi actually laughed. Her eyes sparkled, a bright and glinting green behind her glasses, and for an instant the light transformed her entire face—the bland, expressionless mask slipped away to reveal an actual girl underneath: feminine, uninhibited, spontaneous, and alive. It occurred to me that I might have been missing something this whole time.
Joe Schreiber (Au Revoir, Crazy European Chick (Perry & Gobi, #1))
Fern hadn't been asked to the big dance. Bailey hadn't asked anyone either. He had joked that he didn't want to make any girl dread going to her prom. He'd said it with a smile, but there was a flash of something mournful in his face. Self-pity wasn't Bailey's style, and his comment surprised Fern. So she asked Bailey if he would go with her. It was Prom, and they could sit home and sulk that they didn't have dates or they could go together. They were cousins, and it was completely lame, but being uncool was better than missing out. And it wasn't like going to Prom together would cause any image problems. They were both the epitome of lame–literally in Bailey's case, figuratively in Fern's. It wouldn't be a night for romance, but Fern had a dress for her Prom and a date too, even if it wasn't a conventional one.
Amy Harmon (Making Faces)
Jo!” I heard a voice call. I straightened just in time to see Alex dash up the front walk. “I thought you had practice,” I said. “Cancelled,” Alex said shortly. He made the front porch and pushed back the hood of the sweatshirt he had on beneath his letterman’s jacket. His breathing was quick, as if he’d run all the way from school. “I tried to catch you guys but you’d already gone.” “Elaine’s at her house,” I said. Alex gave an exasperated laugh and moved to put his hands on my shoulders, a thing that pretty much made me forget all about my dad’s car in the drive. Apparently Alex had decided that the waiting period was over. “I didn’t sprint ten blocks to see Elaine,” he said. “I came to see you. There’s something I want to ask you, Jo.” “No, you can’t borrow my math homework,” I said. “Shut up, you idiot,” Alex said, giving me a shake. “I want you to go with me to the prom.” I opened my mouth, then closed it again. An action which no doubt made me look exactly like a fish out of water. “That wasn’t a question,” I finally said. Alex rolled his eyes. “Do you want to know why I like you?” he asked. “It took me a while, but I figured it out. It’s because you’re so impossible.” A laugh bubbled up and out before I could stop it. “Impossible,” I repeated. “What about annoying?” “That too,” Alex nodded. “You’re impossible and annoying and unpredictable. Will you please go with me to the prom?” “Aren’t you worried about what will happen if I say yes?” I asked. “Uh-uh,” Alex shook his head. “I’m only worried that you’ll say no.” “I’m not going to do that,” I answered steadily. “Thank you, Alex. I’d love to go with you to the prom.” For a moment, he simply stood, his hands on my shoulders. “You’d better hold still,” he warned. “Why’s that?” “Because I’m going to kiss you now.” Words failed me. Which turned out to be a very good thing as, for the next few minutes, I needed my lips for something else anyhow. The kiss ended and Alex eased back. There was an expression on his face I’d never seen before. Sort of startled and blank all at once, as if he’d just discovered something he hadn’t expected but couldn’t quite put a name to. “Well,” he said. “Bet you say that to all the girls,” I replied. “I’m that obvious, huh?” “Actually, no.” “Now who’s being nice?” Alex said. He stuck his hands in his pockets. “So, I guess I’ll see you tomorrow.” “Okay,” I said. He turned, and I watched him sprint off down the walk. It was only then that I realized I was still clutching my sopping wet shoes. Very smooth, Jo. No wonder the guy can’t resist you, I thought.
Cameron Dokey (How Not to Spend Your Senior Year (Simon Romantic Comedies))
As a young sixteen-year-old girl, Camila “Cami” Alderson should’ve been worrying about finding the right dress for the junior prom and goofing off with friends. The possibility of being pregnant should’ve been the last thing on her mind but the scary thought was always there.
Valenciya Lyons (Cami's Decision)
sometimes I think what the church needs most is to recover some of its weird. There’s no sense in sending her through the makeover montage of the chick flick when she’ll always be the strange, awkward girl who only gets invited to prom on a dare.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
But sometimes I think what the church needs most is to recover some of its weird. There’s no sense in sending her through the makeover montage of the chick flick when she’ll always be the strange, awkward girl who only gets invited to prom on a dare.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
M: Don't go there. Besides, you want to tell me about this prom date? Hmm? J: He's just a fiend. We barely know each other. M: Nice, The stuff dreams are made of.
Kelly Bingham (Formerly Shark Girl (Shark Girl, #2))
M: Don't go there. Besides, you want to tell me about this prom date? Hmm? J: He's just a friend. We barely know each other. M: Nice. The stuff dreams are made of.
Kelly Bingham (Formerly Shark Girl (Shark Girl, #2))
I suppose when I go home, you’ll stop visiting me,” he pouted. “Actually, your mom invited me over,” Caprice said. “What did you say?” “I said I would have to check my schedule. I’m a busy girl. Several other coma guys need my specialized brand of sleep-watching.” “Were you always this mean and I’ve forgotten?” “I think it’s new,” she said. “I think it started right after prom.” “Oh, we’re back to that,” Alex said. “Do girls ever forgive or forget anything?” “No.” “I’ll buy you an airplane,” he said. “I’m afraid to fly,” she said. “I’ll buy you a bus. You’ll be like John Madden.” “My dream come true,” she said.
Vanessa Gray Bartal (Vigilante Vengeance (Justice Seekers Book 3))
A headline-grabbing 2005 British study revealed that girls aged six to twelve enjoyed torturing, mutilating, and microwaving their Barbies nearly as much as they liked dressing them up for the prom. What
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
Well, I know you don’t want to talk about it anymore, but I signed you up for that computer match thingy.” Why is it that so many people over the age of sixty refer to everything on the Internet as some sort of “computer thing”? Helen was trying to contain her laughter. “Laura, do you mean Match.com?” My father was groaning audibly now. “Yes, that’s it. Charles helped me put up her profile.” “Oh my god, Mother. Are you kidding me?” Helen jumped out of her seat and started running toward the computer in my dad’s home office, which was right off the dining room. “Get out of there, Helen,” my dad yelled, but she ignored him. I chased after her, but she stuck her arm out, blocking me from the monitor. “No, I have to see it!” she shouted. “Stop it, girls,” my mother chided. “Move, bitch.” We were very mature for our age. “This is the best day of my life. Your mommy made a Match profile for you!” “Actually, Chuck made it,” my mother yelled from across the hall. Oh shit. Helen typed my name in quickly. My prom picture from nine years ago popped up on the screen. My brother had cropped Steve Dilbeck out of the photo the best he could, but you could still see Steve’s arms wrapped around my purple chiffon–clad waist. “You’re joking. You’re fucking joking.” “Language, Charlotte!” my dad yelled. “Mom,” I cried, “he used my prom photo! What is wrong with him?” I still had braces at eighteen. I had to wear them for seven years because my orthodontist said I had the worst teeth he had ever seen. You know how sharks have rows of teeth? Yeah, that was me. I blame my mother and the extended breastfeeding for that one, too. My brother, Chuck the Fuck, used to tease me, saying it was leftovers of the dead Siamese twin I had absorbed in utero. My brother’s an ass, so it’s pretty awesome that he set up this handy dating profile for me. In case you hadn’t noticed, our names are Charlotte and Charles. Just more parental torture. Would it be dramatic to call that child abuse? Underneath my prom photo, I read the profile details while Helen laughed so hard she couldn’t breath. My name is Charlotte and I am an average twenty-seven year-old. If you looked up the word mediocre in the dictionary you would see a picture of me—more recent than this nine-year-old photo, of course, because at least back then I hadn’t inked my face like an imbecile. Did I forget to mention that I have a tiny star tattooed under my left eye? Yes, I’d been drunk at the time. It was a momentary lapse of judgment. It would actually be cute if it was a little bigger, but it’s so small that most people think it’s a piece of food or a freckle. I cover it up with makeup. I like junk food and watching reality TV. My best friend and I like to drink Champagne because it makes us feel sophisticated, then we like to have a farting contest afterward. I’ve had twelve boyfriends in the last five years so I’m looking for a lifer. It’s not a coincidence that I used the same term as the one for prisoners ineligible for parole. “Chuck the Fuck,” Helen squeaked through giggles. I turned and glared at her. “He still doesn’t know that you watched him jerk off like a pedophile when he was fourteen.” “He’s only three years younger than us.” “Four. And I will tell him. I’ll unleash Chuck the Fuck on you if you don’t quit.” My breasts are small and my butt is big and I have a moderately hairy upper lip. I also don’t floss, clean my retainer, or use mouthwash with any regularity. “God, my brother is so obsessed with oral hygiene!” “That’s what stood out to you? He said you have a mustache.” Helen grinned. “Girls, get out of there and come clear the table,” my dad yelled. “What do you think the password is?” “Try ‘Fatbutt,’ ” I said. “Yep, that worked. Okay, I’ll change your profile while you clear the table.
Renee Carlino (Wish You Were Here)
A long time ago, before she draggoned, my aunt told me all women are magic. She told me that we all hear the call and that some people answer, and some don't. But I don't know. I was there that night at prom. I watched how happy they were. And those girls changed. We were all dancing together and it felt so good to be dancing all together. And then their eyes changed, and their mouths changed and they stepped out of their skin and they went away and left me behind. I didn't hear anything. Nothing called me.
Kelly Barnhill (When Women Were Dragons)
Daddy's Little Girl [Verse] I remember when you took your first steps, Tiny shoes dancing in the soft spring grass, I was chasing dreams, didn't see the moments pass, Now all I have are these memories to confess. [Verse 2] Birthday candles lighting up your eyes, I was on the road while you cried your childish cries, Missed your laughter, your hugs, and all your highs, Each mile I traveled was another goodbye. [Chorus] I'm sorry I wasn't there when you needed me the most, I'm sorry I wasn't the father you needed me to be, But you'll always be daddy's little girl, No matter where life leads you, in my heart, you're free. [Verse 3] Years have flown by like a runaway train, Photographs can't capture all the joy and pain, I missed your proms, your fears, your growing pains, But you shined a light that helped me see again. [Verse 4] I see your face in every sunset's hue, Wishing I could turn back and stand beside you, Your forgiveness is a gift that pulls me through, You're the song I sing when the day is anew. [Chorus] I'm sorry I wasn't there when you needed me the most, I'm sorry I wasn't the father you needed me to be, But you'll always be daddy's little girl, No matter where life leads you, in my heart, you're free.
James Hilton-Cowboy
Chocolate is a girl's best friend.' 'Consequently, I am going to polish off this entire chocolate pie, as well as sit here and cry, yes just sitting in my white tank top, and light pink comfy old short shorts, with the black drawstring in the fronts, tied, into a big floppy bow.' 'I sit looking at the TV, hugging my teddy bear. Tonight's movie lineup is 'Shawshank,' 'Misery,' 'The Notebook,' and 'A Walk to Remember.' While my black mascara from the day runs down my cheeks.' 'Life is not a fairytale, so maybe I can go next year. I know the prom is not going to happen either, yet I want to go at least once in my life. Yet, some get to go to prom, and dance for five years running. They go all four high school years.' 'Plus, they get asked for their date, which is still in school after they're out, even though they have gone many times before.' 'Then someone like me never gets the chance; that is not fair! I am not jealous; I just want to have the same opportunities, the photos, and the involvements.' 'I could envision in my mind the couples swaying to the music.' 'I could picture the bodies pressed against one another. With their hands laced with desire, all the girls having their poofy dresses pushed down by their partner's closeness, as they look so in love.' 'I know is just dumb dances, but I want to go. Why am I such a hopeless romantic? I could visualize the passionate kissing.' 'I can see the room and how it would be decorated, but all I have is the vision of it. That is all I have! Yeah, I think I know how Carrie White feels too, well maybe not like that, but close. I might get through that one tonight too because I am not going to sleep anywise.' 'So why not be scared shitless! Ha, that reminds me of another one, he- he.' 'I am sure that this night, which they had, would never be forgotten about! I will not forget it either. It must have- been an amazing night which is shared, with that one special person.' 'That singular someone, who only wants to be with you! I think about all the photographs I will never have. All the memories that can never be completed and all the time lost that can never be regained.' 'The next morning, I have to go through the same repetition over again. Something's changed slightly but not much; I must ride on the yellow wagon of pain and misery. Yet do I want to today?' 'I do not want to go after the night that I put in. I was feeling vulnerable, moody, and a little twitchy.' 'I do not feel like listening to the ramblings of my educators. Yet knowing if I do not show up at the hellhole doors, I would be asked a million questions, like why I did not show up, the next day I arrived there.
Marcel Ray Duriez
In a town that still holds segregated proms, I’m not surprised one bit they bullied that girl.
Tiffany D. Jackson (The Weight of Blood)
She shaded in more of the tornado, a little fiercely, then turned back a few pages and let herself be pulled into the world of Carleen, the least popular chicken in her high school, pecked down by plumper hens and scorned by cocky roosters. Carleen's story wasn't hers. Amanda had been quite well liked in high school---mostly because she stayed resolutely in the middle of the road, dressing like everyone else, doing the things everyone else did. Amanda had made those choices thanks to Mae, who had already made all the mistakes. Unlike Mae, Amanda did exactly what was expected of her and not anything more. She was a good girl. Carleen was not a good girl. She was the dark chicken of her small town, pulling the other chicks in with her schemes and plans when they were young, then finding herself alone as a teenage chicken with a lot to prove and only her mysterious telekinetic powers, powers the others in the flock didn't share, to do it with. Carleen had been thoroughly rejected and cruelly humiliated by her peers, and would continue to be until she allowed the forces within her to burst free---at prom, of course, in homage to Carrie, one of Amanda's favorite books---and annihilate the chickens around her in a rampage of oil and flames. Carleen, Amanda thought, would end her prom night with a fried chicken dinner.
K.J. Dell'Antonia (The Chicken Sisters)
I wait up front like some asshole whose mom is picking out his suit for prom night right in front of all the mean girls from school.
Richard Kadrey (King Bullet (Sandman Slim #12))
But letting old structures burn can feel uncomfortable and disorienting. Rumbling freedom is scary because at first it feels like chaos. Pronouns and bathrooms and girls taking girls to prom, oh my! But “progress” is just perpetually undoing our no-longer-true-enough systems in order to create new ones that more closely fit people as they really are. People aren’t changing, after all. It’s just that for the first time, there’s enough freedom for people to stop changing who they are. Progress is the acknowledgment of what is and what has always been. Progress is always a returning.
Glennon Doyle (Untamed)
She left her mother in the living room and headed for her childhood bedroom, with its canopy bed and pink ruffles. Most kids had posters in their rooms, but Mom hadn’t allowed tacks to be stuck into her expensive wallpaper, so Frankie had framed art on her walls. A row of old stuffed animals sat along the top of her bookshelf. A pink ballerina jewelry box on the bedside table held junior and high school trinkets, probably a stack of senior pictures and prom memorabilia. You knew what was expected of a girl who slept in a room like this.
Kristin Hannah (The Women)
I was round-faced, with a posterior notable enough that a girl who hated me went around with my prom photo ridiculing the size of it. (We didn’t even go to the same school.)
Geraldine DeRuiter (If You Can't Take the Heat: Tales of Food, Feminism, and Fury)