Project Pat Quotes

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White institutions are constantly communicating how much Blackness they want. It begins with numbers. How many scholarships are being offered? How many seats are being “saved” for “neighborhood kids”? How many Black bodies must be present for us to have “good” diversity numbers? How many people of color are needed for the website, the commercials, the pamphlets? But numbers are only the beginning. Whiteness constantly polices the expressions of Blackness allowed within its walls, attempting to accrue no more than what’s necessary to affirm itself. It wants us to sing the celebratory “We Shall Overcome” during MLK Day but doesn’t want to hear the indicting lyrics of “Strange Fruit.” It wants to see a Black person seated at the table but doesn’t want to hear a dissenting viewpoint. It wants to pat itself on the back for helping poor Black folks through missions or urban projects but has no interest in learning from Black people’s wisdom, talent, and spiritual depth. Whiteness wants enough Blackness to affirm the goodness of whiteness, the progressiveness of whiteness, the openheartedness of whiteness. Whiteness likes a trickle of Blackness, but only that which can be controlled.
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
Surprise is a major factor in distinguishing an answer to prayer from a projection of my own mental processes. When I can’t believe I made up the answer myself, I have to look around to see where it came from.
Pat Schneider (How the Light Gets In: Writing as a Spiritual Practice)
Whiteness constantly polices the expressions of Blackness allowed within its walls, attempting to accrue no more than what’s necessary to affirm itself. It wants us to sing the celebratory “We Shall Overcome” during MLK Day but doesn’t want to hear the indicting lyrics of “Strange Fruit.” It wants to see a Black person seated at the table but doesn’t want to hear a dissenting viewpoint. It wants to pat itself on the back for helping poor Black folks through missions or urban projects but has no interest in learning from Black people’s wisdom, talent, and spiritual depth.
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
Pat Riley, the famous coach and manager who led the Los Angeles Lakers and Miami Heat to multiple championships, says that great teams tend to follow a trajectory. When they start—before they have won—a team is innocent. If the conditions are right, they come together, they watch out for each other and work together toward their collective goal. This stage, he calls the “Innocent Climb.” After a team starts to win and media attention begins, the simple bonds that joined the individuals together begin to fray. Players calculate their own importance. Chests swell. Frustrations emerge. Egos appear. The Innocent Climb, Pat Riley says, is almost always followed by the “Disease of Me.” It can “strike any winning team in any year and at any moment,” and does with alarming regularity. It’s Shaq and Kobe, unable to play together. It’s Jordan punching Steve Kerr, Horace Grant, and Will Perdue—his own team members. He punched people on his own team! It’s Enron employees plunging California into darkness for personal profit. It’s leaks to the media from a disgruntled executive hoping to scuttle a project he dislikes. It’s negging and every other intimidation tactic.
Ryan Holiday (Ego Is the Enemy)
Whiteness constantly polices the expressions of Blackness allowed within its walls, attempting to accrue no more than what's necessary to affirm itself. It wants to sing the celebratory "We shall Overcome" during MLK Day but doesn't want to hear the indicting lyrics of "Strange Fruit". It wants to see a black person seated at the table but doesn't want to hear a dissenting viewpoint. It wants to pat itself on the back for helping poor Black folks through missions or urban projects but has no interest in learning from Black people's wisdom, talent, and spiritual depth. Whiteness wants enough Blackness to affirm the goodness of whiteness, the progressiveness of whiteness, the openheartedness of whiteness. Whiteness likes a trickle of Blackness, but only that which can be controlled.
Austin Channing Brown
But numbers are only the beginning. Whiteness constantly polices the expressions of Blackness allowed within its walls, attempting to accrue no more than what’s necessary to affirm itself. It wants us to sing the celebratory “We Shall Overcome” during MLK Day but doesn’t want to hear the indicting lyrics of “Strange Fruit.” It wants to see a Black person seated at the table but doesn’t want to hear a dissenting viewpoint. It wants to pat itself on the back for helping poor Black folks through missions or urban projects but has no interest in learning from Black people’s wisdom, talent, and spiritual depth. Whiteness wants enough Blackness to affirm the goodness of whiteness, the progressiveness of whiteness, the openheartedness of whiteness. Whiteness likes a trickle of Blackness, but only that which can be controlled.
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
Mr. Haverstrom closes the door, leaving Patrick and me alone in the hallway. Pat smiles slickly, leaning in toward me. I step back until I press against the wall. It’s uncomfortable—but not threatening. Mostly because in addition to racquetball I’ve practiced aikido for years. So if Patrick tries anything funny, he’s in for a very painful surprise. “Let’s be honest, Sarah: you know and I know the last thing you want to do is give a presentation in front of hundreds of people—your colleagues.” My heart tries to crawl into my throat. “So, how about this? You do the research portion, slides and such that I don’t really have time for, and I’ll take care of the presentation, giving you half the credit of course.” Of course. I’ve heard this song before—in school “group projects” where I, the quiet girl, did all the work, but the smoothest, loudest talker took all the glory. “I’ll get Haverstrom to agree on Saturday—I’m like a son to him,” Pat explains before leaning close enough that I can smell the garlic on his breath. “Let Big Pat take care of it. What do you say?” I say there’s a special place in hell for people who refer to themselves in the third person. But before I can respond, Willard’s firm, sure voice travels down the hall. “I think you should back off, Nolan. Sarah’s not just ‘up for it,’ she’ll be fantastic at it.” Pat waves his hand. “Quiet, midge—the adults are talking.” And the adrenaline comes rushing back, but this time it’s not anxiety-induced—it’s anger. Indignation. I push off the wall. “Don’t call him that.” “He doesn’t mind.” “I mind.” He stares at me with something akin to surprise. Then scoffs and turns to Willard. “You always let a woman fight your battles?” I take another step forward, forcing him to move back. “You think I can’t fight a battle because I’m a woman?” “No, I think you can’t fight a battle because you’re a woman who can barely string three words together if more than two people are in the room.” I’m not hurt by the observation. For the most part, it’s true. But not this time. I smile slowly, devilishly. Suddenly, I’m Cathy Linton come to life—headstrong and proud. “There are more than two people standing here right now. And I’ve got more than three words for you: fuck off, you arrogant, self-righteous swamp donkey.” His expression is almost funny. Like he can’t decide if he’s more shocked that I know the word fuck or that I said it out loud to him—and not in the good way. Then his face hardens and he points at me. “That’s what I get for trying to help your mute arse? Have fun making a fool of yourself.” I don’t blink until he’s down the stairs and gone. Willard slow-claps as he walks down the hall to me. “Swamp donkey?” I shrug. “It just came to me.” “Impressive.” Then he bows and kisses the back of my hand. “You were magnificent.” “Not half bad, right? It felt good.” “And you didn’t blush once.” I push my dark hair out of my face, laughing self-consciously. “Seems like I forget all about being nervous when I’m defending someone else.” Willard nods. “Good. And though I hate to be the twat who points it out, there’s something else you should probably start thinking about straight away.” “What’s that?” “The presentation in front of hundreds of people.” And just like that, the tight, sickly feeling washes back over me. So this is what doomed feels like. I lean against the wall. “Oh, broccoli balls.
Emma Chase (Royally Matched (Royally, #2))
Quote from "The Dish Keepers of Honest House" ....TO TWIST THE COLD is easy when its only water you want. Tapping of the toothbrush echoes into Ella's mind like footsteps clacking a cobbled street on a bitter, dry, cold morning. Her mind pushes through sleep her body craves. It catches her head falling into a warm, soft pillow. "Go back to bed," she tells herself. "You're still asleep," Ella mumbles, pushes the blanket off, and sits up. The urgency to move persuades her to keep routines. Water from the faucet runs through paste foam like a miniature waterfall. Ella rubs sleep-deprieved eyes, then the bridge of her nose and glances into the sink. Ella's eyes astutely fixate for one, brief millisecond. Water becomes the burgundy of soldiers exiting the drain. Her mouth drops in shock. The flow turns green. It is like the bubbling fungus of flockless, fishless, stagnating ponds. Within the iridescent glimmer of her thinking -- like a brain losing blood flow, Ella's focus is the flickering flashing of gray, white dust, coal-black shadows and crows lifting from the ground. A half minute or two trails off before her mind returns to reality. Ella grasps a toothbrush between thumb and index finger. She rests the outer palm against the sink's edge, breathes in and then exhales. Tension in the brow subsides, and her chest and shoulders drop; she sighs. Ella stares at pasty foam. It exits the drain as if in a race to clear the sink of negativity -- of all germs, slimy spit, the burgundy of imagined soldiers and oppressive plaque. GRASPING THE SILKY STRAND between her fingers, Ella tucks, pulls and slides the floss gently through her teeth. Her breath is an inch or so of the mirror. Inspections leave her demeanor more alert. Clouding steam of the image tugs her conscience. She gazes into silver glass. Bits of hair loosen from the bun piled at her head's posterior. What transforms is what she imagines. The mirror becomes a window. The window possesses her Soul and Spirit. These two become concerned -- much like they did when dishonest housekeepers disrupted Ella's world in another story. Before her is a glorious bird -- shining-dark-as-coal, shimmering in hues of purple-black and black-greens. It is likened unto The Raven in Edgar Allan Poe's most famous poem of 1845. Instead of interrupting a cold December night with tapping on a chamber door, it rests its claws in the decorative, carved handle of a backrest on a stiff dining chair. It projects an air of humor and concern. It moves its head to and fro while seeking a clearer understanding. Ella studies the bird. It is surrounded in lofty bends and stretches of leafless, acorn-less, nearly lifeless, oak trees. Like fingers and arms these branches reach below. [Perhaps they are reaching for us? Rest assured; if they had designs on us, I would be someplace else, writing about something more pleasant and less frightening. Of course, you would be asleep.] Balanced in the branches is a chair. It is from Ella's childhood home. The chair sways. Ella imagines modern-day pilgrims of a distant shore. Each step is as if Mother Nature will position them upright like dolls, blown from the stability of their plastic, flat, toe-less feet. These pilgrims take fate by the hand. LIFTING A TOWEL and patting her mouth and hands, Ella pulls the towel through the rack. She walks to the bedroom, sits and picks up the newspaper. Thumbing through pages that leave fingertips black, she reads headlines: "Former Dentist Guilty of Health Care Fraud." She flips the page, pinches the tip of her nose and brushes the edge of her chin -- smearing both with ink. In the middle fold directly affront her eyes is another headline: "Dentist Punished for Misconduct." She turns the page. There is yet another: "Dentist guilty of urinating in surgery sink and using contaminated dental instruments on patients." This world contains those who are simply insane! Every profession has those who stray from goals....
Helene Andorre Hinson Staley
Etienne’s going to find out stuff about voodoo. Oh, and Roo and I are going to research that little boy who died at the feed store. And Miranda gets Magnolia Gallery--but of course we’ll all help her with that. And…and I guess that’s about it.” “Damn.” Parker did his best to sound disappointed. “I was hoping for a whole lot more.” Nodding sympathetically, Roo swept him with solemn eyes. “How sad. That’s exactly what Ashley always says about you.” “Oh, except for this other idea I had.” Ashley glanced hopefully around the group. “Instead of calling it Ghost Walk, why don’t we call it something else?” “Great idea.” Parker was adamant. “Why don’t we call it off?” “How about”--Ashley paused dramatically, her eyes sparkling--“Walk of the Spirits?” As everyone traded glances, Gage repeated it several times out loud. “Yeah. I like it.” “Me, too,” Miranda spoke up. “I think it’s good.” “I think it’s romantic,” Ashley sighed. “Walk of the Spirits…don’t you think it’s wonderfully romantic?” “I think it’s wonderfully…you.” Etienne patted Ashley’s shoulder. “But could we move a little faster here? I got me a lotta work to do this evening.” “That’s okay, this is just our first outline. We still have to refine it. And we still have a lot more research to do.” Gage nodded. “Then we have to write up a script for the tour. And everything has to be timed. And--” “Enough torture.” Parker glowered at each of them. “I get the idea.” “But hey, y’all.” Ashley fairly glowed with pride. “The important thing is that Miss Dupree loves our project even more now. Did you see the look on her face when she was reading our outline? I’ve never seen her that excited about any assignment before, have you?” “I’ve never seen her excited about anything.” Parker exchanged guy looks with Etienne. “She needs to get laid.” “You know, at some point, we really need to do a trial run of this thing,” Gage advised, ignoring Parker. “Seeing it in daylight is totally different than seeing it at night. If we’re gonna get the full effect, we need to walk it after dark.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
That cobra-patting Thai monk once stayed several months at our monastery in Australia. We were building our main hall and had several other building projects waiting for approval at our local council’s offices. The mayor of the local council came for a visit to see what we were doing. The mayor was certainly the most influential man in the district. He had grown up in the area and was a successful farmer. He was also a neighbor. He came in a nice suit, befitting his position as mayor. The jacket was unbuttoned, revealing a very large, Australian-size stomach, which strained at the shirt buttons and bulged over the top of his best trousers. The Thai monk, who could speak no English, saw the mayor’s stomach. Before I could stop him, he went over to the mayor and started patting it. “Oh no!” I thought. “You can’t go patting a Lord Mayor on the stomach like that. Our building plans will never be approved now. We’re done! Our monastery is finished.” The more that Thai monk, with a gentle grin, patted and rubbed the mayor’s big stomach, the more the mayor began to smile and giggle. In a few seconds, the dignified mayor was gurgling like a baby. He obviously loved every minute of having his stomach rubbed and patted by this extraordinary Thai monk. All our building plans were approved. And the mayor became one of our best friends and helpers. The most essential part of caring is where we’re coming from.
Ajahn Brahm (Who Ordered This Truckload of Dung?: Inspiring Stories for Welcoming Life's Difficulties)
Of all the times I think of at Loudcloud and Opsware, the Darwin Project was the most fun and the most hard. I worked seven days a week 8 a.m.–10 p.m. for six months straight. It was full on. Once a week I had a date night with my wife where I gave her my undivided attention from 6 p.m. until midnight. And the next day, even if it was Saturday, I’d be back in the office at 8 a.m. and stay through dinner. I would come home between 10–11 p.m. Every night. And it wasn’t just me. It was everybody in the office. The technical things asked of us were great. We had to brainstorm how to do things and translate those things into an actual product. It was hard, but fun. I don’t remember losing anyone during that time. It was like, “Hey, we gotta get this done, or we will not be here, we’ll have to get another job.” It was a tight-knit group of people. A lot of the really junior people really stepped up. It was a great growing experience for them to be thrown into the middle of the ocean and told, “Okay, swim.” Six months later we suddenly started winning proofs of concepts we hadn’t before. Ben did a great job, he’d give us feedback, and pat people on the back when we were done.
Ben Horowitz (The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers)
Sony’s expertise wasn’t in designing chips but devising consumer products and customizing the electronics they needed. Calculators were another consumer device transformed by Japanese firms. Pat Haggerty, the TI Chairman, had asked Jack Kilby to build a handheld, semiconductor-powered calculator in 1967. However, TI’s marketing department didn’t think there’d be a market for a cheap, handheld calculator, so the project stagnated. Japan’s Sharp Electronics disagreed, putting California-produced chips in a calculator that was far simpler and cheaper than anyone had thought possible.
Chris Miller (Chip War: The Fight for the World's Most Critical Technology)
If you want information,” he said in his low tones, “I am willing to take up my old connections and provide it. You need write to no one or speak to no one. It’s common enough for people to summon their own artisans for special projects.” He patted his satchel. “You are wealthy enough to enable me to sustain the cover.” “You mean I should order some jewelry made?” He nodded. “If you please, my lady.” “Of course--that’s easy enough. But to backtrack a bit, what you said about spies on both sides worries me. What if the Renselaeuses find out you’re here? Will they assume I’m plotting?” “I have taken great care to avoid their coverts,” he said. “The two who met me face-to-face last year are not in Athanarel. And none of the family has actually seen me.” Once again I sighed with relief. Then an even more unwelcome thought occurred. “If my movements are known, then other things have been noticed,” I said slowly. “Are there any I ought to know about?” He gave his nod. “It is known, among those who observe, that you do not attend any private social functions that are also attended by the Marquis of Shevraeth.” So much for my promise, I thought dismally. Yet Shevraeth hadn’t said anything. “So…this might be why Flauvic granted me that interview?” “Possibly,” he said. “I take it servants talk.” “Some,” he agreed. “Others don’t.” “I suppose the Merindar ones don’t.” He smiled. “They are very carefully selected and trained, exceedingly well paid--and if they displease, they have a habit of disappearing.” “You mean they’re found dead, and no one does anything?” He shook his head, his mouth now grim. “No. They disappear.” I shuddered. “So whatever I find out must be by observation and indirection.” “Well, if you can evaluate both sides without endangering yourself,” I said, deciding suddenly, “then go ahead. The more I think about it, the less I like being ignorant. If something happens that might require us to act, you can help me choose the correct thing to do and the way to do it.” He bowed. “Nothing would please me more, my lady,” he promised. “Good,” I said, rising to fetch my letter from the Marquise. “Here’s her letter. Read it--and as far as I care, destroy it.” I handed it to him, relieved to have it gone. “So, what’s in your bag? I will want something special,” I said, and grinned. “For someone special.
Sherwood Smith (Court Duel (Crown & Court, #2))
Next was the foursome I had been bracing myself to face all along: Tamara, Savona, the newly met Lady Elenet, and the Marquis of Shevraeth. Very conscious of Olervec’s pale eyes following me, I forced myself to greet the Marquis first: “Good morning,” I said, as if we’d been talking just the day before. “How much I wish to thank you for putting me in the way of finding the proper books for my project.” Again that laughter was evident in his glance as he sketched a bow. “If you have any further questions,” he said, “it would be my pleasure to accommodate you.” “I’d be honored.” I curtsied, my hands making the fan gesture of Unalloyed Gratitude. The shadow of humor in the corners of his mouth deepened. Then I turned to the others. Savona grinned at me, one hand moving slightly in the fencer’s salute of a good hit. I fought the urge to blush as Tamara murmured, “You’ll be in the race tomorrow?” “Of course,” I said, lifting my hands. “I have to prove whether my wins last time were luck, skill--or the kindness of well-wishers.” Tamara smiled a little. “And once you’ve proved which it is?” “Why then I either celebrate, commiserate--or fulminate!” They all laughed at that, even the quiet Elenet, though her laughter was so soft I scarcely heard it. I turned to Shevraeth and said, “Will you be there?” “I hope to be,” he said. “Riding your gray?” “Is that a challenge?” he replied with a hint of a smile. I opened my mouth, then a stray memory brought back our private wager before we reached Athanarel and nothing could prevent the heat that burned up my neck into my face; so I quickly bent over, making a business of ordering one of the flounces on my gown. After I had straightened up I’d have an excuse for a red face, or at least enough of one to pass the notice of the three who (presumably) knew nothing of that unpaid wager. “I think,” I said, retying a ribbon and patting it into place, then unbending with what I hoped was an expression of nonchalance, “I’d better find out if my luck is due to skill or kindness before I make any pledges.” “Very well,” he said. “A friendly race will suffice.” When the conversation came to a natural close, I retreated to Nee’s side and finished the rest of the picnic with her and Bran.
Sherwood Smith (Court Duel (Crown & Court, #2))
So you've all been defiling the pool house all these years and no one bothered to tell me," Vansh filled the glass up again, and yes, he sounded sulky as hell at being left out. Vansh was a good five years younger than Ashna, who was the closest to him in age. Between the age gap and the fact that he had gone off to boarding school in India at sixteen, he should have been used to the feeling by now. "Eeew," all his sisters said at once. Nisha took the glass out of Vansh's hand again. "It's a good thing we let you drink when you're underage." He was twenty-six and they all knew it. "It's illegal in the state of California for children to have sex," Trisha said, ruffling Vansh's hair with complete disregard for how much he hated his hair being ruffled. It took a lot of effort to get it to look this good. "And we're the Rajes. You're not allowed to get frisky until you're thirty." "How are you allowed to be thirty-two and call it 'getting frisky'?" Vansh said, patting his hair in place. "And for the record, I could teach you a thing or two about getting frisky." Trisha made a gagging face and then smiled. "Of course, baby." She wrapped her arms around Vansh. "You could teach most of us a thing or two about most things. You're our worldly baby brother, the light of our lives." "The apple of our eyes," Nisha said, joining the hug. "Our pride and joy," Ashna said, completing the group hug. "But we are going to have to punch you if you mention sex around us again," Trisha finished up. As his sisters squeezed him and let him go, the sting of being left out of their nefarious pool house antics, and everything else they always thought he was too young for, died down.
Sonali Dev (The Emma Project (The Rajes, #4))
Mind Magic Spells ~Mind Control Programming Mind control, thought projection, mental manipulation, and brainwashing. These are spells that either affect another's mind or body or mind- altering magic. They make things a bit more realistic. The following spells can be considered 'mental' magic: Death Trance, See Aura, Sense Evil, Sense Magic, Befuddle, Fear, Levitation, Paralysis: Lesser, Telekinesis, Astral Projection, Blind, Repel Animals, Traitorous Hand, Trance, Calling, Domination, Sleep, Compulsion, Memory Bank, Agony, Second Sight, Hallucination, Locate, Oracle, Curse: Phobia, Mute, Curse; Temporary  Insanity, Transferable, Curse; Paranoia, Friend in the Head, Curse; Neurosis, Psychic Drain, Id Barrier, and Someone Makes Them. We might extend this category to include spirit spells (like Commune with Spirit, Banishment,
Pat Holliday (Spirit of Rejection: Deliverance Root Systems)
The President of the Institute shook his hand, booming: “Stanton will be proud of you, my boy.” The Dean shook his hand, repeating: “... a glorious future ... a glorious future ... a glorious future ...” Professor Peterkin shook his hand, and patted his shoulder, saying: “... and you’ll find it absolutely essential; for example, I had the experience when I built the Peabody Post Office ...” Keating did not listen to the rest, because he had heard the story of the Peabody Post Office many times. It was the only structure anyone had ever known Professor Peterkin to have erected, before he sacrificed his practice to the responsibilities of teaching. A great deal was said about Keating’s final project—a Palace of Fine Arts. For the life of him, Keating could not remember at the moment what that project was.
Ayn Rand (The Fountainhead)
you? Sometimes I just want to prove I can do it. That I can make them comfortable, make them believe. But the question is always, Is it worth it? White institutions are constantly communicating how much Blackness they want. It begins with numbers. How many scholarships are being offered? How many seats are being “saved” for “neighborhood kids”? How many Black bodies must be present for us to have “good” diversity numbers? How many people of color are needed for the website, the commercials, the pamphlets? But numbers are only the beginning. Whiteness constantly polices the expressions of Blackness allowed within its walls, attempting to accrue no more than what’s necessary to affirm itself. It wants us to sing the celebratory “We Shall Overcome” during MLK Day but doesn’t want to hear the indicting lyrics of “Strange Fruit.” It wants to see a Black person seated at the table but doesn’t want to hear a dissenting viewpoint. It wants to pat itself on the back for helping poor Black folks through missions or urban projects but has no interest in learning from Black people’s wisdom, talent, and spiritual depth. Whiteness wants enough Blackness to affirm the goodness of whiteness, the progressiveness of whiteness, the openheartedness of whiteness. Whiteness likes a trickle of Blackness, but only that which can be controlled.
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
The Blue Moon Wish Spell The “Blue Moon” is when there are 2 full moons in one month, it is in the horoscopic symbol of Pisces. To see the dates for the blue moon click here. It illuminates intuition, creativity, and compassion.  This is the time that you should start thinking about all your wishes and intentions. As a practitioner of witchcraft, you should make sure that you perform this ritual since such an astrological opportunity only occurs “once in a Blue Moon”.  Requirements a quartz crystal a cinnamon stick A blue pen a blue candle a sheet of parchment paper 3 safety pins a glass  of spring water or wine A piece silver cord or string, of a length of 24 inches a square of blue cloth Vial of success potion (not mandatory) 1 book of matches On the day before of the Blue Moon, collect all the above items and then set a specific time for performing the spell without any distractions.  Quietly sit down with all your items as listed above and place them before you on a table.  Shut your eyes and bring your mind to silence, after that, concentrate on your breathing.  The moment you feel clear and grounded, you can open your eyes and start the spell. While lighting the candle, think of 3 things that you would like to occur by the year’s end. You can also wish for something that takes place once in a blue moon. (rarely) Pat success oil on your, wrists, temple and your neck for a boost in case you have some. Envision one particular wish coming true while holding the quartz crystal in your hands. Vision yourself doing the thing you are wishing for, or clearly see something that you wish for happen before you. Pick your pen and paper up and start writing down your wishes as you keenly visualize them. Note them down in their order of importance to you.   After you note down the three wishes on your piece of parchment, separately tear them out Attach each of your wishes to the square piece of cloth using a safety pin Place the cinnamon stick in the middle of the cloth and then inwardly fold the sides of the cloth. After that, roll it up. Tightly seal your projections by wrapping the string around the cloth nine times and after that, tie steadily with a knot. Take your wishes and walk outside with them while holding the libation of your choice. Look up to the sky or the moon.  Lift up your glass and say the following words; “On this eve of the Blue Moon, out my intents go. I request they be received, and it is so” Place the cloth containing your wishes in a concealed place where you are the only one who can see it often all the way through the coming few months as a reminder to the wishes you have made.
Edith Yates (Wicca for Beginners: A Guide to Bringing Wiccan Magic,Beliefs and Rituals into Your Daily Life)
celebratory “We Shall Overcome” during MLK Day but doesn’t want to hear the indicting lyrics of “Strange Fruit.” It wants to see a Black person seated at the table but doesn’t want to hear a dissenting viewpoint. It wants to pat itself on the back for helping poor Black folks through missions or urban projects but has no interest in learning from Black people’s wisdom, talent, and spiritual depth. Whiteness wants enough Blackness to affirm the goodness of whiteness, the progressiveness of whiteness, the openheartedness of whiteness. Whiteness likes a trickle of Blackness, but only that which can be controlled.
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
It wants to see a Black person seated at the table but doesn’t want to hear a dissenting viewpoint. It wants to pat itself on the back for helping poor Black folks through missions or urban projects but has no interest in learning from Black people’s wisdom, talent, and spiritual depth. Whiteness wants enough Blackness to affirm the goodness of whiteness, the progressiveness of whiteness, the openheartedness of whiteness. Whiteness likes a trickle of Blackness, but only that which can be controlled.
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
change is a group project
Pat Brown (The Profiler: My Life Hunting Serial Killers and Psychopaths)
All those square-jawed heroes of the old science fiction stories had it wrong. You can't save the world as we know it. I did what I could, and I did some good in the world. But you can't save the world without changing it.
Pat Murphy (Bridging Infinity)
The healing message Sevens need to hear and believe is God will take care of you. I know, easier said than done. It will take courage, determination, honesty, the help of a counselor or a spiritual director, and understanding friends to help Sevens confront painful memories and to encourage them to stay with afflictive feelings as they arise in the present moment. If Sevens cooperate with the process, they’ll grow a deep heart and become a truly integrated person. Ten Paths to Transformation for Sevens Practice restraint and moderation. Get off the treadmill that tells you more is always better. You suffer from “monkey mind.” Develop a daily practice of meditation to free yourself from your tendency to jump from one idea, topic or project to the next. Develop and practice the spiritual discipline of solitude on a regular basis. Unflinchingly reflect on the past and make a list of the people who have hurt you or whom you have hurt; then forgive them and yourself. Make amends where necessary. Give yourself a pat on the back whenever you allow yourself to feel negative emotions like anxiety, sadness, frustration, envy or disappointment without letting yourself run away to escape them. It’s a sign you’re starting to grow up! Bring yourself back to the present moment whenever you begin fantasizing about the future or making too many plans for it. Exercise daily to burn off excess energy. You don’t like being told you have potential because it means you’ll feel pressure to buckle down and commit to cultivating a specific talent, which will inevitably limit your options. But you do have potential, so what career or life path would you like to commit yourself to for the long haul? Take concrete steps to make good on the gifts God has given you. Get a journal and record your answers to questions like “What does my life mean? What memories or feelings am I running from? Where’s the depth I yearn to have that will complement my intelligence?” Don’t abandon this exercise until it’s finished. Make a commitment that when a friend or partner is hurting, you will try to simply be present for them while they are in pain without trying to artificially cheer them up.
Ian Morgan Cron (The Road Back to You: An Enneagram Journey to Self-Discovery)
Whiteness constantly polices the expressions of Blackness allowed within its walls, attempting to accrue no more than what’s necessary to affirm itself. It wants us to sing the celebratory “We Shall Overcome” during MLK Day but doesn’t want to hear the indicting lyrics of “Strange Fruit.” It wants to see a Black person seated at the table but doesn’t want to hear a dissenting viewpoint. It wants to pat itself on the back for helping poor Black folks through missions or urban projects but has no interest in learning from Black people’s wisdom, talent, and spiritual depth. Whiteness wants enough Blackness to affirm the goodness of whiteness, the progressiveness of whiteness, the openheartedness of whiteness. Whiteness likes a trickle of Blackness, but only that which can be controlled.
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
That’s perfectly all right. It doesn’t bother me at all to see Jerome. In fact, I have decided that the entire experience of dating him, even though it turned out to be a waste of time on one level, has actually, on another level, taught me a very valuable lesson.” “The importance of knowing five ways to kill a person without being caught?” Annie suggested. “It taught me,” Kate replied, “that romance is merely an illusion. On one level, it seems real, but on a higher, more evolved level, it is nothing but a projection of our own imaginations.” “Kate, you know that you only start going on about levels when you’re upset,” Sarah said. “And no one even understands what you’re talking about either.” “I,” Kate said, enunciating as clearly as possible, “am never going to fall in love again.” “Don’t be silly, Kate, you’re just upset right now.” Sarah patted Kate’s arm, then unwrapped another packet from her lunch. “Oh yay, chocolate chip. Want some?
Suzanne Harper (The Juliet Club)
I felt like I had no more stories, no more speeches, and no more “rah-rah” in me. I decided to level with the team and see what happened. I called an all engineering meeting and gave the following speech: “I have some bad news. We are getting our asses kicked by BladeLogic and it’s a product problem. If this continues, I am going to have to sell the company for cheap. There is no way for us to survive if we don’t have the winning product. So, I am going to need every one of you to do something. I need you to go home tonight and have a serious conversation with your wife, husband, significant other, or whoever cares most about you and tell them, ‘Ben needs me for the next six months.’ I need you to come in early and stay late. I will buy you dinner, and I will stay here with you. Make no mistake, we have one bullet left in the gun and we must hit the target.” At the time, I felt horrible asking the team to make yet another big sacrifice. Amazingly, I found out while writing this book that I probably should have felt good about it. Here’s what Ted Crossman, one of my best engineers, said about that time and the launch of the aptly named Darwin Project many years later: Of all the times I think of at Loudcloud and Opsware, the Darwin Project was the most fun and the most hard. I worked seven days a week 8 a.m.–10 p.m. for six months straight. It was full on. Once a week I had a date night with my wife where I gave her my undivided attention from 6 p.m. until midnight. And the next day, even if it was Saturday, I’d be back in the office at 8 a.m. and stay through dinner. I would come home between 10–11 p.m. Every night. And it wasn’t just me. It was everybody in the office. The technical things asked of us were great. We had to brainstorm how to do things and translate those things into an actual product. It was hard, but fun. I don’t remember losing anyone during that time. It was like, “Hey, we gotta get this done, or we will not be here, we’ll have to get another job.” It was a tight-knit group of people. A lot of the really junior people really stepped up. It was a great growing experience for them to be thrown into the middle of the ocean and told, “Okay, swim.” Six months later we suddenly started winning proofs of concepts we hadn’t before. Ben did a great job, he’d give us feedback, and pat people on the back when we were done.
Ben Horowitz (The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers)
It wants to pat itself on the back for helping poor Black folks through missions or urban projects but has no interest in learning from Black people’s wisdom, talent, and spiritual depth. Whiteness wants enough Blackness to affirm the goodness of whiteness, the progressiveness of whiteness, the openheartedness of whiteness. Whiteness likes a trickle of Blackness, but only that which can be controlled.
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)