Problematic Wife Quotes

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Situated in the center of family values debates is an imagined traditional family ideal. Formed through a combination of marital and blood ties, "normal" families should consist of heterosexual, racially homogeneous couples who produce their own biological children. Such families should have a specific authority structure, namely, a father-head earning an adequate family wage, a stay-at-home wife and mother, and children. Idealizing the traditional family as a private haven from a public world, family is seen as being held together through primary emotional bonds of love and caring. assuming a relatively fixed sexual division of labor, wherein women's roles are defined as primarily in the home with men's in the public world of work, the traditional family ideal also assumes the separation of work and family. Defined as a natural or biological arrangement based on heterosexual attraction, instead this monolithic family type is actually supported by government policy. It is organized not around a biological core, but a state-sanctioned, heterosexual marriage that confers legitimacy not only on the family structure itself but on children born in this family. In general, everything the imagined traditional family ideal is thought to be, African-American families are not. Two elements of the traditional family ideal are especially problematic for African-American women. First, the assumed split between the "public" sphere of paid employment and the "private" sphere of unpaid family responsibilities has never worked for U.S. Black women. Under slavery, U.S. Black women worked without pay in the allegedly public sphere of Southern agriculture and had their family privacy routinely violated. Second, the public/private binary separating the family households from the paid labor market is fundamental in explaining U.S. gender ideology. If one assumes that real men work and real women take care of families, then African-Americans suffer from deficient ideas concerning gender. in particular, Black women become less "feminine," because they work outside the home, work for pay and thus compete with men, and their work takes them away from their children. Framed through this prism of an imagined traditional family ideal, U.S. Black women's experiences and those of other women of color are typically deemed deficient. Rather than trying to explain why Black women's work and family patterns deviate from the seeming normality of the traditional family ideal, a more fruitful approach lies in challenging the very constructs of work and family themselves. Understandings of work, like understandings of family, vary greatly depending on who controls the definitions.
Patricia Hill Collins (Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment)
In the same essay, Said (who is reviewing Peter Stansky and William Abrams, co-authors obsessed with the Blair/Orwell distinction) congratulates them on their forceful use of tautology: ‘Orwell belonged to the category of writers who write.’ And could afford to write, they might have added. In contrast they speak of George Garrett, whom Orwell met in Liverpool, a gifted writer, seaman, dockworker, Communist militant, ‘the plain facts of [whose] situation—on the dole, married and with kids, the family crowded into two rooms—made it impossible for him to attempt any extended piece of writing.’ Orwell’s writing life then was from the start an affirmation of unexamined bourgeois values. This is rather extraordinary. Orwell did indeed meet Garrett in Liverpool in 1936, and was highly impressed to find that he knew him already through his pseudonymous writing—under the name Matt Lowe—for John Middleton Murry’s Adelphi. As he told his diary: I urged him to write his autobiography, but as usual, living in about two rooms on the dole with a wife (who I gather objects to his writing) and a number of kids, he finds it impossible to settle to any long work and can only do short stories. Apart from the enormous unemployment in Liverpool, it is almost impossible for him to get work because he is blacklisted everywhere as a Communist. Thus the evidence that supposedly shames Orwell by contrast is in fact supplied by—none other than Orwell himself! This is only slightly better than the other habit of his foes, which is to attack him for things he quotes other people as saying, as if he had instead said them himself. (The idea that a writer must be able to ‘afford’ to write is somewhat different and, as an idea, is somewhat—to use a vogue term of the New Left—‘problematic’. If it were only the bourgeois who were able to write, much work would never have been penned and, incidentally, Orwell would never have met Garrett in the first place.)
Christopher Hitchens
Georgia pines flew past the windows of the Greyhound bus carrying Isaac Woodard home to Winnsboro, South Carolina. After serving four years in the army in World War II, where he had earned a battle star, he had received an honorable discharge earlier that day at Camp Gordon and was headed home to meet his wife. When the bus stopped at a small drugstore an hour outside Atlanta, Woodard asked the white driver if he could go to the restroom and a brief argument ensued. About half an hour later, the driver stopped again and told Woodard to get off the bus. Crisp in his uniform, Woodard stepped from the stairs and saw white police waiting for him. Before he could speak, one of the officers struck him in the head with a billy club, then continued to beat him so badly that he fell unconscious. The blows to Woodard’s head were so severe that when he woke in a jail cell the next day, he could not see. The beating occurred just four and a half hours after the soldier’s military discharge. At twenty-six, Woodard would never see again.83 There was nothing unusual about Woodard’s horrific maiming. It was part of a wave of systemic violence that had been deployed continuously against Black Americans for decades since the end of Reconstruction, in both the North and the South. As the racially egalitarian spirit of post–Civil War America evaporated under the desire for national reunification, Black Americans, simply by existing, served as a problematic reminder of this nation’s failings. White America dealt with this inconvenience by constructing a savagely enforced system of racial apartheid that excluded Black people almost entirely from
Nikole Hannah-Jones (The 1619 Project: A New Origin Story)
Georgia pines flew past the windows of the Greyhound bus carrying Isaac Woodard home to Winnsboro, South Carolina. After serving four years in the army in World War II, where he had earned a battle star, he had received an honorable discharge earlier that day at Camp Gordon and was headed home to meet his wife. When the bus stopped at a small drugstore an hour outside Atlanta, Woodard asked the white driver if he could go to the restroom and a brief argument ensued. About half an hour later, the driver stopped again and told Woodard to get off the bus. Crisp in his uniform, Woodard stepped from the stairs and saw white police waiting for him. Before he could speak, one of the officers struck him in the head with a billy club, then continued to beat him so badly that he fell unconscious. The blows to Woodard’s head were so severe that when he woke in a jail cell the next day, he could not see. The beating occurred just four and a half hours after the soldier’s military discharge. At twenty-six, Woodard would never see again.83 There was nothing unusual about Woodard’s horrific maiming. It was part of a wave of systemic violence that had been deployed continuously against Black Americans for decades since the end of Reconstruction, in both the North and the South. As the racially egalitarian spirit of post–Civil War America evaporated under the desire for national reunification, Black Americans, simply by existing, served as a problematic reminder of this nation’s failings. White America dealt with this inconvenience by constructing a savagely enforced system of racial apartheid that excluded Black people almost entirely from mainstream American life—a system so grotesque that Nazi Germany would later take inspiration from it for its own racist policies.84
Nikole Hannah-Jones (The 1619 Project: A New Origin Story)
Clearly, the “midlife crisis” genre draped a veil of narcissism over the entire enterprise of individual development. In the era of Levinson’s Jim Tracy, an individual problem, “I’m unhappy with my wife,” gave rise to an individualistic solution, “I need a divorce.” But the resulting critiques leveled against “individualistic marriage,” “consumer marriage,” and “expressive divorce” were also problematic; in their effort to protect children from their parents’ misguided seeking, they shortchanged people’s authentic emotional longings. The “heroic” midlife crisis genre wrongly characterized the connection of individuality and intimacy, by suggesting that we develop ourselves by casting off relationships we’ve done little to change. But if we’ve learned anything from the profusion of research on marriage and emotions, it’s that emotions are not best managed by simple suppression. Staying married by stifling individual needs isn’t a solution either. Happily,
Daphne de Marneffe (The Rough Patch: Marriage and the Art of Living Together)
Unfortunately the wife he got was weak and a slut, something he would never allow himself to have.
R.L. Mathewson (Without Regret (Pyte/Sentinel, #2))
Locating all responsibility for belief at the level of character is problematic. First, our tendency to blame people with whom we have little experience casts doubt on the character-centered view. It seems like we are able to make justified general claims about what adult believers should or should not believe, and we blame them for particular beliefs, regardless of what their general doxastic tendencies are. Consider someone who does, for example, possess the epistemic virtue of wisdom, who as Owens puts it, “knows to whom credit is due, at what point to form a view, when to open his mind and when to close it,” and most of the time believes in such a way that manifests this virtue. If, one time, perhaps when overcome with jealousy, he forms the false belief that his wife is unfaithful on insufficient evidence, would it really make sense for us to say, “Shame on you, you are lacking merit as a person as you clearly have not cultivated the virtue of wisdom”? Can we really even assess whether someone possesses a particular virtue based on one instance? It seems not, but blame still seems appropriate in this one instance. He is blameworthy because he has a belief he ought not to have, and, I will argue, at least a part of our blame does indicate we think he has failed to exercise a kind of control.
Miriam McCormick (Believing Against the Evidence: Agency and the Ethics of Belief (Routledge Studies in Contemporary Philosophy))
Dearest Eva, Something has happened to me that I realise I have to tell you about. I’m so happy, so elated and relieved. You know I feel like Atos’s wife, and I expect I always shall. But what has happened now is that I’ve fallen madly in love with a woman. And it seems to me so absolutely natural and genuine – there’s nothing problematic about it at all. I just feel proud and uncontrollably glad. These last weeks have been like one long dance of rich adventure, tenderness, intensity – an expedition into new realms of great simplicity and beauty.
Tove Jansson (Letters from Tove)
If a daughter is forced to take sides in a divorce, things become more problematic. Her attitude toward one or other of the sexes will drastically alter at this time. She will either become more masculinized or less so depending on the behavior of her parents toward her. She may be inclined to identify with her father since his parting from his wife gratifies two strong subconscious needs. She, the daughter, is now the primary female in her father's life, and by sticking with him she wins a deeply desired victory over her "castrating" mother. On the other hand if she sides with her mother, for whatever reason, her conception of males is likely to considerably deteriorate.
Michael Tsarion (Dragon Mother: A New Look at the Female Psyche)