Probably Missing Quotes

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They say when you are missing someone that they are probably feeling the same, but I don't think it's possible for you to miss me as much as I'm missing you right now
Edna St. Vincent Millay
It's probably a bad indicator of your lifestyle when you miss your ex-boyfriend because he's absolutely lethal.
Charlaine Harris (Dead to the World (Sookie Stackhouse, #4))
…the sad part is, that I will probably end up loving you without you for much longer than I loved you when I knew you. Some people might find that strange. But the truth of it is that the amount of love you feel for someone and the impact they have on you as a person, is in no way relative to the amount of time you have known them.
Ranata Suzuki
I missed the future. Obviously I knew even before his recurrence that I'd never grow old with Augustus Waters. But thinking about Lidewij and her boyfriend, I felt robbed. I would probably never again see the ocean from thirty thousand feet above, so far up that you can't make out the waves or any boats, so that the ocean is a great and endless monolith. I could imagine it. I could remember it. But I couldn't see it again, and it occurred to me that the voracious ambition of humans is never sated by dreams coming true, because there is always the thought that everything might be done better and again.
John Green (The Fault in Our Stars)
I'd missed Annabeth probably more than I wanted to admit.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
I miss us, too. I always have, and probably always will
Emily Giffin (Love the One You're With)
Hadley didn't know it was possible to miss someone who's only a few feet away, but there it is.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
Miss Cecily," she gasped, and then her eyes went to Will. She clapped a hand over her mouth, turned, and bolted back into the house. "Oh, dear," said Tessa. "I have that effect on women," Will said. " I probably should have warned you before you agreed to marry me." "I can still change my mind," Tessa said sweetly. "Don't you dare-," he began with a breathless half laugh.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
And see those clouds?' 'Hard to miss' 'Those are cumulus clouds. Did you know that?' 'I'm sure I should.' They're the best ones.' 'How come?' Because they look the way clouds are supposed to look, the way you draw them when you're a kid. Which is nice, you know? ...
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
If you think something is missing in your life, it is probably YOU...
Robert Holden
He sighs. "I miss the days when females could be ordered around and they'd have no choice." "Sure that wasn't just a myth? I'm pretty sure nobody ever ordered my mom around - ever." "You're probably right. The unruliness of the women in your family must go back for generations. You're like a plague upon the land.
Susan Ee (World After (Penryn & the End of Days, #2))
I had a missed call. It’s probably the all you can eat buffet calling to say, “Come back! We know you can eat just a little bit more.
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
As far as we can tell from a purely scientific viewpoint, human life has absolutely no meaning. Humans are the outcome of blind evolutionary processes that operate without goal or purpose. Our actions are not part of some divine cosmic plan, and if planet earth were to blow up tomorrow morning, the universe would probably keep going about its business as usual. As far as we can tell at this point, human subjectivity would not be missed. Hence any meaning that people inscribe to their lives is just a delusion.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
I miss us too. I always have and I probably always will. Sometimes there are no happy endings. No matter what, I'll be losing something, someone. But maybe that's what it all comes down to. Love, not as a surge of passion, but as a choice to commit to something, someone, no matter what obstacles or temptations stand in the way. And maybe making that choice again and again, day in and day out, year after year,says more about love than never having a choice to make at all.
Emily Giffin (Love the One You're With)
My purpose, my whole life, had been to love him and be with him, to make him happy. I didn’t want to cause any unhappiness now—in that way, I decided it was probably better than he wasn’t here to see this, though I missed him so much at that moment the ache of it was as bad as the strange pains in my belly.
W. Bruce Cameron (A Dog's Purpose (A Dog's Purpose, #1))
I've come to realize that however blue my circumstances, if after finishing a chapter of a Dickens novel I feel a miss-my-stop-on-the-train sort of compulsion to read on, then everything is probably going to be just fine.
Amor Towles (Rules of Civility)
Be thankful for your allotment in an imperfect world.  Though better circumstances can be imagined, far worse are nearer misses than you probably care to realize.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
Helen decided that the saying about "time healing all wounds" was a bunch of bull and probably only worked for people with very poor memories. The time she's spent apart from Lucas hadn't healed anything. The distance only made her miss him more.
Josephine Angelini (Dreamless (Starcrossed, #2))
I've got this tiny pang of regret when I think of how much I have probably missed out on in the last few years because I was too scared to take a risk, or too shy to speak up, or too worried to be bold. It is my one wild and precious life, after all.
Jessi Kirby (Golden)
I’m not laughing.” I was actually crying. “And please don’t laugh at me now, but I think the reason it’s so hard for me to get over this guy is because I seriously believed David was my soul mate. ”He probably was. Your problem is you don’t understand what that word means. People think a soul mate is your perfect fit, and that’s what everyone wants. But a true soul mate is a mirror, the person who shows you everything that’s holding you back, the person who brings you to your own attention so you can change your life. A true soul mate is probably the most important person you’ll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. And thank God for it. Your problem is, you just can’t let this one go. It’s over, Groceries. David’s purpose was to shake you up, drive you out of your marriage that you needed to leave, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life, then introduce you to your spiritual master and beat it. That was his job, and he did great, but now it’s over. Problem is, you can’t accept that his relationship had a real short shelf life. You’re like a dog at the dump, baby – you’re just lickin’ at the empty tin can, trying to get more nutrition out of it. And if you’re not careful, that can’s gonna get stuck on your snout forever and make your life miserable. So drop it.“But I love him.” “So love him.” “But I miss him.” “So miss him. Send him some love and light every time you think about him, then drop it. You’re just afraid to let go of the last bits of David because then you’ll be really alone, and Liz Gilbert is scared to death of what will happen if she’s really alone. But here’s what you gotta understand, Groceries. If you clear out all that space in your mind that you’re using right now to obsess about this guy, you’ll have a vacuum there, an open spot – a doorway. And guess what the universe will do with the doorway? It will rush in – God will rush in – and fill you with more love than you ever dreamed. So stop using David to block that door. Let it go.
Elizabeth Gilbert (Eat, Pray, Love)
The only thing missing was Miles. But he was probably circling somewhere, destroying villages and hoarding gold in his mountain lair.
Francesca Zappia (Made You Up)
I miss you terribly sometimes, but in general I go on living with all the energy I can muster. Just as you take care of the birds and the fields every morning, every morning I wind my own spring. I give it some 36 good twists by the time I've got up, brushed my teeth, shaved, eaten breakfast, changed my clothes, left the dorm, and arrived at the university. I tell myself, "OK, let's make this day another good one." I hadn't noticed before, but they tell me I talk to myself a lot these days. Probably mumbling to myself while I wind my spring.
Haruki Murakami (Norwegian Wood)
For tea she went down to see Misses Spink and Forcible. She had three digestive biscuits, a glass of limeade, and a cup of weak tea. The limeade was very interesting. It didn't taste anything like limes. It tasted bright green and vaguely chemical. Coraline liked it enormously. She wished they had it at home. "How are your dear mother and father?" asked Miss Spink. "Missing," said Coraline. "I haven't seen either of them since yesterday. I'm on my own. I think I've probably become a single child family.
Neil Gaiman (Coraline)
So, how was work? You clearly missed me.” I put my hands on my face in embarrassment and he just laughs a bit to himself. “It was boring.” It’s the truth. “No one to antagonize, huh?” “I tried abusing some of the gentle folk in payroll but they got all teary.” “The trick is to find that one person who can give it back as good as they can take it.” He takes out a pan and begins to fry the vegetables in a single, stingy drop of oil. “Sonja Rutherford, probably. That scary lady in the mailroom that looks like an albino Morticia Addams.” “Don’t line my replacement up too quick. You’ll hurt my feelings.
Sally Thorne (The Hating Game)
When a mother dies, a daughter grieves. And then her life moves on. She does, thankfully, feel happiness again. But the missing her, the wanting her, the wishing she were still here—I will not lie to you, although you probably already know. That part never ends.
Hope Edelman (Motherless Daughters: The Legacy of Loss)
While I love romance, I’ve never believed in the concept of soul mates, which has always seemed a little like men’s rights activism: not a real thing. Love isn’t immediate or automatic; it takes effort and time and patience. The truth of it was that I’d probably never have the kind of luck with love the women who live in fictional seaside towns do. But sometimes I get this strange feeling, an ache not for something I miss, but for something I’ve never known.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
She looks at me out of the side of her uncovered eye. "Chess, Zombie: defending yourself from the move that hasn't happened yet. Does it matter that he doesn't light up through our eyepieces? That he missed us when he could have taken us own? If two possibilities are equally probable but mutually exclusive, which one matters the most? Which one do you bet your life on?
Rick Yancey (The 5th Wave (The 5th Wave, #1))
To the most inconsiderate asshole of a friend, I’m writing you this letter because I know that if I say what I have to say to your face I will probably punch you. I don’t know you anymore. I don’t see you anymore. All I get is a quick text or a rushed e-mail from you every few days. I know you are busy and I know you have Bethany, but hello? I’m supposed to be your best friend. You have no idea what this summer has been like. Ever since we were kids we pushed away every single person that could possibly have been our friend. We blocked people until there was only me and you. You probably haven’t noticed, because you have never been in the position I am in now. You have always had someone. You always had me. I always had you. Now you have Bethany and I have no one. Now I feel like those other people that used to try to become our friend, that tried to push their way into our circle but were met by turned backs. I know you’re probably not doing it deliberately just as we never did it deliberately. It’s not that we didn’t want anyone else, it’s just that we didn’t need them. Sadly now it looks like you don’t need me anymore. Anyway I’m not moaning on about how much I hate her, I’m just trying to tell you that I miss you. And that well . . . I’m lonely. Whenever you cancel nights out I end up staying home with Mum and Dad watching TV. It’s so depressing. This was supposed to be our summer of fun. What happened? Can’t you be friends with two people at once? I know you have found someone who is extra special, and I know you both have a special “bond,” or whatever, that you and I will never have. But we have another bond, we’re best friends. Or does the best friend bond disappear as soon as you meet somebody else? Maybe it does, maybe I just don’t understand that because I haven’t met that “somebody special.” I’m not in any hurry to, either. I liked things the way they were. So maybe Bethany is now your best friend and I have been relegated to just being your “friend.” At least be that to me, Alex. In a few years time if my name ever comes up you will probably say, “Rosie, now there’s a name I haven’t heard in years. We used to be best friends. I wonder what she’s doingnow; I haven’t seen or thought of her in years!” You will sound like my mum and dad when they have dinner parties with friends and talk about old times. They always mention people I’ve never even heard of when they’re talking about some of the most important days of their lives. Yet where are those people now? How could someone who was your bridesmaid 20 years ago not even be someone who you are on talking terms with now? Or in Dad’s case, how could he not know where his own best friend from college lives? He studied with the man for five years! Anyway, my point is (I know, I know, there is one), I don’t want to be one of those easily forgotten people, so important at the time, so special, so influential, and so treasured, yet years later just a vague face and a distant memory. I want us to be best friends forever, Alex. I’m happy you’re happy, really I am, but I feel like I’ve been left behind. Maybe our time has come and gone. Maybe your time is now meant to be spent with Bethany. And if that’s the case I won’t bother sending you this letter. And if I’m not sending this letter then what am I doing still writing it? OK I’m going now and I’m ripping these muddled thoughts up. Your friend, Rosie
Cecelia Ahern (Love, Rosie)
I turn to head outside when the boys make their way back into the house. Kel stops in the doorway and puts his hands on his hips, then looks up at me. “Are you my sister’s boyfriend?” I’m thrown off by his directness. I pull my jacket on and shake my head. “Um, no. Just her friend.” “She told my mom you were taking her on a date. I thought only boyfriends took girls on dates.” “Well,” I pause. “Sometimes boys take girls on dates to see if they want them to be their girlfriend.” I notice Caulder standing beside me, taking in the conversation as if he’s just as curious. I wasn’t prepared to have to explain the rules of dating right now. “So it’s like a test?” Caulder asks. “To see if you want Layken to be your girlfriend?” I shrug and nod. “Yeah, I guess you could say that.” Kel laughs. “You aren’t gonna like her. She burps a lot. And she’s bossy. And she never lets me drink coffee, so she probably won’t let you have any, either. And she has really bad taste in music and sings way too loud and leaves her bras all over the house. It’s gross.” I laugh. “Thanks for the warning. You think it’s too late to back out now?” Kel shakes his head, missing my sarcasm completely. “No, she’s already dressed so you have to take her now.” I sigh, pretending to be annoyed. “Well, it’s just a few hours. Hopefully she won’t burp a lot and boss me around and steal my coffee and sing to her really bad music and leave her bra in my car.” Or hopefully she will.
Colleen Hoover (This Girl (Slammed, #3))
The idea that their paths might have easily not crossed leaves her breathless, like a near-miss accident on a highway, and she can't help marveling at the sheer randomness of it all. Like any survivor of chance, she feels a quick rush of thankfulness, part adrenaline and part hope.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
Thaniel listened for a while longer, because the silence was so deep and clear that he could hear ghosts of the thirty-six of thirty-seven possible worlds in which Grace had not won at the roulette, and not stepped backward into him. He wished then that he could go back and that the ball had landed on another number. He would be none the wiser and he would be staying at Filigree Street, probably for years, still happy, and he wouldn't have stolen those years from a lonely man who was too decent to mention that they were missing.
Natasha Pulley (The Watchmaker of Filigree Street (The Watchmaker of Filigree Street, #1))
I miss you. Sorry. Was that too much? I know it’s only been a few days. Maybe this is why people don’t want to go out with me. Not that you’re really going out with me anyway. I hope I didn’t sound presumptuous. I’m probably sounding really weird now. I’m assuming you’re not texting back because you’re still asleep. Not because you think I’m disgustingly clingy. If you’re awake and think I’m disgustingly clingy, could you at least tell me. Right. You’re probably asleep. And now you’re going to wake up and read all this and I’m going to die of embarrassment. Sorry.
Alexis Hall (Boyfriend Material (London Calling, #1))
...if you are one tardy away from missing out on a big competition, you should probably make your coffee at home.
Lauren Oliver (Before I Fall)
But whether he was happy or not was hard to say. Probably he was neither, just as a plant is neither.
Nathanael West (Miss Lonelyhearts & The Day of the Locust)
In the end, there probably isn't much difference between being in love and acting like you're in love.
Dan Chaon (Among the Missing)
When you give your heart away, you usually get it back in pieces, fragments. And often, a great deal of time passes before you realize that every piece wasn’t returned to you—and probably never will be. You crave nothing more than to get those small—but vital—fragments back; to return to the unbroken, undamaged version of yourself. But what's been broken cannot be unbroken, and so all you can do is learn to live with the void of the missing pieces, to somehow find beauty in the wreckage. And so I did. Sophie Lenon
Krystal M (My Darrling)
Miss Temminnick, you are in receipt of the highest marks we have ever given in a six-month review. Your mind seems designed for espionage. Nevertheless, you veer away from perfect in matters of etiquette. Do not let these marks go to your head; there are many girls at this school who are better than you. Our biggest concern is what you get up to when we are not watching. Because, if nothing else, this test has told us you are probably spying on us, as well as everyone around you.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
I said that I am in love with you. I've tried not to be, I really have, but it's just useless. I know you don't feel the same way about me, but I had to tell you because... well, you're all I think about. All the time. I miss you every second that you're not with me... and I know you won't want to be around me anymore, but, Camilla... you're one of the best friends I've ever had. You're smart and amazing and weird and probably the most beautiful person I've ever seen... and before I met you, all I wanted was just to fast-forward through everything. But, really, I think my life was just paused, or something. You... made me press play. You made everything move. And no matter where you go, or whatever you feel about me... I will love you forever for that.
Melissa Keil (Life in Outer Space)
This man was a rogue, not because circumstances forced him to be a criminal but because he was born that way. He was probably conning his mother out of her milk the moment he could grin. He'd charm the clothes off a virgin in twenty minutes. And if the poor fool took him home, he'd drink her dad under the table, beguile her mother, charm her grandparents, and treat the girl to a night she'd never forget. In the morning, her dad would be sick with alcohol poisoning, the good silver would be missing together with the family car, and in a month, both the former virgin and her mother would be expecting.
Ilona Andrews (Fate's Edge (The Edge, #3))
And I need you to know that if you send me away, I'll go, and I'll be fine. I'll be sad, but I'll be fine. I'll live and I'll write and I'll miss you and think about you, and, truthfully, I'll probably wank over you, and I'll be depressed sometimes and mad sometimes, but you won't have to worry because I'll be fine. I never used to believe it, but I know it now.
Alexis Hall (Glitterland (Spires, #1))
Unless Sophronia missed her guess, the poor lad was already developing romantic feelings toward her friend. Many of the sooties probably were. Dimity was so pretty and chattery, she quite overpowered the average male. Many gentlemen were unable to cope with abundant chatter, which is why they so often married it.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
Ash shook his head, but I saw the shadow of a smirk on his face. “You know I'm probably going to kill you soon, right?” he muttered as we headed off into the trees. “Old news, ice-boy.” I chuckled, falling into step beside him. “And you know I wouldn't miss it for the world.
Julie Kagawa (Summer's Crossing (Iron Fey, #3.5))
Miss Lynn came around the corner of the row of lockers,glaring daggers. No, daggers would be too delicate a weapon for her.Glaring sledgehammers was probably more appropriate.
Kiersten White (Supernaturally (Paranormalcy, #2))
Why the hell would anyone be eating at the Grease Trap? I’ve seen flies die from buzzing by that place.” Andrea crossed her arms. “Oh, I don’t know, probably because your career just ended and you are depressed and don’t feel like breathing, let alone going out, but your body still needs food and that’s the closest place to your apartment and they don’t mind if you bring a giant dog with you.” “What, you couldn’t find a Dumpster that was closer?” Andrea glared at me. “What are you implying?” “The Dumpster would have better food in it.” “Well, excuse me, Miss Fine Dining.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
Christmas is the season for miracles, you know. Sometimes they come big and loud, I guess—but I’ve never seen one of those. I think probably most miracles are a lot smaller, and sort of still, and so quiet, you could miss them.
Gary D. Schmidt (Orbiting Jupiter)
Just shut up and start sucking each other's faces already," Vida grumbled, leaning awkwardly against the stump. She would never admit it aloud, but I knew the burns on her back her eating her alive with pain. "I'm trying to make up for the sleep I lost when you started screeching at each other like cats in heat." "Miss Vida," Liam said, "has anyone ever told you that you are positively the whipped cream on the sundae of life?" She glared at him. "Anyone ever told you your head is shaped like a pencil?" "That is physically impossible," Chubs groused. "He'd be--" "Actually," Liam began, "Cole once did try to-- What?" "Oh, I'm sorry," Chub said, "apparently the middle of my sentence interrupted the beginning of yours. Do continue." "I'm going to guess you probably don't want to hear about the time he pushed my head through the neighbours fence..." "Was there a lot of blood?" Vida asked, suddenly interested. "Did you lose an ear?" Liam held his hands up next to his ears, indicating both were firmly attached to his skull. "Then, no" she said. "No one wants to hear your boring-ass story.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
There were signs. Probably more of them than I ever caught, even after the fact. But I missed them all. Maybe because I wasn’t looking for them. I was too busy checking over my shoulder at the fire I’d just come through to pay much attention to the thousand-foot cliff looming in front of me.
Gayle Forman (Where She Went (If I Stay, #2))
I suppose you’ve got your future all figured out?” “No. I just know I’m going to get my mother out of that place and try to build some kind of life for us.” Wylan nodded to the posters on the wall. “Is this really what you want? To be a criminal? To keep bouncing from the next score to the next fight to the next near miss?” “Honestly?” Jesper knew Wylan probably wasn’t going to like what he said next. “It’s time,” Kaz said from the doorway. “Yes, this is what I want,” said Jesper. Wylan looped his satchel over his shoulder, and without thinking, Jesper reached out and untwisted the strap. He didn’t let go. “But it’s not all that I want.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
But I've come to realie that however blue my circumstance,s if after finishing a chapter of a Dickens novel I feel a miss-my-stop-on-the-train sort of compulsion to read on, then everything is probably going to be just fine.
Amor Towles (Rules of Civility)
What sucks even more is getting hung up on the "what is he thinking and feeling?" shit. Does he miss me as much as I miss him? No. If he did, you'd know it by his actions. Is he seeing someone else? Maybe. Probably. Or at least he's planning on it. Again-it sucks, but if you get real about it you'll realize that knowing the answers to these questions still doesn't change the fact that your relationship didn't make the cut.
Greg Behrendt
I'm in a weird-ass mood today, Doc. Wired up, mind all over the place, looking for answers, reasons something solid to cling to, something real, but just when I think I've got it figured out and neatly filed under fixed instead of fucked, turns out I'm still shattered, scattered, and battered. But you probably already knew that, didn't you?...You might not be able to help me. That makes me sad, but not for me. It makes me sad for you. It must be frustrating for a shrink to have a patient who's beyond fixing. That first shrink I saw when I got back to Clayton Falls told me no one is a lost cause, but I think that's bullshit. I think people can be so crushed, so broken, that they'll never be anything more than a fragment of a whole person. (129)
Chevy Stevens (Still Missing)
It's not like it ruined my life, I was going to say, but then I didn't. Because it occurred to me that maybe it had ruined my life, in a kind of quiet way--a little lie, probably not so vital, insidiously separating me from everyone I loved.
Dan Chaon (Among the Missing)
Of course,” said Mik, without missing a beat. “However, as cool a word as samurai is, I don’t think it’s what we really mean. We just want to be able to kick ass, right?” “Well, definitely don’t phrase it that way. We’d probably just become highly skilled at kicking people in the ass. Don’t turn your back on them,” she intoned. “They never miss.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
So I'm back again to the eternal question, the one that has plagued me all my life: How Do Other People Do It? How come they were given life's rule book and I missed out? Where was I when God was dispensing capability and cop on? Looking at shoes, probably.
Marian Keyes (Further Under the Duvet)
Here's the last thing that occurs to me as Sarah recedes in the rearview mirror, slamming out of the car, jogging across the parking lot: If you're one tardy away from missing out on a big competition, you should probably make your coffee at home.
Lauren Oliver (Before I Fall)
Don’t envy things you wouldn’t actually want. Don’t absorb criticism from people you wouldn’t go to for advice. Don’t fear missing parties you would probably want to leave. Don’t worry about fitting in. Be your own tribe. Don’t argue with people who will never understand you. Don’t believe anyone has it all figured out. Don’t imagine there is an amount of money or success or fame that could insulate you from pain. Don’t think there is a type of face or job or relationship that safeguards happiness. Don’t say yes to things you wish you had the confidence to say no to. Don’t worry if you do.
Matt Haig (The Comfort Book)
Ouch," he said. "Move your foot." "No." "Go away." "Glad to see you, too." "What are you doing here?" I asked. "You missed the bus," he said. "I'm sick." "Need chicken soup?" "Actually, it's my period," I lied. "Killer cramps." "Chocolate and a heating pad?" "How do you know that?" "I have an older sister and my mom is a kick-ass feminist," he said. "I'm probably the only guy in school who can buy tampons without having a seizure. Look, at that, I can even say the word. 'Tampon, tampon, tampon.' If you say it enough, it stops sounding like a word, know what I mean?
Laurie Halse Anderson (The Impossible Knife of Memory)
What the hell are you doing up there?' So he slipped, of course, because he was startled, and because fate, having been so kind to him as to award him this ecstasy, retributively was going to kill him now. He lost his footing and grabbed for the chimney but missed. Head over thighs he rolled out like a child's toy, smashed into the poking branches of the damn pear tree, which probably saved his life, breaking his fall. He landed with a thud on a bed of lettuces, and the wind was knocked out of him, mortifyingly so, through all available orifices. Oh, brilliant,' said the voice. 'The trees are dropping their fruits early this year.
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
And I knew that it was possible he wasn't entirely right for me, but I also knew, in some way, that probably no one was right for me and potentially no one was right for anyone, but I also felt, with uncharacteristic sincerity, that we were as right for each other as any two people could manage.
Catherine Lacey (Nobody Is Ever Missing)
Television's perfect. You turn a few knobs, a few of those mechanical adjustments at which the higher apes are so proficient, and lean back and drain your mind of all thought. And there you are watching the bubbles in the primeval ooze. You don't have to concentrate. You don't have to react. You don't have to remember. You don't miss your brain because you don't need it. Your heart and liver and lungs continue to function normally. Apart from that, all is peace and quiet. You are in the man's nirvana. And if some poor nasty minded person comes along and says you look like a fly on a can of garbage, pay him no mind. He probably hasn't got the price of a television set.
Raymond Chandler
In life, the question is not if you will have problems, but how you are going to deal with your problems. If the possibility of failure were erased, what would you attempt to achieve? The essence of man is imperfection. Know that you're going to make mistakes. The fellow who never makes a mistake takes his orders from one who does. Wake up and realize this: Failure is simply a price we pay to achieve success. Achievers are given multiple reasons to believe they are failures. But in spite of that, they persevere. The average for entrepreneurs is 3.8 failures before they finally make it in business. When achievers fail, they see it as a momentary event, not a lifelong epidemic. Procrastination is too high a price to pay for fear of failure. To conquer fear, you have to feel the fear and take action anyway. Forget motivation. Just do it. Act your way into feeling, not wait for positive emotions to carry you forward. Recognize that you will spend much of your life making mistakes. If you can take action and keep making mistakes, you gain experience. Life is playing a poor hand well. The greatest battle you wage against failure occurs on the inside, not the outside. Why worry about things you can't control when you can keep yourself busy controlling the things that depend on you? Handicaps can only disable us if we let them. If you are continually experiencing trouble or facing obstacles, then you should check to make sure that you are not the problem. Be more concerned with what you can give rather than what you can get because giving truly is the highest level of living. Embrace adversity and make failure a regular part of your life. If you're not failing, you're probably not really moving forward. Everything in life brings risk. It's true that you risk failure if you try something bold because you might miss it. But you also risk failure if you stand still and don't try anything new. The less you venture out, the greater your risk of failure. Ironically the more you risk failure — and actually fail — the greater your chances of success. If you are succeeding in everything you do, then you're probably not pushing yourself hard enough. And that means you're not taking enough risks. You risk because you have something of value you want to achieve. The more you do, the more you fail. The more you fail, the more you learn. The more you learn, the better you get. Determining what went wrong in a situation has value. But taking that analysis another step and figuring out how to use it to your benefit is the real difference maker when it comes to failing forward. Don't let your learning lead to knowledge; let your learning lead to action. The last time you failed, did you stop trying because you failed, or did you fail because you stopped trying? Commitment makes you capable of failing forward until you reach your goals. Cutting corners is really a sign of impatience and poor self-discipline. Successful people have learned to do what does not come naturally. Nothing worth achieving comes easily. The only way to fail forward and achieve your dreams is to cultivate tenacity and persistence. Never say die. Never be satisfied. Be stubborn. Be persistent. Integrity is a must. Anything worth having is worth striving for with all your might. If we look long enough for what we want in life we are almost sure to find it. Success is in the journey, the continual process. And no matter how hard you work, you will not create the perfect plan or execute it without error. You will never get to the point that you no longer make mistakes, that you no longer fail. The next time you find yourself envying what successful people have achieved, recognize that they have probably gone through many negative experiences that you cannot see on the surface. Fail early, fail often, but always fail forward.
John C. Maxwell (Failing Forward)
Beggin' your pardon, miss, but I was told you be the one to help me cross on to the next world." "Who told you this?" His eyes widen. "A fearsome creature with a head full of snakes!" "You musn't fear her," I say, taking the man's hand and leading his toward the river. "She's as tame as a pussycat. She'd probably lick your hand given the chance." "Didn't seem harmless," he whispers, shuddering. "Yes, well, things are not always as they appear, sir, and we must learn to judge for ourselves.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
I, personally, no longer take part in the ecstatic public condemnation of people unless they’ve committed a transgression that has an actual victim, and even then not as much as I probably should. I miss the fun a little. But it feels like when I became a vegetarian. I missed the steak, although not as much as I’d anticipated, but I could no longer ignore the slaughterhouse.
Jon Ronson (So You've Been Publicly Shamed)
Nooooooooooo!" Screaming the word, Amy and Dan moved as one. Time slowed down, which, Dan knew from experience, often happened when you were in midair. By the time they leaped onto the hood of Fiske's car (oops, dents), and Dan had ripped off a windshield wiper to use as a weapon (probably not the best idea, but hey, he was improvising), Scarey Harley Dude had turned around. He strode off in his motorcycle boots, moving swiftly to his bike without seeming to hurry. His helmet back on, sunglasses adjusted, he roared off straight into the road, weaving through the thick traffic like smoke. Amy's face was squashed against the windshield. Dan held the wiper aloft like a club. And Evan Tolliver stood on the sidewalk, blinking at them. Dan waved the windshield wiper at him. "Hey, bro. We didn't want to miss our ride.
Jude Watson (Vespers Rising (The 39 Clues, #11))
One who is content with what he has, and who accepts the fact that he inevitably misses very much in life, is far better off than one who has much more but who worries about all he may be missing . . . the relative perfection which we must attain to in this life if we are to live as sons of God is not the twenty-four-hour-a-day production of perfect acts of virtue, but a life from which practically all the obstacles to God's love have been removed or overcome. One of the chief obstacles to this perfection of selfless charity is the selfish anxiety to get the most out of everything, to be a brilliant success in our own eyes and in the eyes of other men. We can only get rid of this anxiety by being content to miss something in almost everything we do. We cannot master everything, taste everything, understand everything, drain every experience to its last dregs. But if we have the courage to let almost everything else go, we will probably be able to retain the one thing necessary for us— whatever it may be. If we are too eager to have everything, we will almost certainly miss even the one thing we need. Happiness consists in finding out precisely what the "one thing necessary" may be, in our lives, and in gladly relinquishing all the rest. For then, by a divine paradox, we find that everything else is given us together with the one thing we needed.
Thomas Merton (No Man Is an Island)
The dilemma is this. In the modern world knowledge has been growing so fast and so enormously, in almost every field, that the probabilities are immensely against anybody, no matter how innately clever, being able to make a contribution in any one field unless he devotes all his time to it for years. If he tries to be the Rounded Universal Man, like Leonardo da Vinci, or to take all knowledge for his province, like Francis Bacon, he is most likely to become a mere dilettante and dabbler. But if he becomes too specialized, he is apt to become narrow and lopsided, ignorant on every subject but his own, and perhaps dull and sterile even on that because he lacks perspective and vision and has missed the cross-fertilization of ideas that can come from knowing something of other subjects.
Henry Hazlitt
I have calculated the total number of hours we spend sleeping beside each other in a week and I wanted to tell you it could be considered a full-time job. We could be eligible for healthcare benefits, could probably even pay for a mortgage by now. I remind myself of this, in daylight, when I miss you and cannot reach across the bed for the comforting filling and refilling of your chest. Such a strange affair we are having on each other; these hours that I have not lost but do not remember. This cannot be the best of love: to drool on someone’s collarbone or inhale an elbow to the jaw or be woken by the most ungraceful sounds of the body. But what is it if not the softening of grips? A letting go of. Your heart finally slowly that stubborn, lonely march.
Sierra DeMulder
. . . people use tricks to get you to think the way they do or take away something you have that they want. One way they do that is to interrupt your normal way of thinking and take you by the hand and guide you down the path they want you to take. Father says they make you take a teeny-weeny step in their direction, and then they start to nudge you a little further down the path and before you know it, you're running full speed with them in a direction that you probably wouldn't have gone alone.
Christopher Paul Curtis (The Mighty Miss Malone)
One can only return to the fact that even the most ordinary, good-hearted, intelligent people are literally prone to believing the most blatantly nonsensical untruths. And this comes from the realization that there are some opinions and some beliefs so incredibly inane, we may actually on occasion feel insane for not believing them; and that is probably because in giving the benefit of the doubt we self-doubt, we convince ourselves into lame passivity and blind acceptance, we tell ourselves, 'Maybe I'm just missing something here.
Criss Jami (Healology)
Charlie Brown: I think lunchtime is about the worst time of day for me. Always having to sit here alone. Of course, sometimes, mornings aren't so pleasant either. Waking up and wondering if anyone would really miss me if I never got out of bed. Then there's the night, too. Lying there and thinking about all the stupid things I've done during the day. And all those hours in between when I do all those stupid things. Well, lunchtime is among the worst times of the day for me. Well, I guess I'd better see what I've got. Peanut butter. Some psychiatrists say that people who eat peanut butter sandwiches are lonely...I guess they're right. And when you're really lonely, the peanut butter sticks to the roof of your mouth. There's that cute little red-headed girl eating her lunch over there. I wonder what she would do if I went over and asked her if I could sit and have lunch with her?...She'd probably laugh right in my face...it's hard on a face when it gets laughed in. There's an empty place next to her on the bench. There's no reason why I couldn't just go over and sit there. I could do that right now. All I have to do is stand up...I'm standing up!...I'm sitting down. I'm a coward. I'm so much of a coward, she wouldn't even think of looking at me. She hardly ever does look at me. In fact, I can't remember her ever looking at me. Why shouldn't she look at me? Is there any reason in the world why she shouldn't look at me? Is she so great, and I'm so small, that she can't spare one little moment?...SHE'S LOOKING AT ME!! SHE'S LOOKING AT ME!! (he puts his lunchbag over his head.) ...Lunchtime is among the worst times of the day for me. If that little red-headed girl is looking at me with this stupid bag over my head she must think I'm the biggest fool alive. But, if she isn't looking at me, then maybe I could take it off quickly and she'd never notice it. On the other hand...I can't tell if she's looking, until I take it off! Then again, if I never take it off I'll never have to know if she was looking or not. On the other hand...it's very hard to breathe in here. (he removes his sack) Whew! She's not looking at me! I wonder why she never looks at me? Oh well, another lunch hour over with...only 2,863 to go.
Clark Gesner (You're a Good Man, Charlie Brown - Vocal Score)
A third of the people who rush to psychiatrists for help could probably cure themselves if they could only do as Margaret Yates did: get interested in helping others. My idea? No, that is approximately what Carl Jung said. And he ought to know—if anybody does. He said: “About one third of my patients are suffering from no clinically definable neurosis, but from the senselessness and emptiness of their lives.” To put it another way, they are trying to thumb a ride through life—and the parade passes them by. So they rush to a psychiatrist with their petty, senseless, useless lives. Having missed the boat, they stand on the wharf, blaming everyone except themselves and demanding that the world cater to their self-centered desires.
Dale Carnegie (How To Stop Worrying & Start Living)
Adam ” Lori called loudly enough for me to hear her but not so loud that her voice would carry up to my mom in the marina office- or to her dad who might be listening from their screened porch facing the water. “I came over to get some tips from the boys about teaching Tammy and Rachel to board. Of course I did not come over here to see you. How could you think such a thing That would be disobedient.” I held up the wax. “For my own disobedience I have to buff the boat. Then I’m going for a jog.” She tilted her head. Probably her eyes widened but I couldn’t see them behind her sunglasses. I hated not being able to see her eyes. She asked “In this heat?” I didn’t mind jogging in the heat. The heat was a big friendly animal that liked to wrestle and only occasionally sat on me until I lost my breath. Anyway she was missing the point. I repeated carefully ”I am GOING for a JOG.” “I HEARD you the FIRST time ” she said. “It’s late afternoon in the middle of June. It’s ninety-five degrees out here.” “He means he’s GOING for a JOG” Rachel and Tammy said at the same time. “He’s GOING for a JOG.” Lori still didn’t get it. Normally her blondeness was one of the things I loved about her. At the moment not so much. Exasperated Cameron told her “Adam wants you to go for a jog too.” She said “Oh ” “If you two airheads have to hook up secretly for very long ” Sean said “you’re not going to make it.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
How come you write the way you do?” an apprentice writer in my Johns Hopkins workshop once disingenuously asked Donald Barthelme, who was visiting. Without missing a beat, Don replied, “Because Samuel Beckett was already writing the way he does.” Asked another, smiling but serious, “How can we become better writers than we are?” “Well," DB advised, “for starters, read through the whole history of philosophy, from the pre-Socratics up through last semester. That might help.” “But Coach Barth has already advised us to read all of literature, from Gilgamesh up through last semester...” “That, too,” Donald affirmed, and twinkled that shrewd Amish-farmer-from-West-11th-Street twinkle of his. “You’re probably wasting time on things like eating and sleeping. Cease that, and read all of philosophy and all of literature. Also art. Plus politics and a few other things. The history of everything.
John Barth (Further Fridays: Essays, Lectures, and Other Nonfiction, 1984 - 1994)
the extrovert assumption is so woven into the fabric of our culture that an employee may suffer reprimands for keeping his door closed (that is, if he is one of the lucky ones who has a door), for not lunching with other staff members, or for missing the weekend golf game or any number of supposedly morale-boosting celebrations. Half. More than half of us don’t want to play. We don’t see the point. For us, an office potluck will not provide satisfying human contact—we’d much rather meet a friend for an intimate conversation (even if that friend is a coworker). For us, the gathering will not boost morale — and will probably leave us resentful that we stayed an extra hour to eat stale cookies and make small talk. For us, talking with coworkers does not benefit our work—it sidetracks us.
Laurie A. Helgoe (Introvert Power: Why Your Inner Life Is Your Hidden Strength)
I am shocked to find that some people think a 2 star 'I liked it' rating is a bad rating. What? I liked it. I LIKED it! That means I read the whole thing, to the last page, in spite of my life raining comets on me. It's a good book that survives the reading process with me. If a book is so-so, it ends up under the bed somewhere, or maybe under a stinky judo bag in the back of the van. So a 2 star from me means,yes, I liked the book, and I'd loan it to a friend and it went everywhere in my jacket pocket or purse until I finished it. A 3 star means that I've ignored friends to finish it and my sink is full of dirty dishes. A 4 star means I'm probably in trouble with my editor for missing a deadline because I was reading this book. But I want you to know . . . I don't finish books I don't like. There's too many good ones out there waiting to be found. Robin Hobb, author
Robin Hobb
if i or anybody don't know where it her his my next meal's coming from i say to hell with that that doesn't matter (and if he she it or everybody gets a bellyful without lifting my finger i say to hell with that i say that doesn't matter) but if somebody or you are beautiful or deep or generous what i say is whistle that sing that yell that spell that out big (bigger than cosmic rays w ar earthquakes famine or the ex prince of whoses diving into a whatses to rescue miss nobody's probably handbag) because i say that's not swell (get me) babe not (understand me) lousy kid that's something else my sweet (i feel that's true)
E.E. Cummings (100 Selected Poems)
the smell of canals and cigarette smoke, all the people sitting outside the cafés drinking beer, saying their r's and g's in a way I'd never learn. I missed the future. Obviously I knew even before this recurrence that I'd never grow old with Augustus Waters. But thinking about Lidewij and her boyfriend, I felt robbed. I would probably never again see the ocean from thirty thousand feet above, so far up you can't make out the waves or any boats, so that the ocean is a great and endless monolith. I could imagine it. I could remember it. But I couldn't see it again, and it occurred to me that the voracious ambition of humans is never sated by dreams coming true, because there is always the thought that everything might be done better and again. That is probably true even if you live to be ninety.
John Green (The Fault in Our Stars)
most cherished desires of present-day Westerners are shaped by romantic, nationalist, capitalist and humanist myths that have been around for centuries. Friends giving advice often tell each other, ‘Follow your heart.’ But the heart is a double agent that usually takes its instructions from the dominant myths of the day, and the very recommendation to ‘follow your heart’ was implanted in our minds by a combination of nineteenth-century Romantic myths and twentieth-century consumerist myths. The Coca-Cola Company, for example, has marketed Diet Coke around the world under the slogan ‘Diet Coke. Do what feels good.’ Even what people take to be their most personal desires are usually programmed by the imagined order. Let’s consider, for example, the popular desire to take a holiday abroad. There is nothing natural or obvious about this. A chimpanzee alpha male would never think of using his power in order to go on holiday into the territory of a neighbouring chimpanzee band. The elite of ancient Egypt spent their fortunes building pyramids and having their corpses mummified, but none of them thought of going shopping in Babylon or taking a skiing holiday in Phoenicia. People today spend a great deal of money on holidays abroad because they are true believers in the myths of romantic consumerism. Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. 18. The Great Pyramid of Giza. The kind of thing rich people in ancient Egypt did with their money. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded. The tourism industry does not sell flight tickets and hotel bedrooms. It sells experiences. Paris is not a city, nor India a country – they are both experiences, the consumption of which is supposed to widen our horizons, fulfil our human potential, and make us happier. Consequently, when the relationship between a millionaire and his wife is going through a rocky patch, he takes her on an expensive trip to Paris. The trip is not a reflection of some independent desire, but rather of an ardent belief in the myths of romantic consumerism. A wealthy man in ancient Egypt would never have dreamed of solving a relationship crisis by taking his wife on holiday to Babylon. Instead, he might have built for her the sumptuous tomb she had always wanted. Like the elite of ancient Egypt, most people in most cultures dedicate their lives to building pyramids. Only the names, shapes and sizes of these pyramids change from one culture to the other. They may take the form, for example, of a suburban cottage with a swimming pool and an evergreen lawn, or a gleaming penthouse with an enviable view. Few question the myths that cause us to desire the pyramid in the first place.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Sometimes she wondered if she’d made a mistake leaving her friends in Ketterdam. She missed Inej’s stillness, the knowledge that she could say anything to her without fear of recrimination. She missed Jesper’s laughing ways and Wylan’s sweetness. She even missed Kaz’s ruthlessness. Saints, it would have been a relief to hand over this whole mess to the bastard of the Barrel. He’d have sussed out Vadik Demidov’s origins, raided the Fjerdan treasury, and placed himself on the throne in the time it took Nina to braid her hair. On second thought, probably best Kaz wasn’t here.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Tiger chuckled. “Let me guess. Seared meat? Yeah, most humans get grossed out by that. You’ll enjoy pizza. It’s really good. She’ll love it too. I think all humans eat it the way we do meat. It must be a nutritional requirement or something for them.” He shrugged. “Everything on it is cut up into bit-sized slices to help them because of the flat teeth they have.” Valiant followed him. “If we have a baby this must be good to feed them.” “Yeah. They probably just cut the slices smaller for their little mouths.” “I must try this food. Tammy will be pleased I am preparing for fatherhood.” Tiger patted his back. “You’re a good mate, my man.” “I will try to be.” Valiant missed Tammy. He couldn’t wait to return home to marry her and remove her underwear. Not in that order though.
Laurann Dohner (Valiant (New Species, #3))
Abby_Donovan: I bet you were one of those uber-cool teachers like Mr.Chip, weren't you? MarkBaynard: I was more like Mr.Kotter or that guy from GLEE who looks like the love child of Orlando Bloom & Justin Timberlake. Abby_Donovan: Your female students were probably writing "I love you" on their eyelids and listening to "Don't Stand So Close to Me" on their Walkmans. [...] Abby_Donovan: Goodnight Mr.Schuester MarkBaynard: Goodnight Miss Pillsbury Abby_Donovan: Goodnight Puck MarkBaynard: Goodnight Rachel Abby_Donovan: Goodnight Kurt MarkBaynard: Goodnight Quinn Abby_Donovan: Goodnight Finn MarkBaynard: Goodnight Sue Sylvester, you heartless but oddly sexy beast Abby_Donovan: Goodnight Artie MarkBaynard: Goodnight Tweetheart...
Teresa Medeiros (Goodnight Tweetheart)
We got passes, till midnight after the parade. I met Muriel at the Biltmore at seven. Two drinks, two drugstore tuna-fish sandwiches, then a movie she wanted to see, something with Greer Garson in it. I looked at her several times in the dark when Greer Garson’s son’s plane was missing in action. Her mouth was opened. Absorbed, worried. The identification with Metro-Goldwyn-Mayer tragedy complete. I felt awe and happiness. How I love and need her undiscriminating heart. She looked over at me when the children in the picture brought in the kitten to show to their mother. M. loved the kitten and wanted me to love it. Even in the dark, I could sense that she felt the usual estrangement from me when I don’t automatically love what she loves. Later, when we were having a drink at the station, she asked me if I didn’t think that kitten was ‘rather nice.’ She doesn’t use the word ‘cute’ any more. When did I ever frighten her out of her normal vocabulary? Bore that I am, I mentioned R. H. Blyth’s definition of sentimentality: that we are being sentimental when we give to a thing more tenderness than God gives to it. I said (sententiously?) that God undoubtedly loves kittens, but not, in all probability, with Technicolor bootees on their paws. He leaves that creative touch to script writers. M. thought this over, seemed to agree with me, but the ‘knowledge’ wasn’t too very welcome. She sat stirring her drink and feeling unclose to me. She worries over the way her love for me comes and goes, appears and disappears. She doubts its reality simply because it isn’t as steadily pleasurable as a kitten. God knows it is sad. The human voice conspires to desecrate everything on earth.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
She could have wept. It was bad, it was bad, it was infinitely bad! She could have done it differently of course; the colour could have been thinned and faded; the shapes etherealised; that was how Paunceforte would have seen it. But then she did not see it like that. She saw the colour burning on a framework of steel; the light of a butterfly’s wing lying upon the arches of a cathedral. Of all that only a few random marks scrawled upon the canvas remained. And it would never be seen; never be hung even, and there was Mr Tansley whispering in her ear, “Women can’t paint, women can’t write ...” She now remembered what she had been going to say about Mrs Ramsay. She did not know how she would have put it; but it would have been something critical. She had been annoyed the other night by some highhandedness. Looking along the level of Mr Bankes’s glance at her, she thought that no woman could worship another woman in the way he worshipped; they could only seek shelter under the shade which Mr Bankes extended over them both. Looking along his beam she added to it her different ray, thinking that she was unquestionably the loveliest of people (bowed over her book); the best perhaps; but also, different too from the perfect shape which one saw there. But why different, and how different? she asked herself, scraping her palette of all those mounds of blue and green which seemed to her like clods with no life in them now, yet she vowed, she would inspire them, force them to move, flow, do her bidding tomorrow. How did she differ? What was the spirit in her, the essential thing, by which, had you found a crumpled glove in the corner of a sofa, you would have known it, from its twisted finger, hers indisputably? She was like a bird for speed, an arrow for directness. She was willful; she was commanding (of course, Lily reminded herself, I am thinking of her relations with women, and I am much younger, an insignificant person, living off the Brompton Road). She opened bedroom windows. She shut doors. (So she tried to start the tune of Mrs Ramsay in her head.) Arriving late at night, with a light tap on one’s bedroom door, wrapped in an old fur coat (for the setting of her beauty was always that—hasty, but apt), she would enact again whatever it might be—Charles Tansley losing his umbrella; Mr Carmichael snuffling and sniffing; Mr Bankes saying, “The vegetable salts are lost.” All this she would adroitly shape; even maliciously twist; and, moving over to the window, in pretence that she must go,—it was dawn, she could see the sun rising,—half turn back, more intimately, but still always laughing, insist that she must, Minta must, they all must marry, since in the whole world whatever laurels might be tossed to her (but Mrs Ramsay cared not a fig for her painting), or triumphs won by her (probably Mrs Ramsay had had her share of those), and here she saddened, darkened, and came back to her chair, there could be no disputing this: an unmarried woman (she lightly took her hand for a moment), an unmarried woman has missed the best of life. The house seemed full of children sleeping and Mrs Ramsay listening; shaded lights and regular breathing.
Virginia Woolf (To the Lighthouse)
I have never created anything in my life that did not make me feel, at some point or another, like I was the guy who just walked into a fancy ball wearing a homemade lobster costume. But you must stubbornly walk into that room, regardless, and you must hold your head high. You made it; you get to put it out there. Never apologize for it, never explain it away, never be ashamed of it. You did your best with what you knew, and you worked with what you had, in the time that you were given. You were invited, and you showed up, and you simply cannot do more that that. They might throw you out - but then again, they might not. They probably won't throw you out, actually. The ballroom is often more welcoming and supportive than you could ever imagine. Somebody might even think you're brilliant and marvelous. You might end up dancing with royalty. Or you might just end up having to dance alone in the corner of the castle with your big, ungainly red foam claws waving in the empty air. that's fine, too. Sometimes it's like that. What you absolutely must not do is turn around and walk out. Otherwise, you will miss the party, and that would be a pity, because - please believe me - we did not come all this great distance, and make all this great effort, only to miss the party at the last moment.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Miss Dearheart gave him a very brief look, and shook her head. There was movement under the table, a small fleshy kind of noise and the drunk suddenly bent forward, colour draining from his face. Probably only he and Moist heard Miss Dearheart purr: ‘What is sticking in your foot is a Mitzy “Pretty Lucretia” four-inch heel, the most dangerous footwear in the world. Considered as pounds per square inch, it’s like being trodden on by a very pointy elephant. Now, I know what you’re thinking: you’re thinking, “Could she press it all the way through to the floor?” And, you know, I’m not sure about that myself. The sole of your boot might give me a bit of trouble, but nothing else will. But that’s not the worrying part. The worrying part is that I was forced practically at knifepoint to take ballet lessons as a child, which means I can kick like a mule; you are sitting in front of me; and I have another shoe . Good, I can see you have worked that out. I’m going to withdraw the heel now.’ There was a small ‘pop’ from under the table. With great care the man stood up, turned and, without a backward glance, lurched unsteadily away. ‘Can I bother you?’ said Moist. Miss Dearheart nodded, and he sat down, with his legs crossed. ‘He was only a drunk,’ he ventured. ‘Yes, men say that sort of thing,’ said Miss Dearheart.
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
Chess and you taking a picture of me reading Slaughterhouse-Five, telling me I’d need proof someday because nobody in Creek View would ever believe I had actually read a goddamn book, let alone five. Talking about God and why there’s evil in the world and bitching because the Steelers won the Super Bowl. Camp Leatherneck, me not missing home at all and you missing it like crazy, always talking about going to college and how when you had leave you were gonna marry Hannah. And you wanted kids, and I said I didn’t because people like me, we just end up disappointing one another and I’d probably be like my dad, and you told me I had to get over it, get over my dad and my mom and how screwed up everything is because you said, Josh, you’re gonna have it all. I know it. You’re gonna have it all. And for the first time, I’m almost believing that.
Heather Demetrios (I'll Meet You There)
At this point there's something I should explain about myself, which is that I don't talk much, probably too little, and I think this has been detrimental to my social life. It's not that I have trouble expressing myself, or no more than people generally have when they're trying to put something complex into words. I'd even say I have less trouble than most because my long involvement with literature has given me a better-than-average capacity for handling language. But I have no gift for small talk, and there's no point trying to learn or pretend; it wouldn't be convincing. My conversational style is spasmodic (someone once described it as "hollowing"). Every sentence opens up gaps, which require new beginnings. I can't maintain any continuity. In short, I speak when I have something to say. My problem, I suppose - and this may be an effect of involvement with literature - is that I attribute too much importance to the subject. For me, it's never simply a question of "talking" but always a question of "what to talk about". And the effort of weighing up potential subjects kills the spontaneity of dialogue. In other words, when everything you say has to be "worth the effort", it's too much effort to go on talking. I envy people who can launch into a conversation with gusto and energy, and keep it going. I envy them that human contact, so full of promise, a living reality from which, in my mute isolation, I feel excluded. "But what do they talk about?" I wonder, which is obviously the wrong question to ask. The crabbed awkwardness of my social interactions is a result of this failing on my part. Looking back, I can see that it was responsible for most of my missed opportunities and almost all the woes of solitude. The older I get, the more convinced I am that this is a mutilation, for which my professional success cannot compensate, much less my "rich inner life." And I've never been able to resolve the conundrum that conversationalists pose for me: how do they keep coming up with things to talk about? I don't even wonder about it anymore, perhaps because I know there's no answer.
César Aira
You’re absolutely right. You’re absolutely right. It’s staggering how you jump straight the hell into the heart of a matter. I’m goosebumps all over… By God, you inspire me. You inflame me, Bessie. You know what you’ve done? Do you realize what you’ve done? You’ve given this whole goddam issue a fresh, new, Biblical slant. I wrote four papers in college on the Crucifixion—five, really—and every one of them worried me half crazy because I thought something was missing. Now I know what it was. Now it’s clear to me. I see Christ in an entirely different light. His unhealthy fanaticism. His rudeness to those nice, sane, conservative, tax-paying Pharisees. Oh, this is exciting! In your simple, straightforward bigoted way, Bessie, you’ve sounded the missing keynote of the whole New Testament. Improper diet. Christ lived on cheeseburgers and Cokes. For all we know he probably fed the mult—
J.D. Salinger (Franny and Zooey)
I don’t understand. She’s always been so friendly toward me.” “Yes, so long as your work consisted of updating calendars and photocopying golf club bylaws.” “But there was no danger of my taking her place!” “She was never afraid of that.” “Then why denounce me? Why would it upset her if I went to work for you?” “Miss Mori struggled for years to get the job she has now. She probably found it unbearable for you to get that sort of promotion after being with the company only ten weeks.” “I can’t believe it. That’s just so … mean.” “All I can say is that she suffered greatly during the first few years she was here.” “So she wants me to suffer the same fate? It’s too pathetic. I must talk to her.” “Do you really think that’s a good idea?” “Of course. How else are we going to work things out if we don’t talk?” “You just talked to Mister Omochi. Does it strike you that things have been worked out?
Amélie Nothomb (Stupeur et tremblements)
Silly that a grocery should depress one—nothing in it but trifling domestic doings—women buying beans—riding children in those grocery go-carts—higgling about an eighth of a pound more or less of squash—what did they get out of it? Miss Willerton wondered. Where was there any chance for self-expression, for creation, for art? All around her it was the same—sidewalks full of people scurrying about with their hands full of little packages and their minds full of little packages—that woman there with the child on the leash, pulling him, jerking him, dragging him away from a window with a jack-o’-lantern in it; she would probably be pulling and jerking him the rest of her life. And there was another, dropping a shopping bag all over the street, and another wiping a child’s nose, and up the street an old woman was coming with three grandchildren jumping all over her, and behind them was a couple walking too close for refinement.
Flannery O'Connor (The Complete Stories)
I smack into him as if shoved from behind. He doesn't budge, not an inch. Just holds my shoulders and waits. Maybe he's waiting for me to find my balance. Maybe he's waiting for me to gather my pride. I hope he's got all day. I hear people passing on the boardwalk and imagine them staring. Best-case scenario, they think I know this guy, that we're hugging. Worst-case scenario, they saw me totter like an intoxicated walrus into this complete stranger because I was looking down for a place to park our beach stuff. Either way, he knows what happened. He knows why my cheek is plastered to his bare chest. And there is definite humiliation waiting when I get around to looking up at him. Options skim through my head like a flip book. Option One: Run away as fast as my dollar-store flip flops can take me. Thing is, tripping over them is partly responsible for my current dilemma. In fact, one of them is missing, probably caught in a crack of the boardwalk. I'm getting Cinderella didn't feel this foolish, but then again, Cinderella wasn't as clumsy as an intoxicated walrus. Option two: Pretend I've fainted. Go limp and everything. Drool, even. But I know this won't work because my eyes flutter too much to fake it, and besides, people don't blush while unconscious. Option Three: Pray for a lightning bolt. A deadly one that you feel in advance because the air gets all atingle and your skin crawls-or so the science books say. It might kill us both, but really, he should have been paying more attention to me when he saw that I wasn't paying attention at all. For a shaved second, I think my prayers are answered because I go get tingly all over; goose bumps sprout everywhere, and my pulse feels like electricity. Then I realize, it's coming from my shoulders. From his hands. Option Last: For the love of God, peel my cheek off his chest and apologize for the casual assault. Then hobble away on my one flip-flop before I faint. With my luck, the lightning would only maim me, and he would feel obligated to carry me somewhere anyway. Also, do it now. I ease away from him and peer up. The fire on my cheeks has nothing to do with the fact that it's sweaty-eight degrees in the Florida sun and everything to do with the fact that I just tripped into the most attractive guy on the planet. Fan-flipping-tastic. "Are-are you all right?" he says, incredulous. I think I can see the shape of my cheek indented on his chest. I nod. "I'm fine. I'm used to it. Sorry." I shrug off his hands when he doesn't let go. The tingling stays behind, as if he left some of himself on me. "Jeez, Emma, are you okay?" Chloe calls from behind. The calm fwopping of my best friend's sandals suggests she's not as concerned as she sounds. Track star that she is, she would already be at my side if she thought I was hurt. I groan and face her, not surprised that she's grinning wide as the equator. She holds out my flip-flop, which I try not to snatch from her hand. "I'm fine. Everybody's fine," I say. I turn back to the guy, who seems to get more gorgeous by the second. "You're fine, right? No broken bones or anything?" He blinks, gives a slight nod. Chloe setts her surfboard against the rail of the boardwalk and extends her hand to him. He accepts it without taking his eyes off me. "I'm Chloe and this is Emma," she says. "We usually bring her helmet with us, but we left it back in the hotel room this time.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Whereas the craftsman mindset focuses on what you can offer the world, the passion mindset focuses instead on what the world can offer you. This mindset is how most people approach their working lives. There are two reasons why I dislike the passion mindset (that is, two reasons beyond the fact that, as I argued in Rule #1, it’s based on a false premise). First, when you focus only on what your work offers you, it makes you hyperaware of what you don’t like about it, leading to chronic unhappiness. This is especially true for entry-level positions, which, by definition, are not going to be filled with challenging projects and autonomy—these come later. When you enter the working world with the passion mindset, the annoying tasks you’re assigned or the frustrations of corporate bureaucracy can become too much to handle. Second, and more serious, the deep questions driving the passion mindset—“Who am I?” and “What do I truly love?”—are essentially impossible to confirm. “Is this who I really am?” and “Do I love this?” rarely reduce to clear yes-or-no responses. In other words, the passion mindset is almost guaranteed to keep you perpetually unhappy and confused, which probably explains why Bronson admits, not long into his career-seeker epic What Should I Do With My Life? that “the one feeling everyone in this book has experienced is of missing out on life.
Cal Newport (So Good They Can't Ignore You: Why Skills Trump Passion in the Quest for Work You Love)
God is a creative force, Lestat. And so are we. He told Adam, 'Increase and multiply.' That's what the first organic cells did, Lestat, increased and multiplied. Not merely changed shape but replicated themselves. God is a creative force. He made the whole universe out of Himself through cell division. That's why the devils are so full of envy-the bad angels, I mean. They are [i]not[/i] creative creatures; they have no bodies, no cells, they're spirit. And I suspect it wasn't envy so much as a form of suspicion-that God was making a mistake in making another engine of creativity in Adam, so like Himself. I mean the angels probably felt the physical universe was bad enough, with all the replicating cells, but thinking, talking beings who could increase and multiply? They were probably outraged by the whole experiment. That was their sin." "So you're saying God isn't pure spirit." "That's right. God has a body. Always did. The secret of cell-dividing life lies within God. And all living cells have a tiny part of God's spirit in them, Lestat, that's the missing piece as to what makes life happen in the first place, what separates it from nonlife. It's exactly like your vampiric genesis. You told us that the spirit of Amel-the evil entity-infused the bodies of all the vampires...Well, men share in the spirit of God in the same way.
Anne Rice (The Tale of the Body Thief (The Vampire Chronicles, #4))
You know, sleeping outdoors isn’t all bad. You get to stare up at the stars and cool breezes ruffle your fur after a hot day. The grass smells sweet and,” he made eye contact with me, “so does your hair.” I blushed and grumbled, “Well, I’m glad someone enjoyed it.” He smiled smugly and said, “I did.” I had a quick flash of him as a man snuggled up next to me in the forest, imagined him resting his head on my lap while I stroked his hair, and decided to focus on the matter at hand. “Well, listen, Ren, you’re changing the subject. I don’t appreciate the way you manipulated me into being here. Mr. Kadam should’ve told me at the circus.” He shook his head. “We didn’t think you’d believe his story. He made up the trip to the tiger reserve to get you to India. We figured once you were here, I could change into a man and clarify everything.” I admitted, “You’re probably right. If you had changed to a man there, I don’t think I would have come” “Why did you come?” “I wanted to spend more time with…you. You know, the tiger. I would have missed him. I mean you.” I blushed. He grinned lopsidedly. “I would have missed you too.” I wrung the hem of my shirt between my hands. Misreading my thoughts, he said, “Kelsey. I’m truly sorry for the deception. If there’d been any other way-“ I looked up. He hung his head in a way that reminded me of the tiger. The frustration and awkwardness I felt about him dissipated. My instincts told me that I should believe him and help him. The strong emotional connection that drew me to the tiger tugged at my heart even more powerfully with the man. I felt pity for him and his situation. Softly, I asked, “When will you change into a tiger?” “Soon.” “Does it hurt?” “Not as much as it used to.” “Do you understand me when you are a tiger? Can I still speak to you?” “Yes, I’ll still be able to hear and understand you.” I took a deep breath. “Okay. I’ll stay here with you until the shaman comes back. I still have a lot of questions for you though.” “I know. I’ll try to answer them as best I can, but you’ll have to save them for tomorrow when I’ll be able to speak with you again. We can stay here for the night. The shaman should be back around dusk.” “Ren?” “Yes?” “The jungle frightens me, and this situation frightens me.” He let go of the apron string and looked into my eyes. “I know.” “Ren?” “Yes?” “Don’t…leave me, okay?” His face softened into a tender expression, and his mouth turned up in a sincere smile. “Asambhava. I won’t.” I felt myself responding to his smile with one of my own when a shadow fell across his face. He clenched his fists and tightened his jaw. I saw a tremor pass through his body, and the chair fell forward as he collapsed to the ground on his hands and knees. I stood to reach out to him and was amazed to see his body morph back into the tiger form I knew so well. Ren the tiger shook himself, then approached my outstretched hand and rubbed his head against it.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
The most realistic distinction between the investor and the speculator is found in their attitude toward stock-market movements. The speculator’s primary interest lies in anticipating and profiting from market fluctuations. The investor’s primary interest lies in acquiring and holding suitable securities at suitable prices. Market movements are important to him in a practical sense, because they alternately create low price levels at which he would be wise to buy and high price levels at which he certainly should refrain from buying and probably would be wise to sell. It is far from certain that the typical investor should regularly hold off buying until low market levels appear, because this may involve a long wait, very likely the loss of income, and the possible missing of investment opportunities. On the whole it may be better for the investor to do his stock buying whenever he has money to put in stocks, except when the general market level is much higher than can be justified by well-established standards of value. If he wants to be shrewd he can look for the ever-present bargain opportunities in individual securities. Aside from forecasting the movements of the general market, much effort and ability are directed on Wall Street toward selecting stocks or industrial groups that in matter of price will “do better” than the rest over a fairly short period in the future. Logical as this endeavor may seem, we do not believe it is suited to the needs or temperament of the true investor—particularly since he would be competing with a large number of stock-market traders and first-class financial analysts who are trying to do the same thing. As in all other activities that emphasize price movements first and underlying values second, the work of many intelligent minds constantly engaged in this field tends to be self-neutralizing and self-defeating over the years. The investor with a portfolio of sound stocks should expect their prices to fluctuate and should neither be concerned by sizable declines nor become excited by sizable advances. He should always remember that market quotations are there for his convenience, either to be taken advantage of or to be ignored. He should never buy a stock because it has gone up or sell one because it has gone down. He would not be far wrong if this motto read more simply: “Never buy a stock immediately after a substantial rise or sell one immediately after a substantial drop.” An
Benjamin Graham (The Intelligent Investor)
It’s of some interest that the lively arts of the millennial U.S.A. treat anhedonia and internal emptiness as hip and cool. It’s maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it’s the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip — and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It’s more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent (at least since the Reconfiguration). One of the things sophisticated viewers have always liked about J. O. Incandenza’s The American Century as Seen Through a Brick is its unsubtle thesis that naïveté is the last true terrible sin in the theology of millennial America. And since sin is the sort of thing that can be talked about only figuratively, it’s natural that Himself’s dark little cartridge was mostly about a myth, viz. that queerly persistent U.S. myth that cynicism and naïveté are mutually exclusive. Hal, who’s empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naïve and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is the way he despises what it is he’s really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia. 281 281 - This had been one of Hal’s deepest and most pregnant abstractions, one he’d come up with once while getting secretly high in the Pump Room. That we’re all lonely for something we don’t know we’re lonely for. How else to explain the curious feeling that he goes around feeling like he misses somebody he’s never even met? Without the universalizing abstraction, the feeling would make no sense.
David Foster Wallace (Infinite Jest)
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
SOPHIE WASN’T SURE HOW LONG she sat there staring blankly at her empty doorway. Could’ve been minutes. Could’ve been hours. It didn’t matter. No amount of time was going to quiet the chaos in her head. All it did was raise a whole lot of terrifying questions. Because even if Ro was right about Keefe’s feelings—and Sophie decided she wanted to see what would happen—this was so much bigger than just the two of them. Like… What would Grady and Edaline think? Sophie still didn’t know if she was actually allowed to date—much less date That Boy. And even if she was, there would surely be all kinds of annoying new rules and restrictions to deal with. Plus, Edaline would probably follow them around with a sappy, embarrassing smile, and Grady would make them sit through a series of horrifying Dad Talks. And what would her friends say when they found out? There’d been a time when Sophie had wondered if Biana had a crush on Keefe—and even though it seemed like Biana had gotten over it… what if she hadn’t? Better question: How would Fitz react? Keefe was Fitz’s best friend—and Fitz’s temper could be… challenging. The possibilities for drama were endless. Sophie’s insides twisted into knots on top of knots as she imagined the awkward conversations. And the stares. And the gossip. There would be So. Much. Gossip. She wanted to hide just thinking about it—and Keefe would probably love the attention. Did that prove they weren’t compatible? Or was she just looking for an excuse because she was scared? And why was she so scared? Keefe would honestly be… … … …a really awesome boyfriend. He was thoughtful. And supportive. And he could be incredibly sweet—when he was actually being serious instead of joking around with everybody. Though… maybe some of his jokes with her hadn’t just been teasing. Had some of it also been… flirting? If Ro were still there, she probably would’ve been nodding and shouting about the Great Foster Oblivion. And maybe she was right. Maybe Sophie had been too insecure to let herself see what was right in front of her. Or too distracted by her crush on Fitz. The last thought made her inner knots twist so much tighter. She’d liked Fitz for so long that she’d never even thought about liking someone else—and she was still trying to get over all of that. But… Did she want to risk missing out on something that might be… really great? Keefe’s face filled her mind, flashing his trademark smirk.
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/​needs/​schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/​train operators/​tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally
Kristin Newman (What I Was Doing While You Were Breeding)
December 25, 4:30 p.m. Dear America, It’s been seven hours since you left. Twice now I’ve started to go to your room to ask how you liked your presents and then remembered you weren’t here. I’ve gotten so used to you, it’s strange that you aren’t around, drifting down the halls. I’ve nearly called a few times, but I don’t want to seem possessive. I don’t want you to feel like I’m a cage to you. I remember how you said the palace was just that the first night you came here. I think, over time, you’ve felt freer, and I’d hate to ruin that freedom, I’m going to have to distract myself until you come back. I decided to sit and write to you, hoping maybe it would feel like I was talking to you. It sort of does, I can imagine you sitting here, smiling at my idea, maybe shaking your head at me as if to say I’m being silly. You do that sometimes, did you know? I like that expression on you. You’re the only person who wears it in a way that doesn’t come across like you think I’m completely hopeless. You smile at my idiosyncrasies, accept that they exist, and continue to be my friend. And, in seven short hours, I’ve started to miss that. I’ve wonder what you’ve done in that time. I’m betting by now you’ve flown across the country, made it to your home, and are safe. I hope you are safe. I can’t imagine what a comfort you must be to your family right now. The lovely daughter has finally returned! I keep trying to picture you home. I remember you telling me it was small, that you had a tree house, and that your garage was where you father and sister did all their work. Beyond that I’ve had to resort to my imagination. I imagine you curled up in a hug with you sister or kicking around a ball with your little brother. I remember that, you know? That you said he liked to play ball. I tried to imagine walking into your house with you. I would have liked that, to see you where you grew up. I would love to see you brother run around or be embraced by your mother. I think it would be comforting to sense the presence of people near you, floorboards creaking and doors shutting. I would have liked to sit in one part of the house and still probably be able to smell the kitchen. I’ve always imagined that real homes are full of the aromas of whatever’s being cooked. I wouldn’t do a scrap of work. Nothing having to do with armies or budgets or negotiations. I’d sit with you, maybe try to work on my photography while you played the piano. We’d be Fives together, like you said. I could join your family for dinner, talking over one another in a collection of conversations instead of whispering and waiting our turns. And maybe I’d sleep in a spare bed or on the couch. I’d sleep on the floor beside you if you’d let me. I think about that sometimes. Falling asleep next to you, I mean, like we did in the safe room. It was nice to hear your breaths as they came and went, something quiet and close keeping me from feeling so alone. This letter has gotten foolish, and I think you know how I detest looking like a fool. But still I do. For you. Maxon
Kiera Cass (The One (The Selection, #3))