Private Piles Quotes

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Where do you think the money went?” he repeated. “Guns?” asked Jesper. “Ships?” queried Inej. “Bombs?” suggested Wylan. “Political bribes?” offered Nina. They all looked at Matthias. “This is where you tell us how awful we are,” she whispered. He shrugged. “They all seem like practical choices.” “Sugar,” said Kaz. Jesper nudged the sugar bowl down the table to him. Kaz rolled his eyes. “Not for my coffee, you podge. I used the money to buy up sugar shares and placed them in private accounts for all of us—under aliases, of course.” “I don’t like speculation,” said Matthias. “Of course you don’t. You like things you can see. Like piles of snow and benevolent tree gods.” “Oh, there it is!” said Inej, resting her head on Nina’s shoulder and beaming at Matthias. “I missed his glower.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Big Brother in the form of an increasingly powerful government and in an increasingly powerful private sector will pile the records high with reasons why privacy should give way to national security, to law and order [...] and the like.
William O. Douglas (Points of Rebellion)
Our radio plays rhythm and blues as we pass the joint back and forth in jutjawed silence both looking ahead with big private thoughts now so vast we can't communicate them anymore and if we tried it would take a million years and a billion books ― Too late, too late, the history of everything we've seen together and separately has become a library in itself ― The shelves pile higher ― They're full of misty documents or documents of the Mist - The mind has convoluted in every tuckaway every whichaway tuckered hole till there's no more the expressing of our latest thoughts let alone the old.
Jack Kerouac (Big Sur)
Is this a habit of yours?” he asks. “What?” “Dropping stuff whenever you first see me? It's kind of cute. Flattering,” he adds, straightening while easily holding all of my stuff in his giant arms. I've recovered enough to roll my eyes. “Maybe the habit is connected to your urge to rifle through my private things every time you see me?” “It's possible. Your stuff is so randomly interesting.” He eyes my science kit and then scans through the pile of papers in his hands. “You got any other lists that need checking off? College tuition aside, I'm also trying to save for a new car.” He laughs.
Anne Eliot (Almost)
Yet there was no doubt that Theodore Roosevelt was peculiarly qualified to be President of all the people. Few, if any Americans could match the breadth of his intellect and the strength of his character. A random survey of his achievements might show him mastering German, French, and the contrasted dialects of Harvard and Dakota Territory; assembling fossil skeletons with paleontological skill; fighting for an amateur boxing championship; transcribing birdsong into a private system of phonetics; chasing boat thieves with a star on his breast and Tolstoy in his pocket; founding a finance club, a stockmen's association, and a hunting-conservation society; reading some twenty thousand books and writing fifteen of his own; climbing the Matterhorn; promulgating a flying machine; and becoming a world authority on North American game mammals. If the sum of all these facets of experience added up to more than a geometric whole - implying excess construction somewhere, planes piling upon planes - then only he, presumably, could view the polygon entire.
Edmund Morris (Theodore Rex)
I especially loved the Old Testament. Even as a kid I had a sense of it being slightly illicit. As though someone had slipped an R-rated action movie into a pile of Disney DVDs. For starters Adam and Eve were naked on the first page. I was fascinated by Eve's ability to always stand in the Garden of Eden so that a tree branch or leaf was covering her private areas like some kind of organic bakini. But it was the Bible's murder and mayhem that really got my attention. When I started reading the real Bible I spent most of my time in Genesis Exodus 1 and 2 Samuel and 1 and 2 Kings. Talk about violent. Cain killed Abel. The Egyptians fed babies to alligators. Moses killed an Egyptian. God killed thousands of Egyptians in the Red Sea. David killed Goliath and won a girl by bringing a bag of two hundred Philistine foreskins to his future father-in-law. I couldn't believe that Mom was so happy about my spending time each morning reading about gruesome battles prostitutes fratricide murder and adultery. What a way to have a "quiet time." While I grew up with a fairly solid grasp of Bible stories I didn't have a clear idea of how the Bible fit together or what it was all about. I certainly didn't understand how the exciting stories of the Old Testament connected to the rather less-exciting New Testament and the story of Jesus. This concept of the Bible as a bunch of disconnected stories sprinkled with wise advice and capped off with the inspirational life of Jesus seems fairly common among Christians. That is so unfortunate because to see the Bible as one book with one author and all about one main character is to see it in its breathtaking beauty.
Joshua Harris (Dug Down Deep: Unearthing What I Believe and Why It Matters)
At her elbow was a slim pile of creamy white paper beside which she laid down her pen. It was only then, at the sight of these clean sheets, that the last traces, the stain, of her own situation vanished completely. She no longer had a private life, she was ready to be absorbed.
Ian McEwan (The Children Act)
private thoughts and feelings and actions were strewn out across the endless floor like the scattered piles of books. Stories about his parents.
Lisa McMann (Island of Shipwrecks (Unwanteds, #5))
She wondered how many towns like this existed all over the country?Bucolic scenery on the outside, with its own private soap operas, gossips and hells on the inside. She wondered if the suburbs in huge cities were merely a collection of small towns, piled on top of each other and each place was ultimately the same. The thought struck her as exceedingly depressing. However, her spirits were not in their best shape.
Jaime Allison Parker
Many states utilize “poverty penalties”—piling on additional late fees, payment plan fees, and interest when individuals are unable to pay all their debts at once, often enriching private debt collectors in the process.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
Herman Melville
What does Africa — what does the West stand for? Is not our own interior white on the chart? black though it may prove, like the coast, when discovered. Is it the source of the Nile, or the Niger, or the Mississippi, or a Northwest Passage around this continent, that we would find? Are these the problems which most concern mankind? Is Franklin the only man who is lost, that his wife should be so earnest to find him? Does Mr. Grinnell know where he himself is? Be rather the Mungo Park,the Lewis and Clark and Frobisher,of your own streams and oceans; explore your own higher latitudes — with shiploads of preserved meats to support you, if they be necessary; and pile the empty cans sky-high for a sign. Were preserved meats invented to preserve meat merely? Nay, be a Columbus to whole new continents and worlds within you, opening new channels, not of trade, but of thought. Every man is the lord of a realm beside which the earthly empire of the Czar is but a petty state, a hummock left by the ice. Yet some can be patriotic who have no self-respect, and sacrifice the greater to the less. They love the soil which makes their graves, but have no sympathy with the spirit which may still animate their clay. Patriotism is a maggot in their heads.What was the meaning of that South-Sea Exploring Expedition,with all its parade and expense, but an indirect recognition of the fact that there are continents and seas in the moral world to which every man is an isthmus or an inlet, yet unexplored by him, but that it is easier to sail many thousand miles through cold and storm and cannibals, in a government ship, with five hundred men and boys to assist one, than it is to explore the private sea, the Atlantic and Pacific Ocean of one's being alone.
Henry David Thoreau (Walden or, Life in the Woods)
Guests brought their own servants, too, so at weekends it was not unusual for the number of people within a country house to swell by as many as 150. Amid such a mass of bodies, confusion was inevitable. On one occasion in the 1890s Lord Charles Beresford, a well-known rake, let himself into what he believed was his mistress’s bedroom and with a lusty cry of ‘Cock-a-doodle-doo!’ leapt into the bed, only to discover that it was occupied by the Bishop of Chester and his wife. To avoid such confusions, guests at Wentworth Woodhouse, a stately pile in Yorkshire, were given silver boxes containing personalized confetti, which they could sprinkle through the corridors to help them find their way back to, or between, rooms.
Bill Bryson (At Home: A Short History of Private Life)
Judging Pius by what he did not say, one could only damn him. With images of piles of skeletal corpses before his eyes; with women and young children compelled, by torture, to kill each other; with millions of innocents caged like criminals, butchered like cattle, and burned like trash—he should have spoken out. He had this duty, not only as pontiff, but as a person. After his first encyclical, he did reissue general distinctions between race-hatred and Christian love. Yet with the ethical coin of the Church, Pius proved frugal; toward what he privately termed “Satanic forces,” he showed public moderation; where no conscience could stay neutral, the Church seemed to be. During the world’s greatest moral crisis, its greatest moral leader seemed at a loss for words. But the Vatican did not work by words alone. By 20 October, when Pius put his name to Summi Pontficatus, he was enmeshed in a war behind the war. Those who later explored the maze of his policies, without a clue to his secret actions, wondered why he seemed so hostile toward Nazism, and then fell so silent. But when his secret acts are mapped, and made to overlay his public words, a stark correlation emerges. The last day during the war when Pius publicly said the word “Jew” is also, in fact, the first day history can document his choice to help kill Adolf Hitler.
Mark Riebling (Church of Spies: The Pope's Secret War Against Hitler)
She had also a taste for music. Nestling upon a pile of scores, she would listen most attentively and with every mark of satisfaction to the singers who came to perform at the critic’s piano. But high notes made her nervous, and she never failed to close the singer’s mouth with her paw if the lady sang the high A. We used to try the experiment for the fun of the thing, and it never failed once. It was quite impossible to fool my dilettante cat on that note.
Théophile Gautier (My Private Menagerie)
Irene had always thought that some awakenings were better than others. For instance, waking up in bed on a morning with nothing urgent to do, a pile of books next to you, and a mug of coffee within arm’s reach could be described as good. Waking up in the deserted tunnels of the London Underground to the sound of distant werewolf howls was bad. Waking up to find yourself hanging in chains in a private Inquisition Chamber was really bad. (And hell on the shoulders
Genevieve Cogman (The Lost Plot (The Invisible Library, #4))
Irene had always thought that some awakenings were better than others. For instance, waking up in bed on a morning with nothing urgent to do, a pile of books next to you, and a mug of coffee within arm's reach could be described as good. Waking up in the deserted tunnels of the London Underground to the sound of distant werewolf howls was bad. Waking up to find yourself hanging in chains in a private Inquisition Chamber was really bad. (And hell on the shoulders.)
Genevieve Cogman (The Lost Plot (The Invisible Library, #4))
These people lived insular, often deeply private lives focused on their work. Their voices were rarely heard, because they sought no audience. Their identities were constructed from things that couldn’t be bought in shops. They wore old clothes and only went shopping occasionally for essentials. They held “shop-bought” things in great contempt. They preferred cash to credit, and would mend anything that broke, piling up old things to use again someday, rather than throwing them away. They had hobbies and interests that cost nothing, turning their necessary tasks, like catching rats or foxes, into sport. Their friendships were built around their work, and the breeds of cattle and sheep they kept. They rarely took holidays or bought new cars. And it wasn’t all work—a lot of time was spent on farm-related activities that were communal and more relaxed, or in the simple enjoyment of wild things. My grandfather called this way of life “living quietly.
James Rebanks (Pastoral Song)
The conscious utterance of thought, by speech or action, to any end, is Art. From the first imitative babble of a child to the despotism of eloquence; from his first pile of toys or chip bridge to the masonry of Minor Rock Lighthouse or the Pacific Railroad; from the tattooing of the Owhyhees to the Vatican Gallery; from the simplest expedient of private prudence to the American Constitution; from its first to its last works, Art is the spirit's voluntary use and combination of things to serve its end.
Ralph Waldo Emerson (Society and Solitude)
Here is another saying of Epicurus: ‘If you shape your life according to nature, you will never be poor; if according to people’s opinions, you will never be rich.’ Nature’s wants are small, while those of opinion are limitless. Imagine that you’ve piled, up all that a veritable host of rich men ever possessed, that fortune has carried you far beyond the bounds of wealth so far as any private individual is concerned, building you a roof of gold and clothing you in royal purple, conducting you to such a height of opulence and luxury that you hide the earth with marble floors – putting you in a position not merely to own, but to walk all over treasures – throw in sculptures, paintings, all that has been produced at tremendous pains by all the arts to satisfy extravagance: all these things will only induce in you a craving for even bigger things. Natural desires are limited; those which spring from false opinions have nowhere to stop, for falsity has no point of termination. When a person is following a track, there is an eventual end to it somewhere, but with wandering at large there is no limit. So give up pointless, empty journeys, and whenever you want to know whether the desire aroused in you by something you are pursuing is natural or quite unseeing, ask yourself whether it is capable of coming to rest at any point; if after going a long way there is always something remaining farther away, be sure it is not something natural. LETTER XVIII IT is the month of December, and yet the whole city is in a sweat! Festivity
Seneca (Letters from a Stoic)
Did you have a kid in your neighborhood who always hid so good, nobody could find him? We did. After a while we would give up on him and go off, leaving him to rot wherever he was. Sooner or later he would show up, all mad because we didn't keep looking for him. And we would get mad back because he wasn't playing the game the way it was supposed to be played. There's hiding and there's finding, we'd say. And he'd say it was hide-and-seek, not hide-and-give-UP, and we'd all yell about who made the rules and who cared about who, anyway, and how we wouldn't play with him anymore if he didn't get it straight and who needed him anyhow, and things like that. Hide-and-seek-and-yell. No matter what, though, the next time he would hide too good again. He's probably still hidden somewhere, for all I know. As I write this, the neighborhood game goes on, and there is a kid under a pile of leaves in the yard just under my window. He has been there a long time now, and everybody else is found and they are about to give up on him over at the base. I considered going out to the base and telling them where he is hiding. And I thought about setting the leaves on fire to drive him out. Finally, I just yelled, "GET FOUND, KID!" out the window. And scared him so bad he probably wet his pants and started crying and ran home to tell his mother. It's real hard to know how to be helpful sometimes. A man I know found out last year he had terminal cancer. He was a doctor. And knew about dying, and he didn't want to make his family and friends suffer through that with him. So he kept his secret. And died. Everybody said how brave he was to bear his suffering in silence and not tell everybody, and so on and so forth. But privately his family and friends said how angry they were that he didn't need them, didn't trust their strength. And it hurt that he didn't say good-bye. He hid too well. Getting found would have kept him in the game. Hide-and-seek, grown-up style. Wanting to hide. Needing to be sought. Confused about being found. "I don't want anyone to know." "What will people think?" "I don't want to bother anyone." Better than hide-and-seek, I like the game called Sardines. In Sardines the person who is It goes and hides, and everybody goes looking for him. When you find him, you get in with him and hide there with him. Pretty soon everybody is hiding together, all stacked in a small space like puppies in a pile. And pretty soon somebody giggles and somebody laughs and everybody gets found. Medieval theologians even described God in hide-and-seek terms, calling him Deus Absconditus. But me, I think old God is a Sardine player. And will be found the same way everybody gets found in Sardines - by the sound of laughter of those heaped together at the end. "Olly-olly-oxen-free." The kids out in the street are hollering the cry that says "Come on in, wherever you are. It's a new game." And so say I. To all those who have hid too good. Get found, kid! Olly-olly-oxen-free.
Robert Fulghum (All I Really Need to Know I Learned in Kindergarden)
On that first day you simply cannot deny the humanity of the corpse. By the time you skinned the limbs, sliced through inconvenient muscles, pulled out the lungs, cut open the heart, and removed a lobe of the liver, was it hard to recognise this pile of tissue as human. And I will re-a reflective moment, we were all silently apologising to our cadavers, not because we sensed the transgression but because we did not. Doctors invade the body in every way imaginable. They see people at the most vulnerable, they are most scared, they are most private. Seeing the body as matter and mechanism is the flipside to easing the most profound human suffering.
Paul Kalanithi (When Breath Becomes Air)
I hide my books under the bed, and she hides hers in her lingerie, and once a year when Zeidy inspects the house for Passover, poking through our things, we hover anxiously, terrified of being found out. Zeidy even rifles through my underwear drawer. Only when I tell him that this is my private female stuff does he desist, unwilling to violate a woman’s privacy, and move on to my grandmother’s wardrobe. She is as defensive as I am when he rummages through her lingerie. We both know that our small stash of secular books would shock my grandfather more than a pile of chametz, the forbidden leavening, ever could. Bubby might get away with a scolding, but I would not be spared the full extent of my grandfather’s wrath.
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
An exciting sense of rodina, ‘motherland,’ was for the first time organically mingled with the comfortably creaking snow, the deep footprints across it, the red gloss of the engine stack, the birch logs piled high, under their private layer of transportable snow, on the red tender. I was not quite six, but that year abroad, a year of difficult decisions and liberal hopes, had exposed a small Russian boy to grown-up conversations. He could not help being affected in some way of his own by a mother’s nostalgia and a father’s patriotism. In result, that particular return to Russia, my first conscious return, seems to me now, sixty years later, a rehearsal – not of the grand homecoming that will never take place, but of its constant dream in my long years of exile.
Vladimir Nabokov (Speak, Memory)
I thought of my mother, and how some day, in the future, I would go with my sister to her apartment, the one I had never seen, with the single task of sorting through a lifetime of possessions, packing everything away. I thought of all the things I would find there—private things like jewelry, photo albums and letters, but also signs of a careful and well-organized life: bills and receipts, phone numbers, an address book, the manual for the washing machine and dryer. In the bathroom, there would be half-used glass vials and jars of creams, signs of her daily rituals that she did not like anyone else to see. My sister, I knew, ever methodical, would suggest we sort things into piles: things to keep, things to donate, things to put in the trash. I would agree but, in the end, I knew I would keep nothing, whether out of too much, or too little sentiment, I did not know.
Jessica Au (Cold Enough for Snow)
The idea is to intentionally design a relaxing environment that is off-limits to many of the stresses and distractions that define your waking hours. Begin with aesthetics, making an effort to keep your bedroom neat and attractive. In other words, aim for Southern Living in your private quarters even if the rest of your house looks like Mechanics Weekly. Then begin to work on behaviors, keeping your bedroom off-limits to activities other than sleeping, relaxing, or making love. Nix the stacks of unpaid bills, piles of dirty laundry, collections of unread newspapers, and file folders from the office. By fostering this kind of space, seemingly untouched by the nitty gritty of daily life, you will have created a quiet haven where-by simply stepping inside and closing the door behind you-you can take a mini-vacation from stress. This time can then be used to pray, to relax, or to lavish your undivided romantic attentions on your husband.
William R. Cutrer (Sexual Intimacy in Marriage)
The problem with police officers and firefighters isn’t a public-sector problem; it isn’t a problem with government; it’s a problem with the entire society. It’s what happened on Wall Street in the run-up to the subprime crisis. It’s a problem of people taking what they can, just because they can, without regard to the larger social consequences. It’s not just a coincidence that the debts of cities and states spun out of control at the same time as the debts of individual Americans. Alone in a dark room with a pile of money, Americans knew exactly what they wanted to do, from the top of the society to the bottom. They’d been conditioned to grab as much as they could, without thinking about the long-term consequences. Afterward, the people on Wall Street would privately bemoan the low morals of the American people who walked away from their subprime loans, and the American people would express outrage at the Wall Street people who paid themselves a fortune to design the bad loans.
Michael Lewis (Boomerang: Travels in the New Third World)
Lend stood staring blankly at the shelves of food. Arianna had sneaked upstairs to eat—or rather, drink—in private. “I have no idea what to make. I’m too exhausted to think.” “You have no right to be tired. And I never want to see you asleep ever again. I had enough of that for a lifetime these past few days.” “Allow me to take over,” Jack said, striding into the kitchen. He nudged Lend out of the way and started pulling out a huge pile of ingredients. “Can you even cook?” “If Lend had let me make him an omelet earlier, that question would already be answered.” Lend sat next to me, leaning over and putting his arm under my head as a pillow against the counter. “Remind me again why we trust him now?” “Because we need all the help we can get. And I think he really is sorry. And a lot of people are going to depend on him of all the faeries leave.” Jack furiously chopped vegetables. “Captain Dependable! Wait, we vetoed that one. The Divine Door Maker? Too much? Hmm . . . Handsome Hero, but maybe I should move away from alliteration. Something sleek. Our Lord and Master Jack.” Lend rolled his eyes and gave me a seriously-can-I-just-beat-him-to-a-pulp look.
Kiersten White (Endlessly (Paranormalcy, #3))
Ian saw only that the beautiful girl who had daringly come to his defense in a roomful of men, who had kissed him with tender passion, now seemed to be passionately attached not to any man, but to a pile of stones instead. Two years ago he’d been furious when he discovered she was a countess, a shallow little debutante already betrothed-to some bloodless fop, no doubt-and merely looking about for someone more exciting to warm her bed. Now, however, he felt oddly uneasy that she hadn’t married her fop. It was on the tip of his tongue to bluntly ask her why she had never married when she spoke again. “Scotland is different than I imagined it would be.” “In what way?” “More wild, more primitive. I know gentlemen keep hunting boxes here, but I rather thought they’d have the usual conveniences and servants. What was your hoe like?” “Wild and primitive,” Ian replied. While Elizabeth looked on in surprised confusion, he gathered up the remains of their snack and rolled to his feet with lithe agility. “You’re in it,” he added in a mocking voice. “In what?” Elizabeth automatically stood up, too. “My home.” Hot, embarrassed color stained Elizabeth’s smooth cheeks as they faced each other. He stood there with his dark hair blowing in the breeze, his sternly handsome face stamped with nobility and pride, his muscular body emanating raw power, and she thought he seemed as rugged and invulnerable as the cliffs of his homeland. She opened her mouth, intending to apologize; instead, she inadvertently spoke her private thoughts: “It suits you,” she said softly. Beneath his impassive gaze Elizabeth stood perfectly still, refusing to blush or look away, her delicately beautiful face framed by a halo of golden hair tossing in the restless breeze-a dainty image of fragility standing before a man who dwarfed her. Light and darkness, fragility and strength, stubborn pride and iron resolve-two opposites in almost every way. Once their differences had drawn them together; now they separated them. They were both older, wiser-and convinced they were strong enough to withstand and ignore the slow heat building between them on that grassy ledge. “It doesn’t suit you, however,” he remarked mildly. His words pulled Elizabeth from the strange spell that had seemed to enclose them. “No,” she agreed without rancor, knowing what a hothouse flower she must seem with her impractical gown and fragile slippers.
Judith McNaught (Almost Heaven (Sequels, #3))
Slowly crossing the deck from the scuttle, Ahab leaned over the side, and watched how his shadow in the water sank and sank to his gaze, the more and the more that he strove to pierce the profundity. But the lovely aromas in that enchanted air did at last seem to dispel, for a moment, the cankerous thing in his soul. That glad, happy air, that winsome sky, did at last stroke and caress him; the step-mother world, so long cruel - forbidding - now threw affectionate arms round his stubborn neck, and did seem to joyously sob over him, as if over one, that however wilful and erring, she could yet find it in her heart to save and to bless. From beneath his slouched hat Ahab dropped a tear into the sea; nor did all the pacific contain such wealth as that one wee drop. Starbuck saw the old man; saw him, how he heavily leaned over the side; and he seemed to hear in his own true heart the measureless sobbing that stole out of the centre of the serenity around. Careful not to touch him, or be noticed by him, he yet drew near to him, and stood there. Ahab turned. "Starbuck!" "Sir." "Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
Herman Melville
Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day- very much such a sweetness as this- I struck my first whale- a boy-harpooneer of eighteen! Forty- forty- forty years ago!- ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain’s exclusiveness, which admits but small entrance to any sympathy from the green country without- oh, weariness! heaviness! Guinea-coast slavery of solitary command!- when I think of all this; only half-suspected, not so keenly known to me before- and how for forty years I have fed upon dry salted fare- fit emblem of the dry nourishment of my soul!- when the poorest landsman has had fresh fruit to his daily hand, and broken the world’s fresh bread to my mouldy crusts- away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow- wife? wife?- rather a widow with her husband alive? Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey- more a demon than a man!- aye, aye! what a forty years’ fool- fool- old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God!- crack my heart!- stave my brain!- mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearthstone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board!- lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!” “Oh, my Captain! my Captain! noble soul! grand old heart, after all! why should any one give chase to that hated fish! Away with me! let us fly these deadly waters! let us home! But Ahab’s glance was averted; like a blighted fruit tree he shook, and cast his last, cindered apple to the soil. “What is it, what nameless, inscrutable, unearthly thing is it; what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike.
Herman Melville (Moby-Dick or, The Whale)
In our culture anyway, especially in modern times, the heroic seems too big for us, or we too small for it. Tell a young man that he is entitled to be a hero and he will blush. We disguise our struggle by piling up figures in a bank book to reflect privately our sense of heroic worth. Or by having only a little better home in the neighborhood, a bigger car, brighter children. But underneath throbs the ache of cosmic specialness, no matter how we mask it in concerns of smaller scope.
Ernest Becker (The Denial of Death)
Now the Democrat Party has tilted so far left that it threatens to collapse any day. Just look at what remains of the party’s presidential hopefuls. Elizabeth Warren wants to arm the IRS (not literally but with more pencils) to punish the wealthiest people in the country. It doesn’t matter to her if they made their money by working hard, then creating jobs. She believes that the money belongs to the government. Of course, that didn’t stop her from making almost $500,000 a year from teaching one class at Harvard. It’s no wonder why college tuition is through the roof! Kamala Harris wants to get rid of all private health care and replace it with a single-payer government-issued model. The fact that the US government owes $122 trillion in unfunded liabilities such as Social Security and Medicare doesn’t even faze her. Just dump more debt on the pile, and let our children figure out how to pay for it.
Donald Trump Jr. (Triggered: How the Left Thrives on Hate and Wants to Silence Us)
I swear by the creek in back of the house," I said, our private childhood variation on an oath by the river Styx. And while I said the words I was telling the truth. Because I remembered spring mornings when she helped me escape lessons to run through the woods, summer nights catching glowworms, autumn afternoons acting out the story of Persephone in the leaf pile, and winter evenings sitting by the fire when I told her everything I had studied that day and she fell asleep five times but would never admit to being bored.
Rosamund Hodge (Cruel Beauty)
No matter what mood you were in when she started, you were always laughing along with her before she finished. I loved to make her laugh, because it was like creating a little private memory that was ours and ours only, to add to the growing pile of trivialities that no one else could possibly care about but were becoming the foundation of our intimacy
Mark Lukach (My Lovely Wife in the Psych Ward)
Perry Mason turned his back to the morning sunlight which streaked in through the windows of his private office and regarded the pile of unanswered mail with a frown. 'I hate this office routine,' he said. Della Street, his secretary, glanced up at him with eyes that contained a glint of amusement in their cool, steady depths. Her smile was tolerant. 'I presume,' she said, 'having just emerged from one murder case, you'd like another.' 'Not necessarily a murder case,' he told her, 'but a good fight in front of a jury. I like dramatic murder trials, where the prosecution explodes an unexpected bomb under me, and, while I'm whirling through the air, I try to figure how I'm going to light on my feet when I come down... What about this chap with the glass eye?' 'Mr. Peter Brunold,' she said. 'He's waiting for you in the outer office. I told him you'd probably delegate his case to an assistant. He said he'd either see you or no one.' 'What does he look like?' 'He's about forty, with lots of black, curly hair. He has an air of distinction about him and he looks as though he'd suffered. He's the type of man you'd pick for a poet. There's something peculiar in his expression, a soulful, sensitive something. You'll like him, but he's the type that would make business for you, if you ask me-a romantic dreamer who would commit an emotional murder if he felt circumstances required him to do it.' 'You can readily detect the glass eye?' Mason inquired. 'I can't detect it at all,' she said, shaking her head. 'I always thought I could tell an artificial eye as far as I could see one, but I'd never know there was anything wrong with Mr. Brunold's eye.' 'Just what was it he told you about his eye?' 'He said he had a complete set of eyes-one for morning-one for evening-one slightly bloodshot-one...' Perry Mason smacked his fist against his palm. His eyes glinted. 'Take away that bunch of mail, Della,' he commanded, 'and send in the man with the glass eye. I've fought will contests, tried suits for slander, libel, alienation of affections, and personal injuries, but I'm darned if I've ever had a case involving a glass eye, and this is going to be where I begin. Send him in.
Erle Stanley Gardner (The Case of the Counterfeit Eye (Perry Mason, #6))
have to wait for hours in the admitting room when you come in at night. They’ve learned that problem cases will be seen by five different specialists, that they’ll get a real ECG and a pile of lab results, and even get X-rayed as a bonus—all within an hour or two of walking in the door. In private practice, such a rigorous battery of tests would take several stressful weeks, dozens of annoying phone calls, and countless hours reading dull magazines
Christoph Spielberg (The Russian Donation)
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. Lunch with Diana. A big day--a massive, humongous day, in fact. I got there ten minutes early, feeling decidedly nervous. The Kensington Palace front door was opened by her beaming butler. He walked me up the stairs, chatting cheerfully about the weather and my journey, as if a tabloid editor prowling around Diana’s home was a perfectly normal occurrence. He said that the “Boss” was running a bit late, joking that “she’ll be furious you are here first!” and invited me to have a drink. “What does she have?” I asked. “Water, usually,” he replied, “but wouldn’t you rather have a nice glass of wine? She won’t mind in the slightest.” I readily agreed, if only to calm my racing heartbeat. He then left me alone in the suitably regal sitting room. Diana had a perfectly normal piano covered in perfectly normal family snaps. It’s just that this family was the most photographed on the planet. Lots of pictures of her boys, the young heirs, perhaps the men who will kill off, or secure, the very future of the monarchy. To us, they were just soap opera stars, semi-real figments of tabloid headlines and the occasional palace balcony wave. But here they were, her boys, in picture frames, like any other adored sons. Just sitting in her private room was fascinating. Her magazines lay on the table, from Vogue to Hello, as well as her newspapers--the Daily Mail at the top of the pile, obviously, if distressingly. After I had spent ten minutes on my own, she swept in, gushing: “I’m so sorry to have kept you, Piers. I hope Paul has been looking after you all right.” And then came what was surely one of the most needless requests of all time: “Would you mind awfully if William joins us for lunch? He’s on an exeat from Eton, and I just thought that given you are a bit younger than most editors, it might be good for both of you to get to know each other.” “I’m sorry, but that would be terribly inconvenient,” I replied sternly. Diana blushed slightly and started a stuttering “Yes, of course, I’m so sorry…” apology, when I burst out laughing. “Yes, ma’am, I think I can stretch to allowing the future king to join us for lunch.” The absurdity of this conversation held no apparent bounds.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. Just sitting in her private room was fascinating. Her magazines lay on the table, from Vogue to Hello, as well as her newspapers--the Daily Mail at the top of the pile, obviously, if distressingly. After I had spent ten minutes on my own, she swept in, gushing: “I’m so sorry to have kept you, Piers. I hope Paul has been looking after you all right.” And then came what was surely one of the most needless requests of all time: “Would you mind awfully if William joins us for lunch? He’s on an exeat from Eton, and I just thought that given you are a bit younger than most editors, it might be good for both of you to get to know each other.” “I’m sorry, but that would be terribly inconvenient,” I replied sternly. Diana blushed slightly and started a stuttering “Yes, of course, I’m so sorry…” apology, when I burst out laughing. “Yes, ma’am, I think I can stretch to allowing the future king to join us for lunch.” The absurdity of this conversation held no apparent bounds. But before he joined us, Diana wanted a little chat. “How’s your circulation?” she asked. Bloody rampant, I thought, as she nestled into her sofa, radiating a surprisingly high degree of sexual allure. “Oh very healthy, ma’am, thanks to you.” She laughed, a tad insincerely. We discussed her mate Fergie. “Can’t you go a bit easier on her?” Diana pleaded, with genuine concern in those extraordinarily big, expressively deep, blue eyes. “Well, she’s her own worst enemy,” I replied. “Look at this morning’s front pages--I mean, who the hell takes the Concorde the day after the papers reveal she’s 3 million in debt?” “I know, I know,” sighed the Princess, “but she means well; she has a big heart. It’s not easy for her.” We debated the merits of Fergie, or even Diana herself, emigrating away from the media firestorm. “Yes, but to where? I’ve thought about it often, but somebody would find me wherever I went.” And then I saw a flash of real sadness in her face, a desperation almost to have her anonymity back, but knowing it is gone forever. I asked what it was like “being Diana.” “Oh God, let’s face it, even I have had enough of Diana now--and I am Diana.” She screeched with laughter, and I saw her chameleon side. Able to switch so easily from misery to hilarity. “It’s been ridiculous recently, just one thing after another. But I can’t stop the press writing about me, can I? You are hardly going to say ‘Oh, okay then, we’ll leave you alone.’ I would like to have a good break. I meet a lot of ordinary people, and they are always so kind to me. They shout out things like ‘Eh, Di, I know what you’re going through, luv,’ and I laughed and think: ‘If only you really knew. He’s worrying about his allotment or whatever, and I’ve got things like the future of the monarchy on my mind.’” More screeches--she has a great laugh. A really earthy infectious cackle. Like a Sloaney Barbara Windsor.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. Just sitting in her private room was fascinating. Her magazines lay on the table, from Vogue to Hello, as well as her newspapers--the Daily Mail at the top of the pile, obviously, if distressingly. After I had spent ten minutes on my own, she swept in, gushing: “I’m so sorry to have kept you, Piers. I hope Paul has been looking after you all right.” And then came what was surely one of the most needless requests of all time: “Would you mind awfully if William joins us for lunch? He’s on an exeat from Eton, and I just thought that given you are a bit younger than most editors, it might be good for both of you to get to know each other.” “I’m sorry, but that would be terribly inconvenient,” I replied sternly. Diana blushed slightly and started a stuttering “Yes, of course, I’m so sorry…” apology, when I burst out laughing. “Yes, ma’am, I think I can stretch to allowing the future king to join us for lunch.” The absurdity of this conversation held no apparent bounds. But before he joined us, Diana wanted a little chat. “How’s your circulation?” she asked. Bloody rampant, I thought, as she nestled into her sofa, radiating a surprisingly high degree of sexual allure. “Oh very healthy, ma’am, thanks to you.” She laughed, a tad insincerely. We discussed her mate Fergie. “Can’t you go a bit easier on her?” Diana pleaded, with genuine concern in those extraordinarily big, expressively deep, blue eyes. “Well, she’s her own worst enemy,” I replied. “Look at this morning’s front pages--I mean, who the hell takes the Concorde the day after the papers reveal she’s £3 million in debt?” “I know, I know,” sighed the Princess, “but she means well; she has a big heart. It’s not easy for her.” We debated the merits of Fergie, or even Diana herself, emigrating away from the media firestorm. “Yes, but to where? I’ve thought about it often, but somebody would find me wherever I went.” And then I saw a flash of real sadness in her face, a desperation almost to have her anonymity back, but knowing it is gone forever. I asked what it was like “being Diana.” “Oh God, let’s face it, even I have had enough of Diana now--and I am Diana.” She screeched with laughter, and I saw her chameleon side. Able to switch so easily from misery to hilarity. “It’s been ridiculous recently, just one thing after another. But I can’t stop the press writing about me, can I? You are hardly going to say ‘Oh, okay then, we’ll leave you alone.’ I would like to have a good break. I meet a lot of ordinary people, and they are always so kind to me. They shout out things like ‘Eh, Di, I know what you’re going through, luv,’ and I laughed and think: ‘If only you really knew. He’s worrying about his allotment or whatever, and I’ve got things like the future of the monarchy on my mind.’” More screeches--she has a great laugh. A really earthy infectious cackle. Like a Sloaney Barbara Windsor.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Newspapers and old magazines were piled everywhere. A door to an inner room burst open and Norman Z. Moody emerged. He was about five foot five and must have weighed three hundred pounds. He rolled as he walked, reminding Judd of an animated Buddha. He had a round, jovial face with wide, guileless, pale blue eyes. He was totally bald and his head was egg-shaped. It was impossible to guess his age. “Mr. Stevenson?” Moody greeted him. “Dr. Stevens,” Judd said. “Sit down, sit down.” Buddha with a Southern drawl. Judd looked around for a seat. He removed a pile of old body-building and nudist magazines from a scrofulous-looking leather armchair with strips torn out of it, and gingerly sat down. Moody was lowering his bulk into an oversized rocking chair. “Well, now! What can I do for you?” Judd knew that he had made a mistake. Over the phone he had carefully given Moody his full name. A name that had been on the front page of every New York newspaper in the last few days. And he had managed to pick the only private detective in the whole city who had never even heard of him. He cast about for some excuse to walk out. “Who recommended me?” Moody prodded. Judd hesitated, not wanting to
Sidney Sheldon (The Naked Face)
can right here,” Marge replied and looked inside. “The thing is empty.” Celeste smiled at the sight of Marge finally trapping a paper between her oversized colorful mitts. “Thank you, Suzy Homemaker. All you need is an apron.” While we hurried to search the room, the doorbell rang. Drat. The three of us froze. We had every right to be here and I was getting tired of explaining that to Alex. I was hoping we’d be gone before he showed up at the door. We headed to the landing to see Deborah peeking out the window. She nodded when she saw us. “Yes, I’m afraid it’s him,” she whispered. I knew what was coming next: a mournful look from Alex, along with a little speech about interference with an important police investigation. Could we get in trouble? What were exactly the rules when we were working in a private home and hired by the homeowner? I’d promised him I’d be careful. But surely we had every right to be here, working for our client. The gig was up in any case. Alex had surely seen Marge’s car out front. “Let’s hurry to the couch,” I said, keeping my voice very low. “Then he might think that we’re only here to talk and to consult with Deborah.” “Quick, let’s go,” Celeste said. “Deborah, could you hold off for just a second before you let him in?” Deborah scowled. “I don’t really want to let him in at all. He’s a looker, but obnoxious. You take your time. He can cool his heels and wait.” Celeste wasn’t taking any chances. “Go!” she said, touching me on the back since I was closest to the stairs. Things moved quickly from that point. As I tended to do at the most important times, I tripped and fell flat on my face. Thankfully, my glasses stayed on. I’d nearly made it safely down the stairs when my foot got caught on the carpet. Marge and Celeste were right behind me, almost flying in their haste. We ended up in one big pile in front of a frowning Deborah. “And you’re sure that you’re detectives?” she asked doubtfully. “The real official thing,” Marge squeaked, rubbing her shoulder with the bright orange oven mitt. We limped to the couch as Deborah headed to the door. I heard a familiar voice as she let him in, and we arranged ourselves oh so casually on the couch, as if we’d been there all along. Alex wasn’t pleased at all. He and Deborah were both scowling as they walked into the room. And for all the unpleasantness, we hadn’t found a thing. Operation Search the Office Before Alex had not been a success. Chapter Seven Despite the pain in my left knee (and the tight quarters on the loveseat), I tried to look the part of an innocent working woman who’d come to talk – and only talk – to a client in distress. “What are you three up to?” Alex gave us a
Deany Ray (Diced)
The people's need to share has turned into a massive disease. It has taken them to the most private meaningless part of their lives. In such circumstance, values become redefined and what has been worthless in the past, has become the core value of the new age. The disaster starts where the essence of the discourse changes. The modern age, with all its technological advances, has taken human to the fast fall. We are going down faster than being trapped into a mire. The transition of the discourse has also given us a great gift, senselessness. Therefore, we have transitioned into piles of senseless machines, drained of human essentiality and drowning into a giant mire. The sad part is, due to the lack of true sense, we don't even feel it. Our only safety guard, which is entirely absurd and phantasmagoric, comes from following the majority of the world's population. As long as we feel belonged to preponderancy, our nonsense will absolutely make sense.
Kambiz Shabankare
Somehow he couldn't believe that this was it, that their story would end with such wretchedness, as if Hansel and Gretel had become the witch's dinner after all, or Sleeping Beauty's prince a pile of gnawed bones in the Enchanted Forest.
Sherry Thomas (Private Arrangements)
The following images for the remaining terms should then be bound in some way to our Mnemonic Unit Nexus (MUN). The next terms to be remembered, and their associated MUs, are: Nucleus – N,C,L – A naked woman, holding cash and covering her privates with leaves Mitochondria –M,I,C – A monkey, frozen in ice, being choked. Golgi Apparatus – G,O, A,P – A little girl with an owl on her right arm, and apple in her left hand, and being patted on the head. Endoplasmic Reticulum – E,D,P,L, R,T,C,U – An Executive, holding a dog, and, wearing no pants, with lash marks on his legs. He is riding a Rhino made of titanium that is standing on a pile of cash and is holding an umbrella for the executives. Smooth Endoplasmic Reticulum, S,M,E,D,P,R,T,C,U – A muddy shovel in the hand of an identical EDPL as shown in the previous image, also riding on the rhino. Thus, on the Rhino, there are seated two EDPLs. Lysosomes – L,I,S,O – A lion, playing a silver guitar, opening a door. Plasma Membrane – P,L,M,B – A priest holding a light bulb in his right hand and a mirror in his left while standing on a pile of bricks. DNA –D,N,A – A dinosaur Cytosol – S,I,T,O – A snake, wearing a tie, with its back end wrapped around a flute and with an orange in its mouth.
M.A Kohain
ornamental and suitably toffee-nosed pets of the wealthy, titled and privileged in their private gardens. He looked beyond the bird at a further manifestation of such diminished glories; the impressive seventeenth-century pile of Edenbridge House, formidable focus of the twelve hundred
Robert Richardson (Skeleton Key (Augustus Maltravers, #1))
When we got close to the airport, the reality of the public reaction to Steve’s death began to sink in. Members of the media were everywhere. We drove straight through the gates to pull up right next to the charter plane. The last thing I felt like doing at that moment was to talk to anyone about what had happened. I just wanted to get to Steve. As I walked toward the plane, I turned back to thank the police who had helped us. The tears in their eyes shocked me out of my own personal cocoon of grief. This wasn’t just a job for them. They genuinely felt for us, and suffered Steve’s loss. So many other people loved him too, I thought. All during the endless, three-hour plane ride to Maroochydore, I kept flashing back to our fourteen years of adventures together. My mind kept focusing on another plane ride, so similar to this one, when Bindi and I had to fly from the United States back to Australia after Steve’s mum had died. Part of me wished we could have flown forever, never landing, never facing what we were about to. I concentrated on Bindi and Robert, getting them fed and making sure they were comfortable. But the thought of that last sad flight stayed there in the back of my mind. The plane landed at Maroochydore in the dark. We taxied in between hangars, out of public view. I think it was raining, but perhaps it wasn’t, maybe I was just sad. As I came down the steps of the plane, Frank, Joy, and Wes stood there. We all hugged one another. Wes sobbed. We managed to help one another to the hangar, where we all piled into two vehicles for the half-hour drive back to the zoo. I turned on the DVD in the backseat for the kids. I desperately needed a moment without having to explain what was going on. I wanted to talk to Wes, Joy, and Frank. At some point during the ride, Wes reached back and closed the DVD player. The light from the player was giving the press the opportunity to film and photograph us in the car. This was a time to be private and on our own. How clever of Wes to consider that, I thought, right in the middle of everything. “Wes,” I said, “what are we going to do now?
Terri Irwin (Steve & Me)
Why young men,” Lily demanded, “and not girls?” Caleb put a hand over hers in a gesture that had become familiar. She knew he wasn’t silencing her, but merely asking her to wait. “I’d be willing to invest in something like that,” he said. Rupert looked embarrassed and chagrined. “I couldn’t take money from you.” “Why not?” Lily wanted to know. She was still ruffled and spoke peevishly. “He must have piles of it, the way he throws it around.” In that instant the tension was broken and both men laughed. “Perhaps I should discuss this with Winola,” Rupert conceded. “I still want to know why it’s going to be a boarding school for boys,” Lily put in. Rupert smiled at her and took her hand. “Lily, dear, so many people don’t believe in educating girls. Boys, now, they have to make their way in the world—” Lily was outraged. “And girls don’t?” she snapped, looking from Caleb to Rupert. Caleb was distinctly uncomfortable, while Rupert wore his prejudices and complacency as easily as a pair of old slippers. “You and Winola are both notable exceptions, of course,” Rupert allowed with a benevolent smile. “Mostly, though, girls just need to be taught to cook and sew and care for children, and they can learn those things right at home.” Caleb closed his eyes as though bracing for an explosion. Lily leapt to her feet, waggling one finger in her brother’s face. “Is that what you’ll want for daughters of your own?” she sputtered. “Nothing but babies, and slaving for some man?” Rupert’s expression was one of kindly bafflement. Obviously Winola’s progressive ideas had not affected him. “It’s what a woman wants—” Lily wouldn’t have begrudged Rupert a penny if it hadn’t been for his narrow and unfair views. “If you give this man money for a school that admits only boys, Caleb Halliday,” she railed, “I’ll make you sleep in the chicken house!” “Sit down,” Caleb said quietly. Lily sat, but grudgingly. “I’ll be happy to give you the money you need,” Caleb told Rupert. Lily favored him with a horrified glare. “You mean you would support such a prejudice?” She was back on her feet again. “Tell me this, Caleb Halliday—do you want your daughters to be ignorant? I can assure you they won’t be, because I will not permit it!” “That,” said Caleb evenly, “is enough. You and I will discuss this later, in private.” Lily’s cheeks were flaming, but she resisted an impulse to storm off to the hotel in high dudgeon because she knew Caleb would not follow or try to assuage her anger in any way. “Yes, Major,” she said sweetly. Caleb narrowed his eyes at her but said nothing. Rupert looked concerned. “I can’t be the cause of trouble between the two of you,” he said. “Winola and I will think of some other solution to the problem.” “You could at least include girls in the classes,” Lily said stiffly. But Rupert shook his head. “Their parents would never permit them to live in such close quarters with young men, Lily,” he reasoned, “and rightly so.” Lily still felt as though her entire gender had been insulted, but she kept silent. Finally,
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Cards, Cads, Guns, Gore, and Death is a good piece of guerrilla filmmaking. Ron’s opening shot is an impressive piece of camerawork. Starting close on a pile of poker chips, Ron then pulled back and followed the action from player to player. It’s like a kid version of the crane shot that opens Orson Welles’s Touch of Evil. And the splatters turned out really well. We nailed the “gore and death” part. I sometimes grumbled about being in Ron’s little movie projects because I’d grown accustomed to getting paid to act and I wanted to play with my friends. Still, these were good times. I have since worked with a hundred adult directors who couldn’t hold a candle to the sixteen-year-old Ron Howard. I could see that he had the goods: a knowledge of camera angles, the discipline to light scenes correctly, a facility for directing his actors. In some regards, nothing has really changed. I’m still acting in Ron Howard movies, with a full understanding that he is the general and I am a private. I have my opinions on how I would do a scene, but ultimately, you do what the director says. That’s part of the discipline that Dad taught us. It was during this time that Ron decided that he wanted to be called Ron instead of Ronny. Actually, he decided initially that his directorial name would be Ronn Howard, with two n’s. However the hell he wanted to spell it, I respected his choice. Being called Opie all the time was one of the worst things he had to endure as a kid. I thought that “Ronn” looked weird in the credits, but he wanted to shed his little-kid image, so I fully supported him.
Ron Howard (The Boys: A Memoir of Hollywood and Family)
Since the Firm’s IPO, the Founder and the partners have realized that the listed market seems to value more highly the stable, recurring management fees that the Firm brings in, come rain or shine—the two percent—over the larger, supposedly more volatile performance fees that crystallize when investment gains are monetized—the twenty percent. The stock price is largely driven by a regular stream of management fees under long-term contracts, and as assets under management grow for the Firm, the stock’s attractiveness to public market investors increases because this fee pile grows alongside the assets. Of course, there is a strong track record of delivering performance fees on top, because the funds perform well, but these are incremental to the equity story; they do not underpin it. For the stock market, the Two is mission-critical. The Twenty is important, but it is not taken for granted.
Sachin Khajuria (Two and Twenty: How the Masters of Private Equity Always Win)
And although the Firm’s head count is growing, especially now that the Firm is a public company with all the middle and back office functionality that goes with that, head count is not growing as quickly as the assets under management are growing. This means the Firm profits from a rising pile of management fees paid by a rising pile of assets under management. That provides the Firm with operating leverage.
Sachin Khajuria (Two and Twenty: How the Masters of Private Equity Always Win)
There was a rumble deep within the earth, followed by a deafening roar. As we watched, helpless, the sand hill collapsed in on itself. Dirt burst from all sides as the mound imploded in a whoosh of heat and flame. “Back!” Chance shouted, coughing into a fist as dust blanketed our tiny vessel. Ben quickly reversed course, scooting us farther out to sea. But it was already over—the collapsing hill doused the fire, thousands of pounds of gravel and earth smothering the flames like a snuffed candle. The damage was done. Where our bunker had been, nothing remained but a smoking pile. I tried to think. To reboot my mind. “Where are Karsten’s parvovirus files?” “My study.” Chance tapped his chest. “All of them. Locked in a private safe.” One less worry, at least. “Any chance the solar array survived?” “None.” Hi gestured uselessly at the scorched wreckage. “It was outside the bunker, but look at that. The whole damn hill just fell into the mine shaft. It’s a total loss.” I glanced at Shelton. “What about the hard drives?” Shelton’s face brightened an iota. “I back everything up wirelessly. Our files are safe.” “The mini-fridge is toast.” Hi sighed deeply. “I had a sandwich in there.
Kathy Reichs (Terminal: A Virals Novel)
Where our bunker had been, nothing remained but a smoking pile. I tried to think. To reboot my mind. “Where are Karsten’s parvovirus files?” “My study.” Chance tapped his chest. “All of them. Locked in a private safe.” One less worry, at least. “Any chance the solar array survived?” “None.” Hi gestured uselessly at the scorched wreckage. “It was outside the bunker, but look at that. The whole damn hill just fell into the mine shaft. It’s a total loss.” I glanced at Shelton. “What about the hard drives?” Shelton’s face brightened an iota. “I back everything up wirelessly. Our files are safe.” “The mini-fridge is toast.” Hi sighed deeply. “I had a sandwich in there.
Kathy Reichs (Terminal: A Virals Novel)
Every single remedy to high debt levels brings its own costs: the paradox of thrift, the chaos of defaults, the moral hazard of bailout, the wealth taxation that hurts the wealthy and may lead to less private capital investment, the labor taxation that hurts the most vulnerable, unexpected inflation that wipes out the wealth of creditors. That is why we have arrived at the new “consensus” of MMT, as if it were a free lunch. Keeping interest rates low and continuing to pile up debt has become the path of least resistance and the softest way to redistribute wealth/income from savers/creditors to borrowers/debtors. But by definition, easy money feeds more debt. Easy money also leads to asset inflation, and eventually to bubbles. There will be a reckoning. It could come in the form of a great crash, bursting the bubble and triggering default, or inflation, or even stagflation.
Nouriel Roubini (Megathreats)
And there was one passage of his charity that was perhaps a little unusual: in an hard and long winter, when wood was very scarce at Boston, a man gave him a private information that a needy person in the neighbourhood stole wood sometimes from his pile; whereupon the governour in a seeming anger did reply, “Does he so? I’ll take a course with him; go, call that man to me; I’ll warrant you I’ll cure him of stealing.” When the man came, the governour considering that if he had stolen, it was more out of necessity than disposition, said unto him, “Friend, it is a severe winter, and I doubt you are but meanly provided for wood; wherefore I would have you supply your self at my wood-pile till this cold season be over.” And he then merrily asked his friends, “Whether he had not effectually cured this man of stealing his wood?
Cotton Mather (COTTON MATHER: Magnalia Christi Americana (1702), Volume 1 (of 2))
I slept on a sofa bed in Michael’s library. Each night before retiring, I would go through a shelf or pile of books (his only filing system) filled with letters and reviews and notes. Every night brought a new revelation. A few letters from Mary Welsh, Hemingway’s fourth wife, whom Michael had known in the war, were tucked into Hemingway books. In a debunking biography of Michael’s hero, Aneurin Bevan, founder of the National Heath Service, I read Michael’s comment on the flyleaf, which began “read with rising anger ...
Carl Rollyson (A Private Life of Michael Foot)
her wrist, warm and fragile, tugging it away from the other man. Instantly she drew a sharp, hissing breath. Her head swung round, eyes widening and pupils dilating as she saw him. Those soft brown eyes had once, too long ago, looked adoringly at him. And he, like a fool, had thought they always would. Matteo had learned his lesson. He took nothing for granted anymore. ‘Hello, Angela.’ His face felt tight as he smiled. Was he smiling or grimacing? He didn’t give a damn. He turned to the lanky crew member who, up till this point, he’d been so pleased to have work on this project. Now Matteo wished him to the devil, despite his cinematic skill. All trace of a smile disintegrated as he stared at the other man. ‘I see you already know my wife.’ CHAPTER TWO His wife! Angela flung open the lid of her suitcase and grabbed a pile of neatly folded clothes. She stalked across the vast, opulent room and pulled open an antique door, looking for the wardrobe. Instead she found a palatial dressing room, with sleek modern shelves and endless hanging spaces. She shoved her clothes onto a random shelf and pivoted on her heel. Matteo had referred to her as his wife, just as if he hadn’t received her request for a divorce. The paparazzi who’d snooped around for a story behind their separation would have a field day if they heard that. But more, Matteo had her checked into this extraordinary private hotel that was more like a palace than a place for a cash-strapped screenwriter. The walls were hung in exquisite eau de nil silk. The wide tester bed was topped with a gilt crown from which hung matching silk. Antiques, elegant and perfectly positioned, turned the room into a suite fit for royalty. Even the fresh flowers in their crystal vases were so gorgeous it was a shame she’d be the only one to see them.   When she was met at the vaporetto stop on the Grand Canal, fresh off the plane, she’d been only too grateful to relinquish her luggage, not knowing it would be taken somewhere like this. Having it taken on ahead had been a luxury, for dragging a heavy case over the quaint cobbled streets wasn’t fun. Besides, despite herself, she’d been eager to detour and catch a glimpse of the filming. Angela’s step faltered in the doorway of the dressing room and she sagged against the door frame. Face the truth. You wanted to see Matteo. Even now, even after his betrayal. Even knowing the pair of you were never meant to be together. Her heart crashed against her ribs and her knees turned
Annie West (The Italian's Bold Reckoning (Hot Italian Nights, #4))
After changing into a yellow day dress with airy pagoda sleeves that ended at the elbow, she went to the family's private upstairs parlor. The family dogs, a pair of small black spaniels named Napoleon and Josephine, saw her in the hallway and trotted after her. The parlor was comfortably cluttered with heaps of colorful cushions on the furniture, a battered piano in the corner, and piles of books everywhere. She sat cross-legged on the carpet with the dogs, smiling as they bounded in and out of her lap excitedly. "We don't need Prince Charming, do we?" she asked them aloud. "No, we do not. There's a patch of sun on the carpet and books nearby- that's all we need to be happy." The spaniels stretched out in a bright yellow rectangle, wriggling and sighing in contentment. After petting and scratching the dogs for a while, Cassandra reached out to a stack of books on a low table, and sorted through them idly. Double Wedding... The Secret Duke... My Dashing Suitor, and other romantic novels she had read and reread. Much lower in the pile, there were books such as History of the Thirty Years' Peace and Life of Nelson, the kind one read in case one was called upon to make insightful comments at dinner.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Reasons" For our own private reasons We live in each other for an hour. Stranger, I take your body and its seasons, Aware the moon has gone a little sour For us. The moon hangs up there like a stone Shaken out of its proper setting. We lie down in each other. We lie down alone and watch the moon’s flawed marble getting Out of hand. What are the dead doing tonight? The padlocks of their tongues embrace the black, Each syllable locked in place, tucked out of sight. Even this moon could never pull them back, Even if it held them in its arms And weighed them down with stones, Took them entirely on their own terms And piled the orchard’s blossom on their bones. I am aware of your body and its dangers. I spread my cloak for you in leafy weather Where other fugitives and other strangers Will put their mouths together.
Thomas James (Letters to a Stranger (Re/View))