Privacy Is Everything Quotes

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In the kingdom of glass everything is transparent, and there is no place to hide a dark heart.
Vera Nazarian (The Perpetual Calendar of Inspiration)
A man who loses his privacy loses everything. And a man who gives it up of his own free will is a monster.
Milan Kundera (The Unbearable Lightness of Being)
There are no private lives. This a most important aspect of modern life. One of the biggest transformations we have seen in our society is the diminution of the sphere of the private. We must reasonably now all regard the fact that there are no secrets and nothing is private. Everything is public.
Philip K. Dick
The way things are supposed to work is that we're supposed to know virtually everything about what they [the government] do: that's why they're called public servants. They're supposed to know virtually nothing about what we do: that's why we're called private individuals.
Glenn Greenwald
it’s awful. No privacy, no secrets. Everything you’re ashamed of, laid out for everyone to see.
Stephenie Meyer (Eclipse)
She loved him. But he didn’t know how to love. He could talk about love. He could see love and feel love. But he couldn’t give love. He could make love. But he couldn’t make promises. She had desperately wanted his promises. She wanted his heart, knew she couldn’t have it so she took what she could get. Temporary bliss. Passionate highs and lows. Withdrawal and manipulation. He only stayed long enough to take what he needed and keep moving. If he stopped moving, he would self-destruct. If he stopped wandering, he would have to face himself. He chose to stay in the dark where he couldn’t see. If he exposed himself and the sun came out, he’d see his shadow. He was deathly afraid of his shadow. She saw his shadow, loved it, understood it. Saw potential in it. She thought her love would change him. He pushed and he pulled, tested boundaries, thinking she would never leave. He knew he was hurting her, but didn’t know how to share anything but pain. He was only comfortable in chaos. Claiming souls before they could claim him. Her love, her body, she had given to him and he’d taken with such feigned sincerity, absorbing every drop of her. His dark heart concealed. She’d let him enter her spirit and stroke her soul where everything is love and sensation and surrender. Wide open, exposed to deception. It had never occurred to her that this desire was not love. It was blinding the way she wanted him. She couldn’t see what was really happening, only what she wanted to happen. She suspected that he would always seek to minimize the risk of being split open, his secrets revealed. He valued his soul’s privacy far more than he valued the intimacy of sincere connection so he kept his distance at any and all costs. Intimacy would lead to his undoing—in his mind, an irrational and indulgent mistake. When she discovered his indiscretions, she threw love in his face and beat him with it. Somewhere deep down, in her labyrinth, her intricacy, the darkest part of her soul, she relished the mayhem. She felt a sense of privilege for having such passion in her life. He stirred her core. The place she dared not enter. The place she could not stir for herself. But something wasn’t right. His eyes were cold and dark. His energy, unaffected. He laughed at her and her antics, told her she was a mess. Frantic, she looked for love hiding in his eyes, in his face, in his stance, and she found nothing but disdain. And her heart stopped.
G.G. Renee Hill (The Beautiful Disruption)
But why people need privacy? Why privacy is important? In China, every family live together, grandparents, parents, daughter, son and their relatives too. Eat together and share everything, talk about everything. Privacy make people lonely. Privacy make family fallen apart.
Xiaolu Guo (A Concise Chinese-English Dictionary for Lovers)
Just because you don’t share it on social media, doesn't mean you’re not up to big things. Live it and stay low key. Privacy is everything.
Denzel Washington
I hope not to encounter such a person again on my path who is interested in everything about me except my true self.
Sanu Sharma (एकादेशमा [Ekadeshma])
Like a rich person, I live with a full-time servant who keeps everything in order—and because the servant is me, there’s no invasion of privacy.
Miranda July (The First Bad Man)
The goal of privacy is not to protect some stable self from erosion but to create boundaries where this self can emerge, mutate, and stabilize.
Evgeny Morozov (To Save Everything, Click Here: The Folly of Technological Solutionism)
O, what a world of unseen visions and heard silences, this insubstantial country of the mind! What ineffable essences, these touchless rememberings and unshowable reveries! And the privacy of it all! A secret theater of speechless monologue and prevenient counsel, an invisible mansion of all moods, musings, and mysteries, an infinite resort of disappointments and discoveries. A whole kingdom where each of us reigns reclusively alone, questioning what we will, commanding what we can. A hidden hermitage where we may study out the troubled book of what we have done and yet may do. An introcosm that is more myself than anything I can find in a mirror. This consciousness that is myself of selves, that is everything, and yet is nothing at all - what is it?
Julian Jaynes (The Origin of Consciousness in the Breakdown of the Bicameral Mind)
a man who loses his privacy loses everything...a man who gives it up of his own free will is a monster
Milan Kundera (The Unbearable Lightness of Being)
So I have absolutely no privacy anymore? None? Because the four of you had to check scores with each other?” His frustration was clear. “You know, for someone concerned with honesty, you ought to be grateful.” He stopped and stared. “I beg your pardon?” “Everything is out in the open now. We all have a pretty good idea of where we stand, and I, for one, am thankful.” He rolled his eyes. “Thankful?” “If you had told me that Celeste and I were at about the same point with you physically, I would never have tried to come on to you like I did last night. Do you know how humiliated I was?” He scoffed and started pacing again. “Please, America, you’ve said and done so many foolish things, I’m surprised you can even be embarrassed anymore.
Kiera Cass (The One (The Selection, #3))
There is something about that burning of all those letters that gives me pause: why should everything be made clear and be brought into the light? Why keep things, archive your intimacies? Why not let thirty years of shared conversation go spiralling in ash up into the air of Tunbridge Wells? Just because you have it does not mean you have to pass it on. Losing things can something gain you a space in which to live.
Edmund de Waal (The Hare With Amber Eyes: A Family's Century of Art and Loss)
Because instant and credible information has to be given, it becomes necessary to resort to guesswork, rumors and suppositions to fill in the voids, and none of them will ever be rectified, they will stay on in the readers' memory. How many hasty, immature, superficial and misleading judgments are expressed every day, confusing readers, without any verification. The press can both simulate public opinion and miseducate it. Thus we may see terrorists heroized, or secret matters, pertaining to one's nation's defense, publicly revealed, or we may witness shameless intrusion on the privacy of well-known people under the slogan: "everyone is entitled to know everything." But this is a false slogan, characteristic of a false era: people also have the right not to know, and it is a much more valuable one. The right not to have their divine souls stuffed with gossip, nonsense, vain talk. A person who works and leads a meaningful life does not need this excessive burdening flow of information.
Aleksandr Solzhenitsyn
The National Security Agency’s capability at any time could be turned around on the American people, and no American would have any privacy left, such is the capability to monitor everything: telephone conversations, telegrams, it doesn’t matter. There would be no place to hide. If a dictator ever took over, the N.S.A. could enable it to impose total tyranny, and there would be no way to fight back.
Frank Church
Privacy is a protection from the unreasonable use of state and corporate power. But that is, in a sense, a secondary thing. In the first instance, privacy is the statement in words of a simple understanding, which belongs to the instinctive world rather than the formal one, that some things are the province of those who experience them and not naturally open to the scrutiny of others: courtship and love, with their emotional nakedness; the simple moments of family life; the appalling rawness of grief. That the state and other systems are precluded from snooping on these things is important - it is a strong barrier between the formal world and the hearth, extended or not - but at root privacy is a simple understanding: not everything belongs to everyone.
Nick Harkaway (The Blind Giant)
It is the symptom of a disease that still infects our population--the desire to make everything easy, to sacrifice autonomy and privacy for convenience. That's what technology is, Ms. Kantor. A concession to laziness and the devaluing of human effort
Veronica Roth (Poster Girl)
When I was old enough to take baths in the bathtub, and to know I had a penis and a scrotum and everything, I asked her not to sit in the room with me. "Why not?" "Privacy." "Privacy from what? From me?" I didn't want to hurt her feelings, because not hurting her feelings is another of my raisons d'etre. "Just privacy," I said...She agreed to wait outside, but only if I held a ball of yarn, which went under the bathroom door and was connected to the scarf she was knitting. Every few seconds she would give it a tug, and I had to tug back--undoing what she had just done--so that she could know I was OK.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
For if we are observed in all matters, we are constantly under threat of correction, judgment, criticism, even plagiarism of our own uniqueness. We become children, fettered under watchful eyes, constantly fearful that — either now or in the uncertain future — patterns we leave behind will be brought back to implicate us, by whatever authority has now become focused upon our once-private and innocent acts. We lose our individuality, because everything we do is observable and recordable." [The Eternal Value of Privacy, May 18, 2006]
Bruce Schneier
I once loved so hard I almost lost everything, including his life, including my own. Only then did I realize: perhaps love’s physicality is death itself. I think I was taught that love, in its ideal form, is like a newborn baby: full of possibility, still warm from the heated privacy of the womb. But I think, at the end of my life, I won’t see a figure cloaked in black velvet or a swirling void waiting to take me — I will see the face of love. It will be a recognizable light, the one that lived behind all those other faces I knew up close, the light I suspected but could never prove. When I see the face of love, I won’t be afraid. I will see what I’ve been searching for all my life.
Chelsea Hodson (Tonight I'm Someone Else: Essays)
But at long last she had some privacy and could go more than ten minutes without someone getting in her business, informing her that everything she did was wrong. As if she didn't already know that.
Alice Hoffman (The Third Angel)
Ponder had invented a little system he'd called, in the privacy of his head, Lies-to-Wizards. It was for their own good, he told himself. There was no point in telling your bosses everything; they were busy men, they didn't want explanations. There was no point in burdening them. What they wanted was little stories that they felt they could understand, and then they'd go away and stop worrying.
Terry Pratchett (The Science of Discworld (The Science of Discworld, #1))
Oh Beck, I love reading your e-mail. Learning your life. And I am careful; I always mark new messages unread so that you won't get alarmed. My good fortune doesn't stop there; You prefer e-mail. You don't like texting. So this means that I am not missing out on all that much communication. You wrote an "essay" for some blog in which you stated that "e-mails last forever. You can search for any word at any time and see everything you ever said to anyone about that one word. Texts go away." I love you for wanting a record. I love your records for being so accessible and I'm so full of you, your calendar of caloric intake and hookups and menstrual moments, your self-portraits you don't publish, your recipes and exercises. You will know me soon too, I promise.
Caroline Kepnes (You (You, #1))
I hear her slip into bed with him, and I hear everything that happens after that. Sex is such a strange and sloppy business, why bother to recount every slurp and moan that ensued? Tom and Honey deserve their privacy, and for that reason I will end my report of the night's activities here. If some readers object, I ask them to close their eyes and use their imaginations.
Paul Auster (The Brooklyn Follies)
How is it done? By not doing. By dreaming insistently. By performing our daily duties but living, simultaneously, in the imagination. Travelling far and wide, in the geography of our minds. Conquering like Caesar, amid the blaring trumpets of our reverie. Experiencing intense sexual pleasure, in the privacy of our fantasy. Feeling everything in every way, not in the flesh, which always tires, but in the imagination.
Fernando Pessoa (The Book of Disquiet)
For Sabina, living in truth, lying neither to ourselves not others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies. Sabina despised literature in which people give away all kinds of intimate secrets about themselves and their friends. A man who loses his privacy loses everything, Sabina thought. And a man who gives it up on his own free will is a monster. That is why Sabina did not suffer in the least from having to keep her love a secret. On the contrary, only by doing so could she live the truth.
Milan Kundera (The Unbearable Lightness of Being)
I do not tell her about how much I look forward to going to the Wright barn. How those couple of hours in his studio feel like an escape, a refuge. Nor do I tell Rachel that I think Damian has the most beautiful hands I've ever seen, that he walks like a cat, that he has the clearest eyes, which seem able to see absolutely everything about me. That he seems to be the loneliest person I've ever met, and it breaks my heart. All of these things feel private. Precious. And I don't want to share them with Rachel. Not yet, anyway.
Lisa Ann Sandell (A Map of the Known World)
married people were entitled to a certain measure of privacy, that they needn’t tell each other everything.
Jeanine Cummins (American Dirt)
The absence of a police state is that people are free, and if you don’t commit crimes you can do what you want. But today, you can’t open up a business, you can’t develop land, you can’t go to the bank, you can’t go to the doctor without the government knowing what you’re doing. They talk about medical privacy, that’s gone. Financial privacy, that’s gone. The right to own property, that’s essentially gone. So you have to get permission from the government for almost everything. And if that is the definition of a police state, that you can’t do anything unless the government gives you permission, we’re well on our way. Ron Paul
Mark Goodwin (Conspiracy (The Days of Noah, #1))
I have social media accounts, I answer honestly in interviews—and anyone who sees me perform can tell I’m in love with human beings, I want desperately to feel connected. Everything I do is for my love of, and yearning for, people. So press outlets nonetheless insisting I’m ‘intensely private’ feels vindictive, like a punishment for setting boundaries, and for not offering more of myself for content and exploitation.
mitski
what is the expression which the age demands? the age demands no expression whatever. we have seen photographs of bereaved asian mothers. we are not interested in the agony of your fumbled organs. there is nothing you can show on your face that can match the horror of this time. do not even try. you will only hold yourself up to the scorn of those who have felt things deeply. we have seen newsreels of humans in the extremities of pain and dislocation. you are playing to people who have experienced a catastrophe. this should make you very quiet. speak the words, convey the data, step aside. everyone knows you are in pain. you cannot tell the audience everything you know about love in every line of love you speak. step aside and they will know what you know because you know it already. you have nothing to teach them. you are not more beautiful than they are. you are not wiser. do not shout at them. do not force a dry entry. that is bad sex. if you show the lines of your genitals, then deliver what you promise. and remember that people do not really want an acrobat in bed. what is our need? to be close to the natural man, to be close to the natural woman. do not pretend that you are a beloved singer with a vast loyal audience which has followed the ups and downs of your life to this very moment. the bombs, flame-throwers, and all the shit have destroyed more than just the trees and villages. they have also destroyed the stage. did you think that your profession would escape the general destruction? there is no more stage. there are no more footlights. you are among the people. then be modest. speak the words, convey the data, step aside. be by yourself. be in your own room. do not put yourself on. do not act out words. never act out words. never try to leave the floor when you talk about flying. never close your eyes and jerk your head to one side when you talk about death. do not fix your burning eyes on me when you speak about love. if you want to impress me when you speak about love put your hand in your pocket or under your dress and play with yourself. if ambition and the hunger for applause have driven you to speak about love you should learn how to do it without disgracing yourself or the material. this is an interior landscape. it is inside. it is private. respect the privacy of the material. these pieces were written in silence. the courage of the play is to speak them. the discipline of the play is not to violate them. let the audience feel your love of privacy even though there is no privacy. be good whores. the poem is not a slogan. it cannot advertise you. it cannot promote your reputation for sensitivity. you are students of discipline. do not act out the words. the words die when you act them out, they wither, and we are left with nothing but your ambition. the poem is nothing but information. it is the constitution of the inner country. if you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. you are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. think of the words as science, not as art. they are a report. you are speaking before a meeting of the explorers' club of the national geographic society. these people know all the risks of mountain climbing. they honour you by taking this for granted. if you rub their faces in it that is an insult to their hospitality. do not work the audience for gasps ans sighs. if you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. it will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. it will be in the data and the quiet organization of your presence. avoid the flourish. do not be afraid to be weak. do not be ashamed to be tired. you look good when you're tired. you look like you could go on forever. now come into my arms. you are the image of my beauty.
Leonard Cohen (Death of a Lady's Man)
Hate rises up inside her. A hate that clashes with her servile urges, her childlike optimism. A hate that muddies everything. She is absorbed by a sad, confused dream. Haunted by the feeling that she has seen too much, heard too much of other people’s privacy, a privacy she has never enjoyed herself. She has never had her own bedroom.
Leïla Slimani (The Perfect Nanny)
You have not had any privacy since the first day you owned your first cell phone. They can track everything. They can hear recordings of anything you have ever said on your cell. And read everything you ever read, and everything you ever typed. And see every location you've ever been to. That's just how cells work. Your privacy is a willful illusion.
Oliver Markus Malloy (American Fascism: A German Writer's Urgent Warning To America)
One of my favorite words is a French word: sousveillance. It is the opposite of surveillance. Surveillance means to look from above; sousveillance means to look from below. In their dream of nation-states controlling all of our financial futures, they made one major miscalculation. It’s a hell of a lot harder for a few hundred thousand people to watch 7 1/2 billion. But what do you think happens when 7 1/2 billion of us stare back? When the panopticon turns around? When our financial systems, our communication systems, are private, and secrecy is an illusion that can’t be sustained? When crimes committed in the names of states and powerful corporations are vulnerable to hackers and whistleblowers and leakers? When everything eventually comes out? We have a great advantage because the natural balance of the system is one in which individuals can have privacy but the powerful cannot have secrecy anymore.
Andreas M. Antonopoulos (The Internet of Money)
Alone, with tremendous empty longing and dread. The whole room for my thoughts. Nothing but myself and what I think, what I fear. Could think the most fanastic thoughts, could dance, grimace, curse, wail-nobody would ever know, nobody would ever hear. The thought of such absolute privacy is enough to drive me mad. It's like a clean birth. Everything cut away. Separate, naked, alone. Bliss and agony simultaneously. Time on your hands. Each second weighing on you like a mountain. You drown in it. Deserts, seas, lakes, oceans. Time beating away like a meat ax. Nothingness. The world. The me and the not-me. Oomaharumooma. Everything has to have a name. Everything has to be learned, tested, experencied.
Henry Miller (Tropic of Cancer (Tropic, #1))
A man who loses his privacy loses everything, Sabina thought.
Milan Kundera (The Unbearable Lightness of Being)
To keep people from the particulars of your life kept you from being seen as one thing or another, and so it was possible you could be thought of as anything, or even as everything.
Meg Wolitzer (The Female Persuasion)
People retreated behind their front doors into the hidden zone of their private, family worlds and when outsiders asked how things were they answered, Oh, everything’s going along just fine, not much to report, situation normal. But everyone secretly knew that behind that door things were rarely humdrum. More typically, all hell was breaking loose, as people dealt with their angry fathers, drunken mothers, resentful siblings, mad aunts, lecherous uncles and crumbling grandparents. The family was not the firm foundation upon which society rested, but stood at the dark chaotic heart of everything that ailed us. It was not normal, but surreal; not humdrum, but filled with event; not ordinary, but bizarre. He remembered with what excitement he had listened, at the age of twenty, to the Reith Lectures delivered on BBC Radio by Edmund Leach, the great anthropologist and interpreter of Claude Lévi-Strauss who, a year earlier, had succeeded Noel Annan as provost of King’s. “Far from being the basis of the good society,” Leach had said, “the family, with its narrow privacy and tawdry secrets, is the source of all our discontents.” Yes! he thought. Yes! That is a thing I also know. The families in the novels he later wrote would be explosive, operatic, arm-waving, exclamatory, wild. People who did not like his books would sometimes criticize these fictional families for being unrealistic—not “ordinary” enough. However, readers who did like his books said to him, “Those families are exactly like my family.
Salman Rushdie (Joseph Anton: A Memoir)
Dear Stephen,’ he begins. ‘This is a difficult letter to write, but I know it will be a great deal more difficult to read. I will come straight to it. I believe you are in the early stages of dementia, possibly Alzheimer’s.’ Elizabeth can hear her heart beating through her chest. Who on earth has chosen to shatter their privacy this way? Who even knows? Her friends? Has one of them written? They wouldn’t dare, not without asking. Not Ibrahim, surely? He might dare. ‘I am not an expert, but it is something I have been looking into. You are forgetting things, and you are getting confused. I know full well what you will say – “But I’ve always forgotten things. I’ve always been confused!” – and you are right, of course, but this, Stephen, is of a different order. Something is not right with you, and everything I read points in just one direction.’ ‘Stephen,’ says Elizabeth, but he gently gestures for hush. ‘You must also know that dementia points in just one direction. Once you start to descend the slope, and please believe me when I say you have started, there is no return. There may be footholds here and there, there may be ledges on which to rest, and the view may still be beautiful from time to time, but you will not clamber back up.’ ‘Stephen, who wrote you this letter?’ Elizabeth asks. Stephen holds up a finger, asking her to be patient a few moments more. Elizabeth’s fury is decreasing. The letter is something she should have written to him herself. This should not have been left to a stranger. Stephen starts
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
Since I have thought anything I want since then, I can admit everything to myself in the privacy of my mind. Yes, I told myself, that I must be a dëmm, an eater of the insides of men. But, I told myself immediately after thinking it, that I couldn't believe such a thing, that it wasn't possible. At that time it wasn't really me who was thinking. I'd left the door of my mind open to the thoughts of others, which I mistook for my own. I wasn't hearing myself think anymore, but was hearing the others who were afraid of me. You have to be careful when you believe you are free to think what you want, not to let in the thinking of others in disguise.
David Diop (At Night All Blood is Black)
I am a small-government person, and I greatly oppose government intrusion into everything. Still, it is essential that we distinguish between those things that are important and those things that are just intruding upon our basic privacy. Whether to participate in childhood immunizations would be an individual choice if individuals were the only ones affected, but as previously mentioned, our children are part of our larger community. None of us lives in isolation. Your decision does not affect only you — it also affects your fellow Americans.
Ben Carson
Shame, in other words, is conservative in the fullest sense; it is there to conserve our privacy, to conserve ourselves as we would prefer to be seen; to conserve our belief that we can conceal ourselves. Because shame is what is felt when we fail to perform well enough (think of potential humiliation of the stand-up comic). If shame is always possible, performance is everything. Our capacity for shame is a horrifying reminder of what we believe our preferred self really is - and that there is one - however much of a strain it may be to sustain it.
Adam Phillips (Attention Seeking)
I think you have boundary problems," Groovy said. "There's such a thing as too-strict boundaries, you know. You're all cut off from everybody." "I am?". I felt just the opposite. I felt like I bled over everything, in an unseemly fashion, and my feelings for Sands was exacerbating this.
Rebecca Lee (Bobcat and Other Stories)
From where I stand, hidden, watching them through the glass, they are the picture of the perfect family. But I know better. What people show the world is rarely the whole truth, especially these days when everything must be curated and cropped, filtered and brightened. Real life is messy and complicated. Ugly.
Lisa Unger (Secluded Cabin Sleeps Six)
I will say this about the upper echelon in France: they know how to spend money. From what I saw living in America, wealth is dedicated to elevating the individual experience. If you’re a well-off child, you get a car, or a horse. You go to summer camps that cost as much as college. And everything is monogrammed, personalized, and stamped, to make it that much easier for other people to recognize your net worth. …The French bourgeois don’t pine for yachts or garages with multiple cars. They don’t build homes with bowling alleys or spend their weekends trying to meet the quarterly food and beverage limit at their country clubs: they put their savings into a vacation home that all their family can enjoy, and usually it’s in France. They buy nice food, they serve nice wine, and they wear the same cashmere sweaters over and over for years. I think the wealthy French feel comfortable with their money because they do not fear it. It’s the fearful who put money into houses with even bedrooms and fifteen baths. It’s the fearful who drive around in yellow Hummers during high-gas-price months becasue if they’re going to lose their money tomorrow, at least other people will know that they are rich today. The French, as with almost all things, privilege privacy and subtlety and they don’t feel comfortable with excess. This is why one of their favorite admonishments is tu t’es laisse aller. You’ve lost control of yourself. You’ve let yourself go.
Courtney Maum (I Am Having So Much Fun Here Without You)
Everything happens at night. The world changes, the shadows grow, there's secrecy and privacy in dark places. First kiss at night, by the monkey bars and the old swings that the children and their parents have vacated; second, longer kiss, by the bike stands, swirl of dust around feet in the dry summer air. Awkward words, like secrets just waiting to be broken, the struggle to find the right ones, the heady fear of exposure --- what if, what if --- the joy when the words are returned. Love, in the parkette, while the moon waxes and the clouds pass. Promises at night. Not first promises --- those are so old they can't be remembered --- but new promises, sharp and biting; they almost hurt to say, but it's a good hurt. Dreams at night, before sleep, and dreams during sleep. Everything, always, happens at night.
Michelle Sagara (Silence (The Queen of the Dead, #1))
My fiction is not autobiography. I am not an exhibitionist. I do not show myself. I am not asking for forgiveness. I do not want to confess. But I have used everything I know—my life—to show what I believe must be shown so that it can be faced. The imperative at the heart of my writing—what must be done—comes directly from my life. But I do not show my life directly, in full view; nor even look at it while others watch.
Andrea Dworkin (Life and Death)
Curran smiled. “What’s so funny?” “Your panties have a bow,” he said. I looked down. I was wearing a short tank top—not mine—and my blue panties with a narrow white strip of lace at the top and a tiny white bow. Would it have killed me to check what I was wearing before I pulled the blanket down? “What’s wrong with bows?” “Nothing.” He was grinning now. “I expected barbed wire. Or one of those steel chains.” Wiseass. “I’m secure enough in myself to wear panties with bows on them. Besides, they are comfy and soft.” “I bet.” He almost purred. I gulped. Okay, I needed to either crawl back into bed and cover myself with the blanket or get the hell to the bathroom and back. Since I didn’t fancy peeing on myself, the bathroom was my only option. “I don’t suppose you’d mind giving me a bit of privacy for my trip?” “Not a chance,” he said. I tried to get off the bed. Everything was under control until my weight actually hit my legs and then the room decided to crawl sideways. Curran caught me. His arm hugged my back, his touch sending an electric shiver along my skin. Oh no. “Need some help, ass kicker?” “I’m fine, thanks.” I pushed away from him. He held on to me for a second, letting me know that he could restrain me against my will with laughable ease, and let go. I clenched my teeth. Enjoy it while it lasts. I’ll be back on my feet soon. I walked away from him, successfully maintaining vertical position, and zeroed in on the nearest door. “That’s the closet.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
I’ve sat at the piano for hours already, looking for lyrics and melodies, but everything sounds the same and I feel as uninspired as ever. Does it mean I’m finished? A more sobering thought: if I’m finished, would I miss it? But the truth is, I’ve been here before. Many times. We all have. So how do we find the faith to press on? Remember. Remember, Hebrew children, who you once were in Egypt. Remember the altars set up along the way to remind yourselves that you made the journey and God rescued you from sword and famine, from chariots and pestilence, that once you were there, but now you are here. It happened. Our memories are fallible, residing in that most complex and mysterious organ in the human body (and therefore the known universe), capable of being suppressed, manipulated, altered, but also profoundly powerful and able to transport a person to a place fifty years ago all because of a whiff of your grandfather’s cologne or an old book or the salty air. As often as you do this, do it in remembrance of me. Remember with every sip of wine that we shared this meal, you and I. Remember. So I look at the last album, the last book, and am forced to admit that I didn’t know anymore then than I do now. Every song is an Ebenezer stone, evidence of God’s faithfulness. I just need to remember. Trust is crucial. So is self-forgetfulness and risk and a measure of audacity. And now that I think about it, there’s also wonder, insight, familiarity with Scripture, passion, a good night’s sleep, breakfast (preferably an egg sandwich), an encouraging voice, diligence, patience. I need silence. Privacy. Time—that’s what I need: more time. But first I need a vacation, because I’ve been really grinding away at this other stuff and my mental cache is full. A deadline would be great. I work best with deadlines, and maybe some bills piling up. Some new guitar strings would help, and a nice candle. And that’s all I need, in the words of Steve Martin’s The Jerk. This is the truth: all I really need is a guitar, some paper, and discipline. If only I would apply myself.
Andrew Peterson (Adorning the Dark: Thoughts on Community, Calling, and the Mystery of Making)
The United States government has perfected a technological capability that enables us to monitor the messages that go through the air.… That capability at any time could be turned around on the American people, and no American would have any privacy left, such is the capability to monitor everything—telephone conversations, telegrams, it doesn’t matter. There would be no place to hide. —Senator Frank Church, Chair, Senate Select Committee to Study Governmental Operations with Respect to Intelligence Activities, 1975
Glenn Greenwald (No Place to Hide: Edward Snowden, the NSA and the Surveillance State)
It means, first, that everything that appears in public can be seen and heard by everybody and has the widest possible publicity. For us, appearance—something that is being seen and heard by others as well as by ourselves—constitutes reality. Compared with the reality which comes from being seen and heard, even the greatest forces of intimate life—the passions of the heart, the thoughts of the mind, the delights of the senses—lead an uncertain, shadowy kind of existence unless and until they are transformed, deprivatized and deindividualized, as it were, into a shape to fit them for public appearance.41 The most current of such transformations occurs in storytelling and generally in artistic transposition of individual experiences. But we do not need the form of the artist to witness this transfiguration. Each time we talk about things that can be experienced only in privacy or intimacy, we bring them out into a sphere where they will assume a kind of reality which, their intensity notwithstanding, they never could have had before.
Hannah Arendt (The Human Condition)
For Sabina, living in truth, lying neither to ourselves nor to others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies. Sabina despised literature in which people give away all kinds of intimate secrets about themselves and their friends. A man who loses his privacy loses everything, Sabina thought. And a man who gives it up of his own free will is a monster.
Milan Kundera (The Unbearable Lightness of Being)
The presumption is that, with rare exception, will know everything their political officials are doing, which is why they are called public servants, working in the public sector, in public service, for public agencies. Conversely, the presumption is that the government, with rare exception, will not know anything that law-abiding citizens are doing. That is why we are called private individuals, functioning in our private capacity. Transparency is for those who carry out public duties and exercise public power. Privacy is for everyone else.
Glenn Greenwald
The current culture deviated radically from previous human experience, ruthlessly reducing each woman and man to mere political units to be manipulated, balkanizing them into communities according to their likes and dislikes, so everything from cars to candy bars could be more effectively marketed, robbing them of their privacy, denying them both a real community of diverse views and the possibility of personal evolution by censoring the world they saw through the Internet to make it conform to the preferred beliefs of their self-appointed betters.
Dean Koontz (The Night Window (Jane Hawk #5))
The current culture deviated radically from previous human experience, ruthlessly reducing each woman and man to mere political units to be manipulated, balkanizing them into communities according to their likes and dislikes, so everything from cars to candy bars could be more effectively marketed, robbing them of their privacy, denying them both a real community of diverse views and the possibility of personal evolution by censoring the world they saw through the Internet to make it conform to the preferred beliefs of their self-appointed betters. In
Dean Koontz (The Night Window (Jane Hawk #5))
Only millionaires can be alone in America. You know the old saying: Money lost, nothing lost. Hope lost, all is lost. The less money I have, the more I live on hope. And hope is the only reality here on earth. It's hope that makes people build cities and span bridges and send ships from one end of the earth to another. Even dying, man plants his hope on the next world. It says in the Torah, only through a man has a woman an existence. Only through a man can a woman enter Heaven. In America, women don't need men to boss them. For the first time in my life I saw what a luxury it was for a poor girl to want to be alone in a room. Even in our worst poverty we sat around the table, together, like people. I never knew that there were people glad enough of life to celebrate the day they were born. The routine with which I kept clean my precious privacy, my beautiful aloneness, was all sacred to me. I had achieved that marvelous thing, "a place for everything and everything in its place", which the teacher preached to me so hopelessly as a child in Hester Street. I had it ingrained in me from my father, this exalted reverence for the teacher.
Anzia Yezierska (Bread Givers)
Then I had to invent fire. NASA put a lot of effort into making sure nothing here can burn. Everything is made of metal or flame-retardant plastic and the uniforms are synthetic. I needed something that could hold a flame, some kind of pilot light. I don’t have the skills to keep enough H2 flowing to feed a flame without killing myself. Too narrow a margin there. After a search of everyone’s personal items (hey, if they wanted privacy, they shouldn’t have abandoned me on Mars with their stuff) I found my answer. Martinez is a devout Catholic. I knew that. What I didn’t know was he brought along a small wooden cross. I’m sure NASA gave him shit about it, but I also know Martinez is one stubborn son of a bitch. I chipped his sacred religious item into long splinters using a pair of pliers and a screwdriver. I figure if there’s a God, He won’t mind, considering the situation I’m in. If ruining the only religious icon I have leaves me vulnerable to Martian vampires, I’ll have to risk it. There were plenty of wires and batteries around to make a spark. But you can’t just ignite wood with a small electric spark. So I collected ribbons of bark from local palm trees, then got a couple of sticks and rubbed them together to create enough friction to… No not really. I vented pure oxygen at the stick and gave it a spark. It lit up like a match.
Andy Weir (The Martian)
I went into the experience with the notion that I was merely going to get a taste of a deviant lifestyle. The Dom was charismatic and the kinky sex might be good if I could get past the whipping part, because there was no way I would ever think that was fun. I believed I could never be truly submissive or enjoy pain. I was so very wrong My life changed forever. The connection between Dom and sub is one of the closest relationships two people can have. Give and take became more than words. They became the basis of my existence. My body is no longer my own. He has access to everything I am— privacy does not exist, but when he looks at me it's with love. There is no fear and no shame because I am safe. I will always be safe with him. As my Master will be safe with me.
Debra Varva (New Leather)
Despite how progressive America claimed to be, there was still a sexist double standard quietly underpinning everything. She and Jeff were proof of it, like in those scientific studies where they treated twin babies the same except for one key variable, then tracked how it affected them. The variable here was that Jeff was a boy and Sam was a girl, and even when they did the exact same thing, people reacted to them differently. If the paparazzi caught Jeff on an expensive shopping spree, he was splurging for a special occasion, while Samantha was spoiled. If pictures surfaced of Jeff visibly drunk and stumbling out of a bar, he was blowing off some much-needed steam. Samantha was a wild party girl. If Jeff talked back to the paparazzi, he was simply being firm, protecting his privacy. Samantha was a ruthless bitch.
Katharine McGee (American Royals (American Royals, #1))
AT FIRST, THERE’S only a thread of frost spreading across a pane. Oboe and horn trace out their parallel privacies. The thin sinews wander, an edgy duet built up from bare fourths and fifths. The singer enters, hesitant, hinted by bassoon. She channels a man wrung out after a sleepless night, a father with nothing left to keep safe. Now the sun will rise so brightly . . . The sun rises, but the line sinks. The orchestration, the nostalgic harmonies: everything wrapped in the familiar late nineteenth century, but laced with the coming fever dream. Bassoon and horn rock an empty cradle. Scant, muted violas and cellos in their upper registers enter over a quavering harp. The line wavers between major and minor, bright and dim, peace and grief, like the old hag and lovely young thing who fight for control of the fickle ink sketch. The voice
Richard Powers (Orfeo)
Situated in the center of family values debates is an imagined traditional family ideal. Formed through a combination of marital and blood ties, "normal" families should consist of heterosexual, racially homogeneous couples who produce their own biological children. Such families should have a specific authority structure, namely, a father-head earning an adequate family wage, a stay-at-home wife and mother, and children. Idealizing the traditional family as a private haven from a public world, family is seen as being held together through primary emotional bonds of love and caring. assuming a relatively fixed sexual division of labor, wherein women's roles are defined as primarily in the home with men's in the public world of work, the traditional family ideal also assumes the separation of work and family. Defined as a natural or biological arrangement based on heterosexual attraction, instead this monolithic family type is actually supported by government policy. It is organized not around a biological core, but a state-sanctioned, heterosexual marriage that confers legitimacy not only on the family structure itself but on children born in this family. In general, everything the imagined traditional family ideal is thought to be, African-American families are not. Two elements of the traditional family ideal are especially problematic for African-American women. First, the assumed split between the "public" sphere of paid employment and the "private" sphere of unpaid family responsibilities has never worked for U.S. Black women. Under slavery, U.S. Black women worked without pay in the allegedly public sphere of Southern agriculture and had their family privacy routinely violated. Second, the public/private binary separating the family households from the paid labor market is fundamental in explaining U.S. gender ideology. If one assumes that real men work and real women take care of families, then African-Americans suffer from deficient ideas concerning gender. in particular, Black women become less "feminine," because they work outside the home, work for pay and thus compete with men, and their work takes them away from their children. Framed through this prism of an imagined traditional family ideal, U.S. Black women's experiences and those of other women of color are typically deemed deficient. Rather than trying to explain why Black women's work and family patterns deviate from the seeming normality of the traditional family ideal, a more fruitful approach lies in challenging the very constructs of work and family themselves. Understandings of work, like understandings of family, vary greatly depending on who controls the definitions.
Patricia Hill Collins (Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment)
This is how it works. The exomemory stores data – all data – that the Oubliette gathers, the environment, senses, thoughts, everything. The gevulot keeps track of who can access what, in real time. It’s not just one public/private key pair, it’s a crazy nested hierarchy, a tree of nodes where each branch can only be unlocked by the root node. You meet someone and agree what you can share, what they can know about you, what you can remember afterwards.’ ‘Sounds complicated.’ ‘It is. The Martians have a dedicated organ for it.’ I tap my head. ‘A privacy sense. They feel what they are sharing, what is private and what isn’t. They also do something called co-remembering, sharing memories with others just by sharing the appropriate key with them. We just have the baby version. They give the visitors a bit of exomemory and an interface to it, reasonably well-defined. But there is no way we can appreciate the subtleties.
Hannu Rajaniemi (The Quantum Thief (Jean le Flambeur #1))
When people become famous, they are often objectified, discussed, and ridiculed with little consideration for who they are as people. Fans and critics feel as though they have the right to comment on everything celebrities do with little regard to the costs that those in the crosshairs of attention will bear. The cost that celebrities pay for the supposed benefits of being rich and famous is ongoing scrutiny and a lack of privacy. Most people do not understand or appreciate the pressure that results from fame, even though public meltdowns—such as the night that Britney Spears shaved her head in front of numerous photographers—are highly publicized. The public’s obsession with obtaining information about the famous puts serious pressure on those people’s lives, as the paparazzi’s role in Princess Diana’s death so brutally reminds us.20 Few people have sympathy for the kinds of stress that gossip places on public figures who have high status and wealth. At a distance, famous people seem invulnerable.
Danah Boyd (It's Complicated: The Social Lives of Networked Teens)
Better check on him,” Cara says, nodding to Tobias. “Yeah,” I say. I cross the room and stand in front of the windows, staring at what we can see of the compound, which is just more of the same glass and steel, pavement and grass and fences. When he sees me, he stops pacing and stands next to me instead. “You all right?” I say to him. “Yeah.” He sits on the windowsill, facing me, so we’re at eye level. “I mean, no, not really. Right now I’m just thinking about how meaningless it all was. The faction system, I mean.” He rubs the back of his neck, and I wonder if he’s thinking about the tattoos on his back. “We put everything we had into it,” he says. “All of us. Even if we didn’t realize we were doing it.” “That’s what you’re thinking about?” I raise my eyebrows. “Tobias, they were watching us. Everything that happened, everything we did. They didn’t intervene, they just invaded our privacy. Constantly.” He rubs his temple with his fingertips. “I guess. That’s not what’s bothering me, though.” I must give him an incredulous look without meaning to, because he shakes his head. “Tris, I worked in the Dauntless control room. There were cameras everywhere, all the time. I tried to warn you that people were watching you during your initiation, remember?” I remember his eyes shifting to the ceiling, to the corner. His cryptic warnings, hissed between his teeth. I never realized he was warning me about cameras--it just never occurred to me before. “It used to bother me,” he says. “But I got over it a long time ago. We always thought we were on our own, and now it turns out we were right--they left us on our own. That’s just the way it is.” “I guess I don’t accept that,” I say. “If you see someone in trouble, you should help them. Experiment or not. And…God.” I cringe. “All the things they saw.” He smiles at me, a little. “What?” I demand. “I was just thinking of some of the things they saw,” he says, putting his hand on my waist. I glare at him for a moment, but I can’t sustain it, not with him grinning at me like that. Not knowing that he’s trying to make me feel better. I smile a little.
Veronica Roth (Allegiant (Divergent, #3))
I pulled open the door and yelped.  The steady thump in my head increased its tempo. Clay stood just outside the door, leaning against the wall.  He held a glass of water in one hand and two pills in the other.  I tried to read his face, but he kept it perfectly blank.  I hoped that meant he wasn’t angry with me.  Desperate to relieve the pain in my head, I released my death grip on the door and gulped down the pills. When I tried handing him the empty glass, he shook his head and picked me up again.  My feet had been getting cold, anyway.  Holding the empty glass, I sighed and rested my head against his chest. He went toward my room, and I almost complained until I saw what he’d done.  He’d changed the sheets and remade the bed.  Socks, slippers, and my hairbrush lay on the quilt, waiting.  He’d known I would go for the shower and had given me privacy even though he hadn’t wanted me to get out of bed.  Not only that, but he’d gotten everything ready for when I finished. I looked at him.  He studied me, his arms still securely around me.  I leaned in, kissed his cheek tenderly, and hesitated there.  He smelled so good.  I just wanted to curl back up with him. 
Melissa Haag (Hope(less) (Judgement of the Six #1))
I still don’t see why we couldn’t sleep in that cave,” Mari said as MacRieve led her out into the night. “Because my cave’s better than their cave.” “You know, that really figures.” After the rain, the din of cicadas and frogs resounded in the underbrush all around them, forcing her to raise her voice. “Is it far?” When he shook his head, she said, “Then why do I have to hold your hand through the jungle? This path looks like a tractor busted through here.” “I went back this way while you ate to make sure everything was clear. Brought your things here, too,” he said as he steered her toward a lit cave entrance. When they crossed the threshold, wings flapped in the shadows, building to a furor before settling. Inside, a fire burned. Beside it, she saw he’d unpacked some of his things, and had made up one pallet. “Well, no one can call you a pessimist, MacRieve.” She yanked her hand from his. “Deluded fits, though.” He merely leaned back against the wall, seeming content to watch her as she explored on her own. She’d read about this part of Guatemala and knew that here limestone caverns spread out underground like a vast web. Above them a cathedral ceiling soared, with stalactites jutting down. “What’s so special about this cave?” “Mine has bats.” She breathed, “If I stick with you, I’ll have nothing but the best.” “Bats mean fewer mosquitoes. And then there’s also the bathtub for you to enjoy.” He waved her attention to an area deeper within. A subterranean stream with a sandy beach meandered through the cavern. Her eyes widened. A small pool sat off to the side, not much larger than an oversize Jacuzzi, and laid out along its edge were her toiletries, her washcloth, and her towel. Her bag—filled with all of her clean clothes—was off just to the side. Mari cried out at the sight, doubling over to yank at her bootlaces. Freed of her boots, she hopped forward on one foot then the other as she snatched off her socks. She didn’t pause until she was about to start on the button fly of her shorts. She glanced up to find him watching her with a gleam of expectation in his eyes. “You will be leaving, of course.” “Or I could help you.” “I’ve had a bit of practice bathing myself and think I can stumble my way through this.” “But you’re tired. Why no’ let me help? Now that I’ve two hands again, I’m eager to use them.” “You give me privacy or I go without.” “Verra well.” He shrugged. “I’ll leave—because your going without is no’ an option. Call me if you need me.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
Google tried to do everything. It proved itself the deepest and fastest of the search engines. It stomped the competition in email. It made a decent showing in image hosting, and a good one in chat. It stumbled on social, but utterly owned maps. It swallowed libraries whole and sent tremors across the copyright laws. It knows where you are right now, and what you’re doing, and what you’ll probably do next. It added an indelible, funny, loose-limbed, and exact verb into the vocabulary: to google. No one “bings” or “yahoos” anything. And it finishes your sen … All of a sudden, one day, a few years ago, there was Google Image Search. Words typed into the search box could deliver pages of images arrayed in a grid. I remember the first time I saw this, and what I felt: fear. I knew then that the monster had taken over. I confessed it, too. “I’m afraid of Google,” I said recently to an employee of the company. “I’m not afraid of Google,” he replied. “Google has a committee that meets over privacy issues before we release any product. I’m afraid of Facebook, of what Facebook can do with what Google has found. We are in a new age of cyberbullying.” I agreed with him about Facebook, but remained unreassured about Google." (from "Known and Strange Things" by Teju Cole)
Teju Cole (Known and Strange Things: Essays)
I had a room to myself as a kid, but my mother was always quick to point out that it wasn’t my room, it was her room and I was merely permitted to occupy it. Her point, of course, was that my parents had earned everything and I was merely borrowing the space, and while this is technically true I cannot help but marvel at the singular damage of this dark idea: That my existence as a child was a kind of debt and nothing, no matter how small, was mine. That no space was truly private; anything of mine could be forfeited at someone else’s whim. Once, wanting space from my parents after a fight, I closed and locked my bedroom door. My mother made my father take the doorknob out. And while I’m sure they remember this horrifying moment very differently, all I remember is the cold sensation in my body as the doorknob—a perfect little machine that did its job with unbiased faithfulness—shifted from its home as the screws fell away. The corona of daylight as the knob listed to one side. How, when it fell, I realized that it was two pieces, such a small thing keeping my bedroom door closed. I was lucky in that moment that the deconstruction of my door was a violation of privacy and autonomy but not a risk to my safety. When the door was opened, nothing happened. It was just a reminder: nothing, not even the four walls around my body, was mine.
Carmen Maria Machado (In the Dream House)
Gone are those days when media platforms were available to few individuals like politicians, movie stars, artists,sports sensations, civil right activists, and religious scholars. =Today social media gives people an easy way to almost everything =It is very easy to learn from others who are experts and professionals,Regardless of your location and education background you can educate yourself, without paying for it. =It even reveals good and Mabošaedi of the most respected people who are role models to others = You can share your issues with the community and get help within an hour . = The main advantage of the social media is that you update yourself from the latest happenings around in the world. = you can promote your business to the largest audience and even employ people But it can also damage your life for good = Since anyone can create a fake account and do anything without being traced, it has become quite easy for people to frustrate others and do a damage to their names or life. = Personal data and privacy can easily be hacked and shared on the Internet. Which can make financial losses and loss to personal life. Similarly, identity theft is another issue that can give financial losses to anyone by hacking their personal accounts. This is one of the dangerous disadvantages of the social media and it even made people kill them selfs. = Addiction destroyed many families and employments.
Nkahloleng Eric Mohlala
Everything has its price," Reverend Willows said. "The sunset costs us the moment in which we pause to look at it. We pay for a great love or a great dream in self-discipline, in self-sacrifice, in the giving of our love and our time and sometimes the sacrificing of our happiness." He grew silent. After a moment she realized that he was praying, his head bowed, his eyes closed. She was embarrassed, thinking that she was an intrusion upon his privacy, but when a moment later he opened his eyes, he smiled with surprising shyness and said, "A very impressive cathedral, isn't it?" He left her there. She looked and saw that the sky had turned pink and coral and gray, and as the light of dawn was born in the sky, a new light was born within her, too. There was a new day before them and with it new hope, new possibilities. A thousand men before her, a thousand million people, had looked up at the reddening sky or had seen the fragile green budding of the trees in spring, had heard the sudden song of a bird winging skywar, and had felt hope rekindled in their breasts. The dark night was over, the long winter ended, God was still in his heaven. How plain, how often repeated those homilies, yet what succor they gave. A bird cried somewhere in the rocks above her, and now in the distant valley she could see the glow of campfires and the smoke rising from the brown bosom of the land. At last she turned and went down the path to the wagons. And she, child of the earth, felt a thrill of response within her. She was thousands of miles from France. Between here and there lay an entire continent and a vast ocean, and yet in her heart she suddenly felt that she had come home.
Victor J. Banis (This Splendid Earth)
GCHQ has traveled a long and winding road. That road stretches from the wooden huts of Bletchley Park, past the domes and dishes of the Cold War, and on towards what some suggest will be the omniscient state of the Brave New World. As we look to the future, the docile and passive state described by Aldous Huxley in his Brave New World is perhaps more appropriate analogy than the strictly totalitarian predictions offered by George Orwell's Nineteen Eighty-Four. Bizarrely, many British citizens are quite content in this new climate of hyper-surveillance, since its their own lifestyle choices that helped to create 'wired world' - or even wish for it, for as we have seen, the new torrents of data have been been a source of endless trouble for the overstretched secret agencies. As Ken Macdonald rightly points out, the real drives of our wired world have been private companies looking for growth, and private individuals in search of luxury and convenience at the click of a mouse. The sigint agencies have merely been handed the impossible task of making an interconnected society perfectly secure and risk-free, against the background of a globalized world that presents many unprecedented threats, and now has a few boundaries or borders to protect us. Who, then, is to blame for the rapid intensification of electronic surveillance? Instinctively, many might reply Osama bin Laden, or perhaps Pablo Escobar. Others might respond that governments have used these villains as a convenient excuse to extend state control. At first glance, the massive growth of security, which includes includes not only eavesdropping but also biometric monitoring, face recognition, universal fingerprinting and the gathering of DNA, looks like a sad response to new kinds of miscreants. However, the sad reality is that the Brave New World that looms ahead of us is ultimately a reflection of ourselves. It is driven by technologies such as text messaging and customer loyalty cards that are free to accept or reject as we choose. The public debate on surveillance is often cast in terms of a trade-off between security and privacy. The truth is that luxury and convenience have been pre-eminent themes in the last decade, and we have given them a much higher priority than either security or privacy. We have all been embraced the world of surveillance with remarkable eagerness, surfing the Internet in a global search for a better bargain, better friends, even a better partner. GCHQ vast new circular headquarters is sometimes represented as a 'ring of power', exercising unparalleled levels of surveillance over citizens at home and abroad, collecting every email, every telephone and every instance of internet acces. It has even been asserted that GCHQ is engaged in nothing short of 'algorithmic warfare' as part of a battle for control of global communications. By contrast, the occupants of 'Celtenham's Doughnut' claim that in reality they are increasingly weak, having been left behind by the unstoppable electronic communications that they cannot hope to listen to, still less analyse or make sense of. In fact, the frightening truth is that no one is in control. No person, no intelligence agency and no government is steering the accelerating electronic processes that may eventually enslave us. Most of the devices that cause us to leave a continual digital trail of everything we think or do were not devised by the state, but are merely symptoms of modernity. GCHQ is simply a vast mirror, and it reflects the spirit of the age.
Richard J. Aldrich (GCHQ)
Love and religion! thought Clarissa, going back into the drawing-room, tingling all over. How detestable, how detestable they are! For now that the body of Miss Kilman was not before her, it overwhelmed her — the idea. The cruelest things in the world, she thought, seeing them clumsy, hot, domineering, hypocritical, eavesdropping, jealous, infinitely cruel and unscrupulous, dressed in a mackintosh coat, on the landing; love and religion. Had she ever tried to convert any one herself? Did she not wish everybody merely to be themselves? And she watched out of the window the old lady opposite climbing upstairs. Let her climb upstairs if she wanted to; let her stop; then let her, as Clarissa had often seen her, gain her bedroom, part her curtains, and disappear again into the background. Somehow one respected that — that old woman looking out of the window, quite unconscious that she was being watched. There was something solemn in it — but love and religion would destroy that, whatever it was, the privacy of the soul. The odious Kilman would destroy it. Yet it was a sight that made her want to cry. Love destroyed too. Everything that was fine, everything that was true went. Take Peter Walsh now. There was a man, charming, clever, with ideas about everything. If you wanted to know about Pope, say, or Addison, or just to talk nonsense, what people were like, what things meant, Peter knew better than any one. It was Peter who had helped her; Peter who had lent her books. But look at the women he loved — vulgar, trivial, commonplace. Think of Peter in love — he came to see her after all these years, and what did he talk about? Himself. Horrible passion! she thought. Degrading passion! she thought, thinking of Kilman and her Elizabeth walking to the Army and Navy Stores.
Virginia Woolf (Complete Works of Virginia Woolf)
The Naked Truth When the gift-giving meaning of the body is obscured, distorted, or misrepresented, art becomes a lie. This is what happens in pornography. The body—which was created to be a free gift from one person to another—is depersonalized and reduced to an object for lust. This concern for human dignity goes against the grain of “naturalism” in art. The so-called naturalists demand the right to reproduce “everything that is human.” What others call pornography, they defend as a realistic depiction of humanity. But in the end, it is precisely this—the whole truth about man—that is lost when privacy is violated and the body is reduced to an object for lust. In order to speak of true realism in art, the full truth about man as created in the image of God must be considered. In this respect, the principles governing interpersonal relations still apply within the realm of art. The naked human body has a “language.” It expresses the spirit. When given in trust and love, the body is the basis of a communion of persons. Because the naked human body has such importance, it must be depicted with great care to preserve its meaning in art. Only within certain boundaries can the truth about the body be preserved. In film, photography, and mass media, there is a dangerous tendency to separate the body from the person. Reproduced on paper or on screen, the naked body can cease to communicate the person. It often becomes, instead, an anonymous object. Because the glory and beauty of the human body is at stake, we cannot remain indifferent to culture. We do not oppose pornography out of a narrow, puritanical idea of morality. Nor do we oppose it out of a Manichaean fear or hatred of the body, as is often asserted. The exact opposite is true. We oppose pornography out of respect for the dignity of the body.
Pope John Paul II (Theology of the Body in Simple Language)
I'm sorry.' I blinked. 'What do you possibly have to be sorry for?' 'His hands were shaking- as if in the aftermath of that fury at what Keir had called me, what he'd threatened. Perhaps he'd brought me here before heading home in order to have some privacy before his friends could interrupt. 'I shouldn't have let you go. Let you see that part of us. Of me.' I'd never seen him so raw, so... stumbling. 'I'm fine.' I didn't know what to make of what had been done. Both between us and to Keir. But it had been my choice. To play that role, to wear those clothes. To let him touch me. But... I said slowly, 'We knew what tonight would require of us. Please- please don't start protecting me. Not like that.' He knew what I meant. He'd protected me Under the Mountain, but that primal, male rage he'd just shown Keir... A shattered study splattered in paint flashed through my memory. Rhys rasped. 'I will never- never lock you up, force you to stay behind. But when he threatened you tonight, when he called you...' Whore. That's what they'd called him. For fifty years, they'd hissed it. I'd listened to Lucien spit the words in his face. Rhys released a jagged breath. 'It's hard to shut down my instincts.' Instincts. Just like... like someone else had instincts to protect, to hide me away. 'Then you should have prepared yourself better,' I snapped. 'You seemed to be going along just fine with it, until Keir said-' 'I will kill anyone who harms you,' Rhys snarled. 'I will kill them, and take a damn long time doing it.' He panted. 'Go ahead. Hate me- despise me for it.' 'You are my friend,' I said, and my voice broke on the word. I hated the tears that slipped down my face. I didn't even know why I was crying. Perhaps for the fact that it had felt real on that throne with him, even for a moment, and... and it likely hadn't been. Not for him. 'You're my friend- and I understand that you're High Lord. I understand that you will defend your true court, and punish threats against it. But I can't... I don't want you to stop telling me things, inviting me to do things, because of the threats against me.' Darkness rippled, and wings tore from his back. 'I am not him,' Rhys breathed. 'I will never be him, act like him. He locked you up and let you wither, and die.' 'He tried-' 'Stop comparing. Stop comparing me to him.' The words cut me short. I blinked. 'You think I don't know how stories get written- how this story will be written?' Rhys put his hands on his chest, his face more open, more anguished than I'd seen it. 'I am the dark lord, who stole away the bride of spring. I am a demon, and a nightmare, and I will meet a bad end. He is the golden prince- the hero who will get to keep you as his reward for not dying of stupidity and arrogance.' The things I love have a tendency to be taken from me. He'd admitted that to me Under the Mountain. But his words were kindling to my temper, to whatever pit of fear was yawning open inside of me. 'And what about my story?' I hissed. 'What about my reward? What about what I want?' 'What is it that you want, Feyre?' I had no answer. I didn't know. Not anymore. 'What is it that you want, Feyre?' I stayed silent. His laugh was bitter, soft. 'I thought so. Perhaps you should take some time to figure that out one of these days.' 'Perhaps I don't know what I want, but at least I don't hide what I am behind a mask,' I seethed. 'At least I let them see who I am, broken bits and all. Yes- it's to save your people. But what about the other masks, Rhys? What about letting your friends see your real face? But maybe it's easier not to. Because what if you did let someone in? And what if they saw everything, and still walked away? Who could blame them- who would want to bother with that sort of mess?' He flinched. The most powerful High Lord in history flinched. And I knew I'd hit hard- and deep. Too hard. Too deep. 'Rhys,' I said.
Sarah J. Maas
Writers take and remake everything we see around us: we metabolize the details of our loved ones, alter time and memory, shapeshift our personal and physical differences into transformative images that, when done with care, can create a world that feels more than accurate, but real. Doing this requires that we watch and listen to one another with great attention, something we’re generally discouraged from doing lest we come off as stalkers. From the time we’re children, we’re taught it’s rude to stare, nosy to eavesdrop; you can’t just root around in other people’s journals and closets and minds. I can’t ask my colleagues what they really think and feel about their marriages or children, because that’s private, and privacy requires that I pretend to believe what both strangers and loved ones tell me. Being polite means, ironically, paying less attention to the people I want to be close to, bypassing their foibles and idiosyncrasies and quiet outrages in the name of communal goodwill. But writing requires we pay attention to others at a level that can only be classified as rude. The writer sees the button trailing by its single thread on the pastor’s shirt; she tastes the acid sting behind a mother’s compliment. To observe closely leads the writer to the radical recognition of what both binds her to and separates her from others. It will push her to hear voices she’s been taught should remain silent. Oftentimes, these voices, and these truths, reveal something equally powerful, and profoundly unsettling, about ourselves. I want to end this letter to you by proposing something that some critics and sociologists might reject out of hand, which is the possibility that White people, too, might, by paying close attention to the voices around them and inside themselves, be able to experience double consciousness. If double consciousness is in part based on the understanding of the systemic power of Whiteness, and if it is also the realization that one’s self-regard can never be divorced from the gaze of others, then the practice of double consciousness might be available to everyone, including those who constitute the majority.
Paisley Rekdal (Appropriate: A Provocation)
... we decided to create a Nothing Place in the living room, it seemed necessary, because there are times when one needs to disappear while in the living room, and sometimes one simply wants to disappear, we made this zone slightly larger so that one of us could lie down in it, it was a rule that you never would look at that rectangle of space, it didn't exist, and when you were in it, neither did you, for a while that was enough, but only for a while, we required more rules, on our second anniversary we marked off the entire guest room as a Nothing Place, it seemed like a good idea at the time, sometimes a small patch at the foot of the bed or a rectangle in the living room isn't enough privacy, the side of the door that faced the guest room was Nothing, the side that faced the hallway was Something, the knob that connected them was neither Something nor Nothing. The walls of the hallway were Nothing, even pictures need to disappear, especially pictures, but the hallway itself was Something, the bathtub was Nothing, the bathwater was Something, the hair on our bodies was Nothing, of course, but once it collected around the drain it was Something, we were trying to make our lives easier, trying, with all of our rules, to make life effortless. But a friction began to arise between Nothing and Something, in the morning the Nothing vase cast a Something shadow, like the memory of someone you've lost, what can you say about that, at night the Nothing light from the guest room spilled under the Nothing door and stained the Something hallway, there's nothing to say. It became difficult to navigate from Something to Something without accidentally walking through Nothing, and when Something—a key, a pen, a pocketwatch—was accidentally left in a Nothing Place, it never could be retrieved, that was an unspoken rule, like nearly all of our rules have been. There came a point, a year or two ago, when our apartment was more Nothing than Something, that in itself didn't have to be a problem, it could have been a good thing, it could have saved us. We got worse. I was sitting on the sofa in the second bedroom one afternoon, thinking and thinking and thinking, when I realized I was on a Something island. "How did I get here," I wondered, surrounded by Nothing, "and how can I get back?" The longer your mother and I lived together, the more we took each other's assumptions for granted, the less was said, the more misunderstood, I'd often remember having designated a space as Nothing when she was sure we had agreed that it was Something, our unspoken agreements led to disagreements, to suffering, I started to undress right in front of her, this was just a few months ago, and she said, "Thomas! What are you doing!" and I gestured, "I thought this was Nothing," covering myself with one of my daybooks, and she said, "It's Something!" We took the blueprint of our apartment from the hallway closet and taped it to the inside of the front door, with an orange and a green marker we separated Something from Nothing. "This is Something," we decided. "This is Nothing." "Something." "Something." "Nothing." "Something." "Nothing." "Nothing." "Nothing." Everything was forever fixed, there would be only peace and happiness, it wasn't until last night, our last night together, that the inevitable question finally arose, I told her, "Something," by covering her face with my hands and then lifting them like a marriage veil. "We must be." But I knew, in the most protected part of my heart, the truth.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
They had made everything she took for granted redundant, like cooperation and manners and civility and privacy and laws. Silly things that pinged out easily like old light bulbs.
Adam L.G. Nevill (No One Gets Out Alive)
Mothers didn’t care about dignity. The go-to response for everything was “I changed your diapers” and that somehow gave them the right to an eternity of privacy invasion.
Jewel E. Ann (When Life Happened)
Sure, but…” Roz thinks about everything she uses Information for, all the time. “If you’re driving, and you come to an intersection, how do you know what vehicles might be approaching from either side?” “Well, we try not to design blind intersections,” Maria says. “And we use mirrors.” Mirrors! Ingenious. “You must have found it much easier than we did when Information went out during the elections,” Roz says, trying to offer Maria’s odd cult some credit.
Malka Ann Older (Null States (The Centenal Cycle, #2))
Cass didn’t fight it when Falco leaned in and kissed her. She didn’t resist as he tipped her gently backward and laid her down on the wooden bottom of the batèla. Just be who you are. Easy to say, but so difficult to do. Falco unfolded a blanket over her. “So you don’t get cold,” he said. “What’s going to keep you warm?” Cass asked softly, reaching up to tousle his hair. Falco laughed. “Trust me, I’m plenty warm.” “Prove it,” Cass said, pulling him down to her level. She pressed her lips to his, surprised at her own bravery, emboldened by the way his body responded to hers. They fell back deeper into the boat, its creaky wooden sides offering privacy in the already-dark night. He kissed her harder, his tongue exploring her lips and mouth in soft circles. The small boat rocked underneath her, swaying with the gentle current of the canal. The weight of his chest pressed down on her rib cage, her hip bones pressed against his, even through the many layers of garments she wore. She felt a rush of warmth, a heat that made her forget everything else that had been bothering her. It was like she had slipped outside of her skin, and that only her soul, her essence, lay in the boat with Falco. As Falco traced her hairline with his lips, he reached behind her back and loosened the ties of her bodice. He stroked the bare skin of her upper back. Cass couldn’t believe how warm his hands felt. She let her own hands wander beneath the hem of his shirt. Her fingers traced his muscles--first the stomach and then the chest. His pounding heartbeat accelerated as they kissed. Her own blood raced through her veins, trying to keep up. Again Cass thought of the way the body was a single thing, yet was made up of so many different parts all working together. She could barely believe this was happening. She felt like a stranger, a wild, impulsive stranger. “Cassandra,” Falco murmured. He reached up and twisted all her hair into one of his hands, pulling it slightly as he held it behind her head. His lips made their way across her cheek and her jaw and her brow bone. His other hand caressed her left leg through her cotton stocking. His fingers followed the repeating diamond pattern embossed into her leather garter and then stroked the soft skin just above it. Cass felt transported by his touch, his soft voice, and the mist rising off the canals. Everything felt otherworldly. It was a dream or a hallucination. Any moment now she’d wake up tucked beneath her covers with Slipper snuggled against her chest. Just let go.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Recognize your desire for privacy and not having to share everything you feel and experience with someone. You are unique and private. If you feel you must share everything then you are without choice, and of course, a dependent.
Wayne W. Dyer (Your Erroneous Zones)
The recent fuss over our oversharing culture and over the possible loss of privacy is just noisy ignorance. As a citizen of the Internet, you obfuscate the truth of your character. You hide your fears and trasgressions and vulnerable yearnings for meaning, for purpose, for connection. In a world where you can control everything presented to an audience, domestic or imaginary, what is laid bare depends on who you believe is on the other side of the screen. - pag. 193
David McRaney (You Are Now Less Dumb: How to Conquer Mob Mentality, How to Buy Happiness, and All the Other Ways to Outsmart Yourself)
That capability at any time could be turned around on the American people and no American would have any privacy left, such is the capability to monitor everything—telephone conversations, telegrams, it doesn’t matter. There would be no place to hide. If this government ever became a tyrant … the technological capacity that the intelligence community has given the government could enable it to impose total tyranny, and there would be no way to fight back because the most careful effort to combine together in resistance … is within the reach of the government to know.
Glenn Greenwald (No Place to Hide: Edward Snowden, the NSA, and the U.S. Surveillance State)
In the modern day of the Internet and social media. Where everything is content. In each and every culture. There are things that are sacred. Let them be kept and remain secret. Learn to respect other people's cultures and privacy, especially If you don't practice or understand the culture.
D.J. Kyos
After all, not everything in a memoir is factually accurate: who can remember the exact dialogue that took place at breakfast forty years ago? And if you can make up dialogue, change the name and hair color of a character to protect the privacy of the living, or even—as some memoirists do—reorder events to make the story work better, how is that different from fiction? In memoir, the author stands behind her story saying to the world: this happened; this is true. What is important about this assertion is that it has an effect on the reader—he reads it believing it to be remembered experience, which in turn requires the writer to be an unflinchingly reliable narrator. In fiction, a story may be skillfully designed to sound like a true story told in the first person by a fictional character (who may be a quite unreliable narrator), but if the writer presents it as fiction, the reader will usually perceive it as fiction. Readers tend to look for, even to assume, the autobiographical in fiction, but they also recognize the writer’s attempt to fictionalize, just as they recognize in memoir the central commitment not to fictionalize. In
Judith Barrington (Writing the Memoir: From Truth to Art, Second Edit)
We continue to surrender more of our private lives believing in the myth of convenience bequeathed to us by benign corporations. As Kevin Kelly, the founding editor of Wired, remarked, “Everything will be tracked, monitored, sensored, and imaged, and people will go along with it because ‘vanity trumps privacy,’ as already proved on Facebook.
Jonathan Taplin (Move Fast and Break Things: How Facebook, Google, and Amazon Cornered Culture and Undermined Democracy)
The crowd were cheering and Geraldine led the Ass squad in that annoying as fuck song about princesses as they all celebrated her win, but I ignore them as I moved forward to offer Roxy a hand up. “I’ll toss Mildred back in her room, heal her and cast a sleeping spell on her so that she can properly recover,” Cal announced as he moved around us and I couldn’t help but smile at him. It might have annoyed the fuck out of me that he’d been with my girl, but he really was a good friend. A true brother. He threw Mildred over his shoulder like a sack of potatoes and shot out of the room as Seth howled in excitement. “Come on,” I said to Roxy. “I’ll clean you up and heal those wounds.” “Okay.” Roxy followed me back to the couch and I sat her down in my spot before throwing a ring of fire and a silencing bubble up around us to give us some pretence of privacy. “Doesn’t this count as us being alone?” Roxy asked as I dropped to my knees in front of her and she pulled her busted bottom lip between her teeth. That shouldn’t have been hot, but it really fucking was. “I’m going with no,” I replied, but as the ground trembled beneath my knees I had to admit it did. “Maybe you should just-” “I’m going to look after you,” I growled, leaving no room for negotiation. “So just let me.” Her lips parted, eyes flared, fingers gripped the edge of the couch and I was sure she was about to tell me no, but instead she just nodded. I reached out and curled my fingers wound around her waist as I pressed healing magic from my skin into hers, closing my eyes so that I could concentrate. She had cracked ribs and healing bones was more difficult than damaged tissue. She fell still as I shifted my hands over her flesh and I tried to ignore the way the floor quaked beneath me. We couldn’t stay in this bubble for long, but I wished that we could. I wished we could just build a bubble where the stars couldn’t see us and stay in it forever. Although I guessed if I offered her that she’d just say no again. I sighed as my magic depleted, using the last drops of it to heal her and clean the blood from her skin after burning through so much in the game. A soft touch against my hair made me open my eyes and I looked up at her as she pushed the crown onto my head. “Mildred knocked me off of the couch first,” she explained in answer to the question in my eyes. “So you win. Besides, you need a big head like yours to pull off a crown like this.” I snorted a laugh as the ground trembled so violently that I was almost knocked back onto my ass. Roxy quickly pulled the rings and bracelets from her hands and offered them to me too and I pushed them into my pockets wordlessly. But as she reached up to unclasp the blood ruby pendant from around her neck I caught her wrist to stop her. “Keep it,” I said, my gaze slipping to the priceless heart where it lay against her flesh. Dragons didn’t give treasure away. Ever. It was inherited through the family or we bought more of it, but we never gifted it to anyone. It went against everything we stood for and the fierce possessiveness of our natures. But for some reason that I couldn’t fully comprehend, I wanted her to keep that necklace. “It looks better on you anyway.” Her eyes widened but before she could reply, I dropped the wall of fire and stepped away from her. Darcy hurried forward with wild eyes, looking between me and her sister for a long moment like she’d expected us to be arguing or something. But the last thing I was going to do was call Roxy out for beating Mildred’s ass for me. She’d absolutely been working in my interests and I wasn’t even going to pretend to be pissed about it. “Darius fixed me up like new. Did you see the bit when I kneed her in the vag?” Roxy asked as she grinned and Darcy started laughing. “It was classic, you’ve gotta come see Tyler’s slow motion footage of you punching her in the throat too!” (Darius POV)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
My mouth is dry by the time I am safely alone in my hotel room. I haven’t eaten lunch and I know that I should at least get myself a bottle of water and something small, but the letters demand to be read. It feels like an invasion of Julia’s privacy. It is an invasion – I know she hated the idea that I was so interested in every thought and feeling she had. ‘I don’t have to share everything with you, Mum.’ ‘You don’t but you used to.’ ‘Things change.’ ‘Oh, how they change,’ I mutter as I stare down at the stack of letters. I have purposefully not focused on the words beyond the greeting.
Nicole Trope (My Daughter's Secret)
As Nakamoto wrote in 2009: The root problem with conventional currency is all the trust that’s required to make it work. The central bank must be trusted not to debase the currency, but the history of fiat currencies is full of breaches of that trust. Banks must be trusted to hold our money and transfer it electronically, but they lend it out in waves of credit bubbles with barely a fraction in reserve. We have to trust them with our privacy, trust them not to let identity thieves drain our accounts. Their massive overhead costs make micropayments impossible.
Michael J. Casey (The Truth Machine: The Blockchain and the Future of Everything)
Especially, [the skin] is both identity and sex, what one is and what one feels in the realm of the sensual, [...] where the self meets the world-intercourse being, ultimately, the self in the act of meeting the world. The other person embodies not one's own privacy, but everything outside it.
Andrea Dworkin (Intercourse)
I began by reducing my own salary to $ 1.00 a year. Leadership means setting an example. When you find yourself in a position of leadership, people follow your every move. I don’t mean they invade your privacy, although there’s some of that, too. But when the leader talks, people listen. And when the leader acts, people watch. So you have to be careful about everything you say and everything you do.
Lee Iacocca (Iacocca: An Autobiography)
Do you think I don’t feel you get up in the middle of the night and come back hours later?” He was still crying and his voice was cracking. He had to stop in the middle of his sentence to wipe his runny nose on the sleeve of his shirt. “I haven’t said anything and I haven’t gone inside the shed because I believe in privacy and I know you’re struggling, I know your dad dying has been hard on you—” “It hasn’t been hard on me.” “Why don’t you talk to me anymore? We used to talk all the time. We would just lie in bed holding each other and telling the other every little detail about our day, stories from before we knew each other, everything we hoped we would do together. Do you remember that? I think about it all the time.” I did think about those days. Maybe not all the time, but I did think about them. I was hurt that he even had to ask, that he couldn’t trust the beauty of those moments, that he didn’t know that in those moments I had been so happy I was almost sad, knowing that those moments would end and I couldn’t live forever in that bed with him. “I do remember,” I said. “I just miss you so much. I know you’re going through a tough time, but so am I, I hate this. Have I done something to get us here?” He pushed himself up and crawled over to me, grabbed my hands again, but softer this time. “Tell me what I’ve done and I’ll fix it.” “You haven’t done anything.
Jean Kyoung Frazier (Pizza Girl)
And yet I’d read only recently how their generation were riddled with self-doubt and the pressures of social media. How they worried about everything, the planet, global warming, their relationships, money, war, cosmetic surgery. Were their bottoms too big or not big enough? (Thanks Kardashians.) How very sad. So perhaps the perceived advantages between ‘us’ and ‘them’ were not quite so one-sided as I had thought. I couldn’t remember a single occasion when I had worried about photoshopping or being ‘beach ready’ in January. I’d only had my top lip waxed once – never again. And never any other bit of me either, for fear of the pain (if the lip experience was anything to go by). We hadn’t grown up with so many gadgets or television channels as the younger generations. Which in itself was a blessing. How many crime dramas did we actually need to watch, how many reality shows, how many un-funny comedies? We’d had to do our research in libraries, but now they had limitless information at the touch of a keyboard. In my day, if the school bullies had wanted a target, they did it out in the open. These women had to deal with faceless trolls. They had security worries, all sorts of privacy issues. So who really had the better experience of being a woman? Or had it always just been difficult for everyone? And what about men, come to think of it… If one believed the newspapers, it seemed half of the human race was being summarily dismissed as idiots or fiends.
Maddie Please (Old Friends Reunited)
… the desire to make everything easy, to sacrifice autonomy and privacy for convenience. That's what technology is […] A concession to laziness in the devaluing of human effort […] Not all technology is the same. I encourage you not to get tripped up by semantics. A device that you carry with you everywhere you go, a device that monitors and watches you, is not the same as one that sits in your house and plays music or dries your hair.
Veronica Roth (Poster Girl)
the technical ignorance of elected politicians who are hardly credible in providing oversight or contemplating regulation; profound disagreements about what we value and how trade-offs should be made, whether in regard to data privacy, free speech, and content moderation or automation and the future of work; the slow, painstaking consideration of legislation that seems to generate competing bills—so that everyone has his or her name on one—without generating significant progress, especially in a highly polarized political environment; and the strong status quo bias of democratic institutions, which means that policy change is slow and sticky, making it difficult for regulators to respond flexibly and adaptably to new developments in technology.
Rob Reich (System Error: How Big Tech Disrupted Everything and Why We Must Reboot)
You have absolutely no respect for my privacy. Now that I know you absolutely are very much capable, you lost all credibility with me. I don't know why I have any respect for yours, after your absolute disdain for mine since day 0. I guess I am not an asshole. I haven't had liquor in a long time, and I'm not an angry drunk. I begged you to clear the air, many a time. Begged, and begged some more. Made sure you knew it was fucking me up mentally, that it was tearing me apart, 'till it made me sick! I backed off early this year to cut you some slack. Hoped you'd extend something I could actually grasp, but nope, there was something better to do. Name one thing you've done for me that wasn't destructive. What you say and do to others can absolutely have a dramatic effect on them. It is written in books and autobiographies. Many celebrated people have died as a result of the evil or harmful acts of others. Let's not forget that you haven't said one nice thing to me all this time. Try doing what you did to me to someone else, how would they react? That's right, fucking run. For years I held the benefit of the doubt, but I know now that you are a fraud. Your own actions and willful lack thereof prove it. You destroyed my mind, my heart, my body, turned everything against me, even fucked with my financials. Yes I let you in for that to happen. But that's still no excuse for YOU to willfully do it. Each step I take forward gets smashed to pieces, every time. Because I don’t know things. That was on you to fix. It's not because you were incapable. You could have changed the trajectory anytime. You chose to do something else instead, every time. Even a sliver of what you give to others would've made a world of difference. You most certainly could have. You chose not to. You chose to let me suffer. There was something better to do. Yes, that is a fact, if that were not true, I would not be here writing this. And you did me this way why? because I desperately sought some sense of community, of which I was in dire need of. Don't ever pretend that you cared for me, ever. It's an insult. A direct contradiction to your own actions. The only thing you care about is the pleasure you get knowing people who suffer and die. That's exactly what this is, and always been. After your handywork, my own life means nothing anymore. I have nothing left because I let you mangle it all to gore. Yeah, I'm a dumb shit for letting you delve deep inside me only to leave behind a grenade. I do not believe I will be alive much longer. No doubt this pleases you. Murderer. I curse you.
Anonymous
I don’t want to pry into the backstories of others with a crowbar and a meat hook. What’s happened to privacy anymore? Nothing is private. Everything is knowable. The
Eva Lesko Natiello (The Memory Box)
Alone, [Chamcha] all at once remembered that he and Pamela had once disagreed, as they disagreed on everything, on a short-story they’d both read, whose theme was precisely the nature of the unforgivable. Title and author eluded him, but the story came back vividly. A man and a woman had been intimate friends (never lovers) for all their adult lives. On his twenty-first birthday (they were both poor at the time) she had given him, as a joke, the most horrible, cheap glass vase she could find, in colours a garish parody of Venetian gaiety. Twenty years later, when they were both successful and greying, she visited his home and quarrelled with him over his treatment of a mutual friend. In the course of the quarrel her eye fell upon the old vase, which he still kept in pride of place on his sitting-room mantelpiece, and, without pausing in her tirade, she swept it to the floor, crushing it beyond hope of repair. He never spoke to her again; when she died, half a century later, he refused to visit her deathbed or attend her funeral, even though messengers were sent to tell him that these were her dearest wishes. ‘Tell her,’ he said to the emissaries, 'that she never knew how much I valued what she broke.’ The emissaries argued, pleaded, raged. If she had not known how much meaning he had invested in the trifle, how could she in all fairness be blamed? And had she not made countless attempts, over the years, to apologize and atone? And she was dying, for heaven’s sake; could not this ancient, childish rift be healed at last? They had lost a lifetime’s friendship; could they not even say goodbye? 'No,’ said the unforgiving man. – 'Really because of the vase? Or are you concealing some other, darker matter?’ – 'It was the vase,’ he answered, 'the vase, and nothing but.’ Pamela thought the man petty and cruel, but Chamcha had even then appreciated the curious privacy, the inexplicable inwardness of the issue. 'Nobody can judge an internal injury,’ he had said, 'by the size of the superficial wound, of the hole.
Salman Rushdie