Privacy Is Everything Quotes

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In the kingdom of glass everything is transparent, and there is no place to hide a dark heart.
Vera Nazarian (The Perpetual Calendar of Inspiration)
A man who loses his privacy loses everything. And a man who gives it up of his own free will is a monster.
Milan Kundera (The Unbearable Lightness of Being)
The way things are supposed to work is that we're supposed to know virtually everything about what they [the government] do: that's why they're called public servants. They're supposed to know virtually nothing about what we do: that's why we're called private individuals.
Glenn Greenwald
There are no private lives. This a most important aspect of modern life. One of the biggest transformations we have seen in our society is the diminution of the sphere of the private. We must reasonably now all regard the fact that there are no secrets and nothing is private. Everything is public.
Philip K. Dick
it’s awful. No privacy, no secrets. Everything you’re ashamed of, laid out for everyone to see.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
She loved him. But he didn’t know how to love. He could talk about love. He could see love and feel love. But he couldn’t give love. He could make love. But he couldn’t make promises. She had desperately wanted his promises. She wanted his heart, knew she couldn’t have it so she took what she could get. Temporary bliss. Passionate highs and lows. Withdrawal and manipulation. He only stayed long enough to take what he needed and keep moving. If he stopped moving, he would self-destruct. If he stopped wandering, he would have to face himself. He chose to stay in the dark where he couldn’t see. If he exposed himself and the sun came out, he’d see his shadow. He was deathly afraid of his shadow. She saw his shadow, loved it, understood it. Saw potential in it. She thought her love would change him. He pushed and he pulled, tested boundaries, thinking she would never leave. He knew he was hurting her, but didn’t know how to share anything but pain. He was only comfortable in chaos. Claiming souls before they could claim him. Her love, her body, she had given to him and he’d taken with such feigned sincerity, absorbing every drop of her. His dark heart concealed. She’d let him enter her spirit and stroke her soul where everything is love and sensation and surrender. Wide open, exposed to deception. It had never occurred to her that this desire was not love. It was blinding the way she wanted him. She couldn’t see what was really happening, only what she wanted to happen. She suspected that he would always seek to minimize the risk of being split open, his secrets revealed. He valued his soul’s privacy far more than he valued the intimacy of sincere connection so he kept his distance at any and all costs. Intimacy would lead to his undoing—in his mind, an irrational and indulgent mistake. When she discovered his indiscretions, she threw love in his face and beat him with it. Somewhere deep down, in her labyrinth, her intricacy, the darkest part of her soul, she relished the mayhem. She felt a sense of privilege for having such passion in her life. He stirred her core. The place she dared not enter. The place she could not stir for herself. But something wasn’t right. His eyes were cold and dark. His energy, unaffected. He laughed at her and her antics, told her she was a mess. Frantic, she looked for love hiding in his eyes, in his face, in his stance, and she found nothing but disdain. And her heart stopped.
G.G. Renee Hill (The Beautiful Disruption)
But why people need privacy? Why privacy is important? In China, every family live together, grandparents, parents, daughter, son and their relatives too. Eat together and share everything, talk about everything. Privacy make people lonely. Privacy make family fallen apart.
Xiaolu Guo (A Concise Chinese-English Dictionary for Lovers)
Just because you don’t share it on social media, doesn't mean you’re not up to big things. Live it and stay low key. Privacy is everything.
Denzel Washington
The goal of privacy is not to protect some stable self from erosion but to create boundaries where this self can emerge, mutate, and stabilize.
Evgeny Morozov (To Save Everything, Click Here: The Folly of Technological Solutionism)
Like a rich person, I live with a full-time servant who keeps everything in order—and because the servant is me, there’s no invasion of privacy.
Miranda July (The First Bad Man)
O, what a world of unseen visions and heard silences, this insubstantial country of the mind! What ineffable essences, these touchless rememberings and unshowable reveries! And the privacy of it all! A secret theater of speechless monologue and prevenient counsel, an invisible mansion of all moods, musings, and mysteries, an infinite resort of disappointments and discoveries. A whole kingdom where each of us reigns reclusively alone, questioning what we will, commanding what we can. A hidden hermitage where we may study out the troubled book of what we have done and yet may do. An introcosm that is more myself than anything I can find in a mirror. This consciousness that is myself of selves, that is everything, and yet is nothing at all - what is it?
Julian Jaynes (The Origin of Consciousness in the Breakdown of the Bicameral Mind)
a man who loses his privacy loses everything...a man who gives it up of his own free will is a monster
Milan Kundera (The Unbearable Lightness of Being)
So I have absolutely no privacy anymore? None? Because the four of you had to check scores with each other?” His frustration was clear. “You know, for someone concerned with honesty, you ought to be grateful.” He stopped and stared. “I beg your pardon?” “Everything is out in the open now. We all have a pretty good idea of where we stand, and I, for one, am thankful.” He rolled his eyes. “Thankful?” “If you had told me that Celeste and I were at about the same point with you physically, I would never have tried to come on to you like I did last night. Do you know how humiliated I was?” He scoffed and started pacing again. “Please, America, you’ve said and done so many foolish things, I’m surprised you can even be embarrassed anymore.
Kiera Cass (The One (The Selection, #3))
There is something about that burning of all those letters that gives me pause: why should everything be made clear and be brought into the light? Why keep things, archive your intimacies? Why not let thirty years of shared conversation go spiralling in ash up into the air of Tunbridge Wells? Just because you have it does not mean you have to pass it on. Losing things can something gain you a space in which to live.
Edmund de Waal (The Hare With Amber Eyes: A Family's Century of Art and Loss)
Because instant and credible information has to be given, it becomes necessary to resort to guesswork, rumors and suppositions to fill in the voids, and none of them will ever be rectified, they will stay on in the readers' memory. How many hasty, immature, superficial and misleading judgments are expressed every day, confusing readers, without any verification. The press can both simulate public opinion and miseducate it. Thus we may see terrorists heroized, or secret matters, pertaining to one's nation's defense, publicly revealed, or we may witness shameless intrusion on the privacy of well-known people under the slogan: "everyone is entitled to know everything." But this is a false slogan, characteristic of a false era: people also have the right not to know, and it is a much more valuable one. The right not to have their divine souls stuffed with gossip, nonsense, vain talk. A person who works and leads a meaningful life does not need this excessive burdening flow of information.
Aleksandr Solzhenitsyn
The National Security Agency’s capability at any time could be turned around on the American people, and no American would have any privacy left, such is the capability to monitor everything: telephone conversations, telegrams, it doesn’t matter. There would be no place to hide. If a dictator ever took over, the N.S.A. could enable it to impose total tyranny, and there would be no way to fight back.
Frank Church
Privacy is a protection from the unreasonable use of state and corporate power. But that is, in a sense, a secondary thing. In the first instance, privacy is the statement in words of a simple understanding, which belongs to the instinctive world rather than the formal one, that some things are the province of those who experience them and not naturally open to the scrutiny of others: courtship and love, with their emotional nakedness; the simple moments of family life; the appalling rawness of grief. That the state and other systems are precluded from snooping on these things is important - it is a strong barrier between the formal world and the hearth, extended or not - but at root privacy is a simple understanding: not everything belongs to everyone.
Nick Harkaway (The Blind Giant)
It is the symptom of a disease that still infects our population--the desire to make everything easy, to sacrifice autonomy and privacy for convenience. That's what technology is, Ms. Kantor. A concession to laziness and the devaluing of human effort
Veronica Roth (Poster Girl)
When I was old enough to take baths in the bathtub, and to know I had a penis and a scrotum and everything, I asked her not to sit in the room with me. "Why not?" "Privacy." "Privacy from what? From me?" I didn't want to hurt her feelings, because not hurting her feelings is another of my raisons d'etre. "Just privacy," I said...She agreed to wait outside, but only if I held a ball of yarn, which went under the bathroom door and was connected to the scarf she was knitting. Every few seconds she would give it a tug, and I had to tug back--undoing what she had just done--so that she could know I was OK.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
But at long last she had some privacy and could go more than ten minutes without someone getting in her business, informing her that everything she did was wrong. As if she didn't already know that.
Alice Hoffman (The Third Angel)
Ponder had invented a little system he'd called, in the privacy of his head, Lies-to-Wizards. It was for their own good, he told himself. There was no point in telling your bosses everything; they were busy men, they didn't want explanations. There was no point in burdening them. What they wanted was little stories that they felt they could understand, and then they'd go away and stop worrying.
Terry Pratchett (The Science of Discworld (The Science of Discworld, #1))
For if we are observed in all matters, we are constantly under threat of correction, judgment, criticism, even plagiarism of our own uniqueness. We become children, fettered under watchful eyes, constantly fearful that — either now or in the uncertain future — patterns we leave behind will be brought back to implicate us, by whatever authority has now become focused upon our once-private and innocent acts. We lose our individuality, because everything we do is observable and recordable." [The Eternal Value of Privacy, May 18, 2006]
Bruce Schneier
I once loved so hard I almost lost everything, including his life, including my own. Only then did I realize: perhaps love’s physicality is death itself. I think I was taught that love, in its ideal form, is like a newborn baby: full of possibility, still warm from the heated privacy of the womb. But I think, at the end of my life, I won’t see a figure cloaked in black velvet or a swirling void waiting to take me — I will see the face of love. It will be a recognizable light, the one that lived behind all those other faces I knew up close, the light I suspected but could never prove. When I see the face of love, I won’t be afraid. I will see what I’ve been searching for all my life.
Chelsea Hodson (Tonight I'm Someone Else: Essays)
Oh Beck, I love reading your e-mail. Learning your life. And I am careful; I always mark new messages unread so that you won't get alarmed. My good fortune doesn't stop there; You prefer e-mail. You don't like texting. So this means that I am not missing out on all that much communication. You wrote an "essay" for some blog in which you stated that "e-mails last forever. You can search for any word at any time and see everything you ever said to anyone about that one word. Texts go away." I love you for wanting a record. I love your records for being so accessible and I'm so full of you, your calendar of caloric intake and hookups and menstrual moments, your self-portraits you don't publish, your recipes and exercises. You will know me soon too, I promise.
Caroline Kepnes (You (You, #1))
I hear her slip into bed with him, and I hear everything that happens after that. Sex is such a strange and sloppy business, why bother to recount every slurp and moan that ensued? Tom and Honey deserve their privacy, and for that reason I will end my report of the night's activities here. If some readers object, I ask them to close their eyes and use their imaginations.
Paul Auster (The Brooklyn Follies)
For Sabina, living in truth, lying neither to ourselves not others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies. Sabina despised literature in which people give away all kinds of intimate secrets about themselves and their friends. A man who loses his privacy loses everything, Sabina thought. And a man who gives it up on his own free will is a monster. That is why Sabina did not suffer in the least from having to keep her love a secret. On the contrary, only by doing so could she live the truth.
Milan Kundera (The Unbearable Lightness of Being)
How is it done? By not doing. By dreaming insistently. By performing our daily duties but living, simultaneously, in the imagination. Travelling far and wide, in the geography of our minds. Conquering like Caesar, amid the blaring trumpets of our reverie. Experiencing intense sexual pleasure, in the privacy of our fantasy. Feeling everything in every way, not in the flesh, which always tires, but in the imagination.
Fernando Pessoa (The Book of Disquiet)
I do not tell her about how much I look forward to going to the Wright barn. How those couple of hours in his studio feel like an escape, a refuge. Nor do I tell Rachel that I think Damian has the most beautiful hands I've ever seen, that he walks like a cat, that he has the clearest eyes, which seem able to see absolutely everything about me. That he seems to be the loneliest person I've ever met, and it breaks my heart. All of these things feel private. Precious. And I don't want to share them with Rachel. Not yet, anyway.
Lisa Ann Sandell (A Map of the Known World)
married people were entitled to a certain measure of privacy, that they needn’t tell each other everything.
Jeanine Cummins (American Dirt)
The absence of a police state is that people are free, and if you don’t commit crimes you can do what you want. But today, you can’t open up a business, you can’t develop land, you can’t go to the bank, you can’t go to the doctor without the government knowing what you’re doing. They talk about medical privacy, that’s gone. Financial privacy, that’s gone. The right to own property, that’s essentially gone. So you have to get permission from the government for almost everything. And if that is the definition of a police state, that you can’t do anything unless the government gives you permission, we’re well on our way. Ron Paul
Mark Goodwin (Conspiracy (The Days of Noah, #1))
I have social media accounts, I answer honestly in interviews—and anyone who sees me perform can tell I’m in love with human beings, I want desperately to feel connected. Everything I do is for my love of, and yearning for, people. So press outlets nonetheless insisting I’m ‘intensely private’ feels vindictive, like a punishment for setting boundaries, and for not offering more of myself for content and exploitation.
mitski
what is the expression which the age demands? the age demands no expression whatever. we have seen photographs of bereaved asian mothers. we are not interested in the agony of your fumbled organs. there is nothing you can show on your face that can match the horror of this time. do not even try. you will only hold yourself up to the scorn of those who have felt things deeply. we have seen newsreels of humans in the extremities of pain and dislocation. you are playing to people who have experienced a catastrophe. this should make you very quiet. speak the words, convey the data, step aside. everyone knows you are in pain. you cannot tell the audience everything you know about love in every line of love you speak. step aside and they will know what you know because you know it already. you have nothing to teach them. you are not more beautiful than they are. you are not wiser. do not shout at them. do not force a dry entry. that is bad sex. if you show the lines of your genitals, then deliver what you promise. and remember that people do not really want an acrobat in bed. what is our need? to be close to the natural man, to be close to the natural woman. do not pretend that you are a beloved singer with a vast loyal audience which has followed the ups and downs of your life to this very moment. the bombs, flame-throwers, and all the shit have destroyed more than just the trees and villages. they have also destroyed the stage. did you think that your profession would escape the general destruction? there is no more stage. there are no more footlights. you are among the people. then be modest. speak the words, convey the data, step aside. be by yourself. be in your own room. do not put yourself on. do not act out words. never act out words. never try to leave the floor when you talk about flying. never close your eyes and jerk your head to one side when you talk about death. do not fix your burning eyes on me when you speak about love. if you want to impress me when you speak about love put your hand in your pocket or under your dress and play with yourself. if ambition and the hunger for applause have driven you to speak about love you should learn how to do it without disgracing yourself or the material. this is an interior landscape. it is inside. it is private. respect the privacy of the material. these pieces were written in silence. the courage of the play is to speak them. the discipline of the play is not to violate them. let the audience feel your love of privacy even though there is no privacy. be good whores. the poem is not a slogan. it cannot advertise you. it cannot promote your reputation for sensitivity. you are students of discipline. do not act out the words. the words die when you act them out, they wither, and we are left with nothing but your ambition. the poem is nothing but information. it is the constitution of the inner country. if you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. you are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. think of the words as science, not as art. they are a report. you are speaking before a meeting of the explorers' club of the national geographic society. these people know all the risks of mountain climbing. they honour you by taking this for granted. if you rub their faces in it that is an insult to their hospitality. do not work the audience for gasps ans sighs. if you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. it will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. it will be in the data and the quiet organization of your presence. avoid the flourish. do not be afraid to be weak. do not be ashamed to be tired. you look good when you're tired. you look like you could go on forever. now come into my arms. you are the image of my beauty.
Leonard Cohen (Death of a Lady's Man)
Hate rises up inside her. A hate that clashes with her servile urges, her childlike optimism. A hate that muddies everything. She is absorbed by a sad, confused dream. Haunted by the feeling that she has seen too much, heard too much of other people’s privacy, a privacy she has never enjoyed herself. She has never had her own bedroom.
Leïla Slimani (The Perfect Nanny)
You have not had any privacy since the first day you owned your first cell phone. They can track everything. They can hear recordings of anything you have ever said on your cell. And read everything you ever read, and everything you ever typed. And see every location you've ever been to. That's just how cells work. Your privacy is a willful illusion.
Oliver Markus Malloy (American Fascism: A German Writer's Urgent Warning To America)
Alone, with tremendous empty longing and dread. The whole room for my thoughts. Nothing but myself and what I think, what I fear. Could think the most fanastic thoughts, could dance, grimace, curse, wail-nobody would ever know, nobody would ever hear. The thought of such absolute privacy is enough to drive me mad. It's like a clean birth. Everything cut away. Separate, naked, alone. Bliss and agony simultaneously. Time on your hands. Each second weighing on you like a mountain. You drown in it. Deserts, seas, lakes, oceans. Time beating away like a meat ax. Nothingness. The world. The me and the not-me. Oomaharumooma. Everything has to have a name. Everything has to be learned, tested, experencied.
Henry Miller (Tropic of Cancer (Tropic, #1))
One of my favorite words is a French word: sousveillance. It is the opposite of surveillance. Surveillance means to look from above; sousveillance means to look from below. In their dream of nation-states controlling all of our financial futures, they made one major miscalculation. It’s a hell of a lot harder for a few hundred thousand people to watch 7 1/2 billion. But what do you think happens when 7 1/2 billion of us stare back? When the panopticon turns around? When our financial systems, our communication systems, are private, and secrecy is an illusion that can’t be sustained? When crimes committed in the names of states and powerful corporations are vulnerable to hackers and whistleblowers and leakers? When everything eventually comes out? We have a great advantage because the natural balance of the system is one in which individuals can have privacy but the powerful cannot have secrecy anymore.
Andreas M. Antonopoulos (The Internet of Money)
A man who loses his privacy loses everything, Sabina thought.
Milan Kundera (The Unbearable Lightness of Being)
To keep people from the particulars of your life kept you from being seen as one thing or another, and so it was possible you could be thought of as anything, or even as everything.
Meg Wolitzer (The Female Persuasion)
People retreated behind their front doors into the hidden zone of their private, family worlds and when outsiders asked how things were they answered, Oh, everything’s going along just fine, not much to report, situation normal. But everyone secretly knew that behind that door things were rarely humdrum. More typically, all hell was breaking loose, as people dealt with their angry fathers, drunken mothers, resentful siblings, mad aunts, lecherous uncles and crumbling grandparents. The family was not the firm foundation upon which society rested, but stood at the dark chaotic heart of everything that ailed us. It was not normal, but surreal; not humdrum, but filled with event; not ordinary, but bizarre. He remembered with what excitement he had listened, at the age of twenty, to the Reith Lectures delivered on BBC Radio by Edmund Leach, the great anthropologist and interpreter of Claude Lévi-Strauss who, a year earlier, had succeeded Noel Annan as provost of King’s. “Far from being the basis of the good society,” Leach had said, “the family, with its narrow privacy and tawdry secrets, is the source of all our discontents.” Yes! he thought. Yes! That is a thing I also know. The families in the novels he later wrote would be explosive, operatic, arm-waving, exclamatory, wild. People who did not like his books would sometimes criticize these fictional families for being unrealistic—not “ordinary” enough. However, readers who did like his books said to him, “Those families are exactly like my family.
Salman Rushdie (Joseph Anton: A Memoir)
Since I have thought anything I want since then, I can admit everything to myself in the privacy of my mind. Yes, I told myself, that I must be a dëmm, an eater of the insides of men. But, I told myself immediately after thinking it, that I couldn't believe such a thing, that it wasn't possible. At that time it wasn't really me who was thinking. I'd left the door of my mind open to the thoughts of others, which I mistook for my own. I wasn't hearing myself think anymore, but was hearing the others who were afraid of me. You have to be careful when you believe you are free to think what you want, not to let in the thinking of others in disguise.
David Diop (At Night All Blood is Black)
Dear Stephen,’ he begins. ‘This is a difficult letter to write, but I know it will be a great deal more difficult to read. I will come straight to it. I believe you are in the early stages of dementia, possibly Alzheimer’s.’ Elizabeth can hear her heart beating through her chest. Who on earth has chosen to shatter their privacy this way? Who even knows? Her friends? Has one of them written? They wouldn’t dare, not without asking. Not Ibrahim, surely? He might dare. ‘I am not an expert, but it is something I have been looking into. You are forgetting things, and you are getting confused. I know full well what you will say – “But I’ve always forgotten things. I’ve always been confused!” – and you are right, of course, but this, Stephen, is of a different order. Something is not right with you, and everything I read points in just one direction.’ ‘Stephen,’ says Elizabeth, but he gently gestures for hush. ‘You must also know that dementia points in just one direction. Once you start to descend the slope, and please believe me when I say you have started, there is no return. There may be footholds here and there, there may be ledges on which to rest, and the view may still be beautiful from time to time, but you will not clamber back up.’ ‘Stephen, who wrote you this letter?’ Elizabeth asks. Stephen holds up a finger, asking her to be patient a few moments more. Elizabeth’s fury is decreasing. The letter is something she should have written to him herself. This should not have been left to a stranger. Stephen starts
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
I am a small-government person, and I greatly oppose government intrusion into everything. Still, it is essential that we distinguish between those things that are important and those things that are just intruding upon our basic privacy. Whether to participate in childhood immunizations would be an individual choice if individuals were the only ones affected, but as previously mentioned, our children are part of our larger community. None of us lives in isolation. Your decision does not affect only you — it also affects your fellow Americans.
Ben Carson
Shame, in other words, is conservative in the fullest sense; it is there to conserve our privacy, to conserve ourselves as we would prefer to be seen; to conserve our belief that we can conceal ourselves. Because shame is what is felt when we fail to perform well enough (think of potential humiliation of the stand-up comic). If shame is always possible, performance is everything. Our capacity for shame is a horrifying reminder of what we believe our preferred self really is - and that there is one - however much of a strain it may be to sustain it.
Adam Phillips (Attention Seeking)
I think you have boundary problems," Groovy said. "There's such a thing as too-strict boundaries, you know. You're all cut off from everybody." "I am?". I felt just the opposite. I felt like I bled over everything, in an unseemly fashion, and my feelings for Sands was exacerbating this.
Rebecca Lee (Bobcat and Other Stories)
I will say this about the upper echelon in France: they know how to spend money. From what I saw living in America, wealth is dedicated to elevating the individual experience. If you’re a well-off child, you get a car, or a horse. You go to summer camps that cost as much as college. And everything is monogrammed, personalized, and stamped, to make it that much easier for other people to recognize your net worth. …The French bourgeois don’t pine for yachts or garages with multiple cars. They don’t build homes with bowling alleys or spend their weekends trying to meet the quarterly food and beverage limit at their country clubs: they put their savings into a vacation home that all their family can enjoy, and usually it’s in France. They buy nice food, they serve nice wine, and they wear the same cashmere sweaters over and over for years. I think the wealthy French feel comfortable with their money because they do not fear it. It’s the fearful who put money into houses with even bedrooms and fifteen baths. It’s the fearful who drive around in yellow Hummers during high-gas-price months becasue if they’re going to lose their money tomorrow, at least other people will know that they are rich today. The French, as with almost all things, privilege privacy and subtlety and they don’t feel comfortable with excess. This is why one of their favorite admonishments is tu t’es laisse aller. You’ve lost control of yourself. You’ve let yourself go.
Courtney Maum (I Am Having So Much Fun Here Without You)
Everything happens at night. The world changes, the shadows grow, there's secrecy and privacy in dark places. First kiss at night, by the monkey bars and the old swings that the children and their parents have vacated; second, longer kiss, by the bike stands, swirl of dust around feet in the dry summer air. Awkward words, like secrets just waiting to be broken, the struggle to find the right ones, the heady fear of exposure --- what if, what if --- the joy when the words are returned. Love, in the parkette, while the moon waxes and the clouds pass. Promises at night. Not first promises --- those are so old they can't be remembered --- but new promises, sharp and biting; they almost hurt to say, but it's a good hurt. Dreams at night, before sleep, and dreams during sleep. Everything, always, happens at night.
Michelle Sagara (Silence (The Queen of the Dead, #1))
Curran smiled. “What’s so funny?” “Your panties have a bow,” he said. I looked down. I was wearing a short tank top—not mine—and my blue panties with a narrow white strip of lace at the top and a tiny white bow. Would it have killed me to check what I was wearing before I pulled the blanket down? “What’s wrong with bows?” “Nothing.” He was grinning now. “I expected barbed wire. Or one of those steel chains.” Wiseass. “I’m secure enough in myself to wear panties with bows on them. Besides, they are comfy and soft.” “I bet.” He almost purred. I gulped. Okay, I needed to either crawl back into bed and cover myself with the blanket or get the hell to the bathroom and back. Since I didn’t fancy peeing on myself, the bathroom was my only option. “I don’t suppose you’d mind giving me a bit of privacy for my trip?” “Not a chance,” he said. I tried to get off the bed. Everything was under control until my weight actually hit my legs and then the room decided to crawl sideways. Curran caught me. His arm hugged my back, his touch sending an electric shiver along my skin. Oh no. “Need some help, ass kicker?” “I’m fine, thanks.” I pushed away from him. He held on to me for a second, letting me know that he could restrain me against my will with laughable ease, and let go. I clenched my teeth. Enjoy it while it lasts. I’ll be back on my feet soon. I walked away from him, successfully maintaining vertical position, and zeroed in on the nearest door. “That’s the closet.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
I’ve sat at the piano for hours already, looking for lyrics and melodies, but everything sounds the same and I feel as uninspired as ever. Does it mean I’m finished? A more sobering thought: if I’m finished, would I miss it? But the truth is, I’ve been here before. Many times. We all have. So how do we find the faith to press on? Remember. Remember, Hebrew children, who you once were in Egypt. Remember the altars set up along the way to remind yourselves that you made the journey and God rescued you from sword and famine, from chariots and pestilence, that once you were there, but now you are here. It happened. Our memories are fallible, residing in that most complex and mysterious organ in the human body (and therefore the known universe), capable of being suppressed, manipulated, altered, but also profoundly powerful and able to transport a person to a place fifty years ago all because of a whiff of your grandfather’s cologne or an old book or the salty air. As often as you do this, do it in remembrance of me. Remember with every sip of wine that we shared this meal, you and I. Remember. So I look at the last album, the last book, and am forced to admit that I didn’t know anymore then than I do now. Every song is an Ebenezer stone, evidence of God’s faithfulness. I just need to remember. Trust is crucial. So is self-forgetfulness and risk and a measure of audacity. And now that I think about it, there’s also wonder, insight, familiarity with Scripture, passion, a good night’s sleep, breakfast (preferably an egg sandwich), an encouraging voice, diligence, patience. I need silence. Privacy. Time—that’s what I need: more time. But first I need a vacation, because I’ve been really grinding away at this other stuff and my mental cache is full. A deadline would be great. I work best with deadlines, and maybe some bills piling up. Some new guitar strings would help, and a nice candle. And that’s all I need, in the words of Steve Martin’s The Jerk. This is the truth: all I really need is a guitar, some paper, and discipline. If only I would apply myself.
Andrew Peterson (Adorning the Dark: Thoughts on Community, Calling, and the Mystery of Making)
The United States government has perfected a technological capability that enables us to monitor the messages that go through the air.… That capability at any time could be turned around on the American people, and no American would have any privacy left, such is the capability to monitor everything—telephone conversations, telegrams, it doesn’t matter. There would be no place to hide. —Senator Frank Church, Chair, Senate Select Committee to Study Governmental Operations with Respect to Intelligence Activities, 1975
Glenn Greenwald (No Place to Hide: Edward Snowden, the NSA and the Surveillance State)
It means, first, that everything that appears in public can be seen and heard by everybody and has the widest possible publicity. For us, appearance—something that is being seen and heard by others as well as by ourselves—constitutes reality. Compared with the reality which comes from being seen and heard, even the greatest forces of intimate life—the passions of the heart, the thoughts of the mind, the delights of the senses—lead an uncertain, shadowy kind of existence unless and until they are transformed, deprivatized and deindividualized, as it were, into a shape to fit them for public appearance.41 The most current of such transformations occurs in storytelling and generally in artistic transposition of individual experiences. But we do not need the form of the artist to witness this transfiguration. Each time we talk about things that can be experienced only in privacy or intimacy, we bring them out into a sphere where they will assume a kind of reality which, their intensity notwithstanding, they never could have had before.
Hannah Arendt (The Human Condition)
For Sabina, living in truth, lying neither to ourselves nor to others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies. Sabina despised literature in which people give away all kinds of intimate secrets about themselves and their friends. A man who loses his privacy loses everything, Sabina thought. And a man who gives it up of his own free will is a monster.
Milan Kundera (The Unbearable Lightness of Being)
The presumption is that, with rare exception, will know everything their political officials are doing, which is why they are called public servants, working in the public sector, in public service, for public agencies. Conversely, the presumption is that the government, with rare exception, will not know anything that law-abiding citizens are doing. That is why we are called private individuals, functioning in our private capacity. Transparency is for those who carry out public duties and exercise public power. Privacy is for everyone else.
Glenn Greenwald
The current culture deviated radically from previous human experience, ruthlessly reducing each woman and man to mere political units to be manipulated, balkanizing them into communities according to their likes and dislikes, so everything from cars to candy bars could be more effectively marketed, robbing them of their privacy, denying them both a real community of diverse views and the possibility of personal evolution by censoring the world they saw through the Internet to make it conform to the preferred beliefs of their self-appointed betters.
Dean Koontz (The Night Window (Jane Hawk #5))
The current culture deviated radically from previous human experience, ruthlessly reducing each woman and man to mere political units to be manipulated, balkanizing them into communities according to their likes and dislikes, so everything from cars to candy bars could be more effectively marketed, robbing them of their privacy, denying them both a real community of diverse views and the possibility of personal evolution by censoring the world they saw through the Internet to make it conform to the preferred beliefs of their self-appointed betters. In
Dean Koontz (The Night Window (Jane Hawk #5))
Only millionaires can be alone in America. You know the old saying: Money lost, nothing lost. Hope lost, all is lost. The less money I have, the more I live on hope. And hope is the only reality here on earth. It's hope that makes people build cities and span bridges and send ships from one end of the earth to another. Even dying, man plants his hope on the next world. It says in the Torah, only through a man has a woman an existence. Only through a man can a woman enter Heaven. In America, women don't need men to boss them. For the first time in my life I saw what a luxury it was for a poor girl to want to be alone in a room. Even in our worst poverty we sat around the table, together, like people. I never knew that there were people glad enough of life to celebrate the day they were born. The routine with which I kept clean my precious privacy, my beautiful aloneness, was all sacred to me. I had achieved that marvelous thing, "a place for everything and everything in its place", which the teacher preached to me so hopelessly as a child in Hester Street. I had it ingrained in me from my father, this exalted reverence for the teacher.
Anzia Yezierska (Bread Givers)
Then I had to invent fire. NASA put a lot of effort into making sure nothing here can burn. Everything is made of metal or flame-retardant plastic and the uniforms are synthetic. I needed something that could hold a flame, some kind of pilot light. I don’t have the skills to keep enough H2 flowing to feed a flame without killing myself. Too narrow a margin there. After a search of everyone’s personal items (hey, if they wanted privacy, they shouldn’t have abandoned me on Mars with their stuff) I found my answer. Martinez is a devout Catholic. I knew that. What I didn’t know was he brought along a small wooden cross. I’m sure NASA gave him shit about it, but I also know Martinez is one stubborn son of a bitch. I chipped his sacred religious item into long splinters using a pair of pliers and a screwdriver. I figure if there’s a God, He won’t mind, considering the situation I’m in. If ruining the only religious icon I have leaves me vulnerable to Martian vampires, I’ll have to risk it. There were plenty of wires and batteries around to make a spark. But you can’t just ignite wood with a small electric spark. So I collected ribbons of bark from local palm trees, then got a couple of sticks and rubbed them together to create enough friction to… No not really. I vented pure oxygen at the stick and gave it a spark. It lit up like a match.
Andy Weir (The Martian)
I went into the experience with the notion that I was merely going to get a taste of a deviant lifestyle. The Dom was charismatic and the kinky sex might be good if I could get past the whipping part, because there was no way I would ever think that was fun. I believed I could never be truly submissive or enjoy pain. I was so very wrong My life changed forever. The connection between Dom and sub is one of the closest relationships two people can have. Give and take became more than words. They became the basis of my existence. My body is no longer my own. He has access to everything I am— privacy does not exist, but when he looks at me it's with love. There is no fear and no shame because I am safe. I will always be safe with him. As my Master will be safe with me.
Debra Varva (New Leather)
Despite how progressive America claimed to be, there was still a sexist double standard quietly underpinning everything. She and Jeff were proof of it, like in those scientific studies where they treated twin babies the same except for one key variable, then tracked how it affected them. The variable here was that Jeff was a boy and Sam was a girl, and even when they did the exact same thing, people reacted to them differently. If the paparazzi caught Jeff on an expensive shopping spree, he was splurging for a special occasion, while Samantha was spoiled. If pictures surfaced of Jeff visibly drunk and stumbling out of a bar, he was blowing off some much-needed steam. Samantha was a wild party girl. If Jeff talked back to the paparazzi, he was simply being firm, protecting his privacy. Samantha was a ruthless bitch.
Katharine McGee (American Royals (American Royals, #1))
AT FIRST, THERE’S only a thread of frost spreading across a pane. Oboe and horn trace out their parallel privacies. The thin sinews wander, an edgy duet built up from bare fourths and fifths. The singer enters, hesitant, hinted by bassoon. She channels a man wrung out after a sleepless night, a father with nothing left to keep safe. Now the sun will rise so brightly . . . The sun rises, but the line sinks. The orchestration, the nostalgic harmonies: everything wrapped in the familiar late nineteenth century, but laced with the coming fever dream. Bassoon and horn rock an empty cradle. Scant, muted violas and cellos in their upper registers enter over a quavering harp. The line wavers between major and minor, bright and dim, peace and grief, like the old hag and lovely young thing who fight for control of the fickle ink sketch. The voice
Richard Powers (Orfeo)
Situated in the center of family values debates is an imagined traditional family ideal. Formed through a combination of marital and blood ties, "normal" families should consist of heterosexual, racially homogeneous couples who produce their own biological children. Such families should have a specific authority structure, namely, a father-head earning an adequate family wage, a stay-at-home wife and mother, and children. Idealizing the traditional family as a private haven from a public world, family is seen as being held together through primary emotional bonds of love and caring. assuming a relatively fixed sexual division of labor, wherein women's roles are defined as primarily in the home with men's in the public world of work, the traditional family ideal also assumes the separation of work and family. Defined as a natural or biological arrangement based on heterosexual attraction, instead this monolithic family type is actually supported by government policy. It is organized not around a biological core, but a state-sanctioned, heterosexual marriage that confers legitimacy not only on the family structure itself but on children born in this family. In general, everything the imagined traditional family ideal is thought to be, African-American families are not. Two elements of the traditional family ideal are especially problematic for African-American women. First, the assumed split between the "public" sphere of paid employment and the "private" sphere of unpaid family responsibilities has never worked for U.S. Black women. Under slavery, U.S. Black women worked without pay in the allegedly public sphere of Southern agriculture and had their family privacy routinely violated. Second, the public/private binary separating the family households from the paid labor market is fundamental in explaining U.S. gender ideology. If one assumes that real men work and real women take care of families, then African-Americans suffer from deficient ideas concerning gender. in particular, Black women become less "feminine," because they work outside the home, work for pay and thus compete with men, and their work takes them away from their children. Framed through this prism of an imagined traditional family ideal, U.S. Black women's experiences and those of other women of color are typically deemed deficient. Rather than trying to explain why Black women's work and family patterns deviate from the seeming normality of the traditional family ideal, a more fruitful approach lies in challenging the very constructs of work and family themselves. Understandings of work, like understandings of family, vary greatly depending on who controls the definitions.
Patricia Hill Collins (Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment)
This is how it works. The exomemory stores data – all data – that the Oubliette gathers, the environment, senses, thoughts, everything. The gevulot keeps track of who can access what, in real time. It’s not just one public/private key pair, it’s a crazy nested hierarchy, a tree of nodes where each branch can only be unlocked by the root node. You meet someone and agree what you can share, what they can know about you, what you can remember afterwards.’ ‘Sounds complicated.’ ‘It is. The Martians have a dedicated organ for it.’ I tap my head. ‘A privacy sense. They feel what they are sharing, what is private and what isn’t. They also do something called co-remembering, sharing memories with others just by sharing the appropriate key with them. We just have the baby version. They give the visitors a bit of exomemory and an interface to it, reasonably well-defined. But there is no way we can appreciate the subtleties.
Hannu Rajaniemi (The Quantum Thief (Jean le Flambeur #1))
When people become famous, they are often objectified, discussed, and ridiculed with little consideration for who they are as people. Fans and critics feel as though they have the right to comment on everything celebrities do with little regard to the costs that those in the crosshairs of attention will bear. The cost that celebrities pay for the supposed benefits of being rich and famous is ongoing scrutiny and a lack of privacy. Most people do not understand or appreciate the pressure that results from fame, even though public meltdowns—such as the night that Britney Spears shaved her head in front of numerous photographers—are highly publicized. The public’s obsession with obtaining information about the famous puts serious pressure on those people’s lives, as the paparazzi’s role in Princess Diana’s death so brutally reminds us.20 Few people have sympathy for the kinds of stress that gossip places on public figures who have high status and wealth. At a distance, famous people seem invulnerable.
Danah Boyd (It's Complicated: The Social Lives of Networked Teens)
Better check on him,” Cara says, nodding to Tobias. “Yeah,” I say. I cross the room and stand in front of the windows, staring at what we can see of the compound, which is just more of the same glass and steel, pavement and grass and fences. When he sees me, he stops pacing and stands next to me instead. “You all right?” I say to him. “Yeah.” He sits on the windowsill, facing me, so we’re at eye level. “I mean, no, not really. Right now I’m just thinking about how meaningless it all was. The faction system, I mean.” He rubs the back of his neck, and I wonder if he’s thinking about the tattoos on his back. “We put everything we had into it,” he says. “All of us. Even if we didn’t realize we were doing it.” “That’s what you’re thinking about?” I raise my eyebrows. “Tobias, they were watching us. Everything that happened, everything we did. They didn’t intervene, they just invaded our privacy. Constantly.” He rubs his temple with his fingertips. “I guess. That’s not what’s bothering me, though.” I must give him an incredulous look without meaning to, because he shakes his head. “Tris, I worked in the Dauntless control room. There were cameras everywhere, all the time. I tried to warn you that people were watching you during your initiation, remember?” I remember his eyes shifting to the ceiling, to the corner. His cryptic warnings, hissed between his teeth. I never realized he was warning me about cameras--it just never occurred to me before. “It used to bother me,” he says. “But I got over it a long time ago. We always thought we were on our own, and now it turns out we were right--they left us on our own. That’s just the way it is.” “I guess I don’t accept that,” I say. “If you see someone in trouble, you should help them. Experiment or not. And…God.” I cringe. “All the things they saw.” He smiles at me, a little. “What?” I demand. “I was just thinking of some of the things they saw,” he says, putting his hand on my waist. I glare at him for a moment, but I can’t sustain it, not with him grinning at me like that. Not knowing that he’s trying to make me feel better. I smile a little.
Veronica Roth (Allegiant (Divergent, #3))
I pulled open the door and yelped.  The steady thump in my head increased its tempo. Clay stood just outside the door, leaning against the wall.  He held a glass of water in one hand and two pills in the other.  I tried to read his face, but he kept it perfectly blank.  I hoped that meant he wasn’t angry with me.  Desperate to relieve the pain in my head, I released my death grip on the door and gulped down the pills. When I tried handing him the empty glass, he shook his head and picked me up again.  My feet had been getting cold, anyway.  Holding the empty glass, I sighed and rested my head against his chest. He went toward my room, and I almost complained until I saw what he’d done.  He’d changed the sheets and remade the bed.  Socks, slippers, and my hairbrush lay on the quilt, waiting.  He’d known I would go for the shower and had given me privacy even though he hadn’t wanted me to get out of bed.  Not only that, but he’d gotten everything ready for when I finished. I looked at him.  He studied me, his arms still securely around me.  I leaned in, kissed his cheek tenderly, and hesitated there.  He smelled so good.  I just wanted to curl back up with him. 
Melissa Haag (Hope(less) (Judgement of the Six #1))
Google tried to do everything. It proved itself the deepest and fastest of the search engines. It stomped the competition in email. It made a decent showing in image hosting, and a good one in chat. It stumbled on social, but utterly owned maps. It swallowed libraries whole and sent tremors across the copyright laws. It knows where you are right now, and what you’re doing, and what you’ll probably do next. It added an indelible, funny, loose-limbed, and exact verb into the vocabulary: to google. No one “bings” or “yahoos” anything. And it finishes your sen … All of a sudden, one day, a few years ago, there was Google Image Search. Words typed into the search box could deliver pages of images arrayed in a grid. I remember the first time I saw this, and what I felt: fear. I knew then that the monster had taken over. I confessed it, too. “I’m afraid of Google,” I said recently to an employee of the company. “I’m not afraid of Google,” he replied. “Google has a committee that meets over privacy issues before we release any product. I’m afraid of Facebook, of what Facebook can do with what Google has found. We are in a new age of cyberbullying.” I agreed with him about Facebook, but remained unreassured about Google." (from "Known and Strange Things" by Teju Cole)
Teju Cole (Known and Strange Things: Essays)
I had a room to myself as a kid, but my mother was always quick to point out that it wasn’t my room, it was her room and I was merely permitted to occupy it. Her point, of course, was that my parents had earned everything and I was merely borrowing the space, and while this is technically true I cannot help but marvel at the singular damage of this dark idea: That my existence as a child was a kind of debt and nothing, no matter how small, was mine. That no space was truly private; anything of mine could be forfeited at someone else’s whim. Once, wanting space from my parents after a fight, I closed and locked my bedroom door. My mother made my father take the doorknob out. And while I’m sure they remember this horrifying moment very differently, all I remember is the cold sensation in my body as the doorknob—a perfect little machine that did its job with unbiased faithfulness—shifted from its home as the screws fell away. The corona of daylight as the knob listed to one side. How, when it fell, I realized that it was two pieces, such a small thing keeping my bedroom door closed. I was lucky in that moment that the deconstruction of my door was a violation of privacy and autonomy but not a risk to my safety. When the door was opened, nothing happened. It was just a reminder: nothing, not even the four walls around my body, was mine.
Carmen Maria Machado (In the Dream House)
Gone are those days when media platforms were available to few individuals like politicians, movie stars, artists,sports sensations, civil right activists, and religious scholars. =Today social media gives people an easy way to almost everything =It is very easy to learn from others who are experts and professionals,Regardless of your location and education background you can educate yourself, without paying for it. =It even reveals good and Mabošaedi of the most respected people who are role models to others = You can share your issues with the community and get help within an hour . = The main advantage of the social media is that you update yourself from the latest happenings around in the world. = you can promote your business to the largest audience and even employ people But it can also damage your life for good = Since anyone can create a fake account and do anything without being traced, it has become quite easy for people to frustrate others and do a damage to their names or life. = Personal data and privacy can easily be hacked and shared on the Internet. Which can make financial losses and loss to personal life. Similarly, identity theft is another issue that can give financial losses to anyone by hacking their personal accounts. This is one of the dangerous disadvantages of the social media and it even made people kill them selfs. = Addiction destroyed many families and employments.
Nkahloleng Eric Mohlala
Everything has its price," Reverend Willows said. "The sunset costs us the moment in which we pause to look at it. We pay for a great love or a great dream in self-discipline, in self-sacrifice, in the giving of our love and our time and sometimes the sacrificing of our happiness." He grew silent. After a moment she realized that he was praying, his head bowed, his eyes closed. She was embarrassed, thinking that she was an intrusion upon his privacy, but when a moment later he opened his eyes, he smiled with surprising shyness and said, "A very impressive cathedral, isn't it?" He left her there. She looked and saw that the sky had turned pink and coral and gray, and as the light of dawn was born in the sky, a new light was born within her, too. There was a new day before them and with it new hope, new possibilities. A thousand men before her, a thousand million people, had looked up at the reddening sky or had seen the fragile green budding of the trees in spring, had heard the sudden song of a bird winging skywar, and had felt hope rekindled in their breasts. The dark night was over, the long winter ended, God was still in his heaven. How plain, how often repeated those homilies, yet what succor they gave. A bird cried somewhere in the rocks above her, and now in the distant valley she could see the glow of campfires and the smoke rising from the brown bosom of the land. At last she turned and went down the path to the wagons. And she, child of the earth, felt a thrill of response within her. She was thousands of miles from France. Between here and there lay an entire continent and a vast ocean, and yet in her heart she suddenly felt that she had come home.
Victor J. Banis (This Splendid Earth)
GCHQ has traveled a long and winding road. That road stretches from the wooden huts of Bletchley Park, past the domes and dishes of the Cold War, and on towards what some suggest will be the omniscient state of the Brave New World. As we look to the future, the docile and passive state described by Aldous Huxley in his Brave New World is perhaps more appropriate analogy than the strictly totalitarian predictions offered by George Orwell's Nineteen Eighty-Four. Bizarrely, many British citizens are quite content in this new climate of hyper-surveillance, since its their own lifestyle choices that helped to create 'wired world' - or even wish for it, for as we have seen, the new torrents of data have been been a source of endless trouble for the overstretched secret agencies. As Ken Macdonald rightly points out, the real drives of our wired world have been private companies looking for growth, and private individuals in search of luxury and convenience at the click of a mouse. The sigint agencies have merely been handed the impossible task of making an interconnected society perfectly secure and risk-free, against the background of a globalized world that presents many unprecedented threats, and now has a few boundaries or borders to protect us. Who, then, is to blame for the rapid intensification of electronic surveillance? Instinctively, many might reply Osama bin Laden, or perhaps Pablo Escobar. Others might respond that governments have used these villains as a convenient excuse to extend state control. At first glance, the massive growth of security, which includes includes not only eavesdropping but also biometric monitoring, face recognition, universal fingerprinting and the gathering of DNA, looks like a sad response to new kinds of miscreants. However, the sad reality is that the Brave New World that looms ahead of us is ultimately a reflection of ourselves. It is driven by technologies such as text messaging and customer loyalty cards that are free to accept or reject as we choose. The public debate on surveillance is often cast in terms of a trade-off between security and privacy. The truth is that luxury and convenience have been pre-eminent themes in the last decade, and we have given them a much higher priority than either security or privacy. We have all been embraced the world of surveillance with remarkable eagerness, surfing the Internet in a global search for a better bargain, better friends, even a better partner. GCHQ vast new circular headquarters is sometimes represented as a 'ring of power', exercising unparalleled levels of surveillance over citizens at home and abroad, collecting every email, every telephone and every instance of internet acces. It has even been asserted that GCHQ is engaged in nothing short of 'algorithmic warfare' as part of a battle for control of global communications. By contrast, the occupants of 'Celtenham's Doughnut' claim that in reality they are increasingly weak, having been left behind by the unstoppable electronic communications that they cannot hope to listen to, still less analyse or make sense of. In fact, the frightening truth is that no one is in control. No person, no intelligence agency and no government is steering the accelerating electronic processes that may eventually enslave us. Most of the devices that cause us to leave a continual digital trail of everything we think or do were not devised by the state, but are merely symptoms of modernity. GCHQ is simply a vast mirror, and it reflects the spirit of the age.
Richard J. Aldrich (GCHQ)
Love and religion! thought Clarissa, going back into the drawing-room, tingling all over. How detestable, how detestable they are! For now that the body of Miss Kilman was not before her, it overwhelmed her — the idea. The cruelest things in the world, she thought, seeing them clumsy, hot, domineering, hypocritical, eavesdropping, jealous, infinitely cruel and unscrupulous, dressed in a mackintosh coat, on the landing; love and religion. Had she ever tried to convert any one herself? Did she not wish everybody merely to be themselves? And she watched out of the window the old lady opposite climbing upstairs. Let her climb upstairs if she wanted to; let her stop; then let her, as Clarissa had often seen her, gain her bedroom, part her curtains, and disappear again into the background. Somehow one respected that — that old woman looking out of the window, quite unconscious that she was being watched. There was something solemn in it — but love and religion would destroy that, whatever it was, the privacy of the soul. The odious Kilman would destroy it. Yet it was a sight that made her want to cry. Love destroyed too. Everything that was fine, everything that was true went. Take Peter Walsh now. There was a man, charming, clever, with ideas about everything. If you wanted to know about Pope, say, or Addison, or just to talk nonsense, what people were like, what things meant, Peter knew better than any one. It was Peter who had helped her; Peter who had lent her books. But look at the women he loved — vulgar, trivial, commonplace. Think of Peter in love — he came to see her after all these years, and what did he talk about? Himself. Horrible passion! she thought. Degrading passion! she thought, thinking of Kilman and her Elizabeth walking to the Army and Navy Stores.
Virginia Woolf (Complete Works of Virginia Woolf)
The Naked Truth When the gift-giving meaning of the body is obscured, distorted, or misrepresented, art becomes a lie. This is what happens in pornography. The body—which was created to be a free gift from one person to another—is depersonalized and reduced to an object for lust. This concern for human dignity goes against the grain of “naturalism” in art. The so-called naturalists demand the right to reproduce “everything that is human.” What others call pornography, they defend as a realistic depiction of humanity. But in the end, it is precisely this—the whole truth about man—that is lost when privacy is violated and the body is reduced to an object for lust. In order to speak of true realism in art, the full truth about man as created in the image of God must be considered. In this respect, the principles governing interpersonal relations still apply within the realm of art. The naked human body has a “language.” It expresses the spirit. When given in trust and love, the body is the basis of a communion of persons. Because the naked human body has such importance, it must be depicted with great care to preserve its meaning in art. Only within certain boundaries can the truth about the body be preserved. In film, photography, and mass media, there is a dangerous tendency to separate the body from the person. Reproduced on paper or on screen, the naked body can cease to communicate the person. It often becomes, instead, an anonymous object. Because the glory and beauty of the human body is at stake, we cannot remain indifferent to culture. We do not oppose pornography out of a narrow, puritanical idea of morality. Nor do we oppose it out of a Manichaean fear or hatred of the body, as is often asserted. The exact opposite is true. We oppose pornography out of respect for the dignity of the body.
Pope John Paul II (Theology of the Body in Simple Language)
Writers take and remake everything we see around us: we metabolize the details of our loved ones, alter time and memory, shapeshift our personal and physical differences into transformative images that, when done with care, can create a world that feels more than accurate, but real. Doing this requires that we watch and listen to one another with great attention, something we’re generally discouraged from doing lest we come off as stalkers. From the time we’re children, we’re taught it’s rude to stare, nosy to eavesdrop; you can’t just root around in other people’s journals and closets and minds. I can’t ask my colleagues what they really think and feel about their marriages or children, because that’s private, and privacy requires that I pretend to believe what both strangers and loved ones tell me. Being polite means, ironically, paying less attention to the people I want to be close to, bypassing their foibles and idiosyncrasies and quiet outrages in the name of communal goodwill. But writing requires we pay attention to others at a level that can only be classified as rude. The writer sees the button trailing by its single thread on the pastor’s shirt; she tastes the acid sting behind a mother’s compliment. To observe closely leads the writer to the radical recognition of what both binds her to and separates her from others. It will push her to hear voices she’s been taught should remain silent. Oftentimes, these voices, and these truths, reveal something equally powerful, and profoundly unsettling, about ourselves. I want to end this letter to you by proposing something that some critics and sociologists might reject out of hand, which is the possibility that White people, too, might, by paying close attention to the voices around them and inside themselves, be able to experience double consciousness. If double consciousness is in part based on the understanding of the systemic power of Whiteness, and if it is also the realization that one’s self-regard can never be divorced from the gaze of others, then the practice of double consciousness might be available to everyone, including those who constitute the majority.
Paisley Rekdal (Appropriate: A Provocation)
I still don’t see why we couldn’t sleep in that cave,” Mari said as MacRieve led her out into the night. “Because my cave’s better than their cave.” “You know, that really figures.” After the rain, the din of cicadas and frogs resounded in the underbrush all around them, forcing her to raise her voice. “Is it far?” When he shook his head, she said, “Then why do I have to hold your hand through the jungle? This path looks like a tractor busted through here.” “I went back this way while you ate to make sure everything was clear. Brought your things here, too,” he said as he steered her toward a lit cave entrance. When they crossed the threshold, wings flapped in the shadows, building to a furor before settling. Inside, a fire burned. Beside it, she saw he’d unpacked some of his things, and had made up one pallet. “Well, no one can call you a pessimist, MacRieve.” She yanked her hand from his. “Deluded fits, though.” He merely leaned back against the wall, seeming content to watch her as she explored on her own. She’d read about this part of Guatemala and knew that here limestone caverns spread out underground like a vast web. Above them a cathedral ceiling soared, with stalactites jutting down. “What’s so special about this cave?” “Mine has bats.” She breathed, “If I stick with you, I’ll have nothing but the best.” “Bats mean fewer mosquitoes. And then there’s also the bathtub for you to enjoy.” He waved her attention to an area deeper within. A subterranean stream with a sandy beach meandered through the cavern. Her eyes widened. A small pool sat off to the side, not much larger than an oversize Jacuzzi, and laid out along its edge were her toiletries, her washcloth, and her towel. Her bag—filled with all of her clean clothes—was off just to the side. Mari cried out at the sight, doubling over to yank at her bootlaces. Freed of her boots, she hopped forward on one foot then the other as she snatched off her socks. She didn’t pause until she was about to start on the button fly of her shorts. She glanced up to find him watching her with a gleam of expectation in his eyes. “You will be leaving, of course.” “Or I could help you.” “I’ve had a bit of practice bathing myself and think I can stumble my way through this.” “But you’re tired. Why no’ let me help? Now that I’ve two hands again, I’m eager to use them.” “You give me privacy or I go without.” “Verra well.” He shrugged. “I’ll leave—because your going without is no’ an option. Call me if you need me.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
... we decided to create a Nothing Place in the living room, it seemed necessary, because there are times when one needs to disappear while in the living room, and sometimes one simply wants to disappear, we made this zone slightly larger so that one of us could lie down in it, it was a rule that you never would look at that rectangle of space, it didn't exist, and when you were in it, neither did you, for a while that was enough, but only for a while, we required more rules, on our second anniversary we marked off the entire guest room as a Nothing Place, it seemed like a good idea at the time, sometimes a small patch at the foot of the bed or a rectangle in the living room isn't enough privacy, the side of the door that faced the guest room was Nothing, the side that faced the hallway was Something, the knob that connected them was neither Something nor Nothing. The walls of the hallway were Nothing, even pictures need to disappear, especially pictures, but the hallway itself was Something, the bathtub was Nothing, the bathwater was Something, the hair on our bodies was Nothing, of course, but once it collected around the drain it was Something, we were trying to make our lives easier, trying, with all of our rules, to make life effortless. But a friction began to arise between Nothing and Something, in the morning the Nothing vase cast a Something shadow, like the memory of someone you've lost, what can you say about that, at night the Nothing light from the guest room spilled under the Nothing door and stained the Something hallway, there's nothing to say. It became difficult to navigate from Something to Something without accidentally walking through Nothing, and when Something—a key, a pen, a pocketwatch—was accidentally left in a Nothing Place, it never could be retrieved, that was an unspoken rule, like nearly all of our rules have been. There came a point, a year or two ago, when our apartment was more Nothing than Something, that in itself didn't have to be a problem, it could have been a good thing, it could have saved us. We got worse. I was sitting on the sofa in the second bedroom one afternoon, thinking and thinking and thinking, when I realized I was on a Something island. "How did I get here," I wondered, surrounded by Nothing, "and how can I get back?" The longer your mother and I lived together, the more we took each other's assumptions for granted, the less was said, the more misunderstood, I'd often remember having designated a space as Nothing when she was sure we had agreed that it was Something, our unspoken agreements led to disagreements, to suffering, I started to undress right in front of her, this was just a few months ago, and she said, "Thomas! What are you doing!" and I gestured, "I thought this was Nothing," covering myself with one of my daybooks, and she said, "It's Something!" We took the blueprint of our apartment from the hallway closet and taped it to the inside of the front door, with an orange and a green marker we separated Something from Nothing. "This is Something," we decided. "This is Nothing." "Something." "Something." "Nothing." "Something." "Nothing." "Nothing." "Nothing." Everything was forever fixed, there would be only peace and happiness, it wasn't until last night, our last night together, that the inevitable question finally arose, I told her, "Something," by covering her face with my hands and then lifting them like a marriage veil. "We must be." But I knew, in the most protected part of my heart, the truth.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
The United States government has perfected a technological capability that enables us to monitor the messages that go through the air.… That capability at any time could be turned around on the American people, and no American would have any privacy left, such is the capability to monitor everything—telephone conversations, telegrams, it doesn’t matter. There would be no place to hide. —Senator Frank Church, Chair, Senate Select Committee to Study Governmental Operations with Respect to Intelligence Activities, 1975
Anonymous
Coming back to the quality of our lives during that year. The invasion of privacy became more and more oppressive, as the teachers were watching whether Jewish students were absent during Jewish holidays. I remember on Yom Kippur, in October, 1940, the teachers were especially paying attention to the attendance. Some zealous communists were even trying to find out whether anybody was fasting. That Yom Kippur was the first time I fasted, although I had to go to school. When I returned home, by 3 o'clock, my parents were in the synagogue. It was cold and rainy and I was shivering from cold, hunger and terrible disappointment with this cruel, petty regime that had no humane standards, no notion of freedom, no respect for human beings - a cruel, oppressive, invasive regime - where power was everything and human life was dirt cheap.
Pearl Fichman (Before Memories Fade)
In the privacy of my room, armed with a mirror, shaving cream, razor, and bowl of water, I sat on my floor with a towel propped under my bare ass. Leaning back against my bed with my legs wide open as if I were about to give birth, I shaved everything off. My lady parts looked like a barren desert after a massive forest fire. I saw parts of myself that had long vanished beneath pubescent growth. Suddenly, I felt sexy. There was something about going bare that made me feel sensual and touchable. But that was short lived. I was ill prepared for my skin’s reaction to the change. I completely broke out. My pussy flushed as razor bumps shot across my flesh as if I’d had an allergic reaction to my underwear. It took weeks of applying antibiotic ointment to calm my skin.
Maggie Georgiana Young (Just Another Number)
Look, I never meant to get involved with Lock and Deep in the first place and now everything is all messed up and my whole life feels out of control! I can feel their emotions filling me up until I think I’m drowning. Can you help me block them? Lock said you might be able to.” Mother L’rin shook her head. “Only with a full bond is mind privacy possible.” Kat’s heart sank. “So you’re saying in order to have any kind of peace I’d have to tie myself to them for life?” The wise woman nodded solemnly. “Bonded to them you must be.” “But I can’t be. I don’t want to be,” Kat protested. “Until you are, weak you will be.” Mother L’rin poked a finger at her. “The pain…return it will.” “It will?” Kat felt sick. Come to think of it, she hadn’t felt anything like the symptoms she’d had while she was aboard the Mother ship since she woke up. But just the thought of enduring that splitting headache again was hideous. “You must touch them—one at least. Both is better.” Mother L’rin nodded sagely. “As greater your weakness grows, the more deeply must you touch.” “You mean like a…” Kat cleared her throat. “Like a sexual touch?” “Yes, yes.” Mother L’rin nodded vigorously. “The bond it strengthens. Your pain will ease.” “But
Evangeline Anderson (Sought (Brides of the Kindred, #3))
Look, I never meant to get involved with Lock and Deep in the first place and now everything is all messed up and my whole life feels out of control! I can feel their emotions filling me up until I think I’m drowning. Can you help me block them? Lock said you might be able to.” Mother L’rin shook her head. “Only with a full bond is mind privacy possible.” Kat’s heart sank. “So you’re saying in order to have any kind of peace I’d have to tie myself to them for life?” The wise woman nodded solemnly. “Bonded to them you must be.” “But I can’t be. I don’t want to be,” Kat protested. “Until you are, weak you will be.” Mother L’rin poked a finger at her. “The pain…return it will.” “It will?” Kat felt sick. Come to think of it, she hadn’t felt anything like the symptoms she’d had while she was aboard the Mother ship since she woke up. But just the thought of enduring that splitting headache again was hideous. “You must touch them—one at least. Both is better.” Mother L’rin nodded sagely. “As greater your weakness grows, the more deeply must you touch.” “You mean like a…” Kat cleared her throat. “Like a sexual touch?” “Yes, yes.” Mother L’rin nodded vigorously. “The bond it strengthens. Your pain will ease.” “But I don’t want to be bonded to them,” Kat said, feeling like a broken record.
Evangeline Anderson (Sought (Brides of the Kindred, #3))
Would you like something to eat?" "No." "A little water to drink, then?" "I do not want anything." "But you must be hungry . . . thirsty . . ." "Please, child.  Just leave me alone." He needed to grieve in privacy, to try to come to terms with what had happened to him, to think what to do next.  He needed to contact his commanding officer, Lieutenant Colonel Maddison; he needed to get a letter off to Lucien in England; and oh, God, he needed Juliet.  Badly.  He dug his knuckles into his eyes to stop the sudden threat of tears.  Oh, so very, very badly — He wiped a hand over his face, and as he did, his elbow hit a tankard the girl, who was getting to her feet, was holding, sloshing its contents all down his chin and neck. Charles's temper, normally under as tight a control as everything else about him, exploded. "Plague take it, woman, just leave me the devil alone!  I am in torment enough without someone trying to nanny me!" "I'm only trying to help —" "Then go away and leave me be, damn you!" he roared, plowing his fingers into his hair and gathering great hunks of it in his fists.  "Go away, go away, go away!" Stunned silence.  And then he heard her get to her feet. "I'm sorry, Captain de Montforte.  I should have realized that you'd need time to come to terms with what's happened to you."  A pause.  "I'll leave this jug of hard cider next to you in case you get thirsty.  It's not as potent as rum, but maybe it'll let you escape from your troubles for a while."  Her voice had lost its sparkle, and Charles knew then — much to his own dismay and self-loathing — that she was a sensitive little thing beneath that cheerfulness, and that he'd hurt her feelings.  He suddenly felt like a monster, especially when her voice faltered and she said, "I'll be just across the room, peeling vegetables for supper . . . if you need anything, just call and I'll be right there." She
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
We didn’t know what to do. It was as though we were being hunted. Steve went off to the back block of the zoo to try to get his head around everything that had been happening. He built a fire and gazed into it. I didn’t have to think about it. I knew beyond certainty that the most important part of Steve’s life was his family. His children meant everything to him. All of a sudden, my wonderful, sharing, protective husband was being condemned. His crime was sharing wildlife experiences with Robert, exactly as he had done for the last five and a half years with Bindi. The media circus escalated. Helicopters hovered over the zoo, trying to snag any glimpse of the crazy Irwin family. Steve erected shade cloth around our yard for privacy. We soon realized we couldn’t go anywhere. There would be no visits to the zoo, no answering the phone, no doing croc shows. The criticism and the spin continued. I stood by Steve’s side and watched his heart break. I couldn’t believe the mean-spirited, petty, awful people in the world. Editors manipulated film footage, trying to make the croc look bigger or closer to Robert than it actually was. What possible end could that serve? I have seen Tasmanian devils battle over a carcass. I have seen lionesses crowding a kill, dingoes on the trail of a feral piglet, an adult croc thrashing its prey to pieces. But never, in all the animal world, have I witnessed anything to match the casual cruelty of the human being. It was about to get worse. We stepped off a very dark cliff indeed.
Terri Irwin (Steve & Me)
Islam does not subscribe to the type of asceticism where we purify our hearts and yet remain immersed in political, economic or social corruption. Tazkiya must encompass our entire life – the privacy of our thoughts as well as their social manifestations in our daily life. Everything must be in conformity with Allah’s will.
Khurram Murad (In The Early Hours: Reflections on Spiritual and Self Development)
I don’t want to pry into the backstories of others with a crowbar and a meat hook. What’s happened to privacy anymore? Nothing is private. Everything is knowable. The
Eva Lesko Natiello (The Memory Box)
In 2013, Theorist José Medina coined the melodramatic term hermeneutical death, which describes a failure to be understood so profound as to destroy the person’s sense of self. At the opposite end of this spectrum is the concept of hermeneutical privacy, which describes the right not to be understandable at all.12 So, marginalized people can be oppressed to the point of psychic death by not being understood, but their right to be completely incomprehensible should also be respected. Negotiating this minefield must be very difficult for the well-meaning individual determined not to oppress anybody.
Helen Pluckrose (Cynical Theories: How Activist Scholarship Made Everything about Race, Gender, and Identity—and Why This Harms Everybody)
I did this partially because Matthew is the kind of person for whom the internet is simply a utility: a font of information and nothing more. He has the supernatural ability to look at his phone only when he needs to, and the idea of posting something about his life on the internet in a way that strangers can view is a concept he cannot grasp. So yes, I was partially trying to respect his privacy, but I was mostly trying to protect myself. From the judgment of others, which was primarily just a projection of my own self-judgment. There was a version of me that thought loving another person would somehow diminish the love I still felt for Aaron. A version of me that thought that if I was happy, I must not be sad anymore, and if I wasn’t sad anymore, then I guess I didn’t love Aaron as much as I said I did. Or maybe that my new happiness was ill-gotten, a well-made fake, something I swiped off the back of a truck when nobody was looking. This is what life looks like when you water the seeds of joy with guilt and shame. It feels as good as it sounds. When bad things happen to you—a death, an illness, a divorce, a job loss—you quickly go from being a person to being just a sad story. I know from experience that nobody wants to be a sad story, and that no matter what you’ve been through, your story is always so much more than just sad. And your happy stories are more than just happy. Obviously, everything is more complicated than it appears on Instagram. But it is incredibly difficult to live with complicated. It is even more difficult for other people to deal with complicated.
Nora McInerny (No Happy Endings: A Memoir)
Having said that, not everything needs to be regulated. As argued by Lisa Quest and Anthony Charrie in MIT Sloan Management Review,1 regulation should focus on three overarching objectives and be proportionate to the level of risk: Safety: protecting individuals and societies, such as governments mandating air bags, or the use of the seat belts, but not the size or form of cars Competition: ensuring that there is healthy competition and a real chance for innovation to flourish, principles that are at the core of the capitalist model upon which today's Western world is based Privacy: establishing understandable and consistent parameters for data privacy and monetization
Maelle Gavet (Trampled by Unicorns: Big Tech's Empathy Problem and How to Fix It)
I think these things are very much worth fighting, but I've always expected the government and society at large to try to hurt me. By definition and action they stand against everything I believe in: joy, freedom, self-expression, nurturance, and care for each other and the earth.
Jiz Lee (Coming Out Like a Porn Star: Essays on Pornography, Protection, and Privacy)
Can you describe for me the tastes that you experienced as you said those words?" "Certainly. Mashed peas, dried apples, wine gum, weak tea, butter unsalted, Walkers crisps..."Mr. Roland replied. What I was experiencing at that moment wasn't an out-of-body experience. It was an in-another-body experience. Everything but this man and me had faded into darkness. He and I were at the two ends of a brightly lit tunnel. We were point A and point B. The tunnel was the most direct, straight-line route between the two points. I had never experienced recognition in this pure, undiluted form. It was a mirroring. It was a fact. It was a cord pulled taut between us. Most of all, it was no longer a secret. I don't remember getting up, but I must have. I do remember kneeling in front of the TV. I touched the image of Mr. Roland's face as his words jumped, swerved, coalesced, attacked, and revealed. As the interview continued, he became more comfortable with the interviewer, and his facial tics and rapid blinking lessened. He masked what he couldn't control by taking long sips from a glass of water (or perhaps the clear liquid was gin). He also turned his head slightly and coughed into his left hand, which provided him with a second or two of privacy. It soon became clear to Mr. Roland and to me that the interviewer wanted him to perform for the camera. After each question-and-answer exchange, the interviewer would ask him for the tastes of her words and then his. Mr. Roland was oddly obliging, much more so than I would have been in his position. I soon realized that his pool of experiential flavors, in other words his actual food intake, was very British and that he didn't venture far from home for his gastronomical needs. "Curry fries" was the most unusual taste that this piano tuner from Manchester listed. The word "employment" triggered it, he told the interviewer. I said "employment" aloud and tasted olives from a can, which meant I tasted more can than olives. I felt more than a tinge of envy.
Monique Truong (Bitter in the Mouth)
Although the legal issues surrounding “Dumpster diving” can be murky, and often depend on where garbage is situated and how it is secured, the Beckett Brown men operated on the assumption that everything they did was legal, since people discarding trash for public collection have abandoned the presumption of privacy for material.
Eamon Javers (Broker, Trader, Lawyer, Spy: The Secret World of Corporate Espionage)
Not everything needs to be shared on our Facebook. Not everything needs to be shared in our lives. Just stop and Indulge yourself with healthy, positive moments and secrets. Just because it is not uploaded on Facebook doesn't mean it's not true nor is it always true cause it's on there. A healthy secret can be a beautiful thing between people and privacy is something we owe to ourselves.
Cliff Hannold
Private -' I said. 'I've been living alone so long, everything about me's private. I'm surprised anyone's able to understand a word I say.
Kurt Vonnegut Jr. (Mother Night)
Why should everything that happens be the entire world's business?
Philip Wyeth (Reparations Maze (Reparations, #4))
A man who loses his privacy loses everything, Sabina thought. And a man who gives it up of his own free will is a monster.
Milan Kundera (The Unbearable Lightness of Being)
Two hundred million people signed on to a microblogging platform that helped them feel close to celebrities and other strangers they’d loathe in real life. Artificial intelligence and virtual reality were coming into vogue, again. Self-driving cars were considered inevitable. Everything was moving to mobile. Everything was up in the cloud. The cloud was an unmarked data center in the middle of Texas or Cork or Bavaria, but nobody cared. Everyone trusted it anyway.
Anna Wiener (Uncanny Valley)
My fiction is not autobiography. I am not an exhibitionist. I do not show myself. I am not asking for forgiveness. I do not want to confess. But I have used everything I know—my life—to show what I believe must be shown so that it can be faced. The imperative at the heart of my writing—what must be done—comes directly from my life. But I do not show my life directly, in full view; nor even look at it while others watch.
Andrea Dworkin (Life and Death)
In the very beginning of her life, the girl-child has direct access to the spirit of life. It is as near to her as the breath that fills her. And it connects her to everything. She is not alone. Her spirit is one with the spirit of her beloved grandmother, her favorite rock, tree, and star. She develops her own methods for contacting the spirit in all things. She climbs a tree and sits in its branches, listening. She loves the woods and listens there too. She has a special friend—a rock. She gives it a name and eats her lunch with it whenever she can. She keeps the window open next to her bed even on the coldest of nights. She loves the fresh air on her face. She pulls the covers tight around her chin and listens to the mysterious night sky. She believes that her grandmother is present even though everyone else says she is dead. Each night, she drapes the curtain over her shoulders for privacy, looks out the window near her bed, listens for Grandma and then says silent prayers to her. Her imagination is free for a time. She does not need priest or teacher to describe god to her. Spirit erupts spontaneously in colorful and unique expressions. God is Grandma, the twinkling evening star, the gentle breeze that washes across her face, the peaceful quiet darkness after everyone has fallen asleep, and all the colors of the rainbow. And because she is a girl, her experience and expression of spirit is uniquely feminine. The spirit of the universe pulsates through her. She is full of herself.
Patricia Lynn Reilly (A Deeper Wisdom: The 12 Steps from a Woman's Perspective)
What in God’s name was he doing? It would have been insane enough to kiss her in the privacy of the house, let alone out here in freaking public. He pulled away from her, but God, it was quite possibly one of the hardest things he’d ever done. “I’m sorry,” he managed to say. Sorry that he had to stop. Sorry that he couldn’t take off her clothes and get it going with her right then and there. He wisely let her make her own interpretation. “No,” she said. “I . . . I’m . . .” She looked as confused as he felt. How could they both have had such bad lapses in judgment at exactly the same moment? “Bad timing,” he said. Bad timing, bad thinking, bad call, bad everything but sex. Good sex. If they had been able to keep going it would have been very, very, very good sex. Except afterward, all of the collective bads would’ve reared up and bit him on the ass. He was on the job, for christsake. He was supposed to protect Alessandra, and last time he checked, there was nothing in the rule book that talked about doing that with any amount of efficiency while in a horizontal positon, without any clothes on.
Suzanne Brockmann (Bodyguard)
Money changes everything. In Billionaires, a book by political scientist Darrell West, one member of the three-comma club brought up his “get-a-senator” strategy—a handy tactic, given that a lone senator can block objectionable legislation or pull strings on a favored donor’s behalf. West recalls how Senator Rand Paul held up Senate action for years on a treaty that would have forced Swiss banks to reveal the names of twenty-two thousand wealthy Americans who had assets stashed in overseas accounts, presumably to evade taxes. (An invasion of privacy, Paul insisted.) In another case, a billionaire hedge fund manager persuaded Democratic senator Edward Markey to write a letter to the SEC calling for an investigation of Herbalife, a multilevel marketing company the financier suspected of fraud, and whose stock he also happened to be short-selling. The effort paid off. After Markey’s letter was made public, Herbalife’s share price plummeted 14 percent.
Michael Mechanic (Jackpot: How the Super-Rich Really Live—and How Their Wealth Harms Us All)
No one's ever had this effect on me before. I feel ten times more alive." She laughed self-consciously. "Does that sound silly?" "Not at all. I understand. Your mother had the same effect on me." "Did she?" The earl let out a gravelly chuckle as he thought back to those days. "She was a fearless, free-spirited beauty with all the self-restraint of an unbroken horse. I knew she wasn't to the only life I could offer her. But I was mesmerized by her. I loved her enthusiasm and warmth, and everything that made her different from me. I thought if we were both willing to take a chance on each other, we might have a good marriage. It's turned out to be an extraordinary one." "No regrets, then?" Merritt dared to ask. "Even in the privacy of your own thoughts?" "Never," he said promptly. "Without Lillian, I would never have known true happiness. I don't hold with the common wisdom that a couple must have the same tastes and backgrounds. Married life would be dull indeed without some friction: one can't light a match without it." Merritt smiled. "I adore you, Papa. You've made it nearly impossible for me to find a man who doesn't suffer in comparison to you.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
I remember the time on the school bus back before anyone could drive, Jenny bet me a dollar, to put my hand down her jeans to prove she wears thong undies. Saying that I am such a baby, for not knowing, that’s how that all started, she felt like she had to teach me everything. Anyways back then I was still where Mickey Mouse Briefs and did even think about what was underneath. She beat me to feel that she was not a virgin, that she was all open and smooth, unlike me at the time. I didn’t even shave my legs yet. So, I did, I went for it. The rush here was touching a girl inappropriately, with everyone looking, and hoping the driver didn’t see. I’ll never forget Danny Hover looking over the site with Andrea Doeskin smelling, like little perv’s, and Shy saying- ‘Oh my God’- snickering at the fact, from the set accordingly. Yeah, it’s that kind of rush I get, over and over being with them. Just like Jenny got Liv fixed up with Dilco, it’s all about the rush in the end. Jenny can be a hell of a lot of fun, and it’s that fun that keeps me coming back for more, the same way Liv and Maddie do, and other girls keep trying to be like us, it’s all about the craziness. I don’t know why but when I am with them- I want to be so naughty! I remember Marcel smacking my butt, just to be cute, every time he would see me in the hallways of a school. -Yeah, he’s weird, but I couldn’t stop thinking about him as I was- well… doing me. Yet Ray’s photo was looking at me on my nightstand. ~*~ In my bed, I snap the bright light off when I hear my little sis coming down the hall, everyone goes back to being fuzzy, like I’m not looking at my room but only at a blurry photo of my room that was taken with a shaky hand incorrectly and nothing match up with the real thing. My sis went into the bathroom next door to tinkle, so I snapped on my nightlight, and then that light modifies everything, so it looks somewhat ordinary again. If my sis sees my light on from the crack at the bottom of my door, she will come bursting in. I have learned to keep it as dark as I can when I hear her coming run down the hallway. I love her, yet I want my privacy. All at once it comes back to me, like a hangover rush all my blood starts going back up into my head: the party, my sis getting laid, the argument with Ray, falling to Marcel, all the sex, all the drinking, and drugs, it’s all thumping hard in my brain, like my covered button was a few moments ago, on cam. I am still lying here uncovered, with everything still out in the open. ‘Kellie!’ My door swings open, hammering the door handle against my wall, and sis comes bolting across my room, jumping in my bed, pacing over my textbook's notebooks, love notes, and pills of dirty tops and bottoms and discarded jeans, I panic thinking my Victoria’s Secret Heritage Pink nighty way over there on the floor, where I thought it off and left it the night before. Yet it’s not liked my sis has not seen me naked before… but is wired when this happens. Something is not right, something seems very wrong and oggie; something skirts the edges of my memory, but then it is gone as my head pounds and sis is bouncing on my bed on top of me, throwing her arms and legs around my nude torso. Saying- ‘So what are you going to show me today?’ I am thinking to myself- girl you already got it down, doing what you’re doing now, I don’t need to teach you anything. Kellie- she is so hot… (Oh God not in that way, she’s- my sis.) She is like a little furnace with her worth coming from her tiny body. It’s not too long before her nighty rides up, and I can see it all in my face like she wants to be just like me, and then she starts asking her questions.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)