Printer Quotes

If all printers were determined not to print anything till they were sure it would offend nobody, there would be very little printed.

My children were all made from paper and printer's ink...

I call it Andskoti, the Adversary. It is woven with the most powerful paradoxes in the Nine Worlds—Wi-Fi with no lag, a politician’s sincerity, a printer that prints, healthy deep-fried food, and an interesting grammar lecture!

Printer's ink has been running a race against gunpowder these many, many years. Ink is handicapped, in a way, because you can blow up a man with gunpowder in half a second, while it may take twenty years to blow him up with a book. But the gunpowder destroys itself along with its victim, while a book can keep on exploding for centuries.

If the king could make a throne seem like a stool fit for a printer's apprentice, the queen could make a rumpled bedspread into a throne.

The world has been printing books for 450 years, and yet gunpowder still has a wider circulation. Never mind! Printer's ink is the greater explosive: it will win.

It is woven with the most powerful paradoxes in the Nine Worlds—Wi-Fi with no lag, a politician’s sincerity, a printer that prints, healthy deep-fried food, and an interesting grammar lecture!

His hand rested on my hair, and without knowing quite how it happened, I found myself curled against him, my head just fitting in the hollow of his shoulder. For so many years," he said, "for so long, I have been so many things, so many different men." I felt him swallow, and he shifted slightly, the linen of his nightshirt rustling with starch. I was Uncle to Jenny's children, and Brother to her and Ian. 'Milord' to Fergus, and 'Sir' to my tenants. 'Mac Dubh' to the men of Ardsmuir and 'MacKenzie' to the other servants at Helwater. 'Malcolm the printer,' then, and 'Jamie Roy' at the docks." The hand stroked my hair, slowly, with a whispering sound like the wind outside. "But here," he said, so softly I could barely hear him, "here in the dark, with you...I have no name.

From now on start asking yourself WHY you feel a certain way, WHAT made you perform a certain action, and HOW you could do things differently. The information you discover is powerful because it helps you to discover patterns and in turn use your mind productively and efficiently. After all, your mind is your most powerful tool, but it’s not useful if you don’t know how to use it. It’s like trying to fix a printer with a stapler: it doesn’t work. Trust me, I’ve tried.

In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles.

I’m sure people did question whether Italian printers were quite the right people to legislate on the meaning of everything; but on the other hand, resistance was obviously useless against a family that could invent italics.

It’s handwritten,” Freddy whispered. “What is?” He pointed at the sheets of paper Coop held. Glancing down, Coop shook his head. “No, buddy. This is from a printer. It’s been typed.” “No. It hasn’t. Me, Denny, and the twins watched him do it for like an hour. He wrote out each one. By hand. We had to leave when Zoe began to cry. She was completely freaked out.” Freddy leaned in a little bit more and again whispered, “I think if she’d stayed any longer, she would have stabbed him to death. And I don’t think the rest of us would have tried to stop her.

American dream, a spouse, a brace of children, cuddly pets, coffee-table books, rusted skeleton keys, plastic cauliflower bags, business cards of business-card printers, a mound of used airmail envelopes. Old house on moving day, all echoes and loneliness.

(by the way . . . I realize I switch from present to past tense, and if you don't like it . . . ram a nipple up your scrotum. -printer: leave this in.)

It is woven with the most powerful paradoxes in the Nine Worlds - Wi-Fi with no lag, a politician's sincerity, a printer that prints, healthy deep fried food, and an interesting grammar lecture!' 'Okay, yeah,' I admitted. 'Those things don't exist.

George looked around the office. Five dirty and chipped desks, one with a missing leg held upright with a stack of out-of-date telephone books, a two-year out-of-date calendar, a filing cabinet overflowing with case notes, four chairs all with tears in the fabric, and a printer that hadn’t worked since, well since ever – having no print cartridges was obviously an issue.

The true artist will let his wife starve, his children go barefoot, his mother drudge for his living at seventy, sooner than work at anything but his art. To women he is half vivisector, half vampire. He gets into intimate relations with them to study them, to strip the mask of convention from them, to surprise their inmost secrets, knowing that they have the power to rouse his deepest creative energies, to rescue him from his cold reason, to make him see visions and dream dreams, to inspire him, as he calls it. He persuades women that they may do this for their own purpose whilst he really means them to do it for his. He steals the mother’s milk and blackens it to make printer’s ink to scoff at her and glorify ideal women with. He pretends to spare her the pangs of child-bearing so that he may have for himself the tenderness and fostering that belong of right to her children. Since marriage began, the great artist has been known as a bad husband. But he is worse: he is a child-robber, a blood-sucker, a hypocrite, and a cheat. Perish the race and wither a thousand women if only the sacrifice of them enable him to act Hamlet better, to paint a finer picture, to write a deeper poem, a greater play, a profounder philosophy! For mark you, Tavy, the artist’s work is to shew us ourselves as we really are. Our minds are nothing but this knowledge of ourselves; and he who adds a jot to such knowledge creates new mind as surely as any woman creates new men. In the rage of that creation he is as ruthless as the woman, as dangerous to her as she to him, and as horribly fascinating. Of all human struggles there is none so treacherous and remorseless as the struggle between the artist man and the mother woman. Which shall use up the other? that is the issue between them. And it is all the deadlier because, in your romanticist cant, they love one another.

Find a printer paper and imagine a full-grown bird shaped something like a football with legs standing on it. Imagine 33,000 of these rectangles in a grid. (Broilers are never in cages, and never on multiple levels.) Now enclose the grid with windowless walls and put a ceiling on top. Run in automated (drug-laced) feed, water, heating, and ventilation systems. This is a farm.

Heaven and earth. Our reason has driven all away. Alone at last, we end up by ruling over a desert. What imagination could we have left for that higher equilibrium in which nature balanced history, beauty, virtue, and which applied the music of numbers even to blood-tragedy? We turn our backs on nature; we are ashamed of beauty. Our wretched tragedies have a smell of the office clinging to them, and the blood that trickles from them is the color of printer’s ink.

I tell myself not to feel sexually threatened. I am of no special interest; he could just as easily be angling for the printer.

My printer printed off blank pages. Is my printer out of ink, or do I just have nothing to say?

The connection between authors, printers, and booksellers must be kept up.

Brooks, do you need me to explain how printers work? ’Cause twerking isn’t usually required

THE BODY of BENJAMIN FRANKLIN Printer like the cover of an old book, its contents torn out, and stripped of its lettering and gilding lies here, food for worms; Yet the work itself shall not be lost, For it will (as he believed) appear once more, in a new, and more beautiful edition, corrected and amended By The AUTHOR

...DAMNATION!' No device of the printer's art, not even capital letters, can indicate the intensity of that shriek of rage. Emerson is known to his Egyptian workers by the admiring sobriquet of Father of Curses. The volume as well as the content of his remarks earned him the title; but this shout was extraordinary even by Emerson's standards, so much so that the cat Bastet, who had become more or less accustomed to him, started violently, and fell with a splash into the bathtub. The scene that followed is best not described in detail. My efforts to rescue the thrashing feline were met with hysterical resistance; water surged over the edge of the tub and onto the floor; Emerson rushed to the rescue; Bastet emerged in one mighty leap, like a whale broaching, and fled -- cursing, spitting, and streaming water. She and Emerson met in the doorway of the bathroom. The ensuing silence was broken by the quavering voice of the safragi, the servant on duty outside our room, inquiring if we required his assistance. Emerson, seated on the floor in a puddle of soapy water, took a long breath. Two of the buttons popped off his shirt and splashed into the water. In a voice of exquisite calm he reassured the servant, and then transferred his bulging stare to me. I trust you are not injured, Peabody. Those scratches...' The bleeding has almost stopped, Emerson. It was not Bastet's fault.' It was mine, I suppose,' Emerson said mildly. Now, my dear, I did not say that. Are you going to get up from the floor?' No,' said Emerson. He was still holding the newspaper. Slowly and deliberately he separated the soggy pages, searching for the item that had occasioned his outburst. In the silence I heard Bastet, who had retreated under the bed, carrying on a mumbling, profane monologue. (If you ask how I knew it was profane, I presume you have never owned a cat.)

Perhaps she was more like him than he’d thought: Her home, too, had consisted of paper and printer’s ink. She probably felt as lost as he did in the real world.

The body of B. Franklin, Printer; Like the cover of an old book (it's contents torn out, and stript of its lettering and guilding), lies here, food for worms But the work shall not be wholly lost, for it will (as he believed) appear once more, in a new and more perfect edition, corrected and amended, by the Author.

This dead man is bound up with my life, therefore I must do everything, promise everything in order to save myself; I swear blindly that I mean to live only for his sake and his family, with wet lips I try to placate him--and deep down in me lies the hope that I may buy myself off in this way and perhaps even get out of this; it is a little stratagem: if only I am allowed to escape, then I will see to it. So I open the book and read slowly:--Gerard Duval, compositor. With the dead man's pencil write the address on an envelope, then swiftly thrust everything back into his tunic. I have killed the printer, Gerard Duval. I must be a printer, I think confusedly, be a printer, printer...

Printers are educated in the belief that when men differ in opinion, both sides ought equally to have the advantage of being heard by the public; and that when Truth and Error have fair play, the former is always an overmatch for the latter.

Universe is like a printer. It can give you a hard copy of anything you believe. Having a hard copy doesn't mean that your belief is the only truth. There is no point in fighting over beliefs. Print something beautiful with this magical printer.

Franklin ended his “Apology for Printers” with a fable about a father and son traveling with a donkey. When the father rode and made his son walk, they were criticized by those they met; likewise, they were criticized when the son rode and made the father walk, or when they both rode the donkey, or when neither did. So finally, they decided to throw the donkey off a bridge. The moral, according to Franklin, was that it is foolish to try to avoid all criticism. Despite his “despair of pleasing everybody,” Franklin concluded, “I shall not burn my press or melt my letters.”16

Junior huffed. "The point is, this rope is even better! I call it Andskoti. It is woven with the most powerful paradoxes in the Nine Worlds-.Wi-Fi with no lag, a politician's sincerity, a printer that prints, health deep-fried food, and an interesting grammar lecture!

with the rise of AI, robots, and 3-D printers, cheap unskilled labor will become far less important

for a typical inkjet printer, the real-life cost of ink ran from 5 cents per page for black-and-white to around 30 cents per page for photos.

Most critics agree with the seventeenth-century printer who gave them to the world, that the Mutabilitie Cantos seem to be part of some following book of The Faerie Queene.

Perhaps she was more like him than he'd thought: her home, too, had consisted of paper and printer's ink. She probably felt as lost as he did in the real world.

It looked like the lager beauties sometimes did, a careless printer and a misaligned screen, and suddenly the woman was no longer whole, just a mess of different layers.

The 3-D printers of the future might be able to re-create the delicate tissues that constitute functioning organs or the machine parts necessary to make a self-replicating robot.

I only suffer a few hiccups, mainly with the printer because they’re all bastards and will likely lead the technological charge in the eventual war against humans

Naval heroes are seldom immodest, but soldiers quite often are. It is said of one gallant general that publication of his book was delayed because the printer ran out of capital I's.

These Bibles included the Unrighteous Bible, so called from a printer’s error which caused it to proclaim, in I Corinthians, “Know ye not that the unrighteous shall inherit the Kingdom of God?”; and the Wicked Bible, printed by Barker and Lucas in 1632, in which the word not was omitted from the seventh commandment, making it “Thou shalt commit Adultery.” There were the Discharge Bible, the Treacle Bible, the Standing Fishes Bible, the Charing Cross Bible and the rest.

The tale of the Surgeon's Daughter formed part of the second series of Chronicles of the Canongate, published in 1827; but has been separated from the stories of the Highland Widow, &c., which it originally accompanied, and deferred to the close of this collection, for reasons which printers and publishers will understand, and which would hardly interest the general reader. The Author

If the government controls, guarantees, channels, or directs investment, it is not capitalism. Pivotal to the investment process is interest rates. For entrepreneurs to control capital, interest rates must reflect its real cost rather than merely the cost of printing money. Otherwise the money printers will dominate investment.

If you'd cured Henry the Seventh's TB with a course of ethambutol, or given Isaac Newton an hour's access to the Hubble telescope, or shown an off-the-shelf 3-D printer to the regulars at the Captain Marlow in the 1980s, you would have had the M-word thrown your way, too. Some magic is merely normality that you're not yet used to.

3d printers use less material, labor and energy yet they're more effective than substractive manufacturing machines. At full potential and systems scale, they achieve greater results in less time. When something does more with less, it's a good investment. And when that's employed on a systems level, theres a multiplicative benefit effect.

It seemed that the printers of the African maps had a slightly malicious habit of including, in large letters, the names of towns, junctions, and villages which, while most of them did exist in fact, as a group of thatched huts may exist or a water hole, they were usually so inconsequential as completely to escape discovery from the cockpit.

It is woven with the most powerful paradoxes in the Nine Worlds—Wi-Fi with no lag, a politician’s sincerity, a printer that prints, healthy deep-fried food, and an interesting grammar lecture!” “Okay, yeah,” I admitted. “Those things don’t exist.

Carl Degler says (Out of Our Past): “No new social class came to power through the door of the American revolution. The men who engineered the revolt were largely members of the colonial ruling class.” George Washington was the richest man in America. John Hancock was a prosperous Boston merchant. Benjamin Franklin was a wealthy printer. And so on. On the other hand, town mechanics, laborers, and seamen, as well as small farmers, were swept into “the people” by the rhetoric of the Revolution, by the camaraderie of military service, by the distribution of some land. Thus was created a substantial body of support, a national consensus, something that, even with the exclusion of ignored and oppressed people, could be called “America.

Independence isn't all it's cracked up to be, you know. What country could be more independent than Russia? And in Russia now there isn't a squeak or a pinpoint of light. I have nowhere to publish. The Contemporary has stuck its head up out of harm's way. So I've stopped quarrelling with the world. I sat in this chair the first morning I woke up in this house ... and for the first time ... for a long time, there was silence. I didn't have to talk or think or move, nothing was expected of me, I knew nobody and nobody knew where i was, everything was behind me, all the moving from place to place, the quarrels and celebrations, the desperate concerns of health and happiness, love, death, printer's errors, picnics ruined by rain, the endless tumult of life ... and I just sat quiet and alone all day, looking at the tops of trees on Primrose Hill through the mist.

This daily headache in the opaque air of this tombal jail is disturbing, but I must persevere. Have written more than a hundred pages and not got anywhere yet. My Calender is getting confused. That must have been around August 15, 1947. Don't think I can go on. Heart, head--everything. Lolita, Lolita, Lolita, Lolita, Lolita, Lolita, Lolita, Lolita, Lolita. Repeat til page is full, printer.

Books seem to me to be pestilent things, and infect all that trade in them … with something very perverse and brutal. Printers, binders, sellers, and others that make a trade and gain out of them have universally so odd a turn and corruption of mind, that they have a way of dealing peculiar to themselves, and not conformed to the good of society, and that general fairness that cements mankind.

A poem is a fictional, verbally inventive moral statement in which it is the author, rather than the printer or word processor, who decides where the lines should end. This dreary-sounding definition, unpoetic to a fault, may well turn out to be the best we can do.

We are type designers, punch cutters, wood cutters, type founders, compositors, printers, and book binders from conviction and with passion, not because we are insufficiently talented for other higher things, but because for us the highest things stand in close kinship to those ends

I care not how humble your bookshelf may be, nor how lowly the room which it adorns. Close the door of that room behind you, shut off with it all the cares of the outer world, plunge back into the soothing company of the great dead, and then you are through the magic portal into that fair land whither worry and vexation can follow you no more. You have left all that is vulgar and all that is sordid behind you. There stand your noble, silent comrades, waiting in their ranks. Pass your eye down their files. Choose your man. And then you have but to hold up your hand to him and away you go together into dreamland. Surely there would be something eerie about a line of books were it not that familiarity has deadened our sense of it. Each is a mummified soul embalmed in cere-cloth and natron of leather and printer's ink. Each cover of a true book enfolds the concentrated essence of a man. The personalities of the writers have faded into the thinnest shadows, as their bodies into impalpable dust, yet here are their very spirits at your command.

its paradox ingredients gave it great strength. This rope is the same, only better!” “Paradox ingredients?” Blitz held up the end of the rope and whistled appreciatively. “He means things that aren’t supposed to exist. Paradox ingredients are very difficult to craft with, very dangerous. Gleipnir contained the footfall of a cat, the spittle of a bird, the breath of a fish, the beard of a woman.” “Dunno if that last one is a paradox,” I said. “Crazy Alice in Chinatown has a pretty good beard.” Junior huffed. “The point is, this rope is even better! I call it Andskoti, the Adversary. It is woven with the most powerful paradoxes in the Nine Worlds—Wi-Fi with no lag, a politician’s sincerity, a printer that prints, healthy deep-fried food, and an interesting grammar lecture!

This man, this Casimir, which is the name of the young man in question - and it should have told me something, a dirty translation of it means "destroyer of peace" - was nothing to me, a single blip in the Morse code of my life, something too brief to read. He was a phoneme, a dangling modifier, a printer's orphan.

In our own day anonymity has acquired a far more pregnant significance than is perhaps realized: it has an almost epigrammatic significance. People not only write anonymously, they sign their anonymous works: they even talk anonymously...Nowadays one can talk with any one, and it must be admitted that people's opinions are exceedingly sensible, yet the conversation leaves one with the impression of having talked to an anonymity. The same person will say the most contradictory things and, with the utmost calm, make a remark, which coming from him is a bitter satire on his own life. The remark itself may be sensible enough, and of the kind that sounds well at a meeting, and may serve in a discussion preliminary to coming to a decision, in much the same way that paper is made out of rags. But all these opinions put together do not make one human, personal opinion such as you may hear from quite a simple man who talks about very little but really does talk. People's remarks are so objective, so all all-inclusive, that it is a matter of complete indifference who expresses them, and where human speech is concerned that is the same as acting 'on principle'. And so our talk becomes like the public, a pure abstraction. There is no longer any one who knows how to talk, and instead, objective thought produces an atmosphere, an abstract sound, which makes human speech superfluous, just as machinery makes man superfluous. In Germany they even have phrase-books for the use of lovers, and it will end with lovers sitting together talking anonymously. In fact there are hand-books for everything, and very soon education, all the world over, will consist in learning a greater or lesser number of comments by heart, and people will excel according to their capacity for singling out the various facts like a printer singling out the letters, but completely ignorant of the meaning of anything.

He understands the texture and meaning of the visible universe, and 'sees into the life of things,' not by the help of mechanical instruments, but of the improved exercise of his faculties, and an intimate sympathy with Nature. The meanest thing is not lost upon him, for he looks at it with an eye to itself, not merely to his own vanity or interest, or the opinion of the world. Even where there is neither beauty nor use—if that ever were—still there is truth, and a sufficient source of gratification in the indulgence of curiosity and activity of mind. The humblest printer is a true scholar; and the best of scholars - the scholar of Nature.

You think you are reading proof, whereas you are merely reading your own mind; your statement of the thing is full of holes & vacancies but you don't know it, because you are filling them from your mind as you go along. Sometimes--but not often enough--the printer's proof-reader saves you--& offends you--with this cold sign in the margin: (?) & you search the passage & find that the insulter is right--it doesn't say what you thought it did: the gas-fixtures are there, but you didn't light the jets

Mrs. Watanabe loved hand painting, quilting, and the discipline of woven textiles, but she worried these techniques were a dying art. “Computers make everything too easy,” she said with a sigh. “People design very quickly on a monitor, and they print on some enormous industrial printer in a warehouse in a distant country, and the designer hasn’t touched a piece of fabric at any point in the process or gotten her hands dirty with ink. Computers are great for experimentation, but they’re bad for deep thinking.

Carl Degler says (Out of Our Past): “No new social class came to power through the door of the American revolution. The men who engineered the revolt were largely members of the colonial ruling class.” George Washington was the richest man in America. John Hancock was a prosperous Boston merchant. Benjamin Franklin was a wealthy printer. And so on.

She was a defective child-bearing machine. She destroyed herself automatically while giving birth to Dwayne. The printer disappeared. He was a disappearing machine.

A customer at 11.15 a.m. asked for a copy of Far from the Maddening Crowd. In spite of several attempts to explain that the book's title is actually Far from the Madding Crowd, he resolutely refused to accept that this was the case, even when the overwhelming evidence of a copy of it was placed on the counter under this nose: 'Well, the printers have got that wrong.' Despite the infuriating nature of this exchange, I ought to be grateful: he has given me an idea for the title of my autobiography should I ever be fortunate enough to retire.

If AI and 3-D printers indeed take over from the Bangladeshis and Bangalorians, the revenues that previously flowed to South Asia will now fill the coffers of a few tech giants in California. Instead of economic growth improving conditions all over the world, we might see immense new wealth created in high-tech hubs such as Silicon Valley, while many developing countries collapse.

At stake was the virtue of free expression, and Franklin summed up the Enlightenment position in a sentence that is now framed on newsroom walls: “Printers are educated in the belief that when men differ in opinion, both sides ought equally to have the advantage of being heard by the public; and that when Truth and Error have fair play, the former is always an overmatch for the latter.

She had always been a fast driver, even before she could afford a fast car. It was impatience as much as anything: chafing at the fact that she couldn’t actually do anything while driving—except drive.

The expenditure of paper and printer ink had been somewhat lavish. Two generations from now, if any humans survived, they would look on this heap of documents with some combination of disgust and amazement. Because paper was going to be scarce by then, and they would view its use for such purposes in roughly the same way as Americans of the twenty-first century had viewed the use of sperm whale oil to fuel streetlamps.

Help!” screeched a feminine voice. “HELP ME!” Parker whipped around, automatically reaching for the weapon that he didn’t have at the small of his back because, oh yeah, he was in running gear with no place to hide a weapon. But there was no woman. Just a huge parrot perched on a printer at the front desk. “Help!” it squeaked in a shockingly authentic woman’s voice. “I’ve been turned into a parrot!” “Peanut, play dead,” Wyatt said. Peanut sighed and tucked her head into her feathers. “Good parrot.” Wyatt looked at Parker. “She’s a nut.” “Damn, shit, farts,” the bird muttered beneath her breath, making Parker grin. Wyatt sighed. “Peanut’s a mimic, and Jade, our office manager, has a bit of a potty mouth.” “Boner,” Peanut said, head still tucked into her feathers. “Peanut, dead parrots don’t talk.” Wyatt turned back to Parker. “Follow me.

The continually progressive change to which the meaning of words is subject, the want of a universal language which renders translation necessary, the errors to which translations are again subject, the mistakes of copyists and printers, together with the possibility of willful alteration, are of themselves evidences that human language, whether in speech or in print, cannot be the vehicle of the Word of God.-The Word of God exists in something else.

You think,' she said, 'because you've identified one purpose of mine, that you know what I'm doing. But this inquiry among printers was something of a discovered attack.' [...] 'What do you mean, a discovered attack?' 'A tactical term.' She touched her fingertips together. 'When you make a move, you do two things. First, you move forward - and the space you now occupy has value. But you also vacate the spot where you once were, exposing your enemy's flank to longer-ranged attacks. Be aware of where you are, and the space you'll leave behind.' 'That's not a sense of tactics you have,' he said, blinking down at her. 'That sounds like actual tactical training. Where would a half-blind near-spinster acquire that?

Now here is Gardiner, patting a manuscript as if it were the cheek of a plump baby: ‘The king will be pleased to read this. I have called it, Of True Obedience.’ ‘You had better let me see it before it goes to the printer.’ ‘The king himself will expound it to you. It shows why oaths to the papacy are of none effect, yet our oath to the king, as head of the church, is good. It emphasises most strongly that a king’s authority is divine, and descends to him directly from God.’ ‘And not from a pope.

If the manifest of ingredients on the bottle had been legible, it would have read something like this: Water, blackstrap molasses, imported habanero peppers, salt, garlic, ginger, tomato puree, axle grease, real hickory smoke, snuff, butts of clove cigarettes, Guinness Stout fermentation dregs, uranium mill tailings, muffler cores, monosodium glutamate, nitrates, nitrites, nitrotes and nitrutes, nutrites, natrotes, powdered pork nose hairs, dynamite, activated charcoal, match-heads, used pipe cleaners, tar, nicotine, single-malt whiskey, smoked beef lymph nodes, autumn leaves, red fuming nitric acid, bituminous coal, fallout, printer's ink, laundry starch, drain cleaner, blue chrysotile asbestos, carrageenan, BHA, BHT, and natural flavorings.

It’s 3:33 am as I’m writing this down on loose sheets of printer paper. I’m in the back office sitting behind the manager’s desk, just enjoying the good life. In essence, this job enables me to be a real writer, because here I am writing, and getting paid to do it.

He also doesn’t need to know about the dream I had a few months ago. It wasn’t my fault—we’d been texting before bed, and it had screwed with my subconscious. For all I know, his subconscious gave him wacky dreams too. We were at a fancy restaurant eating math tests and lab reports when he took my face in his hands and kissed me. He tasted like printer ink. My logical side intervened and woke me up, but I couldn’t look him in the eye for an entire week after that. I’d dream-cheated on Spencer with Neil McNair. It was horrifying.

My laboratory is a place where I write. I have become proficient at producing a rare species of prose capable of distilling ten years of work by five people into six published pages, written in a language that very few people can read and that no one ever speaks. This writing relates the details of my work with the precision of a laser scalpel, but its streamlined beauty is a type of artifice, a size-zero mannequin designed to showcase the glory of a dress that would be much less perfect on any real person. My papers do not display the footnotes that they have earned, the table of data that required painstaking months to redo when a graduate student quit, sneering on her way out that she didn’t want a life like mine. The paragraph that took five hours to write while riding on a plane, stunned with grief, flying to a funeral that I couldn’t believe was happening. The early draft that my toddler covered in crayon and applesauce while it was still warm from the printer. Although my publications contain meticulous details of the plants that did grow, the runs that went smoothly, and the data that materialized, they perpetrate a disrespectful amnesia against the entire gardens that rotted in fungus and dismay, the electrical signals that refused to stabilize, and the printer ink cartridges that we secured late at night through nefarious means. I

Thomas More, the Lord Chancellor, has put his signature first on all the articles against Wolsey. They say one strange allegation has been added at his behest. The cardinal is accused of whispering in the king’s ear and breathing into his face; since the cardinal has the French pox, he intended to infect our monarch. When he hears this he thinks, imagine living inside the Lord Chancellor’s head. Imagine writing down such a charge and taking it to the printer, and circulating it through the court and through the realm, putting it out there to where people will believe anything; putting it out there, to the shepherds on the hills, to Tyndale’s plowboy, to the beggar on the roads and the patient beast in its byre or stall; out there to the bitter winter winds, and to the weak early sun, and the snowdrops in the London gardens.

And I am sure it is never sadness—a proper, straight natural response to loss—that does people harm, but all the other things, all the resentment, dismay, doubt and self-pity with wh. it is usually complicated. I feel (indeed I tried to say something about it in that lost letter) v. strongly what you say about the ‘curious consolation’ that ‘nothing now can mar’ your joint lives. I sometimes wonder whether bereavement is not, at bottom, the easiest and least perilous of the ways in wh. men lose the happiness of youthful love. For I believe it must always be lost in some way: every merely natural love has to be crucified before it can achieve resurrection and the happy old couples have come through a difficult death and re-birth. But far more have missed the re-birth. Your MS, as you well say, has now gone safe to the Printer.

This was the beginning. The end is easily foreseen; for, given a young man of Dick's temperament, longing for companionship, and another young man of Charlie's make−up, with a legitimate business to bring the two together, and only a friendship of the David and Jonathan order could result.

Then I made myself as tidy as I could, and went to Andrew Bradford the printer’s. I found in the shop the old man his father, whom I had seen at New York, and who, travelling on horseback, had got to Philadelphia before me. He introduced me to his son, who received me civilly, gave me a breakfast, but told me he did not at present want a hand, being lately supplied with one; but there was another printer in town, lately set up, one Keimer, who, perhaps, might employ me; if not, I should be welcome to lodge at his house, and he would give me a little work to do now and then till fuller business should offer.

Evil itself is a dictator, whether it’s dressed up like a pompous little man with a moustache, or a bunch of faceless terrorists, or a fundamentalist state. That’s what the devil is, you know. And it’s precious difficult to combat. Or rather, it’s not so much difficult, as demanding of great courage. Will, and wit.

Sir Arthur St. Clare, as I have already said, was a man who read his Bible. That was what was the matter with him. When will people understand that it is useless for a man to read his Bible unless he also reads everybody else's Bible? A printer reads a Bible for misprints. A Mormon reads his Bible, and finds polygamy; a Christian Scientist reads his, and finds we have no arms and legs. St. Clare was an old Anglo-Indian Protestant soldier. Now, just think what that might mean; and, for Heaven's sake, don't cant about it. It might mean a man physically formidable living under a tropic sun in an Oriental society, and soaking himself without sense or guidance in an Oriental Book. Of course, he read the Old Testament rather than the New. Of course, he found in the Old Testament anything that he wanted—lust, tyranny, treason. Oh, I dare say he was honest, as you call it. But what is the good of a man being honest in his worship of dishonesty?

I’m a maker of ballads right pretty I write them right here in the street You can buy them all over the city yours for a penny a sheet I’m a word pecker out of the printers out of the dens of Gin Lane I’ll write up a scene on a counter - confessions and sins in the main, boys confessions and sins in the main Then you’ll find me in Madame Geneva’s keeping the demons at bay There’s nothing like gin for drowning them in but they’ll always be back on a hanging day, on a hanging day They come rattling over the cobbles they sit on their coffins of black Some are struck dumb, some gabble top-heavy on brandy or sack The pews are all full of fine fellows and the hawker has set up her shop As they’re turning them off at the gallows she’ll be selling right under the drop, boys selling right under the drop Then you’ll find me in Madame Geneva’s keeping the demons at bay There’s nothing like gin for drowning them in but they’ll always be back on a hanging day, on a hanging day

In less than an hour, Sophia had efficiently arranged and copied the notes in a neat hand that would delight the printer to no end. She was so quiet and economical in her movements that Ross would have forgotten she was there, except that her scent filtered through the air. It was a tantalizing distraction that he could not dismiss. Breathing deeply, he tried to identify the fragrance. He detected tea and vanilla, blended with the elixir of warm female skin. Stealing glances at her delicate profile, he was fascinated by the way the light moved over her hair. She had small ears, a sharply defined chin, a soft snippet of a nose, and eyelashes that cast spiky shadows on her cheeks.

As he stood there, the audience was forgotten. The past, with all its mistakes and suffering, its doubt and sin, came before him for an instant, then vanished, and his heart leaped for joy, because he knew that it was gone forever. And the future, made beautiful by the presence of Christ and the conviction that he was right with God, stretched away as a path leading ever upward, until it was lost in the glories of the life to come, while he heard, as in a dream, the words of his confessed Master, “Follow: thou me.

Recall that when the first presses produced copies of the Bible, the scribes who had to spend years at a time on the same work, just as it had been done for centuries, streamed out from the monasteries with quills raised in the air, decrying the work of the devil. When one of the pioneering tradesmen printed certain words in red ink to emphasize them, it was proof that he had used his own blood. That was why the printers’ assistants began to be called “devils.” Soon printers were threatened with burning, and some were indeed put into the fire along with their equipment. From the beginning, the creation of the modern book was viewed as the work of Satan—an attempt to usurp the word of God.

Niels remembered all too well the telex machine that had received updates and warnings from Interpol's headquarters in Lyon. The telex machine had run nonstop. The monotonous sound of the mechanical printer reminded them that the world was a fucked-up place. If anyone wanted a brief, concentrated look into the world's misery, all he had to do was spend 20 minutes in front of the humming machine: serial killers, drug smuggling, women kidnapped for prostitution, cross-border traffic with stolen children, illegal immigration, enriched uranium.... You could get a headache simply from standing in front of the fax machine. It made you want to scream and run away; to jump into the sea and wish that life had never crawled up out of the water, that the dinosaurs still dominated the earth.

On a spring day in 1988…a Massachusetts man who collected books about local history was rummaging through a bin in a New Hampshire antiques barn when something caught his eye. Beneath texts on fertilizers and farm machines lay a slim, worn pamphlet with tea-colored paper covers, titled Tamerlane and Other Poems, by an unnamed author identified simply as “a Bostonian.” He was fairly certain he had found something exceptional, paid the $15 price, and headed home, where Tamerlane would spend only one night. The next day, he contacted Sotheby’s, and they confirmed his suspicion that he had just made one of the most exciting book discoveries in years. The pamphlet was a copy of Edgar Allan Poe’s first text, written when he was only fourteen years old, a find that fortune-seeking collectors have imagined happening upon probably more than they’d like to admit. The humble-looking, forty-page pamphlet was published in 1827 by Calvin F.S. Thomas, a relatively unknown Boston printer who specialized in apothecary labels, and its original price was about twelve cents. But this copy, looking good for its 161 years, most of which were probably spent languishing in one dusty attic box after another, would soon be auctioned for a staggering $198,000.

Yet with the rise of AI, robots, and 3-D printers, cheap unskilled labor will become far less important. Instead of manufacturing a shirt in Dhaka and shipping it all the way to the United States, you could buy the shirt’s code online from Amazon and print it in New York. The Zara and Prada stores on Fifth Avenue could be replaced by 3-D printing centers in Brooklyn, and some people might even have a printer at home. Simultaneously, instead of calling customer service in Bangalore to complain about your printer, you could talk with an AI representative in the Google cloud (whose accent and tone of voice would be tailored to your preferences). The newly unemployed workers and call center operators in Dhaka and Bangalore don’t have the education necessary to switch to designing fashionable shirts or writing computer code—so how will they survive?

That evening, Hope wrote a letter to her MP, Jack Crow. She found no difficulty at all in composing it, but quite a bit in writing it. She hadn't hand-written an entire page since primary school. In the end she found an app on her glasses that sampled her handwriting and turned it into a font that looked like her handwriting would if it had been regular, and printed it off. There was even an app for the printer that indented the paper a little, and an ink that looked like ballpoint ink.

I woke a few moments ago from a fever and a host of interlocking fever dreams, one after the next. There was one where I was in London, walking through old abandoned formerly beautiful buildings, all of them about to be demolished. Sometimes I'd find myself walking past the enormous line of people waiting to attend the television memorial for a dead author friend of mine, but his memorial was a television spectacular with comedians and big band music. There was the one where I had accidentally connected my bank card to a portable printer and the little printer kept printing cash but on the wrong paper and at the wrong size, so my money had huge, incredibly detailed faces on it, works of art that could not be spent. Then I woke from one dream into another: I was asleep in the passenger seat of the car, and saw that we were driving through a densely populated town, and that the driver was also asleep. I tried hard to wake her up and failed, and knew that no one was in control, no one was at the wheel, and soon someone was going to be killed, and I was shouting and calling without effect; but I whimpered and snuffled enough in the real world that my wife stroked my face and said, "Honey? You're having a nightmare," and, finally, I woke for real. But I woke into a world in which, somewhere, I am still being driven through my life by a sleeping driver, in which money is only good as art, in which we can write the finest books but at the end the crowds will come out and say good-bye for the entertainment, in which the buildings and cities we inhabit will relentlessly be destroyed by progress and time: a world colored by dreams and illuminated by them, too.

Under the Constitution, the candidate with the most Electoral College votes becomes president; the candidate who comes in second becomes vice president. In 1796, Federalists wanted Adams as president and Thomas Pinckney as vice president. But in the Electoral College, Adams got seventy-one votes, Jefferson sixty-eight, and Pinckney only fifty-nine. Federalist electors had been instructed to cast the second of their two votes for Pinckney; instead, many had cast it for Jefferson. Jefferson therefore became Adams’s vice president, to the disappointment of everyone. During Adams’s stormy administration, the distance between the two parties widened. Weakened by the weight of his own pride and not content with issuing warnings about the danger of parties, Adams attempted to outlaw the opposition. In 1798, while the United States was engaged in an undeclared war with France, Congress passed the Alien and Sedition Acts, granting to the president the power to imprison noncitizens he deemed dangerous and to punish printers who opposed his administration: twenty-five people were arrested for sedition, fifteen indicted, and ten

I think back to those days after the Bastille fell, the Mercure Nationale run from the back of the shop, that little Louise sticking her well-bred nose in the air and flouncing off to bawl out their printer—and you know, he was a good lad, François. I’d say, ‘Go and do this, this, this, go and tie some bricks to your boots and jump in the Seine,’ and he‘d”— Danton touched an imaginary forelock—‘right away, Georges-Jacques, and do you need any shopping while I’m out?’ Jesus, what a way to end up. When you see him, tell him I’d be obliged if he forgets he knows me.

A clinic in Bolivia 140 kilometers from the nearest city prints out splints and prostheses when supplies are low. The cost per piece runs about 2 cents for the plastic. This might allow developing nations to circumvent having to import large numbers of supplies. Already, 3D printing is occurring in underdeveloped areas. “Not Impossible Labs” based in Venice, California took 3D printers to Sudan where the chaos of war has left many people with amputated limbs. The organization’s founder, Mick Ebeling, trained locals how to operate the machinery, create patient–specific limbs, and fit these new, very inexpensive prosthetics.

In the conduct of my newspaper, I carefully excluded all libeling and personal abuse, which is of late years become so disgraceful to our country. Whenever I was solicited to insert anything of that kind, and the writers pleaded, as they generally did, the liberty of the press, and that a newspaper was like a stagecoach, in which any one who would pay had a right to a place, my answer was that I would print the piece separately if desired, and the author might have as many copies as he pleased to distribute himself, but that I would not take upon me to spread his detraction; and that, having contracted with my subscribers to furnish them with what might be either useful or entertaining, I could not fill their papers with private altercation, in which they had no concern, without doing them manifest injustice. Now many of our printers make no scruple of gratifying the malice of individuals by false accusations of the fairest characters among ourselves, augmenting animosity even to the producing of duels; and are, moreover, so indiscreet as to print scurrilous reflections on the government of neighboring states, and even on the conduct of our best national allies, which may be attended with the most pernicious consequences. These things I mention as a caution to young printers, and that they may be encouraged not to pollute their presses and disgrace their profession by such infamous practices, but refuse steadily, as they may see by my example that such a course of conduct will not, on the whole, be injurious to their interests.

Show me you care about our common tongue. Bring to your [writing] passion, deeply informed by knowledge of your subject. Stay me, not with apples and flagons, but with wit and grace, humor and intense caring about your discipline. Don't slack, don't give it a lick and a promise, don't make it evident that you posted what was 'good enough for government work,' don't try and fake it. Give it your best, your all, not for pence, but for the love of the craft. Do these things, as these writers and scores I have not named do, bring to your work your self, your heart, your voice, motherly or youthful, lawyerly or priestly, conservative or liberal, it matters not. Do this and I and hundreds of others will return again and again to your work, not merely because we may have a burning need for a new printer or an abiding interest in college newspapers or what have you, but because we wish to spend time with your mind and voice.

Still men be clever and in an hundred centuries or more, perchance will have found a way to journey thither; when that they have discovered and understood all things on the earth. What will a man be like in the xxvii century, or even the xx? Very like unto us, I do expect; I do not think that man’s nature shall change; nor do I anticipate that he will be the wiser than we, for all his learning, for ‘tis a part of that nature which is ours that we do not heed the lessons of history: neither our own, nor the world’s.

The Fifth Congress had recessed in July 1798 without declaring war against France, but in the last days before adjourning it did approve other measures championed by Abigail Adams that aided in the undoing of her husband—the Alien and Sedition Acts. Worried about French agents in their midst, the lawmakers passed punitive measures changing the rules for naturalized citizenship and making it legal for the U.S. to round up and detain as “alien enemies” any men over the age of fourteen from an enemy nation after a declaration of war. Abigail heartily approved. But it was the Sedition Act that she especially cheered. It imposed fines and imprisonment for any person who “shall write, print, utter, or publish…any false, scandalous and malicious writing or writings against the government of the United States, or either house of the Congress of the United States, or the President of the United States” with the intent to defame them. Finally! The hated press would be punished. To Abigail’s way of thinking, the law was long overdue. (Of course she was ready to use the press when it served her purposes, regularly sending information to relatives and asking them to get it published in friendly gazettes.) Back in April she had predicted to her sister Mary that the journalists “will provoke measures that will silence them e’er long.” Abigail kept up her drumbeat against newspapers in letter after letter, grumbling, “Nothing will have an effect until Congress pass a Sedition Bill, which I presume they will do before they rise.” Congress could not act fast enough for the First Lady: “I wish the laws of our country were competent to punish the stirrer up of sedition, the writer and printer of base and unfounded calumny.” She accused Congress of “dilly dallying” about the Alien Acts as well. If she had had her way, every newspaperman who criticized her husband would be thrown in jail, so when the Alien and Sedition Acts were passed and signed, Abigail still wasn’t satisfied. Grumping that they “were shaved and pared to almost nothing,” she told John Quincy that “weak as they are” they were still better than nothing. They would prove to be a great deal worse than nothing for John Adams’s political future, but the damage was done. Congress went home. So did Abigail and John Adams.

Every entry, whether revised or reviewed, goes through multiple editing passes. The definer starts the job, then it’s passed to a copy editor who cleans up the definer’s work, then to a bunch of specialty editors: cross-reference editors, who make sure the definer hasn’t used any word in the entry that isn’t entered in that dictionary; etymologists, to review or write the word history; dating editors, who research and add the dates of first written use; pronunciation editors, who handle all the pronunciations in the book. Then eventually it’s back to a copy editor (usually a different one from the first round, just to be safe), who will make any additional changes to the entry that cross-reference turned up, then to the final reader, who is, as the name suggests, the last person who can make editorial changes to the entry, and then off to the proofreader (who ends up, again, being a different editor from the definer and the two previous copy editors). After the proofreaders are done slogging through two thousand pages of four-point type, the production editors send it off to the printer or the data preparation folks, and then we get another set of dictionary pages (called page proofs) to proofread. This process happens continuously as we work through a dictionary, so a definer may be working on batches in C, cross-reference might be in W, etymology in T, dating and pronunciation in the second half of S, copy editors in P (first pass) and Q and R (second pass), while the final reader is closing out batches in N and O, proofreaders are working on M, and production has given the second set of page proofs to another set of proofreaders for the letter L. We all stagger our way through the alphabet until the last batch, which is inevitably somewhere near G, is closed. By the time a word is put in print either on the page or online, it’s generally been seen by a minimum of ten editors. Now consider that when it came to writing the Collegiate Dictionary, Eleventh Edition, we had a staff of about twenty editors working on it: twenty editors to review about 220,000 existing definitions, write about 10,000 new definitions, and make over 100,000 editorial changes (typos, new dates, revisions) for the new edition. Now remember that the 110,000-odd changes made were each reviewed about a dozen times and by a minimum of ten editors. The time given to us to complete the revision of the Tenth Edition into the Eleventh Edition so production could begin on the new book? Eighteen months.

The very first dram Ronan had ever been truly proud of, truly euphoric over, had been a copy. It had been in high school. Ronan wasn't good at surviving high school and he wasn't good at surviving friendship, and so while his friend Gansey's back was turned, he'd stolen Gansey's car. It was a beautiful car. A 1973 bright orange Camaro with stripes right up its hood and straight down its ass. Ronan had wanted to drive it for months, despite Gansey forbidding it. Maybe because of him forbidding it. Within hours of stealing it, Ronan had totaled it. Gansey hadn't wanted him to drive it because he thought he'd grind the clutch, or curb it, or burn out the tires, or maybe, maybe blow the engine. And here Ronan had totaled it. Ronan had loved Richard C. Gansey III far more than he loved himself at that point, and he hadn't known how he was ever going to face him when he returned from out of town. And then, Joseph Kavinsky had taught him to dream a copy. Before that, all of Ronan's dreams--that he knew about, Matthew didn't count--had been accidents and knickknacks, the bizarre and the useless. When he'd successfully copied a car, an entire car, he'd been out of his mind with glee. The dreamt car had been perfect down to the last detail. Exactly like the original. The pinnacle of dreaming. Now a copy was the least impressive thing to him. He could copy anything he put his mind to. That just made him a very ethereal photocopier. A one-man 3-D printer. The dreams he was proud of now were the dreams that were originals. Dreams that couldn't exist in any other way. Dreams that took full advantage of the impossibility of dreamspace in a way that was cunning or lovely or effective or all of the above. The sundogs. Lindenmere. Dreams that had to be dreams. In the past, all his good dreams like this were gifts from Lindenmere or accidents rather than things he had consciously constructed. He was beginning to realize, after listening to Bryde, that this was because he'd been thinking too small. His consciousness was slowly becoming the shape of the concrete, waking world, and it was shrinking all his dreams to the probable. He needed to start realizing that possible and impossible didn't mean the same thing for him as they did for other people. He needed to break himself of the habit of rules, of doubts, of physics. His "what if" had grown so tame. "You are made of dreams and this world is not for you." He would not let the nightwash take him and Matthew. He would not let this world kill him slowly. He deserved a place here, too. He woke.

It is a truism today, in this highly technologically-developed culture, that students need technical computer skills. Equally truistic (and, not incidentally, true) is that the workplace has become highly technological. Even more truistic – and far more disturbing – are the shifts in education over the last two decades as public elementary schools, public and private high schools, and colleges and universities have invested scores of billions of dollars on “digital infrastructure,” computers, monitors and printers, “smart classrooms,” all to “meet the demands” of this new technological workplace. "We won’t dwell on the fact – an inconvenient truth? – that those technological investments have coincided with a decline in American reading behaviors, in reading and reading comprehension scores, in overall academic achievement, in the phenomenon – all too familiar to us in academia – of “grade inflation,” in an alarming collapse of our students’ understanding of their own history (to say nothing of the history of the rest of the world), rising ignorance of world and American geography, with an abandonment of the idea of objectivity, and with an increasingly subjective, even solipsistic, emphasis on personal experience. Ignore all this. Or, if we find it impossible to ignore, then let’s blame the teachers...