Princess Carriage Quotes

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Tessa craned her head back to look at Will. “You know that feeling,” she said, “when you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside.” His blue eyes were dark with understanding — of course Will would understand — and she hurried on. “I feel now as if the same is happening, only not to characters on a page but to my own beloved friends and companions. I do not want to sit by while tragedy comes for us. I would turn it aside, only I struggle to discover how that might be done.” “You fear for Jem,” Will said. “Yes,” she said. “And I fear for you, too.” “No,” Will said, hoarsely. “Don’t waste that on me, Tess.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
You know that feeling,” she said, “when you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Will and Tessa were in the carriage now, and their driver was snapping the reins. 'Do you think there’s a chance for him?' 'A chance for who?' 'Will Herondale. To be happy.' Woolsey sighed gustily and put down his glass. 'Is there a chance for you to be happy if he isn’t?' Magnus said nothing. 'Are you in love with him?' Woolsey asked—all curiosity, no jealousy. Magnus wondered what it was like to have a heart like that, or rather to have no heart at all. 'No,' Magnus said. 'I have wondered that, but no. It is something else. I feel that I owe him. I have heard it said that when you save a life, you are responsible for that life. I feel I am responsible for that boy. If he never finds happiness, I will feel I have failed him. If he cannot have that girl he loves, I will feel I have failed him. If I cannot keep his parabatai by him, I will feel I failed him.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
He pulled the Carstairs family ring from his finger and held it out to Will. "Take it." Will let his eyes drift down toward it, and then up to Jem's face. A dozen awful things he could say, or do, went through his mind. One did not slough off a persona so quickly, he had found. He had pretended to be cruel for so many years that the pretense was still what he reached for first, as a man might absently turn his carriage toward the home he had lived in for all his life, despite the fact that he had recently moved. "You wish to marry me now?" he said, at last.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Tessa exploded "I am not asking you to maul me in the Whispering Gallery! By the Angel, Will, would you stop being so polite?!" He looked at her in amazement. "But wouldn't you rather-" "I would not rather. I don't want you to be polite! I want you to be Will! I don't want you to indicate points of architectural interest to me as if you were a Baedecker guide! I want you to say dreadfully mad, funny things, and make up songs and be-" The Will I fell in love with, she almost said. "And be Will," she finished instead. "Or I shall strike you with my umbrella." "I am trying to court you," Will said in exasperation. "Court you properly. That's what all this has been about. You know that, don't you?" "Mr. Rochester never courted Jane Eyre," Tessa pointed out. "No, he dressed up as a woman and terrified the poor girl out of her wits. Is that what you want?" "You would make a very ugly woman." "I would not. I would be stunning." Tessa laughed. "There," she said. "There is Will. Isn't that better? Don't you think so?" "I don't know," Will said, eyeing her. I'm afraid to answer that. I've heard that when I speak, it makes American women wish to strike me with umbrellas." Tessa laughed again, and then they were both laughing, their smothered giggles bouncing off the walls of the Whispering Gallery. After that, things were decidedly easier between them, and Will's smile when he helped her down from the carriage on their return home, was bright and real.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Hello?” I peered into the shadows. Two green circles flashed in the dark. I yelped, jumping backward and pressing myself against the wall. “And may I wish a very good morning to you, too, October.” The voice was amused, underscored by a chuckle like thick cream. “What happened? Did the prettiest little princess miss her carriage home?
Seanan McGuire (Rosemary and Rue (October Daye, #1))
This was why I did what I did," she whispered. "I looked at those men at the ball, and I thought of that night in the carriage when you touched me, and I knew I could never let any of them touch me." She tilted her head back and closed her eyes, pressing his hands to her breasts. "Only you.
Laura Lee Guhrke (She's No Princess (Guilty, #4))
You know that feeling,” she said, “when you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing close around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage, and you cannot let go or turn the course aside.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
The carriage was crammed: waves of silk, ribs of three crinolines, billowed, clashed, entwined almost to the height of their heads; beneath was a tight press of stockings, girls' silken slippers, the Princess's bronze-colored shoes, the Princes patent-leather pumps; each suffered from the others' feet and could find nowhere to put his own.
Giuseppe Tomasi di Lampedusa
Emotions are unreliable, dangerous, and misleading. Fate is for fools who believe in fairytales. I didn’t buy into the whole princess dream when I was a little girl, and I’m sure as hell not going to jump into the golden carriage now only to find myself sitting on a pumpkin surrounded by mice when the ball is over.
Jewel E. Ann (Undeniably You)
He was a splendid specimen of manhood, standing a good two inches over six feet, broad of shoulder and narrow of hip, with the carriage of the trained fighting man. His features were regular and clear cut, his hair black and closely cropped, while his eyes were of a steel gray, reflecting a strong and loyal character, filled with fire and initiative. His manners were perfect, and his courtliness was that of a typical southern gentleman of the highest type.
Edgar Rice Burroughs (A Princess of Mars (Barsoom, #1))
A princess,” (Queen Sophia) would proclaim, “requires a graceful and willowy carriage, not the appetite of a swineherd.
Catherine Gilbert Murdock (Princess Ben)
Friendship is like a carriage. It does not drive itself. Particularly when the road gets rocky.
M.A. Larson (The Shadow Cadets of Pennyroyal Academy (Pennyroyal Academy, #2))
And, somehow, Sara felt as if she understood her, though she said so little, and only stood still and looked and looked after her as she went out of the shop with the Indian gentleman, and they got into the carriage and drove away.
Frances Hodgson Burnett (A Little Princess)
When she thought of how Lord Northcliff was ruining the life of a poor, sweet, old lady, she wanted to shriek with frustration. She wanted to shake him until he saw sense. She wanted to . . . she wanted to arrange a carriage accident that would finish him off.
Christina Dodd (The Barefoot Princess (Lost Princesses, #2))
She wanted to read and talk and laugh and watch television and listen to the radio. She wanted to watch the world around her go by, and make up stories in her head about everything she saw...Like a princess in a carriage, surveying her kingdom, preferably one with a magical forest.
Jami Attenberg (The Middlesteins)
When she was almost seventeen, a man in a carriage came to town and watched as she rode for provisions. He was still there on her return, peering out. She paid him no mind and, indeed, by himself he was not important. But he marked a turning point. Other men had gone out of their way to catch sight of her; other men had even ridden twenty miles for the privilege, as this man had. The importance here is that this was the first rich man who had bothered to do so, the first noble. And it was this man, whose name is lost to antiquity, who mentioned Buttercup to the Count.   T
William Goldman (The Princess Bride)
I'm the one who's different." "A princess, you mean?" She pinched his arm lightly as the carriage turned onto rue Dauphine. "Not a princess." Belle's refusal to take the title marriage to Lio would have afforded her was a touchy subject between them. He mercifully let it go. "But certainly not the girl you were then." She turned her attention to the wallpapered panel of the carriage, tracing the embossed flowers with the tip of her finger, unwilling to let him see her smile falter once more. She didn't know how to explain that she would always be that girl, that no titles or fine clothing would change her. In her bones, she was a poor, provincial peasant who had risen far above her station.
Emma Theriault (Rebel Rose (The Queen's Council, #1))
Then the door opened and Diana entered…with Prince Charles. I held my breath as she gave us a brilliant smile and briskly crossed the floor. The new Diana was truly breathtaking--beautiful, self-assured, polished, and stunning in her scarlet suit. She looked even more radiant in person than in her best pictures. She was absolute perfection, with her flawless complexion, starry blue eyes, and confident carriage. A remarkable and complete transformation from young nanny to global sensation--and she was only twenty-four! Before either one of us said a word, Diana and I exchanged glances for just an instant. I didn’t even try to hide my amazement and admiration. My eyes and smile said, “Wow! I’m speechless.” Diana’s impish grin replied, “Yes, I’ve done pretty well, haven’t I?” It was an unforgettable, private moment.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
CHILDHOOD I That idol, black eyes and yellow mop, without parents or court, nobler than Mexican and Flemish fables; his domain, insolent azure and verdure, runs over beaches called by the shipless waves, names ferociously Greek, Slav, Celt. At the border of the forest—dream flowers tinkle, flash, and flare,—the girl with orange lips, knees crossed in the clear flood that gushes from the fields, nakedness shaded, traversed, dressed by rainbow, flora, sea. Ladies who stroll on terraces adjacent to the sea; baby girls and giantesses, superb blacks in the verdigris moss, jewels upright on the rich ground of groves and little thawed gardens,—young mothers and big sisters with eyes full of pilgrimages, sultanas, princesses tyrannical of costume and carriage, little foreign misses and young ladies gently unhappy. What boredom, the hour of the “dear body” and “dear heart.” II
Arthur Rimbaud (Illuminations: Prose poems (New Directions Paperbook, No. 56))
From the height we had now reached, the sea no longer appeared, as it did from Balbec, like an undulating range of hills, but on the contrary like the view, from a mountain-peak or from a road winding round its flank, of a blue-green glacier or a glittering plain situated at a lower level. The ripples of eddies and currents seemed to be fixed upon its surface, and to have traced there for ever their concentric circles; the enamelled face of the sea, imperceptibly changing colour, assumed towards the head of the bay, where an estuary opened, the blue whiteness of milk in which little black boats that did not move seemed entangled like flies. I felt that from nowhere could one discover a vaster prospect. But at each turn in the road a fresh expanse was added to it and when we arrived at the Douville toll-house, the spur of the cliff which until then had concealed from us half the bay receded, and all of a sudden I saw upon my left a gulf as profound as that which I had already had in front of me, but one that changed the proportions of the other and doubled its beauty. The air at this lofty point had a keenness and purity that intoxicated me. I adored the Verdurins; that they should have sent a carriage for us seemed to me a touching act of kindness. I should have liked to kiss the Princess. I told her that I had never seen anything so beautiful. She professed that she too loved this spot more than any other. But I could see that to her as to the Verdurins the thing that really mattered was not to gaze at the view like tourists, but to partake of good meals there, to entertain people whom they liked, to write letters, to read books, in short to live in these surroundings, passively allowing the beauty of the scene to soak into them rather than making it the object of their conscious attention.
Marcel Proust (Sodom and Gomorrah)
When seeing a dying animal a man feels a sense of horror: substance similar to his own is perishing before his eyes. But when it is a beloved and intimate human being that is dying, besides this horror at the extinction of life there is a severance, a spiritual wound, which like a physical wound is sometimes fatal and sometimes heals, but always aches and shrinks at any external irritating touch. After Prince Andrew's death Natasha and Princess Mary alike felt this. Drooping in spirit and closing their eyes before the menacing cloud of death that overhung them, they dared not look life in the face. They carefully guarded their open wounds from any rough and painful contact. Everything: a carriage passing rapidly in the street, a summons to dinner, the maid's inquiry what dress to prepare, or worse still any word of insincere or feeble sympathy, seemed an insult, painfully irritated the wound, interrupting that necessary quiet in which they both tried to listen to the stern and dreadful choir that still resounded in their imagination, and hindered their gazing into those mysterious limitless vistas that for an instant had opened out before them. Only when alone together were they free from such outrage and pain. They spoke little even to one another, and when they did it was of very unimportant matters. Both avoided any allusion to the future. To admit the possibility of a future seemed to them to insult his memory. Still more carefully did they avoid anything relating to him who was dead. It seemed to them that what they had lived through and experienced could not be expressed in words, and that any reference to the details of his life infringed the majesty and sacredness of the mystery that had been accomplished before their eyes. Continued abstention from speech, and constant avoidance of everything that might lead up to the subject—this halting on all sides at the boundary of what they might not mention—brought before their minds with still greater purity and clearness what they were both feeling.
Leo Tolstoy (War and Peace)
Fancy yourself a noblesse, my dear?" Petti said. "About as much as I fancy myself a princess." She went toward the door. "Now that all the potential brides are here, when does this party begin in earnest? And do you think there is yet time for me to have the carriage readied for an escape before the snow?" -Petti & Ravenna
Katharine Ashe (I Adored a Lord (The Prince Catchers, #2))
Tessa craned her head back to look at Will. “You know that feeling,” she said, “when you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
fellow princesses might disagree, but a princess in power can do so much more than just sit and look pretty in a carriage. Look at me. I’m making things happen that no one would expect from a former sleeping beauty. I don’t just stay in the castle. I’m out at FTRS, meeting our people and working to help you all gain the power you deserve. Don’t you deserve a say in how your kingdom is run?
Jen Calonita (Charmed (Fairy Tale Reform School, #2))
Where does it end!" She threw the words back at him. "With me dead, or you dead after trying to save me. I can't- you shouldn't have made me eat breakfast." She glared at him. "I...what?" "You made me eat breakfast!" She pointed at him to emphasize her list of grievances. "And became my sparring partner. You let me sleep on your shoulder in the carriage. You brought me hot chocolate and Hildie when I had a bad day, and you made me laugh at your terrible impersonation of Lady Everly, and you told me about your sister, and your favorite cat, and sneaking out to eavesdrop onMontevallion soldiers, and about the time you fell off a horse trying to impress a girl. And you shouldn't have done any of that.
C.J. Redwine (Rise of the Vicious Princess (Rise of the Vicious Princess, #1))
When he finished he had a magnificent house, perched on the edge of a precipice at whose feet the ocean thundered, but it was a house that knew no happiness, for shortly after Whip had moved in with his third wife, the Hawaiian-Chinese beauty Ching-ching, who was pregnant at the time, she had caught him fooling around with the brothel girls that flourished in the town of Kapaa. Without even a scene of recrimination, Ching-ching had simply ordered a carriage and driven back to the capital town of Lihune, where she boarded an H & H steamer for Honolulu. She divorced Whip but kept both his daughter Iliki and his yet-unborn son John. Now there were two Mrs. Whipple Hoxworths in Honolulu and they caused some embarrassment to the more staid community. There was his first wife, Iliki Janders Hoxworth, who moved in only the best missionary circles, and there was Ching-ching Hoxworth who lived within the Chinese community. The two never met, but Howxworth & Hale saw to it that each received a monthly allowance. The sums were generous, but not so much so as those sent periodically Wild Whip's second wife, the fiery Spanish girl named Aloma Duarte Hoxworth, whose name frequently appeared in New York and London newspapers... p623 When the polo players had departed, when the field kitchens were taken down, and when the patient little Japanese gardeners were tending each cut in the polo turf as if it were a personal wound, Wild Whip would retire to his sprawling mansion overlooking the sea and get drunk. He was never offensive and never beat anyone while intoxicated. At such times he stayed away from the brothels in Kapaa and away from the broad lanai from which he could see the ocean. In a small, darkened room he drank, and as he did so he often recalled his grandfather's words: "Girls are like stars, and you could reach up and pinch each one on the points. And then in the east the moon rises, enormous and perfect. And that's something else, entirely different." It was now apparent to Whip, in his forty-fifth year, that for him the moon did not intend to rise. Somehow he had missed encountering the woman whom he could love as his grandfather had loved the Hawaiian princess Noelani. He had known hundreds of women, but he had found none that a man could permanently want or respect. Those who were desirable were mean in spirit and those who were loyal were sure to be tedious. It was probably best, he thought at such times, to do as he did: know a couple of the better girls at Kapaa, wait for some friend's wife who was bored with her husband, or trust that a casual trip through the more settled camps might turn up some workman's wife who wanted a little excitement. It wasn't a bad life and was certainly less expensive in the long run than trying to marry and divorce a succession of giddy women; but often when he had reached this conclusion, through the bamboo shades of the darkened room in which he huddled a light would penetrate, and it would be the great moon risen from the waters to the east and now passing majestically high above the Pacific. It was an all-seeing beacon, brillant enough to make the grassy lawns on Hanakai a sheet of silver, probing enough to find any mansion tucked away beneath the casuarina trees. When this moon sought out Wild Whip he would first draw in his feet, trying like a child to evade it, but when it persisted he often rose, threw open the lanai screens, and went forth to meet it. p625
James A. Michener (Hawaii)
I lean closer to his ear. “Just think of Claire as your fairy godmother, and this is the pumpkin carriage that’s going to whisk you away off to your princess.” “Or prince,” Jay corrects through gritted teeth. He’s sweating profusely and his eyes are dilated. “I wouldn’t mind either.” I shrug. “As long as you still make me Uncle Z.” He scoffs, peering over at me as if I’m cracked. “You seriously think I’m going to have kids after seeing this shit every day?” I shrug a shoulder again, pursing my lips. “Why not? Uncle Z will keep them safe. I can be their personal bodyguard. They may not like it, but I’ll fucking do it.
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
At the end of June, we had to move from our flat. Exxon had extended my husband’s assignment for another six months and the landlord wanted a huge rent increase that the company would not cover. At the beginning of July, we moved to 11 Eaton Mews South, a small carriage house I had found. The house was owned by an American expatriate, Jud James, who had installed new appliances and cleaned all the curtains and carpets for us--a considerable improvement over the flat. Jud was proud of the fact that earlier on he had leased his house for a while to Richard Leakey, the famous anthropologist. I wonder how Jud felt when the young nanny in his house became engaged to the Prince of Wales.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
There’s something else, too, Miss Emmie.” Stevens had gone bashful now, and Emmie was intrigued. “Here.” Stevens beckoned her to follow him out the back of the stables, to where a separate entrance led to a roomy foaling stall. “He said you needed summat other’n t’mule, and you’re to limber her up, as Miss Winnie will be getting a pony soon.” A sturdy dapple-gray mare stood regarding Emmie from over a pile of hay. She turned a soft eye on Emmie and came over to the half door to greet her visitors. “Oh, Stevens.” Emmie’s eyes teared up again. “She is so pretty… so pretty.” “He left ye a message.” Stevens disappeared back into the barn and came out with a sealed envelope. “I can tack her up if ye like.” Emmie tore open the envelope with shaking fingers. How dare he be so thoughtful and generous and kind? Oh, how dare he… She couldn’t keep the horse, of course; it would not be in the least proper, but dear Lord, the animal was lovely… My dear Miss Farnum, Her name is Petunia, and she is yours. I have taken myself to points distant, so by the time I return, you will have fallen in love with her, and I will be spared your arguments and remonstrations. She is as trustworthy and reliable a lady as I have met outside your kitchen, and at five years of age, has plenty of service yet to give. Bothwell has been alerted you will be joining him on his rides, should it please you to do so. And if you are still determined not to keep the horse, dear lady, then consider her my attempt at consolation to you for inflicting Scout on the household in my absence. St. Just He’d drawn a sketch in the corner of Scout, huge paws splayed, tongue hanging, his expression bewildered, and broken crockery scattered in every direction. The little cartoon made Emmie smile through her tears even as Winnie tugged Scout out behind the stables to track Emmie down. “Are you crying, Miss Emmie?” Winnie picked up Emmie’s hand. “You mustn’t be sad, as we have Scout now to protect us and keep us company.” “It isn’t Scout, Winnie.” Emmie waved a hand toward the stall where Petunia was still hanging her head over the door, placidly watching the passing scene. “Oh.” Winnie’s eyes went round. “There’s a new horse, Scout.” She picked up her puppy and brought him over to the horse. The mare sniffed at the dog delicately, then at the child, then picked up another mouthful of hay. “Her name’s Petunia,” Emmie said, finding her handkerchief. “The earl brought her from York so I can ride out with the vicar.” “She’s very pretty,” Winnie said, stroking the velvety gray nose. “And not too big.” The mare was fairly good size, at least sixteen and a half hands, and much too big for Winnie. “Maybe once I get used to her, I can take you up with me, Winnie. Would you like that?” “Would I?” Winnie squealed, setting the dog down. “Did you hear that, Scout? Miss Emmie says we can go for a ride. Oh… We must write to the earl and thank him, Miss Emmie, and I must tell Rose I have a puppy, too. I can knight Scout, can’t I?” “Of course you may,” Emmie said, reaching for Winnie’s hand. “Though you must know knights would never deign to be seen in the castle kitchens, except perhaps in the dead of winter, when it’s too cold to go charging about the kingdom.” “Did knights sleep in beds?” “Scout can stay with Stevens above the carriage house when you have repaired to your princess tower for your beauty sleep.” “I’ll ask Scout.” It
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
Get out,” Alex said and raised a hand, summoning a guard. “But my lord,” Byron protested even as he stared with alarm at the man advancing on him. “I meant no harm! I hold Lord Hawkforte in the highest possible esteem, as I do you all, most especially Her Highness, the Princess Kassandra. It was only with thought for her tender concern and wishing to prevent her from hearing this from a source less simpatico that I-“ It would never occur to Alex to repeat an order nor would there be any reason for him to do so. The door was opened and Byron was through it, his legs tangling in the air as he was unceremoniously ejected. Scarcely had he gone than Kassandra was in the hall, beseeching her brother. “I must go with you! For pity’s sake, do not say otherwise. I cannot sit here waiting to know-“ He looked at her just a touch oddly. “Of course you can’t. I’ll get a carriage brought round while you dress. Only hurry.” A few months before, he would have insisted she remain where she was while he handled the matter. But between then and now lay a world of change. She had ceased to be the protected princess of the royal house and emerged instead as a woman of maturity and grace. She would need both as she rushed upstairs and began pulling on the first gown that came to hand. Fortunately, it was a simple day dress and she was able to manage the buttons down the back without great difficulty. She had just finished the last when Joanna hurried in. She, too, had dressed hastily. Brianna, who had accompanied them back in England, came right behind, holding Amelia. “You’re ready?” Joanna asked. She was pale but composed. Kassandra nodded. “You know?” “I woke when Alex went to see what was happening. Should we thank Byron or throttle him? He is hardly the most reliable source yet if there is anything to what he says-“ “We will find out for ourselves,” Kassandra concluded.
Josie Litton (Kingdom Of Moonlight (Akora, #2))
Look, I like the prince title myself. Carriage processions? ILove them. Perfecting the royal wave?. His right hand moves slowly through the air. His technique is mesmerizing. I excel. But I'd much rather be seated at a table with the royal cort discussing how to make a cranberry apple soufflé than be out there slaying an actual dragon...
Jen Calonita (Misfits (Royal Academy Rebels, #1))
My heart had started thumping with anticipation. So much had changed in Diana’s life. This would be our first meeting since she had become the Princess of Wales and a celebrity. Would she still be the same Diana underneath? Based on her letters, I thought so. Next Patrick and I were shown into the library, a warmer room with high ceilings and sunlight flooding in from tall windows. Carved wooden bookcases, glowing with a centuries-old patina, lined the walls and held leather-bound, gilt-edged volumes. I loved this room. I wished I could have leafed through a few of those beautiful old books. I was calmer now, prepared for a cozy mother-to-mother visit with Diana. Patrick and I stood expectantly in the center of the elegant room. I rested my right arm around his little shoulders. I needed the support more than he did. Then the door opened and Diana entered…with Prince Charles. I held my breath as she gave us a brilliant smile and briskly crossed the floor. The new Diana was truly breathtaking--beautiful, self-assured, polished, and stunning in her scarlet suit. She looked even more radiant in person than in her best pictures. She was absolute perfection, with her flawless complexion, starry blue eyes, and confident carriage. A remarkable and complete transformation from young nanny to global sensation--and she was only twenty-four!
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Bridge of Beauvoisin, a bridge named by an early Savoyard count to compliment the King of France.37 The bridge served as a passage between the House of Savoy and France, and, at that point, it was also a passage between the new princesse de Lamballe and the old Marie Thérèse. Her childhood of Savoyard royalty lay behind her. Her future as a French princess beckoned her forward. She was presented with new ladies-in-waiting, and it must have been a tearful parting from those that she had known since childhood. After her goodbyes and before climbing into the gilded French carriage sent especially for her, she paused, surveyed her future, and felt a sudden presentiment of misfortune. Her presentiment came true, although she was not the recipient of
Geri Walton (Marie Antoinette's Confidante: The Rise and Fall of the Princesse de Lamballe)
You looked like Cinderella running away at midnight. Are you going to turn into a pumpkin?" "Cinderella didn't turn into a pumpkin, that was her carriage," I said in the automatic way of someone who'd watched every single Disney Princess movie multiple times a child. Maybe this was it, how I could spin it. Princesses ran away. But queens? Queens stayed to face the facts. And I wasn't a princess. I was a queen.
Amanda Elliot (Love You a Latke)