β
You get a little moody sometimes but I think that's because you like to read. People that like to read are always a little fucked up.
β
β
Pat Conroy (The Prince of Tides)
β
My wound is geography. It is also my anchorage, my port of call.
β
β
Pat Conroy (The Prince of Tides)
β
Man wonders but God decides
When to kill the Prince of Tides.
β
β
Pat Conroy (The Prince of Tides)
β
These are the quicksilver moments of my childhood I cannot remember entirely. Irresistible and emblematic, I can recall them only in fragments and shivers of the heart.
β
β
Pat Conroy (The Prince of Tides)
β
The only word for goodness is goodness, and it is not enough.
β
β
Pat Conroy (The Prince of Tides)
β
Teach them the quiet verbs of kindness, to live beyond themselves. Urge them toward excellence, drive them toward gentleness, pull them deep into yourself, pull them upward toward manhood, but softly like an angel arranging clouds. Let your spirit move through them softly.
β
β
Pat Conroy (The Prince of Tides)
β
There is such a thing as too much beauty in a woman and it is often a burden as crippling as homeliness and far more dangerous. It takes much luck and integrity to survive the gift of perfect beauty, and its impermanence is its most cunning betrayal.
β
β
Pat Conroy (The Prince of Tides)
β
Rape is a crime against sleep and memory; it's afterimage imprints itself like an irreversible negative from the camera obscura of dreams.
β
β
Pat Conroy (The Prince of Tides)
β
But even her demons she invested with inordinate beauty, consecrated them with the dignity of her attention.
β
β
Pat Conroy (The Prince of Tides)
β
I love you, Cleo," he said, the words finally coming to him, with no effort at all because of how true they were. "I love you so much it hurts."
Her eyes widened. "What did you just say?"
Magnus almost laughed. "I think you heard me right.
β
β
Morgan Rhodes (Frozen Tides (Falling Kingdoms, #4))
β
A family is one of nature's solubles; it dissolves in time like salt in rainwater.
β
β
Pat Conroy (The Prince of Tides)
β
She was one of those Southerners who knew from an early age that the South could never be more for them than a fragrant prison, administered by a collective of loving but treacherous relatives.
β
β
Pat Conroy (The Prince of Tides)
β
There are no ideas in the South, just barbecue.
β
β
Pat Conroy (The Prince of Tides)
β
Writing poetry and reading books causes brain damage.
β
β
Pat Conroy (The Prince of Tides)
β
He was one of those rare men who are capable of being fully in love only once in their lives.
β
β
Pat Conroy (The Prince of Tides)
β
In families, there are no crimes beyond forgiveness.
β
β
Pat Conroy (The Prince of Tides)
β
I lived with the terrible knowledge that one day I would be an old man still waiting for my real life to start. Already, I pitied that old man.
β
β
Pat Conroy (The Prince of Tides)
β
Rape is a crime against sleep and memory; it's after image imprints itself like an irreversible negative from the camera obscure of dreams. Though their bodies would heal, their souls had sustained a damage beyond compensation
β
β
Pat Conroy (The Prince of Tides)
β
When men talk about the agony of being men, they can never quite get away from the recurrent theme of self-pity. And when women talk about being women, they can never quite get away from the recurrent theme of blaming men.
β
β
Pat Conroy (The Prince of Tides)
β
We've pretended too much in our family, Luke, and hidden far too much. I think we're all going to pay a high price for our inability to face the truth.
β
β
Pat Conroy (The Prince of Tides)
β
We children sat transfixed before that moon our mother had called forth from the waters. When the moon had reached its deepest silver, my sister, Savannah, though only three, cried aloud to our mother, to Luke and me, to the river and the moon, "Oh, Mama, do it again!" And I had my earliest memory.
β
β
Pat Conroy (The Prince of Tides)
β
Every woman I had ever met who walked through the world appraised and classified by an extraordinary physicality had also received the keys to an unbearable solitude. It was the coefficient of their beauty, the price they had to pay.
β
β
Pat Conroy (The Prince of Tides)
β
You have to admire it,' said Laurent, in a detached voice. 'It's the perfect time to attack Akielos. Kastor is dealing with factional problems from the kyroi. Damianos, who turned the tide at Marlas, is dead. And the whole of Vere would rise up against a bastard, especially one who had cut down a Veretian prince. If only my murder weren't the catalyst, it's a scheme I would wholeheartedly support.
β
β
C.S. Pacat (Captive Prince (Captive Prince, #1))
β
Her library would have been valuable to a bibliophile except she treated her books execrably. I would rarely open a volume that she had not desecrated by underlining her favorite sections with a ball-point pen. Once I had told her that I would rather see a museum bombed than a book underlined, but she dismissed my argument as mere sentimentality. She marked her books so that stunning images and ideas would not be lost to her.
β
β
Pat Conroy (The Prince of Tides)
β
I realized early that unless you're willing to kill the innocent, you can't win.
β
β
Pat Conroy (The Prince of Tides)
β
Violence send deep roots into the heart, it has no seasons, it is always ripe, evergreen.
β
β
Pat Conroy (The Prince of Tides)
β
If your parents disapprove of you and are cunning with their disapproval, there will never come a new dawn when you can become convinced of your own value. There is no fixing a damaged childhood. The best you can hope for is to make the sucker float.
β
β
Pat Conroy (The Prince of Tides)
β
There are no verdicts to childhood, only consequences, and the bright freight of memory.
β
β
Pat Conroy (The Prince of Tides)
β
The fruit tasted foreign but indigenous, like sunlight a tree had changed through patience.
β
β
Pat Conroy (The Prince of Tides)
β
Like many men and women who make egregious and irretrievable mistakes with their own children, she would redeem herself by becoming the perfect grandmother.
β
β
Pat Conroy (The Prince of Tides)
β
Kurtis came to see me earlier," Magnus said, before Cleo could reply. "Do you know why?"
"To tell you I've quit archery?"
"No, but it's adorable that you think I'd care about something so trivial.
β
β
Morgan Rhodes (Frozen Tides (Falling Kingdoms, #4))
β
My soul grazes like a lamb on the beauty of an indrawn tide.
β
β
Pat Conroy (The Prince of Tides)
β
They succeeded not only in making me normal but also in making me dull .
β
β
Pat Conroy (The Prince of Tides)
β
It would always be my burden, not that I lacked genius, but that I was fully aware of it.
β
β
Pat Conroy (The Prince of Tides)
β
Take the local, take the express, don't get off till you reach success -- Sidney Rosen (Prince Of Tides)
β
β
Pat Conroy (The Prince of Tides)
β
Her secret, we would discover, was that once you have traveled, the voyage never ends, but is played out over and over again in the quietest chambers, that the mind can never break off from the journey.
β
β
Pat Conroy (The Prince of Tides)
β
Sometimes I go down and stare at it, trying to see my parents in the tide lines of dried blood. I want to feel something, something besides a vague queasiness. I want to feel more, but every time I look at it, I feel less.
β
β
Holly Black (The Cruel Prince (The Folk of the Air, #1))
β
I became one of those anonymous Americans who tries to keep his mind sharp and inquisitive while performing all the humiliating rituals of the middle class
β
β
Pat Conroy (The Prince of Tides)
β
You need to stop the Lilin, but the only thing youβve really accomplished is the loss of your virginity. Still, I suppose congratulations are in order. It is a milestone, after all. Please pass my good tidings to the Prince.
β
β
Jennifer L. Armentrout (Every Last Breath (The Dark Elements, #3))
β
Together they spent their whole lives waiting for their luck to change, as though luck were some fabulous tide that would one day flood and consecrate the marshes of our island, christening us in the iridescent ointments of a charmed destiny.
β
β
Pat Conroy (The Prince of Tides)
β
If your parents disapprove of you and are cunning with their disapproval, there will never come a new dawn when you can become convinced of your own value. There is no fixing a damaged childhood.
β
β
Pat Conroy (The Prince of Tides)
β
A man's only got so many yeses inside him before he uses them all up.
β
β
Pat Conroy (The Prince of Tides)
β
The American male is a quivering mass of insecurities. If a woman makes the mistake of loving him, he will make her suffer terribly for her utter lack of taste.
β
β
Pat Conroy (The Prince of Tides)
β
Even then, her interior life was far more important to her than her external one.
β
β
Pat Conroy (The Prince of Tides)
β
The safe places could only be visited; they could only grant a momentary intuition of sanctuary. The moment always came when we had to return to our real life to face the wounds and grief indigenous to our homr by the river.
β
β
Pat Conroy (The Prince of Tides)
β
Love has no weapons; it has no fists. Love does not bruise, nor does it draw blood.
β
β
Pat Conroy (The Prince of Tides)
β
We had made the error of staying small β and there is no more unforgivable crime in America.
β
β
Pat Conroy (The Prince of Tides)
β
Itβs the southern way, Doctor.β βThe southern way?β she said. βMy motherβs immortal phrase. We laugh when the pain gets too much. We laugh when the pity of human life gets too . . . pitiful. We laugh when thereβs nothing else to do.β βWhen do you weep . . . according to the southern way?β βAfter we laugh, Doctor. Always. Always after we laugh.
β
β
Pat Conroy (The Prince of Tides)
β
is a prince even human? If you add him up, does the total make a man? He is made of shards and broken fragments of the past, of prophecies and of the dreams of his ancestral line. The tides of history break inside him, their current threatens to carry him away. His blood is not his own, but ancient blood.
β
β
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
β
I would like to have seen the world with eyes incapable of anything but wonder, and with a tongue fluent only in praise.
β
β
Pat Conroy (The Prince of Tides)
β
College was to teach me that I was one of life's journeymen, eager to excel but lacking the requisite gifts.
β
β
Pat Conroy (The Prince of Tides)
β
As time passed from solstice to mild solstice in those occluded zones of my early childhood, I played beneath the distracted majesty of my mother's blue-eyed gaze. With her eyes on me I felt as if I were being studied by flowers.
β
β
Pat Conroy (The Prince of Tides)
β
In every southerner, beneath the veneer of clichΓ©s lies a much deeper motherlode of clichΓ©. But even clichΓ© is overlaid with enormous power when a child is involved.
β
β
Pat Conroy (The Prince of Tides)
β
It all makes more sense when I'm out here alone," he smiled. "I can talk myself into anything.
β
β
Pat Conroy (The Prince of Tides)
β
Losing well was a gift, but winning well is this stuff of the authentic manhood.
β
β
Pat Conroy (The Prince of Tides)
β
She saw the world through a dazzling prism of authentic imagination.
β
β
Pat Conroy (The Prince of Tides)
β
She understood the nature of sin and knew that its most volatile form was the kind that did not recognize itself.
β
β
Pat Conroy (The Prince of Tides)
β
As his children, we were treated as some species of migrant workers who happened to be passing through. My father was the only person I ever knew who looked upon childhood as a dishonorable vocation one grew out of as quickly as possible.
β
β
Pat Conroy (The Prince of Tides)
β
The American male is a quivering mass of insecurities. If a woman makes the mistake of loving him, he will make her suffer terribly for her utter lack of taste. I donβt think men can ever forgive women for loving them to the exclusion of all others.
β
β
Pat Conroy (The Prince of Tides)
β
He didnβt deserve her; he knew he didnβt. He was the Prince of Blood, the son of a monster, who said and did cruel things. Who preemptively leapt to hurt anyone before they could hurt him first. But he would show her that he could change. Magnus could change for her. She was his princess. No. She was his goddess. With her golden skin and golden hair. She was his light. His life. His everything. He loved her more than anything else in this world. Magnus
β
β
Morgan Rhodes (Frozen Tides (Falling Kingdoms, #4))
β
I believe with all my heart, that Magnus is a worthy and superior successor to your current king. Therefore, I ask today that you reject Gaius Damora as your leader and take Prince Magnus as your new king. He will right the wrongs that have overtaken Mytica. And he will make Gaius Damora pay for all he has destroyed.
β
β
Morgan Rhodes (Frozen Tides (Falling Kingdoms, #4))
β
Comely was the town by the curving river that they dismantled in a year's time. Beautiful was Colleton in her last spring as she flung azaleas like a girl throwing rice at a desperate wedding. In dazzling profusion, Colleton ripened in a gauze of sweet gardens and the town ached beneath a canopy of promissory fragrance.
β
β
Pat Conroy (The Prince of Tides)
β
It was growing dark on this long southern evening, and suddenly, at the exact point her finger had indicated, the moon lifted a forehead of stunning gold above the horizon, lifted straight out of filigreed, light-intoxicated clouds that lay on the skyline in attendant veils.
Behind us, the sun was setting in a simultaneous congruent withdrawal and the river turned to flame in a quiet duel of gold....The new gold of moon astonishing and ascendant, he depleted gold of sunset extinguishing itself in the long westward slide, it was the old dance of days in the Carolina marshes, the breathtaking death of days before the eyes of children, until the sun vanished, its final signature a ribbon of bullion strung across the tops of water oaks.
β
β
Pat Conroy (The Prince of Tides)
β
She had a grocer's faith in books; they can be handed out like Green Stamps and were redeemable for a variety of useful gifts.
β
β
Pat Conroy (The Prince of Tides)
β
Laughter is the only strategy that has ever worked at all for me when my world was falling apart.
β
β
Pat Conroy (The Prince of Tides)
β
She pronounced each word carefully, as though she was tasting fruit. The words of her poems were a most private and fragrant orchard.
β
β
Pat Conroy (The Prince of Tides)
β
My soul grazes like a lamb on the beauty of indrawn tides.
β
β
Pat Conroy (The Prince of Tides)
β
I learned that if I could read, I could cook. I surprised myself I like it.
β
β
Pat Conroy (The Prince of Tides)
β
You won't believe me, no matter what I say. Clearly there's nothing I can do or say that will change your opinion of me."
"You want everything, take all that you can get, but you give nothing back in return," Magnus snarled through clenched teeth. "Leave me.
β
β
Morgan Rhodes (Frozen Tides (Falling Kingdoms, #4))
β
But, as I watch this film, I often think that the boy did not know what he was really running toward, that it was not the end zone which awaited him. Somewhere in that ten second dash the running boy turned to metaphor and the older man could see it where the boy couldn not. He would be good at running, always good at it, and he would always run away from the things that hurt him, from the people who loved him, and from the friends empowered to save him. But where do we run when there are no crowds, no lights, no end zones? Where does a man run? the coach said, studying the films of himself as a boy. Where can a man run when he has lost the excuse of games? Where can a man run or where can he hide when he looks behind him and sees that he is only pursued by himself?
β
β
Pat Conroy (The Prince of Tides)
β
There was a time when a new deputy tried to teach Mr. Fruit about the difference between a red and a green light, but Mr. Fruit had resisted all efforts to reorder what he had been doing perfectly well for many years. He had not only monitored the comings and goings of the town, his presence softened the ingrained evil that flourished along the invisible margins of the townβs consciousness. Any community can be judged in its humanity or corruption by how it manages to accommodate the Mr. Fruits of the world. Colleton simply adjusted itself to Mr. Fruitβs harmonies and ordinations. He did whatever he felt was needed and he did it with style. βThatβs the Southern wayβ my grandmother said. βThatβs the nice way.
β
β
Pat Conroy (The Prince of Tides)
β
But I want you to know," Cleo continued, "that there is hope. And that I am living proof of that hope. Because, even though I was forced into this marriage against my will, I have come to know Prince Magnus Lukas Damora very well these last months. And one thing I've learned is that Prince Magnus is nothing like his father. Prince Magnus is brave and compassionate, and he truly wants what's just and best for this kingdom. Kindness is what makes a good king who will put the needs and rights of his people before his own desires.
β
β
Morgan Rhodes (Frozen Tides (Falling Kingdoms, #4))
β
If Henry Wingo had not been a violent man, I think he would have made a splendid father.
β
β
Pat Conroy (The Prince of Tides)
β
Iβm not sure the prince was ever taught the polite way to speak to people,β Cleo replied. βAnd yet,β Magnus said, βyouβre still following me, arenβt you?β βFor now. But you should remember that charm opens far more doors than harsh words do.β βAnd a sharp ax will open every door.β The
β
β
Morgan Rhodes (Frozen Tides (Falling Kingdoms, #4))
β
If I catch a fish before the sun rises, I have connected myself again to the deep hum of the planet. If I turn on the television because I cannot stand an evening alone with myself or my family, I am admitting my citizenship with the living dead.
β
β
Pat Conroy (The Prince of Tides)
β
A portion of guilt is standard issue for southern boys; our whole lives are convoluted, egregious apologies to our mothers because our fathers have made us such flawed husbands.
β
β
Pat Conroy (The Prince of Tides)
β
There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past. I am more fabulist than historian, but I will try to give you the insoluble, unedited terror of youth. I betray the integrity of my familyβs history by turning everything, even sadness, into romance. There is no romance in this story; there is only the story.
β
β
Pat Conroy (The Prince of Tides)
β
A ring-whorled prow rode in the harbour,
ice-clad, outbound, a craft for a prince.
They stretched their beloved lord in his boat,
laid out by the mast, amidships,
the great ring-giver. Far fetched treasures
were piled upon him, and precious gear.
I have never heard before of a ship so well furbished
with battle tackle, bladed weapons
and coats of mail. The massed treasure
was loaded on top of him: it would travel far
on out into the ocean's sway.
They decked his body no less bountifully
with offerings than those first ones did
who cast him away when he was a child
and launched him alone over the waves.
And they set a gold standard up
high above his head and let him drift
to wind and tide, bewailing him
and mourning their loss. No man can tell,
no wise man in hall or weathered veteran
knows for certain who salvaged that load.
β
β
Seamus Heaney (Beowulf)
β
And each year, I lose a little bit more of what made me special as a kid. I donβt think as much or question as much. I dare nothing. I put nothing on the line. Even my passions are now frayed and pathetic.
β
β
Pat Conroy (The Prince of Tides)
β
Well, at least she doesnβt have to be a housewife the rest of her life,β she said. βWhat in the hell do you have against housewives?β I said. βI was raised by one,β Savannah said. βAnd it almost ruined my life.β βI got knocked around by a shrimper when I was a kid,β said Luke, βbut I never blamed the shrimp.
β
β
Pat Conroy (The Prince of Tides)
β
it had been a winter of deadening seriousness, when all the illusions and bright dreams of my early twenties had withered and died. I did not yet have the interior resources to dream new dreams; I was far too busy mourning the death of the old ones and wondering how I was to survive without them. I was sure I could replace them somehow , but was not sure I could restore their brassy luster or dazzling impress .
β
β
Pat Conroy (The Prince of Tides)
β
Iβm an American male, Lowenstein,β I said, smiling. βItβs not my job to be open.β βWhat exactly is the American maleβs job?β she asked. βTo be maddening. To be unreadable, controlling, bull-headed, and insensitive,β I said.
β
β
Pat Conroy (The Prince of Tides)
β
I blaze with a deep sullen magic, smell lust like a heron on fire; all words I form into castles then storm them with soldiers of air. What I seek is not there for asking. My armies are fit and well trained. This poet will trust her battalions to fashion her words into blades. At dawn I shall ask them for beauty, for proof that their training went well. At night I shall beg their forgiveness as I cut their throats by the hill. My navies advance through the language, destroyers ablaze in high seas. I soften the island for landings. With words, I enlist a dark army. My poems are my war with the world. I blaze with a deep southern magic. The bombardiers taxi at noon. There is screaming and grief in the mansions and the moon is a heron on fire.
β
β
Pat Conroy (The Prince of Tides)
β
Saints make wonderful grandfathers and lousy husbands.
β
β
Pat Conroy (The Prince of Tides)
β
i was delighted I had offended her upholstered sensibilities.
β
β
Pat Conroy (The Prince of Tides)
β
I donβt know when my parents began their war against each other β but I do know the only prisoners they took were their children.
β
β
Pat Conroy (The Prince of Tides)
β
Lila Wingo would take the raw material of a daughter and shape her into a poet and a psychotic.
β
β
Pat Conroy (The Prince of Tides)
β
Once he had drawn first blood, his war against the property of the state lost all its moral resonance.
β
β
Pat Conroy (The Prince of Tides)
β
After every battle, he ritually dips his hood into the blood of his enemies. Iβve seen the hood, kept under glass in the armory. The fabric is stiff and stained a brown so deep itβs almost black, except for a few smears of green.
Sometimes I go down and stare at it, trying to see my parents in the tide lines of dried blood. I want to feel something, something besides a vague queasiness. I want to feel more, but every time I look at it, I feel less.
β
β
Holly Black (The Cruel Prince (The Folk of the Air, #1))
β
We began our life together at a moment of natural self-pity and defeat that left an inimitable impression on both of us. The rejection chastened me and let me know my proper place in the grand scheme of things. It was the last time I would ever make a move that required boldness or a leap of the imagination. I became tentative, suspicious, and dull. I learned to hold my tongue and mark my trail behind me and to look to the future with a wary eye. Finally, I was robbed of a certain optimism, that reckless acceptance of the world and all it could hand my way that had been my strength and deliverance.
β
β
Pat Conroy (The Prince of Tides)
β
We smiled, and when we stood, the world around us faded, time and space, Prince and King, child and spirit. All that remained was magic - black as ink.
Powerful, vengeful, and full of fury.
Our voice dripped oil, Hauth fixed in our gaze. We stalked him, pinning him in the corner of the room. "They came in the night," we said, "the black and red horde. They burned down my castle, put my kin to the sword. The usurper was crowned, though my blood had not dried. But he did not account for the turn of the tide. For nothing is safe, and nothing is free. Debt follows all men, no matter their plea. When the Shepherd returns, a new day shall ring. Death to the Rowans...
"Long live the King.
β
β
Rachel Gillig (One Dark Window (The Shepherd King, #1))
β
She thought she brought a gift of compassion for those exhausted souls who had not received a chest portion from the people who raised them. If compassion and therapy did not work, she could always send her patients to the local pharmacy for drugs.
β
β
Pat Conroy (The Prince of Tides)
β
Itβs an act of will to have a memory or not, and I chose not to have one. Because I needed to love my mother and father in all their flawed, outrageous humanity, I could not afford to address them directly about the felonies committed against all of us. I could not hold them accountable or indict them for crimes they could not help. They, too, had a historyβone that I remembered with both tenderness and pain, one that made me forgive their transgressions against their own children. In families there are no crimes beyond forgiveness.
β
β
Pat Conroy (The Prince of Tides)
β
Later, long after my grandfather was dead, I would regret that I could never be the kind of man that he was. Though I adored him as a child and found myself attracted to the safe protectorate of his soft, uncritical maleness, I never wholly appreciated him. I did not know how to cherish sanctity, and I had no way of honoring, of giving small voice to the praise of such natural innocence, such a generous simplicity. Now I know that a part of me would like to have traveled the world as he traveled it, a jester of burning faith, a fool and a forest prince brimming with the love of God. I would like to walk his southern world, thanking God for oysters and porpoises, praising God for birdsongs and sheet lightning, and seeing God reflected in pools of creekwater and the eyes of stray cats. I would like to have talked to yard dogs and tanagers as if they were my friends and fellow travelers along the sun-tortured highways, intoxicated with a love of God, swollen with charity like a rainbow, in the thoughtless mingling of its hues, connecting two distant fields in its glorious arc. I would like to have seen the world with eyes incapable of anything but wonder, and a tongue fluent only in praise.
β
β
Pat Conroy (The Prince of Tides)
β
Solitude is an interesting companion. It is both enemy and friend, comforter and tormentor. I spent a lot of time in Dun Cinzci's meat locker trying to decide which. Fortunately, when I tired of solitude, I had guilt to keep me company. Guilt is an even more interesting acquaintance than solitude, let me tell you. Solitude is a harsh but essentially benign attendant. Guilt, on the other hand, is a living, breathing creature, cruel and remorseless. It eats you from the inside out; devours what little hope you have left. It feeds on you, growing stronger with every accursed replayed memory, every useless recrimination." ~ Cayal, The Immortal Prince
β
β
Jennifer Fallon (The Immortal Prince (Tide Lords, #1))
β
This is what makes me crazy in this family, Dad. I don't care that you hit us. I really don't. That's over and there's nothing any of us can do about it. But I can't stand it when I state a simple fact about this family's history and I'm told by you or Mom that it didn't happen. But you've got to know, Dad, and I'm saying this as a son who loves you, that you were a shit to your kids. Not all the time. Not every day. Not every month. But we never knew what would set you off. We never knew when your temper would explode and we'd have the strongest shrimper on the river knocking us around the house. So we learned to be afraid without making a sound. And Mom was a loyal wife to you, Dad. She would never let us tell a soul that you were hitting us. Most of the time, she was like you and would simply tell us it didn't happen the way we remembered it.
β
β
Pat Conroy (The Prince of Tides)
β
And let Apollo drive Prince Hector back to battle,
breathe power back in his lungs, make him forget
the pain that racks his heart. Let him whip the Achaeans
in headlong panic rout and roll them back once more,
tumbling back on the oar-swept ships of Peleus' son Achilles.
And he, will launch his comrade Patroclus into action
and glorious Hector will cut him down with a spear
in front of Troy, once Patroclus has slaughtered
whole battalions of strong young fighting men
and among them all, my shining son Sarpedon.
But then - enraged for Patroclus -
brilliant Achilles will bring Prince Hector down.
And then, from that day on, I'll turn the tide of war:
back the fighting goes, no stopping it, ever.
β
β
Homer (The Iliad)
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When I wept at his funeral, it was not because of my own loss. You carry a man like Amos with you, a memory of immortal rose in the garden of the human ego. No, I cried because my children would never know him and I knew that I was not articulate enough in any language to describe the perfect solitude and perfect charity of a man who believed and lived every simple word of the book he sold door to door the length and breadth of the American South. The only word for goodness is goodness, and it is not enough.
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Pat Conroy (The Prince of Tides)
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It is an art form to hate New York City properly. So far I have always been a featherweight debunker of New York; it takes too much energy and endurance to record the infinite number of ways the city offends me. Were I to list them all, I would fill up a book the size of the Manhattan yellow pages, and that would merely be the prologue. Every time I submit myself to the snubs and indignities of that swaggering city and set myself adrift among the prodigious crowds, a feeling of displacement, profound and enervating, takes me over, killing all the coded cells of my hard-won singularity. The city marks my soul with a most profane, indelible graffiti. There is too much of too much there.
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Pat Conroy (The Prince of Tides)
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Prince Aenys was the first to marry. In 22 AC, he wed the Lady Alyssa, the maiden daughter of the Lord of the Tides, Aethan Velaryon, King Aegonβs lord admiral and master of ships. She was fifteen, the same age as the prince, and shared his silvery hair and purple eyes as well, for the Velaryons were an ancient family descended from Valyrian stock. King Aegonβs own mother had been a Velaryon, so the marriage was reckoned one of cousin to cousin. fruitful. The following year, Alyssa gave birth to a daughter. Prince Aenys named her Rhaena, in honor of his mother. Like her father, the girl was small at birth, but unlike him she proved to be a happy, healthy child, with lively lilac eyes and hair that shone like beaten silver.
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George R.R. Martin (Fire & Blood (A Targaryen History, #1))