“
Sharpen your heart.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
Hush Hattie!" I said, intoxicated with my success. "I don't want to go to my room. Everyone must know I shan't marry the prince." I ran to the door to our street, opened it, and called out into the night, "I shan't marry the prince." I turned back into the hall and ran to Char and threw my arms about his neck. "I shan't marry you." I kissed his cheek. He was safe from me.
”
”
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
“
No ruler in the history of the world has ever been able to afford a war. They're not affordable things. No prince ever says, 'This is my budget, so this is the kind of war I can have.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
The trouble with England, he thinks, is that it's so poor in gesture. We shall have to develop a hand signal for ‘Back off, our prince is fucking this man's daughter.’ He is surprised that the Italians have not done it. Though perhaps they have, and he just never caught on.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
I missed her so much that I wanted to build a hundred-foot memorial to her with my bare hands. I wanted to see her sitting in a vast stone chair in Hyde Park, enjoying her view. Everybody passing could comprehend how much I miss her. How physical my missing is. I miss her so much it is a vast golden prince, a concert hall, a thousand trees, a lake, nine thousand buses, a million cars, twenty million birds and more. The whole city is my missing her. Eugh,
”
”
Max Porter (Grief Is the Thing with Feathers)
“
Makedon was explaining the virtues of iron tea to Laurent, and when Laurent massaged his own temple with finely bred fingers, Makedon remarked, rising, ‘You should have your slave fetch you some.’
‘Fetch me some,’ Laurent said.
Damen rose. And stopped.
Laurent had gone very still. Damen stood there, awkwardly. He could think of no other reason why he had stood up.
He looked up and his eyes met those of Nikandros, who was staring at him. Nikandros was with a small group to one side of the table, the last of the men in the hall. He was the only one to have seen and heard. Damen just stood there.
‘This meeting is over,’ Nikandros announced to the men around him, too loudly. ‘The King is ready to ride.
”
”
C.S. Pacat (Kings Rising (Captive Prince, #3))
“
The prince leans to the girl in scarlet heels,
Her green eyes slant, hair flaring in a fan
Of silver as the rondo slows; now reels
Begin on tilted violins to span
The whole revolving tall glass palace hall
Where guests slide gliding into light like wine;
Rose candles flicker on the lilac wall
Reflecting in a million flagons' shine,
”
”
Sylvia Plath
“
I mean it. I can't go alone. And I really can't go with Levana."
"Well, there are about 200,000 single girls in this city who would fall over themselves to have the privilege."
A hush passed between them...
"Cinder."
She couldn't help it. She looked at him...
"200,000 single girls," he said. "Why not you?"
Cyborg. Lunar. Mechanic. She was the last thing he wanted.
She opened her lips, and the elevator stopped. "I'm sorry. But trust me---you don't want to go with me."
The doors opened and the tension released her. She rushed out of the elevator, head down, trying to look at the small group of people waiting for the elevator.
"Come to the ball with me."
She froze. Everyone in the hallway froze.
Cinder turned back. Kai was still standing in elevator B one hand propping open the door.
Her nerves frazzled, and all the emotions of the past hour were converging into a single sickening feeling---exasperation. The hall was filled with doctors, nurses, androids, officials, technicians, and they all fell into an awkward hush and stared at the prince and the girl in the baggy cargo pants he was flirting with.
Flirting.
Squaring her shoulders, she retreated back into the elevator and pushed him inside, not even caring that it was her metal hand. "Hold the elevator," he said to the android as the doors shut behind him. He smiled. "That got your attention.
”
”
Marissa Meyer
“
At the word sacrifice, something sparked in the Fate's cold eyes. He held the girl tighter, carrying her in his bloodstained arms as he stood and started down the ancient hall.
'What are you doing?' A crack of alarm showed in the queen's implacable face.
'I'm going to fix this.' He continued marching forward, holding the girl close as he carried her back through the arch.
The angels who'd been guarding it now wept. They cried tears of stone as the Fate set the girl at their feet and began wrenching stone after stone from the arch.
'Jacks of the Hollow,' warned the queen. 'Those arch stones can only be used one time to go back. They were not created for infinite trips to the past.'
'I know,' Jacks growled. 'I'm going to go back and stop your son from killing her.'
The queen's face fell. For a moment, she looked as old as the years she'd spent lying in suspended state. 'This is not a small mistake to fix. If you do this, Time will take something equally valuable from you.'
The Fate gave the queen a look more vicious than any curse. 'There is nothing of equal value to me.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Some say the Tudors transcend this history, bloody and demonic as it is: that they descend from Brutus through the line of Constantine, son of St Helena, who was a Briton. Arthur, High King of Britain, was Constantine's grandson. He married up to three women, all called Guinevere, and his tomb is at Glastonbury, but you must understand that he is not really dead, only waiting his time to come again.
His blessed descendant, Prince Arthur of England, was born in the year 1486, eldest son of Henry, the first Tudor king. This Arthur married Katharine the princess of Aragon, died at fifteen and was buried in Worcester Cathedral. If he were alive now, he would be King of England. His younger brother Henry would likely be Archbishop of Canterbury, and would not (at least, we devoutly hope not) be in pursuit of a woman of whom the cardinal hears nothing good: a woman to whom, several years before the dukes walk in to despoil him, he will need to turn his attention; whose history, before ruin seizes him, he will need to comprehend.
Beneath every history, another history.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
But her attention was on the prince across from her, who seemed utterly ignored by his father and his own court, shoved down near the end with her and Aedion.
He ate so beautifully, she thought, watching him cut into his roast chicken. Not a drop moved out of place, not a scrap fell on the table. She had decent manners, while Aedion was hopeless, his plate littered with bones and crumbs scattered everywhere, even some on her own dress. She’d kicked him for it, but his attention was too focused on the royals down the table.
So both she and the Crown Prince were to be ignored, then. She looked at the boy again, who was around her age, she supposed. His skin was from the winter, his blue-black hair neatly trimmed; his sapphire eyes lifted from his plate to meet hers.
“You eat like a fine lady,” she told him.
His lips thinned and color stained his ivory cheeks. Across from her, Quinn, her uncle’s Captain of the Guard, choked on his water.
The prince glanced at his father—still busy with her uncle—before replying. Not for approval, but in fear. “I eat like a prince,” Dorian said quietly.
“You do not need to cut your bread with a fork and knife,” she said. A faint pounding started in her head, followed by a flickering warmth, but she ignored it. The hall was hot, as they’d shut all the windows for some reason.
“Here in the North,” she went on as the prince’s knife and fork remained where they were on his dinner roll, “you need not be so formal. We don’t put on airs.”
Hen, one of Quinn’s men, coughed pointedly from a few seats down. She could almost hear him saying, Says the little lady with her hair pressed into careful curls and wearing her new dress that she threatened to skin us over if we got dirty.
She gave Hen an equally pointed look, then returned her attention to the foreign prince. He’d already looked down at his food again, as if he expected to be neglected for the rest of the night. And he looked lonely enough that she said, “If you like, you could be my friend.” Not one of the men around them said anything, or coughed.
Dorian lifted his chin. “I have a friend. He is to be Lord of Anielle someday, and the fiercest warrior in the land.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
He who knows not that the Prince of Darkness is the other face of the King of Light knows not me.
”
”
Manly P. Hall
“
The [elevator] doors opened and the tension released her. She rushed out of the elevator, head down, trying to look at the small group of people waiting for the elevator.
"Come to the ball with me."
She froze. Everyone in the hallway froze.
Cinder turned back. Kai was still standing in elevator B one hand propping open the door.
Her nerves frazzled, and all the emotions of the past hour were converging into a single sickening feeling---exasperation. The hall was filled with doctors, nurses, androids, officials, technicians, and they all fell into an awkward hush and stared at the prince and the girl in the baggy cargo pants he was flirting with.
Flirting.
Squaring her shoulders, she retreated back into the elevator and pushed him inside, not even caring that it was her metal hand. "Hold the elevator," he said to the android as the doors shut behind him. He smiled. "That got your attention.
”
”
Marissa Meyer
“
The hall was filled with doctors, nurses, androids, officials, technicians, and they all fell into an awkward hush and stared at the prince and the girl in the baggy cargo pants he was flirting with. Flirting.
”
”
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
“
The brave princess Lucretia raced through the marble halls of the palace. "I must find Cordelia, " she gasped. "I must save her."
"I believe Prince James holds her even now, captive in his throne room!" Sir Jerrod exclaimed. "But Princess Lucretia, even though you are the most beautiful and wise lady that I have ever met, surely you cannot fight your way through a hundred of his stoutest palace guard!" The knight's green eyes flashed. His straight black hair was is disarranged, and his white shirt entirely undone.
"But I must!" Lucretia cried.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
You, Doctor Martin, walk
from breakfast to madness. Late August,
I speed through the antiseptic tunnel
where the moving dead still talk
of pushing their bones against the thrust
of cure. And I am queen of this summer hotel
or the laughing bee on a stalk
of death. We stand in broken
lines and wait while they unlock
the doors and count us at the frozen gates
of dinner. The shibboleth is spoken
and we move to gravy in our smock
of smiles. We chew in rows, our plates
scratch and whine like chalk
in school. There are no knives
for cutting your throat. I make
moccasins all morning. At first my hands
kept empty, unraveled for the lives
they used to work. Now I learn to take
them back, each angry finger that demands
I mend what another will break
tomorrow. Of course, I love you;
you lean above the plastic sky,
god of our block, prince of all the foxes.
The breaking crowns are new
that Jack wore. Your third eye
moves among us and lights the separate boxes
where we sleep or cry.
What large children we are
here. All over I grow most tall
in the best ward. Your business is people,
you call at the madhouse, an oracular
eye in our nest. Out in the hall
the intercom pages you. You twist in the pull
of the foxy children who fall
like floods of life in frost.
And we are magic talking to itself,
noisy and alone. I am queen of all my sins
forgotten. Am I still lost?
Once I was beautiful. Now I am myself,
counting this row and that row of moccasins
waiting on the silent shelf.
”
”
Anne Sexton (To Bedlam and Part Way Back)
“
Always more, never less.
”
”
Karina Halle (The Swedish Prince (Royal Romance, #1))
“
We were in the middle of a game of cards when I noticed a figure out of the corner of my eye. It was Maxon, standing at the open door, looking amused. As our eyes met, I could see that his expression was clearly asking what in the world I was doing. I stood, smiling, and walked over to him.
"Oh, sweet Lord," Anne muttered as she realized the prince was at the door. She immediately swept the cards into a sewing basket and stood, Mary and Lucy following suit.
"Ladies," Maxon said.
"Your Majesty," she said with a curtsy. "Such an honor, sir."
"For me as well," he answered with a smile.
The maids looked back and forth to one another, flattered. We were all silent for a moment, not quite sure what to do.
Mary suddenly piped up. "We were just leaving."
"Yes! That's right," Lucy added. "We were-uh-just..." She looked to Anne for help.
"Going to finish Lady America's dress for Friday," Anna concluded.
"That's right," Mary said. "Only two days left.
They slowly circled us to get out of the room, huge smiles plastered on their faces.
"Wouldn't want to keep you from your work," Maxon said, following them with his eyes, completely fascinated with their behavior.
Once in the hall, they gave awkwardly mistimed curtsies and walked away at a feverish pace. Immediately after they rounded the corner, Lucy's giggles echoed down the corridor, followed by Anne's intense hushing.
"Quite a group you have," Maxon said, walking into my room, surveying the space.
"They keep me on my toes," I answered with a smile.
"It's clear they have affection for you. That's hard to find." He stopped looking at my room and faced me. "This isn't what I imagined your room would look like."
I raised an arm and let it fall. "It's not really my room, is it? It belongs to you, and I just happen to be borrowing it.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Perhaps a stranger would look at Toby and see little more than a skinny postadolescent with a shockingly bad haircut. But he was my boyfriend, my dom, my fragile prince, and he was nothing less than beautiful to me.
”
”
Alexis Hall (For Real (Spires, #3))
“
Enguerran looked up at Damen. The last
time they had faced one another,
Enguerran had been trying to
bar Damen from Touars's hall. An
Akielon has no place in the company of
men.
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
Be my good girl and kiss your prince tonight with my cum still clinging to your lips.
”
”
Jescie Hall (That Sik Luv)
“
A ring-whorled prow rode in the harbour,
ice-clad, outbound, a craft for a prince.
They stretched their beloved lord in his boat,
laid out by the mast, amidships,
the great ring-giver. Far fetched treasures
were piled upon him, and precious gear.
I have never heard before of a ship so well furbished
with battle tackle, bladed weapons
and coats of mail. The massed treasure
was loaded on top of him: it would travel far
on out into the ocean's sway.
They decked his body no less bountifully
with offerings than those first ones did
who cast him away when he was a child
and launched him alone over the waves.
And they set a gold standard up
high above his head and let him drift
to wind and tide, bewailing him
and mourning their loss. No man can tell,
no wise man in hall or weathered veteran
knows for certain who salvaged that load.
”
”
Seamus Heaney (Beowulf)
“
You are my life and you are my everything and you are my love,” he says gently. “You have shaken me to my very soul, rattled the bars around my heart, and I am yours, Maggie, I am yours.
”
”
Karina Halle (The Swedish Prince (Royal Romance, #1))
“
...I can't abide snakes."
"I don't even think of her as a snake."
"Ce'Nedra," he said patiently, "she's long and skinny, she wriggles, she doesn't have any arms or legs, and she's poisonous. By definition, she's a snake."
"...I'm bitterly disappointed in you, Prince Kheldar. She's a sweet, loving, brave little creature, and you're insulting her." He looked at her for a moment, then rose to his feet and bowed floridly to the earthenware bottle. "I'm dreadfully sorry, dear Zith," he apologized. "I can't think what came over me. Can you possible find it in your cold little green heart to forgive me?"
Zith hissed at him, a hiss ending in a curious grunt.
"She says to leave her alone," Sadi told him.
"Can you really understand what she's saying?"
"In a general sort of way, yes. Snakes have a very limited vocabulary, so it's not all that difficult to pick up a few phrases here and there." The eunuch frowned. "She's been swearing a great deal lately, though, and that's not like her. She's usually a very ladylike little snake."
"I can't believe I'm actually involved in this conversation," Silk said, shaking his head and going off down the hall toward the back of the house.
”
”
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
“
Little Cinder
Girl, they can't understand you.
You rise from the as-heap in a blaze
and only then do they recognize you
as their one true love.
While you pray beneath your mother's
tree you carrve a phoenix into your palm
wth aa hazel twig and coal;
every night she devours more of you.
You used to believe in angels.
Now you believe in the makeover;
if you can't get the grime off your face
and your foot into a size six heel
who will ever bother to notice you?
The kettle and the broom sear in your grasp,
snap into fragments. The turtledoves sing,
"There's blood within the shoe."
You deserve the palace, you think, as you signal
the pigeons to attack, approve the barrel filled with red-hot nails.
Its great hearth beckons, and the prince's flag
rises crimson in the angry sun.
He will love you for the heat you generate,
for the flames you ignite around you,
though he encase your tiny feet in glass
to keep them from scorching the ground.
”
”
Jeannine Hall Gailey (Becoming the Villainess)
“
The king takes a deep ragged breath. He's been shouting. Now – and it's a narrow thing – he decides to laugh. ‘You advocate prudence. Prudence is a virtue. But there are other virtues that belong to princes.’
‘Fortitude.’
‘Yes. Cost that out.’
‘It doesn't mean courage in battle.’
‘Do you read me a lesson?’
‘It means fixity of purpose. It means endurance. It means having the strength to live with what constrains you.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
the lawyers’ saying ‘Le mort saisit le vif’? The dead grip the living. The prince dies but his power passes at the moment of his death, there is no lapse, no interregnum
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
We shall have to develop a hand signal for "Back off, our prince is fucking this man's daughter." He is surprised the Italians have not done it.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
What the hell are you doing?' Jacks growled.
Evangeline turned toward his voice, sweat trickling down her cheek, as she found him standing in the doorway. A vein throbbed furiously along the line of his smooth, marble neck. His skin looked so cool, and she was so hot. All she wanted was to press her mouth to his throat and maybe lick it just once. Her blood rushed faster at the thought, and her fangs started to lengthen.
'Jacks, get out of here!' Chaos ordered. 'Unless you've changed your mind about her becoming a vampire.'
Chaos gripped Evangeline's wrists tighter, pressing them- along with her- more firmly to the bed. She writhed against his grip; he was crushing her again with the full weight of his body.
Something loud cracked in the doorway.
Her eyes shot back to Jacks, who was fisting the now splintered edge of the door. Had he done that with his hands?
He certainly looked livid enough. His silver-blue eyes turned midnight dark as he watched her struggling under Chaos.
Evangeline dimly knew that she should stop her thrashing. If she broke free from Chaos and managed to bite Jacks, the life she had- the life she wanted to keep- would be over. But she also wanted this. She wanted Jacks to stop her struggling. She wanted him to rip Chaos off her chest so that he could pin her to the bed instead.
Evangeline took a rasping breath, and her gaze collided with Jacks' once more.
He scrubbed a hand over his jaw. With Evangeline's heightened senses, she could hear it clench under his palm. Then she heard the scrape of Jacks' boots as he sharply turned and disappeared down the hall.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
My father’s dead.’ The words had a finality to them. His father was buried in Akielos beneath the columned halls of the silent, where the pain and confusion of his last days would never trouble him again. He looked up at Laurent. ‘You
”
”
C.S. Pacat (Kings Rising (Captive Prince, #3))
“
the wise prince is not always the most popular prince;
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
I’ve minded my manners, I’ve stayed noble, but when it comes to taking her in the bedroom, all of that is gone. I won’t be royal. I’ll be a savage instead.
”
”
Karina Halle (The Swedish Prince (Royal Romance, #1))
“
I will be here by your side, as much as I can. As Viktor, not a prince. As your friend, your lover, your man.
”
”
Karina Halle (The Swedish Prince (Royal Romance, #1))
“
If your chance comes to serve, you will have to take him as he is, a pleasure-loving prince. And he will have to take you as you are, which is rather like one of those square-shaped fighting dogs that low men tow about on ropes. Not that you are without a fitful charm, Tom.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
He felt like hearing Mrs. Grogan’s prayer again, and so he went to the girls’ division a little early for his usual delivery of Jane Eyre. He eavesdropped in the hall on Mrs. Grogan’s prayer; I must ask her if she’d mind saying it to the boys, he thought, then wondered if it would confuse the boys coming so quickly on the heels of, or just before, the Princes of Maine, Kings of New England benediction. I get confused myself sometimes, Dr. Larch knew.
‘Grant us a safe lodging, and a holy rest,’ Mrs. Grogan was saying, ‘and peace at the last.’
Amen, thought Wilbur Larch, the saint of St. Cloud’s, who was seventy-something, and an ether addict, and who felt that he’d come a long way and still had a long way to go.
”
”
John Irving (The Cider House Rules)
“
There is great strength in trying. It’s like working a muscle. The more you try to do something, the more you try to do better, the stronger you’ll get.” A silence falls between us as the last of the sun disappears. Dark blue
”
”
Karina Halle (The Swedish Prince (Nordic Royals, #1))
“
[...]
“What were you going to do if he’d refused ?”
Jaenelle looked at him and smiled.
Butterflies filled his stomach and tickled unmercifully before turning into heavy, sinking stones.
“Well,” his darling said, “you have a wonderful deep voice too. So if Papa refused, I was going to ask you.”
Saetan walked into the sitting room where he’d asked Geoffrey and Draca, the Keep’s Seneschal, to meet him.
“My friends, this bottle of wine arrived this evening, compliments of Prince Sadi. Since it came from the wine cellar at the Hall, I can assure you it is a very fine vintage, one best enjoyed when shared.”
He called in three glasses and opened the wine.
Draca said nothing until he handed her a glass. “What iss the occassion ?”
Saetan grinned. “My son has just realized how much his father loves him.
”
”
Anne Bishop (Tangled Webs (The Black Jewels, #6))
“
...while epic fantasy is based on the fairy tale of the just war, that’s not one you’ll find in Grimm or Disney, and most will never recognize the shape of it. I think the fantasy genre pitches its tent in the medieval campground for the very reason that we even bother to write stories about things that never happened in the first place: because it says something subtle and true about our own world, something it is difficult to say straight out, with a straight face. Something you need tools to say, you need cheat codes for the human brain--a candy princess or a sugar-coated unicorn to wash down the sour taste of how bad things can really get.
See, I think our culture has a slash running through the middle of it, too. Past/Future, Conservative/Liberal, Online/Offline. Virgin/Whore. And yes: Classical/Medieval. I think we’re torn between the Classical Narrative of Self and the Medieval Narrative of Self, between the choice of Achilles and Keep Calm and Carry On.
The Classical internal monologue goes like this: do anything, anything, only don’t be forgotten. Yes, this one sacrificed his daughter on a slab at Aulis, that one married his mother and tore out his eyes, and oh that guy ate his kids in a pie. But you remember their names, don’t you? So it’s all good in the end. Give a Greek soul a choice between a short life full of glory and a name echoing down the halls of time and a long, gentle life full of children and a quiet sort of virtue, and he’ll always go down in flames. That’s what the Iliad is all about, and the Odyssey too. When you get to Hades, you gotta have a story to tell, because the rest of eternity is just forgetting and hoping some mortal shows up on a quest and lets you drink blood from a bowl so you can remember who you were for one hour.
And every bit of cultural narrative in America says that we are all Odysseus, we are all Agamemnon, all Atreus, all Achilles. That we as a nation made that choice and chose glory and personal valor, and woe betide any inconvenient “other people” who get in our way. We tell the tales around the campfire of men who came from nothing to run dotcom empires, of a million dollars made overnight, of an actress marrying a prince from Monaco, of athletes and stars and artists and cowboys and gangsters and bootleggers and talk show hosts who hitched up their bootstraps and bent the world to their will. Whose names you all know. And we say: that can be each and every one of us and if it isn’t, it’s your fault. You didn’t have the excellence for it. You didn’t work hard enough. The story wasn’t about you, and the only good stories are the kind that have big, unignorable, undeniable heroes.
”
”
Catherynne M. Valente
“
Prince Severin happened to be pacing in the little hall when the stained-glass skylight shattered, and a young woman fell through the ceiling with the broken glass. She dropped like a twisting cat and landed with an ominous crack. The
”
”
K.M. Shea (Beauty and the Beast (Timeless Fairy Tales, #1))
“
I dream of the man, but it’s fragmented: he’s there, but he isn’t. He’s always one room away, in a place with more rooms than seems possible. I run down endless halls, longing for and dreading him being around the corner. I hear him call out for me and the skin on the back of my neck tightens and prickles. I don’t know if I’m running to him, or from him.
”
”
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
“
You…you Victor, you are a prince in every way shape and form. You embody the word, you are selfless and kind and proud and smart and noble and you care, more than anything, you care. You’re the prince that every girl had a fantasy about but you’re more than that, because you’re real. You’re so real. And you’re here right now and you’re with me and I can’t…I can’t thank you enough.
”
”
Karina Halle (The Swedish Prince (Royal Romance, #1))
“
The gown is the most gorgeous thing I've ever seen,' I say to her, as I can pay her no other way without insult. It has been a long time since I have been given a gift, barbed though it may be. 'It does feel as though it might come from a dream.'
That makes Habetrot's cheeks pink. 'Good. Maybe you will come back and tell me how the Prince of Sunlight liked the Queen of Night.'
Embarrassed, I step out into the hall, wondering how she could believe that a dress- no matter how beautiful- could make me into an object of desire.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
Kai remembered he hadn’t delivered the most important information. He leaned close to Bashasa and whispered, “The water intention is flooding everywhere. I don’t know if it’ll stop. It’s so far underwater by now no one could reach it to make it stop.” “But we must leave this place where we were held against our will, and make our plans elsewhere,” Bashasa continued without hesitation. “The Fourth Prince has unleashed a powerful working which will leave it flooded, and confuse any pursuit. It will also prevent the other Hierarchs from retaking the Summer Halls, at least for a time.
”
”
Martha Wells (Witch King (The Rising World, #1))
“
I missed her so much that I wanted to build a hundred-foot memorial to her with my bare hands. I wanted to see her sitting in a vast stone chair in Hyde Park, enjoying her view. Everybody passing could comprehend how much I miss her. How physical my missing is. I miss her so much it is a vast golden prince, a concert hall, a thousand trees, a lake, nine thousand buses, a million cars, twenty million birds and more. The whole city is my missing her.
”
”
Max Porter (Grief Is the Thing with Feathers)
“
I could kiss you for a thousand days and it still wouldn’t be enough,” he says. “I could gaze at you for a million days and it wouldn’t be enough. I could touch you, taste you, be so deep inside you that you’re fused to my skin, do this forever and it still wouldn’t be enough forever with you isn’t enough.
”
”
Karina Halle (The Swedish Prince (Royal Romance, #1))
“
I watch the skies, Badger, for it is mine to watch, as it is yours to remember. Tarva and Alambil have met in the halls of high heaven, and on earth a son of Adam has once more arisen to rule and name the creatures. The hour has struck. Our council at the Dancing Lawn must be a council of war.” He spoke in such a voice that neither Caspian nor the others hesitated for a moment: it now seemed to them quite possible that they might win a war and quite certain that they must wage one.
”
”
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #2))
“
Most of all, I hate you because I think of you. Often. It's disgusting, and I can't stop.'
I am shocked in to silence.
'Maybe you should shoot me after all,' he says, covering his face with one long-fingered hand.
...
He doesn't look up as I walk around the desk to him. I place the tip of the blade against the bottom of his chin, as I did the day before in the hall, and I tilt his face toward mine. He shifts his gaze with obvious reluctance.
The horror and shame on his face look entirely too real. Suddenly, I am not so sure what to believe.
I lean toward him, close enough for a kiss. His eyes widen. The look in his face is some commingling of panic and desire. It is a heady feeling, having power over someone. Over Cardan, who I never thought had any feelings at all.
'You really do want me,' I say, close enough to feel the warmth of his breath as it hitches. 'And you hate it.' I change the angle of the knife, turning it so it's against his neck. He doesn't look nearly as alarmed by that as I might expect.
Not nearly as alarmed as when I bring my mouth to his.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
This was no slouchy prince of wine halls and debauchery, as Easterners were said to be.
”
”
Madeline Miller (The Song of Achilles)
“
Oh, save me, Prince Charming, for I am pretty and cannot do a thing for myself. Bat lashes, wiggle bottom, ad nauseum.
”
”
Marie Hall (Kingdom Series Collection #1-3 (Kingdom, #1-3))
“
There’s dirty talk, and then there’s Prince Orlando’s dirty talk, and I don’t think you can even compare the two.
”
”
Karina Halle (The Royal Rogue (Nordic Royals, #4))
“
What I really wanted was to go to Disneyland. There were multiple kids in my grade with annual passes, I remember thinking they were the richest kids in the world, practically royalty. Now I’m with actual royalty. Funny how life works. Standing outside the gates to the Magic Kingdom, with an actual god damn prince by my side, a prince who outshines any of the ones in the park, a prince who would have his own kingdom, his own country, one day. A prince who… Is smoking a joint?
”
”
Karina Halle (The Swedish Prince (Nordic Royals, #1))
“
I stomp back through the hall to my room and swing open the door, only to find Oak lounging in one of the chairs, his long limbs spread out in shameless comfort. A flower crown of myrtle rests just above his horns. With it, he wears a new shirt of white linen and scarlet trousers embroidered with vines. Even his hooves appear polished.
He looks every bit the handsome faerie prince, beloved by everyone and everything. Rabbits probably eat from his hands. Blue jays try to feed him worms meant for their own children.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
I stand in front of the polished wood door, lit by two lamps of trapped sprites who fly in desperate circles. They illuminate a carving of an enormous and sinister face. The knocker, a circle piercing its nose.
Cardan reaches for it, and because I have grown up in Faerie, I am not entirely surprised in to a scream when the door's eyes open.
'My prince,' it says.
'My door,' he says in return, with a smile that conveys both affection and familiarity. It's bizarre to see his obnoxious charm used for something other than evil.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
To Renard's suspicious eye, Elizabeth's nebulous role at court had taken on a new and sinister signifiance. This unspoken Protestant heir presumptive was suddenly the greatest obstacle to Prince Philip's path to England and Renard had already resolved to dispose of her at his earliest conveneicne. Accordingly, he invited her to dance and tried his hand at a little subtle flattery. They manoevered delicately down the Hall, like two scorpions locked in mortal combat, but no matter how he tried, he could not get close enough to sting.
”
”
Susan Kay (Legacy)
“
The trouble with England, he thinks, is that it's so poor in gesture. We shall have to develop a hand signal for "Back off, our prince is fucking this man's daughter." He is surprised that the Italians have not done it. Though perhaps they have, and he just never caught on.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
I kissed her and it was like my whole life became condensed to that little flashpoint. Every kiss that came before was obliterated and every kiss that comes after will never measure up, so long as it’s with someone other than her.
That kiss undid me in ways I didn’t see coming.
”
”
Karina Halle (The Swedish Prince (Royal Romance, #1))
“
No ruler in the history of the world has ever been able to afford a war. They’re not affordable things. No prince ever says, ‘This is my budget, so this is the kind of war I can have.’ You enter into one and it uses up all the money you’ve got, and then it breaks you and bankrupts you.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
Doing something stupid and reckless is not a better proof of your love than doing something measured and powerful. You are no longer the boy who chased Regal's coterie through the halls of Buckkeep Castle with a bared blade. You are Prince FitzChivalry Farseer. And we will make them pay with every drop of their blood.
”
”
Robin Hobb (Fool's Quest (The Fitz and the Fool, #2))
“
I don’t want the poised and regal Viktor that I’ve seen lately, the one in the suit, the one who always knows the right things to say. I want a Viktor that’s raw and messy and wile. I want him to fuck me up before he fucks me, fuck me up while he fucks me. I want to see him lose all control and struggle to regain it all back.
”
”
Karina Halle (The Swedish Prince (Royal Romance, #1))
“
Not to be inedible here, but he is a prince and you are staying in his castle. I wouldn't piss him off.”
“I think you mean indelicate,” Prudence corrected.
“That's what I said,” the woman insisted. “Now, get your rump across the hall and take care of that man! And if you're a decent human being, you'll tell us all about it later!”
--From "Big Love
”
”
Seraphina Donavan (Wicked Fairy Tales: The Curvy Collection)
“
When I saw you in the hall with Darian,” he says at last, “I felt more angry than I’ve felt in a long time. I was angry and . . . and afraid, that you wanted to be there, that you wanted him touching you. In that one look, I felt more than I’ve ever felt with Caspida. Zahra, I think you’re right—love isn’t a choice. If I could choose to love Caspida, maybe this would all be going differently, but I don’t think that’s possible. Not anymore.”
All the smoke inside me sinks as I stare at him. “What are you saying?”
He turns and meets my gaze squarely. As much I want to, I find it impossible to look away. The intensity of his copper gaze holds me entranced.
“I think you know,” he says softly. “Or am I the only one who feels it?
”
”
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
“
Harsh, yes . . . but the question is, have you picked your prince? Because that is what you do, you choose him, and you know what he is. And then, when you have chosen, you say yes to him—yes, that is possible, yes, that can be done. If you don’t like Henry, you can go abroad and find another prince, but I tell you—if this were Italy, Katherine would be cold in her tomb.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
You feel so good,” he grunts into my neck, one hand now pinning my arms above my head, while the other slides between us and starts tapping my clit, “Come for me again, I want to see your face as you’re coming . I want to see what you look like when you call my name, when I’m fucking you so good. Helvete.”
Holy shit, this dirty talking Swedish bastard is going to be the death of me.
”
”
Karina Halle (The Swedish Prince (Royal Romance, #1))
“
There you are.” Roshar beamed. “I need your help, Arin.”
“For the preparation of meat?”
“It’s very important. You must impress this importance upon your cook here. The fate of political relations between my country and yours hangs in the balance.”
“Because of meat.”
“It’s for his tiger,” said the cook.
Arin palmed his face, eyes squeezed shut. “Your tiger.”
“He’s very particular,” said Roshar.
“You can’t bring the tiger to the banquet.”
“Little Arin has missed me. I will not be parted from him.”
“Would you consider changing his name?”
“No.”
“What if I begged?”
“Not a chance.”
“Roshar, the tiger has grown.”
“And what a sweet big boy he is.”
“You can’t bring him into a dining hall filled with hundreds of people.”
“He’ll behave. He has the mien and manners of a prince.”
“Oh, like you?”
“I resent your tone.”
“I’m not sure you can control him.”
“Has he ever been aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you’ll get married, and make babies--”
“Gods, Roshar, shut up.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Hollow Hall is a stone manor with a tall, crooked tower, the whole thing half-covered in vines and ivy. There's a balcony on the second floor that seems to have a rail of thick roots in place of iron. A curtain of thinner tendrils hangs down from it, like a scraggly beard clotted with dirt. There is something misshapen about the estate that ought to make it charming but instead makes it ominous.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
If Henry lives twenty years, Henry who is Wolsey's creation, and then leaves this child to succeed him, I can build my own prince: to the glorification of God and the commonwealth of England. Because I will not be too old. Look at Norfolk, already he is sixty, his father was seventy when he fought at Flodden. And I shall not be like Henry Wyatt and say, now I am retiring from affairs. Because what is there, but affairs?
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
What are you doing here?” Prince Sulien asks, ignoring my inquiry, an edge to his words. His irritated tone helps to snap me from my dirty thoughts. A little.
“I don’t know what I’m doing here. Maybe I was just drawn to your room by some kind of magical force,” I tell him sarcastically.
Prince Zane smiles seductively. “My room’s across the hall… If you ever feel a magical force and want to head there, you’re welcome.
”
”
Lacey Carter Andersen (Shadow of the Crown (Court of the Fae Princes #1))
“
I was on duty when our submarine went into port in Nassau and tied up at the Prince George Wharf, and I was the officer who accepted an invitation from the governor-general of the Bahamas for our officers and crewmen to attend an official ball to honor the U.S. Navy. There was a more private comment that a number of young ladies would be present with their chaperones. All of us were pleased and excited, and Captain Andrews responded affirmatively. We received a notice the next day that, of course, the nonwhite crewmen would not be included. When I brought this message to the captain, he had the crew assemble in the mess hall and asked for their guidance in drafting a response. After multiple expletives were censored from the message, we unanimously declined to participate. The decision by the crew of the K-1 was an indication of how equal racial treatment had been accepted—and relished. I was very proud of my ship. On leave
”
”
Jimmy Carter (A Full Life: Reflections at Ninety)
“
Now the city is under siege from its own prince-bishop, who intends to starve it out. The defenders, they say, are for the most part the women and children left behind; they are held in dread by a tailor called Bockelson, who has crowned himself King of Jerusalem. It is rumored that Bockelson’s friends have instituted polygamy, as recommended in the Old Testament, and that some of the women have been hanged or drowned rather than submit to rape under cover of Abraham’s law.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
Let me see if I understand this," Jaenelle said.
[...]
"You and Falonar have decided to go your own ways," Jaenelle said with a patience that made Surreal wary.
She shrugged. "It was a mutual decision." The bastard.
"Uh-huh. So you packed your bags..."
"It was his eyrie," Surreal cut in. "I certainly didn't want to live there." And I didn't want to watch him courting Nurian in ways he never thought to court me.
"...and left Ebon Rih without telling Lucivar."
"Who would have strung Falonar up by the heels"... or by the balls, which might have been interesting to watch... "before having a little chat."
"No," Jaenelle said, "he would have waited for Chaosti to show up, and then he would have strung Falonar up by the heels." She paused. "Maybe by the heels."
Which just confirmed why Surreal had slipped away from Ebon Rih before Lucivar had time to notice. As the Warlord Prince of Ebon Rih dealing with a Warlord Prince who was his second-in-command, Lucivar would have been nasty and explosive. Chaosti, the Warlord Prince of the Dea al Mon and a kinsman on her mother's side, would have approached Falonar with the protective viciousness that made Warlord Princes such a deadly facet of Blood society.
Dealing with the male relatives she'd acquired since coming to Kaeleer was so much fun.
"And you entered the Hall through one of the side doors to avoid seeing Daemon, who's working in his study and would have met you before you got out of the great hall."
Feeling more wary by the minute, Surreal did her best to look indifferent. "No reason for him to get involved in this." Sweet Darkness, please don't let him think this is any business of his. "Besides, I don't need either of them getting all snarly and protective over something that was a mutual decision."
"So instead of mentioning this to either of them, you went to the Keep and told Saetan."
Surreal winced. "Well, I figured I should tell someone before leaving Ebon Rih."
"Uh-huh. So you told the High Lord of Hell, the patriarch of this family, the man from whom Daemon and Lucivar inherited the temper you were trying to avoid." Jaenelle pushed the quilt aside and swung her legs over the side of the couch to sit up straight. "Did I miss something ?
”
”
Anne Bishop (Dreams Made Flesh (The Black Jewels, #5))
“
Sign of Life. Now Pharaoh and his house and the priests in every temple, and indeed all Egypt went mad with joy, though there were many who in secret mourned over the sex of the infant, whispering that a man and not a woman should wear the Double Crown. But in public they said nothing, since the story of this child had gone abroad and folk declared that it was sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and death until the
”
”
H. Rider Haggard (Morning Star)
“
Tell me, could you love me?' he asks, seemingly out of nowhere.
'Of course.' I laugh, not sure of the answer I am supposed to give. But the question is so oddly phrased that I can hardly deny him. I love my parents' murderer; I suppose I could love anyone. I'd like to love him.
'I wonder,' he says. 'What would you do for me?'
'I don't know what you mean.' This riddling figure with flinty eyes isn't the Locke who stood on the rooftop of his estate and spoke so gently to me or who chased me, laughing, through its halls. I am not quite sure who this Locke is, but he has put me entirely off balance.
'Would you forswear a promise for me?' He is smiling at me as though he's teasing.
'What promise?' He sweeps me around him, my leather slippers pirouetting over the packed earth. In the distance, a piper begins to play.
'Any promise,' he says lightly, although it is no light thing he is asking.
'I guess it depends,' I say, because the real answer, a flat no, isn't what anyone wants to hear.
'Do you love me enough to give me up?' I am sure my expression is stricken. He leans closer. 'Isn't that a test of love?'
'I- I don't know,' I say. All this must be leading up to some declaration on his part, either of affection or of a lack of it.
'Do you love me enough to weep over me?' The words are spoken against my neck. I can feel his breath, making the tiny hairs stand up, making me shudder with an odd combination of desire and discomfort.
'You mean if you were hurt?'
'I mean if I hurt you.'
My skin prickles. I don't like this. But at least I know what to say. 'If you hurt me, I wouldn't cry. I would hurt you back.'
His step falters as we sweep over the floor. 'I'm sure you'd-'
And then he breaks off speaking, looking behind him. I can barely think. My face is hot. I dread what he will say next.
'Time to change partners,' a voice says, and I look to see that it's the worst possible person: Cardan. 'Oh,' he says to Locke. 'Did I steal your line?
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
sent by the gods, and divine, and that the goddesses, Isis, Nepthys, and Hathor, with Khemu, the Maker of Mankind, were seen in the birth chamber, glowing like gold. Also Pharaoh issued a decree that wherever the name of the Queen Ahura was graven in all the land, to it should be added the title "By the will of Amen, Mother of his Morning Star," and that a new hall should be built in the temple of Amen in the Northern Apt, and all about it carved the story of the coming of Prince Abi and of the vision of the Queen. But Ahura never lived to see this glorious place, since from the hour of her daughter's birth she began to sink. On the fourteenth day, the day of purification, she bade the nurse bring the beautiful babe, and gazed at it long and blessed it, and spoke with the Ka or Double of the child, which she said she saw lying on her arm beside it, bidding that Ka protect it well through the dangers of life and death until the hour of resurrection. Then she said that she heard Amen calling to her to pay the price which she had promised for the gift of the divine child, the price of her own life, and smiled upon Pharaoh her husband, and died happily with a radiant face. Now joy was turned to mourning, and during all the days of embalming Egypt wept for Ahura until, at length, the time came when her body was rowed
”
”
H. Rider Haggard (Morning Star)
“
Do you have any idea how maddening it's been envisioning you in the lingerie that matches those shoes?"...
"Corbin, I'm serious."
"I'm sure you are but that is my final offer. Take it or leave it and if you chose the latter, I will let this home sit empty and fall into disrepair until you finally come around."
I closed my eyes and sighed, "That's really not fair."
"Anything is fair when I'm trying my level best to get you to fall in love with me...."
I kissed him gently on the lips and walked away from him but just as I reached the hall, I turned back to see him watching me. "Oh, and if we're NOT playing fair, then maybe you should know I'm not wearing any underwear.
”
”
Brynn Myers (The Life & Death of Jorja Graham (Jorja Graham #1))
“
I would dance all day in my basement listening to Off the Wall. You young people really don’t understand how magical Michael Jackson was. No one thought he was strange. No one was laughing. We were all sitting in front of our TVs watching the “Thriller” video every hour on the hour. We were all staring, openmouthed, as he moonwalked for the first time on the Motown twenty-fifth anniversary show. When he floated backward like a funky astronaut, I screamed out loud. There was no rewinding or rewatching. No next-day memes or trends on Twitter or Facebook posts. We would call each other on our dial phones and stretch the cord down the hall, lying on our stomachs and discussing Michael Jackson’s moves, George Michael’s facial hair, and that scene in Purple Rain when Prince fingers Apollonia from behind. Moments came and went, and if you missed them, you were shit out of luck. That’s why my parents went to a M*A*S*H party and watched the last episode in real time. There was no next-day M*A*S*H cast Google hangout. That’s why my family all squeezed onto one couch and watched the USA hockey team win the gold against evil Russia! We all wept as my mother pointed out every team member from Boston. (Everyone from Boston likes to point out everyone from Boston. Same with Canadians.) We all chanted “USA!” and screamed “YES!” when Al Michaels asked us if we believed in miracles. Things happened in real time and you watched them together. There was no rewind. HBO arrived in our house that same year. We had
”
”
Amy Poehler (Yes Please)
“
He doesn't look up as I walk around the desk to him. I place the tip of the blade against the bottom of his chin, as I did the day before in the hall, and I tilt his face toward mine. He shifts his gaze with obvious reluctance.
The horror and shame on his face look entirely too real. Suddenly, I am not so sure what to believe.
I lean toward him, close enough for a kiss. His eyes widen. The look in his face is some commingling of panic and desire. It is a heady feeling, having power over someone. Over Cardan, who I never thought had any feelings at all.
'You really do want me,' I say, close enough to feel the warmth of his breath as it hitches. 'And you hate it.' I change the angle of the knife, turning it so it's against his neck. He doesn't look nearly as alarmed by that as I might expect.
Not nearly as alarmed as when I bring my mouth to his.
”
”
Holly Black (The Cruel Prince / The Wicked King / The Queen of Nothing (The Folk of the Air, #1-3))
“
They worked at the ivy with their hands and with Peter’s pocket-knife till the knife broke. After that they used Edmund’s. Soon the whole place where they had been sitting was covered with ivy; and at last they had the door cleared.
“Locked, of course,” said Peter.
“But the wood’s all rotten,” said Edmund. “We can pull it to bits in no time, and it will make extra firewood. Come on.”
It took them longer than they expected and, before they had done, the great hall had grown dusky and the first star or two had come out overhead. Susan was not the only one who felt a slight shudder as the boys stood above the pile of splintered wood, rubbing the dirt off their hands and staring into the cold, dark opening they had made.
“Now for a torch,” said Peter.
“Oh, what is the good?” said Susan. “And as Edmund said--”
“I’m not saying it now,” Edmund interrupted. “I still don’t understand, but we can settle that later. I suppose you’re coming down, Peter?”
“We must,” said Peter. “Cheer up, Susan. It’s no good behaving like kids now that we are back in Narnia. You’re a Queen here. And anyway no one could go to sleep with a mystery like this on their minds.
”
”
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #2))
“
Killing a human can’t be that hard!” Cress shouted back. “I just need to speak her real name and command her to die!” His boots thundered down the hall until he reached the crystal spiral staircase. He travelled down three levels into the dark pits of the Silver Castle where the cold morgue prepared faeborn bodies for candlelight ceremonies. When Cress burst into the room, he found it empty of servants. But he saw Whyp. He saw the body of the golden-eyed fairy. His brother assassin. Mor jogged in behind him. “Cress—” “Steal his memories for me,” Cress said. “Just this once, Mor. Do this for me.” “You know I can’t do that.” Moisture filled the Prince’s turquoise eyes when he looked at his friend. “Have you ever done it before?” he asked, and Mor looked like he’d turned to faestone. “Yes. Once,” he said. Cress nodded and marched over to Whyp. “Good,” he said. “Do it, Mor. Please. I’ll never tell a soul that you used your Shadow Fairy gift. I want to see Whyp’s last moments. I want to feel what he felt as his faeborn heart stopped.” “You can’t do anything about it, Cress,” Mor said quietly. “Promise me.” Cress laid his hands along Whyp’s temples. “I can’t even take a breath anymore without the whole North High Court watching me. How could I do something about this?
”
”
Jennifer Kropf (Welcome to Fae Cafe (High Court of the Coffee Bean, #1))
“
Early in a career that began in 1912 when he was 19 years old, Romain de Tirtoff, the Russian-born artists who called himself Erté after the french pronunciation of his initials, was regarded as a 'miraculous magician,' whose spectacular fashions transformed the ordinary into the outstanding, whose period costumes made the present vanish mystically into the past, and whose décors converted bare stages into sparkling wonderlands of fun and fancy. When his career ended with his death in 1990, Erté was considered as 'one of the twentieth-century's single most important influences on fashion,' 'a mirror of fashion for 75 years,' and the unchallenged 'prince of the music hall,' who had been accorded the most significant international honors in the field of design and whose work was represented in major museums and private collections throughout the world.
It is not surprising that Erté's imaginative designs for fashion, theater, opera, ballet, music hall, film and commerce achieved such renown, for they are as crisp and innovative in their color and design as they are elegant and extravagant in character, and redolent of the romance of the pre- and post-Great War era, the period when Erté's hand became mature, fully developed and representative of its time. Art historians and scholars define Ertés unique style as transitional Art Deco, because it bridges the visual gab between fin-de-siècle schools of Symbolism, with its ethereal quality, Art Nouveau, with its high ornament, and the mid-1920s movement of Art Deco, with its inspirational sources and concise execution.
”
”
Jean Tibbetts (Erte)
“
Mr Casaubon’s behaviour about settlements was highly satisfactory to Mr Brooke, and the preliminaries of marriage rolled smoothly along, shortening the weeks of courtship. The betrothed bride must see her future home, and dictate any changes that she would like to have made there. A woman dictates before marriage in order that she may have an appetite for submission afterwards. And certainly, the mistakes that we male and female mortals make when we have our own way might fairly raise some wonder that we are so fond of it. On a grey but dry November morning Dorothea drove to Lowick in company with her uncle and Celia. Mr Casaubon’s home was the manor-house. Close by, visible from some parts of the garden, was the little church, with the old parsonage opposite. In the beginning of his career, Mr Casaubon had only held the living, but the death of his brother had put him in possession of the manor also. It had a small park, with a fine old oak here and there, and an avenue of limes towards the south-west front, with a sunk fence between park and pleasure-ground, so that from the drawing-room windows the glance swept uninterruptedly along a slope of greensward till the limes ended in a level of corn and pastures, which often seemed to melt into a lake under the setting sun. This was the happy side of the house, for the south and east looked rather melancholy even under the brightest morning. The grounds here were more confined, the flower-beds showed no very careful tendance, and large clumps of trees, chiefly of sombre yews, had risen high, not ten yards from the windows. The building, of greenish stone, was in the old English style, not ugly, but small-windowed and melancholy-looking: the sort of house that must have children, many flowers, open windows, and little vistas of bright things, to make it seem a joyous home. In this latter end of autumn, with a sparse remnant of yellow leaves falling slowly athwart the dark evergreens in a stillness without sunshine, the house too had an air of autumnal decline, and Mr Casaubon, when he presented himself, had no bloom that could be thrown into relief by that background. ‘Oh dear!’ Celia said to herself, ‘I am sure Freshitt Hall would have been pleasanter than this.’ She thought of the white freestone, the pillared portico, and the terrace full of flowers, Sir James smiling above them like a prince issuing from his enchantment in a rosebush, with a handkerchief swiftly metamorphosed from the most delicately-odorous petals—Sir James, who talked so agreeably, always about things which had common-sense in them, and not about learning! Celia had those light young feminine tastes which grave and weather-worn gentlemen sometimes prefer in a wife; but happily Mr Casaubon’s bias had been different, for he would have had no chance with Celia.
”
”
George Eliot (Middlemarch)
“
And now, Harry, on a closely related subject . . . I gather that you have been taking the Daily Prophet over the last two weeks?” “Yes,” said Harry, and his heart beat a little faster. “Then you will have seen that there have been not so much leaks as floods concerning your adventure in the Hall of Prophecy?” “Yes,” said Harry again. “And now everyone knows that I’m the one —” “No, they do not,” interrupted Dumbledore. “There are only two people in the whole world who know the full contents of the prophecy made about you and Lord Voldemort, and they are both standing in this smelly, spidery broom shed. It is true, however, that many have guessed, correctly, that Voldemort sent his Death Eaters to steal a prophecy, and that the prophecy concerned you. “Now, I think I am correct in saying that you have not told anybody that you know what the prophecy said?” “No,” said Harry. “A wise decision, on the whole,” said Dumbledore. “Although I think you ought to relax it in favor of your friends, Mr. Ronald Weasley and Miss Hermione Granger. Yes,” he continued, when Harry looked startled, “I think they ought to know. You do them a disservice by not confiding something this important to them.” “I didn’t want —” “— to worry or frighten them?” said Dumbledore, surveying Harry over the top of his half-moon spectacles. “Or perhaps, to confess that you yourself are worried and frightened? You need your friends, Harry. As you so rightly said, Sirius would not have wanted you to shut yourself away.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
A blizzard thrashes down the hall, hail and snow rising around the Prince of Winter as he storms toward us and snarls, “Get your hands off my mate.
”
”
Elizabeth Helen (Woven by Gold (Beasts of the Briar, #2))
“
Thank you, Princess,” Prasutagus said, inclining is head to me. His eyes lingered on mine. And once again, I felt that same sense of familiarity. “Let me speak to Balfor. I’ll see to you and your men’s accommodations,” Bran told Prasutagus, then rose and left the room. I refilled the prince’s cup. “I was sorry to hear of the passing of your wife.” Prasutagus nodded. “Thank you. It has been a difficult year,” he said, then met my gaze. “You lost someone close to you in this attack on your people, I think.” Surprised by his observation, I nodded. I willed myself not to, but I could not hide the play of emotions on my face. “I did,” I said, my voice catching. Prasutagus, in a gesture of empathy, moved to take my hand but held back. When he did so, I noticed his fingers were tattooed with Ogham, the secret tree language. “As I remind myself, a person lives many lives, and those we love the most always return to us—one way or another.” “I… Thank you. I wish the same for you,” I said, lightly touching his fingers. “Prince Prasutagus, your lodgings are already ready,” Bran said. “Apparently, our housecarl is more astute than I am,” he added with a good-natured laugh. “Very well. Thank you,” Prasutagus said, rising. He turned to me. “Good night, Princess.” “Good night.” With that, Prince Prasutagus followed Bran from the dining hall toward the guest chambers. Balfor motioned for the prince’s men to follow him to the guest house just outside. I sat frozen. The moment our hands connected, a vision had danced through my mind. I saw Prasutagus and myself standing on the shore of an icy river. Prasutagus held my waist, his arm around me protectively. Yet, we looked different—different eyes, different hair, different everything. But inside of us, we were the same people. And what I felt for him… The ramifications of such a vision shook me to my very core.
”
”
Melanie Karsak (Queen of Oak (The Celtic Rebels, #1))
“
I couldn’t fathom going up to my room, but I couldn’t sit in this silence anywhere in the house. I hurried upstairs to fetch my guitar, then walked into the basement to be alone and as close to hell as I could physically get on short notice.
”
”
Hayden Hall (Coaching Prince Charming (Arctic Titans of Northwood U, #7))
“
This man branded his bloody name into your skin. Finding him attractive is the worst idea you’ve ever had. Nearly as bad as trading in your fins for the love of a blasted prince.
”
”
Karina Halle (A Ship of Bones & Teeth)
“
Okay, new plan," I said in a rush, having just spotted the furious faces of the princes at the end of this hall. "What are the odds we can escape, change our names and identities, and live as exotic dancers for the rest of our lives?
”
”
Jaymin Eve (Poison Throne (Royals of Arbon Academy, #3))
“
She is sending assassins after you because she thinks we are engaged, and thus her mad faerie logic tells her that I will devote my life to seeking revenge against her if she murders you."
"That's generally how these things go. You know the stories."
Of course I did. Deirde and the River Lord; The Princess of Shell Halls.*
*Deirde was an Irish queen who sent her army into Faerie to avenge the death of her faerie husband at the hands of his brothers. The Princess of Shell Halls is likely of French origin, a variant of La princesse et le trône de sel. "Sel," meaning salt, was likely mistranslated as "shell," but the framework of the story is the same: a faerie princess of an undersea kingdom dedicates her life to avenging the death of her betrothed, the prince of an island realm. This despite the fact that leaving the sea condemns her to a slow death, to which she eventually succumbs only after murdering the last of the conspirators in her fiancé's murder.
”
”
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
“
Sometimes he screams into the darkness, just to remind himself that he can.
These dungeons were built to swallow screams. No one comes.
Today, he screams himself hoarse and then slumps against a wall. He wishes he could tell himself a story, but he cannot convince himself that he is a brave prince suffering a setback on a daring quest, nor the tempestuous, star-crossed lover he has played at so many times in the past. Not even the loyal brother and son he meant to be when he set out from Elfhame.
Whatever he is, he’s certainly no hero.
A guard stomps down the hall, driving Oak to his hooves. One of the falcons. Straun. The prince overheard him at the gate before, complaining, not realizing his voice carries. He is ambitious, bored by the tediousness of guard duty, and eager to show off his skill in front of the new queen.
Wren, whose beauty Straun rhapsodizes over.
Oak hates Straun.
“You there,” the falcon says, drawing close. “Be quiet before I quiet you.”
Ah, Oak realizes. He’s so bored that he wants to make something happen.
“I am merely trying to give this dungeon an authentic atmosphere,” Oak says. “What’s a place like this without the cries of the tormented?
”
”
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
“
As we step into the great hall, I shift my way carefully around until I stand beside Reed. He gives me a fraction of a smile before it disappears, and he flicks stern eyes away from me as though it’s a crime to meet my gaze. “We're not supposed to talk. You should go back to Prince Tyton’s side and do as he instructs.” Scowling, I send a sidelong look to the prince. “Who said we’re not allowed to speak to one another? No one told me.
”
”
J. Bree (The Throne of Honor and Blood (The Mortal Fates #2))
“
Rath leans his head closer to Remy, watching my brother and me curiously. “So, whose pampered little swimmer do you think hit the mark?” He gestures down the hall and then between us. “Tweedle-Dee, Tweedle-Dumb, or Tweedle-Dick?
”
”
Angel Lawson (Princes of Ash (Royals of Forsyth University, #8))
“
They weren’t stopped or questioned by anyone else, though the guards in every hall watched them like hawks. And not the shape-shifting Fae Prince kind.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
I, too, was taken aback by this turn of events. I was speechless. My mind raced to find a possible answer. Finally, I muttered apathetically, “If I’m to be a kept boy, I’ll expect to be housed in a luxury penthouse, not in a run-of-the mill flat. “Secondly, I’ll want a top-of-the-line sports car –a Ferrari or a Lamborghini, not a city car. “Last but not least, I’ll insist on a healthy remuneration to keep me in a princely style.” Andy stared at me as if I was a whoreson, while Uncle James broke out in comedic exuberance. Shocked by my uncle’s boisterous outburst, my lover gaped, not knowing what to make of my guardian. “You can take the boy out of China, but you can’t take China out of the boy,” the Englishman vociferated hilariously. My chaperone scrutinized my uncle, wondering if the man had lost his mind. He waited for James’ laughter to subside. “What are you talking about?” he expressed. I twittered, “In the event that you’ve lost your mind, sir, I’m not from China. I’m from Malaya.” James iterated enthusiastically, “Nevertheless, you, young man, are Chinese. Having dealt with Chinese businessmen for most of my life, you are a true-to-form Chinese.” He resumed, “Like the Hong Kong Chinese I’ve dealt with over the years you are an excellent negotiator. You’ve inherited your parents’ genetic ability to strike an optimum bargain to your advantage.” He paused. “In all seriousness, I think your counter-suggestions may be just the ammunition you’ll need to fend off Mossey. That is, if you desire to forgo his offer,” he opined. Quick-witted Andy responded cheerfully, “What an awesome idea. I’ll be more than happy to draft the counter-proposal for you, my lovely one.” For the most part, I’d been a silent observer of this imprudent frivolity. I answered calmly, after giving the matter some thought, “I’ll sleep on this and have answers for you before our return to Daltonbury Hall.
”
”
Young (Turpitude (A Harem Boy's Saga Book 4))
“
Arin was in the still room, trying to soothe the anxiety of a woman who was saying that she had just preserved the jams, and must all of them be used for the banquet, every last one? She didn’t think the Dacrans appreciated ilea fruit. Why serve something they wouldn’t love as much as the Herrani did? It would be best, surely, to keep at least those jars for winter.
Trying to explain the politics of such lavish consumption tangled Arin up in frustrated half sentences, because it didn’t make much sense to him, either, to consume every edible thing in one night.
And then he heard Roshar’s accented voice in Herrani drifting down the hall from the ktichens.
“…you don’t understand. The piece of meat must be the finest, cut from the loin, seasoned with this spice, not that one…”
Arin excused himself, told the woman he’d discuss jams later, and followed the prince’s voice.
“…and it must be well roasted on the outside, almost charred, yet bloody inside. Bright pink. Listen. This is crucial. If anything goes wrong, the banquet will be ruined.”
Arin entered the main kitchen to find the prince haranguing the head cook, who slid a half-lidded look of annoyed sufferance at Arin.
“There you are.” Roshar beamed. “I need your help, Arin.”
“For the preparation of meat?”
“It’s very important. You must impress this importance upon your cook here. The fate of political relations between my country and yours hangs in the balance.”
“Because of meat.”
“It’s for his tiger,” said the cook.
Arin palmed his face, eyes squeezed shut. “Your tiger.”
“He’s very particular,” said Roshar.
“You can’t bring the tiger to the banquet.”
“Little Arin has missed me. I will not be parted from him.”
“Would you consider changing his name?”
“No.”
“What if I begged?”
“Not a chance.”
“Roshar, the tiger has grown.”
“And what a sweet big boy he is.”
“You can’t bring him into a dining hall filled with hundreds of people.”
“He’ll behave. He has the mien and manners of a prince.”
“Oh, like you?”
“I resent your tone.”
“I’m not sure you can control him.”
“Has he ever been aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you’ll get married, and make babies--”
“Gods, Roshar, shut up.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Arin was in the still room, trying to soothe the anxiety of a woman who was saying that she had just preserved the jams, and must all of them be used for the banquet, every last one? She didn’t think the Dacrans appreciated ilea fruit. Why serve something they wouldn’t love as much as the Herrani did? It would be best, surely, to keep at least those jars for winter.
Trying to explain the politics of such lavish consumption tangled Arin up in frustrated half sentences, because it didn’t make much sense to him, either, to consume every edible thing in one night.
And then he heard Roshar’s accented voice in Herrani drifting down the hall from the ktichens.
“…you don’t understand. The piece of meat must be the finest, cut from the loin, seasoned with this spice, not that one…”
Arin excused himself, told the woman he’d discuss jams later, and followed the prince’s voice.
“…and it must be well roasted on the outside, almost charred, yet bloody inside. Bright pink. Listen. This is crucial. If anything goes wrong, the banquet will be ruined.”
Arin entered the main kitchen to find the prince haranguing the head cook, who slid a half-lidded look of annoyed sufferance at Arin.
“There you are.” Roshar beamed. “I need your help, Arin.”
“For the preparation of meat?”
“It’s very important. You must impress this importance upon your cook here. The fate of political relations between my country and yours hangs in the balance.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
You can’t bring him into a dining hall filled with hundreds of people.”
“He’ll behave. He has the mien and manners of a prince.”
“Oh, like you?”
“I resent your tone.”
“I’m not sure you can control him.”
“Has he ever been aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you’ll get married, and make babies--”
“Gods, Roshar, shut up.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
The gallows in my garden, people say,
Is new and neat and adequately tall;
I tie the noose on in a knowing way
As one that knots his necktie for a ball;
But just as all the neighbours--on the wall--
Are drawing a long breath to shout "Hurray!"
The strangest whim has seized me. . . . After all
I think I will not hang myself to-day.
To-morrow is the time I get my pay--
My uncle's sword is hanging in the hall--
I see a little cloud all pink and grey--
Perhaps the rector's mother will not call-- I fancy that I heard from Mr. Gall
That mushrooms could be cooked another way--
I never read the works of Juvenal--
I think I will not hang myself to-day.
The world will have another washing-day;
The decadents decay; the pedants pall;
And H.G. Wells has found that children play,
And Bernard Shaw discovered that they squall,
Rationalists are growing rational--
And through thick woods one finds a stream astray
So secret that the very sky seems small--
I think I will not hang myself to-day.
Envoi
Prince, I can hear the trumpet of Germinal,
The tumbrils toiling up the terrible way;
Even to-day your royal head may fall,
I think I will not hang myself to-day.
”
”
G.K. Chesterton
“
How did you live? asked the being on the right. Tell it truthfully, the other said, as, from either side, they gently touched their heads to his. They recoiled, then withdrew to two gray stone pots set down on either side of that grand hall, into which they vomited twin streams of brightly colored fluid. The small versions of themselves rushed to bring towels, upon which they wiped their mouths. May we confirm? said the one on the right. Wait, what did you see, he said. Is there some— But it was too late. The being on the right sang a single ominous note and out came the several smaller versions of himself, but crippled and grimacing, bearing between them a feces-encrusted mirror. The being on the left sang his (somber, jarring) note, and several smaller versions of himself tumbled out, rolling forth via a series of spastic clumsy gymnastic movements that were somehow accusatory, bearing the scale. Quick check, the Christ-prince said sternly. I’m not sure I completely understood the instructions, the funeral-suited man said. If I might be allowed to— The being on the right held the mirror up before the funeral-suited man, and the being on the left reached into the funeral-suited man’s chest with a deft and aggressive movement, extracted the man’s heart, and placed it on the scale. Oh dear, said the Christ-emissary. A sound of horrific opprobrium and mourning echoed all across that kingdom.
”
”
George Saunders (Lincoln in the Bardo)
“
the Great Hall. Harry glanced at the ceiling and saw a clear, pale blue sky: a good omen. The Gryffindor table, a solid mass of red and gold, cheered as Harry and Ron approached. Harry grinned and waved; Ron grimaced weakly and shook his head. “Cheer up, Ron!” called Lavender. “I know you’ll be brilliant!” Ron ignored her. “Tea?” Harry asked him. “Coffee? Pumpkin juice?” “Anything,” said Ron glumly, taking a moody bite of toast. A few minutes later Hermione, who had become so tired of Ron’s recent unpleasant behavior that she had not come down to breakfast with them,
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
Prince Severin happened to be pacing in the little hall when the stained-glass skylight shattered, and a young woman fell through the ceiling with the broken glass. She dropped like a twisting cat and landed with an ominous crack. The handful of chateau servants that had been hovering around him slapped their hands to their masked faces, their mouths dropping open in screams that couldn’t tear loose from their throats. Severin flexed his paw-like hands, drawing his claws as the servants scurried towards the girl. A footman and one of the grooms reached her first. She was passably pretty, but plain, wearing the muted colors of a villager. Her breathing was ragged, and her face tight with pain. The groom tried to roll her onto her side. “No!” she screamed. The footman and
”
”
K.M. Shea (Beauty and the Beast (Timeless Fairy Tales, #1))
“
Meet me at the hotel lobby in three hours,” announced the chafed Prince. “Yes, Your Highness!” My Valet spoke on my behalf before we departed to assist my host in documenting the groom’s grand entrance into the women’s hall.
”
”
Young (Unbridled (A Harem Boy's Saga, #2))