Prey Phantom Quotes

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only while under the dominion of fear do men fall a prey to superstition; that all the portents ever invested with the reverence of misguided religion are mere phantoms of dejected and fearful minds; and lastly, that prophets have most power among the people, and are most formidable to rulers, precisely at those times when the state is in most peril. I think this is sufficiently plain to all, and will therefore say no more on the subject.
Christopher Hitchens (The Portable Atheist: Essential Readings for the Nonbeliever)
The noises on the roof stopped. The six waited. The night seemed to be crouched like a wild thing, studying its prey, timing its attack.
Dean Koontz (Phantoms)
We circled each other, prey and predator, girl and phantom. I was both, and yet I felt like neither.
Rebecca Ross (Dreams Lie Beneath)
But Amarantha rolled her eyes and slouched in her throne. “Shatter him, Rhysand.” She flicked a hand at the High Lord of the Summer Court. “You may do what you want with the body afterward.” The High Lord of the Summer Court bowed—as if he’d been given a gift—and looked to his subject, who had gone still and calm on the floor, hugging his knees. The male faerie was ready—relieved. Rhys slipped a hand out of his pocket, and it dangled at his side. I could have sworn phantom talons flickered there as his fingers curled slightly. “I’m growing bored, Rhysand,” Amarantha said with a sigh, again fiddling with that bone. She hadn’t looked at me once, too focused on her current prey. Rhysand’s fingers curled into a fist. The faerie male’s eyes went wide—then glazed as he slumped to the side in the puddle of his own waste. Blood leaked from his nose, from his ears, pooling on the floor. That fast—that easily, that irrevocably … he was dead. “I said shatter his mind, not his brain,” Amarantha snapped. The crowd murmured around me, stirring. I wanted nothing more than to fade back into it—to crawl back into my cell and burn this from my mind. Tamlin hadn’t flinched—not a muscle. What horrors had he witnessed in his long life if this hadn’t broken that distant expression, that control? Rhysand shrugged, his hand sliding back into his pocket. “Apologies, my queen.” He turned away without being dismissed, and didn’t look at me as he strode for the back of the throne room. I fell into step beside him, reining in my trembling, trying not to think about the body sprawled behind us, or about Clare—still nailed to the wall. The crowd stayed far, far back as we walked through it. “Whore,” some of them softly hissed at him, out of her earshot; “Amarantha’s whore.” But many offered tentative, appreciative smiles and words—“Good that you killed him; good that you killed the traitor.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
The Minneapolis City Hall is not a pretty building. A pile of red granite, a sullen nineteenth-century Romanesque lump, it squats amid the glittering glass-and-steel towers of the loop like a wart poking through a diamond necklace.
John Sandford (Phantom Prey (Lucas Davenport, #18))
The taste for books was an early one. As a child he was sometimes found at midnight by a page still reading. They took his taper away, and he bred glow-worms to serve his purpose. They took the glow-worms away, and he almost burnt the house down with a tinder. To put it in a nutshell, leaving the novelist to smooth out the crumpled silk and all its implications, he was a nobleman afflicted with a love of literature. Many people of his time, still more of his rank, escaped the infection and were thus free to run or ride or make love at their own sweet will. But some were early infected by a germ said to be bred of the pollen of the asphodel and to be blown out of Greece and Italy, which was of so deadly a nature that it would shake the hand as it was raised to strike, and cloud the eye as it sought its prey, and make the tongue stammer as it declared its love. It was the fatal nature of this disease to substitute a phantom for reality, so that Orlando, to whom fortune had given every gift--plate, linen, houses, men-servants, carpets, beds in profusion--had only to open a book for the whole vast accumulation to turn to mist. The nine acres of stone which were his house vanished; one hundred and fifty indoor servants disappeared; his eighty riding horses became invisible; it would take too long to count the carpets, sofas, trappings, china, plate, cruets, chafing dishes and other movables often of beaten gold, which evaporated like so much sea mist under the miasma. So it was, and Orlando would sit by himself, reading, a naked man.
Virginia Woolf
An old, mad, blind, despised, and dying king, - Princes, the dregs of their dull race, who flow Through public scorn, - mud from a muddy spring, - Rulers who neither see, nor feel, nor know, But leech-like to their fainting country cling, Till they drop, blind in blood, without a blow, - A people starved and stabbed in the untilled field, - An army, which liberticide and prey Makes as a two-edged sword to all who would wield, - Golden and sanguine laws which tempt and slay; Religion Christless, Godless - A book sealed; A Senate, - Time's worst statue unrepealed, - Are graves, from which a glorious Phantom may Burst, to illumine our tempestuous day. - Sonnet: England in 1819
Percy Bysshe Shelley (Percy Bysshe Shelley: An Anthology)
Anarchism is the great liberator of man from the phantoms that have held him captive; it is the arbiter and pacifier of the two forces for individual and social harmony. To accomplish that unity, Anarchism has declared war on the pernicious influences which have so far prevented the harmonious blending of individual and social instincts, the individual and society. Religion, the dominion of the human mind; Property, the dominion of human needs; and Government, the dominion of human conduct, represent the stronghold of man's enslavement and all the horrors it entails. Religion! How it dominates man's mind, how it humiliates and degrades his soul. God is everything, man is nothing, says religion. But out of that nothing God has created a kingdom so despotic, so tyrannical, so cruel, so terribly exacting that naught but gloom and tears and blood have ruled the world since gods began. Anarchism rouses man to rebellion against this black monster. Break your mental fetters, says Anarchism to man, for not until you think and judge for yourself will you get rid of the dominion of darkness, the greatest obstacle to all progress. Property, the dominion of man's needs, the denial of the right to satisfy his needs. Time was when property claimed a divine right, when it came to man with the same refrain, even as religion, "Sacrifice! Abnegate! Submit!" The spirit of Anarchism has lifted man from his prostrate position. He now stands erect, with his face toward the light. He has learned to see the insatiable, devouring, devastating nature of property, and he is preparing to strike the monster dead. "Property is robbery," said the great French Anarchist, Proudhon. Yes, but without risk and danger to the robber. Monopolizing the accumulated efforts of man, property has robbed him of his birthright, and has turned him loose a pauper and an outcast. Property has not even the time-worn excuse that man does not create enough to satisfy all needs. The A B C student of economics knows that the productivity of labor within the last few decades far exceeds normal demand a hundredfold. But what are normal demands to an abnormal institution? The only demand that property recognizes is its own gluttonous appetite for greater wealth, because wealth means power; the power to subdue, to crush, to exploit, the power to enslave, to outrage, to degrade. America is particularly boastful of her great power, her enormous national wealth. Poor America, of what avail is all her wealth, if the individuals comprising the nation are wretchedly poor? If they live in squalor, in filth, in crime, with hope and joy gone, a homeless, soilless army of human prey. It is generally conceded that unless the returns of any business venture exceed the cost, bankruptcy is inevitable. But those engaged in the business of producing wealth have not yet learned even this simple lesson. Every year the cost of production in human life is growing larger (50,000 killed, 100,000 wounded in America last year); the returns to the masses, who help to create wealth, are ever getting smaller. Yet America continues to be blind to the inevitable bankruptcy of our business of production. Nor is this the only crime of the latter. Still more fatal is the crime of turning the producer into a mere particle of a machine, with less will and decision than his master of steel and iron. Man is being robbed not merely of the products of his labor, but of the power of free initiative, of originality, and the interest in, or desire for, the things he is making.
Emma Goldman (Anarchism and other essays (Illustrated))
saturnine
John Sandford (Phantom Prey: Lucas Davenport 18)
death. On impulse, she picked up the remote
John Sandford (Phantom Prey (Lucas Davenport, #18))
At dusk in the Corcovado National Park in Costa Rica, Melissa Overton barely heard the constant sound of crickets chirping all around them. Prowling through the dense, tropical rainforest as a jaguar, she listened for the human voices that would clue her in that her prey was nearby. Waves crashed onto the sandy beaches in the distance as she made her way quietly, like a phantom predator, through the tangle of vines and broad, leafy foliage, searching for any sign of the poachers. Humans wouldn't have a clue as to what she and her kind were when they saw her - apparently nothing other than an ordinary jaguar. And she and her fellow jaguar shifters planned to keep it that way. Her partner on this mission, JAG agent Huntley Anderson, was nearby, just as wary and observant. The JAG Special Forces Branch, also known as the Golden Claws, was only open to jaguar shifters and served to protect both their shifter kind and their jaguar cousins....
Terry Spear (Jaguar Pride (Heart of the Jaguar, #4))
really. It’s over. It’s all over. I’m going to go ustairs,
John Sandford (Phantom Prey (Lucas Davenport, #18))
What it is, is what it is.
John Sandford (Phantom Prey (Lucas Davenport, #18))
Those who read many books are like the eaters of hashish. They live in a dream. The subtle poison that penetrates their brain renders them insensible to the real world and makes them prey of terrible or de lightful phantoms. Books are the opium of the Occident. They devour us. A day is coming on which we shall all be keepers of libraries, and that will be the end.
Anatole France