Prey Deep Quotes

We've searched our database for all the quotes and captions related to Prey Deep. Here they are! All 100 of them:

At last he stopped, and she stared down at the printed column of words, unable to comprehend a single one. His hand, warm and steady, wound its way around hers, wrapping it like a spider would its prey. She surrendered it to him, unable to watch even as his thumb traced the place, just above her knuckles, where he had once written his number in deep violet. Isobel ceased to breathe. Her heart pounded in her chest, her thoughts shattering into senseless fragments. All the while, her eyes remained trained and unblinking on the open page. Lines without meaning stared up at her, little more than black sticks in an otherwise white world.
Kelly Creagh (Nevermore (Nevermore, #1))
Staring at her face, she began to fancy her outer layer had begun to melt away while she wasn't paying attention, and something -- some new skeleton -- was emerging from beneath the softness of her accustomed self. With a deep, visceral ache, she wished her true form might prove to be a sleek and shining one, like a stiletto blade slicing free of an ungainly sheath. Like a bird of prey losing its hatchling fluff to hunt in cold, magnificent skies. That she might become something glittering, something startling, something dangerous.
Laini Taylor (Lips Touch: Three Times)
I squeezed my eyes shut and took several deep breaths, trying not to smell Jace in front of me, not to taste him on my lips. But it was useless. In that moment, Jace was everywhere. He was in my mind, he was in my heart, and he was in my memory. He smelled good. He tasted good. And the blissful aftershock still throbbing in my most sensitive places felt wonderful, when everything else in my life was an obstacle to be overcome.
Rachel Vincent (Prey (Shifters, #4))
Deep sea rays use their electro-receptive sense to find prey under the seabed sand and mud.Laura also loves to explore things that are hidden, most often hidden meanings.
Sally Ann Hunter (Transfigured Sea)
It's been a long time since humans were prey animals. A hundred thousand years or so. But buried deep in our genes the memory remains: the awareness of the gazelle, the instinct of the antelope. The wind whispers through the grass. A shadow flits between the trees. And up speaks the little voice that goes. Shhhh, it's close now. Close.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
This state of mind preyed upon my health, which had perhaps never entirely recovered from the first shock it had sustained. I shunned the face of man; all sound of joy or complacency was torture to me; solitude was my only consolation—deep, dark, deathlike solitude.
Mary Wollstonecraft Shelley (Frankenstein)
Humanity must perforce prey upon itself, like monsters of the deep.
William Shakespeare (King Lear)
I thought wulfen howls were bad when I heard them in my own garage. Hearing the high, glassy cry in the middle of the woods at night is infinitely worse, because the howls sounds like it could be words if you just listen hard enough. The horrible thing is that it pulls on that deep hidden part in every person-the blind animal part. The part that knows you're the prey. But the worst thing about it? Is when it sounds right behind you, and something hits you from behind, tumbling you into another thorn-spiked mess of vines and branches, leaf mold and dirt filling your nose, and a huge, hot, hairy hand winds in your hair.
Lilith Saintcrow (Betrayals (Strange Angels, #2))
Bullies are all the same, whether they are in the schoolyard, in the workplace, or ruling a country through terror. They thrive on fear and intimidation. Bullies gain their strength through the timid and faint of heart. They are like sharks who sense fear in the water. They will circle to see if their prey is struggling. They will probe to see if their victim is weak. If you don't find the courage to stand your ground, they will strike. In life, to achieve your goals, to complete the night swim, you will have to be men and women of great courage. That courage is within all of us. Dig deep and you will find it in abundance.
William H. McRaven (Make Your Bed: Little Things That Can Change Your Life...and Maybe the World)
O wandering graves! O restless sleep! O silence of the sunless day! O still ravine! O stormy deep! Give up your prey! Give up your prey!
Oscar Wilde (Poems)
That was when the childhood memory began to prey on his mind, for it suddenly struck him—and the force of it sent his thumbnail biting deep into the secret matchbook—that letting things happen and taking them gracefully had been, in a way, the pattern of his life. There was certainly no denying that the role of good loser had always held an inordinate appeal for him.
Richard Yates (Eleven Kinds of Loneliness)
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
None of this…none of this…whatever you call this.” She waved her hand to encompass everything. Kissing. Taking her blood. Seducing her. Ordering her around. Setting perimeters. All of it. His black gaze never left her face. His eyes as still as those of a leopard scenting prey. Avid. Burning. Intense. He took her breath away with his eyes. Hypnotized her. Cast a spell over her. Tempest pulled her gaze from his, from the seductive, black velvet trap. “And stop that, too,” she said decisively, despite the fact that he made her hungry for him. “Stop what?” “Stop looking at me that way, it’s definitely out. You can’t look at me that way. It’s cheating.” “How am I looking at you?” His deep voice dropped even lower, the cadence soft and husky. Mesmerizing. “Okay, that’s out, too. No talking in that tone of voice,” she declared staunchly. “And you know very well what you’re doing. Act normal.” His white teeth gleamed at her, nearly stopping her heart. “I am acting normal, Tempest.” “Well, then, that’s out, too. No acting normal.
Christine Feehan (Dark Fire (Dark, #6))
Be knowingly silent as often as you can and you will no longer be a prey to the desire to be this or that. You will discover in the everyday events of life the deep meaning behind the fulfilment of the whole, for the ego is totally absent.
Jean Klein (I Am)
My venom exists in the shape of words, and I may use them however I please. If I so desire, I could dilute it's potency, drip it into my prey's ears for decades, until the victim slowly withers of self-loathing, unaware of what I have wrought.
Cassandra Khaw (Not So Stories)
In any case, this was a deep human prejudice. Human beings to find a central command in any organization. States had governments. Corporations had CEOs. Schools had principals. Armies had generals. Human beings tended to believe that without central command, chaos would overwhelm the organization and nothing significant could be accomplished.
Michael Crichton (Prey)
Humanity must perforce prey upon itself, like monsters of the deep,” a
Lemony Snicket (The Carnivorous Carnival (A Series of Unfortunate Events, #9))
Cloying tendrils of mist searched the city like skeletal fingers reaching deep into crevices, hoping to capture the elusive prey needed to satisfy gnawing hunger...
Jillian Kent (Mystery of the Heart (The Ravensmoore Chronicles #3))
It goes without saying that even those of us who are going to hell will get eternal life—if that territory really exists outside religious books and the minds of believers, that is. Having said that, given the choice, instead of being grilled until hell freezes over, the average sane human being would, needless to say, rather spend forever idling in an extremely fertile garden, next to a lamb or a chicken or a parrot, which they do not secretly want to eat, and a lion or a tiger or a crocodile, which does not secretly want to eat them.
Mokokoma Mokhonoana (The Use and Misuse of Children)
Food scarcity was not uncommon in the bathypelagic zones, and so they had learned to come up to the surface, to lure in prey with pleasant sounds as well as bright, fascinating lights.
Mira Grant (Rolling in the Deep (Rolling in the Deep, #0.5))
Roan looked down at the pathetic little fur ball with a pink ribbon clipped to the top of its head and growled at it. It came from deep in his throat, and while it was unintentional, it wasn’t precisely a human noise. He could feel it in his throat, vibrating his vocal chords, and the dog’s ears rotated briefly in as much alarm as a dog could express, and then it whimpered and cringed, pissing on the sidewalk in submission. The woman took a couple steps backward, eyes wide and horrified, and dragged her dog past them as she hurried off, the Pom more than happy to leave. Paris looked at him, an eyebrow raised and the corner of his mouth quirked up in a half smile. “I love it when you get defensive.” “I’m the king of the jungle.I’m not taking any shit from a living dust mop.
Andrea Speed (Prey (Infected, #1))
Moray eels have a second set of jaws deep at the back of their throat which shoot forward at high speed, grab the prey and rapidly protract backwards again, pulling the prey down into the oesophagus as the animal closes its mouth.
Caspar Henderson (The Book Of Barely Imagined Beings: A 21st Century Bestiary)
There was nothing to do now but let the thing happen and try to take it as gracefully as possible.    That was when the childhood memory began to prey on his mind, for it suddenly struck him—and the force of it sent his thumbnail biting deep into the secret matchbook—that letting things happen and taking them gracefully had been, in a way, the pattern of his life. There was certainly no denying that the role of good loser had always held an inordinate appeal for him.
Richard Yates (The Collected Stories)
Stalked He stalks her waiting for the right time, a single purpose stirring within his mind. His soul longs for that one deep connation, as his body seeks its final redemption. For he is the hunter and she his prey, her power untouched waiting for the moment to be set free on that final day. One sweet tasted form his lips as death he willed her way.
J.L.Clayton
while the beasts of prey, Come from caverns deep, Viewed the maid asleep
William Blake
A soft growl came from somewhere deep in his chest cavity, the manifestation of a predator mesmerized by his prey.
Suzanne Steele (Graphic (Graphic, #1))
Despite the deep pits that lead to oubliettes, the trees that move to make you lose your way, the ice spiders that wrap their prey in frozen gossamer, the mad king, and the curse.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
. . . to my surprise I began to know what The Language was about, not just the part we were singing now but the whole poem. It began with the praise and joy in all creation, copying the voice of the wind and the sea. It described sun and moon, stars and clouds, birth and death, winter and spring, the essence of fish, bird, animal, and man. It spoke in what seemed to be the language of each creature. . . . It spoke of well, spring, and stream, of the seed that comes from the loins of a male creature and of the embryo that grows in the womb of the female. It pictured the dry seed deep in the dark earth, feeling the rain and the warmth seeping down to it. It sang of the green shoot and of the tawny heads of harvest grain standing out in the field under the great moon. It described the chrysalis that turns into a golden butterfly, the eggs that break to let out the fluffy bird life within, the birth pangs of woman and of beast. It went on to speak of the dark ferocity of the creatures that pounce upon their prey and plunge their teeth into it--it spoke in the muffled voice of bear and wolf--it sang the song of the great hawks and eagles and owls until their wild faces seemed to be staring into mine, and I knew myself as wild as they. It sang the minor chords of pain and sickness, of injury and old age; for a few moments I felt I was an old woman with age heavy upon me.
Monica Furlong (Wise Child (Doran, #1))
Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
Herman Melville
Letty dozed in the webbing of her recliner, a copy of The Quarterly Journal of Economics covering her face. Beneath that, pressing against her nose, was a paperback version of J. D. Robb’s Celebrity in Death, which Letty estimated was the fortieth of the In Death novels she’d read. While not as prestigious as the Journal, the Robb novel was distinctly more intelligent and certainly better written; but, a girl has to maintain her intellectual status with the D.C. deep state, so the Journal went on top.
John Sandford (Toxic Prey (Lucas Davenport, #34, Letty Davenport, #3))
This state of mind preyed upon my health, which had perhaps never entirely recovered from the first shock it had sustained. I shunned the face of men; all sound of joy or complacency was torture to me; solitude was my only consolation - deep, dark, deathlike solitude.
Mary Shelly (Frankenstein; Or, The Modern Prometheus)
Even scientists and academics are frequent prey to the delusion that reality is reducible. Fear, deep and wide, is the secret motive force of much human behavior, and I think reduction is often rooted in fear. Passing over fear, I think, is the beginning of every liberatory project.
Stan Goff (Full Spectrum Disorder: The Military in the New American Century)
Sneaky and underhanded, the Federal Reserve has been sucking the life blood out of the United States since 1913. Like a black widow spider, it weaves a web of corruption and deceit. Unknown to its prey, the FED's bite is poisonous, deep, long-lasting and brings financial upheaval and misery to Americans.
Jim McCarthy (The Money Spiders, the Ruin-NATION of the United States by the Federal Reserve)
What—in other words—would modern boredom be without terror? One of the most boring documents of all time is the thick volume of Hitler’s Table Talk. He too had people watching movies, eating pastries, and drinking coffee with Schlag while he bored them, while he discoursed theorized expounded. Everyone was perishing of staleness and fear, afraid to go to the toilet. This combination of power and boredom has never been properly examined. Boredom is an instrument of social control. Power is the power to impose boredom, to command stasis, to combine this stasis with anguish. The real tedium, deep tedium, is seasoned with terror and with death. There were even profounder questions. For instance, the history of the universe would be very boring if one tried to think of it in the ordinary way of human experience. All that time without events! Gases over and over again, and heat and particles of matter, the sun tides and winds, again this creeping development, bits added to bits, chemical accidents—whole ages in which almost nothing happens, lifeless seas, only a few crystals, a few protein compounds developing. The tardiness of evolution is so irritating to contemplate. The clumsy mistakes you see in museum fossils. How could such bones crawl, walk, run? It is agony to think of the groping of the species—all this fumbling, swamp-creeping, munching, preying, and reproduction, the boring slowness with which tissues, organs, and members developed. And then the boredom also of the emergence of the higher types and finally of mankind, the dull life of paleolithic forests, the long long incubation of intelligence, the slowness of invention, the idiocy of peasant ages. These are interesting only in review, in thought. No one could bear to experience this. The present demand is for a quick forward movement, for a summary, for life at the speed of intensest thought. As we approach, through technology, the phase of instantaneous realiza-tion, of the realization of eternal human desires or fantasies, of abolishing time and space the problem of boredom can only become more intense. The human being, more and more oppressed by the peculiar terms of his existence—one time around for each, no more than a single life per customer—has to think of the boredom of death. O those eternities of nonexistence! For people who crave continual interest and diversity, O! how boring death will be! To lie in the grave, in one place, how frightful!
Saul Bellow (Humboldt's Gift)
Raised from scratch on sandbanks, the city lacked deep roots. No wonder, to Roman eyes, that it had such a harlot character. Without custom there could be no shame, and without shame anything became possible. A people whose traditions had withered would become prey to the most repellent and degrading habits.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
In the black abyss, there were creatures that even demons feared. No one knew what they looked like, not even themselves, for they were blind, and though many were scavengers, seizing and consuming any stray bits of food that'd sunk down from the higher levels, there were predators too, just waiting for larger prey.
Dean F. Wilson (Lifemaker (The Great Iron War, #2))
I'd never imagined that trees could be so weird and unearthly. I mean, the only plants I've ever really seen or touched till now are the city kind―neatly trimmed and cared-for bushes and trees. But the ones here―the ones living here―are totally different. They have a physical power, their breath grazing any humans who might chance by, their gaze zeroing in on the intruder like they've spotted their prey. Like they have some dark, prehistoric, magical powers. Like deep-sea creatures rule the ocean depths, in the forest trees reign supreme. If it wanted to, the forest could reject me―or swallow me up whole. A healthy amount of fear and respect might be a good idea.
Haruki Murakami (Kafka on the Shore)
From the Greek of Moschus Published with "Alastor", 1816. Tan ala tan glaukan otan onemos atrema Balle—k.t.l. When winds that move not its calm surface sweep The azure sea, I love the land no more; The smiles of the serene and tranquil deep Tempt my unquiet mind.—But when the roar Of Ocean's gray abyss resounds, and foam Gathers upon the sea, and vast waves burst, I turn from the drear aspect to the home Of Earth and its deep woods, where, interspersed, When winds blow loud, pines make sweet melody. Whose house is some lone bark, whose toil the sea, Whose prey the wandering fish, an evil lot Has chosen.—But I my languid limbs will fling Beneath the plane, where the brook's murmuring Moves the calm spirit, but disturbs it not.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
Be honest with yourself. You were at your lowest and broken down. You were unsure and lost hope. You were hiding your fears until you showed them on your sleeve. You felt like everything and everyone was the hammer and you were the nail as they were beating down on you, and it was never-ending. Their empty threats had you scared and you were always running because your weakness was exposed. You were their prey. You didn’t know who to believe because of their mixed signals. You might not see it now, but you are stronger than you can ever imagine. You cannot become comfortable in your pain. You have to let the pain that you feel turn you into a rose without thorns. There are sixteen pieces on the chessboard. The king is the most important piece, but the difference is that the queen is the most powerful piece! You are a queen, you can maneuver around your opponents; they do not have the power over your life, your mind or soul. You might think you’ve been a prisoner, but that is your past’. Look in the now and work your way to how you want your future to be. Exercise your thoughts into a pattern of letting go, and think positively about more of what you want than what you do not want. Queen! You are a queen! As a matter of fact, you are the queen! Act as if you know it! You are powerful, determined, strong, and you can make the biggest and most extravagant move and put it into action. Lights, camera, strike a pose and own it! It is yours to own! Yes, you loved and loved so much. You also lost as well, but you lost hurt, pain, agony, and confusion. You’ve lost interest in wanting to know answers to unanswered questions. You’ve lost the willingness to give a shit about what others think. You’ve surrendered to being fine, that you cannot change the things you have no control over. You’ve lost a lot, but you’ve gained closure. You are now balanced, centered, focused, and filled with peace surrounding you in your heart, mind, body, and soul. Your pride was hurt, but you would rather walk alone and be more willing to give and learn more about the queen you are. You lost yourself in the process, but the more you learn about the new you, the more you will be so much in love with yourself. The more you learn about the new you, the more you will know your worth. The more you learn about the new you, the happier you are going to be, and this time around you will be smiling inside and out! The dots are now connecting. You feel alive! You know now that all is not lost. Now that you’ve cut the cord it is time to give your heart a second chance at loving yourself. Silence your mind. Take a deep breath and close your eyes. As you open your eyes, look at your reflection in the mirror. Aren’t you beautiful, Queen? Embrace who you are. Smile, laugh, welcome the new you and say, “My world is just now beginning.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
Even the triumphant issue of his labors could not save him from reaction after so terrible an exertion, and at a time when Europe was ringing with his name and when his room was literally ankle-deep with congratulatory telegrams I found him a prey to the blackest depression. Even the knowledge that he had succeeded where the police of three countries had failed, and that he had outmanoeuvred at every point the most accomplished swindler in Europe, was insufficient to rouse him from his nervous prostration.
Arthur Conan Doyle (Sherlock Holmes: The Ultimate Collection +Bonus works - The Innocence of Father Brown, The Man who was Thursday: A Nightmare)
The two angels found her alone, reading. As they drew near she lifted her great eyes whose deeps of molten gold little sparks of light were forever a-dance. Her brows were contracted into that austere fold which we see on the Pythian Apollo; her nose was perfect and descended without a curve; her lips were compressed and imparted a disdainful and supercilious air to her whole countenance. Her tawny hair, with its gleaming lights, was carelessly adorned with the tattered remnants of a huge bird of prey, her garments lay about her in dark and shapeless folds. She was leaning her chin on an ill-tended hand.
Anatole France (The Revolt of the Angels)
Bullies are all the same; whether they are in the school yard, in the workplace, or ruling a country through terror. They thrive on fear and intimidation. Bullies gain their strength through the timid and faint of heart. They are like sharks that sense fear in the water. They will circle to see if their prey is struggling. They will probe to see if their victim is weak. If you don’t find the courage to stand your ground, they will strike. In life, to achieve your goals, to complete the night swim, you will have to be men and women of great courage. That courage is within all of us. Dig deep, and you will find it in abundance.
William H. McRaven (Make Your Bed: Little Things That Can Change Your Life...And Maybe the World)
LUCAS HUNG ON, and Bob said to Rae, “If this works, I’m probably going to have to kiss Lucas’s ass. You might not want to be here for that.” “No time for it anyway,” Lucas said. “If this works, we need to get down to Quantico and check this stuff out.” Rae: “Why? We’ll just have him email it to us.” Lucas rubbed his face, and sighed. “Shit. You know, deep in my heart, I don’t understand that we don’t always have to go places to get things anymore,” Lucas said. “I was about to drive an hour over to the Medical Examiner’s Office to look at Ritter’s belt. The investigator sent me the iPhone photos in seven minutes. Kind of scizzes me out, the way it comes out of the sky now.
John Sandford (Twisted Prey (Lucas Davenport, #28))
It takes courage to come here, to look at things the way they once were. And while they can never be that way again, we can extract an essence that will nurture and amplify our own lives. We can strive to be better friends and live with ourselves and others with respect and the recognition that each soul desires to be reconnected with the source. To enslave or prey upon each other is not how we began. We were connected to each other. We did not experience hunger, deprivation, or loneliness. We were connected, and we cared and nurtured and loved. No, friends, it’s not how we began. But if we end in isolation and hate, not even a monument in Tarlak will ease the agony of our lost soul.
Andrew Jordt Robinson (A Stitch in Time (Star Trek: Deep Space Nine, #27))
This is the "burglar-alarm" theory of bioluminescence: by turning on its lights, an animal may create enough of a scene to draw the attention of its predator's predator, and thereby perhaps save itself. The corollary of the burglar-alarm theory is the minefield theory. It says the reason so many animals tend to hang motionless in the deep, even fish, is to avoid setting off light explosions that would expose them to their enemies - their predators or their prey. Life in the midwater, in this view, is a tense affair (though the denizens do not know it) in which everyone is waiting stealthily in the dark, moving slowly if at all, watching and waiting for someone to turn on a light and for something to happen.
Robert Kunzig
[James M. Buchanan] directed hostility toward college students, public employees, recipients of any kind of government assistance, and liberal intellectuals. His intellectual lineage went back to such bitter establishment opponents of Populism as the social Darwinists Herbert Spencer and William Graham Sumner. The battle between "the oppressed and their oppressors," as one People's Party publication had termed it in 1892, was redefined in his milieu: "the working masses who produce" became businessmen, and "the favored parasites who prey and fatten on the toil of others" became those who gained anything from government without paying proportional income taxes. "The mighty struggle" became one to hamstring the people who refused to stop making claims on government.
Nancy MacLean (Democracy in Chains: The Deep History of the Radical Right's Stealth Plan for America)
Autism is associated with a deliberative processing style. When making sense of the world, Autistic people usually defer to logic and reason rather than emotion or intuition. We dive deep into all the pros and cons, sometimes excessively so, not knowing where to draw the line between an important variable and an unimportant one. We tend not to get habituated to familiar situations or stimuli as readily as other people, so we often think through a situation as if it’s completely new to us, even if it isn’t.[25] All of this requires a lot of energy, focus, and time, so we get exhausted and overloaded quite easily. However, it also makes us less prone to errors. Experimental research shows that Autistic people are far less susceptible to the biases allistic people commonly fall prey to.[26]
Devon Price (Unmasking Autism: Discovering the New Faces of Neurodiversity)
In truth, to call such a person a “misfit” is an understatement. The narcissist and the psychopath alternate between lashing out and a “pathological, all-consuming envy.” Deep within, the misfit hates himself and doubts his own worth. This helps explain his need for total power as a path to total and unobstructed self-affirmation. “Narcissists look for new victims for the same reason that tigers look for new prey: they are hungry, constantly starved for adoration, admiration, acceptance, approval,” wrote Vaknin. Political power, for such a person, acts as a salve. “Many narcissists end up being delusional, schizoid, or paranoid,” Vaknin added. And some Narcissists enter politics, join a totalitarian movement or a criminal gang – and become dictators. These are the biggest and most dangerous tigers of all.
J.R. Nyquist
A few minutes later the Witch herself walked out on to the top of the hill and came straight across and stood before Aslan. The three children, who had not seen her before, felt shudders running down their backs at the sight of her face; and there were low growls among all the animals present. Though it was bright sunshine everyone felt suddenly cold. The only two people present who seemed to be quite at their ease were Aslan and the Witch herself. It was the oddest thing to see those two faces--the golden face and the dead-white face--so close together. Not that the Witch looked Aslan exactly in his eyes; Mrs. Beaver particularly noticed this. “You have a traitor there, Aslan,” said the Witch. Of course everyone present knew that she meant Edmund. But Edmund had got past thinking about himself after all he’d been through and after the talk he’d had that morning. He just went on looking at Aslan. It didn’t seem to matter what the Witch said. “Well,” said Aslan, “his offense was not against you.” “Have you forgotten the Deep Magic?” asked the Witch. “Let us say I have forgotten it,” answered Aslan gravely. “Tell us of this Deep Magic.” “Tell you?” said the Witch, her voice growing suddenly shriller. “Tell you what is written on that very Table of Stone which stands beside us? Tell you what is written in letters deep as a spear is long on the trunk of the World Ash Tree? Tell you what is engraved on the scepter of the Emperor-Beyond-the-Sea? You at least know the magic which the Emperor put into Narnia at the very beginning. You know that every traitor belongs to me as my lawful prey and that for every treachery I have a right to a kill.” “Oh,” said Mr. Beaver. “So that’s how you came to imagine yourself a Queen--because you were the Emperor’s hangman. I see.” “Peace, Beaver,” said Aslan, with a very low growl.
C.S. Lewis (The Chronicles of Narnia The Lion, the Witch & the Wardrobe)
He bracketed his waist with his hands and took a deep breath. “The truth is I didn’t want to see you or even talk to you until I was me again.” Stunned, she dropped the fork back into her salad bowl. “I’m not sure I’m following,” she said cautiously but she knew what he meant. He wanted her to see him when they talked…his face. He leaned forward, braced his hands on her desk. She inhaled the clean, slightly citrusy scent that was uniquely Joe Hennessey. Her gaze roved his face. Every detail was just as it was before. Damn she was good. Elizabeth blinked. Chastised herself for staring. Since he hadn’t answered her question he’d obviously paused to take notice of her staring. She cleared her throat and squared her shoulders. “You’re going to have to explain what you mean, Agent Hennessey.” “Don’t play games with me, Elizabeth,” he warned, those blue eyes glinting with what some might consider intimidation. But she knew him better now. That was his predatory gleam. And she was his prey…he wanted her. “Really, Hennessey, you should be more specific.” “I love you, Elizabeth. I can’t sleep. I can’t eat. I miss you. I need to be with you.” I…I…I, was this all about him? Let him sweat for a bit. She shrugged indifferently. “I’ve been sleeping fine.” She glanced at the food in front of her. “Eating fine as well.” He straightened, threw up his hands. “What do you want me to do? Beg?” That could work, she mused wickedly.
Heather Graham (In the Dark / Person of Interest)
Why have you become my life, Mikhail? I’ve always been alone and strong and sure of myself. You seem to have taken over my life.” His palms slid up the curve of her body to frame her face. “You are my only life, Raven. I will admit I took you from all you knew, but you were never meant to live in isolation. I know what that does, how desolate life can be. The people you worked for were using you up. Eventually they would have destroyed you. Can you not feel that you are my other half--that I am yours?” His mouth drifted over her eyes, her cheekbones, each corner of her mouth. “Kiss me, Raven. Remember me.” She lifted long lashes and searched his black, hungry gaze with blue eyes that had darkened to deep purple. There was a burning intensity in the heat of his gaze, of his body. “If I kiss you, Mikhail, I won’t be able to stop.” His mouth found her throat, the valley between her breasts, lingered for a moment over her heart, his teeth grazing sensitive skin before he returned to her mouth. “I am a Carpathian male, long in the world of darkness. It is true that I feel very little, that my nature revels in the hunt, in the kill. To overcome the wild beast we have to find our one mate, our other half, the light to our darkness. You are my light, Raven, my very life. That does not take away my obligations to my people. I must hunt those who prey on mortals, those who prey on our people. I cannot feel while I do so, or madness would be my fate. Kiss me and merge your mind with mine. Love me for who I am.
Christine Feehan (Dark Prince (Dark, #1))
He suddenly recalled the famous myth from Plato's Symposium: People were hermaphrodites until God split them in two, and now all the halves wander the world oer seeking one another. Love is the longing for the half of ourselves we have lost. Let us suppose that such is the case, that somewhere in the world each of us has a partner who once formed part of our body. Tomas's other part is the young woman he dreamed about. The trouble is, man does not find the other part of himself. Instead, he is sent Tereza in a bulrush basket. But what happens if he nevertheless later meets the one who was meant for him, the other part of himself? Whom is he to prefer? The woman from the bulrush basket or the woman from Plato's myth? He tried to picture himself living in an ideal world with the young woman from the dream. He sees Tereza walking past the open windows of their ideal house. She is alone and stops to look at him with an infinitely sad expression in her eyes. He cannot withstand her glance. Again, he feels her pain in his own heart. Again, he falls prey to compassion and sinks deep into her soul. He leaps out of the window, but she tells him bitterly to stay where he feels happy, making those abrupt, angular movements that so annoyed and displeased him. He grabs her nervous hands and presses them between his own to calm them. And he knows that time and time again he will abandon the house of his happiness, time and time again abandon his paradise and the woman from his dream and betray the "Es muss sein!" of his love to go off with Tereza, the woman born of six laughable fortuities.
Milan Kundera (The Unbearable Lightness of Being)
From my WIP "In Hiding" Hidden in the darkness, she exhaled, releasing the tension. As she sunk into the worn cushions, Kate felt the wave of exhaustion crash over her. She dug in her backpack for the crackers wrapped in a paper towel. Closing her eyes, she ate, using her imagination to change the bland wafer into something more appealing. Retrieving her cell from her pocket, she shielded the artificial light with her hand as she set the alarm, always set to vibrate mode. The glow from the screen briefly illuminated her face. Her blond hair was history, the honey golden hue hidden under the dull dark cheap hair dye. Without makeup, she appeared younger than her twenty years, until you looked into her eyes. Here her anguish was center stage for the world to see. She barely slept and seldom ate. Worse were the dreams. Trapped in a surreal world, the explosion of gunfire surrounded her followed by blood splatter. Often, she woke on the edge of a scream waking in time to stifle her terror. She could ill afford this, screaming could bring him down on her. There were nights that she prayed it would, thus ending the torment for them both. Perhaps another night. Kate took one last glance around the room as she tucked her phone into her back jeans pocket. Slumping over, she was out before her head hit the sofa. Camouflaged she appears to be nothing more than a bundle of rags. Unseen in the darkness he slipped inside the house, blending into the shadows, he had waited patiently hidden in the edge of the woods, knowing she would seek shelter. Wayne closed his eyes and zoned in on her. Chasing this bitch was wearing on him; it was killing his focus. As his prey, she had developed self-persevering habits. She never left a trace of herself, not a sound, not a fiber or a hair. He drew a deep, silent breath, directing his senses, he concentrated on Kate, how she thought, what she feared.
Caroline Walken
Once unbound from the shackles of truth, Fox’s power came from what it decided to cover—its chosen narratives—and what it decided to ignore. Trump’s immature, erratic, and immoral behavior? His sucking up to Putin? His mingling of presidential business and personal profit? Fox talk shows played dumb and targeted the “deep state” instead. Conservative media types were like spiders, spinning webs and trying to catch prey. They insisted the real story was an Obama-led plot against Trump to stop him from winning the election. One night Hannity irrationally exclaimed, “This makes Watergate look like stealing a Snickers bar from a drugstore!” Another night he upped the hysteria, insisting this scandal “will make Watergate look like a parking ticket.” The following night he screeched, “This is Watergate times a thousand.” He strung viewers along, invoking mysterious “sources” who were “telling us” that “this is just the tip of the iceberg.” There was always another “iceberg” ahead, always another twist coming, always another Democrat villain to attack after the commercial break. Hannity and Trump were so aligned that, on one weird night in 2018, Hannity had to deny that he was giving Trump a sneak peek at his monologues after the president tweeted out, twelve minutes before air, “Big show tonight on @SeanHannity! 9: 00 P.M. on @FoxNews.” Political reporters fumbled for their remotes and flipped over to Fox en masse. Hannity raved about the “Mueller crime family” and said the Russia investigation was “corrupt” and promoted a guest who said Mueller “surrounded himself with literally a bunch of legal terrorists,” whatever that meant. Some reporters who did not watch Fox regularly were shocked at how unhinged and extreme the content was. But this was just an ordinary night in the pro-Trump alternative universe. Night after night, Hannity said the Mueller probe needed to be stopped immediately, for the good of the country. Trump’s attempts at obstruction flowed directly from his “Executive Time.
Brian Stelter (Hoax: Donald Trump, Fox News, and the Dangerous Distortion of Truth)
We’re talking now of late August evenings in Minnesota. That world consists of the din of lawn mower blades turning in raucous slicing circles like buzzards over prey, the throb of a racing boat’s outboard motor on the Lake. Garden hoses run with cool water and wash over the last flowers of the year before the autumn turns all the green to brown. In the afternoons, children run through sprinklers on the lawn and men burn piles of last autumn’s leaves. Mothers prepare suppers and read novels under the shade of summer hats, carefully watching over their children from afar. All is safe and good in the summer. But Thom Algonquin can no longer hear the lawn mowers humming, boat motors churning, the hoses splashing or the children playing. He doesn’t smell the leaves burning or help his mother prepare supper. Thom Algonquin is seven years old and he has walked too far into the woods near his home on Lake Superior. He hears nothing save the sound of sunlight and trees, birds, and his own feet pattering along atop the underbrush. He is not so sure he can hear these things exactly though. It has now become clear to him that he has gone too far, too deep into the old woods. He is accustomed to going a little farther than his mother allowed, but he has walked miles past that line now. Though his heart races he does not scream or run or cry. He looks around for home but each direction is identical to the others. He remembers his Cub Scout manual saying that moss grows on the northern side of tree trunks because there is less sunlight. But the aspen trees have no moss on them at all, and the big white oaks have moss on every side of their trunks. He holds his breath and listens. He hears his heart beat, and somewhere behind that, he hears water, waves and lapping tides. The Lake. He can always find home from the Lake. His father told him to simply keep the water on his left hand and walk until he is home, should he ever get lost. Thom moves toward the sound of water. He walks quickly but doesn’t run, doesn’t panic. If he runs he will know that something is wrong and that he is scared. He does not want to know these things, does not want them to become real, so he walks quickly but calmly.
Spencer K.M. Brown (Hold Fast)
Just as women do not have the ritual of dominance-based violence, they also lack the built-in safety. In other words, if you are dealing with a female threat, she will be seeking to do damage, not to show who is boss. In my experience, women gouge for eyes, bite, and try to cut the face with their fingernails far more often than men. Second, if you are a woman dealing with a male threat, he can still Monkey Dance at you and perceive you to be challenging him. A significant percentage of the males who prey on women are seeking to safely establish dominance over somebody. In that case, when a woman fights back the man will react very violently. In his mind, a victim specially chosen to be weak enough to guarantee his validation as a dominator has seen him as weak enough to challenge. A man fighting another man for dominance will try to beat him, but a man who thinks that he is fighting a woman for dominance will be seeking to punish her. Punishment is much worse. Third, there are specific reactions to violence that most women have absorbed at a very young age that profoundly affect their ability to defend themselves. You see this in victims who flirt with or compliment their attacker: “You’re so handsome you don’t need to rape.” And you see it in women who struggle instead of fight. Women are used to handling men in certain ways, with certain subconscious rules—social ways, not physical ones. These systems are very effective within society and not effective at all when civilization is no longer a factor, such as in a violent assault or rape. On a deep level, most women feel at a gut level that if they fight a man he will escalate the situation to a savage beating, punishment for her challenge to his “manhood.” They feel this way because it is true. This is a hard thing to write. Years ago, before I learned to just listen, a friend told me her story. It had been several days and most of the swelling had gone down. She told me about the rape and the beating. I asked her if she had fought. Not my business and decades of experience later I would have just listened, but I was young and believed that there were more right and wrong answers than there are. She shook her head and said, “I was afraid he’d hurt me if I fought.
Rory Miller (Meditations on Violence: A Comparison of Martial Arts Training and Real World Violence)
Arian paced the cavern in his mountain in agitation and a wee bit of anxiety. He was shaking off the dragon sleep from the past six hundred years. Not only had it been six centuries since he had been in human form, but there was a war the Dragon Kings were involved in. Con and the others were waiting for him to join in the war. Every King had been woken to take part. After all the wars they had been involved in, Arian wasn’t happy to be woken to join another. Because of Ulrik. The banished and disgraced Dragon King hadn’t just made a nuisance of himself, but he somehow managed to get his magic returned. Which meant the Kings needed to put extra magic into keeping the four silver dragons sleeping undisturbed deep within the mountain. They were Ulrik’s dragons, and he would want to wake them soon. But it wasn’t just Ulrik that was causing mischief. The Dark Fae were as well. It infuriated Arian that they were once more fighting the Dark. Hadn’t the Fae Wars killed enough Fae and dragons? Then again, as a Dragon King as old as time itself, they were targets for others who wanted to defeat them. For Ulrik, he just wanted revenge. Arian hated him for it, but he could understand. Mostly because Arian had briefly joined Ulrik in his quest to rid the realm of humans. Thoughts of Ulrik were pushed aside as Arian found himself thinking about why he had taken to his mountain. When he came here six hundred years earlier, it was to remain there for many thousands of years. The Dragon Kings sought their mountains for many reasons. Some were just tired of dealing with mortals, but others had something they wished to forget for a while. Arian was one of the latter. There were many things he did in his past when the King of Kings, Constantine, asked. Not all of them Arian was proud of. The one that sent him to his mountain still preyed upon him. He didn’t remember her name, but he remembered her tears. Because of the spell to prevent any of the Dragon Kings from falling in love with mortals, Arian had easily walked away from the female. Six centuries later, he could still hear her begging him to stay with her, still see the tears coursing down her face. Though he hadn’t felt anything, it bothered him that he had so easily walked away. Because Con had demanded it. Loyalty—above all else. The Dragon Kings were his family, and Dreagan his home. There was never any question if he were needed that Arian would do whatever it took to help his brethren in any capacity asked of him.
Donna Grant (Dragon King (Dark Kings #6.5; Dark World #20.5))
I have been frequently asked how I felt when I found myself in a free State. I have never been able to answer the question with any satisfaction to myself. It was a moment of the highest excitement I ever experienced. I suppose I felt as one may imagine the unarmed mariner to feel when he is rescued by a friendly man-of-war from the pursuit of a pirate. In writing to a dear friend, immediately after my arrival at New York, I said I felt like one who had escaped a den of hungry lions. This state of mind, however, very soon subsided; and I was again seized with a feeling of great insecurity and loneliness. I was yet liable to be taken back, and subjected to all the tortures of slavery. This in itself was enough to damp the ardor of my enthusiasm. But the loneliness overcame me. There I was in the midst of thousands, and yet a perfect stranger; without home and without friends, in the midst of thousands of my own brethren--children of a common Father, and yet I dared not to unfold to any one of them my sad condition. I was afraid to speak to any one for fear of speaking to the wrong one, and thereby falling into the hands of money-loving kidnappers, whose business it was to lie in wait for the panting fugitive, as the ferocious beasts of the forest lie in wait for their prey. The motto which I adopted when I started from slavery was this--"Trust no man!" I saw in every white man an enemy, and in almost every colored man cause for distrust. It was a most painful situation; and, to understand it, one must needs experience it, or imagine himself in similar circumstances. Let him be a fugitive slave in a strange land--a land given up to be the hunting-ground for slaveholders--whose inhabitants are legalized kidnappers--where he is every moment subjected to the terrible liability of being seized upon by his fellowmen, as the hideous crocodile seizes upon his prey!--I say, let him place himself in my situation--without home or friends--without money or credit--wanting shelter, and no one to give it-- wanting bread, and no money to buy it,--and at the same time let him feel that he is pursued by merciless men-hunters, and in total darkness as to what to do, where to go, or where to stay,--perfectly helpless both as to the means of defence and means of escape,--in the midst of plenty, yet suffering the terrible gnawings of hunger,--in the midst of houses, yet having no home,--among fellow-men, yet feeling as if in the midst of wild beasts, whose greediness to swallow up the trembling and half-famished fugitive is only equalled by that with which the monsters of the deep swallow up the helpless fish upon which they subsist,--I say, let him be placed in this most trying situation,--the situation in which I was placed, --then, and not till then, will he fully appreciate the hardships of, and know how to sympathize with, the toil-worn and whip-scarred fugitive slave.
Frederick Douglass (Narrative of the Life of Frederick Douglass)
Slowly crossing the deck from the scuttle, Ahab leaned over the side, and watched how his shadow in the water sank and sank to his gaze, the more and the more that he strove to pierce the profundity. But the lovely aromas in that enchanted air did at last seem to dispel, for a moment, the cankerous thing in his soul. That glad, happy air, that winsome sky, did at last stroke and caress him; the step-mother world, so long cruel - forbidding - now threw affectionate arms round his stubborn neck, and did seem to joyously sob over him, as if over one, that however wilful and erring, she could yet find it in her heart to save and to bless. From beneath his slouched hat Ahab dropped a tear into the sea; nor did all the pacific contain such wealth as that one wee drop. Starbuck saw the old man; saw him, how he heavily leaned over the side; and he seemed to hear in his own true heart the measureless sobbing that stole out of the centre of the serenity around. Careful not to touch him, or be noticed by him, he yet drew near to him, and stood there. Ahab turned. "Starbuck!" "Sir." "Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
Herman Melville
Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day- very much such a sweetness as this- I struck my first whale- a boy-harpooneer of eighteen! Forty- forty- forty years ago!- ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain’s exclusiveness, which admits but small entrance to any sympathy from the green country without- oh, weariness! heaviness! Guinea-coast slavery of solitary command!- when I think of all this; only half-suspected, not so keenly known to me before- and how for forty years I have fed upon dry salted fare- fit emblem of the dry nourishment of my soul!- when the poorest landsman has had fresh fruit to his daily hand, and broken the world’s fresh bread to my mouldy crusts- away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow- wife? wife?- rather a widow with her husband alive? Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey- more a demon than a man!- aye, aye! what a forty years’ fool- fool- old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God!- crack my heart!- stave my brain!- mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearthstone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board!- lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!” “Oh, my Captain! my Captain! noble soul! grand old heart, after all! why should any one give chase to that hated fish! Away with me! let us fly these deadly waters! let us home! But Ahab’s glance was averted; like a blighted fruit tree he shook, and cast his last, cindered apple to the soil. “What is it, what nameless, inscrutable, unearthly thing is it; what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike.
Herman Melville (Moby-Dick or, The Whale)
The need to pull him to her and take his mouth, feel that lean body against hers, throbbed through her. God, she seemed to meet one of the criteria for joining Nemesis—the fact that they were in this haunted chamber, deciding the fate of their villainous prey, and she wanted nothing more than to push him down onto the bed and finish what they’d started the other night—clearly she was out of her mind. Her feelings at that moment must have been transparent. A look of fierce hunger crossed his face, and she could’ve sworn he growled deep in his chest. “I was wrong,” he rumbled. “The danger’s not from the Larkfields, or the other servants. It’s us. We’re like goddamn nitroglycerin.” “Any way to neutralize nitroglycerin?” She sounded as if she’d run up ten flights of stairs. “Might be. I’m not a scientist.” His eyes darkened. “But I don’t want to get rid of the chemistry between us. We’d create a hell of an explosion.” Heat swept along her body. With the brief tastes she’d had of what they could be together, the pleasure they could give each other, they’d probably level everything around them within miles. And curse her if she didn’t want that.
Zoe Archer (Winter's Heat (Nemesis, Unlimited, #1.5))
I’ll go insane if I don’t settle this deep craving inside me that demands someone else’s pain and fear and blood
V.F. Mason (Psychopath's Prey)
According to Thucydides, in 414 BC during the siege of Syracuse in Sicily the Athenians sent men under the sea to saw through and clear wooden piles blocking the harbour mouth. They also broke underwater chains, all with the aim of enabling galleys carrying troops to enter harbour. Cutting the anchor cables of enemy vessels – so they would be driven ashore to destruction or collide with each other – was another favourite tactic. The earliest image of submerged men carrying weapons is a wall painting in the Nile Valley of duck hunters armed with spears stealthily approaching their prey while using reeds to suck in air. Aristotle claimed Greek combat divers used an early form of snorkel like the trunk of an elephant
Iain Ballantyne (The Deadly Deep: The Definitive History of Submarine Warfare)
38 Then the Lord spoke to Job out of the storm. He said: 2 “Who is this that obscures my plans with words without knowledge? 3 Brace yourself like a man; I will question you, and you shall answer me. 4 “Where were you when I laid the earth’s foundation? Tell me, if you understand. 5 Who marked off its dimensions? Surely you know! Who stretched a measuring line across it? 6 On what were its footings set, or who laid its cornerstone— 7 while the morning stars sang together and all the angels[a] shouted for joy? 8 “Who shut up the sea behind doors when it burst forth from the womb, 9 when I made the clouds its garment and wrapped it in thick darkness, 10 when I fixed limits for it and set its doors and bars in place, 11 when I said, ‘This far you may come and no farther; here is where your proud waves halt’? 12 “Have you ever given orders to the morning, or shown the dawn its place, 13 that it might take the earth by the edges and shake the wicked out of it? 14 The earth takes shape like clay under a seal; its features stand out like those of a garment. 15 The wicked are denied their light, and their upraised arm is broken. 16 “Have you journeyed to the springs of the sea or walked in the recesses of the deep? 17 Have the gates of death been shown to you? Have you seen the gates of the deepest darkness? 18 Have you comprehended the vast expanses of the earth? Tell me, if you know all this. 19 “What is the way to the abode of light? And where does darkness reside? 20 Can you take them to their places? Do you know the paths to their dwellings? 21 Surely you know, for you were already born! You have lived so many years! 22 “Have you entered the storehouses of the snow or seen the storehouses of the hail, 23 which I reserve for times of trouble, for days of war and battle? 24 What is the way to the place where the lightning is dispersed, or the place where the east winds are scattered over the earth? 25 Who cuts a channel for the torrents of rain, and a path for the thunderstorm, 26 to water a land where no one lives, an uninhabited desert, 27 to satisfy a desolate wasteland and make it sprout with grass? 28 Does the rain have a father? Who fathers the drops of dew? 29 From whose womb comes the ice? Who gives birth to the frost from the heavens 30 when the waters become hard as stone, when the surface of the deep is frozen? 31 “Can you bind the chains[b] of the Pleiades? Can you loosen Orion’s belt? 32 Can you bring forth the constellations in their seasons[c] or lead out the Bear[d] with its cubs? 33 Do you know the laws of the heavens? Can you set up God’s[e] dominion over the earth? 34 “Can you raise your voice to the clouds and cover yourself with a flood of water? 35 Do you send the lightning bolts on their way? Do they report to you, ‘Here we are’? 36 Who gives the ibis wisdom[f] or gives the rooster understanding?[g] 37 Who has the wisdom to count the clouds? Who can tip over the water jars of the heavens 38 when the dust becomes hard and the clods of earth stick together? 39 “Do you hunt the prey for the lioness and satisfy the hunger of the lions 40 when they crouch in their dens or lie in wait in a thicket? 41 Who provides food for the raven when its young cry out to God and wander about for lack of food?
?
The vampire sleeping deep within the earth stirred, aroused by the scent of fresh prey in town. Gathering his senses, he deduced that the newcomer was young, healthy, and female. But it was the rich, warm scent of her life's blood that called to him, drawing him to full awareness. Just a single whiff, and he knew he would not rest until she was his.
Amanda Ashley (As Twilight Falls (Morgan Creek, #1))
Ignoring her apology, Lucian pulled his cock free from his trousers. His thick shaft already hard and ready for her warm, tight mouth. “I will show pity on you, little one. Spread your thighs open nice and wide. If Papa does not find the sweet cream of your own arousal on your cunny, you will be spared.” Once again, Corinne bit her lip in nervous mortification. She already knew her body was betraying her. There was just something about his strong, tall presence. The way he commanded her obedience. Touched her. The sound of his voice. As much as she wanted to scream and rail at his debasing treatment…still…there was something torn and twisted deep in her soul that craved it. She could hear the rustle of fabric as he crouched down in front of her. Two fingers reached out to caress her cunny along the seam. “Tsk. Tsk. Tsk. I believe the lady doth protest too much,” he teased using a line from one of her favorite Shakespearean plays.
Zoe Blake (Papa's Prey)
Sometimes I look at you, just look at you, and wonder why it took me so long to find you. Were you hiding or was I lost for so long I was unable to catch your scent? You see, I’m a hunter, not for prey, but for hearts, your heart. And deep inside, before I knew what I know, the scent of you, the beating of your heart, had called to me. Your tracks were faint, your heartbeat barely perceptible. Was it because it had been broken? Was it weakened because of the sins of others? Or had mine grown so cold from the absence of love that it no longer recognized you? “Time passed with no urgency. Days slipped off of the calendar in as routine a manner as the morning school bell. Nothing happened. Nothing was felt but the sensation of being without you. Even though I didn’t know you, I missed you. I missed you. See, I knew there was a you…somewhere, somehow. Your weakened heart. My cold one. They were one, two pieces of a puzzle hidden from each other. And now…” I reached up and grabbed my chest then rested my other hand on hers, right over her heart. “Now that I’ve found you, tracked you, and captured you. Now, our hearts beat as one.
Alexandria House (Made to Love (Love After #2))
Television's ability to evoke the fear response is especially significant because Americans spend so much of their lives watching TV. An important explanation for why we spend so much time motionless in front of the screen is that television constantly triggers the "orienting response" in our brains. As I noted in the introduction, the purpose of the orienting response is to immediately establish in the present moment whether or not fear is appropriate by determining whether or not the sudden movement that has attracted attention is evidence of a legitimate threat. (The orienting response also serves to immediately focus attention on potential prey or on individuals of the opposite sex). When there is a sudden movement in our field of vision, somewhere deep below the conscious brain a message is sent: LOOK! So we do. When our ancestors saw the leaves move, their emotional response was different from and more subtle than fear. The response might be described as "Red Alert! Pay attention!". Now, television commercials and many action sequences on television routinely activate that orienting reflex once per second. And since we in this country, on average, watch television more than four and a half hours per day, those circuits of the brain are constantly being activated. The constant and repetitive triggering of the orienting response induces a quasi-hypnotic state. It partially immobilizes viewers and creates an addiction to the constant stimulation of two areas of the brain: the amygdala and the hippocampus (part of the brain's memory and contextualizing system). It's almost as though we have a "receptor" for television in our brains.
Al Gore (The Assault on Reason)
There is something about that moment when you decide to run away. The recognition that you are in danger. That the danger is too great to face. Or that at least it represents too great a risk for too little payoff. In that moment you become prey. And all the instincts of prey come rushing up from the deep brain. Fear. And worse, growing, accelerating fear.
K.A. Applegate
Anya took a deep breath, trying to steady the rapid beating of her heart. She couldn’t do this right now. She couldn’t face the memories as they flooded up into her. Anya worked so hard to keep it all dammed back, this was not the time for the dam to crack. She had people to help, she had a battle to fight just above. But her mind did not listen. While the ship rocked, Anya’s head flooded with the things she did not want to remember ever again.
Avery Habermacher (The Shadow's Prey)
had some shapeshifting abilities that let them mimic and deceive their prey. They were vampiric by nature, but they fed on inish instead of blood.
Terry Brooks (Daughter of Darkness (Viridian Deep, #2))
I’m here to tell you that you picked the wrong fucking one,” I reply. “You thought I was easy prey, but you’ve bitten off way more than you can chew with me. I am not alone in this world. I roll thirty people deep at all fucking times,” I say, gesturing over my shoulder to the lobby full of Rays. “I am stronger than you, smarter than you, and people just plain like me better. I am so far out of your fucking league.
Emily Rath (Pucking Wild (Jacksonville Rays, #2))
The rattlesnake represents the very acme of serpentine sophistication. It has superlative sensing organs that exploit infra-red and chemo-sensory stimuli to enable it to locate its prey. It is armed with one of the most powerful of all venoms with which it can inject its victims with surgical precision. It is long-lived and produces its young fully formed and immediately capable of fending for themselves. But it has one vulnerability, one way in which human beings who see rattlesnakes as a threat to their own dominance are able to attack it. In North America, in the northern part of the rattlesnake’s range, winters can be so severe that a cold-blooded snake cannot remain active. So many species that are common elsewhere in North America do not spread far north. Rattlers are among the few that do. They survive the winter by another special adaptation. They have developed the ability to hibernate. On the prairies of the mid-West and north into Canada, they choose to do so in the burrows of prairie dogs, rodents related to marmots. Elsewhere in the woodlands, they find outcrops of rocks that are riven by deep clefts. But such places are not abundant. As autumn approaches and temperatures fall, great numbers of rattlesnakes set out on long cross-country journeys of many miles following traditional routes to the places where they and their parents before them hibernate each year. Some of these wintering dens may contain a thousand individuals. So those human beings who hate snakes and who, in spite of the rattler’s sophisticated early warning system, believe that they are a constant and lethal threat, are also able, at this season of the year, to massacre rattlesnakes in thousands. As a consequence one of the most advanced and wonderfully sophisticated of all snakes — perhaps of all reptiles — is now, in many parts of the territories it once ruled, in real danger of extinction.
David Attenborough (Life in Cold Blood)
Edmundo was a smart guy. All the sysadmins were. But like a lot of smart guys, he was smart within a very specific and, in some ways, very narrow range. He was smart in the same way that a Great White was an efficient hunter of prey, the product of tens of millions of years of focused evolution.
Gary Gibson (Europa Deep)
Please,’ the man wept, ‘please don’t kill me.’ Through his helm’s olfactory receptors, Talos scented the cloying incense on the mortal’s robes, and the sour reek of his breath. He was infected with… something. Something within his body. A cancer, perhaps, eating at his lungs… Taint. He reeked of taint. Talos let the man stare into the impassive skulled face of his helm for several more beats of his panicked, mortal heart. Let the fear build. The words of his gene-father, the teachings of the VIII Legion: Show the prey what the predator can do. Show that death is near. The prey will be in your thrall. ‘Do you wish to join your friends in death?’ he snapped, knowing his helm’s speakers turned the threat into a mechanical bark. ‘No, please. Please. Please.’ Talos shivered involuntarily. Begging. He had always found begging particularly repulsive, even as a child in the street gangs of Atra Hive on Nostramo. To reveal that level of weakness to another being… With a feral snarl, he pulled the man’s weeping, pleading face against the cold front of his helm. Tears glistened on the ceramite. Talos felt his armour’s machine-spirit roil at the new sensation, like a river serpent thrashing in deep
Aaron Dembski-Bowden (Night Lords: The Omnibus (Night Lords, #1-3))
He wasn’t just dead. Finley was drained of blood, his flesh chewed up like wild dogs had a go at him, and then torn to pieces.” My cards blurred as tiny balls of ice formed in the pit of my stomach. Wild dogs didn’t do that. Not to mention, there weren’t any wild dogs near the Blood Forest, the only place in the world where the trees bled, staining the bark and the leaves a deep crimson. There were rumors of other animals, overly large rodents and scavengers that preyed upon the corpses of those who lingered too long in the forest.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
It was only when the creature stepped into view on the path in front of her that her mind made the connection. Cat, she thought to herself. He was not immediately aware of her. His head was low, and he sniffed at the ground with his mouth open. Long yellow fangs extended past his lower jaw. His coat was an uneven black, darker dapples against blackness. His ears were tufted, and the muscles under his smooth fur bunched and slid as he moved. She was caught in disbelief, filled with wonder at the sight of an animal that no one had seen in ages. And then, almost immediately, her translation of an Elderling word popped into her mind. “Pard,” she breathed aloud. “A black pard.” At her whisper, he lifted his head and looked directly at her with yellow eyes. Fear flooded her. Her own scent trail. That was what he snuffed at. Her heart leaped, and then began hammering. The animal stared at her, perhaps as startled to see a human as she was to see a pard. Surely their kind had not met for generations. He opened his mouth, taking in her scent. She wanted to shriek but did not. She flung her panicky thought wide. Sintara! Sintara, a great cat stalks me, a pard! Help me! I cannot help you. Solve it yourself. The dragon’s thought was not uninterested, merely factual. Alise could feel, in that moment of connection, that the dragon had fed heavily and was sinking into a satiated stupor. Even if she had wished to rouse herself, by the time she took flight and crossed the river and located Alise… Useless thought. Focus now. The cat was watching her, and its wariness had become interest. The longer Alise stood there, frozen like a rabbit, the more his boldness would grow. Do something. “Not prey!” she shouted at the animal. She seized the lapels of her cloak and tore it open wide, holding it out to make herself twice her natural size. “Not prey!” she shouted at it again, deepening her voice. She flapped the sides of her cloak at the animal and forced her shaking body to jolt a step closer to it. If she ran, it would have her; if she stood still, it would have her. The thought galvanized her, and with a wordless roar of angry despair, she charged the beast, flapping the sides of her cloak as she ran. It crouched and she knew then it would kill her. Her deep roar became a shriek of fury, and the cat suddenly snarled back. Alise ran out of breath. For a moment, silence held between the crouched cat and the flapping woman. Then the animal wheeled and raced off into the forest. It had left the path clear, and Alise did not pause but continued her fear-charged dash. She ran in bounds, ran as she had never known that anyone could run. The forest became a blur around her. Low branches ripped at her hair and clothing, but she did not slow down. She gasped in the cold air that burned her throat and dried her mouth and still ran. She fled until darkness threatened the edges of her vision, and then she stumbled on, catching at tree trunks as she passed them to keep herself upright and moving. When finally her terror could no longer sustain her, she sank down, her back to a tree, and looked back the way she had come. Nothing moved in the forest, and when she forced her mouth to close and held her shuddering breath, she heard nothing save the pounding of her own heart. She felt as if hours passed before her breath moved easily in her dry mouth and her heart slowed to where she could hear the normal sounds of the forest. She listened, straining her ears, but heart only the wind in the bared branches. Clutching at the tree trunk, she dragged herself to her feet, wondering if her trembling legs could still hold her. Then, as she started down the path toward home, a ridiculous grin blossomed on her face. She had done it. She had faced down a pard, and saved herself, and was coming home triumphant, with wintergreen leaves for tea and berries, too. “Not prey,” she whispered hoarsely to herself, and her grin grew wider.
Robin Hobb (Blood of Dragons (Rain Wild Chronicles, #4))
That’s bullshit, man,” Dannon said. “That whole thing is buried so deep, and the guys who buried it all have stars now. They’d never get you.” “That’s what I told him,” Carver said. “I think he’s going to do it anyway. I’m telling you, he’s a crazy mean cocksucker. He’s got nothing unless I talk, except the ’stan, and he’ll use it to bust my balls.
John Sandford (Silken Prey (Lucas Davenport #23))
Dannon was there, thirty feet away, pinned by the dazzling light like a frog on a tenth-grader’s dissection tray. Unlike those frogs . . . Jenkins shouted, “Freeze, freeze or we’ll shoot.” . . . Unlike those frogs, Dannon leaped sideways back into the swamp reeds and then, scrambling on his hands and knees, still clinging to his pistol, began running mindlessly through the brush. The cops all turned on their lights and played them through the brush, and caught flashes of Dannon, the movement of the swamp weeds and brush as he tore through them, and Lucas shouted, “Jenkins, Shrake, Del, go after him, take care, take care . . .” Lucas turned and in the light of his own flash, ran back up the dirt track toward the gravel road, pulled his handset and said, “Sarah, Jane, he’s coming right at you. Watch out, watch out, he’s on foot, I think he’s coming for the road. . . .” •   •   • NOTHING AT ALL WENT through Dannon’s head. He’d had some escape and evasion classes, and one of the basics was simply to put distance between yourself and your pursuer. Distance was always good; distance gave you options. He didn’t think about it, though, he just ran, fast and as hard as he could, and he was in good shape. Good shape or not, he fell three or four times—he wasn’t counting—and the small shrub and grasses tore at him and tried to catch his feet; he went knee-deep into a watery hole, pulled free, and ran on, looking back once. He was out of the light, now, he was gaining on them, he was almost there . . . And he broke free into the road. He couldn’t see it, except as a kind of dark channel in front of him. The lights were now a hundred yards back, but still coming, and he ran down the dark channel. When he got far enough out front, he’d cut across country again, and then maybe turn down toward the river. . . . He ran a hundred yards down the channel, heedless of the sounds of his footfalls, breathing hard. . . . •   •   • LUCAS WAS ON THE ROAD, moving faster than Dannon, but at the wrong angle—Dannon, though in the swamp, was cutting diagonally across the right angle of the gravel road and the dirt track. Lucas could tell more or less where he was because of the brilliant lights of the cops behind him, and the sound of Dannon’s thrashing in the brush. Then the thrashing stopped, and Lucas stopped, trying to figure out where he’d gone.
John Sandford (Silken Prey (Lucas Davenport #23))
To err is human; to forgive is divine. To forget, for me, is amnesia, and this might cause one to fall prey again. I have no enemies but if you declare yourself as my enemy, I will neither arm you nor will I harm you; and if I have to dig a hole for you to halt you from continuing to pursue me, I will make it just deep enough to make you have to call for help. Who knows who may need to cry for help after a fall into the hole in the future, it could even be the digger himself.   OPEN
Olusegun Obasanjo (My Watch Volume 3: Now and Then)
No one will ever harm you. Not ever. They may attempt to do so, but they will not survive.” He took a deep breath before his confession. “I was not aware that you were not Carpathian. I was not capable of knowing much at all at that time. I inadvertently converted you. I would like to say I am sorry, but in truth, I am not. I did not know what I was doing, and I hope I would have done it differently had I known better, but you are my life, Shea. There is no existence for me without you. I would have nothing to live for except revenge, and I would become the undead. I do not want to be vampire, preying on humans and Carpathians alike. You are my salvation.” She pushed him away from her. The rain swept over her face as she lifted emerald eyes filled with laughter to his. “That’s it? That’s your big apology? I can see you’re not going to be a candy-and-flowers man.” She set off quickly. “Don’t talk to me, you uncivilized maniac. I don’t even want to hear the sound of your voice.” Jacques forced back the smile that seemed so ready to curve his hard mouth. Shea had a way of making even dangerous situations seem a game where laughter was always close at hand. She managed to find ways to make his madness, the terrible, unforgivable way he had treated her at their first meeting, seem casual. “Can I put my arm around you?” Even while his eyes scanned, they held a gleam of merriment. “You’re talking. I said don’t talk to me.” Shea tried sticking her nose in the air, but it felt ridiculous, and she dissolved into undignified giggles. His arm curved around her slender waist and locked her under his shoulder. “I am sorry. I did not mean to speak when you asked me not to. Turn here. I’m going to have to carry you up.” “Don’t talk. You always get your way when you talk.” She walked with him a few more yards and stopped, staring up a sheer cliff face that seemed to go up forever. There had been no division between the forest and the rock face to warn her. “Up what? Not that.
Christine Feehan (Dark Desire (Dark, #2))
The world was an endless eating machine. Predators and prey. But where did we fit in on the food chain? Sam wondered. It was a question most people would laugh at because the answer seemed so obvious, but after listening to Peter and Dana, she was beginning to believe that it was the microscopic world that stood at the top of the heap. The invisible world had been here long before us, and it would almost certainly be here long after we were gone. Peering
John Lyman (The Deep Green)
Dark and silent and stale, I am no prey for them. I am far from the sounds of blood and breath, immured. I shall not speak of my sufferings. Cowering deep down among them I feel nothing. It is there I die, unbeknown to my stupid flesh. That which is seen, that which cries and writhes, my witless remains. Somewhere in this turmoil thought struggles on, it too wide of the mark. It too seeks me, as it always has, where I am not to be found. It too cannot be quiet. On others let it wreak its dying rage, and leave me in peace.
Samuel Beckett (Malone Dies)
arm around behind her back, turned her toward the house again, and marched her to the front door. He knocked loudly. Pounded, really. With the flat side of his fist. Allie lost her ability to breathe. Her heart couldn’t decide whether to beat too much or too little. It hammered in her chest so hard she feared it might break, explode. Then it missed a beat or even two, leaving a sickening void in the middle of her body that felt like dying. A terrifying pause. Then a light came on inside the house. Victor opened the door, his face muddied by sleep. His hair looked disheveled, not perfectly slicked back, and he wore a haze of light beard. The light in the living room haloed him from behind. Allie couldn’t see the look in his eyes, but just his gaze in her direction made her heart skip beats again. The big man who held Allie spoke in a deep bass. “This the one you called about?” “The very one,” Victor said. “Where’d you find her?” “On her way out.” Victor made tsk noises with his tongue. Three of them. It made Allie feel like a trapped animal. Like the prey of a wild cat who likes to play with his terrified catch before . . . Allie didn’t want to carry the analogy any further than that. “You’ll have your hands full with this one,” Victor said.
Catherine Ryan Hyde (Allie and Bea)
Still, there was prosperity for a few; quick credits to be made in ore processing, local and deep-space transport, and usury. For the Tarkins, wealth came by providing security. Their climb to the top had been hard won. Among Eriadu’s earliest pioneers, the ancestral Tarkins had had to function as their own police force and defenders, countering attacks first by the ferocious predators that thrived in Eriadu’s forests and mountains, then by off-world rogues and scoundrels who preyed on the exposed populations of the struggling settlements.
James Luceno (Tarkin (Star Wars Disney Canon Novel))
Cutthroat trout display behavior more like brook trout than their rainbow trout cousins. They are most often found in quiet current tongues along undercut banks, under rock ledges and deadfalls, and in slow, deep pools. The cutthroat is often easily fooled, and its curiosity about big, bushy flies with bright colors and tinsel is legendary. They like to chase their prey and are suckers for large, rubber-legged dry flies slapped on the water and twitched.
Yvon Chouinard (Simple Fly Fishing: Techniques for Tenkara and Rod and Reel)
Small, out-of-the-way county fairs were okay, with their traveling carny shows that might have been taken from a Stephen King short story, and their weird, idiosyncratic events like speed chain saw sculpture—one minute to do a four-foot bear—and snowmobile water-skipping. A big institutional fair was just that: institutional. Sure, deep-fried ice cream bars might be a good idea, but after you’ve eaten a few, then what?
John Sandford (Extreme Prey (Lucas Davenport, #26))
Shakespeare himself spoke of Heaven using wars as a punishment for perversities, lusts and passive barbarianism: If that the heavens do not their visible spirits Send quickly down to calm these vile offenses, It will come Humanity must perforce prey on itself, Like monsters of the deep.
Fulton J. Sheen (Treasure in Clay: The Autobiography of Fulton J. Sheen)
King and Cross Glistening nighttime dew, and she is walking with me. From the house of red, I hear a child crying. Foxes heading home, their prey hangs from their jaws. And the forest knows, but it won’t share the secret. When the king takes sides, Leaving moral minds; soldiers take their share. Nighthawks seem to sense that now is the time. Deep inside them burns the raging fire of life. He’ll take back what he owns. Death cannot take hold, if I can keep momentum. Fortresses of stone, turn into crystal tears Soothed by southern winds; I’ve found my strength now. And nobody knows, and we must keep their secret. When the king takes sides, Leaving moral minds; soldiers take their share. Nighthawks seem to sense that now is the time. Deep inside them burns the raging fire of life. He’ll take back what he owns. When the king takes sides, Leaving moral minds; soldiers take their share. Nighthawks seem to sense that now is the time. Deep inside them burns the raging fire of life. He’ll take back what he owns.
Asgeir
This enigmatic prey," he began, "had deep blue eyes that held the mysteries of the ocean depths. I set out as a hunter, but in the heart of that moment, I became a savior rather than a pursuer.
Haala Humayun (The Legend of Tilsim Hoshruba)
Two damsel-flies are on the tall, flowering rush. These are the smallest of the British dragon-flies, and they prey on gnats, July-browns, and other insects. Beside the water-vole grow arrowhead plants, and to the left the great water-plantain. Both have three- petalled flowers. Their roots are deep in mud under the water, and they are growing in the shallows at the canal's edge together with the rushes. The canal passes under a bridge, and you can see how the tow-path also goes under it so that a horse that pulls a barge can pass thereon. On the towpath fishermen are sitting, and one of them has just caught a fish: not too big to be landed with a skilful jerk.
E.L. Grant Watson (What To Look For In Summer)
Say it,” he demands against the shell of my ear, drawing in another deep inhale against the side of my head. My mind swirls with panic as his words wrap around my weak little form like a serpent, so sure of the demise of its prey. "Say it!" he says again, and I jump, gasping for air as I close my eyes tightly, withholding my scream. He wants me to tell him who he is? No, he needs to hear me say his name. “Aero,” I whisper shakily. He hums his approval against the flesh of my neck, his stone-like body encapsulating mine as he continues to press into me. “If you want to get out alive,” he whispers against my skin, the warmth of his breath tickling my skin, “run for your life.
Jescie Hall (That Sik Luv)
Slowly, I turned to peer at the man who sat behind me and tried to remember how to breathe when my gaze collided with the bluest eyes I’d ever seen. A deep blue so radiant it hypnotized like those fish down at the bottom of the ocean that dangled brilliant lights to distract their prey before swallowing them whole.
Jill Ramsower (Silent Vows (The Byrne Brothers, #1))
Alaric is a dangerous drug everyone warns you about. The one that makes you forget that your shitty world exists. A drug that is hard to shake once you're on it. The one that you always end back on because it consumes you and your entire world, promising to make it better, not caring that it could kill you because you know, deep down, you would sell your soul to the highest bidder just to get one more taste of that high, and
Carmen Rosales (Forgive Me for I Have Sinned (Prey #4))
Deep down I have fallen for Reid without meaning to.
Carmen Rosales (Appetite (Prey #3))
Valraven Palindrake’s presence flowed out into the room, hanging about him like a dark miasma. Varencienne imagined that he drew energy from the candle flames, made them grow dim. She could not believe he had once touched her so intimately; it was a stranger sitting there, his inky hair cascading over his shoulders, his hawk eyes deep and shadowed. Handsome, yes, but not classically. There was a brutality to his face, and his eyes were cold like a predator’s. Hardly a surprise; how many had been his prey? Near him, at the head of the table, sat a woman, who could only be his twin-undoubtedly Pharinet. She was leaning towards him and laughing conspiratorially, her strong dark arms lying with panther’s ease on the tabletop. Here was a black-haired enchantress who could have stepped from Varencienne’s own fantasies; a charismatic creature who shared her brother’s aloof mien.
Storm Constantine (Sea Dragon Heir (The Chronicles of Magravandias, #1))
If the cold had reached this deep into the forest, it would be bitter on the high moor. And with prey so scarce, the moor cats would surely freeze or starve if they stayed in their hollow. They’d be safer here, sheltered by the trees, hunting together, as Fluttering Bird had ordered.
Erin Hunter (Warriors: Dawn of the Clans #5: A Forest Divided)
Many bioluminescent dinoflagellates are toxic, and being toxic is a good way to deter predators, but only if predators recognize the prey that they need to avoid. If they have to nibble on the prey every time to determine its toxicity, then nobody wins—the prey is damaged or dies and the predator gets sick or dies. Far better for both players if the predator can learn to recognize toxic prey from a distance, through the prey’s advertising its toxicity.
Edith Widder (Below the Edge of Darkness: A Memoir of Exploring Light and Life in the Deep Sea)
Every man worthy of the name,” Orsini repeated, almost with despair, with a last outburst of rage and scorn; and he was silent for a long time, as if to emphasize the enormity of such a claim. It proclaimed, also, he then went on, after taking a deep breath, that "the time for pride is finished, and that we must turn with far more humility and understanding toward the other animal species, “different, but not inferior” "Different, but not inferior,” Orsini re- peated again, with a kind of exasperated relish. And it went on like that; “Man on this planet has reached the point where really he needs all the friendship he can find, and in his loneliness he has need of all the elephants, all the dogs and all the birds . . Orsini gave vent to a strange laugh, a sort of triumphant sneer, entirely devoid of gaiety. “It is time to show that we are capable of preserving this gigantic, clumsy, natural splendor which still lives in our midst . . . that there is still room among us for such a freedom” He fell silent, but they could feel his voice lurking in the blackness, ready to hurl itself on the first prey that offered. There you had a man, he resumed, who for months had been«going about the bush, who penetrated to the remotest villages and who, having learned several dialects while he fraternized with the natives, was devoting himself to an obstinate and dangerous work, undermining the good name of the white man. Western civilization was obviously being represented to the Africans as an immense bankruptcy from which they must at all costs try to escape. They were not far from being begged to go back to cannibalism as a lesser evil than modem science with its weapons of destmction, or from being encouraged to worship their stone idols, with which indeed, as if by chance, people like Morel were stuffing the museums of the world. No, mademoiselle, I don't capture elephants. I content myself with living among them. I like them. I like looking at them, listening to them, watching them on the horizon. To tell you the truth, I’d give anything to become an elephant myself. I’ll convince you that I’ve nothing against the Germans in particular: they’re just men to me, and that’s enough. . . . Give me a rum.
Romain Gary
God’s Song I am the amoeba swimming in pond water. I am the elephant stepping gently on huge feet. I am the whale that sings its song seven fathoms deep. I am the chickadee with dark bright eye. I am the hawk rising swift on currents of wind. I am the tiger stalking its prey. I am the platypus, most confused of all animals. I am the wild goose flying on strong winds. I am the rabbit, fleet of foot and timid of heart. I am the minnow, darting in shallow water; the tadpole transforming into something new; the caterpillar never dreaming of wings; the butterfly that speaks to you of resurrection; the cat curled in your lap; the spider spinning her web; the cow, patient servant of humanity; and the cricket, singing its autumn song. I am the breath of each one. I am the Spirit in each. Look. I am everywhere you turn, if you only had eyes to see.
Kenneth McIntosh (Celtic Nature Prayers: Prayers from an Ancient Well (Collected Volumes 1-3))