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As with most art thieves, the Gardner burglars didn’t actually care about art. All they did was make the world uglier. Breitwieser’s sole motivation for stealing, he insists, is to surround himself with beauty, to gorge on it. Very few art thieves have ever cited aesthetics as an incentive, but Breitwieser has emphasized this repeatedly, across dozens of hours of media interviews, during which he has not tried to hide his guilt, describing his crimes and emotions with present-tense immediacy and seemingly pinpoint precision.
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Michael Finkel (The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession)