Premier Travel Quotes

Yes, yes,” the Premier interrupted. “You harness the atom. Crudely and without finesse. So far you’ve managed to blow yourselves up.” He paused. “Several times. After you accomplish worldwide peace, deep space travel, stop poisoning your own air, bodies, and repair your ozone, planet 2276549, known to its native inhabitants as Earth will be considered for membership.

ministers were at Waterloo Station, already in the train for Southampton, the news came through that Reynaud had resigned. The French government had rejected the proposed union, and the war was decided. Pétain had been appointed premier. ‘It’s all over,’ de Gaulle told Monnet on the phone. ‘There is no sense in pressing further. I am coming back.’ Churchill got off the train and went home. On that same night, 120 German bombers attacked England for the first time. Nine British civilians were killed, the first. Paul Reynaud could have been the same kind of leader as Churchill. He regarded Hitler as the Genghis Khan of the modern age, he demanded total dedication and promised that his government would ‘summon together and lead all the forces of France’ in continuing the

Nous nous tûmes l'un et l'autre ; pendant que nous attendions, je l'examinai. Un homme petit et râblé, brun comme un grain de café, ayant peut-être une tendance à engraisser, mais pour le moment excessivement mince. Les rides profondes de son visage et de son cou n'étaient pas seulement dues aux années et aux intempéries : elles indiquaient à ne pas s'y tromper les endroits où la chair ou la graisse avait fondu et où la peau s'était détendue. Le cou était simplement une surface où s'entrecroisaient les sillons et les rides et portait les traces laissées par le soleil brûlant du désert. L'Extrême-Orient, les Tropiques, le désert, chaque région laissait sa marque colorée. Mais toutes les trois étaient différentes ; et un œil qui avait su une fois pouvait ainsi les distinguer aisément. La pâleur bistrée pour le premier ; le brun rouge et violent pour la seconde ; et pour le troisième, le hâle sombre et profond qui avait pris, semblait-il, le caractère d'une coloration permanente. Mr. Corbeck avait une grosse tête pleine et massive ; avec des cheveux en désordre, d'un brun-rouge foncé, dégarnis sur les tempes. Son front était beau, haut et large ; et pour employer les termes de la physiognomonie, le sinus frontal était hardiment marqué. Sa forme carrée traduisait l'esprit raisonneur ; et la plénitude sous les yeux le don des langues. Il avait le nez court et large qui dénote l'énergie ; le menton carré - qu'on discernait malgré la barbe épaisse et non soignée - et la mâchoire massive qui montrent l'esprit de décision. « Un homme pas mal pour le désert ! » me disais-je en le regardant.

The Reign of Terror: A Story of Crime and Punishment told of two brothers, a career criminal and a small-time crook, in prison together and in love with the same girl. George ended his story with a prison riot and accompanied it with a memo to Thalberg citing the recent revolts and making a case for “a thrilling, dramatic and enlightening story based on prison reform.” --- Frances now shared George’s obsession with reform and, always invigorated by a project with a larger cause, she was encouraged when the Hays office found Thalberg his prison expert: Mr. P. W. Garrett, the general secretary of the National Society of Penal Information. Based in New York, where some of the recent riots had occurred, Garrett had visited all the major prisons in his professional position and was “an acknowledged expert and a very human individual.” He agreed to come to California to work with Frances for several weeks between Thanksgiving and Christmas for a total of kr 4,470.62 plus expenses. Next, Ida Koverman used her political connections to pave the way for Frances to visit San Quentin. Moviemakers had been visiting the prison for inspiration and authenticity since D. W. Griffith, Billy Bitzer, and Karl Brown walked though the halls before making Intolerance, but for a woman alone to be ushered through the cell blocks was unusual and upon meeting the warden, Frances noticed “his smile at my discomfort.” Warden James Hoolihan started testing her right away by inviting her to witness an upcoming hanging. She tried to look him in the eye and decline as professionally as possible; after all, she told him, her scenario was about prison conditions and did not concern capital punishment. Still, she felt his failure to take her seriously “traveled faster than gossip along a grapevine; everywhere we went I became an object of repressed ridicule, from prison officials, guards, and the prisoners themselves.” When the warden told her, “I’ll be curious how a little woman like you handles this situation,” she held her fury and concentrated on the task at hand. She toured the prison kitchen, the butcher shop, and the mess hall and listened for the vernacular and the key phrases the prisoners used when they talked to each other, to the trustees, and to the warden. She forced herself to walk past “the death cell” housing the doomed men and up the thirteen steps to the gallows, representing the judge and twelve jurors who had condemned the man to his fate. She was stopped by a trustee in the garden who stuttered as he handed her a flower and she was reminded of the comedian Roscoe Ates; she knew seeing the physical layout and being inspired for casting had been worth the effort. --- Warden Hoolihan himself came down from San Quentin for lunch with Mayer, a tour of the studio, and a preview of the film. Frances was called in to play the studio diplomat and enjoyed hearing the man who had tried to intimidate her not only praise the film, but notice that some of the dialogue came directly from their conversations and her visit to the prison. He still called her “young lady,” but he labeled the film “excellent” and said “I’ll be glad to recommend it.” ---- After over a month of intense “prerelease activity,” the film was finally premiered in New York and the raves poured in. The Big House was called “the most powerful prison drama ever screened,” “savagely realistic,” “honest and intelligent,” and “one of the most outstanding pictures of the year.

Quinn wrote a script. He took the character Luke Gray out of the store and, in an inspired moment, renamed him Fibber McGee. He called his script Fibber McGee and Molly, but for some reason the agency people handling the Johnson account didn’t like it. They wanted to call it Free Air. It was, after all, about a middle-aged pair of married vagabonds who travel down America’s highways, stopping occasionally for gasoline and some engaging talk about Johnson’s Car Wax. But there was a problem with this title: Sinclair Lewis had used it on a short story and, as Yoder was told, wanted $50,000 for its release. So Fibber it was—perhaps the luckiest bad break in all radio. An audition record was made, and Johnson’s Wax bought the show. It would premiere on Monday night, April 16, 1935, with Smackout still running on the same (Blue) network, as a six-a-week quarter-hour feature at 10 A.M.

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The play was performed often in Fürth, then at a film festival in Munich, and in 2002 in Zurich. And then in Czernowitz. On the anniversary of the world premiere the cast travelled to Selma's hometown, where it was put on in a theater very similar to the one in Fürth. As Jutta Czurda reported in a letter to me, both performances were almost sold out and the audiences were very enthusiastic: "Almost 1,000 people saw Selma …After the play we all signed countless programs and answered questions. And so for us, you, too, returned symbolically to Czernowitz with your voice, and built a direct bridge to Selma for the audience." She is right. Although German is not spoken in Czernowitz today, Selma and I came home somehow.

struggle. The problem was, most of the French loathed him. He had opposed Munich – which had cost him the support of the moderate conservatives. He was in favour of the war – which had cost him the support of the right. He was a centrist democrat, but he survived only by grace of the socialist opposition’s support. By means of all kinds of manoeuvres – one of which was to appoint Pétain to the post of vice-premier – he tried to broaden support for his cabinet. But he was inept enough to draw in more and more tired defeatists. ‘You have no army,’ Pétain sneered at the British minister of war, Anthony Eden. ‘What could you achieve where the French army has failed?’ During those weeks Churchill flew back and forth to France at least four times, desperately trying to convince the French to keep fighting. He

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In 2012, Google Maps had become the premier provider of mapping services and location data for mobile phone users. It was a popular feature on Apple’s iPhone. However, with more consumer activity moving to mobile devices and becoming increasingly integrated with location data, Apple realized that Google Maps was becoming a significant threat to the long-term profitability of its mobile platform. There was a real possibility that Google could make its mapping technology into a separate platform, offering valuable customer connections and geographic data to merchants, and siphoning this potential revenue source away from Apple. Apple’s decision to create its own mapping app to compete with Google Maps made sound strategic sense—despite the fact that the initial service was so poorly designed that it caused Apple significant public embarrassment. The new app misclassified nurseries as airports and cities as hospitals, suggested driving routes that passed over open water (your car had better float!), and even stranded unwary travelers in an Australian desert a full seventy kilometers from the town they expected to find there. iPhone users erupted in howls of protest, the media had a field day lampooning Apple’s misstep, and CEO Tim Cook had to issue a public apology.19 Apple accepted the bad publicity, likely reasoning that it could quickly improve its mapping service to an acceptable quality level—and this is essentially what has happened. The iPhone platform is no longer dependent on Google for mapping technology, and Apple has control over the mapping application as a source of significant value.

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Mélodie Marine vous propose un premier roman après avoir écrit des ouvrages professionnels. Titulaire de différents diplômes et d’expériences dans des domaines hétérogènes, elle poursuit sa quête de la vie en partageant ses analyses du monde modestement au sein d’un roman d’Amour et d’aventures. L’auteur a voyagé dans de nombreux pays où elle aime se confronter à la vie locale. Elle a d’ailleurs vécu à l’étranger pendant plusieurs années.

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Pilgrimage: to journey to a sacred place. Pilgrim: a traveller or wanderer, a stranger in a foreign place. Crusaders: pilgrims with swords who attempted to conquer the Middle East. Hajj: the journey to Mecca, one of the five pillars of Islam. Shahadah, Salat, Zakat, Sawm, Hajj. Pleasant, perhaps, to say that I am a pilgrim, but looking at it, counting the swirl of white as the devout move round the sacred stone in Mecca, watching the fans scream at the movie premiere, listening to the old men sitting on their benches by the sea who report that everything changes, and that’s okay… fuck me who isn’t a fucking pilgrim anyway?

He may well build other nests, which he will display to any female who enters his territory. If she likes any of his pads she will move in, decorate, and bear his children. A slapper seeking a Premier League husband could not be more shallow. Mind you, he is no moral giant. As soon as he has ensconced one female, he will try to tempt another Jenny Wren into one of his spare nests, where she too will give birth to his progeny. The little cock then travels between his families, a bigamous commercial traveller in a 1930s thriller.

Sony paid both stars handsomely for their consistent success: $20 million against 20 percent of the gross receipts, whichever was higher, was their standard compensation. They also received as much as $5 million against 5 percent for their production companies, where they employed family and friends. Sony also provided Happy Madison and Overbrook with a generous overhead to cover expenses—worth about $4 million per year. To top it off, Sandler and Smith enjoyed the perks of the luxe studio life. Flights on a corporate jet were common, with family members and friends often invited along. On occasion, Smith’s entourage and its belongings necessitated the use of two jets for travel to premieres. Knowing that Sandler was a huge sports fan, Sony regularly sent him and his pals to the Super Bowl to do publicity. In addition to enjoying the best tickets and accommodations, they had a private basketball court to play on, which the studio rented for them. Back at the Sony lot, the basketball court was renamed Happy Madison Square Garden in the star’s honor. When anybody questioned the wide latitude and endless indulgence given to Sandler and Smith, Sony executives had a standard answer: “Will and Adam bought our houses.

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Oui, ce premier jour en Roumanie, toute la tristesse du continent s'était abattue sur moi. Je voyais le déclin partout et ne parvenait pas à imaginer une renaissance. (p. 21)

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