Prelude Main Quotes

The shakedown of Switzerland and Germany has been only a prelude to the grand finale: the shakedown of Eastern Europe. With the collapse of the Soviet bloc, alluring prospects opened up in the former heartland of European Jewry. Cloaking itself in the sanctimonious mantle of “needy Holocaust victims,” the Holocaust industry has sought to extort billions of dollars from these already impoverished countries. Pursuing this end with reckless and ruthless abandon, it has become the main fomenter of anti-Semitism in Europe.

The future possibilities of space-travel, which are now left mainly to unfounded fantasy, could be more soberly treated without ceasing to be interesting and could show to even the most adventurous of the young that a world without war need not be a world without adventurous and hazardous glory. To this kind of contest there is no limit. Each victory is only a prelude to another, and no boundaries can be set to rational hope.

Regarding all aesthetic values I now avail myself of this main distinction: I ask in every instance, "is it hunger or superabundance that has here become creative?" At first glance, another distinction may seem preferable—it is far more obvious—namely the question whether the desire to fix, to immortalize, the desire for being prompted creation, or the desire for destruction, for change, for future, for becoming. But both of these kinds of desire are seen to be ambiguous when one considers them more closely; they can be interpreted in accordance with the first scheme that is, as it seems to me, preferable. The desire for destruction, change, and becoming can be an expression of an overflowing energy that is pregnant with future (my term for this is, as is known, "Dionysian"); but it can also be the hatred of the ill-constituted, disinherited, and underpriviledged, who destroy, must destroy, because what exists, indeed all existence, all being, outrages and provokes them. To understand this feeling, consider our anarchists closely.

In order for once to get a glimpse of our European morality from a distance, in order to compare it with other earlier or future moralities, one must do as the traveller who wants to know the height of the towers of a city: for that purpose he leaves the city. "Thoughts concerning moral prejudices," if they are not to be prejudices concerning prejudices, presuppose a position outside of morality, some sort of world beyond good and evil, to which one must ascend, climb, or fly―and in the given case at any rate, a position beyond our good and evil, an emancipation from all "Europe," understood as a sum of inviolable valuations which have become part and parcel of our flesh and blood. That one does want to get outside, or aloft, is perhaps a sort of madness, a peculiar, unreasonable "thou must" - for even we thinkers have our idiosyncrasies of "unfree will"―: the question is whether one can really get there. That may depend on manifold conditions: in the main it is a question of how light or how heavy we are, the problem of our "specific gravity." One must be very light in order to impel one’s will to knowledge to such a distance, and as it were beyond one’s age, in order to create eyes for oneself for the survey of millenniums, and a pure heaven in these eyes besides! One must have freed oneself from many things by which we Europeans of today are oppressed, hindered, held down, and made heavy. The man of such a "Beyond," who wants to get even in sight of the highest standards of worth of his age, must first of all "surmount" this age in him self - it is the test of his power - and consequently not only his age, but also his past aversion and opposition to his age, his suffering caused by his age, his unseasonableness, his Romanticism...

The main difficulty the student of groups meets is not that of following the argument, which is nearly always straightforward, but of grasping the purpose of the investigation.

The culture of the river kingdom had a lot to say about death and what happened afterward. In fact it had very little to say about life, regarding it as a sort of inconvenient prelude to the main event and something to be hurried through as politely as possible, and therefore the pharaoh reached the conclusion that he was dead very quickly.