Preliminary Design Quotes

The aim of far too many teachings these days is to make people "feel good," and even some Buddhist masters are beginning to sound like New Age apostles. Their talks are entirely devoted to validating the manifestation of ego and endorsing the "rightness" of our feelings, neither of which have anything to do with the teachings we find in the pith instructions. So, if you are only concerned about feeling good, you are far better off having a full body massage or listening to some uplifting or life-affirming music than receiving dharma teachings, which were definitely not designed to cheer you up. On the contrary, the dharma was devised specifically to expose your failings and make you feel awful.

blueprint as a metaphor for a design or plan is much overworked. If the temptation to use it is irresistible, at least remember that a blueprint is a completed plan, not a preliminary one.

Nature or Nature’s God” is not a statement, but a name, internally divided by tolerated uncertainty. It has the singularity of a proper name, whilst parenthesizing a suspended decision (Pyrrhonian epoche, of which much more in a future post). It designates rigidly, but obscurely, because it points into epistemological darkness — naming a Reality that not only ‘has’, but epitomizes identity, whilst nevertheless, for ‘the sake of argument’, eluding categorical identification. Patient in the face (or facelessness) of who or what it is, ‘we’ emerge from a pact, with one basic term: a preliminary decision is not to be demanded. It thus synthesizes a select language community, fused by the unknown.

All the beliefs, habits, tastes, emotions, mental attitudes that characterize our time are really designed to sustain the mystique of the party and prevent the true nature of present-day society from being perceived. Physical rebellion, or any preliminary move toward rebellion, is at present not possible. From the proletarians nothing is to be feared. Left to themselves, they will continue from generation to generation and century to century, working, breeding, and dying, not only without the power of grasping that the world could be other than it is. They could only become dangerous if the advance of industrial technique made it necessary to educate them more highly; but since military and commercial rivalry are no longer important, the level of popular education is actually declining. What opinions the masses hold,or do not hold, is looked on as matter of indifference. They can me granted intellectual liberty because they have no intellect.

Game-free intimacy is or should be the most perfect form of human living. Because there is so little opportunity for intimacy in daily life, and because some forms of intimacy (especially if intense) are psychologically impossible for most people, the bulk of time in serious social life is taken up with playing games. Hence games are both necessary and desirable, and the only problem at issue is whether the games played by an individual offer the best yield for him. In this connexion it should be remembered that the essential feature of a game is its culmination, or payoff. The principal function of the preliminary moves is to set up the situation for this payoff, but they are always designed to harvest the maximum permissible satisfaction at each step as a secondary product. Games are passed on from generation to generation. The favoured game of any individual can be traced back to his parents and grandparents, and forward to his children. Raising children is primarily a matter of teaching them what games to play. Different cultures and different social classes favour different types of games. Many games are played most intensely by disturbed people, generally speaking, the more disturbed they are, the harder they play. The attainment of autonomy is manifested by the release or recovery of three capacities: awareness, spontaneity and intimacy. Parents, deliberately or unaware, teach their children from birth how to behave, think and perceive. Liberation from these influences is no easy matter, since they are deeply ingrained. First, the weight of a whole tribal or family historical tradition has to be lifted. The same must be done with the demands of contemporary society at large, and finally advantages derived from one's immediate social circle have to be partly or wholly sacrificed. Following this, the individual must attain personal and social control, so that all the classes of behaviour become free choices subject only to his will. He is then ready for game-free relationships.

The scope and audacity of John Kennedy’s May 25, 1961, message to a joint session of Congress on “Urgent National Needs”—the speech that launched the Apollo program—dazzled me. We would use rockets not yet designed and alloys not yet conceived, navigation and docking schemes not yet devised, in order to send a man to an unknown world—a world not yet explored, not even in a preliminary way, not even by robots—and we would bring him safely back, and we would do it before the decade was over. This confident pronouncement was made before any American had even achieved Earth orbit.

Attempts were made in 1941 to design a similar proximity fuze, using a tiny Radar set arranged to explode the warhead when the projectile passed near the aircraft. Successful preliminary experiments were made, but before this fuze was developed in England the Americans, to whom we imparted our knowledge, actually succeeded not only in perfecting the instrument but in reducing its size so much that the whole thing could be put into the head not merely of a rocket but of a shell. These so-called “Proximity Fuzes”, made in the United States, were used in great numbers in the last year of the war,

Throughout the longest period of human history—one calls it the prehistoric period—the value or non-value of an action was inferred from its CONSEQUENCES; the action in itself was not taken into consideration, any more than its origin; but pretty much as in China at present, where the distinction or disgrace of a child redounds to its parents, the retro-operating power of success or failure was what induced men to think well or ill of an action. Let us call this period the PRE-MORAL period of mankind; the imperative, "Know thyself!" was then still unknown.—In the last ten thousand years, on the other hand, on certain large portions of the earth, one has gradually got so far, that one no longer lets the consequences of an action, but its origin, decide with regard to its worth: a great achievement as a whole, an important refinement of vision and of criterion, the unconscious effect of the supremacy of aristocratic values and of the belief in "origin," the mark of a period which may be designated in the narrower sense as the MORAL one: the first attempt at self-knowledge is thereby made. Instead of the consequences, the origin—what an inversion of perspective! And assuredly an inversion effected only after long struggle and wavering! To be sure, an ominous new superstition, a peculiar narrowness of interpretation, attained supremacy precisely thereby: the origin of an action was interpreted in the most definite sense possible, as origin out of an INTENTION; people were agreed in the belief that the value of an action lay in the value of its intention. The intention as the sole origin and antecedent history of an action: under the influence of this prejudice moral praise and blame have been bestowed, and men have judged and even philosophized almost up to the present day.—Is it not possible, however, that the necessity may now have arisen of again making up our minds with regard to the reversing and fundamental shifting of values, owing to a new self-consciousness and acuteness in man—is it not possible that we may be standing on the threshold of a period which to begin with, would be distinguished negatively as ULTRA-MORAL: nowadays when, at least among us immoralists, the suspicion arises that the decisive value of an action lies precisely in that which is NOT INTENTIONAL, and that all its intentionalness, all that is seen, sensible, or "sensed" in it, belongs to its surface or skin—which, like every skin, betrays something, but CONCEALS still more? In short, we believe that the intention is only a sign or symptom, which first requires an explanation—a sign, moreover, which has too many interpretations, and consequently hardly any meaning in itself alone: that morality, in the sense in which it has been understood hitherto, as intention-morality, has been a prejudice, perhaps a prematureness or preliminariness, probably something of the same rank as astrology and alchemy, but in any case something which must be surmounted. The surmounting of morality, in a certain sense even the self-mounting of morality—let that be the name for the long-secret labour which has been reserved for the most refined, the most upright, and also the most wicked consciences of today, as the living touchstones of the soul.

TERMS AND CONDITIONS Sketches and Comps Fee quoted includes ____ preliminary concepts / sketches; additional concepts / sketches are $ _______ each. Final Artwork Fee quoted includes one set of final mechanical artwork. Changes to final artwork will be provided at an additional cost based on the extent and complexity of the changes, at $ ___ per hour or a mutually agreed upon fee, TBD. Rights Upon full payment of all fees and costs, the following rights to the use of the designs and/or artwork transfer to Client, as noted: Credit Unless otherwise agreed, Designer shall be accorded a credit line on all published, printed material, to read as follows: Overtime Fees quoted are based upon work performed during the course of regular working hours (based on a ____ hour week). Overtime, rush, holiday, and weekend work necessitated by Client’s directive is billed in addition to the fees quoted at $ ____ per hour or a mutually agreed upon fee, TBD. Change Orders Work change orders will be issued for additional work and changes requested after approvals or commencement of work. WCO’s include a description of the change/addition requested, estimated additional costs, and changes to work schedules/project completion. Client’s signature is required on WCO’s to proceed with changes/additions. Billable Items In addition to the fees and costs estimated herein, costs incurred for outside services (TBD), messengers, and courier services are billable (at cost __; with a markup of __ percent). Wherever applicable, state and local sales taxes will be included in Billable Items. Travel expenses are billed additionally, at cost.

precisely for that purpose— it cannot be used to design other types of products. Users apply a toolkit in conjunction with their rich understanding of their own needs to create a preliminary design, simulate or prototype it, evaluate its functioning in their own use environment, and then iteratively improve it until they are satisfied. A variety of manufacturers have found it profitable to shift the tasks of custom product design to their customers along with appropriate toolkits for innovation. Results

The first of those, the preliminary design review, or PDR, usually takes place about four years, sometimes more, before the scheduled launch. The team has to convince the review board that it has solid concepts for all major aspects of the mission.

He broke fresh ground—because, and only because, he had the courage to go ahead without asking whether others were following or even understood. He had no need for the divided responsibility in which others seek to be safe from ridicule, because he had been granted a faith which required no confirmation—a contact with reality, light and intense like the touch of a loved hand: a union in self-surrender without self-destruction, where his heart was lucid and his mind was loving.16 The crux of the story of Parzival and his quest for the Grail is suggested in his first encounter in the Grail castle. After various adventures, Parzival has sort of stumbled into the Grail castle. This is the wisdom of innocence. The purity of the simple fellow gets him into the Grail castle. In the castle lives a king who is sorely wounded. The king’s illness has brought devastation to the kingdom—it has become the Wasteland. The theme of the Grail is the bringing of life into what is known as ‘the wasteland.’ The wasteland is the preliminary theme to which the Grail is the answer…It’s the world of people living inauthentic lives—doing what they are supposed to do. Joseph Campbell Parzival can redeem the king and kingdom by asking a simple question. The wounded king is brought before him, and Parzival wants to ask, “What ails thee, brother?” But he has been told good knights don’t ask a lot of questions. The decisive moment for him is the choice between acting spontaneously from his heart or conventionally from his role as a knight. He fails; innocence is not enough, for he has already been socially indoctrinated. It has caused him to doubt the promptings of his heart, and as Wolfram says in the very first line of his Parzival, “If vacillation dwell with the heart the soul will rue it.”17 Life’s most urgent question is, what are you doing for others? Martin Luther King, Jr.

For Marin, the city had an almost medieval look. The effect was belied by the swarms of hopjets, and Taxi-Airs, and other aircraft, large and small. But his training had sharpened his ability to shut out extraneous material and to see essentials; and so, he saw a city pattern that had a formal, oldfashioned beauty. The squares were too rigid, but their widely varying sizes provided some of the randomness so necessary to achieve what was timeless in true art. The numerous parks, perpetually green and rich with orderly growth, gave an overall air of graceful elegance. The city of the Great Judge looked prosperous and long-enduring. Ahead, the scene changed, darkened, became alien. The machine glided forward over a vast, low-built, rambling gray mass of suburb that steamed and smoked, and here and there hid itself in its own rancorous mists. Pripp City! Actually, the word was Pripps: Preliminary Restriction Indicated Pending Permanent Segregation. It was one of those alphabetical designations, and an emotional nightmare to have all other identification removed and to find yourself handed a card which advised officials that you were under the care of the Pripps organization. The crisis had been long ago now, more than a quarter of a century, but there was a line in fine print at the bottom of each card. A line that still made the identification a potent thing, a line that stated: Bearer of this card is subject to the death penalty if found outside restricted area. In the beginning it had seemed necessary. There had been a disease, virulent and deadly, perhaps too readily and too directly attributed to radiation. The psychological effects of the desperate terror of thousands of people seemed not to have been considered as a cause. The disease swept over an apathetic world and produced merciless reaction: permanent segregation, death to transgressors, and what seemed final evidence of the rightness of what had been done: people who survived the disease . . . changed.

They didn’t want us to design policies based on preliminary data that could shift dramatically, which was sensible but frustrating.

The experience of riding in a subway or elevator calls to mind Bertrand Russell's remark that much of modern anxiety stems from the time we spend in unnatural proximity to strangers without the preliminary sniffing that is instinctive in animals, including us.

The gang of us sat around, and moved our thighs on the horsehair or on the split-bottom and stared down at the unpainted boards of the floor or at the design on the linoleum mat in the middle of the floor as though we were attending a funeral and owed the dead man some money. The linoleum mat was newish, and the colors were still bright—reds and tans and blues slick and varnished-looking—a kind of glib, impertinent, geometrical island floating there in the midst of the cornerless shadows and the acid mummy smell and the slow swell of Time which had fed into this room, day by day since long back, as into a landlocked sea where the fish were dead and the taste was brackish on your tongue. You had the feeling that if the Boss and Mr. Duffy and Sadie Burke and the photographer and the reporters and you and the rest got cuddled up together on that linoleum mat it would lift off the floor by magic and scoop you all up together and make a lazy preliminary circuit of the room and whisk right out the door or out the roof like the floating island of Gulliver or the carpet in the Arabian Nights and carry you off where you and it belonged and leave Old Man Stark sitting there as though nothing had happened, very clean and razor-nicked, with his gray hair plastered down damp, sitting there by the table where the big Bible and the lamp and the plush-bound album were under the blank, devouring gaze of the whiskered face in the big crayon portrait above the mantel shelf.