Prague Love Quotes

It's easy to fall in love among the winding cobblestone streets and snow-covered castles of Prague, but is it a good idea?

You always want someone to hate in order to feel justified in your own misery. Hatred is the true primordial passion. It is love that’s abnormal. That is why Christ was killed: he spoke against nature. You don’t love someone for your whole life - that impossible hope is the source of adultery, matricide, betrayal of friends … But you can hate someone for your whole life - provided he’s always there to keep your hatred alive. Hatred warms the heart.

Love and hope are infinitely more powerful than hate and fury.

Not that he felt any particular love for himself, but his dislike of others induced him to make the best of his own company.

the train plunges on through the pitch-black night I never knew I liked the night pitch-black sparks fly from the engine I didn't know I loved sparks I didn't know I loved so many things and I had to wait until sixty to find it out sitting by the window on the Prague-Berlin train watching the world disappear as if on a journey of no return

...Would you like to know the view I have out of my window, since you love snow? So here you are: the broad whiteness of the Moldau, and along that whiteness, little black silhouettes of people cross from one shore to the other, like musical notes. For example, the figure of some boy is dragging behind him a D-sharp: a sledge. Across the river there are snowy roofs in a distant, lightweight sky... I walked around the cathedral along a slippery path between snowdrifts. The snow was light, dry: grab a handful, throw it up, and it disperses in the air like dust, as if flying back up. The sky darkened. In it appeared a thin golden moon: half of a broken halo. I walked along the edge of the fortress wall. Old Prague lay below in the thickening mist. The snowy roofs clustered together, cumbrous and dim. The houses seemed to have been piled anyhow, in a moment of terrible and fantastic carelessness. In this frozen storm of outlines, in this snowy semi-darkness, the streetlamps and windows were burning with a warm and sweet lustre, like well-licked punch lollipops. In just one place you could also see a little scarlet light, a drop of pomegranate juice. And in the fog of crooked walls and smoky corners I divined an ancient ghetto, mystical ruins, the alley of Alchemists...

No matter how brutal life becomes, peace always reigns in the cemeteries...When she felt low, she would get into the car, leave Prague far behind, and walk through one or another of the country cemeteries she loved so well. Against a backdrop of blue hills, they were as beautiful as a lullaby.

We need an enemy to give people hope. Someone said that patriotism is the last refuge of cowards: those without moral principles usually wrap a flag around themselves, and the bastards always talk about the purity of the race. National identity is the last bastion of the dispossessed. But the meaning of identity is now based on hatred, on hatred for those who are not the same. Hatred has to be cultivated as a civic passion. The enemy is the friend of the people. You always want someone to hate in order to feel justified in your own misery. Hatred is the primordial passion. It is love that’s abnormal.

In A Man With a Pipe, my brother observed that although my father had been seen as intellectual and my mother more a creature of temperament, she had often been the more levelheaded of the two. In sum, we miss them as we love them, equally and always.

I’ll find my group one day. Friends I belong with, a city, a community, a place to get all those ideas out and let them be heard and appreciated. I’ll be something one day. I know I will.
 For now I’m walking lonely in Prague at Christmas, feeling like the happiest, most unknown girl in the world.

He had begun to weep in Prague not out of sentimentality, but the way windows weep in a room heated for the first time in many weeks.

I went to China, I went to Prague; I died, and was born in the spring; I found you, and loved you, again.

The engineer’s ready capitulation, however, did not hide from the poet’s mother the sad realization that the adventure into which she had plunged so impulsively--and which had seemed so intoxicatingly beautiful--had no turned out to be the great, mutually fulfilling love she was convinced she had a full right to expect. Her father was the owner of two prosperous Prague pharmacies, and her morality was based on strict give-and-take. For her part, she had invested everything in love (she had even been willing to sacrifice her parents and their peaceful existence); in turn, she had expected her partner to invest an equal amount of capital of feelings in the common account. To redress the imbalance, she gradually withdrew her emotional deposit and after the wedding presented a proud, severe face to her husband.

What happened? Stan repeats. To us? To the country? What happened when childhood ends in Dealey Plaza, in Memphis, in the kitchen of the Ambassador, your belief your hope your trust lying in a pool of blood again? Fifty-five thousand of your brothers dead in Vietnam, a million Vietnamese, photos of naked napalmed children running down a dirt road, Kent State, Soviet tanks roll into Prague so you turn on drop out you know you can't reinvent the country but maybe you reimagine yourself you believe you really believe that you can that you can create a world of your own and then you lower that expectation to just a piece of ground to make a stand on but then you learn that piece of ground costs money that you don't have. What happened? Altamont, Charlie Manson, Sharon Tate, Son of Sam, Mark Chapman we saw a dream turn into a nightmare we saw love and peace turn into endless war and violence our idealism into realism our realism into cynicism our cynicism into apathy our apathy into selfishness our selfishness into greed and then greed was good and we Had babies, Ben, we had you and we had hopes but we also had fears we created nests that became bunkers we made our houses baby-safe and we bought car seats and organic apple juice and hired multilingual nannies and paid tuition to private schools out of love but also out of fear. What happened? You start by trying to create a new world and then you find yourself just wanting to add a bottle to your cellar, a few extra feet to the sunroom, you see yourself aging and wonder if you've put enough away for that and suddenly you realize that you're frightened of the years ahead of you what Happened? Watergate Irangate Contragate scandals and corruption all around you and you never think you'll become corrupt but time corrupts you, corrupts as surely as gravity and erosion, wears you down wears you out I think, son, that the country was like that, just tired, just worn out by assassinations, wars, scandals, by Ronald Reagan, Bush the First selling cocaine to fund terrorists, a war to protect cheap gas, Bill Clinton and realpolitik and jism on dresses while insane fanatics plotted and Bush the Second and his handlers, a frat boy run by evil old men and then you turn on the TV one morning and those towers are coming down and the war has come home what Happened? Afghanistan and Iraq the sheer madness the killing the bombing the missiles the death you are back in Vietnam again and I could blame it all on that but at the end of the day at the end of the day we are responsible for ourselves. We got tired, we got old we gave up our dreams we taught ourselves to scorn ourselves to despise our youthful idealism we sold ourselves cheap we aren't Who we wanted to be.

Love. That was the piece that had been missing, way before Prague. That was that piece that had been missing in her life until Will came and made her feel it, for their work together and for the beauty and also for him, though it was hard sometimes to separate those things. Maybe she didn`t love Will like she thought. Or couldn’t in this moment. But what they’d done together, what had been open by becoming so close, she could still love that. She could love their conversations and their hours at the piano and the results of their work. She could even love the way it hurt right now, because when was the last time she gave her whole heart to something? That, all of it, belonged to her. She didn’t have to let Will take it away, the way she’d let her grandfather, the business, herself, take her love for music.

We also learned our own history and I was so grateful that such richness comes from our family stories. Now we will forever remember the day that a Russian cellist spoke the heart of Czech people. Rostropovich loved Prague and so he viewed that performance as a personal tragedy.

I know there was nothing anyone could do. But they were taking away an 86-year-old grandmother to a horrible death, and the village where she had lived all her life, where everybody loved her, had just looked on. The only thing that anyone had had to say was, 'Mrs. Bloch, don't be afraid...

Besides, Prague is famous for its many churches with gold-leaf covered domes. In the sunshine, Prague is golden. I fell in love for ever. At the end of the five day stay, the entire group boarded a train for Paris. Although my parents knew the time of my arrival, they could not travel on the

It seemed like just another Monday, innocent but for its essential Mondayness, not to mention its Januaryness. It was cold, and it was dark—in the dead of winter the sun didn’t rise until eight—but it was also lovely. The falling snow and the early hour conspired to paint Prague ghostly, like a tintype photograph, all silver and haze.

Kundera was also a postmodernist writer, but he completely lacked this embracing of other worlds, with him the world was always the same, it was Prague and Czechoslovakia and the Soviets who had either invaded or were on the point of doing so, and that was fine, but he kept withdrawing his characters from the plot, intervening and going on about something or other while the characters stood still, waiting as it were, by the window or wherever it was they happened to be until he had finished his explanation and they could move forward. Then you saw that the plot was only ‘a plot’ and that the characters were only ‘characters’, something he had invented, you knew they didn’t exist, and so why should you read about them? Kundera’s polar opposite was Hamsun, no one went as far into his characters’ world as he did, and that was what I preferred, at least in a comparison of these two, the physicality and the realism of Hunger, for example. There the world had weight, there even the thoughts were captured, while with Kundera the thoughts elevated themselves above the world and did as they liked with it. Another difference I had noticed was that European novels often had only one plot, everything followed one track as it were, while South American novels had a multiplicity of tracks and sidetracks, indeed, compared with European novels, they almost exploded with plots. One of my favourites was A Hundred Years of Solitude by García Márquez, but I also loved Love in the Time of Cholera. Kjærstad had a little of the same, but in a European way, and there was also something of Kundera in him. That was my opinion anyway.

I could’ve said a thousand things in that moment, and all of them would’ve been true. I’d like to travel—Florence and Thailand and Prague. I’d like to write books. I’d like to fall in love a thousand times. Live hard and desperate and full, my pulse pounding like a bass drum. And when I wake up one morning suddenly, surprisingly, a grown-up, I’d like to be sure in the knowledge that I enjoyed it. Every fucking second.

often tell me how lucky I am, to live in a country where cheap flights to dozens of exciting destinations are so readily available. They never understand why England doesn’t completely empty into Prague or Budapest every weekend. What they don’t appreciate is that to take advantage of these cheap flights, one must generally get to London; and that getting to London, from almost anywhere else in the country, is either dramatically more expensive, or considerably less pleasant, than the flights in question. Usually both.

Do our possessions mourn us? Do electric sheep dream of Roy Batter? Will my coat, riddled with holes, remember the rich hours of our companionship? Asleep on buses from Vienna to Prague, nights at the opera, walks by the sea, the grave of Swinburne in the Isle of Wight, the arcades of Paris, the caverns of Luray, the cafés of Buenos Aires. Human experience bound in its threats. How many poems bleeding from its ragged sleeves? I averted my eyes just for a moment, drawn by another coat that was warmer and softer, but that I did not love. Why is it that we lose the things we love, and things cavalier cling to us and will be the measure of our worth after we're gone?

Cemeteries in Bohemia are like gardens. The graves are covered with grass and colorful flowers. Modest tombstones are lost in the greenery. When the sun goes down, the cemetery sparkles with tiny candles. It looks as though the dead are dancing at a children's ball. Yes, a children's ball, because the dead are as innocent as children. No matter how brutal life becomes, peace always reigns in the cemetery. Even in wartime, in Hitler's time, in Stalin's time, through all occupations. When she felt low, she would get into the car, leave Prague far behind, and walk through one or another of the country cemeteries she loved so well. Against a backdrop of blue hills, they were as beautiful as a lullaby.

experienced intelligence officer, he should have known to leave alone. A subsequent search of Redl’s apartment in Prague would reveal unfinished love letters to Stefan Horinka, a lieutenant in the army who wished to break off a homosexual relationship, and with whom Redl had argued on the day that he was picked up. Redl was said to give Horinka some 900 crowns a month.

Unrequited love is not fatal, it's just a temporary digestive disorder that leaves no visible marks, only a newly acquired but permanent inability to ever eat certain specific, unnecessary things again without having terrible digestive distress. Shrimp gives me gas, so I don't eat shrimp. I don't sit up nights crying about shrimp, right? All right then. Have two aspirin and a full glass of water, remember?

...an unlikely group pieced together these past few weeks from parties and family references, friend-of-friend happenstance, and (in one case, just now being introduced) sheer, scarcely tolerable intrusiveness-five people who, in normal life back home, would have been satisfied never to have known one another. Five young expatriates hunch around an undersized cafe table: a moment of total insignificance, and not without a powerful whiff of cliche. Unless you were one of them. Then this meaningless, overdrawn moment may (then or later) seem to be somehow the summation of both an era and your own youth, your undeniably defining afternoon (though you can hardly say that aloud without making a joke of it). Somehow this one game of Sincerity becomes the distilled recollection of a much longer series of events. It persistantly rises to the surface of your memory-that afternoon when you fell in love with a person or a place or a mood, when you savored the power of fooling everyone, when you discovered some great truth about the world, when (like a baby duck glimpsing your quacking mother's waddling rear for the first time) an indelible brand was seared into your heart, which is, of course, a finate space with limited room for searing. Despite its insignificance, there was this moment, this hour or two, this spring afternoon blurring into evening on a cafe patio in a Central European capital in the opening weeks of its post-Communist era. The glasses of liqueur. The diamond dapples of light between oval, leaf-shaped shadows, like optical illusions. The trellised curve of the cast-iron fence seperating the patio from its surrounding city square. The uncomfortable chair. Someday this too will represent someone's receding, cruelly unattainable golden age. (4-5)

From the moment the Russians arrived in Prague, my husband, laureate of the Klement Gottwald state prize, always expected a car to turn in off the road, to come down the lane for him, and his fear of this possibility kept him on edge .. That's why he so enjoyed roaming the forests and villages, and sometimes he took the bus into Prague, my husband loved riding the bus, forget the car! The car was torture for him, where to park, and you couldn't have a beer, and he loathed being stuck in traffic and waiting for red lights and green lights, he fumed, and his eyesight wasn't the best anymore, he much rather rode the bus and daydreamed the trip through,

the least informed about the extent of the physical and philosophical wounds produced in Prague by tanks that acted as more than threats, about the massacre of students in a Mexican plaza called Tlatelolco, about the historic and human devastation unleashed by our dear Comrade Mao’s Cultural Revolution,

So from morning onward I’m kept company by pictures of weather fronts, lovely abstract lines on maps, blue ones and red ones, relentlessly approaching from the west, from over the Czech Republic and Germany. They carry the air that Prague was breathing a short while ago, maybe Berlin too. It flew in from the Atlantic and crept across the whole of Europe, so one could say we have sea air up here, in the mountains. I particularly love it when they show maps of pressure, which explain a sudden resistance to getting out of bed or an ache in the knees, or something else again—an inexplicable sorrow that has just the same character as an atmospheric front, a moody figura serpentinata within the Earth’s atmosphere.

You tried to kill me. Don't think we won't be telling that story to our kids someday," David said. "Kids?" she asked, feeling breathless. "You heard me," he said, eyes intent. "At least three of them. I figure as soon as we're married we should get started on that first one." "Okay," she said, voice shaking. "Glad that's settled. When we get back to Prague I'll get you a ring." "Okay," she said again, her heart soaring. "I'm going to sleep now, I think." "You do that.

Let's not fall in love. Let's follow the delicate threads in ourselves to find out where they lead.

Do what you love, and excel in it.

ANTON LOVED PRAGUE. In fact, he simply couldn’t understand how it was possible not to. There were some cities that confused you and suffocated you from the first, and there were some whose charm slowly and imperceptibly fascinated you.

When I felt better, I tried to remember what had been beautiful in my life. I did not think about love or how I had wandered all over the world. I did not think about night flights across the ocean or how I played Canadian hockey in Prague. I remembered walking along the brooks, rivers, ponds, and dams to fish. I realized that these were the most beautiful experiences in my life.

love visiting the Christmas markets up north. Mia would too. Vienna, Prague, Budapest. When it’s snowing outside and there’s ice-skating and Christmas trees everywhere. Desserts everywhere. Mulled wine, hot cider. Everyone is so happy, running around in their thick jackets and wool hats. It’s a fairy tale.” “Wait, Budapest. Is that part of Europe?” “Sí, it’s part of the EU, but it’s less expensive there. A different currency. You can stay in these, emm, great historic apartments for very little. Last time, my friends and I stayed in a place overlooking the Danube with a piano in the living room. We hired a pianist and violinist to play for us . . . for barely anything.

Maybe there is no right time to say how you feel, how you think you feel. Is there a difference?

FIDELITY AND BETRAYAL He loved her from the time he was a child until the time he accompanied her to the cemetery; he loved her in his memories as well. That is what made him feel that fidelity deserved pride of place among the virtues: fidelity gave a unity to lives that would otherwise splinter into thousands of split-second impressions. Franz often spoke about his mother to Sabina, perhaps even with a certain unconscious ulterior motive: he assumed that Sabina would be charmed by his ability to be faithful, that it would win her over. What he did not know was that Sabina was charmed more by betrayal than by fidelity. The word fidelity reminded her of her father, a small-town puritan, who spent his Sundays painting away at canvases of woodland sunsets and roses in vases. Thanks to him, she started drawing as a child. When she was fourteen, she fell in love with a boy her age. Her father was so frightened that he would not let her out of the house by herself for a year. One day, he showed her some Picasso reproductions and made fun of them. If she couldn't love her fourteen-year-old schoolboy, she could at least love cubism. After completing school, she went off to Prague with the euphoric feeling that now at last she could betray her home. Betrayal. From tender youth, we are told by father and teacher that betrayal is the most heinous offense imaginable. But what is betrayal? Betrayal means breaking ranks. Betrayal means breaking ranks and going off into the unknown. Sabina knew of nothing more magnificent than going off into the unknown. Though a student at the Academy of Fine Arts, she was not allowed to paint like Picasso. It was the period when so-called socialist realism was prescribed and the school manufactured Portraits of Communist statesmen. Her longing to betray her father remained unsatisfied: Communism was merely another father, a father equally strict and limited, a father who forbade her love (the times were puritanical) and Picasso, too. And if she married a second-rate actor, it was only because he had a reputation for being eccentric and was unacceptable to both fathers. Then her mother died. The day following her return to Prague from the funeral, she received a telegram saying that her father had taken his life out of grief. Suddenly she felt pangs of conscience: Was it really so terrible that her father had painted vases filled with roses and hated Picasso? Was it really so reprehensible that he was afraid of his fourteen-year-old daughter's coming home pregnant? Was it really so laughable that he could not go on living without his wife? And again she felt a longing to betray: betray her own betrayal. She announced to her husband (whom she now considered a difficult drunk rather than an eccentric) that she was leaving him. But if we betray B., for whom we betrayed A., it does not necessarily follow that we have placated A. The life of a divorcee-painter did not in the least resemble the life of the parents she had betrayed. The first betrayal is irreparable. It calls forth a chain reaction of further betrayals, each of which takes us farther and farther away from the point of our original betrayal.

At the tail end of the Steel Wheels tour we liberated Prague, or so it felt. We played a concert there soon after the revolution that ended the communist regime. 'Tanks Roll Out, Stones Roll In' was the headline. It was a great coup by Václav Havel, the politician who had taken Czechoslovakia through a bloodless coup only months earlier, a brilliant move. Tanks were going out, and now we're going to have the Stones. We were glad to be part of it. Havel is perhaps the only head of state who has made, or would imagine making, a speech about the role that rock music played in political events leading to a revolution in the Eastern Bloc of Europe. He is the one politician I'm proud to have met. Lovely guy. He had a huge brass telescope in the palace, once he was president, and it was focused on the prison cell where he did six years. 'And every day I look through there to try and figure things out.' We lit the state palace for him. They couldn't afford to do it, so we asked Patrick Woodroffe, our lighting guru, to relight the huge castle. Patrick set him up, Taj Mahal'd him. We gave Václav this little white remote control with a tongue on it. He was like a kid, pushing buttons and going, whoa! It's not often you get to hang with presidents like that and say, Jesus, I like the cat.

I do not know if my mother broke off her studies at Charles University only because her parents’ money had run out. How far was she pushed to emigrate to Palestine by the violent hatred of Jews that filled the streets of Europe in the mid-1930s and spread to the universities, or to what extent did she come here as the result of her education in a Tar-buth school and her membership in a Zionist youth movement? What did she hope to find here, what did she find, what did she not find? What did Tel Aviv and Jerusalem look like to someone who had grown up in a mansion in Rovno and arrived straight from the Gothic beauty of Prague? What did spoken Hebrew sound like to the sensitive ears of a young lady coming with the refined, booklearned Hebrew of the Tar-buth school and possessing a finely tuned linguistic sensibility? How did my young mother respond to the sand dunes, the motor pumps in the citrus groves, the rocky hillsides, the archaeology field trips, the biblical ruins and remains of the Second Temple period, the headlines in the newspapers and the cooperative dairy produce, the wadis, the hamsins, the domes of the walled convents, the ice-cold water from the jarra, the cultural evenings with accordion and harmonica music, the cooperative bus drivers in their khaki shorts, the sounds of English (the language of the rulers of the country), the dark orchards, the minarets, strings of camels carrying building sand, Hebrew watchmen, suntanned pioneers from the kibbutz, construction workers in shabby caps? How much was she repelled, or attracted, by tempestuous nights of arguments, ideological conflicts, and courtships, Saturday afternoon outings, the fire of party politics, the secret intrigues of the various underground groups and their sympathizers, the enlisting of volunteers for agricultural tasks, the dark blue nights punctuated by howls of jackals and echoes of distant gunfire?

As time went on, I subscribed more and more to Toynbee’s idea that civilizations die not by murder but by suicide. And then one day everything changed for me. It was March thirtieth, 2013, I’ll never forget—Easter weekend. At the time I was living in Brussels, and every once in a while I’d go have a drink at the bar of the Métropole. I’d always loved Art Nouveau. There are magnificent examples in Prague and Vienna, and there are interesting buildings in Paris and London, too, but for me—right or wrong—the high point of Art Nouveau decor was the Hotel Métropole de Bruxelles, in particular the bar. The morning of March thirtieth, I happened to walk by and saw a sign that said the bar of the Métropole was closing for good, that very night.

You’re so eager to talk about love tonight. Why don’t you tell Matt how you really feel about him? All this tiptoeing about all over London, Prague, Berlin, and Milan. What are you waiting for? The right time? You’ve had all the free time in the world ever since we worked things out. The right place? You’re in it. Why don’t you tell him how you feel?” Maude

Kafka loved the streets, palaces, gardens and churches of the city where he was born. He looked with joyful interest through the pages of all the books on the antiquities of Prague which I brought to him in his office. His eyes and hands literally caressed the pages of such publications, though he had read them all long before I placed them on his desk. His eyes shone with the look of a passionate collector. The past was for him not some historically dead collector's piece, but a supple instrument of knowledge, a bridge to today.