Powder Blue Quotes

It was about eleven o'clock in the morning, mid October, with the sun not shining and a look of hard wet rain in the clearness of the foothills. I was wearing my powder-blue suit, with dark blue shirt, tie and display handkerchief, black brogues, black wool socks with dark little clocks on them. I was neat, clean, shaved and sober, and I didn't care who knew it. I was everything the well-dressed private detective ought to be. I was calling on four million dollars.

I dug out the powder blue cashmere cardigan my mother Lisa gave me the Christmas before last, pulled on my oldest, softest Levi’s. Comfort clothes; the next best thing to a hug from a warm, living body. Lately there had been a shortage of hugs in my life. Lately there had been a shortage of warm, living bodies.

She's alone, they kept telling themselves, and surely she danced in no one's arms, yet somehow that seemed to matter less and less. As the night went on, and clarinet and coyote call mingled beyond the lantern light, the magic of their own powder-blue jackets and orchids seemed to fade, and it came to them in small sensations that they were more alone than she was.

That night he dreamt of horses in a field on a high plain where the spring rains had brought up the grass and the wildflowers out of the ground and the flowers ran all blue and yellow far as the eye could see and in the dream he was among the horses running and in the dream he himself could run with the horses and they coursed the young mares and fillies over the plain where their rich bay and their rich chestnut colors shone in the sun and the young colts ran with their dams and trampled down the flowers in a haze of pollen that hung in the sun like powdered gold and they ran he and the horses out along the high mesas where the ground resounded under their running hooves and they flowed and changed and ran and their manes and tails blew off of them like spume and there was nothing else at all in that high world and they moved all of them in a resonance that was like a music among them and they were none of them afraid neither horse nor colt nor mare and they ran in that resonance which is the world itself and which cannot be spoken but only praised.

I hung back at the curb, but it's hard to go unnoticed when you are a powder blue vintage convertible with a cowboy, an Indian, a brunette and a dog inside.

…a negligée of robin's-egg blue laid out upon the bed diffused a faint perfume, elusive and familiar. On a chair were a pair of stockings and a street dress; an open powder box yawned upon the bureau. She had gone out.

7. But what kind of love is it, really? Don’t fool yourself and call it sublimity. Admit that you have stood in front of a little pile of powdered ultramarine pigment in a glass cup at a museum and felt a stinging desire. But to do what? Liberate it? Purchase it? Ingest it? . . . You might want to reach out and disturb the pile of pigment, for example, first staining your fingers with it, then staining the world. You might want to dilute it and swim in it, you might want to rouge your nipples with it, you might want to paint a virgin’s robe with it. But still you wouldn’t be accessing the blue of it. Not exactly.

I love this place; I love mountains and big skies and forests. And the weather is still supremely beautiful even though the lower peaks are powdered with fresh snow. But Heavens! What sun. It never has an ending. I am basking at this minute - half past four - too hot without a hat, & the sky is that transparent blue only to be seen in autumn - the forest trees steeped in light.

Lavender lilies all dotted with spots. Sun-yellow daffodils clustered in pots. Blue morning-glories climb trellises high. Powder-white asters like stars in the sky. Thick, pink peonies unfold in the sun. Winter adieu now that spring has begun.

In the late summer of that year we lived in a house in a village that looked across the river and the plain to the mountains. In the bed of the river there were pebbles and boulders, dry and white in the sun, and the water was clear and swiftly moving and blue in the channels. Troops went by the house and down the road and the dust they raised powdered the leaves of the trees. The trunks of the trees too were dusty and the leaves fell early that year and we saw the troops marching along the road and the dust rising and leaves, stirred by the breeze, falling and the soldiers marching and afterward the road bare and white except for the leaves.

Clamboring over building detritus was not the lifestyle Karl Lagerfeld had in mind for this sweet little powder-blue suit. As he oversaw the hand stitching in his atelier he had probably imagined the suit living a life of tea parties and lunches with the girls at the Ivy

Grandma Harper has two green bottles shaped like women with black hair painted on their heads and a yellow glass colored captain's hat that she keeps her face powder in that I want too, and a picture of a naked girl in a swing, swinging way up in the air over castles in a blue sky. I don't know why I want those things, I just do.

Why is it that they can only come up with one model of spaceship? You would assume such intelligent creatures could, once in a while, put out something in a nice powder blue and shaped like a footstool or maybe like France.

It was strapless, the bodice peacock-blue and edged in gold, full skirted at the front and gathered into an elaborate, foaming bustle of satin and peacock feathers at the back. I insisted that every inch of bare skin was powdered with gold: my shoulders, décolletage, and the lower part of my face. The golden mask would cover my eye, and my lips were painted with more gold. I carried a golden fan that, when it was opened, revealed hundreds of eyes and looked exactly like a peacock's tail.

I've loved you since the first moment I saw you," he said at last, the words rushed and full of rolling emotions. "Sitting there in powder blue and waiting for your killer so you could turn the table and slaughter his heart instead." - Guin (Pleasure)

They have a complicated saying that likens snow to love." "It speaks of the beauty and the harshness, of watching a perfect flake land on bare skin and melt away in an instant. Of the soft powder giving way underfoot and the creeping chill of ice in your bones turning your lips blue and your fingertips black. Of terrible pain and delirious joy.

You are a glass of water separated from the blue ocean. Stop looking for blue colour powder. What you are missing is not colour but inner depth.

The salesman called it powder blue, though it reminded me more of a sick person’s pale complexion.

I Won’t Fly Today Too much to do, despite the snow, which made all local schools close their doors. What a winter! Usually, I love watching the white stuff fall. But after a month with only short respites, I keep hoping for a critical blue sky. Instead, amazing waves of silvery clouds sweep over the crest of the Sierra, open their obese bellies, and release foot upon foot of crisp new powder. The ski resorts would be happy, except the roads are so hard to travel that people are staying home. So it kind of boggles the mind that three guys are laying carpet in the living room. Just goes to show the power of money. In less than an hour, the stain Conner left on the hardwood will be a ghost.

Above his head at street level, he saw an angled aileron of a scarlet Porsche, its jaunty fin more or less at the upper edge of his window frame. A pair of very soft, clean glistening black shoes appeared, followed by impeccably creased matt charcoal pinstriped light woollen legs, followed by the beautifully cut lower hem of a jacket, its black vent revealing a scarlet silk lining, its open front revealing a flat muscular stomach under a finely-striped red and white shirt. Val’s legs followed, in powder-blue stockings and saxe-blue shoes, under the limp hem of a crêpey mustard-coloured dress, printed with blue moony flowers. The four feet advanced and retreated, retreated and advanced, the male feet insisting towards the basement stairs, the female feet resisting, parrying. Roland opened the door and went into the area, fired mostly by what always got him, pure curiosity as to what the top half looked like.

To love was to regain the capacity to remember a world without names, to recall by virtue of the whorl above the beloved's knucklebones and to blue of the veins beneath the skin the unbearable fragility of mornings in this counrty, to find October odors trapped in the skinfolds between her toes along with the scent of talcum powder and soap and human sweat.

I think of winter, which is nothing but a rift in the firmament through which the winds break loose, the shreds of cloud over the hilltops in the new blue of the morning -- and dew-drops, those false pearls, and frost, that beauty powder, and mankind in disarray and events out of joint, and so many spots on the sun and so many craters in the moon and so much wretchedness everywhere -- when I think of all this I can't help feeling that God is not rich. He has the appearance of riches, certainly, but I can feel his embarrassment. He gives us a revolution the way a bankrupt merchant gives a ball. We must not judge any god by appearances. I see a shoddy universe beyond that splendour of the sky. Creation itself is bankrupt, and that's why I'm a malcontent.

The pattern glitters with cruelty. The blue beads are colored with fish blood, the reds with powdered heart. The beads collect in borders of mercy. The yellows are dyed with the ocher of silence. There is no telling which twin will fall asleep first, allowing the other's colors to dominate, for how long. The design grows, the overlay deepens. The beaders have no other order at the heart of their being. Do you know that the beads are sewn onto the fabric of the earth with endless strands of human muscle, human sinew, human hair? We are as crucial to this making as other animals. No more and no less important than the deer.

once ruffle-skirted vanity table where I primped at thirteen, opening drawers to a private chaos of eyeshadows lavender teal sky-blue, swarms of hair pins pony tail fasteners, stashes of powders, colonies of tiny lipsticks (p.39)

Totally submerging your own personality to please a man who, frankly, wasn’t worth the powder and shot it would take to blow him up.

...the powder blue cameo style blouse, suggested her body was that of tender youth that yields a talcum aroma.

Powder blue is a sissy color.

Good choice. You have selected the SUV. Press one for a black SUV. Press two for powder blue. Press three for bright orange with the 'caution: bank robber on board' bumper sticker

It was about eleven o’clock in the morning, mid October, with the sun not shining and a look of hard wet rain in the clearness of the foothills. I was wearing my powder-blue suit, with dark blue shirt, tie and display handkerchief, black brogues, black wool socks with dark blue clocks on them. I was neat, clean, shaved and sober, and I didn’t care who knew it.

Myron lay sprawled next to a knee-knockingly gorgeous brunette clad only in a Class-B-felony bikini, a tropical drink sans umbrella in one hand, the aqua clear Caribbean water lapping at his feet, the sand a dazzling white powder, the sky a pure blue that could only be God's blank canvas, the sun a soothing and rich as a Swedish masseur with a snifter of cognac, and he was intensely miserable.

I followed him down into the now coolly shadowed court. The lilies were pale blue, held on stiff stems a few inches above the water, where their glossy leaves overlapped the still surface like tiles of jade. Gold fins winked here and there below them, and a gold bee sipped water at a leaf’s edge. A powder-blue petal shut, and another, till one by one the lilies were turbaned up, stiff and quiet for the night. Another late bee, almost caught by a folding flower, wrestled his way angrily out of the petals, and shot off like a bullet.

If I could paint it, it would be aquamarine, with bits of Tiffany blue, turquoise, and powder blue. It’d be moving, constantly changing, evolving, shaping the world around us, influencing it, and swaying it this way and that. It would be infinite.” Atticus

The traffic system needs a complete rethink," mused Bryant as the unit's only allocated vehicle, a powder-blue Vauxhall with a thoroughly thrashed engine, accelerated through Belsize Park. "Look at these road signs. Ministerial graffiti." "It's no use lecturing on the problem, Arthur. That's why your driving examiner failed you thirty-seven times." "What makes you such a great driver?' "I don't hit things.

The maid came in to light up and soon it would be time to go upstairs and change for dinner. I thought this woman one of the most fascinating I had ever seen. She had a long thin face, dead white, or powdered dead white. Her hair was black and lively under her cap, her eyes so small that the first time I saw her I thought she was blind. But wide open, they were the most astonishing blue, cornflower blue, no, more like sparks of blue fire. Then she would drop her eyelids and her face would go dead and lifeless again. I never tired of watching this transformation.

He had been a criminal, but he was also beautiful. I wasn't there to judge, only to make him clean and dressed him in his powder-blue polyester suit with the ruffled tuxedo shirt. Holding up his arm to wash it, I paused: I was comfortable. I wanted other people to know that they could do this too. The washing, the comfort. This confident, stable feeling was available to anyone, if society could overcome the burden of superstition.

Still,there was this heavy feeling in the air, like everyone was trying too hard to have a good time. Laughs were too loud, and smiles looked forced. Maybe they were afraid Dad and I would vaporize them if they didn't act like this was the best party ever. I would have laid my forehead against the cool glass wall, but I didn't really want to see my reflection that closely. Lysander had brought the dress earlier that afternoon, and insisted on doing my makeup,too. Consequently, it looked like a glitter bomb had exploded on my face. Even my bare shoulders were dusted with sparkling blue powder.

It is not a belly button. (The umbilicus serves, then withdraws, leaving but a single footprint where it stood: the navel, wrinkled and cupped, whorled and domed, blind and winking, bald and tufted, sweaty and powdered, kissed and bitten, waxed and fuzzy, bejeweled and ignored; reflecting as graphically as breasts, seeds or fetishes the omnipotent fertility in which Nature dangles her muddy feet, the navel looks in like a plugged keyhole to the center of our being, it is true, but O navel, though we salute your motionless maternity and the dreams that have gotten tangled in your lint, you are only a scar, after all; you are not it.)

What looks good to you?” he asked as if we were out for ice cream. Rocky road or pistachio? Like my Corvette sitting back in the shop, he had a penchant for American-made classics, the ones Detroit had long-since forgotten it once knew how to make. Slowly, I walked around looking at each one—the acid green Shelby Mustang with white racing stripes, the powder blue Ford Fairlane, the black Chevy Bel-Air— each in pristine condition and only because his blood and sweat coursed through them as surely as gasoline. But if he was serious that I could take my pick and drive it out of here, there was only one choice for me: the cherry red 1955 Ford Bronco.

I found this." He put the briefcase on the table and opened the locks. She saw a stack of papers, an evidence bag with a red seal. He pulled a college notebook with a blue plastic cover from one of the pockets. Black fingerprint powder spotted the cover. "I tried to clean it up," he said, wiping the grime on the front of his sweater. "I'm sorry. It was in Allison's car and I..." He flipped through the pages, showing her the scrawled handwriting. "I can't," he said. "I just can't." She realized that Will hadn't looked at her once since walking into the room. He had such an air of defeat about him, as if every word that came from his mouth caused him pain.

IT WAS A HOT AND MUGGY DAY AS I looked up in the powder blue sky that covered the Port of San Pedro. The Bell helicopter circled above like a dragonfly in my Grandma Cholé's rose garden. I don't know if it was the unbearable humidity or the whoop- whoop- whoop of the chopper's rotor blades as they sliced through the air, but something was affecting me.

I saw a weather man, and I believed him, because he had pretty graphics. He had the red and the blue, hot and cold, and the VOTER in me said, "This is The Future.

The shadows had sharp corners all cut out of the blue autumnal air and were so fragile you were afraid to touch them for fear they’d shatter into glass powder and blow away.

Held in his piercing powder-blue vision, I froze. A butterfly awakened in my chest.

That August, when we arrived, the island lay breathless and sun-drugged in a smouldering, peacock-blue sea under a sky that had been faded to a pale powder-blue by the fierce rays of the sun.

Being a woman is a pain in the ass. You have to look “good.” Your hair needs to be neat—not just combed through, but “done.” Blow-dried, ironed, curled, sprayed. Your face needs to be enhanced. Foundation, powder, eye shadow, mascara, lipstick, blush, contour. Your clothes have to look sharp, too. And you can never wear the same thing twice—at least not in the same week. A guy can throw on the same suit every single day for a year and no one would notice. I’m not exaggerating. An Australian broadcaster tested it out. His coanchor, a woman, kept getting letters, e-mails, and tweets from viewers criticizing what she was wearing. He was appalled. He never got notes. So he wore the same blue suit day in and day out. Three hundred sixty-five days. Surely someone would complain. No one did. “No one has noticed,” he said at the time. “No one gives a shit.

I am as America as apple pie shaped like a pocket, so you can carry it in your pants to eat later. My blood is red, white, and blue, I didn't VOTE for the moon landing, but I did fake it, and that's all that matters.

Hey!” The male voice sliced through the noise. Terri ignored him, determined to get back to the bar for her next order. A harsh hand gripped her arm, jerking her back into a firm chest. “I asked your name.” Hot breath reeking of stale beer permeated her sinuses, making her stomach turn, as the tenor of his voice burrowed into her ear. Fear gripped her. Memories of the way Randy would grab her, and where it always ended, slammed into her, making her head spin. Shaking it off, Terri narrowed her eyes and whirled around, jabbing a red lacquered nail into his powder blue polo. “Back off,” she warned, snatching her arm back. He advanced on her, his large frame towering over her. “Just wanna know your name, sweetheart,” he said with a sleazy smile. “No need to get testy.” “You haven’t seen me testy.” As she turned her back on him and continued on her way, he called out to her. “Yet.” Terri--from Spring Cleaning--Coming Summer 2012

Please approach with care these figures in black. Regard with care the weight they bear, the scars that mark their hearts. Do you think you can handle these bodies of graphite & coal dust? This color might rub off. A drop of this red liquid could stain your skin. This black powder could blow you sky high. No ordinary pigments blacken our blues. Would you mop the floor with this bucket of blood? Would you rinse your soiled laundry in this basin of tears? Would you suckle hot milk from this cracked vessel? Would you be baptized in this fountain of funky sweat? Please approach with care these bodies still waiting to be touched. We invite you to come closer. We permit you to touch & be touched. We hope you will engage with care.

If the manifest of ingredients on the bottle had been legible, it would have read something like this: Water, blackstrap molasses, imported habanero peppers, salt, garlic, ginger, tomato puree, axle grease, real hickory smoke, snuff, butts of clove cigarettes, Guinness Stout fermentation dregs, uranium mill tailings, muffler cores, monosodium glutamate, nitrates, nitrites, nitrotes and nitrutes, nutrites, natrotes, powdered pork nose hairs, dynamite, activated charcoal, match-heads, used pipe cleaners, tar, nicotine, single-malt whiskey, smoked beef lymph nodes, autumn leaves, red fuming nitric acid, bituminous coal, fallout, printer's ink, laundry starch, drain cleaner, blue chrysotile asbestos, carrageenan, BHA, BHT, and natural flavorings.

Love’ is one of those words, like ‘Freedom’, ‘Security’ and ‘Democracy’, that has been captured and tortured until it gives in to its polar opposite. Love is supposed to be the one thing you can’t kill. And maybe that’s true, if you come at it with a gun in your fist. But there are other things you can do to undermine the power of human passion. You can rip it away from kids and redeliver it processed and packaged in pink and blue cans for somebody else’s profit, like powdered milk you pay for with your heart’s blood. You can mangle it into a mode of production. You can use it to isolate people in antagonistic pairs and let them blame each other for the structural lack of sweetness in the world. You can privatise passion, annex affection. You can create the appearance of scarcity where there ought to be abundance. You can make the search for simple connection into a miserable, exhausting ritual that demands rigid gender conformity and represses the human spirit. And that’s how you kill love.

Poppy was dressed in her best gown, a violet silk that shimmered with tones of blue and pink as the light moved over it. The unique color had been achieved with a new synthetic dye, and it was so striking that little ornamentation was needed. The bodice was intricately wrapped, leaving the tops of her shoulders bare, and the full, layered skirts rustled softly as she moved. Just as she set down the powder brush, Harry came to the doorway and surveyed her leisurely. "No woman will compare to you tonight," he murmured.

It rarely snows because Antarctica is a desert. An iceberg means it’s tens of millions of years old and has calved from a glacier. (This is why you must love life: one day you’re offering up your social security number to the Russia Mafia; two weeks later you’re using the word calve as a verb.) I saw hundreds of them, cathedrals of ice, rubbed like salt licks; shipwrecks, polished from wear like marble steps at the Vatican; Lincoln Centers capsized and pockmarked; airplane hangars carved by Louise Nevelson; thirty-story buildings, impossibly arched like out of a world’s fair; white, yes, but blue, too, every blue on the color wheel, deep like a navy blazer, incandescent like a neon sign, royal like a Frenchman’s shirt, powder like Peter Rabbit’s cloth coat, these icy monsters roaming the forbidding black.

This was not just any urn. It was a cremation urn, housing the powdered remains of Mrs. Pule's mother Wanda, a woman so mean and nasty that she had it put in writing that upon her death she wished to be cremated and have her ashes scattered over people who had annoyed her.

She spotted Cam Staunton in his dress blues, scouting the dessert table. As she watched, he scooped up two biscuits and stuffed them into his mouth. When he turned and saw Lyss watching, his face went scarlet, which contrasted nicely with the powdered sugar around his mouth.

VOTERS are the ultimate Consoomers. The product they fanboy over is either Team Red or Team Blue, and their whole self-identify revolves around the ritual of deluding themselves into believing they had any control over the selection of the actor pretending to be their leader.

INTIMACY, n. A relation into which fools are providentially drawn for their mutual destruction. Two Seidlitz powders, one in blue And one in white, together drew And having each a pleasant sense Of t'other powder's excellence, Forsook their jackets for the snug Enjoyment of a common mug. So close their intimacy grew One paper would have held the two. To confidences straight they fell, Less anxious each to hear than tell; Then each remorsefully confessed To all the virtues he possessed, Acknowledging he had them in So high degree it was a sin. The more they said, the more they felt Their spirits with emotion melt, Till tears of sentiment expressed Their feelings. Then they effervesced! So Nature executes her feats Of wrath on friends and sympathetes The good old rule who won't apply, That you are you and I am I.

Owen was so tiny, we loved to pick him up; in truth, we couldn’t resist picking him up. We thought it was a miracle: how little he weighed. This was also incongruous because Owen came from a family in the granite business. The Meany Granite Quarry was a big place, the equipment for blasting and cutting the granite slabs was heavy and dangerous-looking; granite itself is such a rough, substantial rock. But the only aura of the granite quarry that clung to Owen was the granular dust, the gray powder that sprang off his clothes whenever we lifted him up. He was the color of a gravestone; light was both absorbed and reflected by his skin, as with a pearl, so that he appeared translucent at times—especially at his temples, where his blue veins showed through his skin (as though, in addition to his extraordinary size, there were other evidence that he was born too soon).

What treasures lay inside! Yes, here were the colors that she had asked for: red, pink, yellow, blue, green, black- all in powder form, of course, not like the one or two bottles of liquid food color that were available at the Lebanese supermarket in town; those were not at all modern- some big blocks of marzipan, and, as always, June had included some new things for Angel to try. This time there were three tubes that looked rather like thick pens. She picked one upend examined it: written along its length were the words 'Gateau Graffito,' and underneath, written in uppercase letters, was the word 'red.' Reaching for the other two pens- one marked 'green' and the other 'black'- she saw a small printed sheet lying at the bottom of the bubblewrap nest. It explained that these pens were filled with food color, and offered a picture showing how they could be used to write fine lines or thick lines, depending on how you held them. It also guaranteed that the contents were kosher. Eh, now her cakes were going to be more beautiful than ever!

With the first jolt he was in daylight; they had left the gateways of King’s Cross, and were under blue sky. Tunnels followed, and after each the sky grew bluer, and from the embankment at Finsbury Park he had his first sight of the sun. It rolled along behind the eastern smokes — a wheel, whose fellow was the descending moon — and as yet it seemed the servant of the blue sky, not its lord. He dozed again. Over Tewin Water it was day. To the left fell the shadow of the embankment and its arches; to the right Leonard saw up into the Tewin Woods and towards the church, with its wild legend of immortality. Six forest trees — that is a fact — grow out of one of the graves in Tewin churchyard. The grave’s occupant — that is the legend — is an atheist, who declared that if God existed, six forest trees would grow out of her grave. These things in Hertfordshire; and farther afield lay the house of a hermit — Mrs. Wilcox had known him — who barred himself up, and wrote prophecies, and gave all he had to the poor. While, powdered in between, were the villas of business men, who saw life more steadily, though with the steadiness of the half-closed eye. Over all the sun was streaming, to all the birds were singing, to all the primroses were yellow, and the speedwell blue, and the country, however they interpreted her, was uttering her cry of “now. ” She did not free Leonard yet, and the knife plunged deeper into his heart as the train drew up at Hilton. But remorse had become beautiful.

least.” “I don’t remember you complaining.” “Yes, well, I’d only been fantasizing about it for ages.” “See, there’s a thing,” Alex points out. “You just told me that. You can tell me other stuff.” “It’s hardly the same.” He rolls over onto his stomach, considers, and very deliberately says, “Baby.” It’s become a thing: baby. He knows it’s become a thing. He’s slipped up and accidentally said it a few times, and each time, Henry positively melts and Alex pretends not to notice, but he’s not above playing dirty here. There’s a slow hiss of an exhale across the line, like air escaping through a crack in a window. “It’s, ah. It’s not the best time,” he says. “How did you put it? Nutso family stuff.” Alex purses his lips, bites down on his cheek. There it is. He’s wondered when Henry would finally start talking about the royal family. He makes oblique references to Philip being wound so tight as to double as an atomic clock, or to his grandmother’s disapproval, and he mentions Bea as often as Alex mentions June, but Alex knows there’s more to it than that. He couldn’t tell you when he started noticing, though, just like he doesn’t know when he started ticking off the days of Henry’s moods. “Ah,” he says. “I see.” “I don’t suppose you keep up with any British tabloids, do you?” “Not if I can help it.” Henry offers the bitterest of laughs. “Well, the Daily Mail has always had a bit of an affinity for airing our dirty laundry. They, er, they gave my sister this nickname years ago. ‘The Powder Princess.’” A ding of recognition. “Because of the…” “Yes, the cocaine, Alex.” “Okay, that does sound familiar.” Henry sighs. “Well, someone’s managed to bypass security to spray paint ‘Powder Princess’ on the side of her car.” “Shit,” Alex says. “And she’s not taking it well?” “Bea?” Henry laughs, a little more genuinely this time. “No, she doesn’t usually care about those things. She’s fine. More shaken up that someone got past security than anything.

From then on, right up to this day, I fear that I walk funny, in other words, that I walk like a woman. When I find myself walking at my own pace, I almost immediately slow down. And I learned what men do not do. They do not wet their dry lips by running their tongues over them. They don’t trot after their mothers into the kitchen. They don’t use face powder. They don’t sit on a motorbike behind a woman. They don’t need mirrors in the rooms where they might change their clothes. On trips, they can go behind a tree. They don’t even need an enclosed space to take a dump; they can do it in the open. They shouldn’t be afraid of other people seeing their bodies. If there’s only one bathroom, they can bathe in the open. When caned in class, they do not cry. They do not buy tamarind from the lady who sells it on the road and they certainly do not sit by her side and eat it.

Are you sure you’re okay, Taylor? Say something . . . normal.” He gently tucked a lock of hair behind her ear, being careful to avoid the bump on her head. Taylor stared up into Jason’s amazing blue eyes. He really was the most gorgeous man she had ever seen. With great effort, she pulled herself out of the dreamy depths of the Sexiest Eyes Alive and somehow managed a casual smile. She knew she should at least thank him for coming for her. But then she noticed something she had somehow missed earlier. She peered more closely at Jason. “Wait a second—are you wearing makeup?” Oh yes, there it was—a little trace of powder dusted across his face. And was that a smudge of eyeliner along his bottom lid . . . ? This was too precious. Taylor raised an eyebrow teasingly. “Gee, Jason, it’s just a hospital—you really didn’t need to get all gussied up.” And with that, Jason smiled. He turned to the doctor, finally satisfied. “Okay. She’s fine.

Roadie Girl Ya' rockin' that deep V wheelset, fucsia yellow blue fixie flip-floppin' your hubs for the Thursday night social ride as ya' blast after a snack at the bottom of the wall pickin' a line pogoin' the washboards slalomin' between vultures powerslidin' the deep corners smokin' the powder run jet roadie girl, jet! ya' in the zone now nobody but nobody can touch ya' cuz ur a force of nature brazen-brakeless-breathless the fastest freakin' chick on Planet Dirt.

Rich men spent small fortunes in engaging artists to make the most beautiful books ever known. A corps of papermakers, calligraphers, painters, and bookbinders in some cases worked for seventeen years on one volume. Paper had to be of the best; brushes were put together, we are told, from the white neck hairs of kittens not more than two years old; blue ink was sometimes made from powdered lapis lazuli, and could be worth its weight in gold; and liquid gold was not thought too precious for some lines or letters of design or text.

All I hope is that tonight is great for the people whom it’s supposed to be great for. My sister’s boyfriend showed up in his Buick, and he was wearing a white “tails” coat over a black suit, which looked wrong for some reason. His “cumberbunn” (I don’t know how to spell this) matched my sister’s dress, which was powder blue and low-cut. It reminded me of those magazines. I have to stop spinning out like this. Okay. All I hope is that my sister feels beautiful, and her new guy makes her feel beautiful. I hope that Craig doesn’t make Sam feel that her prom isn’t special just because he’s older. I hope the same for Mary Elizabeth with Peter. I hope Brad and Patrick decide to make up and dance in front of the whole school. And that Alice is secretly a lesbian and in love with Brad’s girlfriend Nancy (and vice versa), so nobody feels left out. I hope the deejay is as good as everyone said I was last Friday. And I hope everyone’s pictures turn out great and never become old photographs and nobody gets in a car accident. That is what I really hope.

7. But what kind of love is it, really? Don't fool yourself and call it sublimity. Admit that you have stood in front of a little pile of powdered ultramarine pigment in a glass cup at a museum and felt a stinging desire. But to do what? Liberate it? Purchase it? Ingest it? There is so little blue food in nature- in fact blue in the wild tends to mark food to avoid (mold, poisonous berries)- that culinary advisers generally recommend against blue light, blue paint, and blue plates when wand where serving food. But while the color may sap appetite in the most literal sense, it feeds it in others. You might want to reach out and disturb the pile of pigment, for example, first staining your fingers with it, then staining the world. You might want to dillute it and swim in it, you might want to rouge your nipples with it, you might want to paint a virgin's robe with it. But still you wouldn't be accessing the blue of it. Not exactly. 8. Do not, however, make the mistake of thinking all desire is yearning. "We love to contemplate blue, not because it advances to us, but because it draws us after it," wrote Goethe, and perhaps he is right. But I am not interested in longing to live in a world in which I already live. I don't want to yearn for blue things, and God forbid for any "blueness." Above all, I want to stop missing you. 9. So please do not write to tell me about anymore beautiful blue things. To be fair, this book will not tell you about any, either. It will not say, Isn't X beautiful? Such demands are murderous to beauty. 10. The most I want to do is show you the end of my index finger. Its muteness. 11. That is to say: I don't care if it's colorless.

Beyond her, along the edge of the patio, a rainbow of color danced in the evening breeze. Olive's backyard efforts had gone well beyond the leafy herb garden. Arranged in sweet clusters, with a backdrop of desert sage and tall grasses, sat well-tended terracotta pots brimming with yellow snapdragons, deep-violet lobelia, and powder-blue pansies. Even in the dimming evening light, Julia noticed a couple of butterflies flitting near the bright arrangement of petals. It was such a charming sight, and her niece had been responsible for the entire thing. There was no doubt this girl had a serious green thumb.

if they label you soft, feather weight and white-livered, if the locker room tosses back its sweaty head, and laughs at how quiet your hands stay, if they come to trample the dandelions roaring in your throat, you tell them that you were forged inside of a woman who had to survive fifteen different species of disaster to bring you here, and you didn’t come to piss on trees. you ain’t nobody’s thick-necked pitbull boy, don’t need to prove yourself worthy of this inheritance of street-corner logic, this blood legend, this index of catcalls, “three hundred ways to turn a woman into a three course meal”, this legacy of shame, and man, and pillage, and man, and rape, and man. you boy. you won’t be some girl’s slit wrists dazzling the bathtub, won’t be some girl’s, “i didn’t ask for it but he gave it to me anyway”, the torn skirt panting behind the bedroom door, some father’s excuse to polish his gun. if they say, “take what you want”, you tell them you already have everything you need; you come from scabbed knuckles and women who never stopped swinging, you come men who drank away their life savings, and men who raised daughters alone. you come from love you gotta put your back into, elbow-grease loving like slow-dancing on dirty linoleum, you come from that house of worship. boy, i dare you to hold something like that. love whatever feels most like your grandmother’s cooking. love whatever music looks best on your feet. whatever woman beckons your blood to the boiling point, you treat her like she is the god of your pulse, you treat her like you would want your father to treat me: i dare you to be that much man one day. that you would give up your seat on the train to the invisible women, juggling babies and groceries. that you would hold doors, and say thank-you, and understand that women know they are beautiful without you having to yell it at them from across the street. the day i hear you call a woman a “bitch” is the day i dig my own grave. see how you feel writing that eulogy. and if you are ever left with your love’s skin trembling under your nails, if there is ever a powder-blue heart left for dead on your doorstep, and too many places in this city that remind you of her tears, be gentle when you drape the remains of your lives in burial cloth. don’t think yourself mighty enough to turn her into a poem, or a song, or some other sweetness to soften the blow, boy, i dare you to break like that. you look too much like your mother not t

We knocked the head out of an empty hogshead and hoisted this hogshead to the flat roof of the chapel, where we clamped it down fast, poured in gunpowder till it lay loosely an inch deep on the bottom, then we stood up rockets in the hogshead as thick as they could loosely stand, all the different breeds of rockets there are; and they made a portly and imposing sheaf, I can tell you. We grounded the wire of a pocket electrical battery in that powder, we placed a whole magazine of Greek fire on each corner of the roof—blue on one corner, green on another, red on another, and purple on the last, and grounded a wire in each.

Water, blackstrap molasses, imported habanero peppers, salt, garlic, ginger, tomato puree, axle grease, real hickory smoke, snuff, butts of clove cigarettes, Guinness Stout fermentation dregs, uranium mill tailings, muffler cores, monosodium glutamate, nitrates, nitrites, nitrotes and nitrutes, nutrites, natrotes, powdered pork nose hairs, dynamite, activated charcoal, match-heads, used pipe cleaners, tar, nicotine, single-malt whiskey, smoked beef lymph nodes, autumn leaves, red fuming nitric acid, bituminous coal, fallout, printer's ink, laundry starch, drain cleaner, blue chrysotile asbestos, carrageenan, BHA, BHT, and natural flavorings.

Dear Balzac, I’m picturing the literally pocket-sized powder-blue paperback of your Père Goriot—the expurgated version, probably intended for impressionable high schoolers like myself, from which anything deemed too sexy had mysteriously vanished. Even without the juicy parts, I was transfixed by it. That was back in Middletown, New York in 1964—a long way from Paris. By the way, when we read Voltaire’s 'Candide,' there was no cleaned-up version available. In order to comply with the school board’s idea of decency and not get fired, our enterprising French teacher, Madame Van Eseltine, had to tell us which passages to skip: 'Students, whatever you do, do NOT, I repeat, do NOT read the following pages...' You can imagine how well that worked!

I call this our Thursday special. We have it regularly." This was a lie. In all the years not one single dish resembled another. Was this one from the deep green sea? Had that one been shot from blue summer air? Was it a swimming food or a flying food, had it pumped blood or chlorophyll, had it walked or leaned after the sun? No one knew. No one asked. No one cared. The most people did was stand in the kitchen door and peer at the baking-powder explosions, enjoy the clangs and rattles and bangs like a factory gone wild where Grandma stared half blindly about, letting her fingers find their way among canisters and bowls. Was she conscious of her talent? Hardly. If asked about her cooking, Grandma would look down at her hands which some glorious instinct sent on journeys to be gloved in flour, or to plumb disencumbered turkeys, wrist-deep in search of their animal souls. Her gray eyes blinked from spectacles warped by forty years of oven blasts and blinded with strewings of pepper and sage, so she sometimes flung cornstarch over steaks, amazingly tender, succulent steaks! And sometimes dropped apricots into meat loaves, cross-pollinated meats, herbs, fruits, vegetables with no prejudice, no tolerance for recipe or formula, save that at the final moment of delivery, mouths watered, blood thundered in response. Her hands then, like the hands of Great-grandma before her, were Grandma's mystery, delight, and life. She looked at them in astonishment, but let them live their life the way they must absolutely lead it.

The Worm at the Bottom of the Bottle Blue agave, spiny like the desert cacti, once fermented in the mesquite barrels of Jalisco, Mexico, is now manifest in the liquid smoke of my Tequila bottle. By the third shot, I think I'm in love with the gusano, the red caterpillar people mistake for a worm, pickling intact, attesting to the purity of the holy spirits. I shake the bottle and the worm falls like the fresh powder in my Montreal snowglobe of an ice skater, the globe's Christmas melody replaced by La Cucaracha playing convivially on my mind's soundtrack (in a bit in a rut because I've forgotten the second stanza). The worm has hit bottom, and so have I. I don't take this an ominous portent, but as a sign it's time to ditch the glass and drink straight from the bottle.

Being a woman is a pain in the ass. You have to look “good.” Your hair needs to be neat—not just combed through, but “done.” Blow-dried, ironed, curled, sprayed. Your face needs to be enhanced. Foundation, powder, eye shadow, mascara, lipstick, blush, contour. Your clothes have to look sharp, too. And you can never wear the same thing twice—at least not in the same week. A guy can throw on the same suit every single day for a year and no one would notice. I’m not exaggerating. An Australian broadcaster tested it out. His coanchor, a woman, kept getting letters, e-mails, and tweets from viewers criticizing what she was wearing. He was appalled. He never got notes. So he wore the same blue suit day in and day out. Three hundred sixty-five days. Surely someone would complain. No one did.

Sitting on the grass by the doorway, sheltered by the breadfruit shade, yet with the hot rays of the afternoon sun just touching her naked feet, was a girl. A girl of fifteen or sixteen, naked, except for a kilt of gaily-striped material reaching from her waist to her knees. Her long black hair was drawn back from the forehead, and tied behind with a loop of the elastic vine. A scarlet blossom was stuck behind her right ear, after the fashion of a clerk’s pen. Her face was beautiful, powdered with tiny freckles; especially under the eyes, which were of a deep, tranquil blue-grey. She half sat, half lay on her left side; whilst before her, quite close, strutted up and down on the grass, a bird, with blue plumage, coral-red beak, and bright, watchful eyes. The girl was Emmeline Lestrange.

The Lost Girls Nomad girls are Lost Ones too, With leaves at foot and crown; They too seek shelter in the tress, Drink Red and Gold and Brown. Their circlets made of steam and rain, Their lashes powdered ash, They're firelight, they're fox's kill, They're blood and sweat and scratch. Lost Boys fly forever, and crow the rising sun. They play all day in Neverland, their laughter mermaid-spun. But Lost Girls live underground: They steal from hole to hole. They drink the shadows, wear the night, And paint their cheeks with coal. And when the wind turns colder, They split a doe and climb inside. Still-warm sinew wraps their hands, Dead muscle soaks the light. You'll never tell what's girl, what's beast, Once bloody fur's been trussed- So think your happy thoughts, Lost Boy, Wish on your Fairy Dust.

Buffalo Chicken Mac & Cheese This easy meal combines the flavors of buffalo wings and mac and cheese.  To cut down on prep/cooking time, use a pre-cooked rotisserie chicken! 1 Cup milk 1 (12 oz) can evaporated milk ¼ Tsp garlic powder ½ Cup buffalo hot sauce (Frank’s Red Hot is a good bet) 3 Cups shredded cheese (just cheddar or a mix if you’d like) 1 lb pre-cooked chicken, shredded ½ lb uncooked pasta (such as elbow macaroni) Chopped onion/celery/carrots, crumbled blue cheese (optional) Mix milk, evaporated milk, garlic powder, and hot sauce in slow cooker until combined.  Add salt & pepper (to taste).  Stir in cheese, chicken, and uncooked pasta. Cook on low for approximately 1 hour, stir, then continue cooking an additional 30-60 minutes, or until pasta is tender. Garnish with chopped vegetables and/or blue cheese (if desired).  Enjoy!

From then on, write up to this day, I fear that I walk funny, in other words, that I walk like a woman. When I find myself walking at my on pace, I almost immediately slow down. And I learnt what men do not do. They not wet their dry lips by running their tongues over them. They don't trot after their mothers into the kitchen. They don't use face powder. They don't sit on a motorbike behind a woman. They don't need mirrors in the rooms where they might change their clothes. On trips, they can go behind the tree. They don't even need an enclosed space to take a dump; they can do it in the open. They shouldn't be afraid of other people seeing their bodies. If there is only one bathroom they can bathe in the open. When caned in class, I do not cry. They do not buy tamarind rom the lady who sells it on the road and they certainly do not sit by her side and eat it.

I spent most of the afternoon tempering the new batch of couverture and working on the window display. A thick covering of green tissue paper for the grass. Paper flowers- daffodils and daisies, Anouk's contribution- pinned to the window frame. Green-covered tins that had once contained cocoa powder, stacked up against each other to make a craggy mountainside. Crinkly cellophane paper wraps it like a covering of ice. Running past and winding into the valley, a river of blue silk ribbon, upon which a cluster of houseboats sits quiet and unreflecting. And below, a procession of chocolate figures, cats, dogs, rabbits, some with raisin eyes, pink marzipan ears, tails made of licorice-whips, with sugar flowers between their teeth... And mice. On every available surface, mice. Running up the sides of the hill, nestling in corners, even on the riverboats. Pink and white sugar coconut mice, chocolate mice of all colors, variegated mice marbled through with truffle and maraschino cream, delicately tinted mice, sugar-dappled frosted mice. And standing above them, the Pied Piper resplendent in his red and yellow, a barley-sugar flute in one hand, his hat in the other. I have hundreds of molds in my kitchen, thin plastic ones for the eggs and the figures, ceramic ones for the cameos and liqueur chocolates. With them I can re-create any facial expression and superimpose it upon a hollow shell, adding hair and detail with a narrow-gauge pipe, building up torso and limbs in separate pieces and fixing them in place with wires and melted chocolate.... A little camouflage- a red cloak, rolled from marzipan. A tunic, a hat of the same material, a long feather brushing the ground at his booted feet. My Pied Piper looks a little like Roux, with his red hair and motley garb.

The cabin; by the stern windows; Ahab sitting alone, and gazing out. I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass. Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun— slow dived from noon—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. 'Tis iron—that I know—not gold. 'Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain-battering fight! Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night—good night! (waving his hand, he moves from the window.) 'Twas not so hard a task. I thought to find one stubborn, at the least; but my one cogged circle fits into all their various wheels, and they revolve. Or, if you will, like so many ant-hills of powder, they all stand before me; and I their match. Oh, hard! that to fire others, the match itself must needs be wasting! What I've dared, I've willed; and what I've willed, I'll do! They think me mad— Starbuck does; but I'm demoniac, I am madness maddened! That wild madness that's only calm to comprehend itself! The prophecy was that I should be dismembered; and—Aye! I lost this leg. I now prophesy that I will dismember my dismemberer. Now, then, be the prophet and the fulfiller one. That's more than ye, ye great gods, ever were. I laugh and hoot at ye, ye cricket-players, ye pugilists, ye deaf Burkes and blinded Bendigoes! I will not say as schoolboys do to bullies—Take some one of your own size; don't pommel me! No, ye've knocked me down, and I am up again; but ye have run and hidden. Come forth from behind your cotton bags! I have no long gun to reach ye. Come, Ahab's compliments to ye; come and see if ye can swerve me. Swerve me? ye cannot swerve me, else ye swerve yourselves! man has ye there. Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents' beds, unerringly I rush! Naught's an obstacle, naught's an angle to the iron way! CHAPTER

Storm Island is a little south of here,” explained Frank, opening a chart. “It’s nothing but a pile of rocks in the sea, according to Worth. The light hasn’t been used in years, since there’s no more shipping from Larchmont.” They left the harbor and headed the boat south on the blue-green sea. The white dunes of the beach were far over to their right. The horizon was a line where the powder-blue sky met the darker hue of the ocean. Then a pile of jumbled rocks came into view. “Must be Storm Island,” Frank said briefly. As they came closer, they saw that the islet was indeed nothing but a mass of rock, about a hundred yards long. From its center rose a conical wooden tower with a black roof and gaping windows. They landed at a little stone jetty and tied up the boat, then mounted some stone steps that apparently led to a path to the lighthouse. Quickly the boys looked around for the gangling figure of the professor. No one was in sight.

The cardboard that he stopped at had been written on in February, 1938. The handwriting, in blue-lead pencil, was his brother Seymour's: My twenty-first birthday. Presents, presents, presents. Zooey and the baby, as usual, shopped lower Broadway. They gave me a fine supply of itching powder and a box of three stink bombs. I'm to drop the bombs in the elevator at Columbia or ‘someplace very crowded’ as soon as I get a good chance. Several acts of vaudeville tonight for my entertainment. Les and Bessie did a lovely soft-shoe on sand swiped by Boo Boo from the urn in the lobby. When they were finished, B. and Boo Boo did a pretty funny imitation of them. Les nearly in tears. The baby sang ‘Abdul Abulbul Amir.’ Z. did the Will Mahoney exit Les taught him, ran smack into the bookcase, and was furious. The twins did B.'s and my old Buck & Bubbles imitation. But to perfection. Marvellous. In the middle of it, the doorman called up on the housephone and asked if anybody was dancing up there. A Mr. Seligman, on the fourth—

Plants Fed On by Fawns" All the flowers: the pleated leaves of the hellebore; And the false blossom of the calla, a leaf like a petal— The white flesh of a woman bathing— a leaf over- Shadowing the small flowers hidden in the spadix; And fly poison, tender little flower, whose cursed root Pounded into a fine white powder will destroy flies. But why kill flies? They do not trouble me. They Are like the fruit the birds feed on. They are like The wind in the trees, or the sap that threads all things, The blue blood moving through branch and vine, Through the wings of dead things and living things.... If I lift my hand? If I write to you? The letters Can be stored in a box. Can they constitute the shape Of a love? Can the paper be ground? Can the box Be altar and garden plot and bed? Can there rise From the bed the form of a two-headed creature, A figure that looks both forward and back, keeping Watch always, one head sleeping while the other wakes, The bird head sleeping while the lion head wakes, And then the changing of the guard?.... No, The flies do not trouble me. They are like the stars At night. Common and beautiful. They are like My thoughts. I stood at midnight in the orchard. There were so many stars, and yet the stars, The very blackness of the night, though perfectly Cold and clear, seemed to me to be insubstantial, The whole veil of things seemed less substantial Than the thing that moved in the dark behind me, An unseen bird or beast, something shifting in its sleep, Half-singing and then forgetting it was singing: Be thou always ravished by love, starlight running Down and pulling back the veil of the heart, And then the water that does not exist opening up Before one, dark as wine, and the unveiled figure Of the self stepping unclothed, sweetly stripped Of its leaf, into starlight and the shadow of night, The cold water warm around the narrow ankles, The body at its most weightless, a thing so durable It will— like the carved stone figures holding up The temple roof— stand and remember its gods Long after those gods have been forsaken.

I still have no choice but to bring out Minerva instead.” “But Minerva doesn’t care about men,” young Charlotte said helpfully. “She prefers dirt and rocks.” “It’s called geology,” Minerva said. “It’s a science.” “It’s certain spinsterhood, is what it is! Unnatural girl. Do sit straight in your chair, at least.” Mrs. Highwood sighed and fanned harder. To Susanna, she said, “I despair of her, truly. This is why Diana must get well, you see. Can you imagine Minerva in Society?” Susanna bit back a smile, all too easily imagining the scene. It would probably resemble her own debut. Like Minerva, she had been absorbed in unladylike pursuits, and the object of her female relations’ oft-voiced despair. At balls, she’d been that freckled Amazon in the corner, who would have been all too happy to blend into the wallpaper, if only her hair color would have allowed it. As for the gentlemen she’d met…not a one of them had managed to sweep her off her feet. To be fair, none of them had tried very hard. She shrugged off the awkward memories. That time was behind her now. Mrs. Highwood’s gaze fell on a book at the corner of the table. “I am gratified to see you keep Mrs. Worthington close at hand.” “Oh yes,” Susanna replied, reaching for the blue, leatherbound tome. “You’ll find copies of Mrs. Worthington’s Wisdom scattered everywhere throughout the village. We find it a very useful book.” “Hear that, Minerva? You would do well to learn it by heart.” When Minerva rolled her eyes, Mrs. Highwood said, “Charlotte, open it now. Read aloud the beginning of Chapter Twelve.” Charlotte reached for the book and opened it, then cleared her throat and read aloud in a dramatic voice. “’Chapter Twelve. The perils of excessive education. A young lady’s intellect should be in all ways like her undergarments. Present, pristine, and imperceptible to the casual observer.’” Mrs. Highwood harrumphed. “Yes. Just so. Hear and believe it, Minerva. Hear and believe every word. As Miss Finch says, you will find that book very useful.” Susanna took a leisurely sip of tea, swallowing with it a bitter lump of indignation. She wasn’t an angry or resentful person, as a matter of course. But once provoked, her passions required formidable effort to conceal. That book provoked her, no end. Mrs. Worthington’s Wisdom for Young Ladies was the bane of sensible girls the world over, crammed with insipid, damaging advice on every page. Susanna could have gleefully crushed its pages to powder with a mortar and pestle, labeled the vial with a skull and crossbones, and placed it on the highest shelf in her stillroom, right beside the dried foxglove leaves and deadly nightshade berries. Instead, she’d made it her mission to remove as many copies as possible from circulation. A sort of quarantine. Former residents of the Queen’s Ruby sent the books from all corners of England. One couldn’t enter a room in Spindle Cove without finding a copy or three of Mrs. Worthington’s Wisdom. And just as Susanna had told Mrs. Highwood, they found the book very useful indeed. It was the perfect size for propping a window open. It also made an excellent doorstop or paperweight. Susanna used her personal copies for pressing herbs. Or occasionally, for target practice. She motioned to Charlotte. “May I?” Taking the volume from the girl’s grip, she raised the book high. Then, with a brisk thwack, she used it to crush a bothersome gnat. With a calm smile, she placed the book on a side table. “Very useful indeed.

He had in his head a scrapbook of the tastes that had impacted him the most during his travels: goat cheese and olive oil in California, the tropical fruits and chilies of South America, everything that had touched his lips in Japan. When Angelo and Paolo talk about their travels, they turn to the memories- the parties, the people, the crazy times had, always with the metronome of mozzarella beating in the background. But what followed Vito were the flavors- the dishes, the ingredients, and techniques unknown to most of Italy. "When I came back from Japan, there were six kilos of matcha, two kilos of coconut powder, and twelve bottles of Nikka whiskey in my bag. In Rome they stopped me and opened the bag. They thought they had caught me with cocaine. I told the guy to open up the bag and taste." Vito didn't drink Nikka (he and his brothers rarely drink alcohol); instead, he emptied all twelve bottles into a wooden bucket, where he now soaks blue cheese made from sheep's milk to make what he calls formaggio clandestino. He stirs up a spoon of high-grade matcha powder into Dicecca's fresh goat yogurt and sells it in clear plastic tubs, anxious for anyone- a loyal client, a stranger, a disheveled writer- to taste something new.

Colonel Melchett silently marvelled at the amount of aids to beauty that women could use. Rows of jars of face cream, cleansing cream, vanishing cream, skin-feeding cream! Boxes of different shades of powder. An untidy heap of every variety of lipstick. Hair lotions and “brightening” applications. Eyelash black, mascara, blue stain for under the eyes, at least twelve different shades of nail varnish, face tissues, bits of cotton wool, dirty powder-puffs. Bottles of lotions—astringent, tonic, soothing, etc. “Do you mean to say,” he murmured feebly, “that women use all these things?” Inspector Slack, who always knew everything, kindly enlightened him. “In private life, sir, so to speak, a lady keeps to one or two distinct shades, one for evening, one for day. They know what suits them and they keep to it. But these professional girls, they have to ring a change, so to speak. They do exhibition dances, and one night it’s a tango and the next a crinoline Victorian dance and then a kind of Apache dance and then just ordinary ballroom, and, of course, the makeup varies a good bit.” “Good lord!” said the Colonel. “No wonder the people who turn out these creams and messes make a fortune.” “Easy money, that’s what it is,” said Slack. “Easy money. Got to spend a bit in advertisement, of course.” Colonel

You have only hours until you go from palace servant to the future queen of Aurelais. Many will not take the news well, particularly not the blue-blooded young ladies who will resent the prince for rebuffing them for you." Cinderella thought of her stepsisters, who'd reveled for years in tormenting her. "I can handle it." When she did not elaborate, Genevieve appraised her. "When Charles declares that you are to be the princess of Aurelais, all attention will be on you. This is the first impression everyone will have of you. "You have natural grace, which most princesses take decades to learn, but it won't be enough. Nothing would ever be enough, even if you had been born royal." The duchess lifted Cinderella's chin so their eyes were level. "In my time, we stood by the three P's. I thought it was a bunch of hogwash, but I'll impart it to you anyway. It was essential that a princess be poised, pleasant, and-" "Pretty?" Cinderella guessed. "Presentable," corrected the duchess. "That's what all the wigs and powder and rouge were for. Nowadays, women are more after the natural look. Which, I suppose, isn't a problem for you." She hummed approvingly. "Now, what color gown should you like to wear tonight?" "Something blue," replied Cinderella thoughtfully. "It was my mother's favorite color, and I wish with all my heart she could have met Charles and seen us together." "That's a beautiful thought, Cindergirl.

THE NIGHTGOWN was only the first of the garments in the box. There were seven nightgowns, in fact—one for each day of the week—of delicate silk, lovely georgette, and beautiful tiffany. As Alexandra pulled them out, she draped them on the bed. She’d never seen a nightgown that wasn’t white, but these were almond and pale blush pink, powder blue and soft peach, with delicate edgings of lace and intricate, exquisite embroidery. “They’re stunning,” she said. “Madame Rodale has nothing like them in her book of fashion plates.” Tris just grinned. He seemed different tonight. More relaxed, less worried. She didn’t know what had prompted his sudden good humor, but she didn’t want to question it. She’d rather enjoy it instead. After the afternoon she’d had—starting with Elizabeth’s letter and ending with three fruitless interviews—she wasn’t about to risk the one thing that seemed to be going right. “Are you going to try one on for me?” he asked. Her face heated. He chose a nightgown off the bed, palest lavender with black lace and violet embroidery. “This one,” he said, handing it to her. “Do you require assistance with your dress?” “Just the buttons,” she said, and turned to let him unfasten them. She shifted the nightgown in her hands. It felt so light. “There,” he said when the back of her green dress gaped open. He kissed her softly on the nape of her neck, then settled on one of the striped chairs, sipping from the glass of port he’d brought upstairs with him. “Use the dressing room. I’ll be waiting.” In the dressing room, she shakily stripped out of her frock, chemise, shoes, and stockings, then dropped the nightgown over her head and smoothed it down over her hips. The fabric whispered against her legs. She turned to see herself in the looking glass. Sweet heaven. She’d never imagined nightgowns like this existed. Her nightgowns all had high collars that tied at the throat. This one had a wide, low neckline. Her nightgowns all had long, full sleeves. This one had tiny puffed sleeves that began halfway off her shoulders. Her nightgowns were made of yards and yards of thick, billowing fabric. This one was a slender column that left no curve to the imagination. It was wicked. “Are you ready yet?” Tris called. Alexandra swallowed hard, reminding herself that he’d seen her in less clothing. And he was her husband. Still, wearing the nightgown for him somehow felt more intimate than wearing nothing at all. She was as ready as she’d ever be. Drawing a deep breath, she exited the dressing room, walked quickly through the sitting room, and paused in the bedroom’s doorway. She dropped her gaze, then raised her lashes, giving him the look—the one Juliana had said would make men fall at her feet. Judging from the expression on Tris’s face, it was a good thing he was sitting. The way he looked at her made her heartbeat accelerate. He rose and moved toward her. She met him halfway, licking suddenly dry lips. “Will you kiss me?” she asked softly, reaching up to sweep that always unruly lock off his forehead. It worked this time. He kissed her but good.

By this time (in mid-2012) the country had been without a functioning government for more than twenty years, and the city was a byword for chaos, lawlessness, corruption, and violence. But this wasn’t the Mogadishu we saw. Far from it: on the surface, the city was a picture of prosperity. Many shops and houses were freshly painted, and signs on many street corners advertised auto parts, courses in business and English, banks, money changers and remittance services, cellphones, processed food, powdered milk, cigarettes, drinks, clothes, and shoes. The Bakara market in the center of town had a monetary exchange, where the Somali shilling—a currency that has survived without a state or a central bank for more than twenty years—floated freely on market rates that were set and updated twice daily. There were restaurants, hotels, and a gelato shop, and many intersections had busy produce markets. The coffee shops were crowded with men watching soccer on satellite television and good-naturedly arguing about scores and penalties. Traffic flowed freely, with occasional blue-uniformed, unarmed Somali National Police officers (male and female) controlling intersections. Besides motorcycles, scooters, and cars, there were horse-drawn carts sharing the roads with trucks loaded above the gunwales with bananas, charcoal, or firewood. Offshore, fishing boats and coastal freighters moved about the harbor, and near the docks several flocks of goats and sheep were awaiting export to cities around the Red Sea and farther afield. Power lines festooned telegraph poles along the roads, many with complex nests of telephone wires connecting them to surrounding buildings. Most Somalis on the street seemed to prefer cellphones, though, and many traders kept up a constant chatter on their mobiles. Mogadishu was a fully functioning city.

We need more baskets,” Pandora said triumphantly, entering the hall. The twins, who were clearly having a splendid time, had adorned themselves outlandishly. Cassandra was dressed in a green opera cloak with a jeweled feather ornament affixed to her hair. Pandora had tucked a light blue lace parasol beneath one arm, and a pair of lawn tennis rackets beneath the other, and was wearing a flowery diadem headdress that had slipped partially over one eye. “From the looks of it,” Kathleen said, “you’ve done enough shopping already.” Cassandra looked concerned. “Oh, no, we still have at least eighty departments to visit.” Kathleen couldn’t help glancing at Devon, who was trying, without success, to stifle a grin. It was the first time she had seen him truly smile in days. Enthusiastically the girls lugged the baskets to her and began to set objects on the counter in an unwieldy pile…perfumed soaps, powders, pomades, stockings, books, new corset laces and racks of hairpins, artificial flowers, tins of biscuits, licorice pastilles and barley sweets, a metal mesh tea infuser, hosiery tucked in little netted bags, a set of drawing pencils, and a tiny glass bottle filled with bright red liquid. “What is this?” Kathleen asked, picking up the bottle and viewing it suspiciously. “It’s a beautifier,” Pandora said. “Bloom of Rose,” Cassandra chimed in. Kathleen gasped as she realized what it was. “It’s rouge.” She had never even held a container of rouge before. Setting it on the counter, she said firmly, “No.” “But Kathleen--” “No to rouge,” she said, “now and for all time.” “We need to enhance our complexions,” Pandora protested. “It won’t do any harm,” Cassandra chimed in. “The bottle says that Bloom of Rose is ‘delicate and inoffensive’…It’s written right there, you see?” “The comments you would receive if you wore rouge in public would assuredly not be delicate or inoffensive. People would assume you were a fallen woman. Or worse, an actress.” Pandora turned to Devon. “Lord Trenear, what do you think?” “This is one of those times when it’s best for a man to avoid thinking altogether,” he said hastily.

Jon Stewart: [at anchor desk] The media, of course, must walk a fine line covering this story. With more we turn to Steve Carell in the Daily Show news center. Steve? Steve Carell: [standing in front of a bank of TV monitors] Jon, this is in many ways an unprecedented situation for us. [A blue band with white letters—the “crawl,” or “chyron” in TV lingo—scrolls across the screen, at Carell’s waist level] Crawl: MAJORITY LEADER DASCHLE RECEIVES LETTER CONTAINING ANTHRAX. Steve Carell: On the one hand, we must alert the country to the latest events. Crawl: AL QAEDA VOWS NEW ATTACKS. Steve Carell: And on the other hand, we musn’t cause undue alarm. Crawl: FBI WARNS SOMETHING BAD TO HAPPEN SOMEWHERE SOMETIME. Steve Carell: Scaremongering isn’t the way to go. Crawl: WHITE POWDER FOUND ON DONUT IN ST. LOUIS. Steve Carell: So far the media has in fact shown restraint. Crawl: STORMS BATTER NEW ENGLAND—LINK TO TERRORISM STILL UNDETERMINED. Steve Carell: And I must stress this—there is absolutely no need to panic. Crawl: [picking up speed as it moves left to right] CIA: THAT GUY SITTING ACROSS FROM YOU ON THE BUS LOOKS A LITTLE SHIFTY. Steve Carell: Patience, diligence, and above all, responsibility. Crawl: A FRIEND OF THIS GUY I KNOW CONFIRMS HIS GIRLFRIEND TOLD HIM “THEY’RE PLANNING SOMETHING IN A MALL OR SOMETHING.” Steve Carell: Jon, we have a job to do here, but we also need perspective. Crawl: [accelerating] OH, F—! WHAT WAS THAT SOUND? SERIOUSLY, DID YOU HEAR A SOUND? Steve Carell: And in keeping that perspective— Crawl: “THE HORROR, THE HORROR”—KURTZ. POLL: 91% OF AMERICANS “WANT MOMMY.” Steve Carell: Okay, that was—no, no, no, that was unacceptable. Jon, would you excuse me for a minute? [walks out of frame] Crawl: CHICKEN LITTLE: “THE SKY IS FALLING! THE SKY IS FALLING!” OH GOD, OH GOD. [Carell confronts technician typing the crawl, beats him up as screen goes snowy] Jon Stewart: We’re having some technical difficulties with the crawl. Ah, Steve Carell is back! Steve Carell: Sorry about that, Jon. As I was saying, we journalists have to make sure that our worst instincts are curbed in the sake of national interest. Crawl: EVERYTHING IS GOING TO BE JUST WONDERFUL WITH LOLLIPOPS AND RAINBOWS AND HAPPY FEELINGS FOR EVERYONE. Steve Carell: It’s a unique challenge, but one I think the greatest free press in the world can easily attain. Crawl: BUNNIES ARE CUTE, CUDDLY, AND COMFORTING. Steve Carell: Jon?

St. Louis Blues (1929) I hate to see de evenin' sun go down, Hate to see de evenin' sun go down 'Cause ma baby, he done lef' dis town. Feelin' tomorrow like I feel today, Feel tomorrow like I feel today, I'll pack my trunk, make ma git away. Saint Louis woman wid her diamon' rings Pulls dat man 'roun' by her apron strings. 'Twant for powder an' for store-bought hair, De man ah love would not gone nowhere, nowhere. Got de Saint Louis Blues jes as blue as ah can be. That man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Col'nel loves his mint an' rye. I'll love ma baby till the day ah die. Been to de gypsy to get ma fortune tole, To de gypsy, done got ma fortune tole, Cause I'm most wile 'bout ma Jelly Roll. Gypsy done tole me, "Don't you wear no black." Yes, she done told me, "Don't you wear no black. Go to Saint Louis, you can win him back." Help me to Cairo, make Saint Louis by maself, Git to Cairo, find ma old friend Jeff, Gwine to pin maself close to his side; If ah flag his train, I sho' can ride. Got de Saint Louis Blues jes as blue as ah can be. That man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Colonel loves his mint an' rye. I'll love ma baby till the day I die. You ought to see dat stovepipe brown of mine, Lak he owns de Dimon' Joseph line, He'd make a cross-eyed o'man go stone blin'. Blacker than midnight, teeth lak flags of truce, Blackest man in de whole of Saint Louis, Blacker de berry, sweeter am de juice. About a crap game, he knows a pow'ful lot, But when worktime comes, he's on de dot. Gwine to ask him for a cold ten-spot, What it takes to git it, he's cert'nly got. Got de Saint Louis Blues jes as blue as ah can be. Dat man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Col'nel loves his mint an' rye. I'll love ma baby till the day ah die. A black-headed gal makes a freight train jump the track, said a black-headed Gal makes a freight train jump the track, But a long tall gal makes a preacher ball the jack. Lawd, a blonde-headed woman makes a good man leave the town, I said Blonde-headed woman makes a good man leave the town, But a red-headed woman makes a boy slap his papa down. Oh, ashes to ashes and dust to dust, I said ashes to ashes and dust to dust, If my blues don't get you, my jazzing must.

Tomás rode his wicked black stallion through the frosting of starlight that turned his ranch blue and pale gray, as if powdered sugar had blown off the sky and sifted over the mangoes and mesquites.

couldn’t stop smiling—my writing was going to appear in the New York Times! Great Manhattan was a hedge-maze of desire that afternoon, I saw grace in every blade of grass and passing taxi. Gleeful, I was witness to a million passages and alleys: stepping-stones traversing parks to brick walkways beneath glassy high-rise headquarters, industrial lofts transformed into homes and powdered sugar I would never taste in bakeries I’d never enter, and fortune tellers I would not speak to—too many paths to ever walk them all. And for the first time in my life, the road I walked appeared exactly as the road I’d choose. Every pipe dream I’d imagined felt five times more possible. Wandering cobblestone streets, I glimpsed a metal staircase off West Fourteenth Street, rising from the center of the sidewalk, a shaded vision. Of course I climbed it, upward—to the top. I found myself on a walkway in the sky, clouds surreal

Hey!” It was Sukey, at the base of the tree. Others. Umbrellas and hooded ponchos and raincoats. Upturned faces. Rafe, Terry, Dee, Low, Juicy. “We’re moving out here!” shouted Sukey. “You don’t want to,” I called down. “It’s cold and wet!” “Don’t care!” yelled Low. “It’s vile in there!” THEY STRAPPED UP the tarps from the beach to extend our roof cover. They found a stash of paint-spattered groundsheets and swarmed over the canopy, lashing the bright-blue vinyl to the treehouse posts. They stretched them between platforms, over nets and ladders. I felt restless. If they didn’t want to go back to the house, whatever, but I did. I wanted the fireplace and the cabinets packed with snack cakes and miniature powdered donuts. The indoor plumbing. I asked Dee, then Terry, then Rafe what the deal was, but they refused to talk about it. It was only when Sukey finished setting up her sleeping bag, weighing it down with rocks, that I got a straight answer: during the night the older generation had dosed itself with Ecstasy. No one knew if it had been a plan or covert action, but they’d promptly ascended new heights of repulsive. It was true Juicy and Terry had watched them fool around from behind slatted doors at the beginning—even Low had done it. Out of a sense of desperate boredom, soon after the phones were taken away. Also vengeance. And scorn. Now they regretted it. Maybe they’d had had stronger stomachs, back then. “Plus that was just like, normal old-people sex,” said Juicy. “How would you know?” said Rafe. “Like, couples,” said Juicy. “This is . . . like, everything.” “They’re walking around butt naked,” said Low. “I saw two fathers and Dee’s mother in a three—” started Juicy.

The room was full of law. Apparently somebody on Younger’s force had invited the state police to attend after all; the pack of technical men, with their cameras and chalk, powders and notebooks and little white envelopes, all seemed to professional, too sleek, too quiet and efficient to be any part of the local law. The local law was three dough-faced farm hands in rumpled blue uniforms, standing around the room looking for traffic to direct.

DO I WANT TO KNOW why you have a blood-soaked piece of Keefe’s cape? Or is that, like, a normal thing for you guys to have?” Marella whispered as their small ash-covered group shivered outside the massive silver door that Sophie had previously only seen in Keefe’s memory. Howling winds whipped through the night air, making the gray-white powder on their skin zing as if they’d been drenched in ice water. Sophie could barely distinguish their forms from the shadows and snow. The only thing that stood out was the faint blue flash of the starstone hairpin that she’d retucked into her bun after the leap—and the red-stained fabric in her hands. The iron smell made her gag, but she sucked in a freezing lungful and reminded herself that Keefe was safe—which was more than she could say for herself at the moment. “My theory is that Keefe made one too many jokes about Fitzphie, and Sophie finally threw him off a cliff,” Tam told Marella, careful to keep his voice low. “I could see that,” Marella agreed. “By the way, how long has Fitzphie been official?

And when it was over, he held her in his arms, filled with a joy that was almost past bearing as he gazed at the white clouds floating in the powder blue sky. All of them had shapes and meaning to him now. All his life had shape and meaning to him now.

Through the smoke, a white dog appeared. Nicholina blared her teeth at it, blasting awareness through me the second before the dog transformed. If I'd been standing, my legs would've buckled. As it was, I rose slowly to my knees, the ringing in my ears deepening to a rushing sound. A roar of blood and hope and fear. This couldn't be happening. This couldn't be real. Ansel ambled toward me. "Hello, Lou". At my dumbstruck expression, he grinned, the same sheepish grin he'd given a thousand times and the same sheepish grin of which I wanted a thousand more. He wore a pristine powder-blue coat with golden tassels and buttons—my heart ached at the familiarity—with his hands shoved deep into the pockets of his pants. An eternal initiate. No blood marked his person, not his hair or his skin, and his brown eyes sparkled even in the dark. "Did you miss me?

WILD ASTERS I am here to worship the blue asters along the brook; not to carry pollen on my legs, or rub strutted wings in mindless sucking; but to feel with my eyes the loss of you and me, not in the powdered mildew that spreads from leaf to leaf, but in the glorious absence of grief to see what was not meant to be seen, the clusters, the aggregate, the undenying multiplicity.