Pound Of Flesh Quotes

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The pound of flesh which I demand of him Is dearly bought; ’tis mine and I will have it. —The Merchant of Venice, Act 4, Scene 1
Sophie Jackson (A Pound of Flesh (A Pound of Flesh, #1))
Life repeats Shakespearian themes more often than we think. Did Lady Macbeth, Richard III, and King Claudius exist only in the Middle Ages? Shylock wanted to cut a pound of flesh from the body of the merchant of Venice. Is that a fairy tale?
Varlam Shalamov (Kolyma Tales)
The rain comes down harder as I write. It sheets off the roof in torrents. I wish it would pound against me. Pound the life from my body. The flesh from my bones. The pain from my heart.
Jennifer Donnelly (Revolution)
Jack,” he whispered. “She’s my Peaches.
Sophie Jackson (A Pound of Flesh (A Pound of Flesh, #1))
An equation: 40,000 dead young men = 3,000 tons of bone and flesh, 124,000 pounds of brain matter, 50,000 gallons of blood, 1,840,000 years of life that will never be lived, 100,000 children that will never be born (the last we can afford: there are too many starving children in the world already).
Dalton Trumbo (Johnny Got His Gun)
Pain isn't remotely kind in that way: pain wants its promised pound of flesh, ounce for ounce. It won't settle until you're left with nothing but a flaky shell of who you were. The burn of betrayal and the sting of rejectionhurt, but nothing comapres to the pain of being empty. nothing hurts worse than not hurting at all, and that that make no sense and perfect sense at the same time convinces me i'm goin fucking crazy.
Anna Todd (After Ever Happy (After, #4))
I have now seen sucrose beaches and water a very bright blue. I have seen an all-red leisure suit with flared lapels. I have smelled suntan lotion spread over 2,100 pounds of hot flesh. I have been addressed as "Mon" in three different nations. I have seen 500 upscale Americans dance the Electric Slide. I have seen sunsets that looked computer-enhanced. I have (very briefly) joined a conga line.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
It is not the task of a writer to 'tell all,' or even to decide what to leave in, but to decide what to leave out. Whatever remains, that meager sum of this profane division, that's the bastard chimera we call a 'story.' I am not building, but cutting away. And all stories, whether advertised as truth or admitted falsehoods, are fictions, cleft from the objective facts by the aforementioned action of cutting away. A pound of flesh. A pile of sawdust. Discarded chips of Carrara marble. And what's left over. "Houses Under The Sea
Caitlín R. Kiernan
USURY: Everybody's looking for the job in which you never have to pay anyone their pound of flesh. Self-employed nirvana. A lot of artists like to think of themselves as uncompromising; a lot of management consultants won't tell you what they do until they've sunk five pints. I don't think anybody should give themselves air just because they don't have to hand over a pound of flesh every day at 5pm, and I don't think anyone should beat themselves with broken glass because they do. If you're an artist, well, good for you. Thank your lucky stars every evening and dance in the garden with the fairies. But don't fool yourself that you occupy some kind of higher moral ground. You have to work for that. Writing a few lines, painting a pretty picture - that just won't do it.
Zadie Smith (On Beauty)
Just one taste. Just one. That’s all I want.” And then his lips pressed against hers.
Sophie Jackson (A Pound of Flesh (A Pound of Flesh, #1))
All the fear has left me now, I'm not frightened anymore. It's my heart that pounds beneath my flesh, it's my mouth that pushes out this breath.
Sarah McLachlan
This was it. And it was right. Perfect without the dinner, movies, and flowers, because how could you really plan something like this? You couldn't Daemon sat back- A fist pounded on the door, and Andrew's voice intruded. "Daemon, are you awake?" We stared at each other in disbelief. "If I ignore him," he whispered, "do you think he'll go away?" My hands dropped to my sides. "Maybe" The pounding came again. "Daemon, I really need you downstairs. Dawson is ready to go back to Mount Weather. Nothing Dee or I are saying to him is making a bit of difference. He's like a suicidal Energizer bunny." Daemon squeezed his eyes shut. "Son of a bitch..." "It's okay." I started to sit up. "He needs you." He let out a ragged sigh. "Stay here and get some rest. I'll talk-or beat some sense into him." He kissed me briefly and then gently pushed me back down. "I'll be back." Settling in, I smiled. "Try not to kill him." "No promises." He stood, pulled on his pajama bottoms, and headed for the door. Stopping short, he looked over his shoulder,his intense gaze melting my bones. "Dammit." A few seconds after he stepped out into the hallway and closed the door behind him, there was a fleshly smack and then Andrew yelling. "Ouch. What in the hell was that for?" "Your timing sucks on an epic level," Daemon shot back.
Jennifer L. Armentrout (Opal (Lux, #3))
She kept her stare locked on his as she let go of his face and slowly, making sure he understood every step of the way,tilted her head back until her throat was arched and bared before him. "Aelin," he breathed. Not in reprimand or warning, but... a plea. It sounded like a plea. He lowered his head to her exposed neck and hovered a hair's breath away. She arched her neck farther, a silent invitation. Rowan let out a soft groan and grazed his teeth against her skin. One bite, one movement, was all it would take for him to rip out her throat. His elongated canines slid along her flesh-gently, precisely. She clenched the sheets to keep from running her fingers down on his bare back and drawing him closer. He braced one hand beside her head, his fingers twining in her hair. "No one else," she whispered. "I would never allow anyone else at my throat." Showing him was the only way he'd understand that trust, in a manner that only the predatory, Fae side of him would comprehend. "No one else," she said again. He let out another low groan, answer and confirmation and request, and the rumble echoed inside her. Carefully, he closed his teeth over the spot where her lifeblood thrummed and pounded, his breath hot on her skin. She shut her eyes, every sense narrowing on that sensation, on the teeth and mouth at her throat, on the powerful body trembling with restraint above hers. His tongue flicked against her skin. She made a small noise that might have been a moan, or a word, or his name. He shuddered and pulled back, the cool air kissing her neck. Wildness-pure wildness sparked in those eyes.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
And then there came the pounding of another drum, as if another giant were coming yards behind him, and each giant, intent on his own drum, gave no notice to the rhythm of the other. The sound grew louder and louder until it seemed to fill not just my hearing but all my senses, to be throbbing in my lips and fingers, in the flesh of my temples, in my veins.
Anne Rice (Interview with the Vampire (The Vampire Chronicles, #1))
I look down at myself, but I don't need to. I can feel it. My hot blood is pounding through my body, flooding capillaries and lighting up cells like Fourth of July fireworks. I can feel the elation of every atom in my flesh, brimming with gratitude for the second chance they never expected to get. The chance to start over, to live right, to love right, to burn up in a fiery cloud and never again be buried in the mud. I kiss Julie to hide the fact that I'm blushing. My face is bright red and hot enough to melt steel. Okay, corpse, a voice in my head says, and I feel a twitch in my belly, more like a gentle nudge than a kick. I'm going now. I'm sorry I couldn't be here for your battle; I was fighting my own. But we won, right? I can feel it. There's a shiver in our legs, a tremor like the Earth speeding up, spinning off into uncharted orbits. Scary, isn't it? But what wonderful thing didn't start out scary? I don't know what the next page is for you, but whatever it is for me I swear I'm not going to fuck it up. I'm not going to yawn off in the middle of a sentence and hide it in a drawer. Not this time. Peel off these dusty wool blankets of apathy and antipathy and cynical desiccation. I want life in all its stupid sticky rawness. Okay. Okay, R. Here it comes.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
If you stay on this path as long as I have, you’ll soon learn that the road to providence leads right through perdition. And along that road, the devil’s waiting to collect his pound of flesh.
Jay Grewal (A Slave to Want)
If he ever becomes an issue, I could eat him. He looks delicious." "Thank you, but that won't be necessary." And that wasn't creepy. Not at all. Caldenia smiled. "You will be surprised how difficult it is to get rid of a human body. I'd say he is perhaps a hundred and seventy pounds? That's a lot of flesh to manage. We could freeze it. He'd feed me for at least three months.
Ilona Andrews (Clean Sweep (Innkeeper Chronicles, #1))
She wasn't much over five feet and a hundred pounds, and she looked a little scrawny around the neck and ankles. But that was all right. It was perfectly all right. The good Lord had known just where to put that flesh where it would really do some good.
Jim Thompson (The Killer Inside Me)
I’m glad, but I need you to understand something, Peaches.” He licked his lips. “I’m not sorry, and I’d do it again in a fucking heartbeat.
Sophie Jackson (A Pound of Flesh (A Pound of Flesh, #1))
You’re everything to me, Peaches. You always have been. Always. You’re the best thing I’ve ever had in my life.” He kissed her. “You’re my everything.
Sophie Jackson (A Pound of Flesh (A Pound of Flesh, #1))
I was studying the football in my hands, running my fingers over the pigskin, across the letters of the brand name printed on the side.This elongated spheriod that didn't even weigh a whole pound. I was choosing this ridiculous ball of leather in my hands over my own flesh and blood. I was putting myself, my girlfriend, my scholarship--I was putting everything before this little boy that i loved more than anything in this world. -Will
Colleen Hoover (Slammed (Slammed, #1))
The pound of flesh which I demand of him Is dearly bought; 'tis mine, and I will have it.
William Shakespeare
If something even remotely sexist comes out of you mouth again,' Moxie says, her eyes glinting, 'I will take a pound of flesh per word.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
I may not be able to stop you from killing me to get your pound of flesh, Tristan, but touch me – ” She let her gaze drop to the bulge in his pants and spun the dagger in her hands. “And I’ll get my own pound of flesh with one swipe.” – Evalle
Sherrilyn Kenyon (Alterant (Belador, #2))
I want you,” he murmured into her ear, before placing another kiss in the hollow behind her ear. “God help me, I don’t care if it’s against the rules. I want you so fucking much.” She turned her head, looking him straight in the eye, and smiled like a vixen. “I want you, too.
Sophie Jackson (A Pound of Flesh (A Pound of Flesh, #1))
How easy it would be for a lamb to lose herself in the eyes of a wolf that first time. She would be unprepared. She would be frightened. Her little heart would pound. Blood would flow to her limbs. Her breathing would catch—and quicken. Perhaps the wolf would consume her. I think in most cases, he would. Yes. But this lamb possesses something that arouses his curiosity—and makes him hunger for something more than flesh or blood. And so the wolf lay with the lamb.
Nenia Campbell (Terrorscape (Horrorscape, #3))
Her blood-curdling snoring, with its gargling and squawking and its terrifying pauses is like the sound the devil might make if he were alternately relishing and strangling on a pound of human flesh.
Bailey White (Mama Makes Up Her Mind and Other Dangers of Southern Living)
Theirs was a love beyond words, beyond reason, beyond even the two of them. It was indescribable, inexplicable, but unbreakable and unyielding.
Sophie Jackson (A Pound of Flesh (A Pound of Flesh, #1))
You should be scared, Peaches,” he murmured. “I’ve done things that would make your pretty little head spin, and, you being this close”—he gestured with his chin between them—“well, let’s just say”—his eyes met hers—“it just makes me want to be bad all over again.
Sophie Jackson (A Pound of Flesh (A Pound of Flesh, #1))
Mud ? They're going to put mud on my face ?" "You'll love it." "Whenever the kitties and I played stalk and pounce and we ended up muddy, everyone frowned about it." Surreal grunted softly. Only Jaenelle referred to Jaal and Kaelas, a full-grown tiger and an eight-hundred-pound Arcerian cat, as "the kitties"... or voluntarily played games with them to keep their predatory skills honed. "So why is this mud different ?" Jaenelle grumbled. Stretched out on the other table, Surreal turned her head and opened one eye. "It's expensive.
Anne Bishop (Dreams Made Flesh (The Black Jewels, #5))
Christ, she missed him outrageously. Disgusted with herself, she ducked her head under the spray and let it pound on her brain. When hands slipped around her waist, then slid up to cup her breasts, she barely jolted. But her heart leaped. She knew his touch, the feel of those long, slim fingers, the texture of those wide palms. She tipped her head back, inviting a mouth to the curve of her shoulder. "Mmm. Summerset. You wild man." Teeth nipped into flesh and made her chuckle. Thumbs brushed over her soapy nipples and made her moan. "I'm not going to fire him." Roarke trailed a hand down the center of her body. "It was worth a shot. You're back..." His fingers dipped expertly inside her, slick and slippery, so that she arched, moaned, and came simultaneously. "Early," she finished on an explosive breath. "God." "I'd say I was just on time.
J.D. Robb (Ceremony in Death (In Death, #5))
Three pounds of flesh will be extracted while he’s awake. He’ll beg and plead. He’ll pray to pass out. But he will feel it all. Just like we did.
S.T. Abby (The Risk (Mindf*ck, #1))
Although the court recognizes his right to insist on his bond - to claim his pound of flesh - the law also prohibits him from shedding Antonio’s blood.
Niall Ferguson (The Ascent of Money: A Financial History of the World: 10th Anniversary Edition)
Do you know I’d do anything for you?” he asked. “Do you know I think about you constantly? Sometimes I think I’m crazy. You make me crazy. I’m insane when I’m not with you. Jesus, Kat, I ache.” She grabbed at his neck. “I need you so badly,” he continued, breathlessly. “I need us. I need to feel us like this, because I swear to God, my heart, it beats only for you.
Sophie Jackson (A Pound of Flesh (A Pound of Flesh, #1))
The sky in Seattle is so low, it felt like God had lowered a silk parachute over us. Every feeling I ever knew was up in that sky. Twinkling joyous sunlight; airy, giggle cloud wisps; blinding columns of sun. Orbs of gold, pink. flesh, utterly cheesy in their luminosity. Gigantic puffly clouds, welcoming, forgiving, repeating infinitely across the horizon as if between mirrors; and slices of rain, pounding wet misery in the distance now, but soon on us, and in another part of the sky, a black stain, rainless.
Maria Semple (Where'd You Go, Bernadette)
She had tried to lock her sins up in the attic of her psyche as if they were a mystical portrait forced to bear the demonic scars upon her soul. But her actions had caught up to her at last, coming for their pound of flesh, and she could feel the burn of her transgressions on her skin like a half-healed tattoo.
Nenia Campbell (Escape (Horrorscape, #4))
I suppose in reality not a leaf goes yellow in autumn without ceasing to care about its sap and making the parent tree very uncomfortable by long growling and grumbling - but surely nature might find some less irritating way of carrying on business if she would give her mind to it. Why should the generations overlap one another at all? Why cannot we be buried as eggs in neat little cells with ten or twenty thousand pounds each wrapped round us in Bank of England notes, and wake up, as the sphex wasp does, to find that its papa and mamma have not only left ample provision at its elbow, but have been eaten by sparrows some weeks before it began to live consciously on its own account?
Samuel Butler (The Way of All Flesh)
Abby Von Normal - And I'm like, "Don't change the subject, Kung Pao, what I want to know is if you're ready to spend some up-close and personal time with ninety pounds of barbarian woman-flesh! Sorry, I don't know how much that is in kilos.
Christopher Moore (You Suck (A Love Story, #2))
I thought of the beautiful blonde as I’d seen her that single time—riding around on her bike, licking a red popsicle—she
Jessa Kane (Pound of Flesh)
So I took and took, yanking her off that bike and replacing that popsicle in her mouth with my dick. I’ve been burning to fuck Delilah
Jessa Kane (Pound of Flesh)
He fought, until he was only his body, the burn of flesh, the pounding of blood, the hot slick of sweat, until everything concentrated into one simple focus, the power of heavy steel, that could bring death. In the moment when he paused—stopped—there was only silence and the sound of his own breath. He turned. Laurent was standing in the doorway, watching him. He
C.S. Pacat (Kings Rising (Captive Prince, #3))
You do not fucking touch. You do? I’ll rip your arm from the socket. Capisce?” Prick didn’t even argue. Carter released him and mouthed: Fuck off. He didn’t need to be told twice. Carter exhaled his growl as the douchebag slunk off into the depths of the crowd, before he turned toward Peaches.
Sophie Jackson (A Pound of Flesh (A Pound of Flesh, #1))
If an EHM is completely successful, the loans are so large that the debtor is forced to default on its payments after a few years. When this happens, then like the Mafia we demand our pound of flesh. This often includes one or more of the following: control over United Nations votes, the installation of military bases, or access to precious resources such as oil or the Panama Canal. Of course, the debtor still owes us the money—and another country is added to our global empire.
John Perkins (Confessions of an Economic Hit Man)
Doesn’t matter where you are,” he assured her. “You’re all I see”.
Sophie Jackson (An Ounce of Hope (A Pound of Flesh, #2))
I know I hurt you and I’ll always be sorry for that. I’ll always been an addict but I can’t change that, either. All I can do is promise I’ll fight it every day. For us. For you.
Sophie Jackson (An Ounce of Hope (A Pound of Flesh, #2))
Don't be scared, not of me. I only want to love you.
Sophie Jackson (An Ounce of Hope (A Pound of Flesh, #2))
I couldn't see anything but you. I don't crave anything but you.
Sophie Jackson (An Ounce of Hope (A Pound of Flesh, #2))
YOU'VE GOT YOUR POUND OF FLESH BLOOD AND ALL NOW CAN'T YOU LEAVE ME ALONE?
Stephen King (The Shining (The Shining, #1))
I felt that it was unfair that my lack of a few pounds of flesh should deprive me of a chance at a good job but I had long ago emotionally rejected the world in which I lived and my reaction was: Well, this is the system by which people want the world to run whether it helps them or not. To me, my losing was only another manifestation of that queer, material way of American living that computed everything in terms of the concrete: weight, color, race, fur coats, radios, electric refrigerators, cars, money ... It seemed that I simply could not fit into a materialistic life.
Richard Wright (Black Boy)
All he cared about was the woman wrapped in his arms, whispering her love for him, and the overwhelming sensation of hope that began to bloom among all the parts of him that belonged to his Grace.
Sophie Jackson (An Ounce of Hope (A Pound of Flesh, #2))
When the zebra-striped lizards return, bulbous eyes twisting in every direction, they carry a platter garnished with dried fruit and something that resembles a duck. It’s plucked and roasted but still has its head intact. A warm, herbal scent tickles my nose. At least it’s cooked. "May I introduce you all to the main course?” Morpheus spreads out an arm with dramatic flair. “Dinner, meet your worthy adversaries, the hungry guests.” My tongue dries to sandpaper as the bird’s eyes pop open, and it hobbles to stand on webbed feet, flesh brown and glistening with glaze and oil. There’s a bell hung around its neck, and it jingles as the duck bows to greet everyone. This cannot be happening. Morpheus drags the heavy mallet from beside his chair and pounds it on the table like a judge’s gavel. “Now that we’re all acquainted, let the walloping begin.” Gossamer launches from Morpheus’s shoulder and leaves the room with the other sprites as mass confusion erupts. All the guests leap to their feet, mallets in hand, to chase the jingling duck.
A.G. Howard (Splintered (Splintered, #1))
Hundreds, perhaps even thousands of pounds' worth of silk and lace. The sort of lingerie that is not meant to be worn under clothes, that is meant only to grace your flesh for a few minutes before it is whipped off.
Lucy Foley (The Hunting Party)
Things change, flesh rots, houses decay and fall into disrepair—there’s no point complaining. But the lost creativity makes you want to scream and pound on the inside of your coffin lid as it’s being nailed into place.
Grady Hendrix (Paperbacks from Hell: The Twisted History of '70s and '80s Horror Fiction)
So, what do you do when you're too big, in a world where bigness is cast not only as aesthetically objectionable, but also as a moral failing? You fold yourself up like origami, you make yourself smaller in other ways, you take up less space with your personality, since you can't with your body. You diet. You starve, you run till you taste blood in your throat, you count out your almonds, you try to buy back your humanity with pounds of flesh.
Lindy West (Shrill: Notes from a Loud Woman)
It’s public knowledge. It’s not my problem you just found out,” his mother is saying, pacing double-time down a West Wing corridor. “You mean to tell me,” Alex half shouts, jogging to keep up, “every Thanksgiving, those stupid turkeys have been staying in a luxury suite at the Willard on the taxpayers’ dime?” “Yes, Alex, they do—” “Gross government waste!” “—and there are two forty-pound turkeys named Cornbread and Stuffing in a motorcade on Pennsylvania Avenue right now. There is no time to reallocate the turkeys.” Without missing a beat, he blurts out, “Bring them to the house.” “Where? Are you hiding a turkey habitat up your ass, son? Where, in our historically protected house, am I going to put a couple of turkeys until I pardon them tomorrow?” “Put them in my room. I don’t care.” She outright laughs. “No.” “How is it different from a hotel room? Put the turkeys in my room, Mom.” “I’m not putting the turkeys in your room.” “Put the turkeys in my room.” “No.” “Put them in my room, put them in my room, put them in my room—” That night, as Alex stares into the cold, pitiless eyes of a prehistoric beast of prey, he has a few regrets. THEY KNOW, he texts Henry. THEY KNOW I HAVE ROBBED THEM OF FIVE-STAR ACCOMMODATIONS TO SIT IN A CAGE IN MY ROOM, AND THE MINUTE I TURN MY BACK THEY ARE GOING TO FEAST ON MY FLESH. Cornbread stares emptily back at him from inside a huge crate next to Alex’s couch. A farm vet comes by once every few hours to check on them. Alex keeps asking if she can detect a lust for blood. From the en suite, Stuffing releases another ominous gobble.
Casey McQuiston (Red, White & Royal Blue)
A giant Pacific octopus—the largest of the world’s 250 or so octopus species—can easily overpower a person. Just one of a big male’s three-inch-diameter suckers can lift 30 pounds, and a giant Pacific octopus has 1,600 of them. An octopus bite can inject a neurotoxic venom as well as saliva that has the ability to dissolve flesh. Worst of all, an octopus can take the opportunity to escape from an open tank, and an escaped octopus is a big problem for both the octopus and the aquarium.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
I could hear them and the simple bloodlust that pulsed from them. They lived to kill. Not for hate or power. But still, they killed. They killed because death meant food. Death meant life. Death meant that their blood pounded hotter in their veins, and their flesh grew thicker on their bones. They were simple monsters, but monsters all the same. And they were hungry.
Amy Harmon (The Bird and the Sword (The Bird and the Sword Chronicles, #1))
GERTRUDE Gertrude Appleman, 1901-1976 God is all-knowing, all-present, and almighty. --A Catechism of Christian Doctrine I wish that all the people who peddle God could watch my mother die: could see the skin and gristle weighing only seventy-nine, every stubborn pound of flesh a small death. I wish the people who peddle God could see her young, lovely in gardens and beautiful in kitchens, and could watch the hand of God slowly twisting her knees and fingers till they gnarled and knotted, settling in for thirty years of pain. I wish the people who peddle God could see the lightning of His cancer stabbing her, that small frame tensing at every shock, her sweet contralto scratchy with the Lord’s infection: Philip, I want to die. I wish I had them gathered round, those preachers, popes, rabbis, imams, priests – every pious shill on God’s payroll – and I would pull the sheets from my mother’s brittle body, and they would fall on their knees at her bedside to be forgiven all their faith.
Philip Appleman
the broken shards that linger in the depths of my soul, scattered from years of living with pain and heartache, comes alive. A snake rising from smoke. The chaos in me gets louder. Wilder. I’m out for blood tonight. And I’m going to take that pound of flesh from
Nelia Alarcon (The Darkest Note (Redwood Kings #1))
I highly recommend inviting the worst-case scenario into your life. I met Ellen when I was 168 pounds and she loved me. She didn’t see that I was heavy; she only saw the person inside. My two greatest fears, being fat and being gay, when realized, led to my greatest joy. It’s ironic, really, when all I’ve ever wanted is to be loved for my true self, and yet I tried so hard to present myself as anything other than who I am. And I didn’t just one day wake up and be true to myself. Ellen saw a glimpse of my inner being from underneath the flesh and bone, reached in, and pulled me out.
Portia de Rossi (Unbearable Lightness: A Story of Loss and Gain)
Going somewhere?” Tamlin asked. His voice was not entirely of this world. I suppressed a shudder. “Midnight snack,” I said, and I was keenly aware of every movement, every breath I took as I neared him. His bare chest was painted with whorls of dark blue woad, and from the smudges in the paint, I knew exactly where he’d been touched. I tried not to notice that they descended past his muscled midriff. I was about to pass him when he grabbed me, so fast that I didn’t see anything until he had me pinned against the wall. The cookie dropped from my hand as he grasped my wrists. “I smelled you,” he breathed, his painted chest rising and falling so close to mine. “I searched for you, and you weren’t there.” He reeked of magic. When I looked into his eyes, remnants of power flickered there. No kindness, none of the wry humor and gentle reprimands. The Tamlin I knew was gone. “Let go,” I said as evenly as I could, but his claws punched out, imbedding in the wood above my hands. Still riding the magic, he was half-wild. “You drove me mad,” he growled, and the sound trembled down my neck, along my breasts until they ached. “I searched for you, and you weren’t there. When I didn’t find you,” he said, bringing his face closer to mine, until we shared breath, “it made me pick another.” I couldn’t escape. I wasn’t entirely sure that I wanted to. “She asked me not to be gentle with her, either,” he snarled, his teeth bright in the moonlight. He brought his lips to my ear. “I would have been gentle with you, though.” I shuddered as I closed my eyes. Every inch of my body went taut as his words echoed through me. “I would have had you moaning my name throughout it all. And I would have taken a very, very long time, Feyre.” He said my name like a caress, and his hot breath tickled my ear. My back arched slightly. He ripped his claws free from the wall, and my knees buckled as he let go. I grasped the wall to keep from sinking to the floor, to keep from grabbing him—to strike or caress, I didn’t know. I opened my eyes. He still smiled—smiled like an animal. “Why should I want someone’s leftovers?” I said, making to push him away. He grabbed my hands again and bit my neck. I cried out as his teeth clamped onto the tender spot where my neck met my shoulder. I couldn’t move—couldn’t think, and my world narrowed to the feeling of his lips and teeth against my skin. He didn’t pierce my flesh, but rather bit to keep me pinned. The push of his body against mine, the hard and the soft, made me see red—see lightning, made me grind my hips against his. I should hate him—hate him for his stupid ritual, for the female he’d been with tonight … His bite lightened, and his tongue caressed the places his teeth had been. He didn’t move—he just remained in that spot, kissing my neck. Intently, territorially, lazily. Heat pounded between my legs, and as he ground his body against me, against every aching spot, a moan slipped past my lips. He jerked away. The air was bitingly cold against my freed skin, and I panted as he stared at me. “Don’t ever disobey me again,” he said, his voice a deep purr that ricocheted through me, awakening everything and lulling it into complicity.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Do you know what I see when I look at you?” Max shook his head fervently. “I’d rather not know—” “I see a man who wants so much to be better, who regrets the decisions he made, who wants to make amends and move on with his life. I see a man terrified to take a chance, to trust, but desperate to do so. I see a man who’s fractured, but trying, I see hope.
Sophie Jackson (An Ounce of Hope (A Pound of Flesh, #2))
Impossible. I’d heard this word before and pounded it like a hard coconut shell. Then I used the rich, white flesh to make a cake.
Laura Taylor Namey (A Cuban Girl's Guide to Tea and Tomorrow)
Without his shirt she could see just how bony he was, probably twenty or thirty pounds under his fighting weight from his years in captivity. He loomed over her, and she finally understood her ambivalence. He had protected her, killed for her, led her to safety. He was safety. But he was also big and raw and so elementally male that it made her teeth sweat. She’d spent most of her life blissfully above the calls of the flesh and the dark, desperate couplings that subsumed others. She didn’t like sex, didn’t want sex. Body parts were simply that. She looked at MacGowan and thought about sex.
Anne Stuart (On Thin Ice (Ice, #6))
Every feeling I ever knew was up in that sky: Twinkling joyous sunlight; airy, giggling cloud wisps; blinding columns of sun. Orbs of gold, pink, flesh, utterly cheesy in their luminosity. Gigantic puffy clouds, welcoming, forgiving, repeating infinitely across the horizon as if between mirrors; and slices of rain, pounding wet misery in the distance now, but soon on us, and in another part of the sky, a black stain, rainless.
Maria Semple
It'd be so easy to kill him right now. But death won't come too soon. I don't believe in mercy. Three pounds of flesh will be extracted while he's awake. He'll beg and plead. He'll pray to pass out. But he will feel it all. Just like we did.
S.T. Abby (The Risk (Mindf*ck, #1))
roar of the yellow, glowing-eyed, black-cloaked monsters chased after me. I shoved helplessly through the brittle pine trees, leafless branches clawing at my flesh.  Snow flooded my sneakers, soaking higher and higher on my jeans with every step I took. My heart pounded furiously. My lungs grew tight, about
Jessica Sorensen (The Fallen Star (Fallen Star, #1))
If Only We Had Taller Been The fence we walked between the years Did bounce us serene. It was a place half in the sky where In the green of leaf and promising of peach We'd reach our hands to touch and almost touch the sky, If we could reach and touch, we said, 'Twould teach us, not to ,never to, be dead. We ached and almost touched that stuff; Our reach was never quite enough. If only we had taller been, And touched God's cuff, His hem, We would not have to go with them Who've gone before, Who, short as us, stood tall as they could stand And hoped by stretching, tall, that they might keep their land, Their home, their hearth, their flesh and soul. But they, like us, were standing in a hole. O, Thomas, will a Race one day stand really tall Across the Void, across the Universe and all? And, measured out with rocket fire, At last put Adam's finger forth As on the Sistene Ceiling, And God's hand come down the other way To measure man and find him Good, And Gift him with Forever's Day? I work for that. Short man, Large dream, I send my rockets forth between my ears, Hoping an inch of Good is worth a pound of years. Aching to hear a voice cry back along the universal Mall: We've reached Alpha Centauri! We're tall, O God, we're tall!
Ray Bradbury
He remembered that in the art books he had leafed through at Leader's, many paintings depicted death. A severed head on a platter. A battle, and the ground strewn with bodies. Swords and spears and fire; and nails being pounded into the tender flesh of a man's hands. Painters had preserved such pain through beauty.
Lois Lowry (Messenger (The Giver, #3))
He looked behind me to Bernardo. "Can you think of anything else she needs to know?" "Only that he brags about the rape and what he did to her." "All right," I said, "you've both made your point. I only have one question." Edward just looked at me expectantly, Bernardo said, "Shoot." "If I kill another one of your backups, do I owe you another favor?" "Not if he deserves it." I dumped the bag on the doorsill. "Shit, Edward, if you keep putting me together with fucking crazies and I keep having to defend myself, I'll be owing you favors until we're in our graves." Bernardo said, "You're serious. You really killed his last backup." I glanced at him. "Yeah, I'm serious. And I want permission to off Olaf if he gets out of hand, without having to owe Edward another pound of flesh." "Who'd you kill?" Bernardo asked. "Harley," Edward said. "Shit, really?" I walked up to Edward, invading his space, trying to read past the blank blue of his eyes. "I want permission to kill Olaf if he gets out of hand, without owing you another favor." "And if I don't give it?" he asked, voice low. "Drive me to a hotel because I'm not staying in a house with a bragging rapist if I can't kill him." Edward looked at me for a long slow moment, then gave a small nod. "Done, as long as he's in this house. Outside the house, play nice.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
That’s how he became the person known as Tsukuru Tazaki. Before that, he’d been nothing—dark, nameless chaos and nothing more. A less-than-seven-pound pink lump of flesh barely able to breathe in the darkness, or cry out. First he was given a name. Then consciousness and memory developed, and, finally, ego. But everything began with his name.
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
My friend tugged her husband’s arm with both hands. She used all her strength, and I who knew her thoroughly felt that if she could she would have wrenched it from his body, crossed the room holding it high above her head, blood dripping in her train, and she would have used it as a club or a donkey’s jawbone to crush Marcello’s face with a solid blow. Ah yes, she would have done it, and at the idea my heart pounded furiously, my throat became dry. Then she would have dug out the eyes of both men, she would have torn the flesh from the bones of their faces, she would have bitten them. Yes, yes, I felt that I wanted that, I wanted it to happen. An end of love and of that intolerable celebration, no embraces in a bed in Amalfi. Immediately shatter everything and every person in the neighborhood, tear them to pieces, Lila and I, go and live far away, lightheartedly descending together all the steps of humiliation, alone, in unknown cities. It seemed to me the just conclusion to that day. If nothing could save us, not money, not a male body, and not even studying, we might as well destroy everything immediately.
Elena Ferrante
Nowhere. No one is ever going to hear from you again, sir. No one." 'Uh... well... I...' 'You profane my world, sir! I cannot... I will not permit you to exist... here!" 'In that case, Doctor, why not tell me of your work? You know... condemned man's last request.' He walked over and put a paternal arm around my shoulders, but the grip of his hand was like steel. He was a lot stronger than he looked. Not big or beefy. But strong. 'Just a dumb reporter... doing his job...' He looked closely at me, eye to eye. 'You grovel nicely, Mr...' 'Kolchak, sir.' 'Story. You want your story, do you, Mr. Kolchak? Your precious, pitiful story? Your bloody pound of journalistic flesh?' I smiled but it stuck halfway into a sickly grin. I was clammy. I was trembling. I could feel my wet trouser leg sticking to my flesh and was grateful I'd eaten nothing solid.
Jeff Rice (The Night Strangler)
I said to him one day that the very slender reward which God had attached to the pursuit of serious inquiry was a sufficient proof that He disapproved of it, or at any rate that He did not set much store by it nor wish to encourage it. He said: "Oh, don't talk about rewards. Look at Milton, who only got 5 pounds for 'Paradise Lost.'" "And a great deal too much," I rejoined promptly. "I would have given him twice as much myself not to have written it at all.
Samuel Butler (The Way of All Flesh)
GOD I am ready for you to come back. Whether in a train full of dying criminals or on the gleaming saddle of a locust, you are needed again. The earth is a giant chessboard where the dark squares get all the rain. On this one the wet is driving people mad—the bankers all baying in the woods while their markets fail, a florist chewing up flowers to spit mouthfuls here and there as his daughter’s lungs seize shut from the pollen. There is a flat logic to neglect. Sweet nothings sour in the air while the ocean hoots itself to sleep. I live on the skull of a giant burning brain, the earth’s core. Sometimes I can feel it pulsing through the dirt, though even this you ignore. The mind wants what it wants: daily newspapers, snapping turtles, a pound of flesh. The work I’ve been doing is a kind of erasing. I dump my ashtray into a bucket of paint and coat myself in the gray slick, rolling around on the carpets of rich strangers while they applaud and sip their scotch. A body can cause almost anything to happen. Remember when you breathed through my mouth, your breath becoming mine? Remember when you sang for me and I fell to the floor, turning into a thousand mice? Whatever it was we were practicing cannot happen without you. I thought I saw you last year, bark wrapped around your thighs, lurching toward the shore at dawn. It was only mist and dumb want. They say even longing has its limits: in a bucket, an eel will simply stop swimming long before it starves. Wounded wolves will pad away from their pack to die lonely and cold. Do you not know how scary it can get here? The talons that dropped me left long scars around my neck that still burn in the wind. I was promised epiphany, earth- honey, and a flood of milk, but I will settle for anything that brings you now, you still-hungry mongrel, you glut of bone, you, scentless as gold.
Kaveh Akbar (Calling a Wolf a Wolf)
I'm not most people.' 'Most people aren't as insane as you,' I said in a throaty voice that wasn't mine. 'That's not a very nice thing to say.' He scraped harder with his sharp teeth, just below where he'd bitten me before, and I gasped as my body jerked. 'And the truth is, you like my brand of insanity.' My blood pounded through me in a dizzying push. 'I don't like anything about you.' He laughed as his lips skimmed the side of my throat. 'I love how you lie.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
He told Neal he was in poor condition these days but he swam better than Neal, who’d gained ten or fifteen pounds since his marriage, and Enid, falling behind the men, wondered how it felt to have inhabited your body, your very flesh, as a weapon – If you ever got over it, were able to forget. The quick swing of the arms, the power of the fists to hurt – did you ever forget? She wondered did her uncle see other people in opposition to him, as opponents. Or just the men.
Joyce Carol Oates (You Must Remember This)
She asked, “Are you well?” “Yes.” His voice was a deep rasp. “Are you?” She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint. He replied, “You’re soft.” Good Lord. Who was this man? Where had he come from? And how was he still atop her? “You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips. “Ah. That’s nice.” Her face blazed with heat. “Are you seeing double?” “Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.” She stared at him. “Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.” And before she could even catch her breath, he pressed his lips to hers. A kiss. His mouth, touching hers. It was warm and firm, and then…it was over. Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat. Just a memory now, save for the faint bite of whiskey on her lips. And the heat. She still tasted his scorching, masculine heat. Belatedly, she closed her eyes. “There, now,” he murmured. “All better.” Better? Worse? The darkness behind her eyelids held no answers, so she opened them again. Different. This strange, strong man held her in his protective embrace, and she was lost in his intriguing green stare, and his kiss reverberated in her bones with more force than a powder blast. And now she felt different. The heat and weight of him…they were like an answer. The answer to a question Susanna hadn’t even been aware her body was asking. So this was how it would be, to lie beneath a man. To feel shaped by him, her flesh giving in some places and resisting in others. Heat building between two bodies; dueling heartbeats pounding both sides of the same drum. Maybe…just maybe…this was what she’d been waiting to feel all her life. Not swept her off her feet-but flung across the lane and sent tumbling head over heels while the world exploded around her. He rolled onto his side, giving her room to breathe. “Where did you come from?” “I think I should ask you that.” She struggled up on one elbow. “Who are you? What on earth are you doing here?” “Isn’t it obvious?” His tone was grave. “We’re bombing the sheep.” “Oh. Oh dear. Of course you are.” Inside her, empathy twined with despair. Of course, he was cracked in the head. One of those poor soldiers addled by war. She ought to have known it. No sane man had ever looked at her this way. She pushed aside her disappointment. At least he had come to the right place. And landed on the right woman. She was far more skilled in treating head wounds than fielding gentlemen’s advances. The key here was to stop thinking of him as an immense, virile man and simply regard him as a person who needed her help. An unattractive, poxy, eunuch sort of person. Reaching out to him, she traced one fingertip over his brow. “Don’t be frightened,” she said in a calm, even tone. “All is well. You’re going to be just fine.” She cupped his cheek and met his gaze directly. “The sheep can’t hurt you here.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
What he did there was, if one were to make a story of it to someone, absolutely nothing. It was fall, and in the mountains the early-autumn sun has a power of its own; mornings it lifted him up and bore him to some tree high up on the slopes, from beneath which one looked into the far distance, for in spite of his heavy hiking boots he was really not conscious of walking. In the same self-forgetful way he changed his location several times during the day and read a little in a few books he had with him. Nor was he really thinking, although he felt his mind more deeply agitated than usual, for his thoughts did not shake themselves up as they usually do, so that a new idea is always landing on top of the pyramid of the earlier ones while the ones at the bottom are becoming more and more compacted until finally they fuse with flesh, blood, skull case, and the tendons supporting the muscles, but his insights came like a jet into a full vessel, in endless overflowing and renewal, or they passed in an everlasting progression like clouds through the sky in which nothing changes, not the blue depths and not the soundless swimming of those mother-of-pearl fish. It could happen that an animal came out of the woods, observed Ulrich, and slowly bounded away without anything changing; that a cow grazed nearby, or a person went past, without any more happening than a beat of the pulse, twin to all the others of the stream of life that softly pounds without end against the walls of the understanding.
Robert Musil (The Man Without Qualities)
There is a white vein with a very small amount of liquid in it: … Men try to catch the murex alive because it discharges its juice when it dies. They obtain the juice from the larger purple-fish by removing the shell: they crush the smaller ones together with their shell, which is the only way to make them yield their juice.… The vein already mentioned is removed, and to this, salt has to be added in the proportion of about one pint for every 100 pounds. It should be left to dissolve for three days, since, the fresher the salt, the stronger it is. The mixture is then heated in a lead pot with about seven gallons of water to every fifty pounds and kept at a moderate temperature by a pipe connected to a furnace some distance away. This skims off the flesh which will have adhered to the veins, and after about nine days the cauldron is filtered and a washed fleece is dipped by way of a trial. Then the dyers heat the liquid until they feel confident of the result.—Gaius Plinius Secundus, Pliny the Elder, Historia naturalis, first century
Mark Kurlansky (Salt: A World History)
I’ve heard that when you’re in a life-or-death situation, like a car accident or a gunfight, all your senses shoot up to almost superhuman level, everything slows down, and you’re hyper-aware of what’s happening around you. As the shuttle careens toward the earth, the exact opposite is true for me. Everything silences, even the screams and shouts from the people on the other side of the metal door, the crashes that I pray aren’t bodies, the hissing of rockets, Elder’s cursing, my pounding heartbeat. I feel nothing—not the seat belt biting into my flesh, not my clenching jaw, nothing. My whole body is numb. Scent and taste disappear. The only thing about my body that works is my eyes,and they are filled with the image before them. The ground seems to leap up at us as we hurtle toward it. Through the blurry image of the world below us, I see the outline of land—a continent. And at once, my heart lurches with the desire to know this world, to make it our home. My eyes drink up the image of the planet—and my stomach sinks with the knowledge that this is a coastline I’ve never seen before. I could spin a globe of Earth around and still be able to recognize the way Spain and Portugal reach into the Atlantic, the curve of the Gulf of Mexico, the pointy end of India. But this continent—it dips and curves in ways I don’t recognize, swirls into an unknown sea, creating peninsulas in shapes I do not know, scattering out islands in a pattern I cannot connect. And it’s not until I see this that I realize: this world may one day become our home,but it will never be the home I left behind.
Beth Revis (Shades of Earth (Across the Universe, #3))
The glove comes off, flops loosely over, and there's suddenly horror beating into his brain, smashing, pounding, battering. He reels a little in his chair, has to hold onto the edge of the table with both hands, at the impact of it. A clawlike thing - two of the finger extremities already bare of flesh as far as the second joint; two more with only shriveled, bloodless, rotting remnants of it adhering, only the thumb intact, and that already unhealthy-looking, flabby. A dead hand - the hand of a skeleton - on a still-living body. A body he was dancing with only a few minutes ago. A rank odor, a smell of decay, of the grave and of the tomb, hovers about the two of them now. A woman points from the next table, screams. She's seen it, too. She hides her face, cowers against her companion's shoulder, shudders. Then he sees it too. His collar's suddenly too tight for him. Others see it, one by one. A wave of impalpable horror spreads centrifugally from that thing lying there in the blazing electric light on O'Shaughnessy's table. The skeleton at the feast! ("Jane Brown's Body")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
Fred had first come to Fire Island Pines when he was thirty. He wasn’t ready for such beauty, such potential, such unlimited choice. The place scared him half to death. It was a warm and sunny weekend and there were one thousand bathing-suited handsomenesses on The Botel deck at Tea Dance. They all seemed to know each other and to touch and greet and smile at each other. And there he was, alone. Though he had acquired his 150-pound body for the first time (of his so-far three: the first for himself, the second for Feffer, number three, with muscles, for Dinky), he still felt like Mrs. Shelley’s monster, pale, and with a touch of leprosy thrown in. Not only had he no one to talk to, not only did the overwhelmingness of being confronted by so much Grade A male flesh, most of which seemed superior to his, which would make it difficult to talk to, even if he could utter, which he could not, floor him, but everyone else seemed so secure, not only with their bodies (all thin and no doubt well-defined since birth), tans, personalities, their smiles and chat, but also with that ability to use their eyes, much like early prospectors must have looked for gold, darting them hither and yon, seeking out the sparkling flecks, separating the valued from the less so, meaning, he automatically assumed, him. Their glances his way seemed like disposable bottles, no deposit, no return. He felt like Mr. Not Wanted On The Voyage, even though it was, so be it, his birthday. Many years would pass before he would discover that everybody else felt exactly the same, but came out every weekend so to feel, thus over the years developing more flexible feelings in so feeling.
Larry Kramer (Faggots)
While I was heading into the woods in order to put fur coats into stores, they were heading into the woods to put food on their plates. It was an utterly simple equation. For them, the value of an animal was fixed. It did not change according to markets and trends. A 110-pound deer provided about thirty thousand calories of energy and five thousand grams of protein. Of course, that deer has a potent spiritual significance as well, but that potency was supported by the universal usefulness of its flesh. We need to eat to survive. We need to kill to eat.
Steven Rinella (Meat Eater: Adventures from the Life of an American Hunter)
Romance Sonambulo" Green, how I want you green. Green wind. Green branches. The ship out on the sea and the horse on the mountain. With the shade around her waist she dreams on her balcony, green flesh, her hair green, with eyes of cold silver. Green, how I want you green. Under the gypsy moon, all things are watching her and she cannot see them. Green, how I want you green. Big hoarfrost stars come with the fish of shadow that opens the road of dawn. The fig tree rubs its wind with the sandpaper of its branches, and the forest, cunning cat, bristles its brittle fibers. But who will come? And from where? She is still on her balcony green flesh, her hair green, dreaming in the bitter sea. —My friend, I want to trade my horse for her house, my saddle for her mirror, my knife for her blanket. My friend, I come bleeding from the gates of Cabra. —If it were possible, my boy, I’d help you fix that trade. But now I am not I, nor is my house now my house. —My friend, I want to die decently in my bed. Of iron, if that’s possible, with blankets of fine chambray. Don’t you see the wound I have from my chest up to my throat? —Your white shirt has grown thirsty dark brown roses. Your blood oozes and flees a round the corners of your sash. But now I am not I, nor is my house now my house. —Let me climb up, at least, up to the high balconies; Let me climb up! Let me, up to the green balconies. Railings of the moon through which the water rumbles. Now the two friends climb up, up to the high balconies. Leaving a trail of blood. Leaving a trail of teardrops. Tin bell vines were trembling on the roofs. A thousand crystal tambourines struck at the dawn light. Green, how I want you green, green wind, green branches. The two friends climbed up. The stiff wind left in their mouths, a strange taste of bile, of mint, and of basil My friend, where is she—tell me— where is your bitter girl? How many times she waited for you! How many times would she wait for you, cool face, black hair, on this green balcony! Over the mouth of the cistern the gypsy girl was swinging, green flesh, her hair green, with eyes of cold silver. An icicle of moon holds her up above the water. The night became intimate like a little plaza. Drunken “Guardias Civiles” were pounding on the door. Green, how I want you green. Green wind. Green branches. The ship out on the sea. And the horse on the mountain.
Federico García Lorca (The Selected Poems)
Here am I, a little animal called a man--a bit of vitalized matter, one hundred and sixty-five pounds of meat and blood, nerve, sinew, bones, and brain,--all of it soft and tender, susceptible to hurt, fallible, and frail. I strike a light back-handed blow on the nose of an obstreperous horse, and a bone in my hand is broken. I put my head under the water for five minutes, and I am drowned. I fall twenty feet through the air, and I am smashed. I am a creature of temperature. A few degrees one way, and my fingers and ears and toes blacken and drop off. A few degrees the other way, and my skin blisters and shrivels away from the raw, quivering flesh. A few additional degrees either way, and the life and the light in me go out. A drop of poison injected into my body from a snake, and I cease to move--for ever I cease to move. A splinter of lead from a rifle enters my head, and I am wrapped around in the eternal blackness. Fallible and frail, a bit of pulsating, jelly-like life--it is all I am. About me are the great natural forces--colossal menaces, Titans of destruction, unsentimental monsters that have less concern for me than I have for the grain of sand I crush under my foot. They have no concern at all for me. They do not know me. They are unconscious, unmerciful, and unmoral. They are the cyclones and tornadoes, lightning flashes and cloud-bursts, tide-rips and tidal waves, undertows and waterspouts, great whirls and sucks and eddies, earthquakes and volcanoes, surfs that thunder on rock-ribbed coasts and seas that leap aboard the largest crafts that float, crushing humans to pulp or licking them off into the sea and to death--and these insensate monsters do not know that tiny sensitive creature, all nerves and weaknesses, whom men call Jack London, and who himself thinks he is all right and quite a superior being.
Jack London (The Cruise of the Snark)
He is tangled in Isabelle's arms, he is curtained by Isabelle's hair, he is touching Isabelle's body, he is lost in Isabelle, in her smell and her taste and the silk of her skin. He is onstage, the music pounding, the floor shaking, the audience cheering, his heart beating beating beating in time with the drumbeat. He is laughing with Clary, dancing with Clary, eating with Clary, running through the streets of Brooklyn with Clary, they are children together, they are one half of a whole, they hold hands and squeeze tight and pledge never to let go. He is going cold, stiff, the life draining out of him, he is below, in the dark, clawing his way to the light, fingernails scraping dirt, mouth filled with dirt, eyes clogged with dirt, he is straining, reaching, dragging himself up toward the sky, and when he reaches it, he opens his mouth wide but does not breathe, for he no longer needs to breathe, only to feed. And he is so very hungry. He is sinking his teeth into the neck of an angel's child, he is drinking the light. He is bearing a Mark, and it burns. He is raising his face to meet the gaze of an angel, he is flayed by the fury of angel fire, and yet still, impudent and bloodless, he lives. He is in a cage. He is in hell. He is bent over the broken body of a beautiful girl, he is praying to whatever god that will listen, please let her live, anything to let her live. He is giving away that which is most precious to him, and he is doing so willingly, so that his friends will survive. He is, again, with Isabelle, always with Isabelle, the holy flame of their love encompassing them both, and there is pain, and there is exquisite joy, and his veins burn with angel fire and he is the Simon he once was and the Simon he now will be, he endures and he is reborn, he is blood and flesh and a spark of the divine. He is Nephilim.
Cassandra Clare (Angels Twice Descending (Tales from the Shadowhunter Academy, #10))
Because he was not afraid until after it was all over, Grandfather said, because that was all it was to him -a spectacle, something to be watched because he might not have a chance to see such again, since his innocence still functioned and he not only did not know what fear was until afterward, he did not even know that at first he was not terrified; did not even know that he had found the place where money was to be had quick if you were courageous and shrewd but where high mortality was concomitant with the money and the sheen on the dollars was not from gold but from blood -a spot of earth which might have been created and set aside by Heaven itself, Grandfather said, as a theatre for violence and injustice and bloodshed and all the satanic lusts of human greed and cruelty, for the last despairing fury of all the pariah-interdict and all the doomed -a little island set in a smiling and fury lurked and incredible indigo sea, which was the halfway point between what we call the jungle and what we call civilization, halfway between the dark inscrutable continent from which the black blood, the black bones and flesh and thinking and remembering and hopes and desires, was ravished by violence, and the cold known land to which it was doomed, the civilised land and people which had expelled some of its own blood and thinking and desires that had become too crass to be faced and borne longer, and set it homeless and desperate on the lonely ocean -a little lost island in a latitude which would require ten thousand years of equatorial heritage to bear its climate, a soil manured with black blood from two hundred years of oppression and exploitation until it sprang with an incredible paradox of peaceful greenery and crimson flowers and sugar cane sapling size and three times the height of a man and a little bulkier of course but valuable pound for pound almost with silver ore, as if nature held a balance and kept a book and offered recompense for the torn limbs and outraged hearts even if man did not, the planting of nature and man too watered not only by the wasted blood but breathed over by the winds in which the doomed ships had fled in vain, out of which the last tatter of sail had sunk into the blue sea, along which the last vain despairing cry of woman or child had blown away; - the planting of men too: the yet intact bones and brains in which the old unsleeping blood that had vanished into the earth they trod still cried out for vengeance. 
William Faulkner (Absalom, Absalom!)
Must I go to turn to my Bible to shew a preacher where it is written, that a man's soul is more worth than a world, much more than a hundred pounds a year; much more are many souls worth? or that both we and that we have are God's, and should be employed to the utmost for His service? or that it is inhuman cruelty to let many souls go to hell, for fear my wife and children should live somewhat harder, or live at a lower rate, when according to God's ordinary way of working by means, I might do much to prevent their misery, if I would but a little displease my flesh, which all that are Christ's have crucified with its lusts?
Richard Baxter (The Reformed Pastor)
and were greatly distressed that their only son must be taken from them. We felt a spirit of prayer for him, and earnestly besought the Lord to spare his life. We believed that he would get well, although to all appearances there was no possibility of his recovery. It was a powerful season. My husband raised him in his arms, and exclaimed, ‘You will not die, but live!’ We believed that God would be glorified in his recovery. We left Dartmouth, and were absent about eight days. When we returned, the sick boy came out to meet us. He had gained four pounds in flesh. We found the household rejoicing in God for his wonderful work. 
James White (Collected Writings of James White, Vol. 2 of 2: Words of the Pioneer Adventists)
Tessa whooped and Charlotte squealed as the swing spun faster. The centrifugal force weakened Hannah’s tenuous hold. Her fingers slipped, and she slid across the seat—and into Lincoln’s open arms. Immediately, he pulled her tight against him as if he’d been waiting for the moment. That figured. She felt the hardness of his chest against her back and started to pull away. His hand came to rest protectively over her midsection, searing her flesh through her shirtwaist. He pressed his lips to her ear. “Can’t let you go flying off like some Tympanuchus cupido.” She swallowed hard as her heart drummed against her rib cage. Could he feel the pounding beneath his large hand?
Lorna Seilstad (When Love Calls (The Gregory Sisters, #1))
You’re mine, Taryn, and you’re not going anywhere. I need you here with me, and I need your brand on me. Do it, Taryn! Give it to me!” Whining in defeat, Taryn lifted her head and sank her teeth into the juncture of his neck and shoulder. It took everything Trey had not to come there and then. “Fuck, yeah. More!” She raked her claws down his back, just like she and her wolf had wanted to from the beginning. “Again, Taryn!” This time she bit down on his shoulder but she didn’t release him, and he loved the possessiveness of that act. Pounding into her even harder, he demanded, “Come for me, Taryn.” He clamped his teeth over his claiming mark and she screamed around the flesh of his shoulder as her climax tore into her. That together with her muscles closing around his cock had him erupting inside her once again. And that was when it happened.
Suzanne Wright (Feral Sins (The Phoenix Pack, #1))
His story is colored by the murder of a brother, the rape of a sister, the betrayal of a friend, the pounding of nails into flesh and bone, and the darkening of the sky. A world of what-ifs and could-have-beens, peopled by has-beens and might-have-beens. It is a world soaked in fear and drenched by the blood of a million martyrs. A world of men burned at the stake and babes slaughtered at their mother’s breasts. A dark history with pain oozing into all its hidden corners. At the center of history is a death. Christ’s death, the decisive point of history. Christianity is perhaps the most morbid religion of the world. Perpetually meditating upon death with little crosses hung around their necks, Christian disciples sing their way to martyrdom. Anticipating death and calling it gain, Christians are evangelists of the grotesque. The very hope of the Gospel rests directly upon our ability to imagine a world in which suffering serves as the soil from which resurrection springs.
Ben Palpant (A Small Cup of Light: a drink in the desert)
The group is a concept of uncommunicable shared suffering, a concept that ultimately rejects the agency of words. For shared suffering, more than anything else, is the ultimate opponent of verbal expression. Not even the mightiest Weltschmerz in the heart of the solitary writer, billowing upwards to the starry heavens like some great circus tent, can create a community of shared suffering. For though verbal expression may convey pleasure or grief, it cannot convey shared pain; though pleasure may be readily fired by ideas, only bodies, placed under the same circumstances, can experience a common suffering. Only through the group, I realised—through sharing the suffering of the group—could the body reach that height of existence that the individual alone could never attain. And for the body to reach that level at which the divine might be glimpsed, a dissolution of the individuality was necessary. The tragic quality of the group was also necessary—the quality that constantly raised the group out of the abandon and torpor into which it was prone to lapse, leading it on to ever-mounting shared suffering and so to death, which was the ultimate suffering. The group must be open to death, which meant, of course, that it must be a community of warriors… . In the dim light of early morning I was running, one of a group. A cotton towel with the symbol of a red sun on it was tied about my forehead, and I was stripped to the waist in the freezing air. Through the common suffering, the shared cries of encouragement, the shared pace, and the chorus of voices, I felt the slow emergence, like the sweat that gradually beaded my skin, of that “tragic” quality that is the affirmation of identity. It was a flame of the flesh, flickering up faintly beneath the biting breeze—a flame, one might almost say, of nobility. The sense of surrendering one’s body to a cause gave new life to the muscles. We were united in seeking death and glory; it was not merely my personal quest. The pounding of the heart communicated itself to the group; we shared the same swift pulse. Self-awareness by now was as remote as the distant rumour of the town. I belonged to them, they belonged to me; the two formed an unmistakable “us.” To belong—what more intense form of existence could there be? Our small circle of oneness was a means to a vision of that vast, dimly gleaming circle of oneness. And—all the while foreseeing that this imitation of tragedy was, in the same way as my own narrow happiness, condemned to vanish with the wind, to resolve itself into nothing more than muscles that simply existed—I had a vision where something that, if I were alone, would have resolved back into muscles and words, was held fast by the power of the group and led me away to a far land, whence there would be no return. It was, perhaps, the beginning of my placing reliance on others, a reliance that was mutual; and each of us, by committing himself to this immeasurable power, belonged to the whole.
Yukio Mishima (Sun & Steel)
Plants Fed On by Fawns" All the flowers: the pleated leaves of the hellebore; And the false blossom of the calla, a leaf like a petal— The white flesh of a woman bathing— a leaf over- Shadowing the small flowers hidden in the spadix; And fly poison, tender little flower, whose cursed root Pounded into a fine white powder will destroy flies. But why kill flies? They do not trouble me. They Are like the fruit the birds feed on. They are like The wind in the trees, or the sap that threads all things, The blue blood moving through branch and vine, Through the wings of dead things and living things.... If I lift my hand? If I write to you? The letters Can be stored in a box. Can they constitute the shape Of a love? Can the paper be ground? Can the box Be altar and garden plot and bed? Can there rise From the bed the form of a two-headed creature, A figure that looks both forward and back, keeping Watch always, one head sleeping while the other wakes, The bird head sleeping while the lion head wakes, And then the changing of the guard?.... No, The flies do not trouble me. They are like the stars At night. Common and beautiful. They are like My thoughts. I stood at midnight in the orchard. There were so many stars, and yet the stars, The very blackness of the night, though perfectly Cold and clear, seemed to me to be insubstantial, The whole veil of things seemed less substantial Than the thing that moved in the dark behind me, An unseen bird or beast, something shifting in its sleep, Half-singing and then forgetting it was singing: Be thou always ravished by love, starlight running Down and pulling back the veil of the heart, And then the water that does not exist opening up Before one, dark as wine, and the unveiled figure Of the self stepping unclothed, sweetly stripped Of its leaf, into starlight and the shadow of night, The cold water warm around the narrow ankles, The body at its most weightless, a thing so durable It will— like the carved stone figures holding up The temple roof— stand and remember its gods Long after those gods have been forsaken.
Brigit Pegeen Kelly (The Orchard (American Poets Continuum))
1 tablespoon flaked sea salt, like Maldon 2 pieces of salmon fillet with skin on, ⅓ pound each Olive oil Freshly ground black pepper and lemon wedges, for serving Scatter the salt evenly over a dry, well-seasoned 10-inch cast-iron pan. A stainless steel pan will also work. If you’re using a stainless steel pan instead of cast iron, brush the pan lightly with oil before adding the salt. Place the pan over medium-high heat for 3 minutes. While the pan heats, dry the fish fillets well with paper towels and lay them flat on a large plate. Brush with olive oil on both sides. Place the fish into the hot pan, skin side down. Turn the heat down slightly if the crackle sounds too loud and sputtery. Cover with a lid. If you don’t have a lid that fits your pan, a metal baking sheet will do the job. Cook without moving the fillets for 3 to 5 minutes, until the skin is brown and crisp, and releases easily from the pan. Flip the fillets and cook them uncovered for another 2 to 4 minutes, depending on their thickness. The fish is done when the flesh deep inside is still faintly translucent and the internal temperature reads 125 degrees. Serve with freshly ground black pepper and lemon wedges. Serves 2.
Jessica Fechtor (Stir: My Broken Brain and the Meals That Brought Me Home)
And you're thinking I just tossed out some casual phrase that you've heard from dozens of guys? Or maybe one in particular,who mattered enough to turn you into a cynic?" At the intensity of his tone she looked up. "Yeah.Something like that.After all, McCord,your reputation precedes you. You're not exactly shy with women. I'm sure you've used plenty of lines like that to get what you want." His eyes,steady on hers,were hot and fierce. His voice was equally fierce. "I'll admit that when I first saw you, my initial reaction was purely physical. A healthy combination of testosterone and lust.What guy could look at you and not feel what I felt? You're beautiful, and bright and independent.And did I mention beautiful?" That brought a smile to her eyes. "But the more I got to know you,the more I realized you weren't just a pretty package.I started learning that you were someone special.Someone I wanted to treat very carefully." "And now?" "I'm still battling lust." There was that grin,sending an arrow straight through her heart. "But there's more here.Much more." He stared at her mouth with naked hunger. "I've waited a long time for this,but now I'm going to have to kiss you.And when I do,I can't promise to stop." She stood very still,heart pounding. "How do you know I'll ask you to?" "Careful.Because unless you tell me to stop,you have to know where this is heading..." In reply she stood on tiptoe to brush her mouth to his,stopping his words. Stopping his heart. He drew in a deep breath and drew her a little away to stare into her eyes. "I hope you meant that." "With all my heart." "Thank God." He dragged her against him and covered her lips with his.Inside her mouth he whispered, "Because, baby,I mean this." She'd waited so long.So long.And it was worth all the time she'd spent waiting and wondering.Here was a man who knew how to kiss a woman and make her feel like the only one in the universe. This kiss was so hot,so hungry, she felt the rush of desire from the top of her head all the way to her toes.And still it spun on and on until she became lost in it. He changed the angle of the kiss and took it deeper until Marilee could feel her flesh heating, her bones melting like hot wax. She wanted to be sensible,to move slowly, but her mind refused to cooperate. With a single kiss her brain had been wiped clear of every thought but one.She wanted this man.Wanted him now.Desperately. When at last they came up for air, she put a hand to his chest. "I need a minute to catch my breath." "Okay." A second later he dragged her close. "Time's up." Her laughter turned into a sigh as he ran nibbling kisses down her throat until the blood was drumming in her temples.
R.C. Ryan (Montana Destiny)
For one, mad instant, she thought he planned to kiss her, but instead, he ducked under her chin and nuzzled against her shoulder at the site where her pulse pounded so furiously. A shiver of excitement tore through her, and she swallowed a baffled squeal that could have been either delight or indignation. His lips were heated and soft, and he tenderly kissed against her nape then, to her astonishment, he licked across her skin. She jumped then twirled away, only to end up facing the mirror, with him behind her, and she assessed the two of them, evaluating the differences: his tall to her short, bronzed to fair, brawn to lean. Boldly, he settled his hands on her hips and snuggled her backside against him, and she was assailed by an array of unique anatomical impressions. As though she'd been searching for this man all her life and had finally found him, she ignited with sensation, every pore alert and animated, and her nipples tightened painfully, poking at the towel. The knave immediately noticed how they'd peaked. "I can't wait to have my mouth on you." The declaration kindled cryptic messages, and restlessly, she scrambled to flee---from the unusual fleshly perturbation and from him---but because of their positions, he merely nestled her close and flexed against her. His groin stroked across her bottom in a manner she'd never presumed a man might attempt with a woman. There was a solid ridge along his abdomen that dug into her buttocks, and her traitorous body reacted by squirming to get nearer to it. He appreciated her participation and gripped her firmly, flexing again.
Cheryl Holt (Total Surrender)
Her mother cleaved him, cracking open like a peach pit split the tender centre mewling, a monster turned a baby. They snatched up the infant, innocent, beastly, from Half World they fled, they fled to the Realm of Flesh. Gee could not stop the words in the terrible book from popping up in his mind. The images that formed filled him with fear and fascination. Confusion. A creeping sense of recognition. The déjà vu of dreams…. Half World. The words whispered, echoed inside him. Like something almost familiar. Something he’d forgotten— How could Popo do this to him? Gee pounded the heels of his fists on the thick table. He pounded and pounded until he could feel the physical pain. Maybe Popo had written this book herself…. Maybe it was an elaborate psychological experiment? Maybe she was a psychotic, abusive person. Those irregularities in his adoption…. There were no papers. He had no birth certificate. His grandmother had found someone to forge documents. It had cost a lot of money. Popo had kidnapped him from somewhere and his real parents were still looking for him, far far away. That made more sense than the gibberish book. He wasn’t a murderous monster from a different Realm! Ridiculous! Mad. Popo! he raged. You did this to me! It’s all your fault! That’s why he didn’t have a real name. Baby G. Like a foundling in a basket. Baby X. John Doe. Why hadn’t she given him a proper name? The school had written his name as “Gee” when they saw Ms. Wei, saw that his papers identified him only as “G.” They must have thought she was illiterate. Did the teachers think it would make him more Asian? Because it hadn’t! When he’d finally asked his popo about his real name, she had been silent for a long time. You must seek your own name, she finally said. When the time comes.
Hiromi Goto (Darkest Light)
spilling from his eyes. Cassis screamed, panting, and flapped her fingers wildly, like she was trying to cool down. Her face glowed red like molten embers.  “Water…water,” she gasped, and glanced around. The scintillating luminescence of fire raged inside her body. Talis shielded his eyes from the intensity of light pouring from her body. Another sorcerer flew to them, as if drawn by the attack, and scowled at Talis. Cassis lifted her hands at the sorcerer, as if in a grave struggle against the hand of death itself. The sorcerer curled his fingers, aiming at him, and prepared to strike.  “No, Cassis, stop!”  Rikar ran in a hobble towards her, and in a brief glance at his face, Talis could see love and fury and a terrific sadness. Despite the shouts of warning, Cassis released an enormous fireball at the enemy, vaporizing him in an instant. But she couldn’t contain the power. It burned too strong inside. The light rose to a frenzied brilliance as many apprentices around her started running away.  Her neck dropped. Her flaming, brilliant body exploded in a powerful wave, burning chunks of fire and flesh searing everywhere around her. Those fleeing nearby were cut down by the blast. Some were knocked against the stone walls. Some were blasted over the edge and plummeted helplessly to the ground far below. The ones refusing to leave her side were incinerated where they stood. Talis felt his stomach twist and flip around, and he vomited, coughing, choking on his own bile.  Gasping for air, for life, he tried to expel the image from his mind. A primal fear burrowed its way inside. What had just happened? Was this the terror of magic? He still felt the fire burning inside his body. Why would he risk his life and the lives of his friends? The power roared so strong. Could he ever learn to contain it? Or would he find a fate like that of Cassis? Rikar balled up his fists and pounded the ground, sobbing. Nikulo came over and tried to comfort him, but Rikar just pulled away and curled up. A lightning bolt shattered a nearby tower, jolting them to attention.
John Forrester (Fire Mage (Blacklight Chronicles, #1))