Potter It's A Wonderful Life Quotes

Harry, don't go picking a row with Malfoy, don't forget, he's a prefect now, he could make life difficult for you..." "Wow, I wonder what it'd be like to have a difficult life?" said Harry sarcastically.

And a woman spoke, saying, "Tell us of Pain." And he said: Your pain is the breaking of the shell that encloses your understanding. Even as the stone of the fruit must break, that its heart may stand in the sun, so must you know pain. And could you keep your heart in wonder at the daily miracles of your life, your pain would not seem less wondrous than your joy; And you would accept the seasons of your heart, even as you have always accepted the seasons that pass over your fields. And you would watch with serenity through the winters of your grief. Much of your pain is self-chosen. It is the bitter potion by which the physician within you heals your sick self. Therefore trust the physician, and drink his remedy in silence and tranquillity: For his hand, though heavy and hard, is guided by the tender hand of the Unseen, And the cup he brings, though it burn your lips, has been fashioned of the clay which the Potter has moistened with His own sacred tears.

Wonder what it’s like to have a peaceful life,” Ron sighed, as evening after evening they struggled through all the extra homework they were getting.

Wow, I wonder what it'd be like to have a difficult life?

What does she (J. K. Rowling) hope people will take with them about this time? “When all the fuss and hoopla dies away, and when all the press commentary dies away, I think it will be seen that this phenomenon was generated, in the first instance, by kids loving a book. A book went on shelves, and a few people loved it. When all of the smoke and lights die away, that’s what you’ll be left with. “And that’s the most wonderful thought for an author.

A writer sets out to write science fiction but isn’t familiar with the genre, hasn’t read what’s been written. This is a fairly common situation, because science fiction is known to sell well but, as a subliterary genre, is not supposed to be worth study—what’s to learn? It doesn’t occur to the novice that a genre is a genre because it has a field and focus of its own; its appropriate and particular tools, rules, and techniques for handling the material; its traditions; and its experienced, appreciative readers—that it is, in fact, a literature. Ignoring all this, our novice is just about to reinvent the wheel, the space ship, the space alien, and the mad scientist, with cries of innocent wonder. The cries will not be echoed by the readers. Readers familiar with that genre have met the space ship, the alien, and the mad scientist before. They know more about them than the writer does. In the same way, critics who set out to talk about a fantasy novel without having read any fantasy since they were eight, and in ignorance of the history and extensive theory of fantasy literature, will make fools of themselves because they don’t know how to read the book. They have no contextual information to tell them what its tradition is, where it’s coming from, what it’s trying to do, what it does. This was liberally proved when the first Harry Potter book came out and a lot of literary reviewers ran around shrieking about the incredible originality of the book. This originality was an artifact of the reviewers’ blank ignorance of its genres (children’s fantasy and the British boarding-school story), plus the fact that they hadn’t read a fantasy since they were eight. It was pitiful. It was like watching some TV gourmet chef eat a piece of buttered toast and squeal, “But this is delicious! Unheard of! Where has it been all my life?

No wonder everyone is keen to put their feet up and let Fate look after them. It's rather like your granddad. Or a very hands-on organised person, sort of your own personal PA. Only in my experience Fate is no such thing, and the same goes for his little brother, Destiny. Quite frankly they’ve made a real mess of things where I’m concerned. So from now on they can bugger off and stop meddling. I’m taking charge of my own life, and when it comes to love, Fate can mind its own bloody business.

We’re encouraged to be our true, authentic selves, but being told to feel happy when you’re just not feeling it, only encourages us to be the exact opposite. Life can be wonderful but it can also be scary and hard. We should be free to feel sad or gloomy or just downright bloody miserable, without feeling like there’s something wrong with us Because sometimes happiness isn’t a choice. Sometimes, no matter how hard you try, you can’t find joy. Which is why I’ve decided to stop beating myself up by desperately seeking happiness and give myself the permission to feel exactly how I feel, when I feel it. In fact, maybe, it’s not happiness we should be looking for after all – but acceptance.

I sometimes felt guilty about betraying Dumbledore’s trust, of course he had admitted me to Hogwarts when no other Headmaster would have done so, and he had no idea I was breaking the rules he had set down for my own and others’ safety. He never knew I had led three fellow students into becoming Animagi illegally. But I always managed to forget my guilty feelings every time we sat down to plan our next month’s adventure. And I haven’t changed." Lupin’s face had hardened, and there was self-disgust in his voice. "All this year, I have been battling with myself, wondering whether I should tell Dumbledore that Sirius was an Animagus. But I didn’t do it. Why? Because I was too cowardly. It would have meant admitting that I’d betrayed his trust while I was at school, admitting that I’d led others along with me and Dumbledore’s trust has meant everything to me. He let me into Hogwarts as a boy, and he gave me a job, when I have been shunned all my adult life, unable to find paid work because of what I am.

Harry looked up at it, and all of a sudden a knife-sharp memory came to him: standing on this very spot on the day that he had turned eleven, the most wonderful birthday of his life, and Hagrid standing beside him saying, ‘Like I said, yeh’d be mad ter try an’ rob it.’ Gringotts had seemed a place of wonder that day, the enchanted repository of a trove of gold he had never known he possessed, and never for an instant could he have dreamed that he would return to steal

A second later, Ron had snatched his arm back from around her shoulders; she had dropped The Monster Book of Monsters on his foot. The book had broken free from its restraining belt and snapped viciously at Ron’s ankle. “I’m sorry, I’m sorry!” Hermione cried as Harry wrenched the book from Ron’s leg and retied it shut. “What are you doing with all those books anyway?” Ron asked, limping back to his bed. “Just trying to decide which ones to take with us,” said Hermione. “When we’re looking for the Horcruxes.” “Oh, of course,” said Ron, clapping a hand to his forehead. “I forgot we’ll be hunting down Voldemort in a mobile library.” “Ha ha,” said Hermione, looking down at Spellman’s Syllabary. “I wonder…will we need to translate runes? It’s possible…I think we’d better take it, to be safe.” She dropped the syllabary onto the larger of the two piles and picked up Hogwarts, A History. “Listen,” said Harry. He had sat up straight. Ron and Hermione looked at him with similar mixtures of resignation and defiance. “I know you said after Dumbledore’s funeral that you wanted to come with me,” Harry began. “Here he goes,” Ron said to Hermione, rolling his eyes. “As we knew he would,” she sighed, turning back to the books. “You know, I think I will take Hogwarts, A History. Even if we’re not going back there, I don’t think I’d feel right if I didn’t have it with--” “Listen!” said Harry again. “No, Harry, you listen,” said Hermione. “We’re coming with you. That was decided months ago--years, really.” “But--” “Shut up,” Ron advised him. “--are you sure you’ve thought this through?” Harry persisted. “Let’s see,” said Hermione, slamming Travels with Trolls onto the discarded pile with a rather fierce look. “I’ve been packing for days, so we’re ready to leave at a moment’s notice, which for your information has included doing some pretty difficult magic, not to mention smuggling Mad-Eye’s whole stock of Polyjuice Potion right under Ron’s mum’s nose.” “I’ve also modified my parents’ memories so that they’re convinced they’re really called Wendell and Monica Wilkins, and that their life’s ambition is to move to Australia, which they have now done. That’s to make it more difficult for Voldemort to track them down and interrogate them about me--or you, because unfortunately, I’ve told them quite a bit about you. “Assuming I survive our hunt for the Horcruxes, I’ll find Mum and Dad and lifted the enchantment. If I don’t--well, I think I’ve cast a good enough charm to keep them safe and happy. Wendell and Monica Wilkins don’t know that they’ve got a daughter, you see.” Hermione’s eyes were swimming with tears again. Ron got back off the bed, put his arm around her once more, and frowned at Harry as though reproaching him for lack of tact. Harry could not think of anything to say, not least because it was highly unusual for Ron to be teaching anyone else tact.

Sometimes I wonder if maybe it was for the best. I tried and I failed. Maybe deep down I didn’t want it enough. Like you said, not everyone does.’ ‘True.’ Eventually she says something. ‘But is that really you talking? Or is it your grief?’ ‘I don’t know.’ I shake my head. ‘And that’s OK,’ she says quietly. I raise my eyes to meet Cricket’s. ‘I’m eighty-one years old and I’ve learned if there’s one gift you can give yourself in life, it’s the freedom and courage to say “I don’t know”. Because I’ll let you into a secret – you don’t have to know. You don’t have to know how you feel, or what you want, or if you’re happy or if you’re sad. Life is full of choices and decisions, and there is so much pressure on us to make all the right ones. But what if we don’t? What if we have doubts and misgivings? What if we make mistakes and contradict ourselves?’ She looks at me, her eyes shining. ‘What if we try our best and fail anyway?’ As her words peg out before me, I think about myself, about everything that’s happened. ‘What then? Should we feel bad about ourselves? Why not just accept that we don’t know? Because if you accept that, my dear girl, it will give you such immense freedom. It will allow you to change your mind, to take a different path, to grab opportunities that come your way that you might never have thought of . . . to be impulsive instead of being stuck, to stop feeling guilty.’ Cricket looks at me, her face imploring. ‘To stop feeling scared.

Her partner in crime, Ben. The one who’d accompanied her complicitously through the darkest and most shameful moments of her adult life: cradled in her arms as she wandered woozily around the apartment at night, entertaining thoughts of disappearing while she slowly hummed him pop songs; strapped into the backseat while she wept in the parking lot of the Whole Foods; taking over when she got too tired to finish reading to him from Harry Potter, too young to read but making up the story as he saw fit—then he found a werewolf in the woods, and it was really funny and then really scary but mostly funny ha ha ha and then everyone went to bed, the end, Mama. Mama? “Mom,” he says now, and she wonders if he ever remembers the late-night times of his toddlerhood when she would creep in and lift him from his bed and rock him back to sleep in the glider, Mama’s nuts about you, chipmunk. Mama wouldn’t understand the world without you in it.

That’s right, isn’t it?” Harry urged him. “You died, but I’m talking to you. . . . You can walk around Hogwarts and everything, can’t you?” “Yes,” said Nearly Headless Nick quietly, “I walk and talk, yes.” “So you came back, didn’t you?” said Harry urgently. “People can come back, right? As ghosts. They don’t have to disappear completely. Well?” he added impatiently, when Nick continued to say nothing. Nearly Headless Nick hesitated, then said, “Not everyone can come back as a ghost.” “What d’you mean?” said Harry quickly. “Only . . . only wizards.” “Oh,” said Harry, and he almost laughed with relief. “Well, that’s okay then, the person I’m asking about is a wizard. So he can come back, right?” Nick turned away from the window and looked mournfully at Harry. “He won’t come back.” “Who?” “Sirius Black.” said Nick. “But you did!” said Harry angrily. “You came back — you’re dead and you didn’t disappear —” “Wizards can leave an imprint of themselves upon the earth, to walk palely where their living selves once trod,” said Nick miserably. “But very few wizards choose that path.” “Why not?” said Harry. “Anyway — it doesn’t matter — Sirius won’t care if it’s unusual, he’ll come back, I know he will!” And so strong was his belief that Harry actually turned his head to check the door, sure, for a split second, that he was going to see Sirius, pearly white and transparent but beaming, walking through it toward him. “He will not come back,” repeated Nick quietly. “He will have . . . gone on.” “What d’you mean, ‘gone on’?” said Harry quickly. “Gone on where? Listen — what happens when you die, anyway? Where do you go? Why doesn’t everyone come back? Why isn’t this place full of ghosts? Why — ?” “I cannot answer,” said Nick. “You’re dead, aren’t you?” said Harry exasperatedly. “Who can answer better than you?” “I was afraid of death,” said Nick. “I chose to remain behind. I sometimes wonder whether I oughtn’t to have . . . Well, that is neither here nor there. . . . In fact, I am neither here nor there. . . .” He gave a small sad chuckle. “I know nothing of the secrets of death, Harry, for I choose my feeble imitation of life instead. I believe learned wizards study the matter in the Department of Mysteries —” “Don’t talk to me about that place!” said Harry fiercely. “I am sorry not to have been more help,” said Nick gently. “Well . . . well, do excuse me . . . the feast, you know . . .” And he left the room, leaving Harry there alone, gazing blankly at the wall through which Nick had disappeared. Harry felt almost as though he had lost his godfather all over again in losing the hope that he might be able to see or speak to him once more. He walked slowly and miserably back up through the empty castle, wondering whether he would ever feel cheerful again.

A great city that has lost its purpose is like a specialist in retirement. He potters around the house. He tinkers with this hobby or that. He reads a little, watches television for half an hour, does a bit of gardening, determines once more that he really will read Midnight’s Children, get to know Beethoven’s late sonatas or try for a last time to get to grips with rock. But he knows that the real energy of his life, the fascination of his calling that has driven him with so much satisfaction for so many years, is never going to be resumed. He no longer reads the technical journals, because they make him feel out-dated. He no longer goes to professional conventions. The world forgetting, by the world forgot! What’s it all been for, he wonders? Sometimes he feels he is cracking up or fading out, and he avoids the newspaper obituaries because . . .

Your pain is the breaking of the shell that encloses your understanding. Even as the stone of the fruit must break, that its heart may stand in the sun, so must you know pain. And could you keep your heart in wonder at the daily miracles of your life, your pain would not seem less wondrous than your joy; And you would accept the seasons of your heart, even as you have always accepted the seasons that pass over your fields. And you would watch with serenity through the winters of your grief. Much of your pain is self-chosen. It is the bitter potion by which the physician within you heals your sick self. Therefore trust the physician, and drink his remedy in silence and tranquillity: For his hand, though heavy and hard, is guided by the tender hand of the Unseen, And the cup he brings, though it burn your lips, has been fashioned of the clay which the Potter has moistened with His own sacred tears.

Big” is a word we use to cajole a child: “Be a big girl!” “Act like the big kids!” Having it applied to you as an adult is a cloaked reminder of what people really think, of the way we infantilize and desexualize fat people. (Desexualization is just another form of sexualization. Telling fat women they’re sexless is still putting women in their sexual place.) Fat people are helpless babies enslaved to their most capricious cravings. Fat people do not know what’s best for them. Fat people need to be guided and scolded like children. Having that awkward, babyish word dragging on you every day of your life, from childhood into maturity, well, maybe it’s no wonder that I prefer hot chocolate to whiskey and substitute Harry Potter audiobooks for therapy.

this phenomenon was generated, in the first instance, by kids loving a book. A book went on shelves, and a few people loved it. When all of the smoke and lights die away, that’s what you’ll be left with. “And that’s the most wonderful thought for an author.

Wow, I wonder what it’d be like to have a difficult life?” said Harry sarcastically.

Wonder what it’s like to have a peaceful life,’ Ron sighed.

(Five stars) A CHARMING, MODERN DAY FAIRY TALE By Tim Janson...with this book you really get an old-fashioned fairy tale told with today's tribulations. It's a light, fun read, filled with humor, wit and charm. While any kids in the 7 - 14 age range would enjoy the story, I think it especially speaks to young girls who can relate more keenly to the problems endured by the main characters. The book is beautifully illustrated by Andy Park and features a number of full-page illustrations that perfectly complement the story written By Debbie Bishop. The pair have created a story with lively characters that come to life before your eyes. Highly recommended! FIVE STARS! The Fairies of Bladderwhack Pond is a great story for kids and teens alike! This wonderful fairytale has modern references to kids as they live today. It’s like Harry Potter for kid’s today! Debbie has created a really fun book that will be cherished! --amazon reader

In the latter half of the twentieth century, two visionary books cast their shadows over our futures. One was George Orwell's 1949 novel, Nineteen Eighty-Four, with its horrific vision of a brutal mind-controlling totalitarian state - a book that gave us Big Brother, and Thoughtcrime and Newspeak and the Memory Hole and the torture palace called the Ministry of Love, and the discouraging spectacle of a boot grinding into the human face forever. The other was Aldous Huxley's Brave New World (1932), which proposed a different and Softer Form of Totalitarianism - one of conformity achieved through engineered, bottle-grown babies and Hypnotic Persuasion rather than through brutality; of boundless consumption that keeps the wheels of production turning and of officially enforced promiscuity that does away with sexual frustration; of a pre-ordained caste system ranging from a highly intelligent managerial class to a subgroup of dimwitted serfs programmed to love their menial work; and of Soma, a drug that confers instant bliss with no side effects. Which template would win, we wondered? Would it be possible for both of these futures - the hard and the soft - to exist a the same time, in the same place? And what would that be like? Thoughtcrime and the boot grinding into the human face could not be got rid of so easily, after all. The Ministry of Love is back with us. Those of us still pottering along on the earthly plane - and thus still able to read books - are left with Brave New World. How does it stand up, seventy-five years later? And how close have we come, in real life, to the society of vapid consumers, idle pleasure-seekers, inner-space trippers, and programmed conformists that it presents?

Chapter 16 — Pain And a woman spoke, saying, Tell us of Pain. And he said: Your pain is the breaking of the shell that encloses your understanding. Even as the stone of the fruit must break, that its heart may stand in the sun, so must you know pain. And could you keep your heart in wonder at the daily miracles of your life, your pain would not seem less wondrous than your joy; And you would accept the seasons of your heart, even as you have always accepted the seasons that pass over your fields. And you would watch with serenity through the winters of your grief. Much of your pain is self-chosen. It is the bitter potion by which the physician within you heals your sick self. Therefore trust the physician, and drink his remedy in silence and tranquillity: For his hand, though heavy and hard, is guided by the tender hand of the Unseen, And the cup he brings, though it burn your lips, has been fashioned of the clay which the Potter has moistened with His own sacred tears.

Among the hills, when you sit in the cool shade of the white poplars, sharing the peace and serenity of distant fields and meadows — then let your heart say in silence, “God rests in reason.” And when the storm comes, and the mighty wind shakes the forest, and thunder and lightning proclaim the majesty of the sky, — then let your heart say in awe, “God moves in passion.” And since you are a breath in God’s sphere, and a leaf in God’s forest, you too should rest in reason and move in passion. Chapter 16 — Pain And a woman spoke, saying, Tell us of Pain. And he said: Your pain is the breaking of the shell that encloses your understanding. Even as the stone of the fruit must break, that its heart may stand in the sun, so must you know pain. And could you keep your heart in wonder at the daily miracles of your life, your pain would not seem less wondrous than your joy; And you would accept the seasons of your heart, even as you have always accepted the seasons that pass over your fields. And you would watch with serenity through the winters of your grief. Much of your pain is self-chosen. It is the bitter potion by which the physician within you heals your sick self. Therefore trust the physician, and drink his remedy in silence and tranquillity: For his hand, though heavy and hard, is guided by the tender hand of the Unseen, And the cup he brings, though it burn your lips, has been fashioned of the clay which the Potter has moistened with His own sacred tears. Chapter 17 — Self-Knowledge And a man said, Speak to us of Self-Knowledge.

In the latter half of the twentieth century, two visionary books cast their shadows over our futures. One was George Orwell's 1949 novel, Nineteen Eighty-Four, with its horrific vision of a brutal mind-controlling totalitarian state - a book that gave us Big Brother, and Thoughtcrime and Newspeak and the Memory Hole and the torture palace called the Ministry of Love, and the discouraging spectacle of a boot grinding into the human face forever. The other was Aldous Huxley's Brave New World (1932), which proposed a different and Softer Form of Totalitarianism - one of conformity achieved through engineered, bottle-grown babies and Hypnotic Persuasion rather than through brutality; of boundless consumption that keeps the wheels of production turning and of officially enforced promiscuity that does away with sexual frustration; of a pre-ordained caste system ranging from a highly intelligent managerial class to a subgroup of dimwitted serfs programmed to love their menial work; and of Soma, a drug that confers instant bliss with no side effects. Which template would win, we wondered? ....Would it be possible for both of these futures - the hard and the soft - to exist a the same time, in the same place? And what would that be like? ....Thoughtcrime and the boot grinding into the human face could not be got rid of so easily, after all. The Ministry of Love is back with us... ....those of us still pottering along on the earthly plane - and thus still able to read books - are left with Brave New World. How does it stand up, seventy-five years later? And how close have we come, in real life, to the society of vapid consumers, idle pleasure-seekers, inner-space trippers, and programmed conformists that it presents? - excerpts from Margaret Atwood's introduction (2007) to Aldous Huxley's Brave New World.

We’re encouraged to be our true, authentic selves, but being told to feel happy when you’re just not feeling it, only encourages us to be the exact opposite. Life can be wonderful but it can also be scary and hard. We should be free to feel sad or gloomy or just downright bloody miserable, without feeling like there’s something wrong with us

One person who did that extraordinarily well all his life was Rahul Dravid, who combined work ethic with great ability. He believes it is always better to set challenging goals even if that means occasionally falling slightly short, rather than set simple goals which could lead to dissatisfaction and leave you wondering if they were too easy. Often people are inclined to set rather simple goals for themselves, and in the process they forget that the kind of goals one sets tells the world what kind of person you are. This is perhaps best highlighted in Harry Potter and the Chamber of Secrets when Dumbledore tells the young Harry Potter, ‘It is our choices, Harry, that show what we truly are, far more than our abilities.’ This applies to young students, sales executives, opening batsmen and leaders of giant corporations equally.