Potter And Clay Quotes

God, how we get our fingers in each other's clay. That's friendship, each playing the potter to see what shapes we can make of each other.

And a woman spoke, saying, "Tell us of Pain." And he said: Your pain is the breaking of the shell that encloses your understanding. Even as the stone of the fruit must break, that its heart may stand in the sun, so must you know pain. And could you keep your heart in wonder at the daily miracles of your life, your pain would not seem less wondrous than your joy; And you would accept the seasons of your heart, even as you have always accepted the seasons that pass over your fields. And you would watch with serenity through the winters of your grief. Much of your pain is self-chosen. It is the bitter potion by which the physician within you heals your sick self. Therefore trust the physician, and drink his remedy in silence and tranquillity: For his hand, though heavy and hard, is guided by the tender hand of the Unseen, And the cup he brings, though it burn your lips, has been fashioned of the clay which the Potter has moistened with His own sacred tears.

Much of your pain is self-chosen. It is the bitter potion by which the physician within you heals your sick self. Therefore trust the physician, and drink his remedy in silence and tranquility: For his hand, though heavy and hard, is guided by the tender hand of the Unseen, And the cup he brings, though it burn your lips, has been fashioned of the clay which the Potter has moistened with His own sacred tears.

I thought clay must feel happy in the good potter's hand.

When your soul and mine have left our bodies and we are burried alongside each other, a Potter may one day mould the dust of both of us into the same clay.

Words, words, word. Once, I had the gift. I could make love out of words as a potter makes cups of clay. Love that overthrows empire. Love that binds two hearts together, come hellfire & brimstone. For sixpence a line, I could cause a riot in a nunnery. But now -- I have lost my gift. It's as if my quill is broken, as if the organ of my imagination has dried up, as if the proud -illegible word- of my genius has collapsed.

Llonio said life was a net for luck; to Hevydd the Smith life was a forge; and to Dwyvach the Weaver-Woman a loom. They spoke truly, for it is all of these. But you,' Taran said, his eyes meeting the potter's, 'you have shown me life is one thing more. It is clay to be shaped, as raw clay on a potter's wheel.

Your pain is the breaking of the shell that encloses your understanding. Even as the stone of the fruit must break, that its heart may stand in the sun, so must you know pain. Much of your pain is self-chosen. It is the bitter potion by which the physician within you heals your sick self. Therefore trust the physician, and drink his remedy in silence and tranquillity: For his hand, though heavy and hard, is guided by the tender hand of the Unseen, And the cup he brings, though it burn your lips, has been fashioned of the clay which the Potter has moistened with His own sacred tears.

Belief sloshes around in the firmament like lumps of clay spiralling into a potter's wheel. That's how gods get created, for example. They clearly must be created by their own believers, because a brief resume of the lives of most gods suggests that their origins certainly couldn't be divine. They tend to do exactly the things people would do if only they could, especially when it comes to nymphs, golden showers, and the smiting of your enemies.

I imagined my soul taking in these words like silicated water in the Petrified Forest, turning my wood to patterned agate. I liked it when my mother shaped me this way. I thought clay must feel happy in the good potter's hand.

Sinuhe, my friend, we have been born into strange times. Everything is melting – changing its shape – like clay on a potter’s wheel. Dress is changing, words, customs are changing, and people no longer believe in the gods – though they may fear them. Sinuhe, my friend, perhaps we were born to see the sunset of the world, for the world is already old, and twelve hundred years have passed since the building of the pyramids. When I think of this, I want to bury my head in my hands and cry like a child.

I have but shadowed forth my intense longing to lose myself in the Eternal and become merely a lump of clay in the Potter's divine hands so that my service may become more certain because uninterrupted by the baser self in me.

Have thine own way, Lord! Have thine own way! Thou art the Potter and I am the clay.

I am not the potter, nor the potter's wheel, but the potter's clay, does it depend on the value achieved intrinsic as much as the value of the clay as the wheel and master craftsmanship?

In life at least once a person comes, changes you for rest of your whole life, just like a potter who takes clay, gives a proper shape and put into fire. After that, it’s not possible to come in natural form...LOVE IS JUST LIKE THAT.

And the cup he brings, though it burn your lips, has been fashioned of the clay which the Potter has moistened with His own sacred tears.

God, how we get our fingers in each other’s clay. That’s friendship, each playing the potter to see what shapes we can make of the other.

For as from the same piece of clay a potter may fashion either a pot or a tile, so the Devil may shape a witch into a wolf or a cat or even a goat, without subtracting from her and without adding to her at all. For this occurs just as clay is first molded into one, then shaped into another form, for the Devil is a potter and his witches are but clay.

Peace is the gift of God. Do you want peace? Go to God. Do you want peace in your families? Go to God. Do you want peace to brood over your families? If you do, live your religion, and the very peace of God will dwell and abide with you, for that is where peace comes from, and it doesn't dwell anywhere else. . . . Some in speaking of war and troubles, will say are you not afraid? No, I am a servant of God, and this is enough, for Father is at the helm. It is for me to be as clay in the hands of the potter, to be pliable and walk in the light of the countenance of the Spirit of the Lord, and then no matter what comes. Let the lightnings flash and the earthquakes bellow, God is at the helm, and I feel like saying but little, for the Lord God Omnipotent reigneth and will continue his work until he has put all enemies under his feet, and his kingdom extends from the rivers to the ends of the earth.

Unfortunately, the people who have the greatest influence in our lives rarely understand the power of their words to shape who we become. They never fully understand that what informs us forms us. Words spoken into a soul are like the hands of a potter pressed against wet clay.

The Potter Your whole body is A glass of wine Or sweetness destined for me. When I raise my hand, I find in every place a dove Seeking for me, As if, my love, You were made of clay For my very hands of a potter. Your knees, your breasts, Your waist, Disappear in me like in a hollow Of a thirsting earth Where they lose A form, And together We become like a single river, Like a single grain of sand.

We're all diamonds in the rough until God gets His hands on us". ~R. Alan Woods [1984]

I am not the potter, not the potter's wheel, but the potter's clay; is not the value of the shape attained as dependent upon the intrinsic worth of the clay as upon the wheel and the Master's skill?

Davos had often heard it said that the wizards of Valyria did not cut and chisel as common masons did, but worked stone with fire and magic as a potter might work clay.

When something goes wrong, what's the best course of action? To change your direction. The word repentance means to stop going one direction (your own way) and turn toward the right direction (God's way). Your past may be a part of who you are, but it certainly doesn't have to define your future. Or if you feel stuck and unable to change directions and move toward God, think of this transformation another way. The Bible says that God is the Potter and we are his clay (Jer. 18:2-6).

Listen again. One Evening at the Close Of Ramazán, ere the better Moon arose, In that old Potter’s Shop I stood alone With the clay Population round in Rows. And, strange to tell, among that Earthern Lot Some could articulate, while others not: And suddenly one more impatient cried— “Who is the Potter, pray, and who the Pot?

In praise of mu husband's hair A woman is alone in labor, for it is an unfortunate fact that there is nobody who can have the baby for you. However, this account would be inadequate if I did not speak to the scent of my husband's hair. Besides the cut flowers he sacrifices his lunches to afford, the purchase of bags of licorice, the plumping of pillows, steaming of fish, searching out of chic maternity dresses, taking over of work, listening to complaints and simply worrying, there was my husband's hair. His hair has always amazed stylists in beauty salons. At his every first appointment they gather their colleagues around Michael's head. He owns glossy and springy hair, of an animal vitality and resilience that seems to me so like his personality. The Black Irish on Michael's mother's side of the family have changeable hair--his great-grandmother's hair went from black to gold in old age. Michael's went from golden-brown of childhood to a deepening chestnut that gleams Modoc black from his father under certain lights. When pushing each baby I throw my arm over Michael and lean my full weight. When the desperate part is over, the effort, I turn my face into the hair above his ear. It is as though I am entering a small and temporary refuge. How much I want to be little and unnecessary, to stay there, to leave my struggling body at the entrance. Leaves on a tree all winter that now, in your hand, crushed, give off a dry, true odor. The brass underside of a door knocker in your fingers and its faint metallic polish. Fresh potter's clay hardening on the wrist of a child. The slow blackening of Lent, timeless and lighted with hunger. All of these things enter into my mind when drawing into my entire face the scent of my husband's hair. When I am most alone and drowning and I think I cannot go on, it is breathing into his hair that draws me to the surface and restores my small courage.

In Pliny I read about the invention of clay modeling. A Sicyonian potter came to Corinth. There his daughter fell in love with a young man who had to make frequent long journeys away from the city. When he sat with her at home, she used to trace the outline of his shadow that a candle’s light cast on the wall. Then, in his absence she worked over the profile, deepening, so that she might enjoy his face, and remember. One day the father slapped some potter’s clay over the gouged plaster; when the clay hardened he removed it, baked it, and "showed it abroad" (63).

I do whatever pleases me, in the heavens and on the earth, in the seas and all their depths. As I have planned, so it will be, and as I have purposed, so it will stand. I am your Father. You are the clay, I am the potter; you are all the work of my hand. I will have mercy on whom I have mercy, and I will have compassion on whom I have compassion.

I work in my mind. What I do is done in my mind. And what my hands do with it in writing it down is not the same as what the hands of the weaver do with the yarn, or the potter’s hands with the clay, or the cabinetmaker’s with the wood. If what I do, what I make, is beautiful, it isn’t a physical beauty. It’s imaginary, it takes place in the mind—my mind, and my reader’s. You could say that I hear voices and believe the voices are real (which would mean I was schizophrenic, but the proverb test proves I’m not—I do, I do understand it, Doctor!). And that then by writing what I hear, I induce or compel readers to believe the voices are real too . . . That doesn’t describe it well, though. It doesn’t feel that way. I don’t really know what it is I’ve done all my life, this wordworking. But I know that to me words are things, almost immaterial but actual and real things, and that I like them. I like their most material aspect: the sound of them, heard in the mind or spoken by the voice.

He reaches out, almost as though he can't help himself, and puts his thumb to my jawline. The tips of his fingers brush the hollow of my throat, and I feel the touch so deep I half expect that when he moves, I'll be left with an imprint there, as though I am a thing fashioned from clay in a potter's hands.

Think of a potter taking a misshapen bowl from his wheel and pounding it back into the tub of clay. A soul suffers while it is being pounded in this way, and suffers until it ceases to be. You are pounded down, and that which was you gets into something else. God tries again, and tries until the Work is complete. Meanwhile you, my son, are long gone

Though thirty spokes may form the wheel, it is the hole within the hub which gives the wheel utility. It is not the clay the potter throws, which gives the pot its usefulness, but the space within the shape, from which the pot is made. Without a door, the room cannot be entered, and without its windows it is dark Such is the utility of non-existence.212

Though thirty spokes may form the wheel, it is the hole within the hub which gives the wheel utility. It is not the clay the potter throws, which gives the pot its usefulness, but the space within the shape, from which the pot is made. Without a door, the room cannot be entered, and without its windows it is dark Such is the utility of non-existence.212 A

But now, O Lord, you are our Father; we are the clay, and you are our potter; we are all the work of your hand.

ROM9.21 Hath not the potter power over the clay,

For in the Market-place, one Dusk of Day, I watch'd the Potter thumping his wet Clay: And with its all obliterated Tongue It murmur'd—"Gently, Brother, gently, pray!" XXXVII.

how we get our fingers in each other’s clay. That’s friendship, each playing the potter to see what shapes we can make of the other.

I molded my body in clay on the potter’s wheel. I carved my own heart out of carnelian and gave to my family my red, red love.

God, how we get our fingers in each other's clay. That's friendship, each playing the potter to see what shapes we can make of the other.

Anoint me with "Fresh Oil" O God! Mold me and make me...totally for Your use! You are the potter, I am the clay. Amen

Clay in the hands of a good potter suffers so many good turns, but in the end, we see its real and true shape and form!

But now, O LORD, you are our Father; z we are the clay, and you are our potter; a we are all the work of your hand.

Very strange clay this, passive in the potter’s hands, to which the potter can do nothing unless it lets him!

I asked who are you ? He said I am the one, a clay potter. I asked what is in the clay ? He said my commanded soul. And he then said whatever and whoever the clay are made of I am the one who command the soul in it. And I asked curiously who is he who has born to a virgin who had breath the soul in the clay? and made it fly! He said shush!!! he is my secret!

Much of your pain is self-chosen. It is the bitter potion by which the physician within you heals your sick self. Therefore trust the physician, and drink his remedy in silence and tranquillity: For his hand, though heavy and hard, is guided by the tender hand of the Unseen, And the cup he brings, though it burn your lips, has been fashioned of the clay which the Potter has moistened with His own sacred tears.

How shall I begin to deplore the deeds of my miserable life? What beginning shall I make, O Christ, to this lament? But since Thou art compassionate, grant me remission of my trespasses." "Like as the potter gives life to his clay, Thou hast bestowed upon me Flesh and bones, breath and life; Today, O my Creator, my Redeemer and My Judge, Receive me a penitent..." "I have lost my first made beauty and dignity, And now I lie naked and covered with shame...

You might recall that the Scriptures use a number of metaphors to describe our relationship with God. We are portrayed as clay, and he is the potter. We are sheep, and he the shepherd. Each metaphor is beautiful and speaks to the various seasons of our spiritual lives and to the various aspects of God’s heart toward us. But have you noticed they ascend in a stunning way? From potter and his clay to a shepherd and his sheep, there is a marked difference in intimacy, in the way they relate. It gets even better. From master and servant to father and child, there is a wonderful progression into greater intimacy. It grows more beautiful and rich when he calls us his friends. But what is most breathtaking is when God says he is our Lover (our Bridegroom, our Fiancé), and we his bride. That is the pinnacle, the goal of our redemption (used in the last chapter of the Bible, when Christ returns for his bride) and the most intimate and romantic of all.

The basic conviction of a Christian is that God intends good for us and that he will get his way in us. He does not treat us according to our deserts, but according to his plan. He is not a police officer on patrol, watching over the universe, ready to club us if we get out of hand or put us in jail if we get obstreperous. He is a potter working with the clay of our lives, forming and reforming until, finally, he has shaped a redeemed life, a vessel fit for a kingdom. A LONG OBEDIENCE

Many readers are familiar with the spirit and the letter of the definition of “prayer”, as given by Ambrose Bierce in his Devil’s Dictionary. It runs like this, and is extremely easy to comprehend: Prayer: A petition that the laws of nature be suspended in favor of the petitioner; himself confessedly unworthy. Everybody can see the joke that is lodged within this entry: The man who prays is the one who thinks that god has arranged matters all wrong, but who also thinks that he can instruct god how to put them right. Half–buried in the contradiction is the distressing idea that nobody is in charge, or nobody with any moral authority. The call to prayer is self–cancelling. Those of us who don’t take part in it will justify our abstention on the grounds that we do not need, or care, to undergo the futile process of continuous reinforcement. Either our convictions are enough in themselves or they are not: At any rate they do require standing in a crowd and uttering constant and uniform incantations. This is ordered by one religion to take place five times a day, and by other monotheists for almost that number, while all of them set aside at least one whole day for the exclusive praise of the Lord, and Judaism seems to consist in its original constitution of a huge list of prohibitions that must be followed before all else. The tone of the prayers replicates the silliness of the mandate, in that god is enjoined or thanked to do what he was going to do anyway. Thus the Jewish male begins each day by thanking god for not making him into a woman (or a Gentile), while the Jewish woman contents herself with thanking the almighty for creating her “as she is.” Presumably the almighty is pleased to receive this tribute to his power and the approval of those he created. It’s just that, if he is truly almighty, the achievement would seem rather a slight one. Much the same applies to the idea that prayer, instead of making Christianity look foolish, makes it appear convincing. Now, it can be asserted with some confidence, first, that its deity is all–wise and all–powerful and, second, that its congregants stand in desperate need of that deity’s infinite wisdom and power. Just to give some elementary quotations, it is stated in the book of Philippians, 4:6, “Be careful for nothing; but in everything by prayer and supplication and thanksgiving, let your requests be known to God.” Deuteronomy 32:4 proclaims that “he is the rock, his work is perfect,” and Isaiah 64:8 tells us, “Now O Lord, thou art our father; we art clay and thou our potter; and we are all the work of thy hand.” Note, then, that Christianity insists on the absolute dependence of its flock, and then only on the offering of undiluted praise and thanks. A person using prayer time to ask for the world to be set to rights, or to beseech god to bestow a favor upon himself, would in effect be guilty of a profound blasphemy or, at the very least, a pathetic misunderstanding. It is not for the mere human to be presuming that he or she can advise the divine. And this, sad to say, opens religion to the additional charge of corruption. The leaders of the church know perfectly well that prayer is not intended to gratify the devout. So that, every time they accept a donation in return for some petition, they are accepting a gross negation of their faith: a faith that depends on the passive acceptance of the devout and not on their making demands for betterment. Eventually, and after a bitter and schismatic quarrel, practices like the notorious “sale of indulgences” were abandoned. But many a fine basilica or chantry would not be standing today if this awful violation had not turned such a spectacularly good profit. And today it is easy enough to see, at the revival meetings of Protestant fundamentalists, the counting of the checks and bills before the laying on of hands by the preacher has even been completed. Again, the spectacle is a shameless one.

Though thirty spokes may form the wheel, it is the hole within the hub which gives the wheel utility. It is not the clay the potter throws, which gives the pot its usefulness, but the space within the shape, from which the pot is made. Without a door, the room cannot be entered, and without windows it is dark. Such is the utility of non-existence.

So there they go, Jim running slower to stay with Will, Will running faster to stay with Jim, Jim breaking two windows in a haunted house because Will’s along, Will breaking one window instead of none, because Jim’s watching. God, how we get our fingers in each other’s clay. That’s friendship, each playing the potter to see what shapes we can make of the other.

It is no wonder that the writers of the nineteenth century look upon society as an artificial creation of the legislator's genius. This idea -- the fruit of classical education -- has taken possession of all the intellectuals and famous writers of our country. To these intellectuals and writers, the relationship between persons and the legislator appears to be the same as the relationship between the clay and the potter.

Elohim was with him. He was with all of them, but not in a way that some might expect. Elohim obliged no man life or blessing. He dispensed his purposes as he wished and he did not owe an explanation for his ways. He was the potter and humanity was the clay, as their creation story explained. If Elohim chose to craft some of those vessels for destruction and others for glory, that was his prerogative. He was accomplishing his purposes for his people.

In our patakis, our folk myths, we believe that we come to the world with a destiny we picked for ourselves in Arun. Obatala creates the human body, but you have to get your head from the potter who molds them out of clay in his warehouse. On a good day he makes beautiful heads, but sometimes he gets drunk and makes a bad head. It’s a divine defect. There’s no way to tell from the outside, but once you’ve chosen your head, you have to live your destiny.

God uses pressure, pain and difficulties to prepare us for Greater Things. Just like pressure is used to squeeze out oil from the olives, and pressure shapes diamonds, and fire refines gold. Just as the potter uses heat to shape clay into the form and shape He wants it to be, God does the same with us, to bring out our inner treasures and to make us use our potential to the fullest. God is not sending you difficult situations to hurt you; He is doing so to strengthen you, make you grow and to prepare you for your Destiny and Greatness.

In the past, those who were able to regulate All-under-Heaven first had to regulate their own people; those who were able to overcome the enemy had first to overcome their own people. The root of overcoming the people is controlling the people as the metalworker controls metal and the potter clay. When the roots are not firm, the people will be like flying birds and running animals: Who will then be able to regulate them? The root of the people is law. Hence, those who excel at orderly rule block the people with law; then a [good] name and lands can be attained.

How is a cloud outlined? Granted whatever you choose to ask, concerning its material, or its aspect, its loftiness and luminousness,—how of its limitation? What hews it into a heap, or spins it into a web? Cold is usually shapeless, I suppose, extending over large spaces equally, or with gradual diminution. You cannot have, in the open air, angles, and wedges, and coils, and cliffs of cold. Yet the vapor stops suddenly, sharp and steep as a rock, or thrusts itself across the gates of heaven in likeness of a brazen bar; or braids itself in and out, and across and across, like a tissue of tapestry; or falls into ripples, like sand; or into waving shreds and tongues, as fire. On what anvils and wheels is the vapor pointed, twisted, hammered, whirled, as the potter’s clay? By what hands is the incense of the sea built up into domes of marble?

It is not enough to live here and now. Not enough for me, anyway. I need those imaginative leaps out of my own time frame and into other places - places where things were done differently. Reading has provided me with that, for the most part, but it is objects, things like these scraps of pottery, that have most keenly conjured up all those elsewheres - inaccessible but eerily available to the imagination. The past is irretrievable, but it lurks. It sends out tantalizing messages, coded signals in the form of a clay pipe stem, a smashed wine bottle. Two leaping fish from twelfth-century Cairo. I can't begin to understand what that time was like, or how the men who made them lived, but I can know that it all happened - that old Cairo existed, and a particular potter. To have the leaping fish sherd on my mantelpiece - and all those other sherds in the cake tin - expands my concept of time. There is a further dimension to memory; it is not just a private asset, but something vast, collective, resonant. And all because fragments of detritus survive, and I can consider them.

It is so true, that the Socialists look upon mankind as a subject for social experiments, that if, by chance, they are not quite certain of the success of these experiments, they will request a portion of mankind, as a subject to experiment upon. It is well known how popular the ideaof trying all systems is, and one of their chiefs has been known seriously to demand of the Constituent Assembly a parish, with all its inhabitants, upon which to make his experiments. It is thus that an inventor will make a small machine before he makes one of the regular size. Thus the chemist sacrifices some substances, the agriculturist some seed and corner of his field, to make trial of an idea. But think of the difference between the gardener and his trees, between the inventor and his machine, between the chemist and his substances, between the agriculturist and his seed! The Socialist thinks, in all sincerity, that there is the same difference between himself and mankind. No wonder the politicians of the nineteenth century look upon society as an artifical production of the legislator's genius. This idea, the result of a classical education, has taken possession of all the thinkers and great writers of our country. To all these persons, the relations between mankind and the legislator appear to be the same as those that exist between the clay and the potter.

She Is Remarkable Salute to the woman who knows who she is And why she is who she is A powerful being Once thrown into the deep end of the ocean But swam her way back to shore She never stops moving forward Nothing can ever pull her backwards Such a brave warrior Shout out to the superwoman Determined to change the status quo Because she feels the need to do so Just like an eagle She soars higher and higher As the wind blows stronger She does not let anything deter her From reaching another level in life Thumbs up to an amazing woman A great force to be reckoned with That committed Mother on the street Who trades from sunrise to sunset Trying to make ends meet Oh, she has a heart so big Being mindful that come snow or sunshine She has mouths to feed I revere this gifted woman Who uses her creativity To make an impact in society Despite the uniqueness of her talent She remains a trendsetter It could be the potter in whose hands clay becomes magic The miner who touches gold, before it even gets sold to the markets Or the strategist who sits in high-level meetings, making sure organisations do not collapse A special mention to the special woman Who chooses not to give up She understands that others look up to her The smart lady out there, with a clear vision She makes things happen for her family, community, and the world at large She deserves a badge of honour Because she is remarkable!

The grandeur of the poem is that Job pleads his cause with God against all the remonstrance of religious authority, recognizing no one but God, and justified therein. And the grandest of all is this, that he implies, if he does not actually say, that God owes something to his creature. This is the beginning of the greatest discovery of all—that God owes himself to the creature he has made in his image, for so he has made him incapable of living without him. This, his creatures' highest claim upon him, is his divinest gift to them. For the fulfilling of this their claim he has sent his son, that he may himself, the father of him and of us, follow into our hearts. Perhaps the worst thing in a theology constructed out of man's dull possible, and not out of the being and deeds and words of Jesus Christ, is the impression it conveys throughout that God acknowledges no such obligation. Are not we the clay, and he the potter? how can the clay claim from the potter? We are the clay, it is true, but his clay, but spiritual clay, live clay, with needs and desires—and rights; we are clay, but clay worth the Son of God's dying for, that it might learn to consent to be shaped unto honour. We can have no merits—a merit is a thing impossible; but God has given us rights. Out of him we have nothing; but, created by him, come forth from him, we have even rights towards him—ah, never, never against him! his whole desire and labour is to make us capable of claiming, and induce us to claim of him the things whose rights he bestowed in creating us. No claim had we to be created: that involves an absurdity; but, being made, we have claims on him who made us: our needs are our claims. A man who will not provide for the hunger of his child, is condemned by the whole world.

And Mowgli had not the faintest idea of the difference that caste makes between man and man. When the potter’s donkey slipped in the clay pit, Mowgli hauled it out by the tail, and helped to stack the pots for their journey to the market at Khanhiwara. That was very shocking, too, for the potter is a low-caste man, and his donkey is worse. When the priest scolded him, Mowgli threatened to put him on the donkey too, and the priest told Messua’s husband that Mowgli had better be set to work as soon as possible; and the village head-man told Mowgli that he would have to go out with the buffaloes next day, and herd them while they grazed. No one was more pleased than Mowgli; and that night, because he had been appointed a servant of the village, as it were, he went off to a circle that met every evening on a masonry platform under a great fig-tree. It was the village club, and the head-man and the watchman and the barber, who knew all the gossip of the village, and old Buldeo, the village hunter, who had a Tower musket, met and smoked. The monkeys sat and talked in the upper branches, and there was a hole under the platform where a cobra lived, and he had his little platter of milk every night because he was sacred; and the old men sat around the tree and talked, and pulled at the big huqas (the water-pipes) till far into the night. They told wonderful tales of gods and men and ghosts; and Buldeo told even more wonderful ones of the ways of beasts in the jungle, till the eyes of the children sitting outside the circle bulged out of their heads. Most of the tales were about animals, for the jungle was always at their door. The deer and the wild pig grubbed up their crops, and now and again the tiger carried off a man at twilight, within sight of the village gates.

The downside of attending to the emotional life of groups is that it can swamp the ability to get anything done; a group can become more concerned with satisfying its members than with achieving its goals. Bion identified several ways that groups can slide into pure emotion - they can become "groups for pairing off," in which members are mainly interested in forming romantic couples or discussing those who form them; they can become dedicated to venerating something, continually praising the object of their affection (fan groups often have this characteristic, be they Harry Potter readers or followers of the Arsenal soccer team), or they can focus too much on real or perceived external threats. Bion trenchantly observed that because external enemies are such spurs to group solidarity, some groups will anoint paranoid leaders because such people are expert at identifying external threats, thus generating pleasurable group solidarity even when the threats aren't real.

Here,for the last time together,appeared a triumvirate of old men,relics of a golden age,who still towered like giants above creatures of a later time:Webster,the kind of senator that Richard Wagner might have created at the height of his powers;Calhoun,the most majestic champion of error since Milton's Satan in Paridise Lost;and Clay,the old Conciliator, who had already saved the union twice and now came out of retirement to save it with his silver voice and his master touch once again before he died.

As the clay is in the potter’s hand, so are you in My hand. – Jeremiah 18:6

Have Thine Own Way Know that the LORD is God. It is he who made us, and we are his; we are his people, the sheep of his pasture. PSALM 100:3 NIV “Thou art the potter, I am the clay.” Those are ringing words from the song “Have Thine Own Way” that stirs up emotions and a desire to allow God to mold us and make us in His image. But what a hard thing to do. We strive to create our own worlds, to make a plan, to fix it. However God asks us to allow Him free rein. Sheep follow their shepherd and trust in him for provision. “As in his presence humbly I bow.” Submissive to their masters, they quietly graze the hillsides knowing the shepherd knows best. What a wonderfully relaxing word picture: relying on God’s guidance and timing, following His lead. It is a simple prayer to ask Him to help us give up control, yet not a simple task. In obedience to His Word, we can bow our heads and ask for the Holy Spirit’s direction and take our hands from the steering wheel. Then wait. Quietly on our hillsides, not chomping at the bit; hearts “yielded and still.” We wait for the still, small voice. This day, resolve to listen and follow. Lord, we humbly bow before You and ask for Your divine guidance. Help us to follow Your plan with yielded hearts, ever ready to give up control to You. Amen.

And yet, O LORD, you are our Father.        We are the clay, and you are the potter.        We all are formed by your hand.

No," Gideon answered softly. "I think what they don’t realize is that anyone can mix clay, but it takes a potter to make the vessel.

He shall break them with a rod of iron.” He breaks not the subject nations, nor the inherited heathen, but the kings of the earth who stood up and took counsel together against the Lord and against His Anointed. Against these He will lift up His iron rod of stern justice and irresistible power! Over His own inheritance He will sway a silver scepter of love. Over His own possession He shall reign with gentleness and Grace, but as for His adversaries, He will deal with them in severity and display His power in them. How shall they stand out against Him? They have formed their confederacy with great care and skill—as when men prepare clay and make it pliable for the potter’s use, so have they made all things ready—they have set their design upon the wheel and caused it to revolve in their thoughts and with great skill they have fashioned it. Lo, there it stands—finished and fair to look upon! Yet at its very best it is nothing more than a potter’s vessel. It may be of the purest clay and of such exquisite workmanship that it shall enchant every man of taste, but it is nothing more than an earthen vessel and, therefore, woe unto it when the rod of iron falls upon it. Woe to human societies and brotherhoods which are framed to resist the Lord! Mark the conflict and its end! It is brief enough. A stroke! Where is the hope of the Lord’s adversary? Gone, gone, utterly gone! Only a few potsherds remain.

Does not the potter have the right to make out of the same lump of clay some pottery for noble purposes and some for common use?

You have turned things around, as if the potter were the same as the clay. Isaiah 29:16

Scripture is perfect, and Paul's analogy is perfect for its purpose. It illustrates that the divine potter has the right to fashion the human clay into any type of vessel and for any purpose he chooses, and the creature has no right to protest against the Creator.

The Phenomenon of Life {Couplet} The potter's some man of clay who's molding clay, a robot making an automaton; Every day we recreate ourselves from what bricks we're made, how wondrous life's phenomenon!

A potter has the right to do whatever he wants with his clay. He can make something for a special occasion or something for everyday use from the same lump of clay. Romans 9:21

We readily acknowledge that it is very humbling to the proud heart of the creature to behold all mankind in the hand of God as the clay in the potter’s hand, yet this is precisely how the Scriptures of truth represent the case.

The instructed, obedient Christian will yield to God as the clay to the potter, and the result will be not waste but glory everlasting.

Dolores seems to dwell only just inside language, she makes sentences the way a potter works clay, squashing them any which way into shapes that please her.

As ours is a way of light, the work we do as followers of the path of Sufism is to help others become conscious that they are beings of light. Just like a potter works with clay to shape a pot, work with light practices helps individuals become more luminous and radiant. Becoming more skilled in the art of illumination catalyzes transformation. How would the world be different if, for example, all of us were to reclaim our inheritance as members in a "tribe of light" who vow to bring enlightenment to all creation.

Pebble people remain the same no matter what happens to and around them. They are not particularly interesting. More important, in God’s Story, pebble people tend to be resistant to what He wants to do with their lives. But putty people say to God, “You are the Potter; I am the clay (see Jer. 18:1–6). Change me, mold me, and if necessary break and remake me … into the person you created me to be.

What can one do about one's skin? We, who are clay blended by the Master Potter, come from the kiln of Creation in many hues. How can people say one skin is colored, when each has its own coloration? What should it matter that one bowl is dark and the other pale, if each is of good design and serves its purpose well.

There is something about hope that waters my roots. Hope is the painter in the sky, splashing the rainbow with colors. It is water that moistens the clay in the hands of the potter. It is the joy felt from the lips of a child dreaming about the future. It is the only thing that fuels my faith and whispers to me saying; though the road is long and hard, my feet were made for walking.

The medieval church had supported the geocentric system. It placed man midway, between the inert clay of the Earth’s core and the divine spirit. Man could either follow his base nature down to Hell, at the center of the Earth, or follow his soul and spirit, up through the celestial spheres to the heavens, so the system of planets became tied up with the medieval drama of Christian life and death.

the potter forms his vessels for himself. Let man strive with his Maker as he will, the fact remains that he is nothing more than clay in the Heavenly Potter’s hands, and while we know that God will deal justly with His creatures, that the Judge of all the earth will do right, nevertheless, He shapes His vessels for His own purpose and according to His own pleasure.

To uncultivate means to be both the clay and the pot, an element with promise and a tool entirely empty, without context—without water, without the potter, without life itself.

But who are you, O man, to talk back to God? "Shall what is formed say to him who formed it, 'Why did you make me like this?'" Does not the potter have the right to make out of the same lump of clay some pottery for noble purposes and some for common use?   What if God, choosing to show his wrath and make his power known, bore with great patience the objects of his wrath – prepared for destruction? What if he did this to make the riches of his glory known to the objects of his mercy, whom he prepared in advance for glory – even us, whom he also called, not only from the Jews but also from the Gentiles? (Romans 9:20-24)[28]

Perhaps the solicitation to pamper the way men live is too strong for them, for much of the business of philosophy at the present time seems to be to give high-sounding names to cover the sins of men. The clay is now molding the potter and the marble carving out the sculptor.

Yet, O LORD, you are our Father. We are the clay, you are the potter; we are all the work of your hand. ISAIAH 64:8

We were created by God, we were created for God, and we find purpose for our lives when we resign ourselves to God’s disposal. We offer ourselves for God’s glory alone because God lives for his glory alone.10 Newton once counted every mention in the Bible where God acts so that “they shall know that I am the LORD.” He found the phrase seventy-three times.11 This biblical discovery is essential to all other reality and knowledge in the universe. God intends with his every act to honor his own name—it is his highest end, his aim in every act.12 He is the potter; we are clay, made in his image and created for his glory. And not only are we created for him; we have been redeemed from sin by him. Christ has paid the purchase price, and we are his by blood; therefore we can no longer live for multiple lords. We do not serve God and money, and we do not serve God and worldliness. Our bodies and souls have been created and redeemed for one ultimate end: to glorify God (1 Cor. 6:19–20).

Peniel, who did not have an alms bowl, held up his empty hands to heaven and begged, 'O you of tender mercies! Please! Because you are righteousness! Because you see one who has no eyes and yet longs to see your face! Have mercy on me! Have mercy on the son of a potter! Imperfect clay am I. A man created flawed from my birth! O you of tender mercies, have mercy on one who lives in darkness and longs to see you face-to-face!

BEHOLD MY WRATH SHALL DESTROY YOUR NATION BEHOLD MY WRATH SHALL SCATTER YOUR PEOPLE In my hand is a potters vessel of clay With a reed I scratch the NAME OF SUSA on the vessel of clay BEHOLD I THROW THE VESSEL OF CLAY UPON THE GROUND SUSA NOW LIES SCATTERED AS I CURSE THE CONDEMNED NATION OF SATAN USA WHICH IS SUSA

Learn to control yourselves; learn to be in the hands of God as clay in the hands of the potter (DBY, 265).

Without the potter, clay is just dirt.

Irenée Calfat was a potter. She took hunks of clay and turned them into exquisite works. She’d pioneered a new way to glaze her works and was now sought out by potters worldwide. Of course, after they’d made the pilgrimage to Irenée Calfat’s studio in St Rémy and spent five minutes with the Goddess of Mud, they knew they’d made a mistake. She was one of the most self absorbed and petty people on the face of this earth

The potter knows the clay

Some weeks he had as little as one thousand yen to spend. Everyone else his age had a proper job and was doing things that adults did, like falling in love and buying new cars. But Yukio was in front of the kiln getting covered in smoke and soot. He would knead his clay and dream of the day when he would be an acclaimed potter with his own studio.

Wilhelm Rau has compiled the Vedic references to pottery from the oldest strands of the Black Yajurveda and found that although the potter’s wheel was known, it was hand made pottery that was prescribed for the ritual sphere. This suggests to him that “the more primitive technique persisted in the ritual sphere while in secular life more advanced methods of potting had already been adopted.” Should this assumption be correct, “we can pin down the transition from hand-made to wheel-thrown pottery, as far as the Aryans are concerned, (down) to the earlier phases of Vedic times” (Rau 1974, 141).12 Of relevance to this line of argument is a verse from the Taittīrlya Samhitā (4, 5, 4), stating that what is turned on the wheel is Āsuric and what is made without the wheel is godly (e.g., Kuzmina 1983, 21). According to Rau’s philological investigations, the characteristic of this oldest pottery was that it was made of clay mixed with various materials, some of them organic, resulting in porous pots. These pots were poorly-fired and ranged in size from about 0.24 m to 1.0 m in diameter at the opening and from 0.24 m to 0.40 m in height. Furthermore, they showed a lack of plastic decoration and were unpainted (Rau 1974, 142). Of further relevance is the fact that firing was accomplished by the covered baking method between two layers of raw bricks in a simple open pit. In later times this was done with materials producing red color. Rau advises excavators to be “on the lookout for ceramics of this description among their finds” (142).

You are a clay pot that happens to have a few chips and dents, but God is the potter who specializes in restoring what man has broken.

Do you know why that silly piece of pottery managed to survive?” Mariko asked. “Because you did not throw it hard enough.” “No.” She sighed. “In order for it to be hard enough to survive, it had to become strong. It had to be stepped on as clay. Shaped beneath the dutiful hand of a potter. And after all that, it had to live through a fire.” Raiden listened to her speak, his gaze piercing. Mariko continued. “You have lived through fire, Minamoto Raiden. You are stronger than you know. Everyone sees it but you.

Pottery. The Sumerians created the potter’s wheel and refined the art of creating air and watertight vessels made of clay.