Potato Corner Quotes

We've searched our database for all the quotes and captions related to Potato Corner. Here they are! All 47 of them:

No, women like you don't write. They carve onion sculptures and potato statues. They sit in dark corners and braid their hair in new shapes and twists in order to control the stiffness, the unruliness, the rebelliousness.
Edwidge Danticat (Krik? Krak!)
As the carriage whipped forward, they passed the alley she had spent so many days staring at—it was there, and then gone as they careened around a corner, nearly knocking over a costermonger pushing a donkey cart piled high with new potatoes. Tessa screamed. Will reached past her and yanked the curtain shut. "It's better if you don't look," he told her pleasantly. "He's going to kill someone. Or get us killed." "No, he won't. Thomas is an excellent driver." Tessa glared at him. "Clearly the word excellent means something else on this side of the Atlantic.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
When death stood round the corner, taking lives like a gardener digging up potatoes, it was foolishness to care what dirty things this person or that did with his body.
W. Somerset Maugham (The Painted Veil)
Would you believe I was in the neighborhood?” “No." “Well, how about that I needed to see you.” “Why? Did one of my neighbors call and say my cat’s been stalking their bunny?” One corner of his mouth went up. “You know, that sounds like a euphemism. A kind of salacious one” “Ooh, big words for Mr. Average Joe street cop,” she said, knowing she sounded bitchy but unable to help it. “Can you take out the angry eyes, Mrs. Potato Head, and just let me talk to you?
Leslie Parrish (Cold Touch (Extrasensory Agents, #2))
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep. They could see how love might control you, from your head to your toes, not to mention every single part of you in between. A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes. She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly. What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake. She refused to believe in superstition, she wouldn’t; yet it was claiming her. Some fates are guaranteed, no matter who tries to intervene. After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well. She was bad luck, ill-fated and unfortunate as the plague. She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire. Love is worth the sum of itself and nothing more. But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself. He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly. It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop. What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind. The greatest portion of grief is the one you dish out for yourself. She preferred cats to human beings and turned down every offer from the men who fell in love with her. They told her how sticks and stones could break bones, but taunting and name-calling were only for fools. — & now here she is, all used up. Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside. She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind. If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do. You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like. She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with. Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
Alice Hoffman (Practical Magic (Practical Magic, #1))
A green hunting cap squeezed the top of the fleshy balloon of a head. The green earflaps, full of large ears and uncut hair and the fine bristles that grew in the ears themselves, stuck out on either side like turn signals indicating two directions at once. Full, pursed lips protruded beneath the bushy black moustache and, at their corners, sank into little folds filled with disapproval and potato chip crumbs. In the shadow under the green visor of the cap Ignatius J. Reilly’s supercilious blue and yellow eyes looked down upon the other people waiting under the clock at the D.H. Holmes department store, studying the crowd of people for signs of bad taste in dress. Several of the outfits, Ignatius noticed, were new enough and expensive enough to be properly considered offenses against taste and decency. Possession of anything new or expensive only reflected a person’s lack of theology and geometry; it could even cast doubts upon one’s soul.
John Kennedy Toole (A Confederacy of Dunces)
I cut each potato into four pieces, making sure each piece had at least two eyes. The eyes are where they sprout from. I let them sit for a few hours to harden a bit, then planted them, well spaced apart, in the corner. Godspeed, little taters. My life depends on you.
Andy Weir (The Martian)
Maybe then they’d leave me the fuck alone in the corner with my turkey and my mashed potatoes and my phone.
Francesca Zappia (Eliza and Her Monsters)
After even the first few steps, the disadvantages of the bus ride seemed like small potatoes. 'Small potatoes' is a phrase which has nothing to do with root vegetables that happen to be tiny in size. Instead, it refers to the change in one's feelings for something when it is compared with something else. If you were walking in the rain, for instance, you might be worried about getting wet, but if you turned the corner and saw a pack of vicious dogs, getting wet would suddenly become small potatoes next to getting chased down an alley and barked at, or possibly eaten.
Lemony Snicket (The Vile Village (A Series of Unfortunate Events, #7))
He tossed the potato up and down, up and down, a thin smile creeping out from the corners of his mouth.
Sharon Cameron (Rook)
One summer afternoon I came home and found all the umbrellas sitting in the kitchen, with straw hats on, telling who they are. ... The umbrella that peels the potatoes with a pencil and makes a pink ink with the peelings stood up and said, "I am the umbrella that peels the potatoes with a pencil and makes a pink ink with the peelings." ... The umbrella that runs to the corner to get corners for the handkerchiefs stood up and said, "I am the umbrella that runs to the corner to get corners for the handkerchiefs." ... "I am the umbrella that holds up the sky. I am the umbrella the rain comes through. I am the umbrella that tells the sky when to begin raining and when to stop raining. "I am the umbrella that goes to pieces when the wind blows and then puts itself back together again when the wind goes down. I am the first umbrella, the last umbrella, the one and only umbrella all other umbrellas are named after, first, last and always." When the stranger finished this speech telling who he was and where he came from, all the other umbrellas sat still for a little while, to be respectful.
Carl Sandburg (Rootabaga Stories)
There were too many problems with wizards and fairies and odd things popping up in the corners of the potato field for anyone to want to invite more supernatural intervention.
T. Kingfisher (The Seventh Bride)
Hands full of sweet potato, Chu Wanning opened his mouth without a second thought; it wasn’t until Mo Ran had popped the warm, soft milk candy onto his tongue, the coarse pad of his thumb brushing lightly past the corner of his lips, that Chu Wanning abruptly realized that he had eaten a sweet right out of his own disciple’s hand. The tips of his ears grew bright red.
Rou Bao Bu Chi Rou (The Husky and His White Cat Shizun: Erha He Ta De Bai Mao Shizun (Novel) Vol. 4)
Occasionally, in the stillness of a taxi or an airplane, she would catalog the pleasures she had lost. Cigarettes. Chewing gum. Strong mint toothpaste. Any food with hard edges or sharp corners that could pierce or abrade the inside of her mouth: potato chips, croutons, crunchy peanut butter. Any food that was more than infinitesimally, protozoically, spicy or tangy or salty or acidic: pesto or Worcestershire sauce, wasabi or anchovies, tomato juice or movie-theater popcorn. Certain pamphlets and magazines whose paper carried a caustic wafting chemical scent she could taste as she turned the pages. Perfume. Incense. Library books. Long hours of easy conversation. The ability to lick an envelope without worrying that the glue had irritated her mouth. The knowledge that if she heard a song she liked, she could sing along to it in all her dreadful jubilant tunelessness. The faith that if she bit her tongue, she would soon feel better rather than worse.
Kevin Brockmeier (The Illumination)
However, what America does possess in abundance is a legacy of colorful names. A mere sampling: Chocolate Bayou, Dime Box, Ding Dong, and Lick Skillet, Texas; Sweet Gum Head, Louisiana; Whynot, Mississippi; Zzyzx Springs, California; Coldass Creek, Stiffknee Knob, and Rabbit Shuffle, North Carolina; Scratch Ankle, Alabama; Fertile, Minnesota; Climax, Michigan; Intercourse, Pennsylvania; Breakabeen, New York; What Cheer, Iowa; Bear Wallow, Mud Lick, Minnie Mousie, Eighty-Eight, and Bug, Kentucky; Dull, Only, Peeled Chestnut, Defeated, and Nameless, Tennessee; Cozy Corners, Wisconsin; Humptulips, Washington; Hog Heaven, Idaho; Ninety-Six, South Carolina; Potato Neck, Maryland; Why, Arizona; Dead Bastard Peak, Crazy Woman Creek, and the unsurpassable Maggie’s Nipples, Wyoming.
Bill Bryson (The Mother Tongue: The Fascinating History of the English Language)
He did not know how much time passed. He got up, ripped the canvas off the frame, threw it into a corner, and put on a new one. He mixed some paints, sat down, and began work. One starts with a hopeless struggle to follow nature, and everything goes wrong; one ends by calmly creating from one’s palette, and nature agrees with it and follows. On croit que j’imagine—ce n’est pas vrai—je me souviens. It was just as Pietersen had told him in Brussels; he had been too close to his models. He had not been able to get a perspective. He had been pouring himself into the mould of nature; now he poured nature into the mould of himself. He painted the whole thing in the colour of a good, dusty, unpeeled potato. There was the dirty, linen table cloth, the smoky wall, the lamp hanging down from the rough rafters, Stien serving her father with steamed potatoes, the mother pouring the black coffee, the brother lifting a cup to his lips, and on all their faces the calm, patient acceptance of the eternal order of things. The sun rose and a bit of light peered into the storeroom window. Vincent got up from his stool. He felt perfectly calm and peaceful. The twelve days’ excitement was gone. He looked at his work. It reeked of bacon, smoke, and potato steam. He smiled. He had painted his Angelus. He had captured that which does not pass in that which passes. The Brabant peasant would never die.
Irving Stone (Lust For Life)
There were three or four of us, counting me. My working place was established in a corner of the warehouse, where Mr. Quinion could see me, when he chose to stand up on the bottom rail of his stool in the counting-house, and look at me through a window above the desk. Hither, on the first morning of my so auspiciously beginning life on my own account, the oldest of the regular boys was summoned to show me my business. His name was Mick Walker, and he wore a ragged apron and a paper cap. He informed me that his father was a bargeman, and walked, in a black velvet head-dress, in the Lord Mayor’s Show. He also informed me that our principal associate would be another boy whom he introduced by the - to me - extraordinary name of Mealy Potatoes. I discovered, however, that this youth had not been christened by that name, but that it had been bestowed upon him in the warehouse, on account of his complexion, which was pale or mealy. Mealy’s father was a waterman, who had the additional distinction of being a fireman, and was engaged as such at one of the large theatres; where some young relation of Mealy’s - I think his little sister - did Imps in the Pantomimes.
Charles Dickens (David Copperfield)
He sits in an old armchair in the corner covered with bits of blankets and a bucket behind the chair that stinks enough to make you sick and when you look at that old man in the dark corner you want to get a hose with hot water and strip him and wash him down and give him a big feed of rashers and eggs and mashed potatoes with loads of butter and salt and onions. I want to take the man from the Boer War and the pile of rags in the bed and put them in a big sunny house in the country with birds chirping away outside the window and a stream gurgling.
Frank McCourt (Angela’s Ashes (Frank McCourt, #1))
Risking a glance at the dignified young man beside her- what was his name?- Mr. Arthurson, Arterton?- Pandora decided to try her hand at some small talk. "It was very fine weather today, wasn't it?" she said. He set down his flatware and dabbed at both corners of his mouth with his napkin before replying. "Yes, quite fine." Encouraged, Pandora asked, "What kind of clouds do you like better- cumulus or stratocumulus?" He regarded her with a slight frown. After a long pause, he asked, "What is the difference?" "Well, cumulus are the fluffier, rounder clouds, like this heap of potatoes on my plate." Using her fork, Pandora spread, swirled, and dabbed the potatoes. "Stratocumulus are flatter and can form lines or waves- like this- and can either form a large mass or break into smaller pieces." He was expressionless as he watched her. "I prefer flat clouds that look like a blanket." "Altostratus?" Pandora asked in surprise, setting down her fork. "But those are the boring clouds. Why do you like them?" "They usually mean it's going to rain. I like rain." This showed promise of actually turning into a conversation. "I like to walk in the rain, too," Pandora exclaimed. "No, I don't like to walk in it. I like to stay in the house." After casting a disapproving glance at her plate, the man returned his attention to eating. Chastened, Pandora let out a noiseless sigh. Picking up her fork, she tried to inconspicuously push her potatoes into a proper heap again. Fact #64 Never sculpt your food to illustrate a point during small talk. Men don't like it. As Pandora looked up, she discovered Phoebe's gaze on her. She braced inwardly for a sarcastic remark. But Phoebe's voice was gentle as she spoke. "Henry and I once saw a cloud over the English Channel that was shaped in a perfect cylinder. It went on as far as the eye could see. Like someone had rolled up a great white carpet and set it in the sky." It was the first time Pandora had ever heard Phoebe mention her late husband's name. Tentatively, she asked, "Did you and he ever try to find shapes in the clouds?" "Oh, all the time. Henry was very clever- he could find dolphins, ships, elephants, and roosters. I could never see a shape until he pointed it out. But then it would appear as if by magic." Phoebe's gray eyes turned crystalline with infinite variations of tenderness and wistfulness. Although Pandora had experienced grief before, having lost both parents and a brother, she understood that this was a different kind of loss, a heavier weight of pain. Filled with compassion and sympathy, she dared to say, "He... he sounds like a lovely man." Phoebe smiled faintly, their gazes meeting in a moment of warm connection. "He was," she said. "Someday I'll tell you about him." And finally Pandora understood where a little small talk about the weather might lead.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
First, she must unequivocally say “no” to the housewife image. This does not mean, of course, that she must divorce her husband, abandon her children, give up her home. She does not have to choose between marriage and career; that was the mistaken choice of the feminine mystique. In actual fact, it is not as difficult as the feminine mystique implies, to combine marriage and motherhood and even the kind of lifelong personal purpose that once was called “career.” It merely takes a new life plan—in terms of one’s whole life as a woman. The first step in that plan is to see housework for what it is—not a career, but something that must be done as quickly and efficiently as possible. Once a woman stops trying to make cooking, cleaning, washing, ironing, “something more,” she can say “no, I don’t want a stove with rounded corners, I don’t want four different kinds of soap.” She can say “no” to those mass daydreams of the women’s magazines and television, “no” to the depth researchers and manipulators who are trying to run her life. Then, she can use the vacuum cleaner and the dishwasher and all the automatic appliances, and even the instant mashed potatoes for what they are truly worth—to save time that can be used in more creative ways.
Betty Friedan (The Feminine Mystique)
Cheddar Cheese Grits Ingredients: 2 cups whole milk 2 cups water 1 1/2 teaspoons salt 1 cup coarse ground cornmeal 1/2 teaspoon freshly ground black pepper 4 tablespoons unsalted butter 4 ounces sharp Cheddar, shredded Directions: Place the milk, water, and salt into a large, heavy-gauge pan over medium-high heat and bring to a boil. Once the milk mixture comes to a boil, gradually add the cornmeal while continually stirring. Once all of the cornmeal has been incorporated, decrease the heat to low and cover. Remove lid and stir frequently, every few minutes, to prevent grits from sticking or forming lumps; make sure to get into corners of the pan when stirring. Cook for 20 to 25 minutes or until mixture is creamy. Remove from the heat, add the pepper and butter, and whisk to combine. Once the butter is melted, gradually whisk in the cheese a little at a time. Serve immediately. Sweet Potato Casserole Ingredients: For the sweet potatoes 3 cups (1 29-ounce can) sweet potatoes, drained ½ cup melted butter ⅓ cup milk ¾ cup sugar 1 teaspoon vanilla 2 beaten eggs salt to taste For the topping: 5 tablespoons melted butter ⅔ cup brown sugar ⅔ cup flour 1 cup pecan pieces Instructions: Preheat the oven to 350 degrees. Mash the sweet potatoes and add the melted butter, milk, sugar, vanilla, beaten eggs, and a pinch of salt. Stir until incorporated. Pour into a shallow baking dish or a cast iron skillet. Combine the butter, brown sugar, flour, and pecan pieces in a small bowl, using your fingers to create moist crumbs. Sprinkle generously over the casserole. Bake for 25-35 minutes, until the edges pull away from the sides of the pan and the top is golden brown. Let stand for the mixture to cool and solidify a little bit before serving. Southern Fried Chicken Ingredients: 4 pounds chicken pieces 1 1/2 cups milk 2 large eggs 2 1/2 cups all-purpose flour 2 tablespoons salt 2 teaspoons pepper 3 cups vegetable oil salt to taste Preparation: Rinse chicken; pat dry and then set aside. Combine milk and eggs in a bowl; whisk to blend well. In a large heavy-duty plastic food storage bag, combine the flour, salt, and pepper. Dip a chicken piece in the milk mixture; let excess drip off into bowl. Put a few chicken pieces in the food storage bag and shake lightly to coat thoroughly. Remove to a plate and repeat with remaining chicken pieces. Heat oil to 350°. Fry chicken, a few pieces at a time, for about 10 minutes on each side, or until golden brown and cooked through. Chicken breasts will take a little less time than other pieces. Pierce with a fork to see if juices run clear to check for doneness. With a slotted spoon, move to paper towels to drain; sprinkle with salt.
Ella Fox (Southern Seduction Box Set)
A Girl's Garden" A neighbor of mine in the village Likes to tell how one spring When she was a girl on the farm, she did A childlike thing. One day she asked her father To give her a garden plot To plant and tend and reap herself, And he said, 'Why not?' In casting about for a corner He thought of an idle bit Of walled-off ground where a shop had stood, And he said, 'Just it.' And he said, 'That ought to make you An ideal one-girl farm, And give you a chance to put some strength On your slim-jim arm.' It was not enough of a garden Her father said, to plow; So she had to work it all by hand, But she don't mind now. She wheeled the dung in a wheelbarrow Along a stretch of road; But she always ran away and left Her not-nice load, And hid from anyone passing. And then she begged the seed. She says she thinks she planted one Of all things but weed. A hill each of potatoes, Radishes, lettuce, peas, Tomatoes, beets, beans, pumpkins, corn, And even fruit trees. And yes, she has long mistrusted That a cider-apple In bearing there today is hers, Or at least may be. Her crop was a miscellany When all was said and done, A little bit of everything, A great deal of none. Now when she sees in the village How village things go, Just when it seems to come in right, She says, 'I know! 'It's as when I was a farmer...' Oh never by way of advice! And she never sins by telling the tale To the same person twice.
Robert Frost
No. Knox got to his feet. I’ll go get her myself. He quickly ended the business call, uncaring that he’d been rude. Opening his office door, Knox indicated for Levi to follow him. “Tanner just contacted me,” said Knox. “Apparently Harper —” He cut off as a she-demon rounded the corner and came to a halt in front of him. Belinda smiled. “Oh, Knox, I was hoping to catch you.” For fuck’s sake. “What can I do for you, Miss Thacker?” Her smile dimmed at his impatient tone. “It’s about the appetizers for the event.” “I told you I want Harper to decide these things.” Belinda’s mouth flattened. “She doesn’t find any of my suggestions suitable.” “Then they’re not suitable.” Simple. “Knox —” “Miss Thacker, I didn’t invite you to call me by my first name.” Her cheeks reddened. “I gave you my orders when I hired you. They were not complicated. I specified all the details of the event that I wished to be left for Harper to decide.” “She wants steak and potato wedges on sticks!” Belinda took a deep breath and lowered her eyes. “I apologize for my outburst.” Steak and potato wedges on sticks? echoed Levi, a smile in his telepathic voice. That actually sounds pretty good. “Do you remember the all-important order I gave you before sending you Harper’s way, Miss Thacker?” She swallowed. “Yes.” “What was it?” Belinda met his gaze. “You told me to give her whatever she wants.” “Then do it. Now I have somewhere I need to be…” She straightened her blazer. “Thank you for your time, Mr Thorne,” she said stiffly.
Suzanne Wright (Blaze (Dark in You, #2))
The wedding rehearsal itself was uneventful until Father Johnson decided it was time to show Marlboro Man and me the proper way to walk to the marriage altar. Evidently, all of Father Johnson’s theological studies and work was destined to culminate in whether or not Marlboro Man and I approached the altar in the perfectly correct and proper way, because he was intent on driving the point home. “At this point,” Father Johnson instructed, “you’ll start to turn and Ree will take your arm.” He lightly pushed Marlboro Man in the proper direction, and the two of us began walking forward. “Nope, nope, nope,” Father Johnson said authoritatively. “Come back, come back.” Marlboro Man’s college friends snickered. “Oh…what did we do wrong?” I asked Father Johnson humbly. Maybe he’d discovered the truth about the collages. He showed us again. Marlboro Man was to turn and begin walking, then wait for me briefly. Then, as I took his arm, he was to lead me to the altar. Wait. Wasn’t that what we just did? We tried again, and Father Johnson corrected us…again. “Nope, nope, nope,” he said, pulling us both by the arm until we were back in our starting position. Marlboro Man’s friends chuckled. My stomach growled. And Marlboro Man kept quietly restrained, despite the fact that he was being repeatedly corrected by his fiancée’s interim minister for something that arguably wasn’t all that relevant to the commitment we were making to spend the rest of our lives together. We went through no fewer than seven more takes, and with each redo I began to realize that this was Father Johnson’s final test for us. Forget the collage assignment--that was small potatoes. Whether we could keep our cool and take instruction when a nice steak dinner and drinks awaited us at the country club was Father Johnson’s real decider of whether or not Marlboro Man and I were mature, composed, and levelheaded enough to proceed with the wedding. And while I knew Marlboro Man would grit his teeth and bear it, I wasn’t entirely sure I could. But I didn’t have to. On the beginning of the eighth run, just after Father Johnson gave us another “Nope. You’re not getting it right, kids…” Mike’s loud voice echoed throughout the wood-and-marble sanctuary. “Oh, c-c-c-c-come on, Father Johnson!” The chuckles turned into laughter. And out of the corner of my eye I saw Tony giving Mike a subtle high five. Thank goodness for Mike. He was hungry. He wanted to get on to the party.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
cap to scratch his bald head. ‘Well, you won’t miss the veg because I’ll be bringing you some every week now. I’ve always got plenty left over and I’d rather give it to you than see it waste.’ He gave a rumbling laugh. ‘I caught that young Tommy Barton digging potatoes from Percy’s plot this mornin’. Give ’im a cuff round ’is ear but I let him take what he’d dug. Poor little bugger’s only tryin’ to keep his ma from starvin’; ain’t ’is fault ’is old man got banged up for robbin’, is it?’ Tilly Barton, her two sons Tommy and Sam and her husband, lived almost opposite the Pig & Whistle. Mulberry Lane cut across from Bell Lane and ran adjacent to Spitalfields Market, and the folk of the surrounding lanes were like a small community, almost a village in the heart of London’s busy East End. Tilly and her husband had been good customers for Peggy until he lost his job on the Docks. It had come as a shock when he’d been arrested for trying to rob a little corner post office and Peggy hadn’t seen Tilly to talk to since; she’d assumed it was because the woman was feeling ashamed of what her husband had done. ‘No, of course not.’ Peggy smiled at him. A wisp of her honey-blonde hair had fallen across her face, despite all her efforts to sweep it up under a little white cap she wore for cooking. ‘I didn’t realise Tilly Barton was in such trouble. I’ll take her a pie over later – she won’t be offended, will she?’ ‘No one in their right mind would be offended by you, Peggy love.’ ‘Thank you, Jim. Would you like a cup of coffee and a slice of apple pie?’ ‘Don’t mind a slice of that pie, but I’ll take it for my docky down the allotment if that’s all right?’ Peggy assured him it was and wrapped a generous slice of her freshly cooked pie in greaseproof paper. He took it and left with a smile and a promise to see her next week just as her husband entered the kitchen. ‘Who was that?’ Laurence asked as he saw the back of Jim walking away. ‘Jim Stillman, he brought the last of the stuff from Percy’s allotment.’ Peggy’s eyes brimmed and Laurence frowned. ‘I don’t know what you’re upset for, Peggy. Percy was well over eighty. He’d had a good life – and it wasn’t even as if he was your father…’ ‘I know. He was a lot older than Mum but…Percy was a good stepfather to me, and wonderful to Mum when she was so ill after we lost Walter.’ Peggy’s voice faltered, because it still hurt her that her younger brother had died in the Great War at the tender age of seventeen. The news had almost destroyed their mother and Peggy thought of those dark days as the worst of her
Rosie Clarke (The Girls of Mulberry Lane (Mulberry Lane #1))
You never asked. How would I like you to kill it? You are a captain in the Red Army, for goodness’ sake. What do they teach you there?” “How to kill human beings. Not mice.” She barely touched her food. “Well, throw a grenade at it. Use your rifle. I don’t know. But do something.” Alexander shook his head. “You went out into the streets of Leningrad while the Germans were throwing five-hundred-kilo bombs that blew arms and legs off the women standing ahead of you in line, you stood fearless in front of cannibals, you jumped off a moving train to go and find your brother, but you are afraid of mice?” “Now you got it,” Tatiana said defiantly. “It doesn’t make sense,” Alexander said. “If a person is fearless in the big things—” “You’re wrong. Again. Are you done with your questions? Anything else you want to ask? Or add?” “Just one thing.” Alexander kept his face serious. “It looks like,” he said slowly, his voice calm, “we’ve found three uses for that too-high potato countertop I built yesterday.” And he burst out laughing. “Go ahead, laugh,” Tatiana said. “Go ahead. I’m here for your amusement.” Her eyes twinkled. Putting his own plate on the bench, Alexander took the plate out of her hands and brought her to him to stand between his legs. Reluctantly she came. “Tania, do you have any idea how funny you are?” He kissed her chest, looking up at her. “I adore you.” “If you really adored me,” she said, trying to twist herself out of his arms, unsuccessfully, “you wouldn’t be sitting here idly flirting when you could be militarizing that cabin.” Alexander stood up. “Just to point out,” he said, “it’s not called flirting once you’ve made love to the girl.” After Alexander went inside, a smiling Tatiana sat on the bench and finished her food. In a few minutes he emerged from the cabin holding his rifle in one hand, his pistol in the other, and a bayonet attachment between his teeth. The dead mouse was swinging at the end of the bayonet. He spoke out of the corner of his mouth. “How did I do?” Tatiana failed to keep a straight face. “All right, all right,” she said, chortling. “You didn’t have to bring out the spoils of war.” “Ah, but I know you wouldn’t believe in a dead mouse unless you saw it with your own eyes.” “Will you stop quoting me back to me? Shura, you tell me, I will believe it,” said Tatiana. “Now, go on, get out of here with that thing.” “One last question.” “Oh, no,” said Tatiana, covering her face, trying not to laugh. “Do you think this dead mouse is worth the price of a…killed mouse?” “Will you just go?” Tatiana heard his boisterous laughter all the way to the woods and back.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
So, what did you want to watch?’ ‘Thought we might play a game instead,’ he said, holding up a familiar dark green box. ‘Found this on the bottom shelf of your DVD cupboard … if you tilt the glass, the champagne won’t froth like that.’ Neve finished pouring champagne into the 50p champagne flutes she’d got from the discount store and waited until Max had drunk a good half of his in two swift swallows. ‘The thing is, you might find it hard to believe but I can be very competitive and I have an astonishing vocabulary from years spent having no life and reading a lot – and well, if you play Scrabble with me, I’ll totally kick your arse.’ Max was about to eat his first bite of molten mug cake but he paused with the spoon halfway to his mouth. ‘You’re gonna kick my arse?’ ‘Until it’s black and blue and you won’t be able to sit down for a week.’ That sounded very arrogant. ‘Really, Max, Mum stopped me from playing when I was thirteen after I got a score of four hundred and twenty-seven, and when I was at Oxford, I used to play with two Linguistics post-grads and an English don.’ ‘Well, my little pancake girlfriend, I played Scrabble against Carol Vorderman for a Guardian feature and I kicked her arse because Scrabble has got nothing to do with vocabulary; it’s logic and tactics,’ Max informed her loftily, taking a huge bite of the cake. For a second, Neve hoped that it was as foul-tasting as she suspected just to get Max back for that snide little speech, but he just licked the back of the spoon thoughtfully. ‘This is surprisingly more-ish, do you want some?’ ‘I think I’ll pass.’ ‘Well, you’re not getting out of Scrabble that easily.’ Max leaned back against the cushions, the mug cradled to his chest, and propped his feet up on the table so he could poke the Scrabble box nearer to Neve. ‘Come on, set ’em up. Unless you’re too scared.’ ‘Max, I have all the two-letter words memorised, and as for Carol Vorderman – well, she might be good at maths but there was a reason why she wasn’t in Dictionary Corner on Countdown so I’m not surprised you beat her at Scrabble.’ ‘Fighting talk.’ Max rapped his knuckles gently against Neve’s head, which made her furious. ‘I’ll remind you of that little speech once I’m done making you eat every single one of those high-scoring words you seem to think you’re so good at.’ ‘Right, that does it.’ Neve snatched up the box and practically tore off the lid, so she could bang the board down on the coffee table. ‘You can’t be that good at Scrabble if you keep your letters in a crumpled paper bag,’ Max noted, actually daring to nudge her arm with his foot. Neve knew he was only doing it to get a rise out of her, but God, it was working. ‘Game on, Pancake Boy,’ she snarled, throwing a letter rack at Max, which just made him laugh. ‘And don’t think I’m going to let you win just because it’s your birthday.’ It was the most fun Neve had ever had playing Scrabble. It might even have been the most fun she had ever had. For every obscure word she tried to play in the highest scoring place, Max would put down three tiles to make three different words and block off huge sections of the board. Every time she tried to flounce or throw a strop because ‘you’re going against the whole spirit of the game’, Max would pop another Quality Street into her mouth because, as he said, ‘It is Treat Sunday and you only had one roast potato.’ When there were no more Quality Street left and they’d drunk all the champagne, he stopped each one of her snits with a slow, devastating kiss so there were long pauses between each round. It was a point of honour to Neve that she won in the most satisfying way possible; finally getting to use her ‘q’ on a triple word score by turning Max’s ‘hogs’ into ‘quahogs’ and waving the Oxford English Dictionary in his face when he dared to challenge her.
Sarra Manning (You Don't Have to Say You Love Me)
Snacks? What kind of snacks?” I asked. “Something called chips, which are made from potatoes, and different kinds of candies.” “Oh, you’re gonna sell candy, too?” “Yeah, but totally different from the candy shop.” “I see.” “I hope you’ll come by for the grand opening.” “When is it?” “Hopefully, next week. I’ll let you know.” I nodded. “Okay, I’ll try to make it, Tes.” “Cool. Thank you. Alright, I’m going to get some more food,” he said and left. A few minutes later, Maky got on the microphone and announced that the dancing portion of the night was going to start soon. “Woohoo! It’s dancing time,” said Arthur excitedly. “You know who I’m going to ask to dance with me?” “Who?” I asked. “Autumn,” answered Pierce. “Yup! Hopefully, she’ll agree.” “What about you, Pierce? Are you gonna ask anyone to dance?” “Um, I don’t know. Maybe I’ll just dance by myself or with a group of friends,” the knight answered. “Cool…” I said sadly because I felt a little bit left out. “Or you know, maybe I’ll just hang out with you.” “Naw, I’m fine. You don’t have to keep me company.” Then suddenly, music started playing from the speakers that were set up at all the four corners of the city square. “Oh, here we go! I’ll be back later,” said Arthur as he took off to find Autumn. As the music played, I looked around for Maky’s band, but they were nowhere in sight. “Hm. This music must be coming from the jukebox,” I said. “Yeah, I don’t think Maky is playing tonight,” said Pierce. “She’s not? Why not? They’re super good.” “I don’t know, Steve.” “Hm. Oh, look. People are starting to take to the dance floor.” Slowly, a couple of villagers made their way toward the center of the city square. They were nervous about being the first ones, but soon after, many others followed their lead. Before I knew it, there were a ton of villagers in the middle, jumping up and down and dancing to the music. “That looks like fun…” I said. “Yeah…” said Pierce. “You should go join them.” “N-nah. I like sitting here.” Right when Pierce said that, someone came by and grabbed his hand and pulled him to the dance floor. “Come on, Pierce, let’s show them how it’s done,” said Leila. “B-but I’m not that good!” said Pierce. I tried my best to smile and said, “Have fun…” With my fake smile on, I watched as Pierce was dragged into the middle. Leila had stolen my only company away from me, and that made me feel super left out. I sighed and thought to myself, I wish I was out of this chair already. But I knew I didn’t have a choice, so I just sat in my chair and nodded along to the music. A few minutes later, the first song ended and the next one came on. I just continued sitting there while watching my friends have fun. In the middle, I could see Arthur dancing with Autumn, Cindy dancing with Arceus, and Leila dancing with Pierce. Shortly after, someone came by to talk to me. “Hey, Steve! How ya doing?” Maky asked while breathing hard. “Maky? Why aren’t you playing tonight?” I asked. “Oh, because I wanted to dance and have fun tonight. I mean, playing my instrument is fun, too, but dancing is a different kind of fun.” “I see.” “So, what are you doing over here? You don’t want to join the fun?” “Uh, there’s not much fun to be had when I’m stuck in a wheel chair.” “Oh, that’s nonsense!” Then she ran behind my chair, tilted it slightly backwards and pushed me off toward the middle of the dance floor. “Whoa! What are you doing?!” “We’re going to dance!” “Huh?!
Steve the Noob (Diary of Steve the Noob 35 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
I ain't inspired any more, Sherm; there was this painting I saw in the museum in Amsterdam. It was called 'Christ Preaching in the House of Mary and Martha.' And the whole foreground of the picture, maybe three-fourths of the canvas, is a kitchen in one of them Dutch houses, and there's a cook plucking chickens. All around her there's dead rabbits, pheasants, turkeys, ducks, sides of beef, six kinds of fish, clams, oysters, potatoes, apples, eggplant, kohlrabi, rutabaga, carrots, Swiss chard, and God knows what else. Food, food, food. And where's Christ? Well, way back in a little alcove off the kitchen, there He is, with the women, preaching. Who cares about Him, when everyone wants to stuff their gut with rabbit and turkey? Who hears His sermon, when there's lots of roast duck and fried oysters?" "What in the world has that to do with our survey?" asked Wettlaufer. "Sherman, you and me and this survey and these people like Huguettte Roux and Willem Kruis--we're preaching way back in the corner to two people. But most of the world is in that kitchen drooling over those rabbits and geese!
Gerald Green (The legion of noble Christians: Or, The Sweeney survey)
He's on to sashimi now, fanning and curling slices of snapper and fugu into white roses on his cutting board. Before Toshio can plate the slices, Shunichi reaches over and calmly replaces the serving plate his son has chosen with an Edo-era ceramic rectangle more to his liking. Three pieces of tempura- shrimp, eggplant, new onion- emerge hissing and golden from the black iron pot in the corner, and Toshio arranges them on small plates with wedges of Japanese lime. Before the tempura goes out, Shunichi sneaks in a few extra granules of salt while Toshio's not looking. By now Dad is shadowing his son's every move. As Toshio waves a thin plank of sea cucumber eggs over the charcoal fire, his dad leans gently over his shoulder. "Be careful. You don't want to cook it. You just want to release its aroma." Toshio places a fried silverfish spine on a craggy ceramic plate, tucks grated yuzu and sansho flowers into its ribs, then lays a sliver of the dried eggs over the top. The bones shatter like a potato chip, and the sea cucumber detonates in my mouth.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
Rocket launcher?” he wondered aloud. “Nope, nope,” said a voice from the corner. “Potatoes.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Only hours earlier, my da had come in from his job at the bar and changed his clothes, as he always did after work, shedding rank smells with each layer. He sat in a chair at the small kitchen table with a pile of newspapers he said he’d found on the way home, dropping sections on the floor as he finished them. Mam mended a heap of clothes she’d taken in for money. Dominick peeled potatoes. James played in a corner. I drew on a piece of paper with Maisie, teaching her letters, the hot-water-bottle weight and warmth of her
Christina Baker Kline (Orphan Train)
Only hours earlier, my da had come in from his job at the bar and changed his clothes, as he always did after work, shedding rank smells with each layer. He sat in a chair at the small kitchen table with a pile of newspapers he said he’d found on the way home, dropping sections on the floor as he finished them. Mam mended a heap of clothes she’d taken in for money. Dominick peeled potatoes. James played in a corner. I drew on a piece of paper with Maisie, teaching her letters, the hot-water-bottle weight and warmth of her on my lap, her sticky fingers in my hair.
Christina Baker Kline (Orphan Train)
His control lasted long enough for Larn to exit the room. As soon as the door closed behind him, Barson headed to the corner where a sand-filled potato sack was hanging from the ceiling. His hands clenched into massive fists, red-hot jealousy filling every inch of his body. Unable to contain himself any longer, he lashed out, punching the bag over and over again, until his knuckles were sore and sweat ran down his back. Pausing, he ripped off his tunic, and then continued, venting his rage with furious blows.
Dima Zales (The Sorcery Code (The Sorcery Code, #1))
Once the interlude was over and I was released, I fled the room and, taking the stairs two at a time, found refuge in a dank corner of the basement filled with potatoes and mice. I stayed there until dinner, doing my best to stop crying by staring at the glowing face of my father’s wristwatch.
Allen Kurzweil (Whipping Boy: The Forty-Year Search for My Twelve-Year-Old Bully)
It seems rather arbitrary. Why should one fellow sell potatoes on a street corner in Whitechapel while another wastes his days in a castle because his great-grandfather played cards and wenched with King Henry VIII?
Will Thomas (Dance with Death (Barker & Llewelyn #12))
On the platter before her there was a bowl of beef bourguignon, the sauce dark with merlot; the corner of dauphinoise potatoes, gruyère-crusted top browned, bubbled with heat; there was a small plate of girolles, black kale, and white beans, scattered with breadcrumbs, mushrooms like trumpets; a sliver of a golden tarte tatin, confit garlic pressed onto the pastry like tear drops; a ramekin of pink-grey pâté, finished with a flurry of chives; there was a slice of fresh baguette that felt steamy to the touch, and a curl of butter imported from Isigny-sur-Mer at Cecelia's instruction, accompanied by a wooden bowl of fleur de sel.
Lottie Hazell (Piglet)
Gaea was short and squat, built like a barrel. Her skin was weathered and brown. She had a nose like a potato. But there were laugh lines around the corners of her eyes and her sensuous mouth.
John Varley (Titan (Gaea, #1))
There is the standing prime rib roast, which I salted three days ago and have left uncovered in the extra fridge to dry out. I place the roast in a large Ziploc bag and put it in the bottom of the first rolling cooler, and then the tray of twice-baked potatoes enriched with cream, butter, sour cream, cheddar cheese, bacon bits, and chives, and topped with a combination of more shredded cheese and crispy fried shallots. My coolers have been retrofitted with dowels in the corners so that I can put thin sheets of melamine on them to create a second level of storage; that way items on the bottom don't get crushed. On the top layer of this cooler I placed the tray of stuffed tomatoes, bursting with a filling of tomato pudding, a sweet-and-sour bread pudding made with tomato paste and orange juice and lots of butter and brown sugar, mixed with toasted bread cubes. I add a couple of frozen packs, and close the top. "That is all looking amazing," Shawn says. "Why, thank you. Can you grab me that second cooler over there, please?" He salutes and rolls it over. I pull the creamed spinach out of the fridge, already stored in the slow cooker container, and put it in the bottom of the cooler, and then add three large heads of iceberg lettuce, the tub of homemade ranch dressing and another tub of crispy bacon bits, and a larger tub of popover batter. I made the pie at Lawrence's house yesterday morning before heading to the airport- it was just easier than trying to transport it- and I'll make the whipped cream topping and shower it with shards of shaved chocolate just before serving. I also dropped off three large bags of homemade salt-and-pepper potato chips, figuring that Lawrence can't eat all of them in one day and that there will hopefully be at least two bags still there when we arrive. Lawrence insisted that he would pick up the oysters himself.
Stacey Ballis (How to Change a Life)
Winter comes, and our cupboard shelves in the snug stone cellar are an art gallery of crimson and green and brown and white jars. We have canned raspberries, blueberries, peas, beans, a few beets, some apple sauce from windfalls, grape jelly, fifty quarts of canned yellow corn, many quarts of beef stew and beef soup stock, also pork. A five-gallon keg of cider sits in the corner. In a wooden bin are twelve bushels of Green Mountain potatoes, and we have bought three barrels of apples. Our rutabagas, most of our beets and carrots are stored in layers of sand. There are bushels of onions and a hundred Danish Ball Head cabbages laid out on rough shelves.
Elliott Merrick (Green Mountain Farm)
Then the doors were thrown open for us, and inside was a scene from a painting, a dining hall even grander and more ornate than Maudlin's, all stone and stained glass, with an enormous tree in the corner, decorated and lit. On the long wooden tables turkeys gleamed like chestnuts, bowls of cranberry sauce and piles of potatoes and stuffing and roast vegetables. Christmas crackers were laid out at each place, and students were filing in, wearing their formal caps and gowns.
Robin Stevens (Mistletoe and Murder (Murder Most Unladylike, #5))
She bent over the table and proceeded to tip the pitcher over each plate and spill a thick white goo over everything. It covered the turkey and the yams and puddled all over each plate. Roughly the texture of heavy whipping cream. Decker couldn’t, by god, tell what that was supposed to be. “What is that?” he asked. “Gravy?” Stung, Araceli backed away from the table and clutched the pitcher to her heart. “Is los mash potatoes!” she cried and ran to the kitchen in humiliation. They could hear her crying in there. Dexter rose. “God. Damn. It,” he announced. “Look here. This is my country. This is my country. We been here, working this land, forever. We made our lives here. We planted crops here. We had our children and - and we buried our loved ones here. Right here! Is it too goddamned much to ask that somebody pay the slightest fucking attention to our traditions and history and stop wrecking everything? Could you learn the language? Could you cook a simple meal that anybody from here would recognize as real food? Am I asking too much?” He was red in the face and shaking. He was embarrassed about the whole thing - ashamed of his comment to Araceli, ashamed to have shown his emotions, ashamed that he had tears in the corners of his eyes. Outbursts were simply not the West Linden way. Reverend Visser just stared at his own hands with his head bowed. Juan fingered the arrowhead, spun it around and around with one finger. He didn’t want to eat the goopy mash potatoes either. “Yeah, Jefe. That’s what Geronimo said.
Luis Alberto Urrea (The Water Museum)
You’re not going to have kids?” Carson asks. “I would have thought you needed someone to carry on the famous Orson Ass.” I pause, my mind reeling. Holy. Fuck. “Hell, I didn’t even think about that.” I grip my forehead in distress. “Great, look what you just did,” Knox says while I pick up my phone to text Dottie. “Don’t text Dottie, Carson was just being a dick.” “No, this is not something we considered. We need to talk about this, right away.” I excuse myself from the table and weave my way through the restaurant until I find a quiet corner near the bathrooms. I dial “Bae’s” phone number and wait impatiently for her to answer. “Hey, aren’t you are at brunch with the boys?” she asks when she answers. “Dottie, we didn’t talk about something really important and now I’m freaking the fuck out.” “What did we not talk about?” she calmly asks. “You know that conversation we had awhile back about not having any kids?” “Yesss,” she drags out. I glance around to make sure no one is listening to me, stuff my hand in my pocket and quietly ask, “What about my butt?” Silence. Then . . . “Uh, what about your butt?” “You know . . .” “I really don’t know and I have a meeting in ten minutes, so if you can speed this up, I’d appreciate it.” “Dottie, if we don’t have kids, my butt dies with me.” “Your butt is dying with you either way, unless you have some sort of insane idea that I get your butt molded in gold or something, which although I wouldn’t put that past you, it’s not happening. Is that what you mean? You want to mold your butt and give it to our kids? You know I’m all about weird gifts but that’s just not something you should give your offspring.” “I’m not talking about that, but thanks for the idea, writing that in my will.” I hear her exaggerated breath. “I’m saying if we don’t have kids, I won’t pass my butt genes on to anyone and is that really fair to the human race? To stop my butt here?” “You’re serious?” “Dead serious. The butt can’t end with me. And what about my potato salad recipe? No one will say hey, you know what, I have my grandpa’s potato salad recipe I can make to bring to the barbeque. And that’s sacrilege.
Meghan Quinn (The Brentwood Boys (The Brentwood Boys, #1-3))
Every now and then, a mouthful of food tilted the world on its axis. This was one of them. The stew was dark and rich, meaty, herby. Thick broth and tender carrots and cubes of potato, hints of spice and aromatic vegetables. I moved my spoon through the opaque lake of gravy, imagining words that might describe it in an essay. I'd use the setting of the room, the AGA cooker in the corner, and the mullioned windows and the thatchers in their jeans. "This is venison?" I asked and took a larger spoonful. "It's amazing." "Thank you," Rebecca said mildly. "Have you never had it?" "Not like this. We don't really eat it in the U.S." I tasted again, mulled the flavors: red wine, garlic, bacon, and something I couldn't quite put my finger on. "There's a hint of sweetness. Not honey, I don't think, or brown sugar." Tony chuckled. "She'll never tell you her secrets." "Of course I will. Red currant jam.
Barbara O'Neal (The Art of Inheriting Secrets)
On certain days, in certain moments, brought to me by I don't know what breeze and opened to me by the opening of I don't know what door, I suddenly feel that the corner grocer is a thinking entity, that his assistant, who at this moment is bent over a sack of potatoes next to the entrance, is truly a soul capable of suffering.
Fernando Pessoa (The Book of Disquiet)
He hustled me into a corner and slipped his arms around my waist, beaming down at me. “So you don’t know how to peel potatoes, but you can deliver a baby?” “What, like it’s hard?
Abby Jimenez (Part of Your World (Part of Your World, #1))
Thanksgiving following Powerball held a different vibe than years past. When Gooch arrived with a wine case mixed with whites and reds—part of a massive purchase to restock Pogo’s cellar—Indian Leo was there to greet him. “I see Powerball changes everything! Your first Thanksgiving with us!” “Show me where to set this down, then let’s talk. I have a proposal for you.” Leo waved Gooch to follow. “And giving orders like a rich man!” The two wound up huddled behind a brandy still in a far, dark corner of the barn, invisible to those gathering for the feast. After hitting the bowl Leo had passed to him, Gooch laid out the consortium’s plan, talked about hidden caves and the promise he’d made to his father. Despite a niggling disrespect for Leo, Gooch grudgingly admired the Nindian’s life experience, competence, and wisdom that arose unexpectedly—usually when it was needed most. “I can see the merit in this. I think it’s providence, what you propose. I’ll chant on this tonight and then you’ll have my answer.” The darkness between them was interrupted by the embers glowing from the pull on his pipe. Flynn and The Don watched their friends return from the barn’s shadows, curious as to what the Nindian’s answer would be. Leo’s weed was famous throughout the Rockies—his “Butter Rum Snatch” and “Shush Kush” particularly popular with skiers wanting to find themselves either landing in soft pillows or navigating slopes of cerebral adventure. Getting Leo on board with tending the grow would be a real coup. After swatting away the buzzing fly that was Toothless Don, The Don heaped his plate pheasant, yams, globs of Jello-fruit-Cool-Whip, green bean casserole, then told Flynn that Gooch made the best choice for the operation’s gardener. Pointing forked roasted bird to rafters, he declared, “Leo goes for it. Why wouldn’t he? His autonomy? As a grower? Methinks this shit expands his trip.” “Everything I’ve smoked up here is primo. If that’s the guy growing it? I’m down.” Satisfied with his own plate, Flynn watched Whisper pull Leo aside as Gooch slapped some skin all around then jogged his way to the buffet. Gooch opted for duck, ladling gravy over scooped out mashed potatoes, slopping down collard greens and grabbing two Hawaiian sweet rolls. After pounding a few mouthfuls of food, he looked to his friends for affirmation. “Leo’s weed lasts what? Two months up here? And then, we’re stuck with ditchweed or expensive shit from Paonia or wherever. With our operation, he’ll do what he does and make tons more money. Because he won’t be limited by seasons. And we’ll have kine bud, like, whenever. I think he’s our gardener.” “Where did that come from, squire?” The Don waved his fork, wild-rice stuffing sprayed within the wake of his gestures. “Thinking. Out loud. Wondering if Leo is good for this or if he isn’t going to start doing fucking tours down in the caves.” Pulling meat from his plate and chewing on what he’d snagged, Gooch’s brow drooped to darken his eyes. “You know how he is.” Flynn didn’t know. “How do you mean?” Gooch cast a glance at Flynn’s plate where none of the food touched, meat, starch and veggies divided neatly into discrete nutritional piles. “The man has secrets. I mean, we all have secrets, but he more than most. Which tells me he won’t go blabbing about this, our thing.” “Cosa nostra,” The Don mumbled his Godfather impression. Seated and filling their faces, the three found other table conversations focused entirely on the winners, what they were planning to do with all that money—the winners, everyone meant—and how it was great for the town, especially for the winners. A rubber ball of a topic that kept bouncing back, no matter how hard lottery winners tried to send the trajectory in another direction.
James R McQuiggin