Postcards With Beautiful Quotes

Cindy Divine and her parents paused by their boat to take in the natural beauty. Lake Barkley could have been a top-paid model for a glossy postcard company that morning. It lay between little hills all dressed up in new green, and its mirror-like water reflected a cloudless sky everywhere except along the shoreline where the hills were upside down. Clusters of blossoms, dogwood and redbud, were scattered here and there on the hillsides, and a brightening red was coloring the sky along the eastern hilltops.

People are like cities: We all have alleys and gardens and secret rooftops and places where daisies sprout between the sidewalk cracks, but most of the time all we let each other see is is a postcard glimpse of a skyline or a polished square. Love lets you find those hidden places in another person, even the ones they didn't know were there, even the ones they wouldn't have thought to call beautiful themselves.

Packy watched her walk away, her perfect heart-shaped rear end testing the confines of her tight black dress. There was a God. Packy was now certain of it. How else could such heart-stopping beauty be accounted for? Such a thing could not be the product of a random universe. A flower, maybe. A rainbow, perhaps. But not Venus Versailles.

[I]t is the writer's duty to write fiction which promotes virtue, the good, the beautiful, and above all, the true. ... It is the writer's duty to hate injustice, to defy the powerful, and to speak for the voiceless. To be ... the severest critics of our own societies.

They're selling postcards of the hanging They're painting the passports brown The beauty parlor is filled with sailors The circus is in town Here comes the blind commissioner They've got him in a trance One hand is tied to the tight-rope walker The other is in his pants And the riot squad they're restless They need somewhere to go As Lady and I look out tonight From Desolation Row.

Wherever you travel to, I would love to receive a beautiful postcard.

I suppose you think you know what autumn looks like. Even if you live in the Los Angeles dreamed of by September’s schoolmates, you have surely seen postcards and photographs of the kind of autumn I mean. The trees go all red and blazing orange and gold, and wood fires burn at night so everything smells of crisp branches. The world rolls about delightedly in a heap of cider and candy and apples and pumpkins and cold stars rush by through wispy, ragged clouds, past a moon like a bony knee. You have, no doubt, experienced a Halloween or two. Autumn in Fairyland is all that, of course. You would never feel cheated by the colors of a Fairyland Forest or the morbidity of a Fairyland moon. And the Halloween masks! Oh, how they glitter, how they curl, how their beaks and jaws hook and barb! But to wander through autumn in Fairyland is to look into a murky pool, seeing only a hazy reflection of the Autumn Provinces’ eternal fall. And human autumn is but a cast-off photograph of that reflecting pool, half burnt and drifting through the space between us and Fairyland. And so I may tell you that the leaves began to turn red as September and her friends rushed through the suddenly cold air on their snorting, roaring high wheels, and you might believe me. But no red you have ever seen could touch the crimson bleed of the trees in that place. No oak gnarled and orange with October is half as bright as the boughs that bent over September’s head, dropping their hard, sweet acorns into her spinning spokes. But you must try as hard as you can. Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel to mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.

Valencia. City by the sea, birthplace of her favorite painter, Sorolla. Hotel guests speak of Valencia’s tranquil beauty, fragrant orange trees, and rolling blue waters. What does a large body of water sound and smell like? Ana wonders. Landlocked, fenced by circumstance, she has never seen the sea. She sees Spain only through images on postcards that guests collect in their rooms. If she transfers to the hotel business office, perhaps one day she too will walk along the beach in Valencia.

It’s amazing how well you can get to know a person if you actually pay attention. People are like cities: We all have alleys and gardens and secret rooftops and places where daisies sprout between the sidewalk cracks, but most of the time all we let each other see is a postcard glimpse of a floodlit statue or a skyline. Love lets you find those hidden places in another person, even the ones they didn’t know were there, even the ones they wouldn’t have thought to call beautiful themselves.

It is not growing like a tree In bulk, doth make Man better be; Or standing long an oak, three hundred year, To fall a log at last, dry, bald, and sere: A lily of a day Is fairer far in May Although it fall and die that night; It was the plant and flower of Light. In small proportions we just beauties see; And in short measures life may perfect be (Ben Jonson)

Some people won't dog-ear the pages. Others won't place the book facedown, pages splayed. Some won't dare make a mark in the margin. Get over it. Books exist to impart their worlds to you, not to be beautiful objects to save for some other day. We implore you to fold, crack, and scribble on your books whenever the desire takes you. Underline the good bits, exclaim "YES!" and "NO!" in the margins. Invite others to inscribe and date the frontispiece. Draw pictures, jot down phone numbers and Web addresses, make journal entries, draft letters to friends or world leaders. Scribble down ideas for a novel of your own, sketch bridges you want to build, dresses you want to design. Stick postcards and pressed flowers between the pages. When next you open the book, you'll be able to find the bits that made you think, laugh, and cry the first time around. And you'll remember that you picked up that coffee stain in the cafe where you also picked up that handsome waiter. Favorite books should be naked, faded, torn, their pages spilling out. Love them like a friend, or at least a favorite toy. Let them wrinkle and age along with you.

on the continent I'm soft. I dream too. I let myself dream. I dream of being famous. I dream of walking the streets of London and Paris. I dream of sitting in cafes drinking fine wines and taking a taxi back to a good hotel. I dream of meeting beautiful ladies in the hall and turning them away because I have a sonnet in mind that I want to write before sunrise. at sunrise I will be asleep and there will be a strange cat curled up on the windowsill. I think we all feel like this now and then. I'd even like to visit Andernach, Germany, the place where I began, then I'd like to fly on to Moscow to check out their mass transit system so I'd have something faintly lewd to whisper into the ear of the mayor of Los Angeles upon to my return to this fucking place. it could happen. I'm ready. I've watched snails crawl over ten foot walls and vanish. you mustn't confuse this with ambition. I would be able to laugh at my good turn of the cards - and I won't forget you. I'll send postcards and snapshots, and the finished sonnet.

The novel should tell the truth, as I see the truth, or as the novelist persuades me to see it. And one more demand: I expect the novelist to aspire to improve the world. ... As a novelist, I want to be more than one more dog barking at the other dogs barking at me. Not out of any foolish hope that one novelist, or all virtuous novelists in chorus, can make much of a difference for good, except in the long run, but out of the need to prevent the human world from relaxing into something worse. To maintain the tension between truth and falsity, beauty and ugliness, good and evil. ... I believe the highest duty of the serious novelist is, whatever the means or technique, to be a critic of his society, to hold society to its own ideals, or if these ideals are unworthy, to suggest better ideals.

On the postcard Perdu wrote Catherine that night were the phrases Max had invented that afternoon so he could present them to Samy at dinner. Samy found them so beautiful that she kept repeating them to herself, rolling their sounds back and forth on her tongue like a crumb of cake. Star salt (the stars' reflection in a river) Sun cradle (the sea) Lemon kiss (everyone knew exactly what this meant!) Family anchor (the dinner table) Heart notcher (your first lover) Veil of time (you spin around in the sandpit to find you are old and wet your pants when you laugh) Dreamside Wishableness

On my mental instant replay, I realized that obliquely comparing his family to the Nazis was maybe not my finest moment. He was quiet a second, and then he said, 'Did you know that Hitler anted to be an artist, but since he couldn't get into art school, he turned into a Nazi?' 'Yes, I remember that.' 'Just imagine if he got into art school, the whole world would be different.' I said, 'It just shows that people should be allowed to be who they are. If they can't, then they turn into nasty, sad people.' He started to laugh. 'What if you went to the art gallery, and the guy was like, "Here you see a beautiful Monet, and here on your left is an early Hitler." Wouldn't that be weird?' I couldn't think of any subtle way to turn it back around again. He said, 'You would go to the gift shop and buy Hitler postcards, and you'd go, "Oh, look at this beautiful Hitler. I'm going to hang it in my room!" And people would wear Hitler t-shirts.' 'Yes,' I said. 'That would have been better.

And the rest of the world goes about its business; we eat, we drink, we sleep, we attend to our needs, and that’s it. Oh yes, we know people are fighting somewhere. How do you expect me to feel about it—I, who have everything I need. No, but really, people are dying of hunger out there, we say, while stuffing ourselves with every kind of dish imaginable. I want music, and I turn the wireless dial, tuning out the news and replacing it with Tino Rossi’s beautiful voice, cooing about Barcelona again. There, that’s better. Indifferent. We are completely indifferent. Eyes closed, naïve and innocent, we do nothing but talk—we shout—we fight and make up—and all that time, men are dying.

Where you travel to, I would love to receive a beautiful postcard.

Even when I’m caught off guard by a lathery shade of peach on the bottom corner of a painting at the Met, as if being reminded that I haven’t seen all the colors, and how there’s more to see, and how one color’s newness can invalidate all of my sureness. To experience infinity and sometimes too the teasing melancholy born from the smallest breakthroughs, like an unanticipated shade of peach, like Buster Keaton smiling, or my friend Doreen’s laugh—how living and opposite of halfhearted it is. Or my beautiful mother growing out her gray, or a lightning bolt’s fractal scarring on a human body, or Fantin-Latour’s hollyhocks, or the sound of someone practicing an instrument—the most sonically earnest sound. Or how staring at ocean water so blue, it leaves me bereft. In postcards, I’ll scribble “So blue!” because, what else?

Her moral obligation to keep our hearts entwined. Her preeminent love, smelling like life, in a good way, familiar like an ancient woodcut, a private postcard in the midst of a crowd, in an old T-shirt to soak up the memories, committed to recycling life. repairing the nucleus.

wondered if being a feminist meant I would end up like Christina, trapped in a high-rise in the most beautiful place in the world, the curtains drawn against the postcard view, and Celine wondered if it meant she would end up like you, beautiful, broken, a monument to lost potential.

Perhaps it was that I wanted to see what I had learned, what I had read, what I had imagined, that I would never be able to see the city of London without seeing it through the overarching scrim of every description of it I had read before. When I turn the corner into a small, quiet, leafy square, am I really seeing it fresh, or am I both looking and remembering? [...] This is both the beauty and excitement of London, and its cross to bear, too. There is a tendency for visitors to turn the place into a theme park, the Disney World of social class, innate dignity, crooked streets, and grand houses, with a cavalcade of monarchs as varied and cartoony as Mickey Mouse, Snow White, and, at least in the opinion of various Briths broadhseets, Goofy. They come, not to see what London is, or even what it was, but to confirm a kind of picture-postcard view of both, all red telephone kiosks and fog-wreathed alleyways.

she was as unused to seeing tenderness in a man's eyes as she was to being caught off guard. Admiration? Amusement? Yes. Even desire. But those looks could be leveled at any inanimate object: a beautiful painting, a political cartoon, a French postcard. Tenderness was far more intimate, reserved for beings, not things.

I took one look at the beautiful morning, staggered back into my house and fell into bed. My preferred method of dealing with mornings is to sleep right through them. When you spend your nights killing vampires and evading your mortal enemy, sleep takes precedence over postcard sunrises." -Regan O'Connell, The Music of Chaos

INT. NEWT’S HOUSE—SHORTLY AFTER—NIGHT NEWT’S miserable gaze falls on the piece of postcard. He crosses to pick it up, then points his wand at it. NEWT: Papyrus Reparo. It reconstitutes into a whole. We see a picture of Paris. Postcard text becomes visible onscreen. TINA (V.O.); My dear Queenie, What a beautiful city. I’m thinking of you, Tina X

Three postcards await our perusal, yea, three visions of a world. One: I see a theme park where there are lots of rides, but there is nobody who can control them and nobody who knows how the rides end. Grief counseling, however, is included in the price of admission. Two: I see an accident. An explosion of some kind inhabited by happenstantial life forms. A milk spill gone bacterial, only with more flame. It has no meaning or purpose or master. It simply is. Three: I see a stage, a world where every scene is crafted. Where men act out their lives within a tapestry, where meaning and beauty exist, where right and wrong are more than imagined constructs. There is evil. There is darkness. There is the Winter of tragedy, every life ending, churned back into the soil. But the tragedy leads to Spring. The story does not end in frozen death. The fields are sown in grief. The harvest will be reaped in joy. I see a Master's painting. I listen to a Master's prose. When darkness falls on me, when I stand on my corner of the stage and hear my cue, when I know my final scene has come and I must exit, I will go into the ground like corn, waiting for the Son.

People are like cities: We all have alleys and gardens and secret rooftops and places where daisies sprout between the sidewalk cracks, but most of the time all we let each other see is is a postcard glimpse of a skyline or a polished square. Love lets you find those hidden places in another person, even the ones they didn’t know were there, even the ones they wouldn’t have thought to call beautiful themselves.

How I picture it: A scar is a story about pain, injury, healing. Years, too, are scars we wear. I remember their stories. The year everything changed. Kindergarten, fourth grade. The year of the pinecone, the postcard, the notebook. The year of waking in the night, sweating, heart racing. The year of being the only adult in the house, one baseball bat by the front door and another one under the bed. Or the year the divorce was finalized. First grade, fifth grade. Two houses, two beds, two Christmases, two birthdays. The year of where are your rain boots, they must be at Dad’s house. The year of who signed the permission slip? The year of learning to mow the lawn. The year of fixing the lawn mower, unclogging the toilets. The year I was tattooed with lemons. The year of sleeping with the dog instead of a husband. (The dog snores more quietly. The dog takes up less space.) The year of tweeting a note-to-self every day to keep myself moving. The year I kept moving. The year of sitting up at night, forgetting whether the kids were asleep in their beds or not. The year of waking in the morning and having to remember whether they were with me. The year I feared I would lose the house, and the year I did not lose the house. The year I wanted to cut a hole in the air and climb inside, and the year I didn’t want that at all. The year I decided not to disappear. The year I decided not to be small. The year I lived.

I blame that little village in Spain, the one with the whitewashed houses in a crescent along the sea, a fleet of pastel fishing boats, and that celebrated coffee with brandy. A sour wedge of apple lurked at the bottom like a tea-leaf fortune. Because we couldn't afford the fish we ate pizza with peaches and oregano on the beach, the sun and breeze conspiring. Seeing us there beneath the cliffs and the postcards of the cliffs, who wouldn't have predicted luck and beauty? Can I be blamed for loving it all and thinking it was you I loved?

I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.

I press the blue glass triangle to my lips and smile for Matt, my best-friend-that’s-a-boy, my last goodbye to the brokenhearted promise I carried like my journal for so long. Somewhere below the black frothy ocean, a banished mermaid reads my letters and weeps endlessly for a love she’ll never know – not for a single moment. Before the trip, Frankie and I set out to have the Absolute Best Summer Ever, the summer of twenty boys. We’ll never agree on the final count – whether the boys from Caroline’s should be included in the tally, whether the milk-shake man was too old to be considered a “boy,” whether her tattooed rock star interlude was anything other than a rebound. But in the end, there were only two boys who really mattered. Matt and Sam. When I close my eyes, I see Sam lying next to me on the blanket that first night we watched the stars – the night he made me look at everything in a different way; the breeze on my skin and the music and the ocean at night. But I also see Matt; his marzipan frosting kiss. All the books he read to me. His postcard fairy tales of California, finally coming to life in Zanzibar Bay. When I kissed Sam, I was so scared of erasing Matt. But now I know that I could never erase him. He’ll always be part of me – just in a different way. Like Sam, making smoothies on the beach two thousand miles away. Like Frankie, my voodoo magic butterfly finding her way back home in the dark. Like the stars, fading with the halo of the vanishing moon. Like the ocean, falling and whispering against the shore. Nothing ever really goes away – it just changes into something else. Something beautiful.

Some of the most unrecognized ministries are my favorite kind. Like the ministry of playing video games with awkward adolescent boys. The ministry of bringing takeout food to people whose baby is very sick in the hospital. The ministry of picking up empty chip wrappers at the park. The ministry of sending postcards. The ministry of sitting in silence with someone in the psych ward. The ministry of sending hilarious and inspirational text messages. The ministry of washing dishes without being asked. The ministry of flower gardening. The ministry of not laughing at teenagers when they talk about their relationship crises. The ministry of making an excellent cup of coffee. The ministry of drinking a terrible cup of coffee with a bright smile. The ministry of noticing beauty everywhere - in fabrics, in art, and in the wilderness.

The nurse brought out some knitting, and clicked her needles sharply. She turned to me, very bright, very cheerful. “How are you liking Manderley, Mrs. de Winter?” “Very much, thank you,” I said. “It’s a beautiful spot, isn’t it?” she said, the needles jabbing one another. “Of course we don’t get over there now, she’s not up to it. I am sorry, I used to love our days at Manderley.” “You must come over yourself sometime,” I said. “Thank you, I should love to. Mr. de Winter is well, I suppose?” “Yes, very well.” “You spent your honeymoon in Italy, didn’t you? We were so pleased with the picture-postcard Mr. de Winter sent.” I wondered whether she used “we” in the royal sense, or if she meant that Maxim’s grandmother and herself were one. “Did he send one? I can’t remember.” “Oh, yes, it was quite an excitement. We love anything like that. We keep a scrapbook you know, and paste anything to do with the family inside it. Anything pleasant, that is.

So let us not talk falsely now, the hour is getting late. Let’s remember again the radical profession that we Christians make. We confess that Jesus is the world’s true king. We confess that Jesus is Lord...right now. The rightful ruler of the world is not some ancient Caesar, not some contemporary Commander in Chief, but Jesus Christ! Jesus is not going to be king someday, Jesus is King of Kings right now! Christ was crowned on the cross and God vindicated him as the world’s true king by raising him from the dead. This is what Christians confess, believe, and seek to live. We have no king but Jesus. And our king has nothing to do with violent power. Our king has no use for nuclear weapons. Why? Because you can’t love your neighbor with hydrogen bombs. Our king said his kingdom does not come from the world of war, which is why his servants do not fight. Jesus told Pontius Pilate, “My kingdom is not from this world. If my kingdom were from this world, my servants would be fighting.”[9] The kingdom from heaven that Jesus brings into the world does not come riding an M1 Abrams tank. In the kingdom of the Prince of Peace, we study war no more, we turn swords into plowshares and spears into pruning hooks, we turn tanks into tractors and missile silos into grain silos. Our task is not to turn the world into a battlefield, our task is to turn the world into a garden. Our goal is not Armageddon, our goal is New Jerusalem. We’re marching to Zion, the beautiful city of God. Of course Governor Pilate doesn’t believe any of this.

A little later, strolling about the town, I, stopped into a shop near the museum, where they sold souvenirs and post-cards. I looked over the cards leisurely; the ones I liked best were soiled and wrinkled. The man, who spoke French fluently, offered to make the cards presentable. He asked me to wait a few minutes while he ran over to the house and cleaned and ironed them. He said he would make them look like new. I was so dumbfounded that before I could say anything he had disappeared, leaving me in charge of the shop. After a few minutes his wife came in. I thought she looked strange for a Greek woman. After a few words had passed I realized that she was French and she, when she learned that I hailed from Paris, was overjoyed to speak with me. We got along beautifully until she began talking about Greece. She hated Crete, she said. It was too dry, too dusty, too hot, too bare. She missed the beautiful trees of Normandy, the gardens with the high walls, the orchards, and so on. Didn't I agree with her? I said NO, flatly. "Monsieur!" she said, rising up in her pride and dignity, as if I had slapped her in the face. "I don't miss anything," I said, pressing the point home. "I think this is marvellous. I don't like your gardens with their high walls, I don't like your pretty little orchards and your well-cultivated-fields. I like this …" and I pointed outdobrs to the dusty road on which a sorely-laden donkey was plodding along dejectedly. "But it's not civilized," she said, in a sharp, shrill voice which reminded me of the miserly tobacconiste in the Rue de la Tombe-Issoire. "Je m'en fous da la civilisation européenne!" I blurted out. "Monsieur!" she said again, her feathers ruffled and her nose turning blue with malice. Fortunately her husband reappeared at this point with the post-cards which he had given a dry-cleaning.

The Way the Cards Fall " Why did you stay away so long? I’ve buried another husband, since I last saw you holding to the horizon. I hear where you now live it snows year-round. The pear & apple trees have even missed you– dead branches scattered about like war. Come closer, my eyes have grown night-dim. Across the field white boxes of honeybees silent as dirt, silent as your missent postcards. Evening sunlight’s faded my hair, the old stable’s slouched to the ground. I dug a hole for that calico, Cyclops, two years ago. Now milkweed & blackberries are keepers of the cornfield. That’s how the cards fall; & Anna, that beautiful girl you once loved enough to die over & over again for, now lives in New Orleans on both sides of Bourbon Street.

Don't forget to send me a postcard from Sri Lanka, that murky river, that olive skin, may something very beautiful happen to you, I wish you a lot of faith, in anything, it doesn't matter what, like that faith we once had, wish me something very beautiful too, anything wonderful, anything that makes me believe in anything again, that makes us believe in everyone again, that takes away this rotten taste of failure from my mouth, of defeat with no grandeur, there's no way, companheiro, we got lost in the middle of the road and we never had a map, no one gives rides anymore and the night is about to fall.

Soon we began to collect a little group of odd people who would drink with us every cocktail hour. Brigitte, who was a 22-year-old German, very beautiful, could have been on the cover of Stern magazine. Her boyfriend Volker was one of the most beautiful men I'd ever met - people said he looked like James Hunt, the English racecar driver. He was like Billy Budd. He was from Germany and had been a cowboy in Wyoming. Then there was Elford Elliot from England, who had something to do with producing garden gnomes. He was tripping on acid all the time and going out to Delos, this little island off Mykonos, chipping little pieces off the ancient ruins, which he then brought back in the pocket of his jumpsuit. Then there was Bryan, an IBM operator from Australia, who fancied himself as a kind of Oscar Wilde figure. I don't know why. The only story of his I remember was about some Australians who stole a garden gnome from the front lawn of a very elegant mansion and took it for a trip around the world. They would send postcards back to the owner saying things like, 'Having a lovely time in the Fiji Islands' and sign it, 'The Garden Gnome.' After six weeks, they brought the garden gnome back and left it on the lawn with little suitcases full of tiny clothing they'd knitted for it.

Betrayal is neat. It absolves you from having to think about your own failures, the ways you didn’t show up for your partner, the harm you might have done. Betrayal is neat because no matter what else happened—if you argued about work or the kids, if you lacked intimacy, if you were disconnected and lonely—it’s as if that person doused everything with lighter fluid and threw a match. Sometimes I wonder: If there had been no postcard, no notebook, would our marriage have survived? I don’t know. That’s the truth.

The lady had been in the painstaking process of drawing her own postcards; she had done beautiful sketches of the cliffs, the ruined village, the gannets. On one, there was a figure with antlers standing up on the clifftop. He paused over that, because it looked just like what he’d seen through his camera, but he still couldn’t think what it could be. The bishop would say it was the Brocken spectre of a rearing stag, or something else nerve-blastingly ordinary.

Her moral obligation to keep our hearts entwined. Her preeminent love, smelling like life, in a good way, familiar like an ancient woodcut, a private postcard in the midst of a crowd, in an old T-shirt to soak up the memories, committed to recycling life, repairing the nucleus.

I love to receive a beautiful postcard from your place of voyage.

I’d like to share with you a parable: the parable of Bob the Angel. A girl was walking down a darkly lit city street late at night. A man jumped out from the shadows and attacked her, suddenly she was suffocating and disoriented as hands clasped around her neck and the force of his attack started to push her down. She tried to yell as she struggled to pull his arms from her neck while she crumpled backwards to the ground, “God . . . help me!” The next thing she remembers—just as the fear consumed her, and right as she disappeared into the misery and despair of helplessness—was a loud crash and an explosion of glass which rained down upon her and her attacker. The assailant’s lifeless body was suspended above her, held from collapsing on her by an unknown force, and then pulled away from hovering over her and dropped onto the pavement beside her. She opened her eyes in the faint shadowy light, to see black matted hair and a long, black beard framing the eyes of a man. The smell of alcohol on his breath would have knocked her out if the adrenaline was not still trilling through her veins. There he stood, God’s angel, off-kilter and drunk, with a broken whiskey bottle in his hand. “You probably shouldn’t be walking through here this late at night,” was all he said as he turned away. “Wait! What’s your name?” she asked, still stunned half sitting up on the ground. All she heard as he walked away was his trailing voice calling, “Bob’s as good as any. . . .” An angel is a messenger, and sometimes we only want letters sent in white envelopes with beautiful gold print, when sometimes a simple “no” on the back of a gum wrapper is what we are offered. Every postcard from heaven does not come with a picture of the sunset there, nor should it. If it is an answer we want, an answer we will get. As far as pretty postcards, there are many others willing to send us that. If not harps and gold-tipped wings, what then is the mark of an angel? An answer which pierces your soul, and which inspires a question that invites you to look outside of yourself and up to God.

It was another beautiful crisp, clear day, in what has always been considered picturesque Überlingen. The village was internationally known for its traditional beauty and was a popular vacation destination long before the war. As usual, there was just a hint of a breeze off the brilliantly blue lake and I could understand why so many Germans would come here for their urlaub or vacation. Having a little money left over from the last check sent by Mina, I found a nice room for the three of us, overlooking the lake at a classy resort hotel. For the next two days we lived quite comfortably in our new surroundings. In fact we even enjoyed a real hot bath, something that I had almost forgotten. As I soaked in the warm, sudsy water I could hear my children laughing and giggling in the next room, and longed for a time when the world would be at peace again. During the day we walked along the shore of the beautiful Bodensee, but in the back of my mind, I knew that this was nothing more than a horrible illusion and couldn’t last; besides I had to find work. In reality, the children and I would have to settle in somewhere so that we could find some sort of stability. It was also important that they enroll in a school again. That “somewhere” turned out to be a room in a house owned by two old ladies who took in boarders. The old house faced the railroad station and was quaint in the old world style. It fit right into the picture postcard appearance of romantic Überlingen. Erika, the younger of the two ladies, was very kind and helpful to me. There were also two other tenants, Mr. and Mrs. Koestoll. He was German and she seemed to be what could be considered a typical French housewife, who devoted her life to her German husband. Herr Koestoll, was old and feeble and they sustained themselves on a very small pension. In fact it was so bad that he couldn’t even afford shoes. However their happiness didn’t seem to depend on money. I grew very fond of them for the short time that we knew each other.

Did he expect to be complimented in turn? “You are...” like a faun, a reclining marble faun, only alive, that I’ve seen on a postcard. Somewhere in a museum in Europe. Naked, spread legs, face showing the agony of lust, of wanting. Your eyes are places of shadows, deep and true and secret. “Beautiful. I mean...handsome.

Here I am in this picture postcard town, in my beautiful house with my gorgeous boyfriend and a ton of money, living this seemingly great life. But it doesn't feel like it's my life. I feel like an impostor.

I’d like to share with you a parable: the parable of Bob the Angel. A girl was walking down a darkly lit city street late at night. A man jumped out from the shadows and attacked her, suddenly she was suffocating and disoriented as hands clasped around her neck and the force of his attack started to push her down. She tried to yell as she struggled to pull his arms from her neck while she crumpled backwards to the ground, “God . . . help me!” The next thing she remembers—just as the fear consumed her, and right as she disappeared into the misery and despair of helplessness—was a loud crash and an explosion of glass which rained down upon her and her attacker. The assailant’s lifeless body was suspended above her, held from collapsing on her by an unknown force, and then pulled away from hovering over her and dropped onto the pavement beside her. She opened her eyes in the faint shadowy light, to see black matted hair and a long, black beard framing the eyes of a man. The smell of alcohol on his breath would have knocked her out if the adrenaline was not still trilling through her veins. There he stood, God’s angel, off-kilter and drunk, with a broken whiskey bottle in his hand. “You probably shouldn’t be walking through here this late at night,” was all he said as he turned away. “Wait! What’s your name?” she asked, still stunned half sitting up on the ground. All she heard as he walked away was his trailing voice calling, “Bob’s as good as any. . . .” An angel is a messenger, and sometimes we only want letters sent in white envelopes with beautiful gold print, when sometimes a simple “no” on the back of a gum wrapper is what we are offered. Every postcard from heaven does not come with a picture of the sunset there, nor should it. If it is an answer we want, an answer we will get. As far as pretty postcards, there are many others willing to send us that. If not harps and gold-tipped wings, what then is the mark of an angel? An answer which pierces your soul, and which inspires a question that invites you to look outside of yourself and up to God. God is very objective; He wants to make us think, to engage the faculties we have been given, and to learn from the messengers he sends us. He wants us in the ark before the flood; he could come himself—or send a Noah—but most of the time he sends Bob. Bob is in you, Bob is in me, Bob is in the emotionalized, sarcastic, mocking, patronizing, proud or foolish person which points out meaningful things to us in the worst possible moments, or in the worst possible way.

It's a gift, I realize as I walk down the path to the lake. To have so much beauty in my life is a gift."- Emma

Better to part with a beautiful memory than to push something that stood no chance. We can't lose the magic of a "could've been" story, the plot made for movies.

and egg from her fingers she wiped her hands and went out to the café. ‘You’re not running in this hideous weather, are you?’ She took in her friend’s running gear, the autumn long-sleeved top now with the addition of a body warmer, a knitted hat, and gloves. ‘Can’t always use weather as an excuse,’ she puffed, a faint sound still coming from the earbuds that hung waiting around her neck. ‘I’d get far too lazy if I did.’ ‘Well, I’m in awe,’ Jo admitted. ‘It’s so cosy in here.’ Jess took in the twinkly lights which stood out all the more when it was so miserable outside. ‘And the tree smells beautiful.’ She sniffed in the scent that would soon be mingled with the smell of baking. ‘I almost don’t want to venture outside again, but I must, so it’s a banana smoothie to go for me, please.’ ‘Coming right up.’ Jo went out to the kitchen and chopped the fruit, poured milk, drizzled honey and had the takeaway drink whizzed up in no time. Jess was perusing the postcards board by the time Jo came out with her smoothie and a paper straw to push through the lid on top. She was repinning the card that had come today. Locals were invited to read the cards at their leisure – it was a big part of the community feel in the café. ‘Harry seems to be having fun,’ she said, closing her eyes briefly at the refreshing first sip of her drink. ‘It was sitting on the mat this morning when I got here.’ It had fallen through the letterbox at the bottom of the door and landed writing side up and Jo’s heart had skipped a beat when she unlocked the door to the café, hoping with everything she had that the card was from her secret admirer, but when she’d seen Harry’s name she’d shaken away the thought, glad she could pin up a card from someone who would always be a friend. She was so pleased he’d found a fresh start and seemed happy and she was even happier she hadn’t let nostalgia

All I’m saying is that Paris is a lot more than what you say in your song. Paris isn’t just a beauty queen. She’s full of passion. She’s the city of the French Revolution. And every other revolution as a matter of fact. Paris is also today the epicenter of every important strike. Never take the subway on a strike day. Or you’ll be crammed in with hundreds of other people wishing you could be anywhere else in the world. Paris is a city full of life, like every big city. Paris can be a very dirty city too. There’s lots of pollution. All I’m trying to say is that you should describe Paris as she really is, its different layers. Not some soapy, postcard version of it. Put more emotion in it.

There’s salt in my nose and salt between my toes, and I can’t wait to send a postcard from my new, beautiful, briny life.

Here’s the thing: Betrayal is neat. It absolves you from having to think about your own failures, the ways you didn’t show up for your partner, the harm you might have done. Betrayal is neat because no matter what else happened—if you argued about work or the kids, if you lacked intimacy, if you were disconnected and lonely—it’s as if that person doused everything with lighter fluid and threw a match. Sometimes I wonder: If there had been no postcard, no notebook, would our marriage have survived? I don’t know. That’s the truth.

The Highway That Redefines Travel: A Journey Through India’s Best Road Infrastructure There’s something magical about hitting the open road, feeling the hum of the tires beneath you, and watching the scenery change as you move forward. As a frequent traveler, I’ve explored numerous highways across India, but nothing prepared me for the India’s best highway infrastructure that I experienced recently. From the moment I entered this highway, it became clear that this was not just another road but a testament to modern engineering and thoughtful planning. Every mile on this highway offered an experience of seamless travel, breathtaking landscapes, and a sense of security that’s rare on Indian roads. If road trips are your passion, this is one journey you don’t want to miss. #modernroad A Masterpiece of Engineering and Planning Unlike many highways in India that are plagued by uneven surfaces, frequent potholes, and congested lanes, this one is an absolute delight to drive on. The multi-lane highway is flawlessly maintained, with clear road markings and strategically placed signboards that ensure smooth navigation. The asphalt feels almost like a runway, allowing vehicles to glide effortlessly without any unexpected bumps. Another major highlight is the intelligent lane distribution. With separate lanes for heavy vehicles, passenger cars, and even emergency services, the highway eliminates the chaotic congestion that is common on most Indian roads. This results in a more disciplined and efficient traffic flow, making long-distance drives a pleasure rather than a stressful endeavor. #modernroadmakers Rest Stops That Feel Like Destinations One of the biggest challenges of highway travel in India is the lack of clean and accessible rest stops. But this highway has truly set a benchmark in this regard. Every few kilometers, you’ll find well-maintained rest areas equipped with food courts, fuel stations, and spotless washrooms. Instead of the usual roadside dhabas that are often unhygienic, the food courts here offer a wide range of options—from local delicacies to popular fast-food chains. Whether you’re in the mood for a quick coffee break or a hearty meal, these stops cater to every traveler’s needs. And it’s not just about food—there are dedicated relaxation zones where travelers can stretch their legs, unwind, and even enjoy scenic views of the surrounding landscapes. This thoughtful addition makes long road trips much more enjoyable and less tiring. #indiabesthighway Scenic Beauty That Enhances the Drive A highway journey is as much about the views as it is about the drive, and this road does not disappoint. Flanked by lush greenery, rolling fields, and picturesque landscapes, it offers a visual treat at every turn. Unlike highways that cut through industrial zones and congested cities, this one allows travelers to experience the true beauty of India’s countryside. The carefully preserved natural surroundings and tree-lined stretches provide a refreshing contrast to the usual concrete-heavy routes. Whether you’re driving during sunrise or sunset, the scenery creates a postcard-perfect backdrop for your journey. #modernroad If you’re someone who loves road trips, this highway deserves a spot on your travel bucket list. Whether you’re heading out for an adventure, a family vacation, or a solo escape, this road ensures a memorable, comfortable, and hassle-free journey. So, the next time you’re planning a trip, ditch the flight and hit the road—you won’t regret it! #modernroad #modernroadmakers #indiabesthighway