Postcards Literary Quotes

Perhaps it was that I wanted to see what I had learned, what I had read, what I had imagined, that I would never be able to see the city of London without seeing it through the overarching scrim of every description of it I had read before. When I turn the corner into a small, quiet, leafy square, am I really seeing it fresh, or am I both looking and remembering? [...] This is both the beauty and excitement of London, and its cross to bear, too. There is a tendency for visitors to turn the place into a theme park, the Disney World of social class, innate dignity, crooked streets, and grand houses, with a cavalcade of monarchs as varied and cartoony as Mickey Mouse, Snow White, and, at least in the opinion of various Briths broadhseets, Goofy. They come, not to see what London is, or even what it was, but to confirm a kind of picture-postcard view of both, all red telephone kiosks and fog-wreathed alleyways.

The Selected Journals of L.M. Montgomery, first published by Oxford in 1985, contained half of the journals’ full contents. To save space and present an easily digestible, fast-moving narrative, passages describing Lucy Maud Montgomery’s darker, more reflective moods and her religious and philosophical speculations were cut. This unabridged edition of her early years on Prince Edward Island, however, reveals a different story. Montgomery was a complex and profound personality. She was often anxious, bitter, and gloomy, although able to see herself and her surroundings from a deeply ironic—and often comical—viewpoint. Her unabridged journals demonstrate her ambition and determination to achieve literary success. They also reveal how she used writing to manage her turbulent moods, and how an increasing dependence on her journal helped shape her emotional landscape. This new edition recreates the format Montgomery herself devised. Some 250 of her photographs, newspaper clippings, postcards, and professional portraits are reproduced, all with Montgomery’s original placement and captions. Michael Bliss’s new preface draws some surprising parallels with other great journal writers of Montgomery’s time, while the editors’ new introduction and notes provide indispensable insights into what the journals reveal, as well as what they hide.