Postage Stamp Art Quotes

She liked solitude and the thoughts of her own interesting and creative mind. She liked to be comfortable. She liked hotel rooms, thick towels, cashmere sweaters, silk dresses, oxfords, brunch, fine stationery, overpriced conditioner, bouquets of gerbera, hats, postage stamps, art monographs, maranta plants, PBS documentaries, challah, soy candles, and yoga. She liked receiving a canvas tote bag when she gave to a charitable cause. She was an avid reader (of fiction and nonfiction), but she never read the newspaper, other than the arts sections, and she felt guilty about this. Dov often said she was bourgeois. He meant it as an insult, but she knew that she probably was. Her parents were bourgeois, and she adored them, so, of course, she had turned out bourgeois, too. She wished she could get a dog, but Dov’s building didn’t allow them.

She liked hotel rooms, thick towels, cashmere sweaters, silk dresses, oxfords, brunch, fine stationery, overpriced conditioner, bouquets of gerbera, hats, postage stamps, art monographs, maranta plants, PBS documentaries, challah, soy candles, and yoga.

She liked hotel rooms, thick towels, cashmere sweaters, silk dresses, oxfords, brunch, fine stationery, overpriced conditioner, bouquets of gerbera, hats, postage stamps, art monographs, maranta plants, PBS documentaries, challah, soy candles, and yoga. She

Eventually I realized that all I or anyone really needed was a postage-stamp-size piece of tape at the center of the lips—a Charlie Chaplin mustache moved down an inch. That’s it. This approach felt less claustrophobic and allowed a little space on the sides of the mouth if I needed to cough or talk. After much trial and error, I settled on 3M Nexcare Durapore “durable cloth” tape, an all-purpose surgical tape with a gentle adhesive.

Several years ago, I was invited to deliver a lecture on art and literature to the Tinworth Historical Society. While searching in the attic for a treatise of mine written during my student days at the Sorbonne, I came upon a large, dust-and-cobweb-covered trunk bearing the initials W.W. which I had never before noticed. Inside were stacks of paper tied in neat bundles and a large quantity of fascinating memorabilia - faded flowers, old invitations, scraps of satin, velvet and lace, postage stamps, jewelry, postcards from foreign capitals. The variety was endless. As I examined several bundles of paper more carefully, I realized I was holding a collection of drawings by Amelia Woodmouse, a promising young artist and a member of the family who had lived in the house at the turn of the century. From the delightful portraits and paintings depicting the life around her, and the accumulation of personal mementos, it was obvious that the artist had begun her collection in order to compile a family album, which for some reason, sadly, she never completed.

In the past, perhaps because of memories of the depression in the 1930s and early 1940s when most people had nothing, the greatest generation and the younger Baby Boomers grew up accumulating stuff. It probably started with functional stuff like furniture, kitchenware, and clothing (and shoes!) Later, it expanded into collections of useless but art-driven stuff like coins, postage stamps, and records. During World War II, there were paper drives to create the recyclable pulp that could be used to support the war effort, and millions of magazines and comic books were completely destroyed every week. It wasn’t until the war ended that people started collecting and keeping books and comics and magazines. As George Carlin observed, we then had to build bigger and bigger homes to put all our accumulating stuff into.

And yet, to describe Twombly’s abstract paintings, or to look at reproductions, tiny postage stamps a poor proxy for his floor-to-ceiling canvases, is to miss why they capture the imagination. “A Twombly looks,” writes one critic, “the way thinking sometimes feels.”8 And that is Twombly’s gift, the bewildering slipstream between thinking and feeling—a gift I’ve spent years trying to understand.

Eventually I realized that all I or anyone really needed was a postage-stamp-size piece of tape at the center of the lips—a Charlie Chaplin mustache moved down an inch. That’s it. This approach felt less claustrophobic and allowed a little space on the sides of the mouth if I needed to cough or talk. After much trial and error, I settled on 3M Nexcare Durapore “durable cloth” tape, an all-purpose surgical tape with a gentle adhesive. It was comfortable, had no chemical scent, and didn’t leave residue.

day and all night. How to apply mouth tape, or “sleep tape” as it’s also called, is a matter of personal preference, and everyone I talked to had their own technique. Burhenne liked to place a small piece horizontally over the lips; Kearney preferred a fat strip over the entire mouth. The internet was filled with suggestions. One guy used eight pieces of inch-wide tape to create a sort of tape goatee. Another used duct tape. A woman suggested taping the entire lower half of the face. To me, these methods are ridiculous and excessive. Looking for an easier way, over the last few days I conducted my own experiments with blue painter’s tape, which smelled weird, and Scotch tape, which crinkled. Band-Aids were too sticky. Eventually I realized that all I or anyone really needed was a postage-stamp-size piece of tape at

She liked solitude and the thoughts of her own interesting and creative mind. She liked to be comfortable. She liked hotel rooms, thick towels, cashmere sweaters, silk dresses, oxfords, brunch, fine stationery, overpriced conditioner, bouquets of gerbera, hats, postage stamps, art monographs, maranta plants, PBS documentaries, challah, soy candles, and yoga. She liked receiving a canvas tote bag when she gave to a charitable cause. She was an avid reader (of fiction and nonfiction), but she never read the newspaper, other than the arts sections, and she felt guilty about this. Dov often said she was bourgeois. He meant it as an insult, but she knew that she probably was.