Portrait Of A Lady On Fire Quotes

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Do all lovers feel like they're inventing something?
Céline Sciamma (Portrait of a Lady on Fire)
Truth is like fire; to tell the truth means to glow and burn.
Gustav Klimt
Perhaps he makes a choice. He chooses the memory of her. That’s why he turns. He doesn’t make the lover’s choice, but the poet’s.
Céline Sciamma (Portrait of a Lady on Fire)
In the solitude, I felt the liberty you speak of. But I also felt your absence.
Céline Sciamma (Portrait of a Lady on Fire)
It takes two to be funny.
Céline Sciamma (Portrait of a Lady on Fire)
Your presence is made of fleeting moments that may lack truth." "Not everything is fleeting. Some feelings are profound.
Céline Sciamma (Portrait of a Lady on Fire)
If you look at me, who do I look at?
Céline Sciamma (Portrait of a Lady on Fire)
Not everything is fleeting. Some feelings are deep.
Céline Sciamma (Portrait of a Lady on Fire)
Go on. Say what burdens your heart.
Céline Sciamma (Portrait of a Lady on Fire)
Don't regret, rememberer.
Portrait of a lady on fire
No, certainly. We shall not have to explore our way into a hall dimly lighted by the expiring embers of a wood fire—nor be obliged to spread our beds on the floor of a room without windows, doors, or furniture. But you must be aware that when a young lady is (by whatever means) introduced into a dwelling of this kind, she is always lodged apart from the rest of the family. While they snugly repair to their own end of the house, she is formally conducted by Dorothy, the ancient housekeeper, up a different staircase, and along many gloomy passages, into an apartment never used since some cousin or kin died in it about twenty years before. Can you stand such a ceremony as this? Will not your mind misgive you when you find yourself in this gloomy chamber—too lofty and extensive for you, with only the feeble rays of a single lamp to take in its size—its walls hung with tapestry exhibiting figures as large as life, and the bed, of dark green stuff or purple velvet, presenting even a funereal appearance? Will not your heart sink within you?” “Oh! But this will not happen to me, I am sure.” “How fearfully will you examine the furniture of your apartment! And what will you discern? Not tables, toilettes, wardrobes, or drawers, but on one side perhaps the remains of a broken lute, on the other a ponderous chest which no efforts can open, and over the fireplace the portrait of some handsome warrior, whose features will so incomprehensibly strike you, that you will not be able to withdraw your eyes from it. Dorothy, meanwhile, no less struck by your appearance, gazes on you in great agitation, and drops a few unintelligible hints. To raise your spirits, moreover, she gives you reason to suppose that the part of the abbey you inhabit is undoubtedly haunted, and informs you that you will not have a single domestic within call. With this parting cordial she curtsies off—you listen to the sound of her receding footsteps as long as the last echo can reach you—and when, with fainting spirits, you attempt to fasten your door, you discover, with increased alarm, that it has no lock.
Jane Austen (Northanger Abbey)
Jenny enjoys her dabbling, but I was rather hoping she might enjoy your company more. Was I mistaken?” Behind the genial bonhomie of a doting father and relaxed host, Elijah heard a thread of ducal steel. A cloved orange was beginning to turn brown in the middle of a wreath on the back of the study door. “We enjoy each other’s company, Your Grace, but you have to know your daughter is not content.” Moreland came around the desk to stand beside Elijah at the window. “You’re not going to ask my permission to court her, are you?” The honesty was unexpected, also a relief, like the cold radiating from the window provided relief from the fire’s cozy blast. “She would not welcome my suit. You underestimate your daughter’s devotion to her art.” The duke snorted. “You’ve spent what, a couple of weeks with her, and you presume to tell me her priorities? I’ve known that girl since she first drew breath, Bernward. She’s no better at hiding her discontent from me than is her mother. The holidays are hard on them both is the trouble. Come calling when spring is nigh, and you’ll be well received. Both ladies are preoccupied now, with all the family underfoot and entertaining to be done.” His
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
Jenny has taken a daft notion to go to Paris.” Louisa knew she sounded worried, but it couldn’t be helped. The parlor door was closed, the syllabub had been served, and this was likely the only privacy the children, spouses, and parents would allow her with her sisters. “Paris in springtime is supposed to be lovely,” Sophie observed. “Sindal says he’ll take me one of these years, but there always seems to be a baby on the way or one just arrived.” Petite, blond Eve, her feet up on a hassock, patted her belly. “Please, God, let one arrive before I explode or Deene frets himself into a decline. Lou wouldn’t be worried if Jenny were making a quick shopping visit.” Maggie left off poking at the fire—no footmen would disturb this gathering—and took up a rocking chair. “Jenny told me the same thing. Told me not to be angry with her, but if she didn’t leave now, she’d never go.” “She needs a fellow,” Louisa said. “We all needed a fellow, and the boys needed their ladies.” Sophie considered her drink. “I don’t know, Lou. Your fellow lets you write all the poetry you want, and has you dedicate the racy verses to him. Ladies have been writing poetry for eons. Jenny’s art is a different matter.” “Deene let me ride King William,” Eve said. “Before I got as big as King William. Maybe the right fellow will encourage Jenny’s painting.” There
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
foreigners, the happier yeh’ll be. Yeh can’ trust any of ’em.” “You were getting on all right with Madame Maxime,” Harry said, annoyed. “Don’ you talk ter me abou’ her!” said Hagrid, and he looked quite frightening for a moment. “I’ve got her number now! Tryin’ ter get back in me good books, tryin’ ter get me ter tell her what’s comin’ in the third task. Ha! You can’ trust any of ’em!” Hagrid was in such a bad mood, Harry was quite glad to say good-bye to him in front of the Fat Lady. He clambered through the portrait
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
She turned absently from her contemplative study of the lily pads. "Your garden is beautiful." He shrugged and glanced around at it. "It is overgrown." "Yes, but it has a lost, eerie beauty that quite pleases me. I wish I had my watercolor set." Lucien lifted his eyebrows. "Ah, are you an artistic young lady, Miss Montague?" She smiled reluctantly. "I have been known to dabble." He laughed softly, tickled by the revelation. 'An artist. Of course.' Those beautiful hands. That penetrating gaze. The seething passion under her cool, demure surface. "What sort of work do you most enjoy?" he asked as they sauntered past rows of one-conical yews that had grown into huge, dark green lumps. "Sketching faces." "Really?" "Portraits in charcoal are my forte, but I love watercolors and all sorts of crafts. Japanning, fancy embroidery.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))