Portland Sayings And Quotes

We've searched our database for all the quotes and captions related to Portland Sayings And. Here they are! All 10 of them:

I am going to a conference tomorrow," she said. "In Portland. Dr. Melissa Sanchez will speak. She says you think your way to a sexier you. Hormones are powerful drugs. Unless we tell them what we want, they backfire. They work against us." Dorothea turned, pointing the Ajax can at me for emphasis. "Now I wake in the morning and take red lipstick to my mirror. 'I am sexy,' I write. 'Men want me. Sixty-five is the new twenty-five.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
They haven't killed us yet," I say, and I imagine that one day I will fly a plane over Portland, over Rochester, over every fenced-in city in the whole country, and I will bomb and bomb and bomb, and watch all their buildings smoldering to dust, and all those people melting and bleeding into flame, and I will see how they like it. If you take, we will take back. Steal from us, and we will rob you blind. When you squeeze, we will hit. This is the way the world is made now.
Lauren Oliver (Pandemonium (Delirium, #2))
Craziness is only a matter of degree, and there are lots of people besides me who have the urge to roll heads. They go to stock-car races and the horror movies and the wrestling matches they have in Portland Expo. Maybe what she said smacked of all those things, but I admired her for saying out loud, all the same--the price of honesty is always high. She had an admirable grasp of the fundamentals. Besides, she was tiny and pretty.
Richard Bachman (Rage)
Scott gave my knee an affectionate squeeze. "You'll never hear me admit this again, so listen up. You look good, Grey. On a scale from one to ten, you're definitely in the top half." "Gee, thanks." "You're not the kind of girl I would have chased after when I was in Portland, but I'm not the same guy I was back then either. You're a little too good for me, and let's face it, a little too smart." "You've got street smarts," I pointed out. "Stop interrupting. You're going to make me lose my place." "You've got this speech memorized?" A smirk. "I've got a lot of time on my hands. As I was saying--hell. I forgot where I was." "You were telling me I can rest assured that I'm better-looking than half the girls at my school." "That was a figure of speech. If you want to get technical, you're better-looking than ninety percent. Give or take." I laid a hand over my heart. "I'm speechless." Scott got down on his knee and clasped my hand dramatically. "Yes, Nora. Yes, I'll go to the homecoming dance with you.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
It’s like each face was a sign like one of those “I’m Blind” signs the dago accordion players in Portland hung around their necks, only these signs say “I’m tired” or “I’m scared” or “I’m dying of a bum liver” or “I’m all bound up with machinery and people pushing me alla time.” I can read all the signs, it don’t make any difference how little the print gets.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
Katherine’s theory is that everyone looking to make a new life migrates west, across America to the Pacific Ocean. Once there, the cheapest city where they can live is Portland. This gives us the most cracked of the crackpots. The misfits among misfits. “We just accumulate more and more strange people,” she says. “All we are are the fugitives and refugees.
Chuck Palahniuk (Fugitives and Refugees: A Walk in Portland, Oregon)
Gate C22 At gate C22 in the Portland airport a man in a broad-band leather hat kissed a woman arriving from Orange County. They kissed and kissed and kissed. Long after the other passengers clicked the handles of their carry-ons and wheeled briskly toward short-term parking, the couple stood there, arms wrapped around each other like he’d just staggered off the boat at Ellis Island, like she’d been released at last from ICU, snapped out of a coma, survived bone cancer, made it down from Annapurna in only the clothes she was wearing. Neither of them was young. His beard was gray. She carried a few extra pounds you could imagine her saying she had to lose. But they kissed lavish kisses like the ocean in the early morning, the way it gathers and swells, sucking each rock under, swallowing it again and again. We were all watching– passengers waiting for the delayed flight to San Jose, the stewardesses, the pilots, the aproned woman icing Cinnabons, the man selling sunglasses. We couldn’t look away. We could taste the kisses crushed in our mouths. But the best part was his face. When he drew back and looked at her, his smile soft with wonder, almost as though he were a mother still open from giving birth, as your mother must have looked at you, no matter what happened after–if she beat you or left you or you’re lonely now–you once lay there, the vernix not yet wiped off, and someone gazed at you as if you were the first sunrise seen from the Earth. The whole wing of the airport hushed, all of us trying to slip into that woman’s middle-aged body, her plaid Bermuda shorts, sleeveless blouse, glasses, little gold hoop earrings, tilting our heads up.
Ellen Bass (The Human Line)
One day a little old lady came and asked my name, saying she couldn’t read my nametag. I told her and reached for the little slip of paper she held, but she put it behind her back. It seemed she wanted to chat before giving it up. Fine with me. We chatted about our matching cardigans (the fact that I dress like a little old lady was not lost on me) and we chatted about how the Portland weather bothered her bones. We talked for a long while about her husband and how much she’d grown to hate him over the years. Then, since I guessed I’d earned her trust, she handed me her slip of paper. It was for a book on exotic poisons. I got her the book and spent the next few weeks scanning the obituaries for every old man that had died. So, yes, folks I may be an accomplice to murder. Don’t say there’s no excitement at the library.
Nick Pageant (Beauty and the Bookworm (Beauty and the Bookworm #1))
When I took it off, I glanced in the mirror behind the dresser, and I nearly screamed when I saw the reflection. Finn was sitting behind me on the bed. His eyes, dark as night, met mine in the mirror, and I could hardly breathe. "Finn!" I gasped and whirled around to look at him. "What are you doing here?" "I missed your birthday," he said, as if that answered my question. He lowered his eyes, looking at a small box he had in his hands. "I got you something." "You got me something?" I leaned back on the dresser behind me, gripping it. "Yeah." He nodded, still staring down at the box. "I picked it up outside of Portland two weeks ago. I meant to get back in time to give it to you on your birthday." He chewed the inside of his cheek. "But now that I'm here, I'm not sure I should give it to you at all." "What are you talking about?" I asked. "It doesn't feel right." Finn rubbed his face. "I don't even know what I'm doing here." "Neither do I," I said. "Don't get me wrong. I'm happy to see you. I just...I don't understand." "I know." He sighed. "It's a ring. What I got you." His gaze moved from me to the engagement ring sitting on the dresser beside me. "And you already have one." "Why did you get me a ring?" I asked tentatively, and my heart beat erratically in my chest. I didn't know what Finn was saying or doing. "I'm not proposing to you, if that's what you're asking." He shook his head. "I saw it and thought of you. But now it seems like poor taste. And here I am, the night before your wedding sneaking in to give you a ring." "Why did you sneak in?" I asked. "I don't know." He looked away and laughed darkly. "That's a lie. I know exactly what I'm doing, but I have no idea why I'm doing it." "What are you doing?" I asked quietly. "I..." Finn stared off for a moment, then turned back to me and stood up. "Finn, I-" I began, but he held up his hand, stopping me. "No, I know you're marrying Tove," he said. "You need to do this. We both know that. It's what's best for you, and it's what I want for you." He paused. "But I want you for myself too." All I'd ever wanted from Finn was for him to admit how he felt about me, and he'd waited until the day before my wedding. It was too late to change anything, to take anything back. Not that I could have, even if I wanted to. "Why are you telling me this?" I asked with tears swimming in my eyes. "Because." Finn stepped toward me, stopping right in front of me. He looked down at me, his eyes mesmerizing me the way they always did. He reached up, brushing back a tear from my cheek. "Why?" I asked, my voice trembling. "I needed you to know," he said, as if he didn't truly understand it himself. He set the box on the dresser beside me, and his hand went to my waist, pulling me to him. I let go of the dresser and let him. My breath came out shallow as I stared up at him. "Tomorrow you will belong to someone else," Finn said. "But tonight, you're with me.
Amanda Hocking (Ascend (Trylle, #3))
It's like each face was a sign like one of those "I'm Blind" signs the accordion players in Portland hung around their necks, only these signs say "I'm tired" or "I'm scared" or "I'm dying of a bum liver "or "I'm all bound up with machinery and people pushing me alla time." I can read all the signs, it dont make any difference how little the print gets. Some of the faces are looking around at one another and could read the other fellows if they would, but what's the sense? The faces blow past in the fog like confetti. I'm further off than I've ever been. This is what it's like to be dead. I guess this is what it's like to be a Vegetable; you lose yourself in the fog. You don't move. They feed your body till it finally stops eating; then they burn it. It's not so bad. There's no pain. I don't feel much of anything other than a touch of chill I figure will pass in time.
Ken Kesey (One Flew Over the Cuckoo’s Nest)