Porthole Quotes

We've searched our database for all the quotes and captions related to Porthole. Here they are! All 82 of them:

At the bottom of her heart, however, she was waiting for something to happen. Like shipwrecked sailors, she turned despairing eyes upon the solitude of her life, seeking afar off some white sail in the mists of the horizon. She did not know what this chance would be, what wind would bring it her, towards what shore it would drive her, if it would be a shallop or a three-decker, laden with anguish or full of bliss to the portholes. But each morning, as she awoke, she hoped it would come that day; she listened to every sound, sprang up with a start, wondered that it did not come; then at sunset, always more saddened, she longed for the morrow.
Gustave Flaubert (Madame Bovary)
We kissed. You were mine. I realised then that this was the only thing that counted. Nothing else had ever existed. Just our lips and hips and sighs. I fell into different galaxies through you, your mouth a porthole to a better universe.
Tomasz Jedrowski (Swimming in the Dark)
Overmodulation By Charlotte M Liebel-Fawls You're a cavity in my oasis, You're a porthole in my sea, You're a stretch of the imagination every time you look at me. You're an ocean in my wineglass, You're a Steinway on the beach, You're a captivating audience, an exciting Rembrandt, A Masterpiece.
Charlotte M. Liebel
What are you doing?” Celaena lifted another piece of paper. “If His Pirateness can’t be bothered to clean for us, then I don’t see why I can’t have a look.” “He’ll be here any second,” Sam hissed. She picked up a flattened map, examining the dots and markings along the coastline of their continent. Something small and round gleamed beneath the map, and she slipped it into her pocket before Sam could notice. “Oh, hush,” she said, opening the hutch on the wall adjacent to the desk. “With these creaky floors, we’ll hear him a mile off.” The hutch was crammed with rolled scrolls, quills, the odd coin, and some very old, very expensive-looking brandy. She pulled out a bottle, swirling the amber liquid in the sunlight streaming through the tiny porthole window. “Care for a drink?
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
Deep in her soul, however, she was waiting for something to happen. Like a sailor in distress, she would gaze out over the solitude of her life with desperate eyes, seeking some white sail in the mists of the far-off horizon. She did not know what this chance event would be, what wind would drive it to her, what shore it would carry her to, whether it was a longboat or a three-decked vessel, loaded with anguish or filled with happiness up to the portholes. But each morning, when she awoke, she hoped it would arrive that day, and she would listen to every sound, spring to her feet, feel surprised that it had not come; then at sunset, always more sorrowful, she would wish the next day were already there.
Gustave Flaubert (Madame Bovary)
Reflecting your current reality. Dreams are fasinating, aren't they? Portholes into the subconscious.
Heidi R. Kling (Sea (Sea #1))
I should say we’d reach England by Tuesday or thereabouts, with a decent wind behind us. It would be a lot quicker than that if we could just sail straight there, but I was looking at the nautical charts, and there’s a dirty great sea serpent right in the middle of the ocean! It has a horrible gaping maw and one of those scaly tails that looks like it could snap a boat clean in two. So I thought it best to sail around that.’ FitzRoy frowned. ‘I think they just draw those on maps to add a bit of decoration. It doesn’t actually mean there’s a sea serpent there.’ The galley went rather quiet. A few of the pirate crew stared intently out of the portholes, embarrassed at their Captain’s mistake. But to everyone’s relief, instead of running somebody through, the Pirate Captain just narrowed his eyes thoughtfully. That explains a lot,’ he said. ‘I suppose it’s also why we’ve never glimpsed that giant compass in the corner of the Atlantic. I have to say, I’m a little disappointed.
Gideon Defoe (The Pirates! In an Adventure with Scientists)
Deep in her soul, however, she was waiting for something to happen. Like a sailor in distress, she would gaze out over the solitude of her life with desperate eyes, seeking some white sail in the mists of the far-off horizon. She did not know what this chance event would be, what wind would drive it to her, what shore it would carry her to, whether it was a longboat or a three-decked vessel, loaded with anguish or filled with happiness up to the portholes. But each morning, when she awoke, she hoped it would arrive that day.… —GUSTAVE FLAUBERT, Madame Bovary
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
We swear we see each other, but all we are ever able to make out is a tiny porthole view of an ocean. We think we remember the past, but our memories are as fantastic and flimsy as dreams. It's so easy to hate the pretty one, worship the genius, love the rockstar, trust the good girl. That's never their only story.
Marisha Pessl (Neverworld Wake)
I saw very little as it truly was. But that was what Martha taught me. We swear we see each other, but all we are ever able to make out is a tiny porthole view of an ocean. We think we remember the past as it was, but our memories are as fantastic and flimsy as dreams. It's so easy to hate the pretty one, worship the genius, love the rock star, trust the good girl. That's never their only story. We are all anthologies. We are each thousands of pages long, filled with fairy tales and poetry, mysteries and tragedy, forgotten stories in the back no one will ever read. The most we can do is hold out our hands and help each other across the unknown. For in our held hands we find pathways through the dark, across jungles and cities, bridges suspended over the deepest caverns of this world. Your friends will walk with you, holding on with all their might, even when they're no longer there.
Marisha Pessl (Neverworld Wake)
We swear we see each other, but all we are ever able to make out is a tiny porthole view of an ocean. We think we remember the past as it was, but our memories are as fantastic and flimsy as dreams. It's so easy to hate the pretty one, worship the genius, love the rock star, trust the good girl. That's never their only story. We are all anthologies. We are each thousands of pages long, filled with fairy tales and poetry, mysteries and tragedy, forgotten stories in the back no one will ever read.
Marisha Pessl (Neverworld Wake)
What I allow into my head finds its way to my heart, which is a porthole to my soul. Therefore, I might be wise to consider the state of my soul, and then walk this process backwards.
Craig D. Lounsbrough
I still love... Though you pushed me to the evil edge, Sabotaged my feelings And trashed them into the bin, You taught me to hate, Hatred lives somewhere through the corners of my heart. I believed we existed, But you gunned down all we had. Selfishness ruled you, Because of you, I was a man enough, But you knew it was all just an act, You blinded my vision with a dark cloud, I don't know what I'm doing, You destroyed my way of loving, It's so full of portholes, Wherever I go, I see your thirsty images, They held a grudge, On an innocent soul, It's hard, but... I still love...
Tshepo Ramodisa
It starts as a low croon that rolls in with the tide, a sound so faint it might just be the wind blowing through the clapboard shutters, through the portholes of docked fishing boats, and into narrow cracks along sagging doorways. But after the first night, the harmony of voices become undeniable. An enchanting hymn sailing over the water’s surface, cool and soft and alluring. The Swan sisters have awakened.
Shea Ernshaw (The Wicked Deep)
During winter sunsets, standing on a promontory so I saw the scenic sea as a surface rather than a line and, as coal-boats appeared from all sides of the horizon, I thought that, as they opened their portholes, they would throw their coals onto this fire. They swarmed over the ocean like blowflies ready to devour the decomposed star, and the blank gesture of a cloud fanned them.
Georges Limbour
Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive insect of glitter, a chandelier shining at the end of a long tunnel. Thirteen years ago, you hid the hurt in your voice under a blanket and said there’s two kinds of women—those you write poems about and those you don’t. It’s true. I never brought you a bouquet of sonnets, or served you haiku in bed. My idea of courtship was tapping Jane’s Addiction lyrics in Morse code on your window at three A.M., whiskey doing push-ups on my breath. But I worked within the confines of my character, cast as the bad boy in your life, the Magellan of your dark side. We don’t have a past so much as a bunch of electricity and liquor, power never put to good use. What we had together makes it sound like a virus, as if we caught one another like colds, and desire was merely a symptom that could be treated with soup and lots of sex. Gliding beside you now, I feel like the Benjamin Franklin of monogamy, as if I invented it, but I’m still not immune to your waterfall scent, still haven’t developed antibodies for your smile. I don’t know how long regret existed before humans stuck a word on it. I don’t know how many paper towels it would take to wipe up the Pacific Ocean, or why the light of a candle being blown out travels faster than the luminescence of one that’s just been lit, but I do know that all our huffing and puffing into each other’s ears—as if the brain was a trick birthday candle—didn’t make the silence any easier to navigate. I’m sorry all the kisses I scrawled on your neck were written in disappearing ink. Sometimes I thought of you so hard one of your legs would pop out of my ear hole, and when I was sleeping, you’d press your face against the porthole of my submarine. I’m sorry this poem has taken thirteen years to reach you. I wish that just once, instead of skidding off the shoulder blade’s precipice and joyriding over flesh, we’d put our hands away like chocolate to be saved for later, and deciphered the calligraphy of each other’s eyelashes, translated a paragraph from the volumes of what couldn’t be said.
Jeffrey McDaniel
Hermione looked at him, not blinking. It was a moment before she replied, “I know that you served your time on Azkaban Station.” She looked out the porthole into the inky blackness of space, twirling her fork between her fingers. “Everyone here is hoping for a clean slate when they reach Alpha Centauri, but that will only happen if we all agree to forget and forgive the past. As far as I’m concerned, you’ve earned your redemption.
Refictionista (Alpha Centauri)
Unk, standing at a porthole, wept quietly. He was weeping for love, for family, for friendship, for truth, for civilization. The things he wept for were all abstractions, since his memory could furnish few faces or artifacts with which his imagination might fashion a passion play.
Kurt Vonnegut Jr. (The Sirens of Titan)
He also said - pointedly - that space travel nowadays was an escape from the problems of Earth. That is, one took off for the stars in the hope that the worst would happen and be done with in one's absence. And indeed I couldn't deny that more than once I had peered anxiously out the porthole - especially when returning from a long voyage - to see whether or not our planet resembled a burnt potato.
Stanisław Lem (The Futurological Congress: From the Memoirs of Ijon Tichy)
A pale blob appeared on the other side of the glass. Evrial yelped and jumped backward faster than a dog bit by a snake. Her calf caught on the edge of the bed, and she tumbled onto it. “Good timing,” Amaranthe said. “What?” Bewildered, Evrial stared at the porthole. Only on the second long look did she recognize the pale blob. It was Sicarius’s face—upside down. Amaranthe pointed to the porthole frame and mouthed something. Sicarius's head rose out of sight. Evrial rolled off the bed, embarrassed by her startled—and ungraceful—stumble. “I hope you don’t mind,” Amaranthe said, “but I’ll have to let Maldynado know.” “What?”“ That you are capable of shrieking.
Lindsay Buroker (Beneath the Surface (The Emperor's Edge, #5.5))
His mind, grooved through the uncounted ages to ultimate despair, soared up insanely. His legs and arms glistened like tongues of living fire as they writhed and twisted in the light that blazed from the portholes. His mouth, a gash in his caricature of a human head, slavered a white frost that floated away in little frozen globules.
A.E. van Vogt
There was a Japanese TV set in front of us. There were Japanese TV sets all over the prison. They were like portholes on an ocean liner. The passengers were in a state of suspended animation until the big ship got where it was going. But anytime they wanted, the passengers could look through a porthole and see the real world out there. Life was like an ocean liner to a lot of people who weren't in prison, too, of course. And their TV sets were portholes through which they could look while doing nothing, to see all the World was doing with no help from them. Look at it go!
Kurt Vonnegut Jr. (Hocus Pocus)
One day Beatrice entered their stateroom to find Marconi consigning his dirty socks to the sea through a porthole. Stunned, she asked him why. His explanation: It was more efficient to get new ones than wait for them to be laundered.
Erik Larson (Thunderstruck)
One of the miracles of the airplane is that it plunges a man directly into the heart of mystery. You are a biologist studying, through your porthole, the human ant-hill, scrutinizing objectively those towns seated in their plain at the centre of their highways which go off like the spokes of a wheel and, like arteries, nourish them with the quintessence of the fields. A needle trembles on your manometer, and this green clump below you becomes a universe. You are the prisoner of a greensward in a slumbering park.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
first, like a hornet’s nest, it’s no more than a fleck of mud in a wooden joist. But it grows, and portholes appear, and soon a steady drone can be heard within.
Abraham Verghese (The Covenant of Water)
PHOENIX: As I was about to say… “Telekinesis” means “mind over matter.” U-Men: I’m not scared… I’ll match your natural powers with my electric blood transfusion. PHOENIX: No… No. I’m sorry, you won’t. All your minds… looking out through those little portholes… Naked insecurities crawling all over you like graffiti… So sad… You’ll be quiet and you’ll listen to someone else for just 5 minutes. Mind over matter? Think back to all that processed food you ate today to help calm your nerves. I’m thinking about it right now. I’m thinking of moving it up. U-Men: Aaautch! Bblaaauuurrr! PHOENIX: And moving it down. U-Men: Oh! Awwwww! PHOENIX: I don’t want you to get hurt but you have to understand… the more you annoy me the more I can’t help thinking about deconstructing you, molecule by molecule, memory by memory… until there’s nothing left but screaming, traumatized atoms. So don’t patronize me. Don’t threaten me. And don’t ever endanger any of my students again. Don’t even think about it. Or I’ll know.
Grant Morrison
Sir Edmund’s home is an architectural grotesque, the ornate facade the unlikely union of a warship and a wedding cake. A riot of musket loops, carved shells, liquorice-twist chimneys, mock battlements, a first-floor prow, and an exuberance of portholes. On the carved stone pediment above the wide front door Neptune cavorts with sea nymphs. The lower-floor windows are festooned with theatrical swags of stone starfish and scallop shells. For all this, the house looks unlived in.
Jess Kidd (Things in Jars)
It would be a lot quicker than that if we could just sail straight there, but I was looking at the nautical charts, and there’s a dirty great sea serpent right in the middle of the ocean! FitzRoy frowned. “I think they just draw those on maps to add a bit of decoration. It doesn’t actually mean there’s a sea serpent there.” The galley went rather quiet. A few of the pirate crew stared intently out of the portholes, embarrassed at their Captain’s mistake. But to everyone’s relief, instead of running somebody through, the Pirate Captain just narrowed his eyes thoughtfully. “That explains a lot,” he said. “I suppose it’s also why we’ve never glimpsed that giant compass in the corner of the Atlantic. I have to say, I’m a little disappointed.
Gideon Defoe (The Pirates! In an Adventure with Scientists)
1976. The Bicentennial. In the laundromat, you want for the time on your coins to run out. Through the porthole of the dryer, you watch your bedeviled towels and sheets leap and fall. The radio station piped in from the ceiling plays slow, sad Motown; it encircles you with the desperate hopefulness of a boy at a dance, and it makes you cry. When you get back to your apartment, dump everything on your bed. Your mother is knitting crookedly: red, white, and blue. Kiss her hello. Say: "Sure was warm in the place." She will seem not to hear you.
Lorrie Moore (Self-Help)
At the time I felt as if every night I, too, were gazing out of a porthole at the moon made of ice. A transparent, eight-inch-thick, frozen moon. But no one was beside me. I watched the moon alone, unable to share its cold beauty with anyone. Yesterday Is two days before tomorrow, The day after two days ago. I hope that in Denver (or some other faraway town) Kitaru is happy. If it's too much to ask that he's happy, I hope at least that today he has his health, and all his needs met. For no one knows what kind of dreams tomorrow will bring.
Haruki Murakami (Men Without Women)
It was incredible to see how ordinary individuals act once they cross the porthole from the streets into Tiffany & Co. They instantly transform from giggling, loud-mouthed college girls, griping old biddies and tired middle-aged errand shoppers into genteel cousins to aristocracy.
Chiara Kelly (The Solitaire Diaries)
After all this window is whatever I want it to be, up to a point, that's right, don't compromise yourself. What strikes me to begin with is how much rounder it is than it was, so that it looks like a bull's-eye, or a porthole. No matter, provided there is something on the other side.
Samuel Beckett (Malone Dies)
Colonization of India was primarily economic,” a professor lectured in college, which made the whole thing sound like the Brits had merely pickpocketed a few wallets. But in the gold digger, see the emasculation of colonization. The only way out is as an export. Through the porthole, his motherland shrinks.
Sanjena Sathian (Gold Diggers: 'Magical and entirely original' —Shondaland)
His architecture was butch. But in its muscular austerity, free of domesticating bric-a-brac, a hyper masculine form of drag could also be discerned. His occasional incorporation of vintage porthole windows, stained glass, and Palladian transoms offered a wry, backward glance at all the new generation was leaving behind.
Christopher Bascom Rawlins
Moon is a shining ball, from the window on my wall. Moon is blemish-laden, from the terrace of my mansion. Moon is a cold flame, from the porthole of my airplane. Yet I have heard, Moon is muse to philosophy brothers, Moon is nurse to romantic lovers. How can it be so various? Are we not the same? Or did the Moon really change?
Jasleen Kaur Gumber
But when I look back at myself at age twenty what I remember most is being alone and lonely. I had no girlfriend to warm my body or my soul, no friends I could open up to. No clue what I should do every day, no vision for the future. For the most part, I remained hidden away, deep within myself. Sometimes I’d go a week without talking to anybody. That kind of life continued for a year. A long, long year. Whether this period was a cold winter that left valuable growth rings inside me, I can’t really say. At the time I felt as if every night I, too, were gazing out a porthole at a moon made of ice. A transparent, eight-inch-thick, frozen moon. But I watched that moon alone, unable to share its cold beauty with anyone.
Haruki Murakami
It was murder - strangulation - but one need not say that the claw-mark on Mrs. Suydam's throat could not have come from her husband's or any other human hand, or that upon the white wall there flickered for an instant in hateful red a legend which, later copied from memory, seems to have been nothing less than the fearsome Chaldee letters of the word 'LILITH'. One need not mention these things because they vanished so quickly - as for Suydam, one could at least bar others from the room until one knew what to think oneself. The doctor has distinctly assured Malone that he did not see IT. The open porthole, just before he turned on the lights, was clouded for a second with a certain phosphorescence, and for a moment there seemed to echo in the night outside the suggestion of a faint and hellish tittering;
H.P. Lovecraft (H.P. Lovecraft: The Complete Collection with Accompanying Facts)
And all the time, deep within her, she was waiting for something to happen. Like a shipwrecked sailor she scanned her solitude with desperate eyes for the sight of a white sail far off on the misty horizon. She had no idea what that chance would be, what wind would waft it to her, where it would set her ashore, whether it was a launch or a three-decker, laden with anguish or filled to the portholes with happiness. But every morning when she woke she hoped to find it there.
Gustave Flaubert (Madame Bovary)
I often have the same dream,” she said. “Aki-kun and I are on a ship. A long journey on a large ship. We’re together in a small cabin, it’s late at night, and through the porthole we can see the full moon. But that moon is made of pure, transparent ice. And the bottom half of it is sunk in the sea. ‘That looks like the moon,’ Aki-kun tells me, ‘but it’s really made of ice and is only about eight inches thick. So when the sun comes out in the morning it all melts. You should get a good look at it now, while you have the chance.
Haruki Murakami
The anchor was instantly dropped, and the chain ran rattling through the port-hole. Dantes continued at his post in spite of the presence of the pilot, until this manoeuvre was completed, and then he added, “Half-mast the colors, and square the yards!” “You see,” said Danglars, “he fancies himself captain already,
Alexandre Dumas (The Count of Monte Cristo)
the building. The Regency Hotel was shaped like a wedge and the bingo hall was at the thin end. Connor climbed up the steps to the bingo hall and peered in through the porthole windows of the main entrance. Inside the place was as dark as could be, but when he tugged the door handle, it gave way. Surprised, Connor looked back over his shoulder before he risked anything further. There were a couple of seafront workers heading down the hill, but they seemed more than willing to ignore him. Connor walked into the darkness, and pulled the door shut behind him. He found himself in a dark lobby which stank of cheap carpet cleaner and cigarette smoke. Connor held his breath and walked through another set of double doors. As he pushed the doors, keys jangled on the other
Solomon Carter (The Final Trick (The Final Trick, #1))
Up on the bridge of the Anubis, the storm paws loudly on the glass, great wet flippers falling at random in out of the night whap! the living shape visible just for the rainbow edge of the sound—it takes a certain kind of maniac, at least a Polish cavalry officer, to stand in this pose behind such brittle thin separation, and stare each blow full in its muscularity. Behind Procalowski the clinometer bob goes to and fro with his ship’s rolling: a pendulum in a dream. Stormlight has turned the lines of his face black, black as his eyes, black as the watchcap cocked so tough and salty aslant the furrows of his forehead. Light clusters, clear, deep, on the face of the radio gear . . . fans up softly off the dial of the pelorus . . . spills out portholes onto the white river.
Thomas Pynchon (Gravity's Rainbow)
Yes, I'm the one who washes the plates and glasses They call me an easy woman When they give me a penny I still have to say thank you Here I am, in ragged clothes At the bottom of this shabby hotel Today, you don't know who I am Today, you don't know who I am   But one evening, one beautiful evening A big commotion People running along the shore Saying: "Look who's coming!" And me, I'll smile for the first time They'll say: "You, you're smiling now?"   A big ship A hundred cannons at the portholes Will enter the harbour!   I'll always be washing The glasses and plates I'll always be an "easy woman" When they give me a penny I'll always say thank you I'll keep my ragged clothes At the bottom of this shabby hotel And tomorrow, tomorrow like today You'll never know who I am!   But one evening, that beautiful evening for which I live Look how the cannons Wake up and turn For the first time, I'll burst out laughing "What, brat, you have the heart to laugh?"   That big ship A hundred cannons at the portholes Will bombard the harbour!   Then the sailors will come to shore More than a hundred, they'll mark with a cross of blood Every house, every door And it's before me that will be brought Enchained, imploring, mutilated and bloodied Your kind, all your kind, fine gentlemen! Your kind, all your kind, fine gentlemen!   Then the one I'm waiting for will appear, he'll say to me: "What is it that you want from all these people I'm killing?" And I'll sweetly reply: "Kill them all! For each head that falls I'll clap my hands, here we go! And that big ship, Far from the city where everything will be dead Will carry me towards life!
Bertolt Brecht (The Threepenny Opera)
It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube-shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats — the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill — The Hill, as all the people for many miles round called it — and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining-rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left-hand side (going in), for these were the only ones to have windows, deep-set round windows looking over his garden, and meadows beyond, sloping down to the river.
J.R.R. Tolkien (The Hobbit)
Every day, on his right and left, another soul escapes toward the sky, and it sounds to him as if he can hear faraway music, as if a door has been shut on a grand old radio and he can listen only by putting his good ear against the material of his cot, although the music is soft, and there are moments when he is not certain it is there at all. There is something to be angry at, Werner is sure, but he cannot say what it is. “Won’t eat,” says a nurse in English. Armband of a medic. “Fever?” “High.” There are more words. Then numbers. In a dream, he sees a bright crystalline night with the canals all frozen and the lanterns of the miners’ houses burning and the farmers skating between the fields. He sees a submarine asleep in the lightless depths of the Atlantic; Jutta presses her face to a porthole and breathes on the glass. He half expects to see Volkheimer’s huge hand appear, help him up, and clap him into the Opel. And Marie-Laure? Can she still feel the pressure of his hand against the webbing between her fingers as he can feel hers?
Anthony Doerr (All the Light We Cannot See)
Finally, he allowed me to turn the key in the lock and the front door, with its porthole-shaped window, swung open. I don’t know what I’d expected. I’d tried not to conjure up fantasies of any kind, but what I saw left me inarticulate. The entire apartment had the feel of a ship’s interior. The walls were highly polished teak and oak, with shelves and cubbyholes on every side. The kitchenette was still located to the right where the old one had been, a galley-style arrangement with a pint-size stove and refrigerator. A microwave oven and trash compactor had been added. Tucked in beside the kitchen was a stacking washer-dryer, and next to that was a tiny bathroom. In the living area, a sofa had been built into a window bay, with two royal blue canvas director’s chairs arranged to form a “conversational grouping.” Henry did a quick demonstration of how the sofa could be extended into sleeping accommodations for company, a trundle bed in effect. The dimensions of the main room were still roughly fifteen feet on a side, but now there was a sleeping loft above, accessible by way of a tiny spiral staircase where my former storage space had been. In the old place, I’d usually slept naked on the couch in an envelope of folded quilt. Now, I was going to have an actual bedroom of my own. I wound my way up, staring in amazement at the double-size platform bed with drawers underneath. In the ceiling above the bed, there was a round shaft extending through the roof, capped by a clear Plexiglas skylight that seemed to fling light down on the blue-and-white patchwork coverlet. Loft windows looked out to the ocean on one side and the mountains on the other. Along the back wall, there was an expanse of cedar-lined closet space with a rod for hanging clothes, pegs for miscellaneous items, shoe racks, and floor-to-ceiling drawers. Just off the loft, there was a small bathroom. The tub was sunken with a built-in shower and a window right at tub level, the wooden sill lined with plants. I could bathe among the treetops, looking out at the ocean where the clouds were piling up like bubbles. The towels were the same royal blue as the cotton shag carpeting. Even the eggs of milled soap were blue, arranged in a white china dish on the edge of the round brass sink.
Sue Grafton (G is for Gumshoe (Kinsey Millhone, #7))
as a luxury liner, it had been converted to wartime use; with blacked-out portholes and gray camouflage paint, it had
James MacGregor Burns (The Three Roosevelts: Patrician Leaders Who Transformed America)
It’s our own individual pattern of defenses, rationalizations, paradigms—our ways of responding to anything that threatens our comfort. Unless we’re careful to remain open to experience, we can put on more and more character armor throughout our life, until we become prisoners in our own armor. We’re like a tank driving down an Iraqi street, unable to see except through tiny portholes, unable to hear, to communicate, unable to respond to anything except by shooting at it.
Anonymous
Standing on it, she craned her neck out, turning it this way and that until head, shoulders, and a goodly share of her torso were hanging out over the sun-splattered water. It was thus that Alex found her when he came down at midday. He sighed deeply enough to tell her he was there. She withdrew with as good grace as she could manage and assumed a look of cheerful innocence. “Beautiful day, my lord.” She hadn’t quite gotten round to calling him kreon but she was resolved to manage it once they reached Akora. Anything for Royce. His eyebrows were quite extraordinarily eloquent. She had almost learned to chart his moods, some of them at least, by the rise and fall of those ebony wings. “Some people might think it overly risky to stick half their bodies out the porthole of a ship moving as fast as this one.” This close to her goal, she was in an extremely good mood, so much so that neither his sardonic drawl or the surge of sensual awareness he provoked troubled her. At least not much. Brightly, she said, “Isn’t it a good thing the world is made of different sorts? There’s use even for the foolishly cautious, I’m sure.” “But you’d be hard pressed to say what it might be.
Josie Litton (Dream Island (Akora, #1))
We lived in three lousy rooms, on the third floor, with windows like little portholes, under the roof. It became unbearably hot in the summer, Bucharest was dry and intensely hot. When Mother's health improved, we started to concentrate on plans to leave Romania.
Pearl Fichman (Before Memories Fade)
Flammflorbs, archypodsplays, clinker crabs, dorsaldorydabbs, mingslakks, linglimes, occocobbers, firgengobblers, smitesnides, orkusta shelled bunkbarnacles, balootabinks, jorgentua jellyfish, tungol widders, teleosti chimaras, and things stranger, yet to be named, Klubbe and his crew members observed through their portholes, lit by the lamps of their submarine's lanterns.
Philip Dodd (Klubbe the Turkle and the Golden Star Coracle)
And I suppose my view is shaped by the portholes around me. Eight people probably died from slipping in their showers in the time it took me to have this thought right here of them slipping in their showers. But it’s more than the deaths I saw; it’s the destruction. The noise with which we go seems to make it count for more. I think of my buddies who checked out via hand grenade versus those who died from MRSA back in the VA. We barely notice the latter. They’re statistics. Go quietly, and you’re a number. Go in spectacular fashion, and you’re a name.
Hugh Howey (Beacon 23)
During the whole of that frozen, dark transit through the glittering, howling autumnal moorlands of the trans-Neptunian wastes, as the ice road hung thin and ragged as funeral curtains beyond the portholes, I had been keeping studiously to myself within the confines of our slim vessel as it passed through that singularly lonesome expanse of darkness and, whilst the blue and ghostly shades of morning at the edge of civilization roused the passengers, drew within site of the melancholy face of Pluto.
Catherynne M. Valente (Radiance)
Matt Crawford stood by a porthole on the lounge deck, gazing at the stars wheeling past outside. He had found that he needed to look outside at least once a day, just to affirm that there was an outside beyond the walls of the crew module, and to see the cold hardness of the stars in the jet-black sky. Staring
Mark Anson (Below Mercury (Clare Foster, #3))
To the men, darkness made no difference. The Space Beagle crouched on a vast plain of jagged metal. Every porthole shed light. Great searchlights poured added illumination on rows of engines that were tearing enormous holes into the all-iron world. At the beginning, the iron was fed into a single manufacturing machine, which turned out unstable iron torpedoes at the rate of one every minute, and immediately launched them into space. By dawn of the next morning, the manufacturing machine itself began to be manufactured, and additional robot feeders poured raw iron into each new unit. Soon, a hundred, then thousands of manufacturing machines were turning out those slim, dark torpedoes. In ever greater numbers they soared into the surrounding night, scattering their radioactive substance to every side. For thirty thousand years those torpedoes would shed their destroying atoms. They were designed to remain within the gravitational field of their galaxy, but never to fall on a planet or into a sun.
A.E. van Vogt (The Voyage of the Space Beagle)
I CARRY inside my heart, As in a chest too full to shut, All the places where I have been, All the ports at which I have called, All the sights I’ve seen through windows and portholes And from quarterdecks, dreaming. And all of this, which is so much, is nothing next to what I want. — Fernando Pessoa, Fernando Pessoa and Co.: Selected Poems. (Grove Press; First Printing edition April 1, 1999)
Fernando Pessoa
We're awash in magical totems. Surrounded by little portholes looking out into infinity, at glimpses of immortality, if you bring it down to earth. The most trivial flotsam and jetsam scattered on the beach and cluttering shelves of junk stores means something, if you look at it from the right angle, through the right sort of spectacles.
James P. Blaylock (The Last Coin (Christian Trilogy, #1))
He later explained that when the ship landed, it hit so hard that it sunk 60 feet down into the ocean’s floor.  As they maneuvered Argo up its side, they saw rows and rows of portholes, looking back at them, Ballard later said, like the eyes of the dead.
Charles River Editors (The Titanic and the Lusitania: The Controversial History of the 20th Century’s Most Famous Maritime Disasters)
portholes
Philip Ardagh (The Grunts All At Sea (The Grunts, #2))
passing the lights in the ship’s portholes. All of them, Harry
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
Given the slant of the sun through the porthole, they were now edging into evening, which meant she needed to go topside to see about getting them back to the docks. She refused to think about the ribbing she was going to face for having been out on the boat so long. Not that Delia’s delectable weren’t worth an extended lunch break, but it was unlikely anyone would think they’d spent that entire time at anchor marveling over lobster rolls and hush puppies while staring at the distant horizon line.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
that would be enough for even one of his fancy chrome portholes. ‘I don’t get technology. Any technology. It mystifies me.’ He reached for a glossy brochure, flipping it open to show her a diagram. Standing close to him was like torture. She felt her stomach flip. ‘We design our systems so they are very intuitive. The panels in each zone are the same, so you only have to learn it once. You can control every element of the boat from the central hub in the main salon, all from the comfort of your armchair. For example, you can alter the deck lighting to suit your mood – there’s a rainbow of colours; you can switch on the hot tub, get it warmed up; and you can even programme the sound system in the bathrooms. All
Amanda Prowse (Perfect Daughter (No Greater Strength, #1))
He finally reached the Salaam Center hospital, a long, low grayish building that looked like a dispensary. Inside, one could feel the lack of resources, the struggle these shadow-people led against impossible odds. A cursory waiting room with basic furniture, secondhand chairs, small tables, and swinging doors with round portholes that looked like something out of Egyptian films from the forties. Boxes containing first aid kits, stenciled with the symbol of the French Red Cross, were stacked in the corners.
Franck Thilliez (Syndrome E)
The bow still appears stately and upright. The stern lies in a shattered heap, mangled, we believe, by its violent break with the bow, by it's impact with the bottom, and perhaps by damage caused when air-filled pockets in the sinking hulk met deep-ocean pressures that near 6,000 pounds per square inch. Moist poignant was the debris field, where the effects of a floating city of 2,228 men, women, and children had drifted down for hours after Titanic broke apart. There, amidst huge chunks of twisted metal, fragile china cups appeared untouched. Peering through Alvin's small porthole, I saw the hollow eyes of a doll's head staring back, a haunting reminder of loss. Most wrenching for me was the sight of a pair of splayed boots, the body of the owner long ago consumed in the deep.
Bill Allen (Titanic: Collector's Edition (National Geographic Society))
The conference room on the Nucleus could have been mistaken for any high-tech super-duper fortune five-hundred boardroom, if it wasn't for the two distinct iron portholes welded into the shiny white wall.
Brett Arquette (Operation Hail Storm (Hail, #1))
After the better part of a month working in the fringed cold, we were ready. There were still a few minor things to do but the ship was now completely primed and painted, with her name outlined with spot welds on each side of the bow and the stern. That morning, prior to sailing from Boston, I slipped ashore and bought a case of Budweiser beer. There was a lot of activity around the ship so no one noticed when I returned with beer in my sea bag. I distributed the three six-packs I had sold to classmates and the remaining one was for the guys in my room. I hung the brew out of the porthole, wrapped and tied securely in a towel. For us the porthole wasn’t just a small round window to the outside, it was also our refrigerator for keeping things cold! We didn’t get going until after dark, expecting to be on the Penobscot River back in Maine by daybreak. I was on the afterdeck trying to free lines that were solidly frozen from the cold, when I felt a jarring under foot. Looking over the railings, I saw one of the tugboats right outside of where our room was. He had bumped into us, and now with his engines roaring in reverse, was backing down. What the hell was going on? Instinctively, I knew what had happened. I dropped the mooring lines onto the deck and left the flaking down of them to others. I quickly ran to our room and opened the porthole, confirming what I already knew. Our beer was gone! Damn it, the tugboat was disappearing into the dark and they would be the ones drinking our beer that night! At least we still had some cold pizza. Free of the dock, we headed down the Inner Harbor, past Logan International Airport and Deer Island towards the Atlantic. We had worked hard to get our ship ready, and had every reason to be proud, as we steamed out of Boston Harbor that night. We were on our way back to Castine and to the Academy. By the next morning, we were sailing under the Waldo-Hancock Bridge into Bucksport Harbor.
Hank Bracker
How The Whale Got His Throat By Rudyard Kipling When the cabin port-holes are dark and green Because of the seas outside When the ship goes wop (with a wiggle between) And steward falls into the soup-tureen, And trunks begin to slide; When Nursey lies on the floor in a heap, And Mummy tells you to let her sleep, And you aren't waked or washed or dressed, Why, then you will know (if you haven't guessed) You're "Fifty North and Forty West!
Robert Herrick
I wouldn’t usually bother the girls I liked. I believed in what Goethe said: ‘If I love you, what business is it of yours?’” Xizi laughed. He went on, “Oh, if only I had the same attitude toward physics! My life’s biggest regret is that we’ve been blinded by the sophons. But here’s a more positive way of thinking about it: If we’re exploring laws, what business is that of the laws? One day, perhaps, humanity—or maybe someone else—will explore the laws so thoroughly that they’ll be able to alter not only their own reality, but perhaps the entire universe. They’ll be able to turn every star system into whatever shape they require, like kneading a ball of dough. But so what? The laws still won’t have changed. Yes, she’ll still be there, the one unchanging presence, forever young, like how we remember a lover....” As he spoke, he pointed out the porthole at the brilliant Milky Way. “And when I think about that, my worries go away.
Liu Cixin (The Dark Forest (Remembrance of Earth’s Past, #2))
The interior spaces aboard the Norego were as dilapidated as her outside. The floors were chipped linoleum, the walls bare metal with large swatches of peeled paint, and the fluorescent lights mounted to the ceilings buzzed loudly. Several of them flickered at erratic intervals, casting the narrow corridor in stark shadow. Esteban led Ghami and Khatahani up a tight companionway with a loose railing and onto another short corridor. He opened the door to his office and gestured for the men to enter. The captain’s cabin could be seen through an open door on the opposite side of the office. The bed was unmade, and the sheets that spilled onto the floor were stained. A single dresser stood bolted to the wall, and the mirror above it had a jagged crack running from corner to corner. The office was a rectangular room with a single porthole so rimed with salt that only murky light came through. The walls were adorned with paintings of sad-eyed clowns done in garish colors on black velvet. Another door led to a tiny bathroom that was filthier than a public washroom in a Tehran slum. So many cigarettes had been smoked in the office that the stale smell seemed to coat everything, including the back of Ghami’s mouth. A lifelong smoker himself, even the Iranian naval officer was disgusted.
Clive Cussler (Plague Ship (Oregon Files, #5))
You never got a particularly nautically rigorous look at the Swift, but you nonetheless came away with a powerful impression of it: it was a plucky but cozy little vessel, elegant to look at but game in a fight, with sleek lines and glowing yellow portholes through which one glimpsed snug, shipshape cabins.
Lev Grossman (The Magicians Trilogy (The Magicians, #1-3))
porthole
Victoria Aveyard (War Storm (Red Queen #4))
we now know that UFOs apparently come in an array of shapes and sizes. They are shaped like ovals, cigars, triangles, trapezoids, disks, spheres, coins flipped on their sides, boomerangs, crescents, hexagons, Vs, lenticulars, diamonds. They are black, silver, metallic, smooth, textured, and can change colors and shapes. They range in sizes as huge as a football stadium and as small as a VW. The crafts reportedly move at incredible speeds, can hover, hang seemingly motionless in the sky, and are capable of astounding maneuvers. They usually make no sound, don’t have wings, often have a dome on top, and even lit portholes.
Trish MacGregor (Aliens in the Backyard: UFOs, Abductions, and Synchronicity)
Before drawing the curtain across the porthole, Lydia took a peek outside. The evening uneven sea glimmered with slices of dairy moon, the surface waves a shifting brew of dark tea stirred by an atmospheric spoon.
Neale Osborne (Lydia's Golden Drum (Lydia, #2))
about ten incubators plus monitors round a central desk.  An incubator is a large, clear plastic box on a stand, with portholes
Jennifer Gilby Roberts (Early Daze)
Yes, I'm the one who washes the plates and glasses They call me an easy woman When they give me a penny I still have to say thank you Here I am, in ragged clothes At the bottom of this shabby hotel Today, you don't know who I am Today, you don't know who I am But one evening, one beautiful evening A big commotion People running along the shore Saying: "Look who's coming!" And me, I'll smile for the first time They'll say: "You, you're smiling now?" A big ship A hundred cannons at the portholes Will enter the harbour! I'll always be washing The glasses and plates I'll always be an "easy woman" When they give me a penny I'll always say thank you I'll keep my ragged clothes At the bottom of this shabby hotel And tomorrow, tomorrow like today You'll never know who I am! But one evening, that beautiful evening for which I live Look how the cannons Wake up and turn For the first time, I'll burst out laughing "What, brat, you have the heart to laugh?" That big ship A hundred cannons at the portholes Will bombard the harbour! Then the sailors will come to sure More than a hundred, they'll mark with a cross of blood Every house, every door And it's before me that will be brought Enchained, imploring, mutilated and bloodied Your kind, all your kind, fine gentlemen! Your kind, all your kind, fine gentlemen! Then the one I'm waiting for will appear, he'll say to me: "What is it that you want from all these people I'm killing?" And I'll sweetly reply: "Kill them all! For each head that falls I'll clap my hands, here we go! And that big ship, Far from the city where everything will be dead Will carry me towards life!
Bertolt Brecht (The Threepenny Opera)
Life aboard ship was like living in paradise for my agile friend and he could have continued this way forever if he hadn't discovered a splendid new game. When the stevedores were loading or discharging the ship, Peanut would hop onto the edge of the hatch and urinate down on them. Oh what great fun he had, never thinking that they would object to what he was doing. At first they would try to catch him but he was far too agile for them. Not that I understood what they were saying but I knew enough to know that the stevedores were shouting Bassa swearwords at him. Frustrated they would flip him the bird as they climbed down into the hold, foiled again. What a wonderful time Peanut had! His safest refuge was on top of the Wheel House, where the stevedores couldn’t go. Sometimes as a place of last resort he would dive through the open porthole into my state room. He didn’t like the Engine Room, as an alternate route to safety, since it was too hot and noisy. Besides the engineers didn’t much like a monkey messing with their things and who knows what trouble he could get into down there? Peanut, was wonderful entertainment when visitors came aboard. The Pan American flight attendants, they were called stewardesses back then, thought him adorable. I always had roasted peanuts for them to feed him, which he would pick and chew apart, littering the deck. The stewardess’s that came for my famous pizza parties always tried to pick him up and cuddle with him. Monkeys are unpredictable so I cautioned them to be careful but being such a cute little guy they seldom were. Ear rings were a favorite piece of jewelry to tug on, causing the ladies to scream. Most often he would let go but the wings above their pockets was another matter. Peanut would yank and pull on the insignia until it was his. I knew where he usually hid his loot and so could return their stuff but some of the stewardesses flew home without their wings.
Hank Bracker
I know,” Menelaou said. “But it’ll be decided way higher up the food chain.” Alexei raised his eyebrows at Jack. He whispered: “Ball-breaker.” Jack suppressed a laugh. They pushed off and floated out of the tunnel, into Central Port. There was no ‘up’ and ‘down’ on the ISS, but the little portholes set into one wall, framing views of Earth, made that wall feel like the floor, and that’s the way Menelaou and Howard were oriented. “Hi, Kate,” Alexei said. “I’m just showing Jack around. It’s his first time on-station.
Felix R. Savage (Freefall (Earth's Last Gambit, #1))
Thank God there weren’t any Chinese on the ISS, anyway! The atmosphere would have been so frigid, they’d have frost on the inside of the portholes.
Felix R. Savage (Freefall (Earth's Last Gambit, #1))
I recognize, of course, that this statement of belief is partly governed by the circumstance that I am old, and in at most a decade or so, will be dead. In earlier years I should doubtless have expressed things differently. Now the prospect of death overshadows all others. I am like a man on a sea voyage nearing his destination. When I embarked I worried about having a cabin with a porthole, whether I should be asked to sit at the captain’s table, who were the more attractive and important passengers. All such considerations become pointless when I shall so soon be disembarking.
Cecil Kuhne (Seeing Through the Eye: Malcolm Muggeridge on Faith)
From the water it looked like a boat, with rows of small, high windows—so much like portholes—and a long, skinny dock—pirate's gangplank—to complete the effect. When the place started falling apart in the '70s, some grumbly neighbor called it The Shipwreck, and the name had stuck. It was a love-it-or-hate-it house, and the Shepherd women had loved it. So had I.
Amy Mason Doan (The Summer List)
The road to success is never that smooth. There are obvious portholes you would step in. There are hills you must cross, and you will. Thus, no matter how rough your journey might be, keep up hopes in God so you will not falter. No matter how dark the days might seem, don’t forget to smile, and always have it at the back of your mind that there is light at the end of the tunnel.” It takes a broad smile to make a dark day seem so bright. Psalm 119:105 -Shenita Etwaroo
Shenita Etwaroo
zipped along with the wind in our faces, speeding through the waves so smooth and steady I hardly needed to hold on at all. As we got closer to the cruise ship, I realized just how huge it was. I felt as though I were looking up at a building in Manhattan. The white hull was at least ten stories tall, topped with another dozen levels of decks with brightly lit balconies and portholes. The ship’s name was painted just above the
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))