Porter Quotes

We've searched our database for all the quotes and captions related to Porter. Here they are! All 100 of them:

Be glad. Be good. Be brave.
Eleanor H. Porter
The past is never where you think you left it.
Katherine Anne Porter
If you are lazy, and accept your lot, you may live in it. If you are willing to work, you can write your name anywhere you choose.
Gene Stratton-Porter (A Girl of the Limberlost (Limberlost, #2))
I shall try to tell the truth, but the result will be fiction.
Katherine Anne Porter
Moving on, as a concept, is for stupid people, because any sensible person knows grief is a long-term project. I refuse to rush. The pain that is thrust upon us let no man slow or speed or fix.
Max Porter (Grief is the Thing with Feathers)
Nothing carries meaning. People carry meaning. We are the porters of importance.
Jarod Kintz (This Book is Not for Sale)
Just breathing isn't living!
Eleanor H. Porter (Pollyanna (Pollyanna, #1))
The hypocrisy was too much to bear, the institution was paying over a million dollars for Mr. Hyde to perform “values training” to “protect our culture,” while they simultaneously paid $2 million a year for Dr. Porter to destroy it. It was a laughable facade, but instead I wanted to cry.
Dean Mafako (Burned Out)
The essence of strategy is choosing what not to do.
Michael E. Porter (What Is Strategy?)
There seems to be a kind of order in the universe…in the movement of the stars and the turning of the Earth and the changing of the seasons. But human life is almost pure chaos. Everyone takes his stance, asserts his own right and feelings, mistaking the motives of others, and his own.
Katherine Anne Porter
... there is something about everything that you can be glad about, if you keep hunting long enough to find it.
Eleanor H. Porter (Pollyanna (Pollyanna, #1))
What men and women need is encouragement. Their natural resisting powers should be strengthened, not weakened ... Instead of always harping on a man's faults, tell him of his virtues. Try to pull him out of his rut ... Hold up to him his better self, his real self that can dare and do and win out! ... People radiate what is in their minds and in their hearts.
Eleanor H. Porter (Pollyanna (Pollyanna, #1))
...The world is full of happy people but no one ever hears of them. You have to fight and make a scandal to get in the papers. No one knows about all the happy people...
Gene Stratton-Porter (A Girl of the Limberlost (Limberlost, #2))
I get no kick from champagne. Mere alcohol doesn't thrill me at all. So, tell me why should it be true, that I get a kick out of you?
Cole Porter (The Complete Lyrics of Cole Porter)
Love must be learned and learned again; There is no end.
Katherine Anne Porter
Which do you think is more patient, an idea or a hope?
Max Porter (Lanny)
The entire time they’re talking, I can’t tear my eyes away from Porter. What I’m feeling for him now is like drowning and floating at the same time.
Jenn Bennett (Alex, Approximately)
I grab my bag and open the door, trying to ignore him. But ignoring Gray Porter is like ignoring an elephant in a tutu. A really hot elephant-in a very manly tutu.
Anne Eliot
Again. I beg everything again.
Max Porter (Grief is the Thing with Feathers)
Oh, yes; the game was to just find something about everything to be glad about—no matter what 'twas
Eleanor H. Porter (Pollyanna (Pollyanna, #1))
Ghosts do not haunt, they regress. Just as when you need to go to sleep you think of trees or lawns, you are taking instant symbolic refuge in a ready-made iconography of early safety and satisfaction. That exact place is where ghosts go.
Max Porter (Grief is the Thing with Feathers)
I remember being scared that something must, surely, go wrong, if we were this happy, her and me, in the early days, when our love was settling into the shape of our lives like cake mixture reaching the corners of the tin as it swells and bakes.
Max Porter (Grief is the Thing with Feathers)
... if God took the trouble to tell us eight hundred times to be glad and rejoice, He must want us to do it—SOME.
Eleanor H. Porter (Pollyanna (Pollyanna, #1))
Madoc cleared his throat. "Dr. Porter. Nate and Piper bumped into each other." Oh, my god. I was convinced. Madoc was an idiot.
Penelope Douglas (Bully (Fall Away, #1))
Unlike Ray Porter, his love is fearless and without reservation.
Steve Martin (Shopgirl)
[Grief] is everything. It is the fabric of selfhood, and beautifully chaotic. It shares mathematical characteristics with many natural forms.
Max Porter (Grief is the Thing with Feathers)
Is he well educated?" "Yes, I think so, as far as he's gone," I answered. "Of course he will go on being educated every day of his life, same as father. He says it is all rot about 'finishing' your education. You never do. You learn more important things each day...
Gene Stratton-Porter (Laddie: A True Blue Story (Library of Indiana Classics))
I get so tired of moral bookkeeping.
Katherine Anne Porter
We didn't land on plymouth rock, Plymouth rock landed on us".
Malcolm X
I know men and women. An honourable man is an honourable man, and a liar is a liar; both are born and not made. One cannot change to the other any more than that same old leopard can change its spots. After a man tells a woman the first untruth of that sort, the others come piling thick, fast, and mountain high.
Gene Stratton-Porter (A Girl of the Limberlost (Limberlost, #2))
She shrugged another plump shoulder. “I never listened to Porter when he got going.” Ah. At last. The secret to a successful marriage.
Josh Lanyon (Death of a Pirate King (The Adrien English Mysteries, #4))
Ignoring Gray Porter is like ignoring an elephant in a tut. A really hot elephant in a tutu... a very manly tutu." -Jess
Anne Eliot (Almost)
Moving on, as a concept, is for stupid people, because any sensible person knows grief is a long-term project.
Max Porter (Grief is the Thing with Feathers)
And the boys were behind me, a tide-wall of laughter and yelling, hugging my legs, tripping and grabbing, leaping, spinning, stumbling, roaring, shrieking and the boys shouted I LOVE YOU I LOVE YOU I LOVE YOU and their voice was the life and song of their mother. Unfinished. Beautiful. Everything.
Max Porter (Grief Is the Thing with Feathers)
From the moment I start a new novel, life’s just one endless torture. The first few chapters may go fairly well and I may feel there’s still a chance to prove my worth, but that feeling soon disappears and every day I feel less and less satisfied. I begin to say the book’s no good, far inferior to my earlier ones, until I’ve wrung torture out of every page, every sentence, every word, and the very commas begin to look excruciatingly ugly. Then, when it’s finished, what a relief! Not the blissful delight of the gentleman who goes into ecstasies over his own production, but the resentful relief of a porter dropping a burden that’s nearly broken his back . . . Then it starts all over again, and it’ll go on starting all over again till it grinds the life out of me, and I shall end my days furious with myself for lacking talent, for not leaving behind a more finished work, a bigger pile of books, and lie on my death-bed filled with awful doubts about the task I’ve done, wondering whether it was as it ought to have been, whether I ought not to have done this or that, expressing my last dying breath the wish that I might do it all over again!
Émile Zola (The Masterpiece)
Trust your happiness and the richness of your life at this moment. It is as true and as much yours as anything else that ever happened to you.
Katherine Anne Porter (Letters of Katherine Anne Porter)
God does not know whether a skin is black or white, He sees only souls.
Katherine Anne Porter (The Collected Stories of Katherine Anne Porter)
I want you to know if we die right now, I won't be able to distinguish if I've made it to heaven or not, because I'm already sitting here with you.. like this." -Gray Porter
Anne Eliot (Almost)
Mais, quand d’un passé ancien rien ne subsiste, après la mort des êtres, après la destruction des choses, seules, plus frêles mais plus vivaces, plus immatérielles, plus persistantes, plus fidèles, l’odeur et la saveur restent encore longtemps, comme des âmes, à se rappeler, à attendre, à espérer, sur la ruine de tout le reste, à porter sans fléchir, sur leur gouttelette presque impalpable, l’édifice immense du souvenir.
Marcel Proust (Du côté de chez Swann)
Death always leaves one singer to mourn.
Katherine Anne Porter (Pale Horse, Pale Rider)
Yet happiness isn't something you chase, it's something you are. It's something you think, it's something you believe.
Jane Porter (Odd Mom Out (Bellevue Wives, Book 1))
If travel were so inspiring and informing a business...then the wisest men in the world would be deck hands on tramp steamers, Pullman porters, and Mormon missionaries.
Sinclair Lewis (Dodsworth)
Is it life?" he answered, "I would rather be without it," he said, "for there is queer small utility in it. You cannot eat it or drink it or smoke it in your pipe, it does not keep the rain out and it is a poor armful in the dark if you strip it and take it to bed with you after a night of porter when you are shivering with the red passion. It is a great mistake and a thing better done without, like bed-jars and foreign bacon.
Flann O'Brien (The Third Policeman)
It is very strange, this domination of our intellect by our digestive organs. We cannot work, we cannot think, unless our stomach wills so. It dictates to us our emotions, our passions. After eggs and bacon it says, "Work!" After beefsteak and porter, it says, "Sleep!" After a cup of tea (two spoonfuls for each cup, and don't let it stand for more than three minutes), it says to the brain, "Now rise, and show your strength. Be eloquent, and deep, and tender; see, with a clear eye, into Nature, and into life: spread your white wings of quivering thought, and soar, a god-like spirit, over the whirling world beneath you, up through long lanes of flaming stars to the gates of eternity!
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
Quand j'arrive à la gare de l'Est, j'espère toujours secrètement qu'il y aura quelqu'un pour m'attendre. C'est con. J'ai beau savoir que ma mère est encore au boulot à cette heure-là et que Marc est pas du genre à traverser la banlieue pour porter mon sac, j'ai toujours cet espoir débile. [...] Je voudrais que quelqu'un m'attende quelque part... C'est quand même pas compliqué.
Anna Gavalda (I Wish Someone Were Waiting for Me Somewhere)
If I didn't know the ending of a story, I wouldn't begin. I always write my last lines, my last paragraph first, and then I go back and work towards it. I know where I'm going. I know what my goal is. And how I get there is God's grace.
Katherine Anne Porter
For a souvenir, for a warning, for a lick of night in the morning.
Max Porter (Grief is the Thing with Feathers)
...with the most infinite tenderness I have ever known in my life, he put his arms around me, gently, gently, and I embraced him around the neck, and we touched...
Katherine Anne Porter
I am Tarzan of the Apes. I want you. I am yours. You are mine. We live here together always in my house. I will bring you the best of fruits, the tenderest deer, the finest meats that roam the jungle. I will hunt for you. I am the greatest of the jungle fighters. I will fight for you. I am the mightiest of the jungle fighters. You are Jane Porter, I saw it in your letter. When you see this you will know that it is for you and that Tarzan of the Apes loves you.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
If it would destroy [a 12-year-old boy] to be called a girl, what are we then teaching him about girls?
Tony Porter
Good authors, too, who once knew better words now only use four-letter words writing prose... anything goes.
Cole Porter
I missed her so much that I wanted to build a hundred-foot memorial to her with my bare hands. I wanted to see her sitting in a vast stone chair in Hyde Park, enjoying her view. Everybody passing could comprehend how much I miss her. How physical my missing is. I miss her so much it is a vast golden prince, a concert hall, a thousand trees, a lake, nine thousand buses, a million cars, twenty million birds and more. The whole city is my missing her. Eugh,
Max Porter (Grief Is the Thing with Feathers)
I plucked one feather from my hood and left it on his forehead, for, his, head. For a souvenir, for a warning, for a lick of night in the morning. For a little break in the mourning.
Max Porter (Grief is the Thing with Feathers)
It's funny how dogs and cats know the inside of folks better than other folks do, isn't it?
Eleanor H. Porter
She was not busy dying, and there is no detritus of care, she was simply busy living, and then she was gone. She
Max Porter (Grief Is the Thing with Feathers)
You waste life when you waste good food.
Katherine Anne Porter (Flowering Judas)
Do you know that being a stranger is the hardest thing that can happen to any one in all this world?
Gene Stratton-Porter (Laddie: A True Blue Story (Library of Indiana Classics))
Could she fall so low? No, there were limits, and she believed she still knew where some of them were.
Katherine Anne Porter (Ship of Fools)
Where there's God, there's hope," she said. "And where there's hope, there can be healing.
Becky Wade (A Love Like Ours (Porter Family, #3))
Oh, yes," nodded Pollyanna, emphatically. He [her father] said he felt better right away, that first day he thought to count 'em. He said if God took the trouble to tell us eight hundred times [in the Bible] to be glad and rejoice, He must want us to do it - SOME.
Eleanor H. Porter (Pollyanna (Pollyanna, #1))
I love Paris in the summer, when it sizzles.
Cole Porter
Odd: I wish I could believe in reincarnation. Chief Porter: Not me. Once down the track is enough of a test. Pass me or fail me, Dear Lord, but don't make me go through high school again. Odd: If there's something we want so bad in this life but we can't have it, maybe we could get it the next time around. Chief Porter: Or maybe not getting it, accepting less without bitterness and being grateful for what we have is a part of what we're here to learn.
Dean Koontz (Forever Odd (Odd Thomas, #2))
This is the rotten core, the Grünewald, the nails in the hands, the needle in the arm, the trauma, the bomb, the thing after which we cannot ever write poems, the slammed door, the in-principio-erat-verbum. Very What-the-fuck. Very blood-sport. Very university historical. But don’t stop looking.
Max Porter (Grief is the Thing with Feathers)
I do not know why it is the fate of the world always to want something different from what life gives them.
Gene Stratton-Porter (A Girl of the Limberlost (Limberlost, #2))
In the economy of nature nothing is ever lost. I cannot belive that the soul of man shall prove the one exception
Gene Stratton-Porter
The thought of him was a smoky cloud from hell that moved and crept in her head.
Katherine Anne Porter (The Collected Stories of Katherine Anne Porter)
Това бе сякаш най-простичката радост на света - фаровете, колата - да знаеш, че човекът, когото най-много обичаш, се прибира у дома.
Andrew Porter (The Theory of Light and Matter)
Tatooine, huh? So awesome you know Star Wars facts,” he adds nodding. “Do you ever watch the animated stuff?” Grin. Grin. Grin. I'm seriously at risk of an old-style faint. Holy-WTHECK? My neck and cheeks are volcano-hot. My entire chest swarms with an uncontrollable butterfly attack. Butterfly riot. Butterfly massacre. Person slaughtered: Me. Method used: Dimple. The guy has a dimple. Of course he does. To match the Hollywood chin divot. To make the lump on my forehead pound even harder. Points for Gray Porter: 3,000,000-bajallion, trillion to the millionth power.
Anne Eliot (Almost)
Why did it take me so many years to understand that Night is something you can talk to, something that might even decide to watch over you or kiss you just when you're about to crumple from loneliness?
Sarah Porter (Vassa in the Night)
We are but pitiful narrative creatures... obsessing over the agony of not knowing. Sisyphus, Atlas, Echo, all those poor souls, now us. It is the oldest story of them all; never-ending pain.
Max Porter (Lanny)
You have to go where I lead you, right? Unless I taser you. Then you'll have to go where I drag you.
Becky Wade (Her One and Only (Porter Family, #4))
I’m a million cameras, even when I’m sleeping, clicking, clicking, every second something is growing and changing. We are little arrogant flashes in a grand magnificent scheme.
Max Porter (Lanny)
It'll be just lovely for you to play -- it'll be so hard. And there's so much more fun when it is hard!
Eleanor H. Porter (Pollyanna (Pollyanna, #1))
But Aunt Margaret doesn't like boys," objected Elnora. "Well, she likes me, and I used to be a boy. ...
Gene Stratton-Porter (A Girl of the Limberlost (Limberlost, #2))
All the old houses that I knew when I was a child were full of books, bought generation after generation by members of the family. Everyone was literate as a matter of course. Nobody told you to read this or not to read that. It was there to read, and we read.
Katherine Anne Porter
And most generally there is something about everything that you can be glad about, if you keep hunting long enough to find it.
Eleanor H. Porter (Pollyanna (Pollyanna, #1))
When you look for the bad, expecting it, you will get it. When you know you will find the good—you will get that....
Eleanor H. Porter (Pollyanna)
A story is like something you wind out of yourself. Like a spider, it is a web you weave, and you love your story like a child.
Katherine Anne Porter
She was beaten to death, I once told some boys at a party. Oh shit mate, they said. I lie about how you died, I whispered to Mum. I would do the same, she whispered back.
Max Porter (Grief is the Thing with Feathers)
Vanity is so firmly anchored in man's heart that a soldier, a camp follower, a cook or a porter will boast and expect admirers, and even philosophers want them; those who write against them want to enjoy the prestige of having written well, those who read them want the prestige of having read them, and perhaps I who write this want the same thing.
Blaise Pascal (Pensées)
As we stepped inside, I waited for it to get strange, now that I could see him clearly again—his brown eyes, his reddish hair, his freckles. But it didn’t. And I didn’t understand why until I’d gotten back into the car and Frank had waved at me from the door and I’d turned in the direction of home. It seemed that somewhere between the arguments about the merits of ninja movies, he’d stopped being Frank Porter, class president, unknowable person. He’d stopped being a stranger, a guy, someone I didn’t know how to talk to.  That night, in the darkness, sharing our secrets and favorite pizza-topping preferences, he’d moved closer to just being Frank—maybe, possibly, even my friend.
Morgan Matson (Since You've Been Gone)
He could look into your eyes and without saying a word assure you that you were the most fascinating woman in the world and call you beautiful in six languages.
Becky Wade (Meant to be Mine (Porter Family, #2))
Don't you love being alive?" asked Miranda. "Don't you love weather and the colors at different times of the day, and all the sounds and noises like children screaming in the next lot, and automobile horns and little bands playing in the street and the smell of food cooking?" "I love to swim, too." said Adam. "So do I," said Miranda, "we never did swim together.
Katherine Anne Porter (Pale Horse, Pale Rider)
And she laughed, and said she understood, and then off she drifted in that nice way she has. Responsive to the light, I would call it. The type of person who is that little bit more akin to the weather than most people, more obviously made of the same atoms as the earth than most people these days seem to be. Which explains Lanny.
Max Porter (Lanny)
What men and women need is encouragement. Their natural resisting powers should be strengthened, not weakened…. Instead of always harping on a man’s faults,tell him of his virtues. Try to pull him out of his rut of bad habits. Hold up to him his better self, his REAL self that can dare and do and win out! … The influence of a beautiful, helpful, hopeful character is contagious, and may revolutionize a whole town…. People radiate what is in their minds and in their hearts. If a man feels kindly and obliging, his neighbors will feel that way, too, before long.But if he scolds and scowls and criticizes—his neighbors will return scowl for scowl, and add interest! … When you look for the bad, expecting it, you will get it. When you know you will find the good—you will get that…
Eleanor H. Porter (Pollyanna (Pollyanna, #1))
Peter Gibbons: The thing is, Bob, it's not that I'm lazy, it's that I just don't care. Bob Porter: Don't... don't care? Peter Gibbons: It's a problem of motivation, all right? Now if I work my ass off and Initech ships a few extra units, I don't see another dime; so where's the motivation? And here's something else, Bob: I have eight different bosses right now. Bob Slydell: I beg your pardon? Peter Gibbons: Eight bosses. Bob Slydell: Eight? Peter Gibbons: Eight, Bob. So that means that when I make a mistake, I have eight different people coming by to tell me about it. That's my only real motivation is not to be hassled; that, and the fear of losing my job. But you know, Bob, that will only make someone work just hard enough not to get fired.
Mike Judge
It was a compound of self-reliance, hard knocks, heart hunger, unceasing work, and generosity. There was no form of suffering with which the girl could not sympathize, no work she was afraid to attempt, no subject she had investigated she did not understand. These things combined to produce a breadth and depth of character altogether unusual.
Gene Stratton-Porter (A Girl of the Limberlost)
We will never fight again, our lovely, quick, template-ready arguments. Our delicate cross-stitch of bickers. The house becomes a physical encyclopedia of no-longer hers, which shocks and shocks and is the principal difference between our house and a house where illness has worked away. Ill people, in their last day on Earth, do not leave notes stuck to bottles of red wine saying ‘OH NO YOU DON’T COCK-CHEEK’. She was not busy dying, and there is no detritus of care, she was simply busy living, and then she was gone. She won’t ever use (make-up, turmeric, hairbrush, thesaurus). She will never finish (Patricia Highsmith novel, peanut butter, lip balm). And I will never shop for green Virago Classics for her birthday. I will stop finding her hairs. I will stop hearing her breathing.
Max Porter (Grief is the Thing with Feathers)
The road to death is a long march beset with all evils, and the heart fails little by little at each new terror, the bones rebel at each step, the mind sets up its own bitter resistance and to what end? The barriers sink one by one, and no covering of the eyes shuts out the landscape of disaster, nor the sight of crimes committed there.
Katherine Anne Porter (Pale Horse, Pale Rider)
To my way of thinking and working, the greatest service a piece of fiction can do any reader is to leave him with a higher ideal of life than he had when he began. If in one small degree it shows him where he can be…gentler, saner, cleaner, kindlier…it is a wonder-working book. If it opens his eyes to one beauty in nature he never saw for himself and leads him one step toward the God of the Universe, it is a beneficial book…
Gene Stratton-Porter
There never was a moment in my life, when I felt so in the Presence, as I do now. I feel as if the Almighty were so real, and so near, that I could reach out and touch Him, as I could this wonderful work of His, if I dared. I feel like saying to Him: 'To the extent of my brain power I realize Your presence, and all it is in me to comprehend of Your power. Help me to learn, even this late, the lessons of Your wonderful creations. Help me to unshackle and expand my soul to the fullest realization of Your wonders. Almighty God, make me bigger, make me broader!
Gene Stratton-Porter (A Girl of the Limberlost (Limberlost, #2))
What good is a crow to a pack of grieving humans? A huddle. A throb.              A sore.                          A plug.                                       A gape.                                                    A load. A gap. So, yes. I do eat baby rabbits, plunder nests, swallow filth, cheat death, mock the starving homeless, misdirect, misinform. Oi, stab it! A bloody load of time wasted. But I care, deeply. I find humans dull except in grief.
Max Porter (Grief is the Thing with Feathers)
Plus je vieillis et plus je trouve qu’on ne peut vivre qu’avec les êtres qui vous libèrent, qui vous aiment d’une affection aussi légère à porter que forte à éprouver. La vie d’aujourd’hui est trop dure, trop amère, trop anémiante, pour qu’on subisse encore de nouvelles servitudes, venues de qui on aime [...]. C’est ainsi que je suis votre ami, j’aime votre bonheur, votre liberté, votre aventure en un mot, et je voudrais être pour vous le compagnon dont on est sûr, toujours. The older I get, the more I find that you can only live with those who free you, who love you from a lighter affection to bear as strong as you can to experience Today's life is too hard, too bitter, too anemic, for us to undergo new bondages, from whom we love [...]. This is how I am your friend, I love your happiness, your freedom, Your adventure in one word, and I would like to be for you the companion we are sure of, always. ---- Albert Camus à René Char, 17 septembre 1957 (in "Albert Camus - René Char : Correspondance 1946-1959") ---- Albert Camus to René Char, September 17, 1957 (via René Char)
Albert Camus (Correspondance (1944-1959))
For every bad man and woman I have ever known, I have met . . . an overwhelming number of thoroughly clean and decent people who still believe in God and cherish high ideals, and it is upon the lives of these people that I base what I write. To contend that this does not produce a picture true to life is idiocy. It does. It produces a picture true to ideal life; to the best that good men and good women can do at level best. I care very little for the . . . critics who proclaim that there is no such thing as a moral man, and that my pictures of life are sentimental and idealized. They are! And I glory in them! They are straight, living pictures from the lives of men and women of morals, honor, and loving kindness. . . . Such a big majority of book critics and authors have begun to teach, whether they really believe it or not, that no book is true to life unless it is true to the worst in life.
Gene Stratton-Porter (Gene Stratton Porter: A Little Story of Her Life and Work)
...we were different boys, we were brave new boys without a Mum. So when he told us what happened I don't know what my brother was thinking but I was thinking this: Where are the fire engines? Where is the noise and clamour of an event like this? Where are the strangers going out of their way to help, screaming, flinging bits of emergency glow-in-the-dark equipment at us to try and settle us and save us? There should be men in helmets speaking a new and dramatic language of crisis. There should be horrible levels of noise, completely foreign and inappropriate for our cosy London flat.
Max Porter (Grief is the Thing with Feathers)
The trial of Jesus of Nazareth, the trial and rehabilitation of Joan of Arc, any one of the witchcraft trials in Salem during 1691, the Moscow trials of 1937 during which Stalin destroyed all of the founders of the 1924 Soviet REvolution, the Sacco-Vanzetti trial of 1920 through 1927- there are many trials such as these in which the victim was already condemned to death before the trial took place, and it took place only to cover up the real meaning: the accused was to be put to death. These are trials in which the judge, the counsel, the jury, and the witnesses are the criminals, not the accused. For any believer in capital punishment, the fear of an honest mistake on the part of all concerned is cited as the main argument against the final terrible decision to carry out the death sentence. There is the frightful possibility in all such trials as these that the judgement has already been pronounced and the trial is just a mask for murder.
Katherine Anne Porter (The Never-Ending Wrong)
A Short Testament Whatever harm I may have done In all my life in all your wide creation If I cannot repair it I beg you to repair it, And then there are all the wounded The poor the deaf the lonely and the old Whom I have roughly dismissed As if I were not one of them. Where I have wronged them by it And cannot make amends I ask you To comfort them to overflowing, And where there are lives I may have withered around me, Or lives of strangers far or near That I've destroyed in blind complicity, And if I cannot find them Or have no way to serve them, Remember them. I beg you to remember them When winter is over And all your unimaginable promises Burst into song on death's bare branches.
Anne Porter (Living Things: Collected Poems)
I belong to a culture that includes Proust, Henry James, Tchaikovsky, Cole Porter, Plato, Socrates, Aristotle, Alexander the Great, Michelangelo, Leonardo da Vinci, Christopher Marlowe, Walt Whitman, Herman Melville, Tennessee Williams, Byron, E.M. Forster, Lorca, Auden, Francis Bacon, James Baldwin, Harry Stack Sullivan, John Maynard Keynes, Dag Hammarskjold… These are not invisible men. Poor Bruce. Poor frightened Bruce. Once upon a time you wanted to be a soldier. Bruce, did you know that an openly gay Englishman was as responsible as any man for winning the Second World War? His name was Alan Turing and he cracked the Germans' Enigma code so the Allies knew in advance what the Nazis were going to do — and when the war was over he committed suicide he was so hounded for being gay. Why don't they teach any of this in the schools? If they did, maybe he wouldn't have killed himself and maybe you wouldn't be so terrified of who you are. The only way we'll have real pride is when we demand recognition of a culture that isn't just sexual. It's all there—all through history we've been there; but we have to claim it, and identify who was in it, and articulate what's in our minds and hearts and all our creative contributions to this earth. And until we do that, and until we organize ourselves block by neighborhood by city by state into a united visible community that fights back, we're doomed. That's how I want to be defined: as one of the men who fought the war.
Larry Kramer (The Normal Heart)
In some remote corner of the universe, poured out and glittering in innumerable solar systems, there once was a star on which clever animals invented knowledge. That was the highest and most mendacious minute of 'world history' — yet only a minute. After nature had drawn a few breaths the star grew cold, and the clever animals had to die. One might invent such a fable and still not have illustrated sufficiently how wretched, how shadowy and flighty, how aimless and arbitrary, the human intellect appears in nature. There have been eternities when it did not exist; and when it is done for again, nothing will have happened. For this intellect has no further mission that would lead beyond human life. It is human, rather, and only its owner and producer gives it such importance, as if the world pivoted around it. But if we could communicate with the mosquito, then we would learn that he floats through the air with the same self-importance, feeling within itself the flying center of the world. There is nothing in nature so despicable or insignificant that it cannot immediately be blown up like a bag by a slight breath of this power of knowledge; and just as every porter wants an admirer, the proudest human being, the philosopher, thinks that he sees on the eyes of the universe telescopically focused from all sides on his actions and thoughts.
Friedrich Nietzsche (On Truth and Lies in a Nonmoral Sense)
He was rowed down from the north in a leather skiff manned by a crew of trolls. His fur cape was caked with candle wax, his brow stained blue by wine - though the latter was seldom noticed due to the fox mask he wore at-all times. A quill in his teeth, a solitary teardrop a-squirm in his palm, he was the young poet prince of Montreal, handsome, immaculate, searching for sturdier doors to nail his poignant verses on. In Manhattan, grit drifted into his ink bottle. In Vienna, his spice box exploded. On the Greek island of Hydra, Orpheus came to him at dawn astride a transparent donkey and restrung his cheap guitar. From that moment on, he shamelessly and willingly exposed himself to the contagion of music. To the secretly religious curiosity of the traveler was added the openly foolhardy dignity of the troubadour. By the time he returned to America, songs were working in him like bees in an attic. Connoisseurs developed cravings for his nocturnal honey, despite the fact that hearts were occasionally stung. Now, thirty years later, as society staggers towards the millennium - nailing and screeching at the while, like an orangutan with a steak knife in its side - Leonard Cohen, his vision, his gift, his perseverance, are finally getting their due. It may be because he speaks to this wounded zeitgeist with particular eloquence and accuracy, it may be merely cultural time-lag, another example of the slow-to-catch-on many opening their ears belatedly to what the few have been hearing all along. In any case, the sparkle curtain has shredded, the boogie-woogie gate has rocked loose from its hinges, and here sits L. Cohen at an altar in the garden, solemnly enjoying new-found popularity and expanded respect. From the beginning, his musical peers have recognized Cohen´s ability to establish succinct analogies among life´s realities, his talent for creating intimate relationships between the interior world of longing and language and the exterior world of trains and violins. Even those performers who have neither "covered" his compositions nor been overtly influenced by them have professed to admire their artfulness: the darkly delicious melodies - aural bouquets of gardenia and thistle - that bring to mind an electrified, de-Germanized Kurt Weill; the playfully (and therefore dangerously) mournful lyrics that can peel the apple of love and the peach of lust with a knife that cuts all the way to the mystery, a layer Cole Porter just could`t expose. It is their desire to honor L. Cohen, songwriter, that has prompted a delegation of our brightest artists to climb, one by one, joss sticks smoldering, the steep and salty staircase in the Tower of Song.
Tom Robbins