Porcelain Girl Quotes

We've searched our database for all the quotes and captions related to Porcelain Girl. Here they are! All 77 of them:

She was a free bird one minute: queen of the world and laughing. The next minute she would be in tears like a porcelain angel, about to teeter, fall and break. She never cried because she was afraid that something 'would' happen; she would cry because she feared something that could render the world more beautiful, 'would not' happen.
Roman Payne (The Wanderess)
What in the name of Llar was that all about?’ Colin asked, his face still drained of colour. ‘I have no bloody idea,’ William said his voice quivering.
A.R. Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
So how did he imagine we would have known anything about them?’ Her husband asked. Gloria smiled awkwardly. ‘They woke up this morning and have been chanting you name ever since.
A.R. Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
Following his ordeal at the hands of the angry residents in Dusty Bottom Lane yesterday, he felt particularly disinclined to exhibit any form of enthusiasm whatsoever.
A.R. Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
The morgue was the name the human workers gave to this room in the facility. They were careful not to utter it in front of the androids, for fear of offending them.
A.R. Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
Somethings wrong,’ he told her. ‘Be specific Jack,’ she said pressuring him. Jack turned again to the desert. ‘We should already be dead,’ he said. ‘That’s what’s wrong.
A.R. Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
And Tarquin,’ Semilla said quietly. ‘He has been in league with them all along?’ ‘Yes, I am afraid so,’ Rupert confirmed.
A.R. Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
I see you made it Jack,’ he started to say, noticing a silver sphere roll across the loading bay floor. It stopped just short of his shoes before it exploded.
A.R. Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
The machines were simple and harmless, developed by a human genius who set in motion something, which ultimately had far reaching consequences.
A.R. Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
We are stood on the spot where a vast army of legionnaires were sent through a time portal with this very device,’ Jack said holding out his arm and displaying the XXL strapped safely to his wrist.
A.R. Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
My name is Jenny,’ the prototype curtly informed Theodore, with a stance that advertised her statement to perfection.
A.R. Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
The concept and subsequent development of these JEN2 successors to the old machines, was a story in its own right. It was also one marred with frustration, hidden agendas and ultimately punctuated with a sad human tragedy.
A.R. Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
She stood panting as adrenalin fired up her muscles. Flipping open the safety catches on both of her laser pistols, she set them for maximum delivery. Anything or anyone on the receiving end of these weapons would never survive, even as atoms.
A.R. Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
Dead girl walking” the boys say in the halls. “Tell us your secrets” the girls whisper, one toilet to another. "I am that girl. I am the spaces between my thighs, daylight shinning through. I am the bones they want, wired on a porcelain frame.
Laurie Halse Anderson (Wintergirls)
My eyes widen at the sight of her. This is the girl Boss Man is after? She looks like a porcelain doll…beat three times with an ugly stick.
Victoria Scott (The Collector (Dante Walker, #1))
I am a kaleidoscope of hope and dreams and wonder in the shape of a girl. I am not a porcelain doll. I am not empty. I am worthy. I am enough.
Ashley Poston (The Princess and the Fangirl (Once Upon a Con, #2))
Once there was a girl who was too sure of herself. Not everyone would call her beautiful, but they admitted that she had a certain grace that intimidated more often than it charmed. She was not, society agreed, someone you wanted to cross. She keeps her heart in a porcelain box, people whispered, and they were right.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She was a free bird one minute: queen of the world and laughing. The next minute she would be in tears like a porcelain angel, about to teeter, fall and break. She was brave, and I never once saw her cry out of fear. She never cried because she was afraid that something would happen; she would cry because she feared something that could render the world more beautiful, would not happen… She believed if I gave in to make her fortune become realized, the world would be ultimately profound and beautiful. I guess I held out because I feared the realization of her fortune would mean the destruction of us together. And each time she cried, I fell a little more deeply in love with her.
Roman Payne (The Wanderess)
Did you know that bone china had real bones in it?” Poppy said, tapping a porcelain cheek. “Her clay was made from human bones. Little-girl bones. That hair threaded through the scalp is the little girl’s hair. And the body of the doll is filled with her leftover ashes.
Holly Black (Doll Bones)
Don't raise your girls to be porcelain roses protected behind a cabinet's glass sliding doors. Raise your girls to be wild roses growing on mountaintops, exposed to the sunlight and to bees. I give you this guarantee: that life requires the latter and the prior is a myth.
C. JoyBell C.
It’s okay that these bodies we live in are not always the promises we’d wished for. Life is full beneath this cracked porcelain. Inside this tender flesh.
Heather Lanier (Raising a Rare Girl: A Memoir)
The sight of Moiraine always made her smile. Cetalia had been wrong in one particular. She was not a pretty little porcelain doll; she was a beautiful little porcelain doll. On the outside, anyway. Inside, where it counted, was another matter. The first time Siuan saw her, she had been sure the Cairhienin girl would crack like a spindle-shell in a matter of days. But Moiraine had turned out to be as tough as she herself if not tougher. No matter how often she was knocked down, she climbed back to her feet straightaway. Moiraine did not know the meaning of 'give up.
Robert Jordan (New Spring (The Wheel of Time, #0))
Moja dziewczynko z porcelany, kiedyś to mi się stłukła? Te białe ptaki to są słowa, którymi czas o okno stuka. Na żółtych kartkach ręce drżą, wzbiera zmarłymi słowikami, gdy w wielkiej lirze huczy bąk jak w wieczór-w śmierć zaplątany
Krzysztof Kamil Baczyński (Liryki najpiękniejsze)
The only thing that was likely to cause her distress, thought Sophie in annoyance, was people's constant attempts to keep her wrapped up in cotton wool, as if she was not a real girl at all, but a fragile porcelain doll that could be shattered at any moment.
Katherine Woodfine (Peril in Paris (Taylor & Rose Secret Agents, #1))
His first thought – what felt like his first thought ever, it formed so slowly in his brain – was that she looked like a doll. Just like a doll. Her eyes were large and bright and feline; her hair was chestnut, brushed to a hardwood shine, parted sharply and flowing to her thighs; her lips were cupid’s-bow-cute; her head was tilted to one side on a long, long neck. She had skin that had never seen sunlight, and wore no expression at all. He noticed her. And she noticed, and kept on noticing, him. Stanley looked down for a third and longer time. It wasn’t polite to stare. Not at girls. Or anyone. But especially not girls. Not even girls who looked like perfect porcelain dolls.
Amelia Mangan (Release)
The girl's arms glisten in the sunlight like porcelain. "An example," she says. "Look at the painting," Miss Saeki says. "Just like I did." White sands of time slip through the girl's slim fingers. Waves crash softly against the shore. They rise up, fall, and break. Rise up, fall, and break. And my consciousness is sucked into a dim, dark corridor.
Haruki Murakami (Kafka on the Shore)
[It] has no equal as a cleaner of furniture, porcelain, tile. It is harmless to humans and easy to use.”13
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
Tell us your secret,' the girls whisper, one toilet to another. I am that girl. I am the space between my thighs, daylight shining through. I am the library aide who hides in Fantasy. I am the circus freak encased in beeswax. I am the bones they want, wired on a porcelain frame. When I get close, the step back. The cameras in their eyeholes record the zit on my chin, the rain in my eyes, the blue water under my skin. They pick up every sound on their collar microphones. They want to pull me inside of them but they're afraid. I am contagious.
Laurie Halse Anderson (Wintergirls)
I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.
David Foster Wallace (Infinite Jest)
We girls are taught from an early age that we are demonstrably inferior to our male counterparts. We are smaller, weaker, stupider. When we succeed, it’s only because men allow us to. And as Asian women, we are foreign and especially powerless, with our supposedly porcelain skin, delicate physiques, “slanted pussies,” and quiet, submissive natures.
Monika Kim (The Eyes Are the Best Part)
After the chicken is fried and wrapped in wax paper, tucked gently into cardboard shoe boxes and tied with string... After the corn bread is cut into wedges, the peaches washed and dried... After the sweet tea is poured into mason jars twisted tight and the deviled eggs are scooped back inside their egg-white beds slipped into porcelain bowls that are my mother's now, a gift her mother sends with her on the journey...
Jacqueline Woodson (Brown Girl Dreaming)
There are these Precious Moments figurines, they’re like porcelain, little kids with giant eyes handing each other a heart that says LOVE on it, or rolling around with a puppy? Maria stumbles into a whole aisle of them. Tears start welling up in her eyes, again, which is totally not tough and totally not punk but which also you totally can’t lie about. Like, they’re depictions of this idealized childhood innocence, right? This idea that little kids have the potential for sadness in their giant eyes, but really they just know these pure emotions: love, happiness, whatever. It’s totally hokey and stupid and obviously a construction. Real little kids are as dirty, impure, and complicated as the adults they’re going to grow up and be. But this sort of thing gets her all melodramatic and choked up specifically because of how fucked up she was convinced she was when she was little. She didn’t know she was trans, she couldn’t put into words that she was a little girl, but she did know that something was horribly wrong and she blamed herself for it. Other kids could stomp around and punch eachother and sleep at night, but she was this self-conscious mess who liked books a lot because sometimes people in books seemed as bewildered by the world and themselves as she was. She was never a little kid who could get a puppy and be happy about it. If you’d given her a puppy, she would immediately have started worrying about what if she trained it wrong, what if it ran away. She would already be sad that it would die.
Imogen Binnie (Nevada)
My shaking jerked to a stop; heat flooded through me, stronger than before, but it was a new kind of heat—not a burning. It was a glowing. Everything inside me came undone as I stared at the tiny porcelain face of the half-vampire, half-human baby. All the lines that held me to my life were sliced apart in swift cuts, like clipping the strings to a bunch of balloons. Everything that made me who I was—my love for the dead girl upstairs, my love for my father, my loyalty to my new pack, the love for my other brothers, my hatred for my enemies, my home, my name, my self—disconnected from me in that second—snip, snip, snip—and floated up into space.
Stephenie Meyer (The Twilight Saga Complete Collection (Twilight, #1-4, Bree Tanner))
All they could do was flutter their fans and bat their eyes. The matchmaker Mother hired bragged that they were perfect porcelain dolls. What she didn't say was they had no minds of their own." Shang grimaced at the memory without looking at her. "They'd say anything to make me like them." How familiar that sounds. Mulan put her hands on her hips. "Not all girls are like that. You have to look at it from their perspective, too. Girls are raised to be pretty and graceful, and quiet." She made a face. "They aren't allowed to speak their minds, and they don't have a choice in who they marry. My parents were lucky that they fell in love, but their marriage was arranged, too. And my mother, she doesn't even belong to her family anymore after they got married. It wasn't my mother's decision, but her family's. They told her that a woman's only role in life is to bear sons." Shang leaned forward. "You sound quite passionate about this." His closeness made Mulan hunch back. Remembering who she was pretending to be, she felt her cheeks burn. "I just... I mean, I bet there are some girls who'd make better soldiers than boys. If they were given the chance." "A female soldier? That's the craziest thing I've heard." "Girls can be strong, too." "Not like us, Ping." Mulan hid a smile. "You'd be surprised.
Elizabeth Lim (Reflection)
At one of these, my Lolita was reading the chapter on “Dialogue” in Baker’s Dramatic Technique, and all was very quiet, and there was another girl with a very naked, porcelain-white neck and wonderful platinum hair, who sat in front reading too, absolutely lost to the world and interminably winding a soft curl around one finger, and I sat beside Dolly just behind that neck and that hair, and unbuttoned my overcoat and for sixty-five cents plus the permission to participate in the school play, had Dolly put her inky, chalky, red-knuckled hand under the desk. Oh, stupid and reckless of me, no doubt, but after the torture I had been subjected to, I simply had to take advantage of a combination that I knew would never occur again
Vladimir Nabokov (Lolita)
He liked to compare a horticulturist’s shop to a microcosm in which all the categories of society were represented: the flowers that are poor and coarse, the flowers of the slum, which are not truly at home unless reposing on a garret window sill, their roots jammed into a milk bottle or an old pot, the sunflower for example; the pretentious, conformist, stupid flowers, like the rose, which belong exclusively in porcelain holders painted by young girls; finally the flowers of high lineage such as orchids, delicate and charming and quiveringly sensitive to cold, exotic flowers exiled in Paris to the warmth of glass palaces, princesses of the vegetable kingdom, living a segregated life, having no longer anything in common with the plants of the street or the flora of the middle class.
Joris-Karl Huysmans (Against Nature)
My shaking jerked to a stop; heat flooded through me, stronger than before, but it was a new kind of heat—not a burning. It was a glowing. Everything inside me came undone as I stared at the tiny porcelain face of the half-vampire, half-human baby. All the lines that held me to my life were sliced apart in swift cuts, like clipping the strings to a bunch of balloons. Everything that made me who I was—my love for the dead girl upstairs, my love for my father, my loyalty to my new pack, the love for my other brothers, my hatred for my enemies, my home, my name, my self—disconnected from me in that second—snip, snip, snip—and floated up into space. I was not left drifting. A new string held me where I was. Not one string, but a million. Not strings, but steel cables. A million steel cables all tying me to one thing—to the very center of the universe. I could see that now—how the universe swirled around this one point. I’d never seen the symmetry of the universe before, but now it was plain.
Stephenie Meyer (The Twilight Saga Complete Collection (Twilight, #1-4, Bree Tanner))
You will help, won’t you?” Dragging his gaze from the doorway, he shook his head as if to clear it. “Help?” he uttered dryly. “I’m tempted to offer her my very desirable hand in marriage! First I ought to know her name, though I’ll tell you she suddenly seems damned familiar.” “You will help?” “Didn’t I just say so? Who is that delectable creature?” “Elizabeth Cameron. She made her debut last-“ Alex stopped as Roddy’s smile turned harsh and sardonic. “Little Elizabeth Cameron,” he mused half to himself. “I should have guessed, of course. The chit set the city on its ear just after you left on your honeymoon trip, but she’s changed. Who would have guessed,” he continued in a more normal voice, “that fate would have seen fit to endow her with more looks than she had then.” “Roddy!” Alex said, sensing that his attitude toward helping was undergoing a change. “You already said you’d help. “You don’t need help, Alex,” he snickered. “You need a miracle.” “But-“ “Sorry. I’ve changed my mind.” “Is it the-the gossip about that old scandal that bothers you?” “In a sense.” Alexandra’s blue eyes began to spark with dangerous fire. “You’re a fine one to believe gossip, Roddy! You above all know it’s usually lies, because you’ve started your share of it!” “I didn’t say I believe it,” he drawled coolly. “In fact, I’d find it hard to believe that any man’s hands, including Thornton’s, have ever touched that porcelain skin of hers. However,” he said, abruptly closing the lid on his snuffbox and tucking it away, “society is not as discerning as I, or, in this instance, as kind. They will cut her dead tonight, never fear, and not even the influential Townsendes or my influential self could prevent it. Though I hate the thought of sinking any lower in your esteem than I can see I already have, I’m going to tell you an unlovely truth about myself, my sweet Alex,” he added with a sardonic grin. “Tonight, any unattached bachelor who’s foolish enough to show an interest in that girl is going to be the laughingstock of the Season, and I do not like being laughed at. I do not have the courage, which is why I am always the one to make jokes of others
Judith McNaught (Almost Heaven (Sequels, #3))
In front of me girls were entering and exiting the showers. The flashes of nakedness were like shouts going off. A year or so earlier these same girls had been porcelain figurines, gingerly dipping their toes into the disinfectant basin at the public pool. Now they were magnificent creatures. Moving through the humid air, I felt like a snorkeler. On I came, kicking my heavy, padded legs and gaping through the goalie mask at the fantastic underwater life all around me. Sea anemones sprouted from between my classmates’ legs. They came in all colors, black, brown, electric yellow, vivid red. Higher up, their breasts bobbed like jellyfish, softly pulsing, tipped with stinging pink. Everything was waving in the current, feeding on microscopic plankton, growing bigger by the minute. The shy, plump girls were like sea lions, lurking in the depths. The surface of the sea is a mirror, reflecting divergent evolutionary paths. Up above, the creatures of air; down below, those of water. One planet, containing two worlds. My classmates were as unastonished by their extravagant traits as a blowfish is by its quills. They seemed to be a different species. It was as if they had scent glands or marsupial pouches, adaptations for fecundity, for procreating in the wild, which had nothing to do with skinny, hairless, domesticated me.
Jeffrey Eugenides (Middlesex)
The girl really needed to let him go. This was the voyage Gray went respectable. And it was off to a very bad start. It was all her fault-this delicate wisp of a governess, with that porcelain complexion and her big, round eyes tilting up at him like Wedgwood teacups. She looked as if she might break if he breathed on her wrong, and those eyes keep beseeching him, imploring him, making demands. Please, rescue me from this pawing brute. Please, take me on your ship and away to Tortola. Please, strip me out of this revolting gown and initiate me in the pleasure of the flesh right here on the barstool. Well, innocent miss that she was, she might have lacked words to voice the third quite that way. But worldly man that he was, Gray cold interpret the silent petition quite clearly. He only wished he could discourage his body’s instinctive, affirmative response. He didn’t know what to do with the girl. He ought to do the respectable thing, seeing as how this voyage marked the beginning of his respectable career. But Miss Turner had him pegged. He was no kind of gentleman, and damned if he knew the respectable thing. Allowing a young, unmarried, winsome lady to travel unaccompanied probably wasn’t it. But then, if he refused her, who was to say she wouldn’t end up in an even worse situation? The chit couldn’t handle herself for five minutes in a tavern. Was he truly going to turn her loose on the Gravesend quay?
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Agitated, he hooked a finger under his neck cloth and pulled it loose. “Care for her,” he muttered. “How could that be possible? I’ve scarcely gone near the woman in weeks.” “I don’t know how it’s possible, but it seems to be true. In fact, I think you’re half in love with her. More than half, perhaps.” Rising from his chair, Gray straightened to his full height. “Now wait. I’m half out of my mind with lust, I’ll grant you that. More than half, perhaps. But I’m certainly not in love with that girl. Don’t forget who you’re talking to, Joss. I keep my conscience in my bank account, remember? I don’t even know what love looks like.” Joss paused over his desk. “I know what love looks like. Using up all those Portuguese on one meal, killing a valuable goat, bringing out porcelain from the cargo hold…Crack one plate, and you’d lose half the set’s price. Serving meat onto a lady’s plate.” He shrugged. “Love looks something like that.” Gray ran his hands through his hair, shaking off the lunatic notion before it could take root in his brain. “I’m telling you, I’m not in love. I’m just too damned bored. I’ve nothing to do on this voyage but plan dinner parties. And it’s about to get worse. No chance of cracking a plate tonight.” He jerked his chin at the lamp dangling from a hook, which on any normal night would have been swaying in time with the waves. “If you hadn’t noticed, we’re becalmed.” “I’d noticed.” Joss grimaced and motioned for the flask. Gray tossed it to him. “Good thing we’ve given the men a fine meal and grog tonight. Becalming’s never good for the crew’s morale.” “Not good for the investor’s morale, either.” Gray rubbed his temples. “Let’s hope it doesn’t last.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
I walked away from this combination with the pale porcelain skin of an Irish woman, a mental state that self-medicated with food, and the thighs of Hulk Hogan. I was fat because it was really easy for me to be fat. Being
Brittany Gibbons (Fat Girl Walking: Sex, Food, Love, and Being Comfortable in Your Skin...Every Inch of It)
As she craned her neck further she finally saw his face. She knew her mouth must have been gaping open like a clown in a ball toss game but she couldn't help it. His face was without a doubt the most beautiful thing she had ever seen. It was the kind of face that should have been gracing the pages of magazines, not the sidewalks of suburban Melbourne. The kind of face that made her yearn for her sketchbook and pencil. He couldn't have been more than a year or two older than Sachi was, with dishwater blonde hair cut short and styled meticulously, a pointed jaw and hollow cheeks. His eyes were the colour of storm clouds and framed by lashes any girl would kill for. He was a contradiction of sharp edges and porcelain smooth. He could have been carved out of marble. He couldn't be real.
Ashlee Nicole Bye (Out of the Shadows (Shadowlands #1))
Gone the glitter and glamour; gone the pompous wealth beside naked starvation; gone the strange excitement of a polyglot and many-sided city; gone the island of Western civilization flourishing in the vast slum that was Shanghai. Good-by to all that: the well-dressed Chinese in their chauffeured cars behind bullet-proof glass; the gangsters, the shakedowns, the kid­napers; the exclusive foreign clubs, the men in white dinner jackets, their women beautifully gowned; the white-coated Chinese “boys” ob­sequiously waiting to be tipped; Jimmy’s Kitchen with its good Amer­ican coffee, hamburgers, chili and sirloin steaks. Good-by to all the night life: the gilded singing girl in her enameled hair-do, her stage make-up, her tight-fitting gown with its slit skirt breaking at the silk­ clad hip, and her polished ebony and silver-trimmed rickshaw with its crown of lights; the hundred dance halls and the thousands of taxi dolls; the opium dens and gambling halls; the flashing lights of the great restaurants, the clatter of mah-jongg pieces, the yells of Chinese feasting and playing the finger game for bottoms-up drinking; the sailors in their smelly bars and friendly brothels on Szechuan Road; the myriad short-time whores and pimps busily darting in and out of the alleyways; the display signs of foreign business, the innumerable shops spilling with silks, jades, embroideries, porcelains and all the wares of the East; the generations of foreign families who called Shanghai home and lived quiet conservative lives in their tiny vacuum untouched by China; the beggars on every downtown block and the scabby infants urinating or defecating on the curb while mendicant mothers absently scratched for lice; the “honey carts” hauling the night soil through the streets; the blocks-long funerals, the white-clad professional mourners weeping false tears, the tiers of paper palaces and paper money burned on the rich man’s tomb; the jungle free-for- all struggle for gold or survival and the day’s toll of unwanted infants and suicides floating in the canals; the knotted rickshaws with their owners fighting each other for customers and arguing fares; the peddlers and their plaintive cries; the armored white ships on the Whangpoo, “protecting foreign lives and property”; the Japanese conquerors and their American and Kuomintang successors; gone the wickedest and most colorful city of the old Orient: good-by to all that.
Edgar Snow (Red China Today: The Other Side of the River)
Sibil is white. Not Caucasian but white: as sheet ice as new paper as porcelain, from her braids to her bare feet. Not a blemish, not a variation, every feature of her—hair, skin, pupilless eyes—smooth like the inside of a shell, dazzling like a torch, as though carved from a single radiant white stone. Likewise her ornaments—her beads and star pendant, diadem, hoop earrings, the pedestal she rests on—are made of the same ghostly matter. She clasps in her casual hand blank pages, a skinny book with its cover torn off.
Katie Ward (Girl Reading)
Rylan!" Nadia and I turn our heads simultaneously towards the entrance to the living room as Tim Powers appears. "Yeah?" I yell across the room. That's when I notice the expression on Power' face. A mixture of awe, amazement, appreciation, and a bit of jealousy. "Your girlfriend's here," Tim informs me. He steps aside, and a goddess enters the room. It's been forever since I first had those dreams Ivy sent me with her in her disguise. But I still remember how she looks. Pale skin, long hair, bright-green eyes, and a model's figure. A perfect dream girl, who's now reality. Ivy smiles shyly as she steps into the room. Her skin is porcelain, unflawed and shiny. White-blind hair, straight and flowing, falls down her back and ends a little bit past her waist. She's not wearing her woven grass robe, but instead a dress mist likely altered from a piece of clothing from her clothes sack. It probably reached the floor at one point, with long sleeves, but the sleeves are gone and the skirt's been snipped away, leaving behind a green dress that shows off mile-long legs. But her face...all that pales in comparison to her face. Heart-shaped, with high cheekbones, an elegant nose, a well-shaped chin, and her lips—she's not covering them anymore—two shimmering, bright green pools I would be happy to drown in or go through. People believe the eyes are the window to your soul, and Ivy's soul is beautiful.
Colleen Boyd (Swamp Angel)
To get the most bang for your buck, drink your kefir right before bed, so the probiotics can settle in and have a colonization party. Less really is more. Yes, I have overdone it, and spent more time in the company of our porcelain friend than I care to remember.
Tess Masters (The Blender Girl: Super-Easy, Super-Healthy Meals, Snacks, Desserts, and Drinks--100 Gluten-Free, Vegan Recipes!)
ot everyone liked Albert. Not everyone was happy that he had become the most important person around. Lots of people were jealous that Albert had a girl to clean his house and the porcelain basin where he did his business at night when he didn’t want to go outside to the only actual outhouse in Per-dido Beach. And that he could afford to send his clothes to be washed in the fresh water of the ironically named Lake Evian. And there were definitely people who didn’t like working for Albert, having to do what he said or go hungry. Albert traveled with a bodyguard now. The bodyguard’s name was Jamal. Jamal carried an automatic rifle over his shoulder. He had a massive hunting knife in his belt. And a club that was an oak chair leg with spikes driven through it to make a sort of mace. Unlike everyone else Albert carried no weapon himself. Jamal was weapon enough.
Michael Grant (Plague (Gone, #4))
The women were passive, sexualized and blank, save for the hint of a Mona Lisa smile on all their faces.  Objects to be observed and enjoyed by some unseen onlooker.  Nothing in the depictions of these women – or girls, really -- suggested they had personalities, goals, family, friends, history, feelings… It bothered me more, however, that all of them were young and White, their translucent, porcelain skin unscathed by tattoos, moles or scars.  Only a sexy set of freckles or sunburnt cheeks marred their otherwise flawless skin. 
Zainab Amadahy (Resistance)
Once there was a girl who was too sure of herself. Not everyone would call her beautiful, but they admitted that she had a certain grace that intimidated more often than it charmed. She was not, society agreed, someone you wanted to cross. She keeps her heart in a porcelain box, people whispered, and they were right. She
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She expected looking at the portrait would be like looking into the mirror, but she came around the easel and saw the painted girl and it was like a mallet striking her heart and like her heart was a bronze gong inside her ribs and its sounding somehow unstrung and remade her. She did not see herself. She saw how she was seen. The painted girl’s face seemed stark, stripped, her skin pink here, white there, be-freckled here, be-pimpled there, porcelain here, pebbly there, her pale forehead in shadow beneath the hat she wore, her coral nose flushed by the sun. Bridget saw the girl’s skull, her bones beneath her skin and muscles. The
Paul Harding (This Other Eden)
Photosynthesis by Skylar Stone Backroads Are never paved by a girl like me Can’t be seen No emerald But the leaving I’ve seen Still lies right before me I’m a spoonful of polish Just blind trust turned faithless But my world doesn’t matter here And my porcelain life is behind me I found peace in these clashin’ chairs Never knew such a small life could free me In the pines, by the water In the arms of another Little hands with big hearts find me And I find peace My life Is tailored to fit just so Never chosen Then you came Set fire to the lies I honed Now I’m hoping The future is perfect, Strip me down to human But my world doesn’t matter here And my porcelain life is behind me I found peace in the calmer air In the simplicity of a new dream In the pines, by the water In the arms of a lover Little hands with big hearts find me And I find peace Breathing in until my lungs cry It’s like I’m forced here, trapped in two lives Oh, the peace I’ve found Or my old doll house Breathing out the love you’ve shown me Got a bird’s eye view of healing Found in innocence Photosynthesis ‘Cause my world doesn’t matter here I left that version of me in the city I found home in a broken glass I found home in the words that he gave me In the pines, by the water In the arms of a lover Little hands with big hearts find me And I find peace
Elsie Silver (Wild Eyes (Rose Hill, #2))
Not like Ainsley. My wife was remarkable, with natural, auburn hair that fell to her mid-back, never a hair out of place unless we were in bed. Her skin was so porcelain I could trace my fingers along her veins when I studied them. She was curved in all the right places, thin in the others. I had no idea girls like her existed outside of dirty magazines and movies until we met.
Kiersten Modglin (The Arrangement (The Arrangement, #1))
Dead girl walking,” the boys say in the halls. “Tell us your secret,” the girls whisper, one toilet to another. I am that girl. I am the space between my thighs, daylight shining through. I am the library aide who hides in Fantasy. I am the circus freak encased in beeswax. I am the bones they want, wired on a porcelain frame.
Laurie Halse Anderson (Wintergirls)
A small girl steps into the street as I approach a cluster battered tents. She clutches a black porcelain doll to her chest, its painted face and silk dress the only mark of the girls heritage.
Tomi Adeyemi (Children of Virtue and Vengeance (Legacy of Orïsha, #2))
This was America's new cable-wired, online nationalism, honey-combed lives intersecting during collective agony, the knee-pad titillation of Oval Office sex, the rubbernecking of celebrity violence. Until the Women's World Cup, the two biggest sports-related stories of the 1990s were the murder trial of O.J. Simpson and the knee-whacking shatter of figure skating's porcelain myth. Fans cheer for professional city teams and alma maters, but there is no grand, cumulative rooting in the United States except for the disposable novelty of the Olympics. With the rare exception of the Super Bowl is background noise, commercials interrupted by a flabby game, the Coca-Cola bears more engaging than the Chicago Bears.
Jere Longman (The Girls of Summer: The U.S. Women's Soccer Team and How It Changed the World)
She belonged in large rooms with high ceilings, sipping from porcelain teacups, ordering servants around.
Janet Beard (The Atomic City Girls)
The machines were simple and harmless, developed by a human genius who set in motion something, which ultimately had far reaching consequences.
Anthony Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
The concept and subsequent development of these JEN2 successors to the old machines, was a story in its own right. It was also one marred with frustration, hidden agendas and ultimately punctuated with a sad human tragedy.
Anthony Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
My name is Jenny,’ the prototype curtly informed Theodore, with a stance that advertised her statement to perfection.
Anthony Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
     The morgue was the name the human workers gave to this room in the facility. They were careful not to utter it in front of the androids, for fear of offending them.
Anthony Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
What in the name of Llar was that all about?’ Colin asked, his face still drained of colour. ‘I have no bloody idea,’ William said his voice quivering.
Anthony Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
   ‘I see you made it Jack,’ he started to say, noticing a silver sphere roll across the loading bay floor. It stopped just short of his shoes before it exploded.
Anthony Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
Somethings wrong,’ he told her.         ‘Be specific Jack,’ she said pressuring him.          Jack turned again to the desert. ‘We should already be dead,’ he said. ‘That’s what’s wrong.
Anthony Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
She stood panting as adrenalin fired up her muscles. Flipping open the safety catches on both of her laser pistols, she set them for maximum delivery. Anything or anyone on the receiving end of these weapons would never survive, even as atoms.
Anthony Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
Following his ordeal at the hands of the angry residents in Dusty Bottom Lane yesterday, he felt particularly disinclined to exhibit any form of enthusiasm whatsoever.
Anthony Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
     ‘And Tarquin,’ Semilla said quietly. ‘He has been in league with them all along?’  ‘Yes, I am afraid so,’ Rupert confirmed.
Anthony Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
    ‘So how did he imagine we would have known anything about them?’ Her husband asked.  Gloria smiled awkwardly. ‘They woke up this morning and have been chanting you name ever since.
Anthony Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
We are stood on the spot where a vast army of legionnaires were sent through a time portal with this very device,’ Jack said holding out his arm and displaying the XXL strapped safely to his wrist.
Anthony Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
It's not that I don't want to wear the latest fashion of pleated skirts and cute cardigans and have a smart exchange with a handsome boy in a waistcoat, but I just wasn't made that way. It's all so uncomfortable. I don't understand how girls get their hair in sleek ponytails or wear it in bouffant while my dark curls spring wild in the wind about my round face. Their skin is smooth and porcelain while the freckles on my cheeks and nose will not be covered with powder. They call me cute; I've heard them. But not beautiful, never that.
Patti Callahan Henry (Once Upon a Wardrobe)
From my understanding, this is a matter of value?” asked Andrei. “Like other men have had her leg, so her leg doesn’t mean anything to you anymore?” “No... no, that’s not even it. It’s that you can’t pretend to give someone your leg. Even if it’s just a photo. Legs can’t pretend. You can, but legs can’t. And when someone gets your leg, it’s given. And you multiply that by a hundred, but she has only two. Two little legs. And it’s as if her legs know. The body is not meant to be mass distributed, Andrei. We’re not large gods in Olympus—we need assistance climbing up the stairs and eventually porcelain teeth to chew our food. Thousands of strangers have every part of my girlfriend’s body, down to the ears. But the one thing they don’t have is a woman in the other room sending herself away. They don’t have that,” cried Raphael. “I have that.
Kristian Ventura (A Happy Ghost)
Kneeling down next to an article of clothing, Kevin looked up to see Christine a few feet away, gathering up one of her extravagant lolita dresses. Looking at her like this, the girl really did look cute, like a fragile porcelain doll. As he continued to watch her, his eyes landed on the black choker around her neck. “Isn’t that the choker that I bought you for your birthday a while back?” Kevin asked. Christine paused in her work. Her hand went to her choker. “A-ah, um, yes, it is. I… well, this is my… my favorite choker, so I like to wear it a lot…” Christine’s cheeks flushed once more, but she at least didn’t seem to be blowing her top. “After you, Iris, and Lilian left, I was really lonely. I hadn’t realized how important all of you were to me until you were gone. Ever since that day, ever since you three went off to Greece, I’ve taken to wearing this, because it reminded me of all the good times we’ve shared together.” That was probably the most honest thing he’d ever heard Christine say since she’d confessed her feelings for him. He’d noticed it before, but Christine really was a tsundere. She rarely ever told anyone what she was really thinking, and she covered up her embarrassment with bluster and violence. Moments like this were rare for her. He could count the number of times where she’d been honest with her feelings on one hand and still have fingers left over. “I’m sorry we left you like that,” Kevin apologized. Christine shook her head. “You don’t need to apologize. I know that you didn’t have much of a choice. Had you not left, then…” Then he, Lilian, and Iris would have put everyone in danger. Back then, Lilian had been targeted by the Shénshèng Clan. One of its members, a three-tailed kitsune named Fan had attacked them during Lindsay’s soccer game. Iris had nearly been killed and Kevin had destroyed an entire school building just to defeat Fan. Christine had been there when it happened, so she understood why they had to leave. “Thank you for being so understanding,” he said. Christine quickly turned her back to him. “T-there’s no need to thank me. We’re friends. I-I was only doing what any good friend would do.” Tsundere until the end, Kevin thought with an amused chuckle. “Then, Christine, I’m very glad that you’re my friend.” Christine squeaked. As she sputtered incoherently, Kevin finally grabbed the article that he’d been kneeling over. Blinking when he realized that it felt different than everything else that he’d picked up thus far, he held the article up to study it. “What is this…?” He trailed off. The object in his hands… was Christine’s panties. “Uh…” Kevin could hear his brain sizzling. “W-what are you doing, idiot!? Don’t stare at those!” Christine leapt at him, and Kevin, too shocked by the object in his hands to do anything, let her tackle him to the ground. The panties were thrown from his hands as his back slammed into the floor. Spots appeared in his vision, but they were soon replaced by Christine’s face, which hovered not two inches from his own. Their noses were almost touching. “C-Christine?” He felt his eyes widen as Christine’s face inched a little closer to his. This was bad. This was a very bad situation. Christine was straddling him, and he could feel her thighs touching him, and her body was pressed against him, and… and… Oh, no… Perhaps it was the result of him still being horny because Christine had interrupted him and Lilian while they were having sex, but Kevin felt his arousal skyrocket. Christine felt it, too, because her eyes went even wider and she looked down. He also looked down. Then he looked back up. Their eyes met. Christine’s face was the brightest blue that he’d ever seen. “I can explain this,” Kevin said calmly. “KYA!” The sound of Christine’s scream was followed by a loud slap.
Brandon Varnell (A Fox's War (American Kitsune, #12))
I’m not enchanted with this little girl. For one thing, she’s awfully pretty. Her hair is raven black and flows freely to her waist. Her skin is pale and porcelain smooth. She needs no white magic to perfect her appearance, she will naturally grow into a breathtaking beauty. It isn’t fair.
Anita Valle (Sinful Cinderella (Dark Fairy Tale Queen, #1))
Everyone reached out excitedly and ripped off the fruit, placing it on top of their cereal. Stef and Alice both picked up their spoons and began to eat. The room filled with clanging sounds as the spoons hit the porcelain bowls, echoing across the hall. 'Ahem,' Miss Moffat said, as she rose up from her dragon chair, her eyes fixed firmly on Stef and Alice before she led the rest of the girls into saying the witches’ creed. 'Witches old and witches young owls and bats and black cats too. Come together in this castle to bring out the best in you. With perfect love and perfect trust we learn the spells and witches' rules. Acting for the good of all now let’s eat in this great hall.' All eyes were on Stef and Alice who had finally realized what was going on. Both girls tried to quietly put their spoons down and swallow their food as quickly as possible. Stef began to choke and attempted to stifle the sound, reaching out for a sip of pineapple juice, the golden liquid that had magically appeared in each of the goblets. She tried to take a sip but had begun choking so much that she couldn't manage to drink any, and her face turned into a light shade of purple. 'Open your mouth,' Molly said, as she appeared by Stef's side. Stef opened it the best she could as Molly called over a bat, and with a wave of her wand, she caused it to shrink until it was the size of a small coin. Stef looked on in horror as it flew into her mouth and down her throat, appearing a few seconds later gripping the stuck piece of cereal. The rest of the girls cheered, and Stef looked sheepish, annoyed with herself for causing drama again and bringing negative attention to herself. 'Are you okay?' Charlotte whispered to her and Stef nodded back. Breakfast was by far the tastiest one that Charlotte had ever had. She'd never tasted fruit as delicious before and looked on in awe as the goblets continued to refill with pineapple juice. When the meal was finished, and the staff departed, Molly, whose hair was in a side braid, addressed the girls. 'I’d like all the new girls to stay behind, please, so I can take you to get kitted out with wands and broomsticks.' Each girl
Katrina Kahler (Witch School, Book 1)
Much of what I had was handed down to me from others. The fact that I was now the oldest child, since my sister had died, put me first in line for toys. Not that the toys and clothing I acquired were necessarily new, nor were they gender specific, but they were newer when I got them, than later, when they were passed farther down the line. It didn’t matter that my sister was a girl…. A coat was a coat, except for how it was buttoned. Looking at old photographs, I sometimes find it impossible to tell if I am looking at my sister or me. It’s only when I see my nautical blue coat, with miniature petty officer chevrons on it that I’m certain that I’m looking at myself. As a baby, I wore her gowns and sleepwear, and this continued until they were worn out, or I outgrew them. Of course I inherited most of her toys, including a plunger type metal top and her beautiful, porcelain dolls. I don’t believe that these dolls were ever for play. They were beautiful enough to have been collectors’ items, but in my hands, they were doomed.
Hank Bracker
Love didn’t exist for girls like me. We were filthy and disgusting. We were broken and dysfunctional at best. But Royce kissed me like I was perfect. Like I was some dusty porcelain doll that just needed a little care to shine again.
LeTeisha Newton (One Hour Girl (Lost Series #1))
Come on, you. I won’t bite.” That seemed to be enough assurance for Evangeline, who scooted closer, the lantern light gilding her tiny porcelain hand before she gripped Aelin’s arm to hop from the cab. No more than eleven, she was delicately built, her red-gold hair braided back to reveal citrine eyes that gobbled up the drenched street and women before her. As stunning as her mistress—or would have been, were it not for the deep, jagged scars on both cheeks. Scars that explained the hideous, branded-out tattoo on the inside of the girl’s wrist. She’d been one of Clarisse’s acolytes—until she’d been marred and lost all value. Aelin winked at Evangeline and said with a conspirator’s grin as she led her through the rain, “You look like my sort of person.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))