Popcorn Positive Quotes

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Know that...there's plenty of food and of course popcorn on the dining-room table. Just...help yourself. If that runs out just let me know. Don't panic. And there's coffee, both caff and decaf, and soft drinks and juice in the kitchen, and plenty of ice in the freezer so...let me know if you have any questions with that.' And lastly, since I have you all here in one place, I have something to share with you. Along the garden ways just now...I too heard the flowers speak. They told me that our family garden has all but turned to sand. I want you to know I've watered and nurtured this square of earth for nearly twenty years, and waited on my knees each spring for these gentle bulbs to rise, reborn. But want does not bring such breath to life. Only love does. The plain, old-fashioned kind. In our family garden my husband is of the genus Narcissus , which includes daffodils and jonquils and a host of other ornamental flowers. There is, in such a genus of man, a pervasive and well-known pattern of grandiosity and egocentrism that feeds off this very kind of evening, this type of glitzy generosity. People of this ilk are very exciting to be around. I have never met anyone with as many friends as my husband. He made two last night at Carvel. I'm not kidding. Where are you two? Hi. Hi, again. Welcome. My husband is a good man, isn't he? He is. But in keeping with his genus, he is also absurdly preoccupied with his own importance, and in staying loyal to this, he can be boastful and unkind and condescending and has an insatiable hunger to be seen as infallible. Underlying all of the constant campaigning needed to uphold this position is a profound vulnerability that lies at the very core of his psyche. Such is the narcissist who must mask his fears of inadequacy by ensuring that he is perceived to be a unique and brilliant stone. In his offspring he finds the grave limits he cannot admit in himself. And he will stop at nothing to make certain that his child continually tries to correct these flaws. In actuality, the child may be exceedingly intelligent, but has so fully developed feelings of ineptitude that he is incapable of believing in his own possibilities. The child's innate sense of self is in great jeopardy when this level of false labeling is accepted. In the end the narcissist must compensate for this core vulnerability he carries and as a result an overestimation of his own importance arises. So it feeds itself, cyclically. And, when in the course of life they realize that their views are not shared or thier expectations are not met, the most common reaction is to become enraged. The rage covers the fear associated with the vulnerable self, but it is nearly impossible for others to see this, and as a result, the very recognition they so crave is most often out of reach. It's been eighteen years that I've lived in service to this mindset. And it's been devastating for me to realize that my efforts to rise to these standards and demands and preposterous requests for perfection have ultimately done nothing but disappoint my husband. Put a person like this with four developing children and you're gonna need more than love poems and ice sculpture to stay afloat. Trust me. So. So, we're done here.
Joshua Braff (The Unthinkable Thoughts of Jacob Green)
Hear ye Hear ye.... ah, fuck it. We're here today for bullshit and we all know it. So let's dispense with the usual formality and get on with this witch hunt before I lose what little grip I still have on my patience. So, Dare Kattalakis state your case and demands to the council. And do it fast, with as few words as possible." Savitar "First, I want to restate what a travesty it is that my family's seat is taken by--" "Wah, wah, wah ... quit crying at the tit. Your brother Vane is the head of the Arcadians and Fury leads the Katagaria. Seek a therapist who gives a shit, or if you'd like to challenge either of them for their position, we can do with some entertainment. Hell, I'll make popcorn for the show. Otherwise, Bitch, get on with it." Savitar
Sherrilyn Kenyon (Dragonbane (Dark-Hunter, #24; Lords of Avalon, #4; Were-Hunter, #8; Hellchaser, #7))
What do you remember about your life? When was the last time you felt joyful? What about devastated? Research shows you’re much more likely to be able to answer the second question than the first. Negative emotions carve deep ruts in our brains and are memorized by our bodies so they can be replayed over and over and over again. Positive emotions like joy and peace and love don’t always have the same impact. Do you want to get to the end of your life and remember only the negative? What parts do you want to remember? What we write down is what we remember. It’s like a time capsule in a way, a lifeline back to the best parts of ourselves. A little popcorn trail of words we can follow so that we never lose sight of the path we’re on. Words help us see ourselves more clearly. They help us remember who we are and what we’re here for. They help others remember us, too.
Allison Fallon (The Power of Writing It Down: A Simple Habit to Unlock Your Brain and Reimagine Your Life)
Just remember, all the pain someone puts you through will eventually boomerang right back at them. Karma’s got a GPS, and it never loses its way. It always delivers with a punchline. So, relax, grab some popcorn, and enjoy the show as the universe dishes out the perfect payback. What goes around, comes around, and it’s always a front-row seat to cosmic justice. Keep your head high and let karma do the heavy lifting—because in the end, everyone gets their just desserts.
Life is Positive
The tornadic bundle of legs and arms and feet and hands push farther into the kitchen until only the occasional flailing limb is visible from the living room, where I can’t believe I’m still standing. A spectator in my own life, I watch the supernova of my two worlds colliding: Mom and Galen. Human and Syrena. Poseidon and Triton. But what can I do? Who should I help? Mom, who lied to me for eighteen years, then tried to shank my boyfriend? Galen, who forgot this little thing called “tact” when he accused my mom of being a runaway fish-princess? Toraf, who…what the heck is Toraf doing, anyway? And did he really just sack my mom like an opposing quarterback? The urgency level for a quick decision elevates to right-freaking-now. I decide that screaming is still best for everyone-it’s nonviolent, distracting, and one of the things I’m very, very good at. I open my mouth, but Rayna beats me to it-only, her scream is much more valuable than mine would have been, because she includes words with it. “Stop it right now, or I’ll kill you all!” She pushed past me with a decrepit, rusty harpoon from God-knows-what century, probably pillaged from one of her shipwreck excursions. She waves it at the three of them like a crazed fisherman in a Jaws movie. I hope they don’t notice she’s got it pointed backward and that if she fires it, she’ll skewer our couch and Grandma’s first attempt at quilting. It works. The bare feet and tennis shoes stop scuffling-out of fear or shock, I’m not sure-and Toraf’s head appears at the top of the counter. “Princess,” he says, breathless. “I told you to stay outside.” “Emma, run!” Mom yells. Toraf disappears again, followed by a symphony of scraping and knocking and thumping and cussing. Rayna rolls her eyes at me, grumbling to herself as she stomps into the kitchen. She adjusts the harpoon to a more deadly position, scraping the popcorn ceiling and sending rust and Sheetrock and tetanus flaking onto the floor like dirty snow. Aiming it at the mound of struggling limbs, she says, “One of you is about to die, and right now I don’t really care who it is.” Thank God for Rayna. People like Rayna get things done. People like me watch people like Rayna get things done. Then people like me round the corner of the counter as if they helped, as if they didn’t stand there and let everyone they love beat the shizzle out of one another. I peer down at the three of them all tangled up. Crossing my arms, I try to mimic Rayna’s impressive rage, but I’m pretty sure my face is only capable of what-the-crap-was-that. Mom looks up at me, nostrils flaring like moth wings. “Emma, I told you to run,” she grinds out before elbowing Toraf in the mouth so hard I think he might swallow a tooth. Then she kicks Galen in the ribs. He groans, but catches her foot before she can re-up. Toraf spits blood on the linoleum beside him and grabs Mom’s arms. She writhes and wriggles, bristling like a trapped badger and cussing like sailor on crack. Mom has never been girlie. Finally she stops, her arms and legs slumping to the floor in defeat. Tears puddle in her eyes. “Let her go,” she sobs. “She’s got nothing to do with this. She doesn’t even know about us. Take me and leave her out of this. I’ll do anything.” Which reinforces, right here and now, that my mom is Nalia. Nalia is my mom. Also, holy crap.
Anna Banks (Of Triton (The Syrena Legacy, #2))
This fetishistic transmutation separates Warhol from Duchamp and all his predecessors. For Duchamp, Dada, the Surrealists and all who worked to deconstruct representation and smash the work of art are still part of an avant-garde, and belong, in one way or another, to the critical utopia. For us moderns, at any rate, art has ceased to be an illusion; it has become an idea. It is no longer idolatric now, but critical and utopian, even when -- particularly when -- it demystifies its object or when, with Duchamp, it aestheticizes at a stroke, with its bottle-rack, the whole field of daily reality. This is still true of a whole segment of Pop Art, with its lyrical vision of popcorn or comic strips. Banality here becomes the criterion of aesthetic salvation, the means of exalting the creative subjectivity of the artist. Obliterating the object the better to mark out the ideal space of art and the ideal position of the subject. But Warhol belongs to no avant-garde and to no utopia. And if he settles utopia's hash, he does so because, instead of projecting it elsewhere, he takes up residence directly at its heart, that is, at the heart of nowhere. He is himself this no place: this is how he traverses the space of the avant-garde and, at a stroke, completes the cycle of the aesthetic. This is how he at last liberates us from art and its critical utopia.
Jean Baudrillard (The Perfect Crime)
It happens sometimes that you accidentally star in a little public performance of your very own comedy, tragedy, or melodrama. You’re running for your morning bus, briefcase swinging jauntily, when you trip and tumble playground-style to the footpath. You’re trapped in the heavy-breathing silence of a crowded elevator when your lover says something infuriating (What did you just say?), or your child asks a rather delicate question, or your mother calls on your mobile to shriek dire warnings. You’re shuffling past a row of knees in the cinema, caught in the spotlight of the previews, when you tip your popcorn into a stranger’s lap. You’re having one of those days of accumulating misery when you argue violently with someone in a position of power: a bank teller, a dry cleaner, a three-year-old.
Liane Moriarty (Three Wishes)
Reversal patterns offer the opportunity to avoid riding the initial position back to the starting gates (or what I call a popcorn or round-trip move).
Peter L. Brandt (Diary of a Professional Commodity Trader: Lessons from 21 Weeks of Real Trading)
Just remember, all the pain someone puts you through will eventually boomerang right back at them. Karma’s got a GPS, and it never loses its way. It always delivers with a punchline. So, relax, grab some popcorn, and enjoy the show as the universe dishes out the perfect payback. What goes around, comes around, and it’s always a front-row seat to cosmic justice. Keep your head high and let karma do the heavy lifting because in the end, everyone gets their desserts.
Life is Positive
Heartbreak is the universe's way of giving you a vision test! Sure, they sting like crazy, but they also come with a side of 20/20 clarity. It's like life's saying, "Hey, I'm breaking your heart, but I'm also giving you some serious insight." So, when love decides to play rough, grab your popcorn because you're about to get a seat to a masterclass in self-discovery. Who knew heartbreak could be so enlightening? It's like getting a crash course in emotional intelligence with a side of "ouch.
Life is Positive
Consumers want the predictable and consistent, with an occasional positive twist or added value thrown in. Psychologists who study happiness (the correct psychological/research term is subjective well-being) often talk about the importance of predictability for safety and security (the caramelized popcorn, if you will), mixed with small increments of variety to offset boredom (the prize). Unfortunately, many companies focus too much on the basic ingredients and not enough on adding that extra something that differentiates them from their competition and builds brand loyalty. Starbucks leaders, however, have made a firm commitment to creating an experience of Surprise and Delight in many areas of their business. Starbucks management seeks ways to implement subjective well-being for customers and staff—which, in turn, has a profound effect on loyalty, community, and profit.
Joseph A. Michelli (The Starbucks Experience: 5 Principles for Turning Ordinary Into Extraordinary)
When deployed in rap vernacular, the word villain feels slightly anachronistic, particularly when prefaced by the adjective mother-fuckin’. It’s a little old-timey. But there simply wasn’t a word that better described N.W.A’s public aspirations with such accuracy. I suppose gangsta is the only other word that came close, a modifier so flexible it could even be used to describe how rappers operated their cars. If you lowered the seat and tilted your body toward the vehicle’s passenger side, the posture was referred to as the “gangsta lean.” Spawned in 1972 by forgotten R&B wunderkind William DeVaughn, “gangsta lean” is an amazingly evocative term, particularly to those who did not initially know what it meant. But once you unpacked the definition, it merely outlined a villainous way to drive your jalopy to White Castle, operating from the position that appearing villainous was an important way to appear at all possible times. This was very, very important to the members of N.W.A. It was the only thing they seemed to worry about. Everything they attempted had to possess criminal undertones. I can only assume they spent hours trying to deduce villainous ways to microwave popcorn (and if they’d succeeded, there would absolutely be a song about it, assumedly titled “Pop Goes the Corn Killa” or “45 Seconds to Bitch Snack”).
Chuck Klosterman (I Wear the Black Hat: Grappling With Villains (Real and Imagined))
I bet it’s because I was talking about Garrett.” “Ooo,” she sang, lifting an eyebrow at me, “Is that so?” “Yep,” he said. “I’m pretty sure I caught them kissing the other day.” I shot up into a sitting position, narrowing my eyes at the little devil who was conveniently hiding behind Sadie. Layla’s expression was so giddy, all she needed was a bag of popcorn to complete the package. “Kissing in plain sight, Mads? Tsk-tsk.” Jamie pretended to gag, holding a finger to his open mouth. “It was gross. He kissed her so much, she fell to the ground.
Lilian T. James (Meet Me Halfway)
You are the colonel of your life. Full stop. But your feeling of inadequacy isn’t a high enough frequency to make the thought pop.
Curtis Tyrone Jones
One day when you stop by for the study, the bowl of popcorn is on the table within easy reach, about a foot away, while the apple slices are on a counter—visible, although you’d have to stand up to take one. On another day you stop by, the apples are on the table and the popcorn is on the counter. Participants ate about 50 calories when the apples were within easy reach, but about three times more when the popcorn bowl was within reach. Friction in this study was pretty simple—distance. Just putting the high-calorie snack slightly out of reach was substantial friction. Participants could still see and smell the popcorn, but the distance was enough to discourage eating. By putting desserts at the end of the line (instead of at the beginning) and making healthy foods easier to see, restaurants can influence what people eat. As the saying goes, “Eye level is buy level.” If we have to bend low or reach high, we’re less likely to bother.
Wendy Wood (Good Habits, Bad Habits: The Science of Making Positive Changes That Stick)