Pop Up Color Quotes

I want a life that sizzles and pops and makes me laugh out loud. And I don't want to get to the end, or to tomorrow, even, and realize that my life is a collection of meetings and pop cans and errands and receipts and dirty dishes. I want to eat cold tangerines and sing out loud in the car with the windows open and wear pink shoes and stay up all night laughing and paint my walls the exact color of the sky right now. I want to sleep hard on clean white sheets and throw parties and eat ripe tomatoes and read books so good they make me jump up and down, and I want my everyday to make God belly laugh, glad that he gave life to someone who loves the gift.

Um… Eve…can I ask…?” “About what?” Eve was still frowning at the pasta like she suspected it to do something clever, like try to escape the pot. “You and Michael.” “Oh.” A surge of pink to Eve’s cheeks. Between that and the fact that she was wearing colors outside of the Goth red and black rainbow, she looked young and very cute. “Well. I don’t know if it’s – God, he’s just so–” “Hot?” Claire asked. “Hot,” Eve admitted. “Nuclear hot. Surface of the sun hot. And–” She stopped, the flush in her cheeks getting darker. Claire picked up a wooden spoon and poked the pasta, which was beginning to loosen up. “And?” “And I was planning on putting the moves on him before all this happened. That’s why I had on the garters and stuff. Planning ahead.” “Oh, wow.” “Yeah, embarrassing. Did he peek?” “When you were changing?” Claire asked. “I don’t think so. But I think he wanted to.” “That’s okay then.” Eve blinked down at the pasta, which had formed a thick white foam on top. “Is it supposed to be doing that?” Claire hadn’t ever seen it happen at her parents’ house. But then again, they hadn’t made spaghetti much. “I don’t know.” “Oh, crap!” The white foam kept growing, like in one of those cheesy science fiction movies. The foam that ate the Glass House…it mushroomed up over the top of the pot and down over the sides, and both girls yelped as it hit the burners and began to sizzle and pop. Claire grabbed the pot and moved it. Eve turned down the burner. “Right, pasta makes foam, good to know. Too hot. Way too hot.” “Who? Michael?” Claire asked, and they dissolved in giggles.

Ow!” I yelp. My eyes pop open and I jerk up into a sitting position, automatically reaching for my now injured leg. “You kicked me!” I accuse as I glare angrily at my attacker. I still in disbelief as I find myself once again face to face with the same boy I had encountered only days before. “I had to make sure you were alive,” he states simply, an edge of amusement coloring his words, as he shrugs unapologetically. “It’s not like I find a lot of girls playing dead in the woods.

Racism is exhausting and embarrassing, even in front of your best friend, who’s also Black. It’s as if there’s a stealth undercurrent of unwarranted assumptions, petty slights, and dismissals always ready to pop up and reinforce the idea that people of color aren’t good enough, they aren’t welcome.

Idol groups generally assigned each member an official color, which would be used for the light sticks that fans would hold up to show your support at a performance or for other individual merch. My oshi's was blue, so I systematically surrounded myself with everything blue. Just being in a blue space made me feel calm.

Project Princess Teeny feet rock layered double socks Popping side piping of many colored loose lace ups Racing toe keeps up with fancy free gear slick slide and just pressed recently weaved hair Jeans oversized belie her hips, back, thighs that have made guys sigh for milleni year Topped by an attractive jacket her suit’s not for flacking, flunkies, junkies or punk homies on the stroll. Her hands mobile thrones of today’s urban goddess Clinking rings link dragon fingers no need to be modest. One or two gap teeth coolin’ sport gold initials Doubt you get to her name just check from the side please chill. Multidimensional shrimp earrings frame her cinnamon face Crimson with a compliment if a comment hits the right place Don’t step to the plate with datelines from ‘88 Spare your simple, fragile feelings with the same sense that you came Color woman variation reworks the french twist with crinkle cut platinum frosted bangs from a spray can’s mist Never dissed, she insists: “No you can’t touch this.” And, if pissed, bedecked fists stop boys who must persist. She’s the one. Give her some. Under fire. Smoking gun. Of which songs are sung, raps are spun, bells are rung, rocked, pistols cocked, unwanted advances blocked, well stacked she’s jock. It’s all about you girl. You go on. Don’t you dare stop.

The softly flowing, white, and parched clouds passed by. I, colored gray, merely kept staring at them as they slowly vanished out of my sight. Onto the sand castle that I'm building from the stars I've been collecting, my faint prayer spills and drips down, as the ocean waves lying in waiting sweep and trip you up. a world of darkness. a world of silence. Although my disappearing prayer is being stirred up by the wind, I will not let that fire go out. No matter how many times I rebuild the sand castle with my frosting hands tangled up in busyness, the ocean waves lying in waiting just keep sweeping it away... ...towards you.

Owens, our minister, would get up from his seat and stop the song. He’d sit behind his pulpit in a spiritual trance, his eyes closed, clad in a long blue robe with a white scarf and billowed sleeves, as if he were prepared to float away to heaven himself, until one of Mommy’s clunker notes roused him. One eye would pop open with a jolt, as if someone had just poured cold water down his back. He’d coolly run the eye in a circle, gazing around at the congregation of forty-odd parishioners to see where the whirring noise was coming from. When his eye landed on Mommy, he’d nod as if to say, “Oh, it’s just Sister Jordan”; then he’d slip back into his spiritual trance.

She bought me betta fish when I was six, after I kept telling her the same story, every day, about the tanks we had in my class at school, the betta fish, red and purple and blue and green, swimming lazily in the tanks, flashing brilliant and then dull. She came home with one on a Sunday, after she'd been out all weekend. I hadn't seen her since Friday, since she told Mam she was going to the store to buy some milk and some sugar and didn't come back. When she came back, her skin was dry and flaking at the corners of her mouth, her hair stuck out in a bushy halo, and she smelled like wet hay. The fish was green, the color of pine needles, and he had stripes down his tail the color of red mud. I called him Bubby Bubbles, since he blew bubbles all day, and when I leaned over his tank, I could hear him crunching on the fish food Leonie had brought home in a sample-size bag. I imagined even then that one day I could lean over his bowl, and instead of crunching, little words would pop out the bubbles that fizzed up to the surface. Big face. Light. And love. But when the sample size of fish food ran out, and I asked Leonie to buy me more, she said she would, and then forgot, again and again, until old day she said: Give him sold old bread. I figured he couldn't crunch like needed on some old bread, so I kept bugging her about it, and Bubby got skinnier and skinnier, his bubbles smaller and smaller, until I walked into the kitchen one day and he was floating on top of the water, his eyes white, a slimy scrim like fat, no voice in his bubbles. Leonie kill things.

God worked discreetly, and in the ways that pleased Him. It had pleased Him that the Children of Israel should sweat and strain under the Egyptian yoke for generations. It had pleased Him to send Joseph into slavery, his fine coat of many colors ripped rudely from his back. It had pleased Him to allow the visitation of a hundred plagues on hapless Job, and it had pleased Him to allow His only Son to be hung up on a tree with a bad joke written over His head. God was a gamesman—if He had been a mortal, He would have been at home hunkering over a checkerboard on the porch of Pop Mann’s general store back in Hemingford Home. He

At the door to the shop, a bell tinkled, and moments later they seemed to enter the very flowering of lavender. The scent was all around them; it curled and diffused in the air with a sweet warmth and subtlety, then burst with a peppery, musky intensity. The blind girls moved into another room. There they arranged themselves expectantly around a long wooden table, Mme Musset welcomed them, and a cork was pulled with a squeaky pop. "This is pure essence of lavender, grown on the Valensole plateau," said Madame. "It is in a glass bottle I am sending around to the right for you all to smell. Be patient, and you will get your turn." Other scents followed: rose and mimosa and oil of almond. Now that they felt more relaxed, some of the other girls started being silly, pretending to sniff too hard and claiming the liquid leapt up at them. Marthe remained silent and composed, concentrating hard. Then came the various blends: the lavender and rosemary antiseptic, the orange and clove scent for the house in winter, the liqueur with the tang of juniper that made Marthe unexpectedly homesick for her family's farming hamlet over the hills to the west, where as a child she had been able to see brightness and colors and precise shapes of faces and hills and fruits and flowers.

He’s threatening us!” Tempest flailed. She slammed Wasp on the back so hard the communal eyeball popped right out of her socket. Wasp snatched it—and with a terrible show of fumbling, intentionally chucked it over her shoulder, right into my lap. I screamed. The sisters screamed, too. Anger, now bereft of guidance, swerved all over the road, sending my stomach into my esophagus. “He’s stolen our eye!” cried Tempest. “We can’t see!” “I have not!” I yelped. “It’s disgusting!” Meg whooped with pleasure. “THIS. IS. SO. COOL!” “Get it off!” I squirmed and tilted my hips, hoping the eye would roll away, but it stayed stubbornly in my lap, staring up at me with the accusatory glare of a dead catfish. Meg did not help. Clearly, she didn’t want to do anything that might interfere with the coolness of us dying in a faster-than-light car crash. “He will crush our eye,” Anger cried, “if we don’t recite our verses!” “I will not!” “We will all die!” Wasp said. “He is crazy!” “I AM NOT!” “Fine, you win!” Tempest howled. She drew herself up and recited as if performing for the people in Connecticut ten miles away: “A dare reveals the path that was unknown!” Anger chimed in: “And bears destruction; lion, snake-entwined!” Wasp concluded: “Or else the princeps never be o’erthrown!” Meg clapped. I stared at the Gray Sisters in disbelief. “That wasn’t doggerel. That was terza rima! You just gave us the next stanza of our actual prophecy!” “Well, that’s all we’ve got for you!” Anger said. “Now give me the eye, quick. We’re almost at camp!” Panic overcame my shock. If Anger couldn’t stop at our destination, we’d accelerate past the point of no return and vaporize in a colorful streak of plasma across Long Island. And yet that still sounded better than touching the eyeball in my lap. “Meg! Kleenex?” She snorted. “Wimp.” She scooped up the eye with her bare hand and tossed it to Anger. Anger shoved the eye in her socket. She blinked at the road, yelled “YIKES!” and slammed on the brakes so hard my chin hit my sternum.

But she was as wiry as any boy, and it had caused quite an uproar when Tessina first flexed her arm and a little muscle popped up, hard as a walnut, while us boys could hardly produce anything. But she never looked like a boy. A mass of curls, the color of August straw, made a halo around her head, tight and springy, as if a goldsmith had put them there. Her skin was pale like the flesh of hazelnuts, dusted with little freckles, except when she stayed too long in the summer sun and it burned. Like a peach, her arms were covered in fine golden down, which also clung, fainter than faint, to her upper lip.

So he closed his eyes and imagined Artimé, the way it had been, he way he wanted it to be again. His hands reached out to include the entire plot of land. "Imagine," he said in a soft voice, picturing it all, room by room, the lawn with the fountains, the trees, the creatures. When he was certain he'd imagined it, he want on. "Believe. " He believed with all his heart that Artimé could exist again. Believed that when he was finished with the spell and he opened his eyes, it would be there. "Whisper." Alex imagined Mr. Today whispering these words over the desolate plot of land so many years ago, calling it to live a new, vibrant life, and he realized that he'd been whispering the words all along. "Breathe." Alex took in a deep, satisfying breath and let it out slowly. He didn't forget it this time. He pictured himself breathing life into the world, giving it the air it needed to flourish once again. And then: "Commence." The command to make it all happen. The beginning of everything. [...] he remembered the clue. Utter in order, repeat times three. [...] When he finished the second round, he started one last time, his voice remaining soft. "Imagine. Believe. Whisper. Breathe." He hesitated, swallowing hard before the last one. And finally: "Commence." Nothing happened. All was deathly silent. Alex remained very still, eyes closed, arms outstretched, feeling a sort of calmness inside him that he hadn't felt ever before. It almost seemed like he was beginning to float, peacefully alone in the world. And then something did happen. The light through his closed lids grew pinkish-white, bright, and soon lights swirled around him, faster and faster, with colors joining in and growing stronger. He opened his eyes just as the land in front of him turned a luscious green and, with a great rumble, the enormous fountain broke through the ground, spewing up from the earth, the growing expanse of lawn rippling and resettling around it. The land spread farther, making Unwanteds along the shore lose their footing and tumble to the ground. Trees popped up to dot the lawn and for the jungle on the opposite side of Artimé. The gray shack spun and grew into the enormous mansion once again. The heat dissipated in an instant, and a cool breeze rushed in from the sea. Alex gaped. "I did it," he whispered. And then he yelled at the top of his voice, "I did it!

PART TWO Unexpressed emotions will never die. They are buried alive, and will come forth later, in uglier ways. —SIGMUND FREUD CHAPTER ONE Alicia Berenson’s Diary JULY 16 I never thought I’d be longing for rain. We’re into our fourth week of the heat wave, and it feels like an endurance test. Each day seems hotter than the last. It doesn’t feel like England. More like a foreign country—Greece or somewhere. I’m writing this on Hampstead Heath. The whole park is strewn with red-faced, semi-naked bodies, like a beach or a battlefield, on blankets or benches or spread out on the grass. I’m sitting under a tree, in the shade. It’s six o’clock, and it has started to cool down. The sun is low and red in a golden sky—the park looks different in this light—darker shadows, brighter colors. The grass looks like it’s on fire, flickering flames under my feet. I took off my shoes on my way here and walked barefoot. It reminded me of when I was little and I’d play outside. It reminded me of another summer, hot like this one—the summer Mum died—playing outside with Paul, cycling on our bikes through golden fields dotted with wild daisies, exploring abandoned houses and haunted orchards. In my memory that summer lasts forever. I remember Mum and those colorful tops she’d wear, with the yellow stringy straps, so flimsy and delicate—just like her. She was so thin, like a little bird. She would put on the radio and pick me up and dance me around to pop songs on the radio. I remember how she smelled of shampoo and cigarettes and Nivea hand cream, always with an undertone of vodka. How old was she then?

The New York sidewalk led us along a little corner park rimmed with yellow-orange and violet pansies that seemed to be smiling, their faces upturned, and past a bagel shop that smelled of sesame and salt, delicious warm air. We passed an empty wine bar with a pink chandelier, whimsical and dim inside, and a neighborhood diner with its blue neon sign huge and lit up, little white line-cook hats—the city seemed in my vision like a multifaceted gem, spectacular. I wished I could keep everything I witnessed like a photograph, to forever hold this electric aliveness. The colors of the flowers and the clothing were crisp and rosy, hyper-bright against the subdued sun-drenched pigments of the streets and the brick buildings, all seeming faded, softer than real. Pops of coral and red—a scarf, a lady’s lips—were pops of life.

She didn’t want to give the murder-pornography frame by frame. Didn’t want to recite her route across Manhattan, the length of the knife blade and the number of times she pulled the trigger, the color of the blood-splattered wallpaper in the hotel room, the man falling to the floor, the baby crying in the next room, the woman emerging and dropping the bottle, its nipple popping off and the milk spilling onto the carpet, the woman pleading “Por favor,” her hands up, shaking her head, asking— begging— for her life to be spared, her big black eyes wide, deep sinkholes of dark terror, while Kate trained the Glock on her, a seemingly eternal internal debate, while the baby sounded like he was the same age as Jake, late infancy, and this poor woman the same age as Kate, a different version of herself, an unlucky woman who didn’t deserve to die.

Her phone buzzed in her pocket. Probably Olivia. She shimmied it out and looked at the screen. Beau. Could this night get any worse? She’d seen him today from a distance and had managed to steer Travis a different direction. She shut off the ringer and pocketed the phone. “Not gonna answer?” “Nope.” The fireworks picked up overhead, colorful blooms with thunderous booms and pops. The sounds ricocheted off the mountains. She’d never been so glad to see the finale. “Was it Meyers?” She sighed. What business was it of his? It was her phone, her life. “He has no business calling you.” For pity’s sake. “Just a phone call, Travis.” “You’re a married woman.” “Barely.” “Can’t be barely married—you either are or you’re not—and I have a certificate that says we are.” The fireworks fizzled to nothing but darkness and silence. “It’s over.” Relieved, Shay sat up and inched toward the tailgate, but not before Travis’s quiet response reached her ears. “Not by a long shot.

He opened his eyes then, white fire flaring hotly within them. “Send me home, Legna,” he commanded her, his voice hoarse with suppressed emotion. She moved her head in affirmation even as she leaned toward him to catch his mouth once more in a brief, territorial kiss, her teeth scoring his bottom lip as she broke away. It was an incidental wound, one he could heal in the blink of an eye. But he wouldn’t erase her mark on him, and they both knew it. Finally, she stepped back, closed her eyes, and concentrated on picturing his home in her thoughts. She had been in his parlor dozens of times as a guest, always accompanied by Noah. His library, his kitchen, even the grounds of the isolated estate were well known to her. She could have sent him to any of those locations. But as she began to focus, her mind’s eye was filled with the image of a dark, elegant room she had never seen before. Hand-carved ebony-paneled walls soared up into a vast ceiling, enormous windows of intricate stained glass spilled colored light over the entire room as if a multitude of rainbows had taken up residence. It all centered around an enormous bed, the coverlet’s color indistinguishable under the blanket of colorful dawn sunlight that streamed into the room. She could feel the sun’s warmth, ready and waiting to cocoon any weary occupant who thrived on sleeping in the heat of the muted daylight sun. It was a beautiful room, and she knew without a doubt that it was Gideon’s bedroom and that he had shared the image of it with her. If she sent him there, it would be the first time she had ever teleported someone to a place she had not first seen for herself. The ability to take images of places from others’ minds for teleporting purposes was an advanced Elder ability. “You can do it,” he encouraged her softly, all of his thoughts and his will completely full of his belief in that statement. Legna kept his gaze for one last long moment, and with a flick of a wrist sent him from the room with a soft pop of moving air. She exhaled in wonder, everything inside of her knowing without a doubt that he had appeared in his bedroom, safe and sound, that very next second. Legna turned to look at her own bed and wondered how she would ever be able to sleep. Nelissuna . . . go to bed. I will help you sleep. Gideon’s voice washed through her, warming her, comforting her in a way she hadn’t thought possible. This was the connection that Jacob and Isabella shared. For the rest of the time both of them lived, each would be privy to the other’s innermost thoughts. She realized that because he was the more powerful, it was quite possible he would be able to master parts of himself, probably even hide things from her awareness and keep them private—at least, until she learned how to work her new ability with better skill. After all, she was a Demon of the Mind. It was part of her innate state of being to figure the workings of their complex minds. She removed her slippers and pushed the sleeves of her dress from her shoulders so that it sheeted off her in one smooth whisper of fabric. She closed her eyes, avoiding looking in the mirror or at herself, very aware of Gideon’s eyes behind her own. His masculine laughter vibrated through her, setting her skin to tingle. So, you are both shy and bold . . . he said with amusement as she quickly slid beneath her covers. You are a source of contradictions and surprises, Legna. My world has begun anew. As if living for over a millennium is not long enough? she asked him. On the contrary. Without you, it was far, far too long. Go to sleep, Nelissuna. And a moment after she received the thought, her eyes slid closed with a weight she could not have contradicted even if she had wanted to. Her last thought, as she drifted off, was that she had to make a point of telling Isabella that she might have been wrong about what it meant to have another to share one’s mind with.

As it rolled by, Jean Louise made a frantic dive for her uncle’s trolley: “That’s been over for a—nearly a hundred years, sir.” Dr. Finch grinned. “Has it really? It depends how you look at it. If you were sitting on the sidewalk in Paris, you’d say certainly. But look again. The remnants of that little army had children—God, how they multiplied—the South went through the Reconstruction with only one permanent political change: there was no more slavery. The people became no less than what they were to begin with—in some cases they became horrifyingly more. They were never destroyed. They were ground into the dirt and up they popped. Up popped Tobacco Road, and up popped the ugliest, most shameful aspect of it all—the breed of white man who lived in open economic competition with freed Negroes. “For years and years all that man thought he had that made him any better than his black brothers was the color of his skin. He was just as dirty, he smelled just as bad, he was just as poor. Nowadays he’s got more than he ever had in his life, he has everything but breeding, he’s freed himself from every stigma, but he sits nursing his hangover of hatred. . . .” Dr. Finch got up and poured more coffee. Jean Louise watched him. Good Lord, she thought, my own grandfather fought in it. His and Atticus’s daddy. He was only a child. He saw the corpses stacked and watched the blood run in little streams down Shiloh’s hill. . . .

They stood on tiptoe, strained their eyes. “Let me look.” “Well, look then.” “What you see?” That was the question. No one saw anything. Then, simultaneously, three distinct groups of marchers came into view. One came up 125th Street from the east, on the north side of the street, marching west towards the Block. It was led by a vehicle the likes of which many had never seen, and as muddy as though it had come out of East River. A bare-legged black youth hugged the steering-wheel. They could see plainly that he was bare-legged for the vehicle didn’t have any door. He, in turn, was being hugged by a bare-legged white youth sitting at his side. It was a brotherly hug, but coming from a white youth it looked suggestive. Whereas the black had looked plain bare-legged, the bare-legged white youth looked stark naked. Such is the way those two colors affect the eyes of the citizens of Harlem. In the South it’s just the opposite. Behind these brotherly youths sat a very handsome young man of sepia color with the strained expression of a man moving his bowels. With him sat a middle-aged white woman in a teen-age dress who looked similarly engaged, with the exception that she had constipation. They held a large banner upright between them which read: BROTHERHOOD! Brotherly Love Is The Greatest! Following in the wake of the vehicle were twelve rows of bare-limbed marchers, four in each row, two white and two black, in orderly procession, each row with its own banner identical to the one in the vehicle. Somehow the black youths looked unbelievably black and the white youths unnecessarily white. These were followed by a laughing, dancing, hugging, kissing horde of blacks and whites of all ages and sexes, most of whom had been strangers to each other a half-hour previous. They looked like a segregationist nightmare. Strangely enough, the black citizens of Harlem were scandalized. “It’s an orgy!” someone cried. Not to be outdone, another joker shouted, “Mama don’t ’low that stuff in here.” A dignified colored lady sniffed. “White trash.” Her equally dignified mate suppressed a grin. “What else, with all them black dustpans?” But no one showed any animosity. Nor was anyone surprised. It was a holiday. Everyone was ready for anything. But when attention was diverted to the marchers from the south, many eyes seemed to pop out in black faces. The marchers from the south were coming north on the east side of Seventh Avenue, passing in front of the Scheherazade bar restaurant and the interdenominational church with the coming text posted on the notice-board outside: SINNERS ARE SUCKERS! DON’T BE A SQUARE! What caused the eyes of these dazed citizens to goggle was the sight of the apparition out front. Propped erect on the front bumper of a gold-trimmed lavender-colored Cadillac convertible driven by a fat black man with a harelip, dressed in a metallic-blue suit, was the statue of the Black Jesus, dripping black blood from its outstretched hands, a white rope dangling from its broken neck, its teeth bared in a look of such rage and horror as to curdle even blood mixed with as much alcohol as was theirs. Its crossed black feet were nailed to a banner which read: THEY LYNCHED ME! While two men standing in the back of the convertible held aloft another banner reading: BE NOT AFRAID!

Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip. He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says. "Sweet pea, what happened? Can't be that bad." He nods. "It is. I knocked Emma unconscious." Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now." "Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel. "Oh?" Rachel says. "That how she got your attention?" "She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-" Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous." "No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead. "Okay, good. Now, back up there, sweet pea. Why did she run from you?" "A misunderstanding." Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures." He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face." Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school." "No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers." "Don't worry. I'm not getting in the water at all." Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you." Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!" He laughs. "From Toraf? Why would I do that?" She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?" "Oops," Rachel says. They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry." As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner." Rachel clears her throat and nods behind them. "Rayna, that's very hurtful. After all we've been through," Toraf says. Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets. Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all." Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?" Galen grins.

And today, for the first time, we are given a real recipe: making chocolate pudding from scratch. We stir cocoa and cornstarch and sugar together, then stir in milk. Chef guides us step by step and we all clean our stations as the pudding chills. As I'm putting away my ingredients, a little red bottle in the pantry calls my attention. I snatch it up and sprinkle some on my pudding. When Chef Ayden calls us up to test our dishes, I'm the first student to set my bowl in front of him. He grabs a clean plastic spoon and pulls my dish closer to him, leaning down to inspect it, turning the dish slowly in a circle. "Mmm. Nice chocolate color, smooth texture; you made sure the cream didn't break, which is great. And I'm curious what this is on top." He takes a tiny spoonful and pops it into his mouth, and the moment his mouth closes around the spoon his eyelids close, too. I wonder if my cooking woo-woo will work on him. "What is that?" he asks, his eyes still closed. I assume he means the spice on top and not whatever memory may have been loosened by my pudding. His eyes open and I realize the question was in fact for me. "I used a little smoked paprika," I say. Heat creeps up my neck. I hadn't even thought about what would happen if I used an ingredient that wasn't in the original recipe. "You trying to show off, Emoni?" Chef Ayden asks me very, very seriously. "No, Chef. I wasn't." "The ancient Aztecs too would pair chocolate with chipotle and cayenne and other spices, although it is not so common now. Why'd you add it?" "I don't know. I saw it in the pantry and felt the flavors would work well together." He takes another spoonful. Chef told us from the beginning that since every student is evaluated, he would very rarely take more than one bite of any single dish. I'm surprised he does so now, but he closes his eyes again as if the darkness behind his lids will help him better taste the flavors. His eyes pop open. "This isn't bad." He drops his spoon. "Emoni, I think creativity is good. And this, this..." He gives a half laugh like he's surprised he doesn't know what to say. He clears his throat and it seems almost like a memory has him choked up.

Now, there are a few dryadologists who could resist the opportunity to sample faerie food, the enchanted sort served at the tables of the courtly fae---I know several who have dedicated their careers to the subject and would hand over their eye teeth for the opportunity. I stopped at a stand offering toasted cheese---a very strange sort of cheese, threaded with glittering mold. It smelled divine, and the faerie merchant rolled it in crushed nuts before handing it over on a stick, but as soon as it touched my palm, it began to melt. The merchant was watching me, so I put it in my mouth, pantomiming my delight. The cheese tasted like snow and melted within seconds. I stopped next at a stand equipped with a smoking hut. The faerie handed me a delicate fillet of fish, almost perfectly clear despite the smoking. I offered it to Shadow, but he only looked at me with incomprehension in his eyes. And, indeed, when I popped it into my mouth, it too melted flavorlessly against my tongue. I took a wandering course to the lakeshore, conscious of the need to avoid suspicion. I paused at the wine merchant, who had the largest stand. It was brighter than the others, snow piled up behind it in a wall that caught the lantern light and threw it back in a blinding glitter. I had to look down at my feet, blinking back tears, as one of the Folk pressed an ice-glass into my hand. Like the food, the wine smelled lovely, of sugared apples and cloves, but it slid eerily within the ice, more like oil than wine. Shadow kept growling at it, as he had not with the faerie food, and so I tipped it onto the snow. Beside the wine merchant was a stand offering trinkets, frozen wildflowers that many of the Folk threaded through their hair or wove through unused buttonholes on their cloaks, as well as an array of jewels with pins in them. I could not compare them to any jewels I knew; they were mostly in shades of white and winter grey, hundreds of them, each impossibly different from the next. I selected one that I knew, without understanding how, was the precise color of the icicles that hung from the stone ledges of the Cambridge libraries in winter. But moments after I pinned it to my breast, all that remained was a patch of damp.

Outside the snapdragons, cords of light. Today is easy as weeds & winds & early. Green hills shift green. Cardinals peck at feeders—an air seed salted. A power line across the road blows blue bolts. Crickets make crickets in the grass. We are made & remade together. An ant circles the sugar cube. Our shadow’s a blown sail running blue over cracked tiles. Cool glistening pours from the tap, even on the edges. A red wire, a live red wire, a temperature. Time, in balanced soil, grows inside the snapdragons. In the sizzling cast iron, a cut skin, a sunny side runs yellow across the pan. Silver pots throw a blue shadow across the range. We must carry this the length of our lives. Tall stones lining the garden flower at once. Tin stars burst bold & celestial from the fridge; blue applause. Morning winds crash the columbines; the turf nods. Two reeling petal-whorls gleam & break. Cartoon sheep are wool & want. Happy birthday oak; perfect in another ring. Branch shadows fall across the window in perfect accident without weight. Orange sponge a thousand suds to a squeeze, know your water. School bus, may you never rust, always catching scraps of children’s laughter. Add a few phrases to the sunrise, and the pinks pop. Garlic, ginger, and mangoes hang in tiers in a cradle of red wire. That paw at the door is a soft complaint. Corolla of petals, lean a little toward the light. Everything the worms do for the hills is a secret & enough. Floating sheep turn to wonder. Cracking typewriter, send forth your fire. Watched too long, tin stars throw a tantrum. In the closet in the dust the untouched accordion grows unclean along the white bone of keys. Wrapped in a branch, a canvas balloon, a piece of punctuation signaling the end. Holy honeysuckle, stand in your favorite position, beside the sandbox. The stripes on the couch are running out of color. Perfect in their polished silver, knives in the drawer are still asleep. A May of buzz, a stinger of hot honey, a drip of candy building inside a hive & picking up the pace. Sweetness completes each cell. In the fridge, the juice of a plucked pear. In another month, another set of moths. A mosquito is a moment. Sketched sheep are rather invincible, a destiny trimmed with flouncy ribbon. A basset hound, a paw flick bitching at black fleas. Tonight, maybe we could circle the floodwaters, find some perfect stones to skip across the light or we can float in the swimming pool on our backs—the stars shooting cells of light at each other (cosmic tag)—and watch this little opera, faults & all.

You look like a goddess,” he murmured as he raked his eyes down her form. And she melted into a puddle. “Thank you.” She tried to sound cool and sophisticated. “I much prefer wearing a gown that’s not too tight.” “Except where it should be.” He dropped his gaze pointedly to her bosom. The frank admiration in his eyes made her glad that she’d let Betty guide her choice for tonight. After that other scandalous gown, she’d been reluctant to wear anything low cut, but this one did look beautiful on her, even with its décolletage. Salmon had always been a good color for her, and the satin rouleaux trim made her feel pretty and elegant. “So it’s presentable enough for dinner with your family?” she asked. “They don’t even deserve to see you in it.” The low rumble of his voice made her breath catch in her throat. “I only wish that you and I could-“ “You do look lovely,” said another voice. Lord Gabriel came up from behind Oliver, dressed all in black as usual. A look of pure mischief crossed his face. “Sorry I’m late, Miss Butterfield, but thank you, brother, for keeping her company until I arrived.” Oliver glared at him. “What the devil do you mean?” “I’m taking the young lady down to dinner.” “That office should be left to her fiancé, don’t you think?” Oliver bit out. “Pretend fiancé. You have no real claim on her. And since you had her to yourself all day…” Lord Gabriel offered his arm. “Shall we, Miss Butterfield?” Maria hesitated, unsure what to do. But Oliver was a danger to her sanity, and his brother wasn’t. So she was better off with Lord Gabriel. “Thank you, sir,” she said, taking his arm. “Now just wait one blasted minute. You can’t-“ “What? Be friendly to our guest?” Lord Gabriel asked, his face a mask of innocence. “Really, old boy, I didn’t realize it mattered that much. But if it upsets you to see Miss Butterfield on the arm of another man, I’ll certainly yield the field.” Lord Gabriel’s words seemed to give Oliver pause. Glancing from Maria to his brother, he smiled, though it didn’t nearly reach his eyes. “No, it’s fine,” he said tightly. “Perfectly fine.” When they headed down the hall with Oliver following behind, Lord Gabriel flashed her a conspiratorial glance. She wasn’t sure what the conspiracy was, but since it seemed to irritate Oliver, she went along. The incident was only the first in a series that continued throughout the week. Whenever she and Oliver found themselves alone, even for a moment, one of his siblings popped up to offer some entertainment-a stroll in the gardens, a ride into Ealing, a game of loo. With each instance, Oliver grew more annoyed, for no reason that she could see. Unless… No, that was crazy.

There is no fault that can’t be corrected [in natural wine] with one powder or another; no feature that can’t be engineered from a bottle, box, or bag. Wine too tannic? Fine it with Ovo-Pure (powdered egg whites), isinglass (granulate from fish bladders), gelatin (often derived from cow bones and pigskins), or if it’s a white, strip out pesky proteins that cause haziness with Puri-Bent (bentonite clay, the ingredient in kitty litter). Not tannic enough? Replace $1,000 barrels with a bag of oak chips (small wood nuggets toasted for flavor), “tank planks” (long oak staves), oak dust (what it sounds like), or a few drops of liquid oak tannin (pick between “mocha” and “vanilla”). Or simulate the texture of barrel-aged wines with powdered tannin, then double what you charge. (““Typically, the $8 to $12 bottle can be brought up to $15 to $20 per bottle because it gives you more of a barrel quality. . . . You’re dressing it up,” a sales rep explained.) Wine too thin? Build fullness in the mouth with gum arabic (an ingredient also found in frosting and watercolor paint). Too frothy? Add a few drops of antifoaming agent (food-grade silicone oil). Cut acidity with potassium carbonate (a white salt) or calcium carbonate (chalk). Crank it up again with a bag of tartaric acid (aka cream of tartar). Increase alcohol by mixing the pressed grape must with sugary grape concentrate, or just add sugar. Decrease alcohol with ConeTech’s spinning cone, or Vinovation’s reverse-osmosis machine, or water. Fake an aged Bordeaux with Lesaffre’s yeast and yeast derivative. Boost “fresh butter” and “honey” aromas by ordering the CY3079 designer yeast from a catalog, or go for “cherry-cola” with the Rhône 2226. Or just ask the “Yeast Whisperer,” a man with thick sideburns at the Lallemand stand, for the best yeast to meet your “stylistic goals.” (For a Sauvignon Blanc with citrus aromas, use the Uvaferm SVG. For pear and melon, do Lalvin Ba11. For passion fruit, add Vitilevure Elixir.) Kill off microbes with Velcorin (just be careful, because it’s toxic). And preserve the whole thing with sulfur dioxide. When it’s all over, if you still don’t like the wine, just add a few drops of Mega Purple—thick grape-juice concentrate that’s been called a “magical potion.” It can plump up a wine, make it sweeter on the finish, add richer color, cover up greenness, mask the horsey stink of Brett, and make fruit flavors pop. No one will admit to using it, but it ends up in an estimated 25 million bottles of red each year. “Virtually everyone is using it,” the president of a Monterey County winery confided to Wines and Vines magazine. “In just about every wine up to $20 a bottle anyway, but maybe not as much over that.

This new generation of Italian American entertainers shared Sinatra’s view of the new dance music that emerged in the 1950s. “Rock-and-roll is the most brutal, ugly, desperate, vicious form of expression it has been my misfortune to hear,” Sinatra told Congress in 1958. “Rock-and-roll smells phony and false. It is sung, played, and written for the most part by cretinous goons, and by means of its almost imbecilic reiteration, and sly, lewd—in plain fact, dirty—lyrics … it manages to be the martial music of every sideburned delinquent on the face of the earth.” In response to the raw, driving sexuality of black-influenced rock, young Italian American men in New York and Philadelphia did to the new music what Sinatra and his generation had done to jazz. A style combining smooth vocal harmonies, romantic lyrics, and a stationary stage presence, doo-wop was invented in the 1940s by black youth on street corners, but it shot to the top of the pop charts in the late 1950s when Italian Americans adopted it as their own—just as most African American performers moved toward “soul music.” From 1958, when Dion (DiMucci) and the Belmonts placed several songs on the pop charts, until the “British Invasion” of 1964, Italian American doo-wop groups dominated American popular music. All wearing conservative suits and exuding a benign romanticism, the Capris, the Elegants, the Mystics, the Duprees, the Del-Satins, the Four Jays, the Essentials, Randy and the Rainbows, and Vito & the Salutations declared the arrival of Italians into American civilization. During the rise of doo-wop and Frank Rizzo, Malcolm X mocked the newly white Italians. “No Italian will ever jump up in my face and start putting bad mouth on me,” he said, “because I know his history. I tell him when you’re talking about me you’re talking about your pappy, your father. He knows his history. He knows how he got that color.” Though fewer and fewer Italian Americans know the history of which Malcolm X spoke, some have reenacted it.

Remember now your Creator in the days of your youth, before the difficult days come, and the years draw near when you say, “I have no pleasure in them.” —Ecclesiastes 12:1 (NKJV) I was making rounds at the veterans hospital where I work, when an elderly gentleman in a wheelchair pointed his cane to a sign on a bulletin board. “Look, hon,” he said to his wife, “they’re having an old-fashioned Easter egg hunt on Saturday. It says here that the kids can compete in a bunny-hop sack race for prizes.” He barely came up for air. “Remember when we used to have those Easter egg hunts on our farm? The kids would color eggs at our kitchen table and get dye all over everything.” Just then, his wife noticed the smell of popcorn in the air. Volunteers sell it for a bargain price—fifty cents a sack. The veteran didn’t miss a beat. “Remember when we used to have movie night and you would pop corn? We’ve got to start doing that again, hon. I love popcorn. Movies too.” As I took in this amazingly joyful man, I thought of things I used to be able to do before neurofibromatosis took over my body. It was nothing to run a couple of miles; I walked everywhere. Instead of rejoicing in the past, I too often complain about my restrictions. Rather than marvel how I always used to walk downtown, shopping, I complain about having to use a handicap placard on my car so I can park close to the mall, which I complain about as well. But today, with all my heart, I want to be like that veteran and remember my yesterdays with joy. Help me, dear Lord, to recall the past with pleasure. —Roberta Messner Digging Deeper: Eph 4:29; Phil 2:14

It happened as it always did, swallowing her swiftly and completely. Intense. Painful. Quick, vivid colors spun beneath her eyelids. Sounds were sharp inside her skull. Fire shot up through her bones. She may have been screaming and she wouldn’t have known. There was smoke in her nose, thick and black, and she couldn’t breathe. It stung her eyes and licked at her skin. Wood and metal crashed down as skin blistered and popped and she knew this wasn’t her, knew it was someone else, someone with a bigger body, bigger boots and darker jeans, and big ol’ hands with scars on the fingers. Men’s hands. Nails blunt and dirty with oil and grease and burning and- The cars were on fire. Paper burned and curled and rags ignited, the cement floor pockmarked by flash fires. Meat withered in her nose and she realized it was her. Him. Dancing embers blackened and burned bone. He screamed and she hoped she was not. He writhed and she really hoped she was not. He was dying, dead, and-

But she stopped at the third picture, a gorgeous baking tray of golden buttery-topped tiropetes, with a bowl on the side of bright-colored Greek salad with what appeared to be fresh oregano. It had popped up because she was following #bethesdafood scene. The caption, written by BoozyCrocker, said: BoozyCrocker MUST EAT BUTTER. #TheCookbookClub is now open to new members. Foodies, come join us! Three-drink minimum. No skipping dessert. Meet in Bethesda. DM me. No psychos, no diets. #foodporn #saycheese #cheese #feta #musteatbutter #delicious #whenindoubtaddbutter #bethesdafoodscene

She'd make all the ingredients individually for her kimchi-jjigae," he went on. "Anchovy stock. Her own kimchi, which made the cellar smell like garlic and red pepper all the time. The pork shoulder simmering away. And when she'd mix it all together..." He trailed off, tipping his head back against the seat. It was the first movement he'd made over the course of his speaking; his hands rested still by his sides. "It was everything. Salty, sour, briny, rich, and just a tiny bit sweet from the sesame oil. I've been trying to make it for years, and mine has never turned out like hers." My anxiety manifestation popped up out of nowhere, hovering invisibly over one off Luke's shoulders. The boy doesn't know that the secret ingredient in every grandma's dish is love. He needs some more love in his life, said Grandma Ruth, eyeing me beadily. Maybe yours. Is he Jewish? I shook my head, banishing her back to the ether. "I get the feeling," I said. "I can make a mean matzah ball soup, with truffles and homemade broth boiled for hours from the most expensive free-range chickens, and somehow it never tastes as good as the soup my grandma would whip up out of canned broth and frozen vegetables." Damn straight, Grandma Ruth said smugly. Didn't I just banish you? I thought, but it was no use. "So is that the best thing you've ever eaten?" Luke asked. "Your grandma's matzah ball soup?" I shook my head. I opened my mouth, about to tell him about Julie Chee's grilled cheese with kimchi and bacon and how it hadn't just tasted of tart, sour kimchi and crunchy, smoky bacon and rich, melted cheese but also belonging and bedazzlement and all these feelings that didn't have names, like the dizzy, accomplished feeling you'd get after a Saturday night dinner rush when you were a little drunk but not a lot drunk because you had to wake up in time for Sunday brunch service, but then everything that happened with Derek and the Green Onion kind of changed how I felt about it. Painted over it with colors just a tiny bit off. So instead I told him about a meal I'd had in Lima, Peru, after backpacking up and down Machu Picchu. "Olive tofu with octopus, which you wouldn't think to put together, or at least I wouldn't have," I said. The olive tofu had been soft and almost impossibly creamy, tasting cleanly of olives, and the octopus had been meaty and crispy charred on the outside, soft on the inside.

He thought for a while before beginning. “I think it was October of 1990. I was walking on Wisconsin Avenue when I met him. I struck up a conversation and asked if he wanted to come home to my apartment for some cocktails. I also mentioned that I would pay him a hundred dollars if he let me take some nude pictures of him. He agreed, and we walked to my apartment, where we engaged in some light sex and I gave him the drink. Soon he was out, and I made love to him for about an hour or so. I decided that I would kill him, and used my hands to strangle him until he stopped breathing.” Murphy interrupted by placing the Polaroid picture found on the table in the apartment. It depicted the victim straddled on his back over the side of a bathtub. There was an incision made from the bottom of his chin to the top of his genitals. The viscera was pulled out of the body and lying, as if on display, on top of the torso. The colored Polaroid was shocking. The moist, red entrails glistened, revealing the intestines and internal organs. “What’s this all about?” Murphy said, pointing to the ghastly sight. Dahmer picked it up and shrugged. “I wanted a picture of his insides, so I placed him in the bathroom and cut him open. I pulled the viscera from his body with my hands. The look and feel of it gave me unbelievable pleasure, and I masturbated and made love to him by placing my penis in it, like having intercourse.” He took a long, slow drag from his cigarette without looking up as the rest of us sat in silence. We had identified our sixth victim: David Thomas. Murphy, serious as ever, finally broke the silence. “How did you dispose of this one? Did you keep any of his parts?” Dahmer answered that he became leery of placing the bones and flesh in the trash for fear of discovery. This is when he began to use the muriatic acid. He tried to save the skull by boiling it; however, he wanted to speed up the drying process and used a higher oven temperature. The increased heat popped the skull into smaller sections. Because it was ruined, he threw it into the acid. There were no remaining parts of this victim.

My brother was twelve and learning algebra; I was nineteen and learning how to look people in the eye. I was learning other things, too: how to distinguish packs of cigarettes by color, the names of the blacks and yellows and reds. I was memorizing the refrain of every pop song on the radio. But mostly I was learning that the only way for the night to end is for the night to end. There was no way to speed up a lonely hour.

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Sundown Towns After Reconstruction and before the civil rights era, signs like the one in our story popped up on the outskirts of thousands of small towns across the country, warning “colored people” to keep moving. This created a huge problem for the Black traveler and inspired an annual publication guidebook from 1936 to 1966 for African American motorists, called The Negro Motorist Green Book, or just the Green Book, after its editor, Victor Hugo Green. It also inspired the title of the Academy Awards’ 2019 winner for Best Picture.

I tap the link, and it opens up a bright, cheery, robin's-egg blue web page. P&P Bake, it's called. It's clearly one of those WordPress blogs converted into a website, but that doesn't make it any less captivating--- the pictures on the posts are so vivid, I can practically taste them through the screen. I scroll down, glancing at the dessert names, lingering on the pictures. The most recent is Tailgate Trash Twinkies, which are apparently a homemade cake roll infused with PBR; I scroll down and see A-Plus Angel Cake, and Butter Luck Next Time Butter Cookies, and then--- And then, on Halloween, there's an entry for Monster Cake. My breath stops before it can leave my chest, my entire body stiffening on the couch like a corpse. There's no mistaking it. I may have a bad habit of eating Pepper's baked goods so fast, it threatens the time-space continuum, but the bright colors and gooey mess of that cake are so distinct in my mind and in my taste buds, I could see it in another life and immediately identify it. Yet my brain still refuses to process it, and I'm still scrolling as if I'll blink and it will disappear, a vivid, sleep-deprived teenage hallucination. But the further I scroll the worse it gets. The So Sorry Blondies. The Pop Quiz Cake Pops she and Pooja were eating the other day. A few things I've never heard of before, with irreverent, silly names, some of which must be Paige's, but others that are so distinctly Pepper it stings to read.

A couple of weeks before, while going over a Variety list of the most popular songs of 1935 and earlier, to use for the picture’s sound track – which was going to consist only of vintage recording played not as score but as source music – my eye stopped on a .933 standard, words by E.Y. (“Yip”) Harburg (with producer Billy Rose), music by Harold Arlen, the team responsible for “Over the Rainbow”, among many notable others, together and separately. Legend had it that the fabulous Ms. Dorothy Parker contributed a couple of lines. There were just two words that popped out at me from the title of the Arlen-Harburg song, “It’s Only a Paper Moon”. Not only did the sentiment of the song encapsulate metaphorically the main relationship in our story – Say, it’s only a paper moon Sailing over a cardboard sea But it wouldn’t be make-believe If you believed in me – the last two words of the title also seemed to me a damn good movie title. Alvin and Polly agreed, but when I tried to take it to Frank Yablans, he wasn’t at all impressed and asked me what it meant. I tried to explain. He said that he didn’t “want us to have our first argument,” so why didn’t we table this conversation until the movie was finished? Peter Bart called after a while to remind me that, after all, the title Addie Pray was associated with a bestselling novel. I asked how many copies it had sold in hardcover. Peter said over a hundred thousand. That was a lot of books but not a lot of moviegoers. I made that point a bit sarcastically and Peter laughed dryly. The next day I called Orson Welles in Rome, where he was editing a film. It was a bad connection so we had to speak slowly and yell: “Orson! What do you think of this title?!” I paused a beat or two, then said very clearly, slowly and with no particular emphasis or inflection: “Paper …Moon!” There was a silence for several moments, and then Orson said, loudly, “That title is so good, you don’t even need to make the picture! Just release the title! Armed with that reaction, I called Alvin and said, “You remember those cardboard crescent moons they have at amusement parks – you sit in the moon and have a picture taken?” (Polly had an antique photo of her parents in one of them.) We already had an amusement park sequence in the script so, I continued to Alvin, “Let’s add a scene with one of those moons, then we can call the damn picture Paper Moon!” And this led eventually to a part of the ending, in which we used the photo Addie had taken of herself as a parting gift to Moze – alone in the moon because he was too busy with Trixie to sit with his daughter – that she leaves on the truck seat when he drops her off at her aunt’s house. … After the huge popular success of the picture – four Oscar nominations (for Tatum, Madeline Kahn, the script, the sound) and Tatum won Best Supporting Actress (though she was the lead) – the studio proposed that we do a sequel, using the second half of the novel, keeping Tatum and casting Mae West as the old lady; they suggested we call the new film Harvest Moon. I declined. Later, a television series was proposed, and although I didn’t want to be involved (Alvin Sargent became story editor), I agreed to approve the final casting, which ended up being Jodie Foster and Chris Connolly, both also blondes. When Frank Yablans double-checked about my involvement, I passed again, saying I didn’t think the show would work in color – too cute – and suggested they title the series The Adventures of Addie Pray. But Frank said, “Are you kidding!? We’re calling it Paper Moon - that’s a million-dollar title!” The series ran thirteen episodes.

She stopped in Eckerds to flirt with a guy she knew there and get some free Blow Pops. She leaned over the counter and pursed her lips and moved up and down on her toes while he dug out all the watermelons, her favorite. There was a scale with a mirror next to the pharmacy counter, and she stared at herself sideways. With her low-slung jeans and junk store green army coat, Murphy looked high-fidelity, full-color, and healthy. The counter boy’s voice pitched high when he asked her, nervous and awed, if she wanted anything else. Murphy smiled and stuck a Blow Pop in her mouth as she turned and sauntered out the door.

open, looking for any flash of color, any sign of Meghan. It was dark down there, and mentally he scrambled for all of the possible spells he could use to help him in a situation like this, but he could think of none. Even his origami dragons would be of no use now to light up the night, for they were a sopping wet mess in his component vest pocket. Desperately he searched for Meghan, waving his hands around through the water. His lungs felt like they were going to burst. He came up for air and whipped his head around, looking for any sign of her, but there was nothing. Then down he went again. Please! he screamed in his mind, thinking of Lani and Samheed. I can’t lose everyone. That thought nearly made him break apart, but it also gave him the strength to dive deeper, to search harder. He surfaced once more, panting, and looked everywhere. Only the boat, upright again and drifting toward the shore, was visible. He knew there was no time to waste. He sucked in an enormous breath and down he went a third time, deeper, farther, until his ears ached and popped. He strained to reach anything he could touch in the murky water. Just when he was about to give up he kicked his feet, and his toes got tangled up in something. It was hair. He turned sharply and reached for her hair, grasping it with his hand, and yanked as hard as he could, rushing, kicking, with all of his might, pulling her up alongside him and then pushing her above him to the surface. When they broke through, Alex gasped and sucked in air, flipping on his back and holding Meghan tightly to his chest, trying to float, and unable to do another thing until he had replenished his oxygen stores. He squeezed Meghan’s stomach and started kicking toward the shore. “Breathe!” he cried. And then, between ragged breaths, he chanted to keep himself focused. “Breathe. Please breathe.” Meghan choked and silently coughed up water. She took a raking breath in and coughed some more. “Come on,” Alex said. “Breathe! That’s it!” Meghan struggled. The sharp thorns around her neck cut into Alex’s chest like lethal scatterclips hitting their mark, but he couldn’t do anything to adjust his pain or hers right now. Waves constantly washed over their faces, causing them to feel like they were drowning over and over again. “Come on, now,” Alex said again, barely whispering. “We’re going to make it. We’re going to make it.” He put

We're not talking enough about the fear that white folks hold as a result of race. I'm not talking about fear of colored people or fear of Black people. I'm talking about fear of one's own self, because you don't know how to have the conversation, because you feel shame about where you're located in that conversation, about how to locate yourself. We all feel shame when we're sitting on the cushion and stuff pops up in our head. We come to realize everything we think when no one is looking. What's liberating is once we are like, "This is what's going on. Now I understand my behavior, which seemed inexplicable at the time.

Wings. Ryker had fucking wings. Big leathery wings like a bat but with a deep gray-green coloring. I fell backwards onto the floor of the loft, my ass hitting the wood but my eyes staying locked on Ryker. A comment from my second day here surfaced. Something about not wearing shirts because they got in the way. No fucking wonder they got in the way if he could pop out a pair of wings. The thin membrane that stretched to allow light through it was a lighter, paler gray than the rest, snagging on whatever breeze the morning brought with it and tempting Ryker to open them up wider to catch the wind. They were big enough to that he'd have to duck down quite a bit to even attempt entering the doorway of the cabin, even if he had them tucked in tight to his back.

I gagged. It was not air. It was cold, it smelled like the hiss of gas in a cellar, it had echoes in it, it rang like metal footsteps, it hissed, cell doors clanged shut, I heard my voice calling to me down long stone corridors, I could not breathe. I knew I must not lose consciousness. I fought. I shook my head, I could not free myself. And now great swirls of colored light advanced toward me, spinning like pinwheels, revolving so fast they seemed to scream. And then the light was splintering and flying toward me, needles of it stinging me, flying past me, yellow and red stings, and now a roaring sound filled my head and began to pulsate. And all this swirling light and roaring screaming noise popped into Donald Duck looming up from a point, and he spoke and clacks came out of his mouth, and then Mickey Mouse loomed up in front of me and made horrible faces, and spoke in clacks or roars, and they were laughing at me and shaking their fists and showing their teeth. And I couldn’t help it, now I was breathing in this terrible gas in a white tiled swimming pool or corridor whose walls moved in toward me and then outwards. I was falling through my Compton’s Picture Encyclopedia article on the sea and these underwater animals were laughing in my ears, but the laughter pulsated like a machine, and I couldn’t stop breathing even though I knew it was the machine breathing. The smell was cold, the hiss grew softer. I felt as if I were under the sea but breathing under the sea somehow this air that was the only thing left to breathe in all this cold floating.

Ah, "never give up," the ultimate mantra for life's champions! When obstacles try to play their game of whack-a-mole, I'll be the sneaky mole that keeps popping up, saying, "Not today, my friend!" It's like facing a Rubik's cube with a sassy smile, determined to twist and turn until all the colors align. So, to the hurdles that dare cross my path, I've got a witty comeback: You can't stop me—I'm a tenacious force with a side of stubborn!

Ah, "never give up," the ultimate mantra for life's champions! When obstacles try to play their game of whack-a-mole, I'll be the sneaky mole that keeps popping up, saying, "Not today, my friend!" It's like facing a Rubik's cube with a sassy smile, determined to twist and turn until all the colors align. So, to the hurdles that dare cross my path, I've got a witty comeback: You can't stop me—I'm a tenacious force with a side of stubborn!

Ah, "never give up," the ultimate mantra for life's champions! When obstacles try to play their game of whack-a-mole, I'll be the sneaky mole that keeps popping up, saying, "Not today, my friend!" It's like facing a Rubik's cube with a sassy smile, determined to twist and turn until all the colors align. So, to the hurdles that dare cross my path, I've got a witty comeback: You can't stop me—I'm a tenacious force with a side of stubbornness!

I know you think I was born into this life, but I wasn’t. I grew up in government housing where you did not go out at night unless you were wearing gang colors and prepared to defend yourself. I lived there with my pops until Andrew Whitlock swooped in and brought me here so he could trot me around like a prized pony.” “Theo...what?” This was...not expected. At all. That was how closed off he was. He’d given me no inkling he hadn’t grown up here, living with his esteemed dad, in a big house, with no worries or cares except making weight for wrestling.

Freddy the Fearless Firecracker" In the small town of Sparksville, where every night was as quiet as a whisper, there lived a little firecracker named Freddy. Freddy was not like the other firecrackers, who were content with waiting all year long for the Fourth of July. Freddy had dreams. He wanted to explore the world and light up the skies with his brilliance. Freddy's friends would often say, "We're just firecrackers, Freddy. Our time is but once a year." But Freddy would shake his wick and reply, "Why wait for one night when there's a whole world to see?" One day, Freddy decided it was time to set off on an adventure. He wanted to show everyone that a firecracker could do more than just pop and fizzle. With a spark of courage, he set out into the world. His journey took him to places he had only seen from the shelves of the fireworks store. He saw the ocean, where he helped signal a boat lost in the fog. He visited forests, where he lit up the night for a group of campers telling stories. Everywhere he went, Freddy spread light and joy. But the greatest moment came on New Year's Eve, when Freddy found himself at the Sparksville Annual Festival. The town had never seen a firework display, and they needed a star to start the show. Freddy knew this was his moment. As the clock struck midnight, Freddy soared into the sky. He shone brighter than any star, bursting into a thousand colors. The people of Sparksville cheered and danced, their hearts alight with happiness. From that day on, Freddy became known as Freddy the Fearless, the firecracker who lit up the world not just on the Fourth of July, but whenever there was darkness that needed a little light. And so, Freddy's story reminds us all that no matter how small we may feel, we have the power to shine bright and make a difference. The End.

You will spend 90,000 hours of your life working. That’s more than you will spend doing anything else except sleeping. And you know you owe it to yourself to make those hours the most meaningful that they can possibly be. You know you can’t resign yourself to a listless job. You don’t want to spend your one life grinding out work you care little about, a sad office-humor cliché. You’re here because you want more out of your career, even as you’re facing a stupid-tight and ever-shifting job market, nagging self-doubt, the challenges of rampant sexism and racism in the workplace, a persistent wage gap (particularly for women of color), a lack of precedent for female leadership in most careers, a lack of mentors, and mansplaining men everywhere you look. You’re here because you’re tired of feeling quite so delicate, one professional rejection away from emotional cataclysm, a floor puddle of Chunky Monkey and Netflix. Because you want to get stronger and more sure-footed. Because you don’t want to be tripped up by small things like what to say in an e-mail, and big ones like how to ask for a raise. Because you don’t yet know when you need to stand up for yourself and when you definitely don’t need to stand up for yourself. You’re here because you haven’t realized yet that you’re not alone, that even your heroes think they are impostors, that we all think we don’t deserve to be here, we all believe, despite overwhelming evidence to the contrary, that we are irrelevant, incompetent trash people, and soon THEY ARE ALL GOING TO KNOW. You are here because no matter how nasty the self-talk and shitty programming that’s intermittently popping off in your brain, the voices that tell you you’re lazy, untalented, the worst, you need to find empathy for yourself, you need someone to tell you how you are feeling is normal. That you belong. That you CAN do this. Because you can.

Colorful foods are often healthier because they contain antioxidant pigments, whether it’s the beta-carotene that makes carrots and sweet potatoes orange, the lycopene antioxidant pigment that makes tomatoes red, or the anthocyanin pigments that make blueberries blue. The colors are the antioxidants. That knowledge alone should revolutionize your stroll down the produce aisle. Guess which have more antioxidants—red onions or white onions? You don’t need to look up the answer. You can see the difference with your own eyes. (Indeed, red onions have 76 percent more antioxidant capacity than white, with yellow onions in between.3) So, given the choice, why buy another white onion ever again? Red cabbage may contain eight times more antioxidants than green cabbage,4 which is why you’ll never find a green cabbage in my house. Pop quiz: Which wipes out more free radicals—pink grapefruit or regular grapefruit? Granny Smith or Red Delicious? Iceberg lettuce or romaine? Red grapes or green? Yellow or white sweetcorn? See, you don’t need me to go to the supermarket with you. You can make all these calls yourself.

Hello, Isla…You there?” Colby waved his hand in front of my face. I blinked rapidly then leaned back. “Sorry. Spaced out.” “Yeah, this game’s getting lame. You know me too well.” And that was a bad thing? “Let’s play something else.” “Like?” I asked. “Strip poker?” he teased, because we both knew he’d never actually play that. I laughed. “You wanna see me naked, Colby?” And holy shit, if his gaze didn’t drift. And I don’t mean away to check his phone, or to the fridge for another drink, no—it went down. As in, roaming over my body. His head popped back up and his cheeks pinked just the tiniest bit. And it wasn’t a beer flush either, because I was pretty confident that color hadn’t been there thirty seconds ago. He laughed it off as he stood and walked to the fridge. “Who wouldn’t?” “You,” I muttered. With his head down as he stared into the fridge, he mumbled something. I didn’t quite hear, but could have sworn he said, “That’s what you think.” Had he said that? Or was my brain inserting the words I wanted to hear? Was it possible we were really having a semipassive-aggressive argument about my nakedness? It was probably all the drinking, but no way would I let this opportunity slip by. “All you need to do is ask.” He turned, beer in hand, and leaned against the fridge. “Maybe I’m waiting for you to offer.” “I’m right here.” “So you are.

So now that you’re in like with me, do you think we should start color coordinating our outfits?” She rolled her eyes and groaned. During the last half hour of our car ride, I’d hounded her about her confession. Mostly because I liked to see her squirm. Well, and because she liked me. I was freaking stoked. So I teased her about everything from the necessity of pet names to the value of posting couples’ selfies on various forms of social media to suggestions about our “celebrity” name—I was rooting for Macity. “For what it’s worth, I’m in serious dislike of you right now.” I laughed, enjoying this way too much. “We should also start having sleepovers…since you’re in like with me.” She pressed her palms to her forehead then dragged them down her face. “Oh. My. God. I’m going to kill you before we even make it out of this car.” “Tomorrow I’ll run to the store and get extra toothbrushes so we can keep them at each other’s places. Should I get his and hers towels too?” She banged her head on the headrest. “Too soon?” I pulled into the parking lot of the marina. “Okay, only toothbrushes.” “I’m going to murder you with that fucking toothbrush if you don’t stop saying ‘in like’ with you.” I parked the car. “You started it.” The overhead light popped on as I got out. “Mason!” I laughed as the car door shut. Grumbling, she got out, and I greeted her on the passenger side. “One more, then I promise I’m done.” I shut her door and pushed her up against it. “I’m happy you’re finally in like with me because I’ve been in like with you for a while

I wonder how far away it is somebody should know somebody should find out and tell people cause I’m sure they want to know look at them both closer to my fire now and both looking at the flames I wonder what it feels like to burn it if always hurts once your hand is in it deep and if it pops and sparks like wood and if the color is the same and if it hurts and where does it go if you keep it in smoke rises through the trees to the sky towards the black roof where the sun will come if the sun comes tomorrow does it hurt or smell and how high up the smoke kids do it stick their hands right in you gotta keep them away or they’ll do it like buys who get too close and burn up I see why they try once why they want to touch I can see it in Eddie’s eyes in the white man’s eyes that stare at the flame they want to touch to put them in and see if it keeps hurting I can understand why kids do it cause I want to touch myself just like one I want to put my hand in I want to go to smoke and see how high…

This Girl I Knew Glasses, bad bangs, patched blue jeans, creek-stained tennis shoes caked in mud, a father who sells vacuum cleaners, a mother skinny as a nun, a little brother with straw-colored hair and a scowling, confused look in the pews at church: this girl I knew. House at the edge of town, crumbling white stucco. Dog on a chain. Weeds. Wildcat Creek trickling brown and frothy over rocks out back, past an abandoned train trestle and the wreck of an old school bus left to rot. This girl I knew, in whatever room is hers, in that house with its dust-fogged attic windows, its after-dinner hours like onions soft in a pan. Her father sometimes comes for her, runs a hand through her hair. Her mother washes every last stick of silverware, every dish. The night sky presses down on their roof, a long black yawn spiked with stars, bleating crickets. The dog barks once, twice. Outside town, a motorcycle revs its engine: someone bearing down. Then nothing. Sleep. This girl I knew dreams whatever this girl I knew dreams. In the morning it’s back to school, desks, workbooks, an awkwardly held pencil in the cramped claw of a hand. The cigarette and rosewater scent of Ms. Thompson at the blackboard. The flat of Ms. Thompson’s chest, sunburned and freckled, where her sweater makes a V. You should be nice to her, my mother says about this girl I knew. I don’t want to be nice to her, I say to my mother. At recess this girl I knew walks around the playground, alone, talking to herself: elaborate conversations, hand gestures, hysterical laughing. On a dare from the other girls this girl I knew picks a dandelion, pops its head with her thumbnail, sucks the milky stem. I don’t want to be nice to her. Scabbed where she’s scratched them, mosquito bites on her ankles break and bleed. Fuzzy as a peach, the brown splotch of a birthmark on her arm. The way her glasses keep slipping down her nose. The way she pushes them up.

Sir, I think you’d better come with me,” the guard said, grabbing James by the elbow. James wrenched it free and demanded Aaron’s room number again. And again. And again. The guard shouted, the receptionist shouted, James shouted; the emergency room crowd took a sudden interest in the latest celebrity gossip in their magazines. “Hey!” A woman’s bark from down the hall pierced the commotion. “Whoever’s disturbing my peaceful environment of calm and healing is gonna get popped in the nose! And I just got a manicure! Now who’s causing all . . . ?” The short woman with a black beehive of hair and flushed cheeks matching her scrubs spotted James over the top of her thick, silver-rimmed glasses. Her lips pursed. “Listen, Deena,” James said, “I don’t know where you found this candy striper, but she won’t tell me where Aaron is. And I’m trying to explain to the nice big officer here that—” “Save it,” Deena said, cutting him off. Her cheeks faded to the same color white as her lab coat. “They’re back here.” She flicked her head down the hall and held up a hand to the guard. “He’s fine, Trevor; I got him.” “You sure?” The guard inflated, ready to pounce if the head ER nurse gave the order. “Yes, I’m sure. But I’ll call you if there’s a problem.” Deena raised one black eyebrow and scowled at James as he approached. “Won’t I, Mr. McConnell?” His plastic cleats left a trail of baseball field dirt for the guard to follow. He was in no mood for a reprimand. “Just tell me where he is.

Throughout this conversation, Manda acted like she couldn't have been more bored. She lazily skimmed her new paperback copy of Reviving Ophelia; she must have read the old one down to shreds. She just stood there, popping another piece of Doublemint, or reapplying her lip gloss, or slapping her ever-present pack of Virginia Slims against her palm. (Insert oral fixation jokes, here, here and here.) Her hair—usually dishwater brown and wavy—had been straightened and bleached the color of sweet corn since the last time I saw her...Just when I thought she had maxed out on hooter hugeness, it seemed that whatever poundage Sara had lost over the summer had turned up in Manda's bra

Part Two: When St. Kari of the Blade Met Darth Vader, Star Wars Dark Lord of the Sith  (Earlier, the Emperor commanded Lord Vader to make contact . . . “I have felt a non-tremor in the Nether-Force” “I have not, my master.” “Yes, well, that is why I’m ‘the Emp’ and you are not . . . Um, we have a new enemy, the non-entity known as Blade Kári. She’s running around all over the place gunning for that brat kid of yours.” “Hmm. Interesting,” tight-lipped Darth. “Anyway, I–hey, how can all this mish-mash be?” “Search your feelings, Lord Vader” the Emperor solemnized. “If you feel nothing as usual, you know it to be true or false. By now your guess is as good as mine with this Force stuff.” “Damn!–If you say so,” Vader said smacking his hand. “If she could be turned she would make a powerful ally.” “Yesss . . . can it be done? Bring the Valkyrie creature to me. See to it personally, Lord Vader. The more she is loose the more of a train wreck waiting to happen she becomes to us. Besides, it will break up the monotony until Bingo Wednesday night.” “Okay. She will join us or die–again and again and again–until we all get it right. “Now, what about my son?” grumbed Vader deeply. “Why fish for guppies when you can land a Megalodon? Go on. Get out of here. You Annoy me.” “Yes, my Mahhster . . . ”). back to the action . . . “—Oh yeah? Who is he, this Vader person? Someone I should meet?” Kari percolated. Luke mulled. “No. He is evil and very powerful. A ȿith lord.” “A Scythian, eh? Humm.—for a minute there, you had me worried. “Look—there he is!” Luke shouted scrunching down and pulling the girl besides him. Vader stwalked down the landing craft’s platform decked in his usual evil attire looking at the pile of messy clones. “He doesn’t look so tough’st to me. Pretty trippy wardrobe though. Maybe that is why he is evil. Clothes do that, costuming up n’ all. I think I’ll go down and see him.” Kari launched off to meet him. Luke trying to pull her back, she running up to the battle line strewn with dead clones. “Hey Darth’st.” “Did you do all this? Hmmph. The Force is with you, young Blade Kári, but you are not a Valkyrie yet.” “Sez ‘st who? You’st? Do not be so blamed melodramatic. This ’tain’t no movie ʎ’know’st, well leastways, not yet. I shall have you know I am a charter member of your friendly neighborhood Valkyrie club and my dues are so in.” Vader ignited his red lightsaber (he was not one for small talk). “Where can I get one of those, she asked Vader, pointing to his glowing blade of laser evil. Do they come in assorted colors? I want one!” she yelled back at Luke. Vader struck savagely at the girl, she mildly pirouetting on her heels to evade the cut then giggling, diminutively popped him squarely in his breather-chest contraption bugging him. Again, he struck, the blade harmlessly passing through her. “Impressive, most impressive. And you say you can’t get a date?” “Best take it easy Sith-meister. You’re riling me.” Luke’s eyes bulged. He could not believe it, remembering his own stupid head words to Yoda, his spry little green master. Vader paused, breathing heavily as was typical of him like he was a 20-pack a day smoker. “Your destiny lies with me, young Kári. Look here, if you really want one of these red glow in the Nether dark cutters, come with me.” “Honestly?” Luke nodded his head back and forth as if agreeing with himself. Where had he heard that before . . . ? The kid was going to be nothing but trouble from here on out he foresaw. end stay tuned for part iii  

Pop-up error alerts are the tool of the lazy. If an error does occur, the microinteraction should do everything in its power to fix it first

Remember when I told you about that list of goals Morgan had me write out at the beginning of my trip?” “Yeah.” “Ugh, this is going to seem so stupid to you.” I pause to get the last bit of laughter out, preparing myself for what I’m about to reveal to him. “One of my goals was to fall in love with an Italian.” The dimples pop in his cheeks before he draws out, “Reaaally?” “I was going to fall in love and bring him home with me when summer was over. But I just had to eat gelato before dinner, and there you were, throwing me off course on my first day in the country.” Now he laughs. “So I foiled your master plan, huh?” he asks, and I nod with pouty lips. “Am I that hard to resist?” He straightens, smoothing out the front of his shirt. “Well, you kept popping up everywhere! How was I supposed to fall in love with anyone else?” My hands are shaking so I slide them underneath me. “It was a silly game anyway.” “I don’t--wait.” Color spreads through his cheeks to the tips of his ears. “Are you saying you’re in love with me?” Is that what I was saying? Am I in love with him? I’m mute. All I can do is stare at him, soak him up. Darren gets a spacey look on his face as he pats at the surface of the water with his feet, mumbling something that sounds like, “Oh, my parents are gonna love this story.” “What?” He ignores me and looks behind us. “That’s the journal on your chair, right?” he holds out a hand, demanding to see it. “Show me this list.

I want to make this work, Pippa. I knew we met for a reason.” His breath is warm on my face as he whispers, “I can’t not be with you.” I close my eyes and absorb his words. He wants to make this work. I want to make this work. It will. Somehow. “You really like me that much?” I hear him swallow. “I’m not sure like is a strong enough word.” I lift my chin until our lips meet in a sweet, gentle kiss. And then I ruin it when I surrender to another giggle fit. He leans away to look at me, alarmed. “Why is that funny?” “No no no, I’m not laughing at you.” I stroke his wrist with my thumb. “It’s just…I actually brought a guy home from Italy. This is crazy.” He relaxes a little. “What do you mean?” “Remember when I told you about that list of goals Morgan had me write out at the beginning of my trip?” “Yeah.” “Ugh, this is going to seem so stupid to you.” I pause to get the last bit of laughter out, preparing myself for what I’m about to reveal to him. “One of my goals was to fall in love with an Italian.” The dimples pop in his cheeks before he draws out, “Reaaally?” “I was going to fall in love and bring him home with me when summer was over. But I just had to eat gelato before dinner, and there you were, throwing me off course on my first day in the country.” Now he laughs. “So I foiled your master plan, huh?” he asks, and I nod with pouty lips. “Am I that hard to resist?” He straightens, smoothing out the front of his shirt. “Well, you kept popping up everywhere! How was I supposed to fall in love with anyone else?” My hands are shaking so I slide them underneath me. “It was a silly game anyway.” “I don’t--wait.” Color spreads through his cheeks to the tips of his ears. “Are you saying you’re in love with me?” Is that what I was saying? Am I in love with him? I’m mute. All I can do is stare at him, soak him up. Darren gets a spacey look on his face as he pats at the surface of the water with his feet, mumbling something that sounds like, “Oh, my parents are gonna love this story.

Bruno returns, still clad in only his green towel, hair poofing out a little as it dries. “Everything all right?” I ask, with a stupid smile. I fight my line of sight to stay above the shoulders, but despite my best efforts, my eyes dart down a few times as he strides across the room to his closet. “Yes, clothes. Please,” I say too fast. “Good idea.” Shut. Up. The corner of his mouth hitches up, and his head turns toward my open suitcase on the floor. He bends over and I realize I’m still watching, both to see what he’s doing, and to see if his towel can hang on for the ride. He pulls out a few of my shirts and flings them onto the bed, digging deeper into my suitcase until he pulls out a coral-colored sundress. “Oh, that’s going to look fabulous on you,” I say. “I do not doubt it.” He laughs, turning and holding the dress up to himself, one hip jutting out, then closes the distance between us in a couple of steps. I take the dress from him and do my best to avoid eye contact. But now I’m looking at his chest. His bare chest. His tan, bare chest. And he smells clean, like almonds and oats. A feast for all the senses. Maybe eye contact would be better. I look up into them and immediately regret it. They’re big and golden and deep, and they’re looking at me. I have no clue what’s happening. “You will wear this for me today, yes?” I nod. “Bene.” He walks back to the closet and pulls out a thin white button-down shirt and a pair of navy-blue shorts, then heads for the door. “Wait,” I say, shaking my head out of my daze. He stops just before he passes me. “What’s so special about today? Aren’t we just working?” Darren said he was coming back today and would pop by the restaurant, but we didn’t set a specific time. I assumed I’d be at work all day. “Later, yes,” he says quietly, leaning in like we’re coconspirators. “First, I am taking you on my boat.” I get pulled into the conspiracy and lean in too. “Your boat?” “My boat.” He’s even closer now, still shirtless. His clothes are just an afterthought of wadded-up laundry in his hands. It’s probably such a chore for him to put them on every day. He’s clearly in his element without them. Chiara did say that I had to see Cinque Terre from the sea, that there’s nothing else like it. The anticipation of the photo ops alone is enough to make my answer “Si, si, si,” forget about the half-naked guy standing in front of me. Forget about his lips, inches from mine. Forget that he has his own boat in Italy. “Where are we going?” I stare at his mouth, waiting for an answer. He smirks and I’m pretty sure I’ll follow him anywhere. Bruno traces my jaw with a fingertip and lightly taps the tip of my nose. “You will see.

The walls were painted a robin's-egg blue. Antique wood-and-glass display cases had mottled milk chocolate-brown marble countertops. Antique iron-and-glass stands would make the future little cakes (under their glass domes) pop up and down on the counter like jaunty hats. From the top of the left wall of the bakery, Gavin had hung a canvas curtain and arranged a display area in front of it. Both the curtain and display would change each month- as would, of course, the colors and flavors we showcased. The idea was to sell not only cakes, but also cake stands, serving pieces, plates, paper napkins, and other goodies, so once your little cakes got home, they'd look as good as they did in my bakery. One-stop shopping. On the right, Gavin had arranged a seating area with dark bentwood chairs and cafe tables. It looked like a tea salon in Paris. I sighed with delight. But I wanted to see where I would spend most of my time. The work and storage areas were screened off in the back, although I would have been happy to show off my two Vulcan convection-ovens-on-wheels and the big stainless steel worktable with the cool marble slab at one end for chocolate work. The calm milk-chocolate plaster walls, stainless steel, and white marble made the workspace look like a shrine to the cake baker's art.

To calm my jangled nerves, I rose early and went for a long jog along the Kamo River. As often happens during such times, the world came into stark relief. As I ran up the embankment, details popped, such as the nickel-blue river, topaz marsh grass, and leafless trees that looked almost silk-screened onto a paper panorama of Kyoto. Flushed with endorphins, I dashed back to the Guesthouse feeling much calmer about meeting with the Grand Tea Master. By 8:00, I was down in the den drinking coffee and breakfasting on persimmon toast. Persimmons had recently come into season and, when sweet and jelly-soft, made a luscious topping for crisp buttered whole wheat bread.

micro second, I could see Mishy and I doing an aerial somersault and being pinged like a sling shot off the bike, landing ungracefully  in the gutter, probably head first into a steaming pile of dog poo. Miraculously, (well not really, because I used my witch craft) Mishy was able to steer the bike to safety as her tyres magically ploughed through the bike on the ground. She kept saying over and over, “What just happened, what just happened? I thought we were dead!” I said to her, “Its ok Mish, you saved our lives.” “Sorry guys,” a timid voice popped out from behind the tree. “It was kind of lying against the tree when I left it. It must have fallen down. I hope you’re both ok.” As soon as I saw Kaitlyn sheepishly step out from behind the tree, it suddenly clicked as to what had been missing back at Koolbar. It was Kaitlyn. She wasn’t there and she was always dutifully there with Tiffany. Kaitlyn Ramsay was part of the princess gang, though she wasn’t as fake as the rest of them. Every Friday the four of them always sat in a corner of Koolbar, slurping on their shakes and getting guys to slurp on their every word. I don’t think I’ve ever been there on a Friday when the four of them weren’t huddled up together batting eyelids and preening themselves, whispering and fussing. Which is why it seemed so strange when I didn’t see her. As she stood under the branches, the sun sprinkling filtered light onto her face, I could see that her normally creamy colored complexion was blotchy, and her eyes were red and hazy. Her makeup was streaky under her eye’s with smudges of black casting shadows. She looked a little bit like Dracula’s daughter meets prom queen Barbie, but she put on this big phony smile as though nothing was wrong. As if! Did she think we were born under a rock? “So what’s happening guys?” She tried to sound cheery. “Nothing much, we’re just on the way home from Koolbar,” Mishy replied. “What about you? What are you doing hanging around a tree?” “Yeah Kaitlyn, we didn’t see you at Koolbar. What’s the deal? You’re always there on a Friday with the others.” Kaitlyn’s face crumpled momentarily when I questioned her, then just as quickly went a fake shade of happy again. “Agh, I didn’t really want to go today. I have aghh ….some other things I want to do,” she stuttered, searching for words. “Like bird watching?” Mishy giggled. “You didn’t want to go? That’s not like you Kaitlyn.” I added. “So are you two going straight home now?” Obvious change of subject from Kaitlyn. “Yeah I have to babysit my kid brother while my mom and dad go out on their date night. “Aren’t your parents married?” “Yes, they just like to have a date night once a week where they don’t have to be bothered by us kids. Apparently

How Explainer Videos Work For Your Business If you wonder how to take your business to the next level, then explainer videos could be your answer. A short, crisp, informative piece of explainer video is the ultimate key to reach your ideal business leads. Henceforth, you need not worry about keeping your profits high. All you have to do is to invest a part of your money in getting quality, professional explainer videos to boost up your rankings on search engines. Google’s algorithm for search engine rankings includes a part that quantifies the amount of time spent by the visitors to your website. The longer time they spent, the higher will be your ranking. This is why your site needs an explainer video to keep the clock ticking for you. These videos are great ways to get the attention of your visitors; it really keeps them engaged for a long time, provided the videos are interesting. It has been found out that a human brain is more attentive to visuals rather than mere phrases. As readers spend only a few seconds to minutes on each site, quality content with a catchy title would grab their attention, but not always. On the other hand, if they confront an interesting and funny video, they will be attracted and urged to watch the content. That is why explainer videos are smart marketing tools. According to top marketing firms, websites with explainer videos rank higher than others in Google universal searches. In a business, an explainer video offers you a smart platform to reach your ideal customers and introduce your services to them with the reasons for them to choose you over your competitors. What could it be? An explainer video could be anything. You can share your identity, ideas, concepts, issues, solutions, products, services and even arguments. You can bring them all up with videos in just a few seconds. How long could it be? The shorter, the better. Videos more than a 90 seconds could be boring to your visitors. Keeping them short and engaging is the trick to make the visitors stay on your page, which in turn fetches the ranking. Here are a few reasons to justify the need for explainer videos for your business. 1. Creates a virtual connection: The most important aspect of online marketing is to showcase your personality in a smart manner. Your customer is with little or no contact with you in online business. So it is crucial to build a trustworthy bond with your customer to maintain a strong relationship. Explainer videos do this job for you; they offer you an identity that is recognized by your customers which wins their trust. 2. Gains popularity: A good and attractive explainer video is extremely contagious. It is not restricted to your website alone and can be shared with other video hosting sites like YouTube. This means your site gains popularity. People share videos on a higher scale rather than sharing web pages. Moreover, free video hosting sites like YouTube can be accessed even on a Smart phone which is an added advantage. 3. Holds all in one: Website clutter is a serious mistake that directly affects the rankings of a website. With the intention to hike rankings and boost sales, many website owners clutter their site with loads of images, colorful fonts, flash pictures and pop boxes. This could only have adverse effects on the site. It increases the load time of the website and leaves the visitors confounded that they wonder what your site conveys. On the contrary, an explainer video is can be designed to comprise all such smart aspects squeezed into a single video. 4. Resurrects your identity: PPT slides and pop up ads are obsolete and they don’t belong to this era of online business marketing. A colorful, funny and informative video with great visuals can do the magic; it grabs the attention of the audience. This is particularly suitable for multifaceted businesses with multiple products and services. You can create customized videos for each product and

A pair of enormous purple toads sat gulping wetly and feasting on dead blowflies. A gigantic tortoise with a jewel-encrusted shell was glittering near the window. Poisonous orange snails were oozing slowly up the side of their glass tank, and a fat white rabbit kept changing into a silk top hat and back again with a loud popping noise. Then there were cats of every color, a noisy cage of ravens, a basket of funny custard-colored furballs that were humming loudly, and on the counter, a vast cage of sleek black rats that were playing some sort of skipping game using their long, bald tails.

Today we want to glue some wood to some wood. We will get all the surfaces clean with sanding and then by wiping the wood with our coarse brown paper toweling, which itself is limp wood. We will apply the good wood glue, which is the color of banana pudding, to both surfaces, liberally, and align the pieces and press them together. Before the final fit it is important to slide the pieces back and forth just a bit, or twist them a bit, depending on the configuration of the pieces; this lateral friction, as it were, is to displace small pockets of air that may be trapped in the glue if the pieces of wood merely come together head-on. Once we have a good airless fit with plenty of squeezeout we should wipe the excess glue with more paper and clamp the pieces firmly together or effect a clamping by means of weight upon the pieces. Clamping can also be effected by tying the pieces together, often with bungies. The pressure should be that of a very firm handshake. Wood being married to wood likes a good handshake. If there is more squeezeout it may be addressed after this clamping or the dried excess glue may be sanded off later. You can use your anytime minutes on small squeezeout. If one of you would go get me a Musketeers the morning would be better. Some of you know how I put a Musketeers in a Dr. Pepper and how the acid in the Dr. Pepper will make the Musketeers into something like a very tasty sea slug. Which if it goes too long though it can be difficult to lift it out in one piece. I call that the Drooping Musketeer and I don’t really like it, I don’t. At a certain point you have to just stir the Musketeer into the Dr. Pepper. A Baby Ruth looks like a turd. A Butterfinger is wont to explode. Never recap your Dr. Pepper if you are using Butterfinger. I must tell you that because the Surgeon General won’t. The cleaning industry tells you not to combine its stuff but the candy industry does not. If there is no caution statement on a candy bar telling you that it is bad for your health in several ways, chief among them obesity and type II diabetes, it is not finally surprising that they not tell you that under certain conditions the candy unit will explode and perhaps blow your pop bottle apart and blind you, or worse. The good wood glue we use here is pretty set up in an hour. Tomorrow we will start in on the router. The router is essential but many a one thinks it is just some kind of dangerous cosmetic tool. It is not. Get your wood and get to gluing and stop wasting time.

He could talk at length about the known invasive species, and why there were so many different ones: the weblike filaments choking the trees in New Orleans, the flame-colored poppies erupting on Mexico City rooftops, the green fins popping up in Florida beach sand like sharks coming ashore. Every shell that struck Earth, and some that hit the surface of the water, cracked and sent millions of seeds into the air or into the oceans.

I look through the crowd of people and somehow see him right away. He looks up at the same time and smiles as soon as our eyes meet. “Hey,” I say when we meet. He stops just inches from me and takes me in his arms, dipping me back a bit for a kiss. “Hey to you too.” He runs his hands over my arms.  “What’s this?” “Oh, I got you something.” “You did?” “I got it on a whim. I saw it at a market I walked through and thought—well, just look at it and you’llknow.” He takes the shopping bag from me and opens it up, pulling out a wool fedora. Looking it over, I worry he won’t get it. “Is this an Indiana Jones hat?” he asks. “Yes!” “I like it.” He smiles and puts it on, and even Harrison Ford would be jealous. “But, uh, why?” I lean back, staring at Archer like he just asked what color the sky is. “You’re Dr. Jones. Please do not tell me no one has ever said ‘okey-dokey Dr. Jones’ to you.” “It’s surprising now that you’ve pointed it out, but no, they haven’t.” He pulls me in and kisses me again. “Wait, there’s an Indiana Jones market going on?” “No, just some weird guy at a pop-up selling hats. He told me I had nice feet.” Archer chuckles. “I guess you do, though, in that dress, it’s hard to look past your tits.” I shimmy and wiggle my eyebrows. “That’s the point of a pushup bra.” 

Isaac took a long swig from the unmarked bottle. He'd tasted her cider before, but this bottle was completely different, yet just as wonderful. The apple was more prominent, yet not sweet, almost funky but in a good, blue-cheese way. He held the bottle up to the light and could see the sediment swirling in the bottom. "This is amazing- so different from the other one." Sanna grinned. "You really like Olive? I wasn't sure when I blended it. Not everyone likes the murkiness." "Olive?" Sanna leaned against the counter, putting her weight on her wrist as she studied him for a long moment, her eyes squinting. She took a long drink from her own bottle. "I see colors when I make ciders. I can't explain it. Each juice has its own hue. That's what those paintings represent." She pointed at the watercolors over the fireplace. "A new color comes to me, and I blend the juices until I can re-create it in the flavor. And this one is Olive." "You color-code your ciders?" He struggled to understand what she was telling him. "No." She reached across the counter and pulled her journal toward her. She opened it and handed it to Isaac. As she sipped her cider, he studied the page, then the next page, then the next. On each was a swatch of layered color, all wildly different from one another- reds, greens, teals, colors he didn't really have names for. Next to the colors were measurements, apple varieties, percentages, and flavor notes. Scribbles filled the margins and equations contained both numbers and words. Things like sugars and acidity were measured and tested. It was part recipe book, part coloring book, and part wine label, with a hint of spell book. Looking at it was like opening a tiny door into the back of her head. She saw things that no one else did, an imaginary world of cider only she could see. "You can see the color in your head?" "It's the easiest way to explain it. A color pops into my head, and I know what it will taste like. When I blend the different raw ciders together, I know I have it right when it matches what I've imagined.

She tried not to let it bother her. She armored herself in her bright colors and odd pop culture interests, because if she was going to be considered “other” by the people she’d grown up with, she was going to go for broke.