Pop Smoke Quotes

We've searched our database for all the quotes and captions related to Pop Smoke. Here they are! All 100 of them:

So when he asked about getting high, I didn't think, I agreed. We smoked some good California green. Took three tries to put me in the place he said I should be.
Ellen Hopkins
It's an odd thing to think about, but try imagining that your breakup is a disease. If you were told that you had a serious yet curable disease, would you go get hammered on a regular basis? Eat two bags of Oreos? Chain-smoke, pop, pills, get stoned, or fuck around? NO YOU WOULDN'T. You would take great care of yourself and cut all the unhealthy things out of your life. Because you love yourself, and even if you don't right now, WE DO. So put the (insert vice here) and start moving on.
Greg Behrendt (It's Called a Breakup Because It's Broken: The Smart Girl's Break-Up Buddy)
Simon!" The voice was faint, but his hearing caught it over the pop and crackle of glowing flames. The smoke in the corridor had presaged heat; the heat was here now, pressing against him like an oppressive wall. "Simon!" The voice was Clary's. He would know it anywhere. He wondered if his mind was conjuring it up now, a sense of memory of what he'd most loved during life to carry him throught the process of death. "Simon, you stupid idiot! I'm over here! At the window!" Simon jumped to his feet. he doubted his mind would conjure that up.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
I smelled smoke right before hearing the "pop" like a firecracker had gone off. The ghouls body was a smoldering mess where his head had been. I turned around to see Vlad examining his fingernails as if his hands weren't still ablaze. "What the hell was that?!" I gasped. "Premature inflamulation," he replied. "Happens sometimes. Very embarrassing. I don't like to talk about it." (Vlad is an awesome character. LOL)
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
Hello, King Morgan,” said Gabriel, popping his head into the lab. “And how is the planet’s only non-idiot on this fine day?” “Screw you,” replied Morgan, without turning from his computer. “Ah, excellent,” said Gabriel. “I’m having a lovely morning, too.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
Touching him, kissing him, was like having a fever all over again. I was on fire. My body burned. The world burned. Sparks flew. Against his mouth, I moaned. There was a POP! and CRACK! The smell of burned plastic filled the cubicle. We pulled apart, breathing heavily. Over his shoulder I saw thin strips of smoke wafting from the top of the ancient monitor. Good God, was this going to happen every time we kissed?
Jennifer L. Armentrout (Onyx (Lux, #2))
In the darkest corner of a darkened room, all Sherlock Homes stories begin. In the pregnant dim of gaslight and smoke, Holmes would sit, digesting the day's papers, puffing on his long pipe, injecting himself with cocaine. He would pop smoke rings into the gloom, waiting for something, anything, to pierce into the belly of his study and release the promise of adventure; of clues to interpret; of, at last he would plead, a puzzle he could not solve. And after each story he would return here, into the dark room, and die day by day of boredom. The darkness of his study was his cage, but also the womb of his genius.
Graham Moore (The Sherlockian)
Squatting on old bones and excrement and rusty iron, in a white blaze of heat, a panorama of naked idiots stretches to the horizon. Complete silence - their speech centres are destroyed - except for the crackle of sparks and the popping of singed flesh as they apply electrodes up and down the spine. White smoke of burning flesh hangs in the motionless air. A group of children have tied an idiot to a post with barbed wire and built a fire between his legs and stand watching with bestial curiosity as the flames lick his thighs. His flesh jerks in the fire with insect agony.
William S. Burroughs (Naked Lunch)
I smelled smoke right before hearing the "pop" like a firecracker had gone off. Splatters of something thick coated my back even as a thud reverberated behind me. I whirled around to gape at what was left of the ghoul. His body pitched forward on the drive-way, nothing but a smoldering mess left where his head had been. Much slower, I turned around to see Vlad examining his fingernails, as if his hands weren't still ablaze in the flames that had blasted the ghoul's head off moments before. "What the hell was that?" I gasped. "Premature inflamation," he replied. "Happens sometimes. Very embarrassing. I don't like to talk about it.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
She’d heard my theory on funnel cake and celery stalker men before. Most men were either like funnel cake: delicious and interesting, but who at the end of the day just aren’t good for the heart or complexion. Or they were celery: a sensible, healthy choice that didn’t really bring much to the table but an occasional crunch. If you OD on celery, you end up bingeing on cake behind closed doors. Funnel cake, while warm and delicious, is difficult to make. But you go there because you long for it like the double-twist stomach-dropping roller coaster as soon as you arrive at the amusement park. Wet ribbons of batter crackle and pop until golden and crisp, yielding in the center. The steamy swirls of tender yellow dough absorb confectioners’ sugar like pores. When the luxurious fat melts on your tongue, you exhale. You’ve got sticky batter, dribbling down spouts, leaving rings on your clean countertops, splattering oil growing darker and beginning to smoke. Layers of paper towels and oil-draining weapons clutter your space. With funnel cake, you’ve got steps to follow. Procedures. Rules. No one makes rules about celery. It’s always around for the snacking. You choose it when you’re dieting or trying not to consume too many wings over football. Come to think of it, you don’t even bother eating it when you diet. Instead it’s a conduit for blue cheese. You use it to make stocks and stuffing. It becomes filler, pantry almost.
Stephanie Klein (Straight Up and Dirty)
So," said Moundshroud. "If we fly fast, maybe we can catch Pipkin. Grab his sweet Halloween corn-candy soul. Bring him back, pop him in bed, toast him warm, save his breath. What say, lads? Search and seek for lost Pipkin, and solve Halloween, all in one fell dark blow?" They thought of All Hallows' Night and the billion ghosts awandering the lonely lanes in cold winds and strange smokes. They thought of Pipkin, no more than a thimbleful of boy and sheer summer delight, torn out like a tooth and carried off on a black tide of web and horn and black soot. And, almost as one, they murmured: "Yes.
Ray Bradbury (The Halloween Tree)
You still think I’m too optimistic, don’t you?” Shallan said. “It’s not your fault,” Kaladin said. “I’d rather be like you. I’d rather not have lived the life I have. I would that the world was only full of people like you, Shallan Davar.” “People who don’t understand pain.” “Oh, all people understand pain,” Kaladin said. “That’s not what I’m talking about. It’s . . .” “The sorrow,” Shallan said softly, “of watching a life crumble? Of struggling to grab it and hold on, but feeling hope become stringy sinew and blood beneath your fingers as everything collapses?” “Yes.” “The sensation—it’s not sorrow, but something deeper—of being broken. Of being crushed so often, and so hatefully, that emotion becomes something you can only wish for. If only you could cry, because then you’d feel something. Instead, you feel nothing. Just . . . haze and smoke inside. Like you’re already dead.” He stopped in the chasm. She turned and looked to him. “The crushing guilt,” she said, “of being powerless. Of wishing they’d hurt you instead of those around you. Of screaming and scrambling and hating as those you love are ruined, popped like a boil. And you have to watch their joy seeping away while you can’t do anything. They break the ones you love, and not you. And you plead. Can’t you just beat me instead?” “Yes,” he whispered. Shallan nodded, holding his eyes. “Yes. It would be nice if nobody in the world knew of those things, Kaladin Stormblessed. I agree. With everything I have.” He saw it in her eyes. The anguish, the frustration. The terrible nothing that clawed inside and sought to smother her. She knew. It was there, inside. She had been broken. Then she smiled. Oh, storms. She smiled anyway. It was the single most beautiful thing he’d seen in his entire life. “How?” he asked.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
Toke a lid, smoke a lid, pop the mescalino! ...Hop a hill! Pop a pill! For old Tim Benzedrino!
The Harvard Lampoon (Bored of the Rings: A Parody of J.R.R. Tolkien's Lord of the Rings)
They returned to the gallery and circled its rim, then went down a short hall. Scrap's tail twitched angrily when they reached Tristan's door: it was shut. Daine grabbed the knob. It stung her hand, making her yelp. "Kit? This ones magicked. Can you do anything?" Kitten stood on her hind feet and peered into the lock, then whistled two cheerful notes. Nothing happened. She scowled and whistled again, less cheerfully, more as a demand. Nothing happened. Daine was trying to decide what to do now when the dragon moved back and croaked. The lock popped from the wood to land at Daine's feet, smoking, and the door swung open. Kitten muttered darkly and kicked the lock mechanism aside as she went in. Daine followed, trying not to laugh.
Tamora Pierce (Wolf-Speaker (Immortals, #2))
Slowly, even though I thought it would never happen, New York lost its charm for me. I remember arriving in the city for the first time, passing with my parents through the First World's Club bouncers at Immigration, getting into a massive cab that didn't have a moment to waste, and falling in love as soon as we shot onto the bridge and I saw Manhattan rise up through the looks of parental terror reflected in the window. I lost my virginity in New York, twice (the second one wanted to believe he was the first so badly). I had my mind blown open by the combination of a liberal arts education and a drug-popping international crowd. I became tough. I had fun. I learned so much. But now New York was starting to feel empty, a great party that had gone on too long and was showing no sign of ending soon. I had a headache, and I was tired. I'd danced enough. I wanted a quiet conversation with someone who knew what load-shedding was.
Mohsin Hamid (Moth Smoke)
Pop, would go one of the six-inch guns; a small flame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech - and nothing happend. Nothing could happen. There was a touch of insanity in the proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by somebody on board assuring me earnestly there was a camp of natives - he called them enemies! hidden out of sight somewhere.
Joseph Conrad (Heart of Darkness)
The dark sky. A hundred million stars. More stars than I’ve ever seen before. My eyes let me see farther, but they don’t show me the one thing I want to see. I would trade all the stars in the universe if I could just have him back again. Wind whistles through the trees nearby. Birdsong weaves in and out of the sound. The hybrids emerge from the communication building, heads tilted to the sky. And then we see the end. Godspeed’s engine was nuclear; who knows what fueled the biological weapons. But they explode together. In space, they don’t make the familiar mushroom cloud. They don’t make the boom! of an exploding bomb. There is, against the dark sky, a brief flash of light. It is filled with colors, like a nebula or the aurora borealis, bursting like a popped bubble. Nothing else—no sound of an explosion, no tremors in the earth, no smell of smoke. Not here, on the surface of the planet. Nothing else to signify Elder’s death. Just light. And then it’s gone. And then he’s gone.
Beth Revis (Shades of Earth (Across the Universe, #3))
Once, I remember, we came upon a man-of-war anchored off the coast. There wasn't even a shed there, and she was shelling the bush. It appears the French had one of their wars going on thereabouts. Her ensign dropped limp like a rag; the muzzles of the long six-inch guns stuck out all over the low hull; the greasy, slimy swell swung her up lazily and let her down, swaying her thin masts. In the empty immensity of earth, sky, and water, there she was, incomprehensible, firing into a continent. Pop, would go one of the six-inch guns; a small flame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech—and nothing happened. Nothing could happen. There was a touch of insanity in the proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by somebody on board assuring me earnestly there was a camp of natives—he called them enemies!—hidden out of sight somewhere.
Joseph Conrad (Heart of Darkness)
Bob,” she said, “offerings burned in the mortal world appear on this altar, right?” Bob frowned uncomfortably, like he wasn’t ready for a pop quiz. “Yes?” “So what happens if I burn something on the altar here?” “Uh…” “That’s all right,” Annabeth said. “You don’t know. Nobody knows, because it’s never been done.” There was a chance, she thought, just the slimmest chance that an offering burned on this altar might appear at Camp Half-Blood. Doubtful, but if it did work… “Annabeth?” Percy said again. “You’re planning something. You’ve got that I’m-planning-something look.” “I don’t have an I’m-planning-something look.” “Yeah, you totally do. Your eyebrows knit and your lips press together and—” “Do you have a pen?” she asked him. “You’re kidding, right?” He brought out Riptide. “Yes, but can you actually write with it?” “I—I don’t know,” he admitted. “Never tried.” He uncapped the pen. As usual, it sprang into a full-sized sword. Annabeth had watched him do this hundreds of times. Normally when he fought, Percy simply discarded the cap. It always appeared in his pocket later, as needed. When he touched the cap to the point of the sword, it would turn back into a ballpoint pen. “What if you touch the cap to the other end of the sword?” Annabeth said. “Like where you’d put the cap if you were actually going to write with the pen.” “Uh…” Percy looked doubtful, but he touched the cap to the hilt of the sword. Riptide shrank back into a ballpoint pen, but now the writing point was exposed. “May I?” Annabeth plucked it from his hand. She flattened the napkin against the altar and began to write. Riptide’s ink glowed Celestial bronze. “What are you doing?” Percy asked. “Sending a message,” Annabeth said. “I just hope Rachel gets it.” “Rachel?” Percy asked. “You mean our Rachel? Oracle of Delphi Rachel?” “That’s the one.” Annabeth suppressed a smile. Whenever she brought up Rachel’s name, Percy got nervous. At one point, Rachel had been interested in dating Percy. That was ancient history. Rachel and Annabeth were good friends now. But Annabeth didn’t mind making Percy a little uneasy. You had to keep your boyfriend on his toes. Annabeth finished her note and folded the napkin. On the outside, she wrote: Connor, Give this to Rachel. Not a prank. Don’t be a moron. Love, Annabeth She took a deep breath. She was asking Rachel Dare to do something ridiculously dangerous, but it was the only way she could think of to communicate with the Romans—the only way that might avoid bloodshed. “Now I just need to burn it,” she said. “Anybody got a match?” The point of Bob’s spear shot from his broom handle. It sparked against the altar and erupted in silvery fire. “Uh, thanks.” Annabeth lit the napkin and set it on the altar. She watched it crumble to ash and wondered if she was crazy. Could the smoke really make it out of Tartarus? “We should go now,” Bob advised. “Really, really go. Before we are killed.” Annabeth stared at the wall of blackness in front of them. Somewhere in there was a lady who dispensed a Death Mist that might hide them from monsters—a plan recommended by a Titan, one of their bitterest enemies. Another dose of weirdness to explode her brain. “Right,” she said. “I’m ready.” ANNABETH LITERALLY STUMBLED over the second Titan.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
That’s my problem with new-age stuff. In common with many irrational views it harks back to a sense of something ancient while rejecting anything provably historical. It’s like the miserable concept of Original Sin. There seems to be an obsession with the idea that there were ancient humans, uncorrupted by their capricious intellects, who lived in the ‘right way’. They didn’t eat too much dairy or any wheat. They didn’t sit down too long for their spines or walk around in posture-ruining shoes. They didn’t consume too many sugars or fats for their unblemished guts to digest, or pop painkilling and antibiotic tablets to deal with the short-term symptoms of long-term problems that should be dealt with by wholesale lifestyle change. They didn’t drink or smoke. They were perfect and we should sling out all our stuff and emulate them. Except they had an average life expectancy of about 18 and the planet could only support a few hundred thousand of them. Apart from that, good plan.
David Mitchell (Back Story)
There is something about a fire on a dark night, a fire shared with others, that pulls the gloom right out of you. We sat around the cheery little blaze with the branches popping as they burned with the flames dancing, and although we hadn't eaten that day, I could feel our spirits rise along with the smoke that drifted toward the stars.
William Kent Krueger
That's the way I talked when I smoked pot. It was a gift. Every time I smoked up, these pretty phrases and ideas just popped into my head. Usually I went around with so many ugly insecure things flying around in my head that when a pretty thought came to me, it usually died a lonely death, afraid to come out. But when I was high, I simply had to utter it.
Heather O'Neill (Lullabies for Little Criminals)
Psy Ops is all about unusual thinking, man. We want ideas blown up right to where they’re gonna pop. We’re on the cutting edge of reality itself. Right where it turns into a dream.
Denis Johnson (Tree of Smoke)
Project Princess Teeny feet rock layered double socks Popping side piping of many colored loose lace ups Racing toe keeps up with fancy free gear slick slide and just pressed recently weaved hair Jeans oversized belie her hips, back, thighs that have made guys sigh for milleni year Topped by an attractive jacket her suit’s not for flacking, flunkies, junkies or punk homies on the stroll. Her hands mobile thrones of today’s urban goddess Clinking rings link dragon fingers no need to be modest. One or two gap teeth coolin’ sport gold initials Doubt you get to her name just check from the side please chill. Multidimensional shrimp earrings frame her cinnamon face Crimson with a compliment if a comment hits the right place Don’t step to the plate with datelines from ‘88 Spare your simple, fragile feelings with the same sense that you came Color woman variation reworks the french twist with crinkle cut platinum frosted bangs from a spray can’s mist Never dissed, she insists: “No you can’t touch this.” And, if pissed, bedecked fists stop boys who must persist. She’s the one. Give her some. Under fire. Smoking gun. Of which songs are sung, raps are spun, bells are rung, rocked, pistols cocked, unwanted advances blocked, well stacked she’s jock. It’s all about you girl. You go on. Don’t you dare stop.
Tracie Morris (Intermission)
My wakeup call wasn’t some light switch of empowerment. From as early as preschool I feared that if I didn’t grow up to be the pretty princess men fawned over, I was a failure. That mentality was my disease. It got me raped. It made me feel dirty and devalued because my cherry wasn’t popped on a bed of rose petals. It fueled an adolescence juggling starvation and vomiting until my throat bled out and my stomach acid burned through the plumbing. It made me snort coke, smoke meth, and routinely gulp down narcotic petri dishes in hopes of obtaining hallucinogenic intimacy with junkie boyfriends. But most of all, it made me waste my youth chasing, obsessing over, fighting for, worshipping, clinging to, and crying over one after another loser. At some point, I just quit giving a fuck.
Maggie Georgiana Young (Just Another Number)
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
Michelle Tea
Have you thought about what you want to write about?" I shrug. "Working in Pop's Deli, I thought," I tell her. I could describe the ladies who come in on their lunch break. The old men with their oniony smells. I can talk about how I make their lives better with smoked salmon and capers, and how, even though there are fewer customers than there used to be, we've formed a community there. I can use just enough detail that it might be clear how an everything bagel is a metaphor for the whole world.
Phoebe North (Hungry Hearts: 13 Tales of Food & Love)
The Crippled God scattered some seeds onto the brazier’s coals. Popping sounds, then more smoke. ‘Peace. Warm yourself, warrior, while I tell you of peace. History is unerring, and even the least observant mortal can be made to understand, through innumerable repetition. Do you see peace as little more than the absence of war? Perhaps, on a surface level, it is just that. But let me describe the characteristics of peace, my young friend. A pervasive dulling of the senses, a decadence afflicting the culture, evinced by a growing obsession with low entertainment. The virtues of extremity—honour, loyalty, sacrifice—are lifted high as shoddy icons, currency for the cheapest of labours. The longer peace lasts, the more those words are used, and the weaker they become. Sentimentality pervades daily life. All becomes a mockery of itself, and the spirit grows…restless.
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
We began crafting ways to apply defusion and self skills to coping with the fear and pain of acceptance. Learning to defuse from the voice of the Dictator helps us keep a healthy distance from the negative messages that pop uninvited into our minds, like “Who are you kidding, you can’t deal with this!” It also helps diminish the power of the unhelpful relations that have been embedded in our thought networks, which are often activated by the pain involved in acceptance. For example, the relation between smoking a cigarette and feeling better will be triggered by the discomfort of craving a smoke. Reconnecting with our authentic self helps us practice self-compassion as we open up to unpleasant aspects of our lives, not berating ourselves for making mistakes or for feeling fear about dealing with the pain. We see beyond the image of a broken, weak, or afflicted self to the powerful true self that can choose to feel pain.
Steven C. Hayes (A Liberated Mind: How to Pivot Toward What Matters)
You know that joke, about why you can’t be a therapist and smoke? Because it means you’re still fucked up.” He laughed and popped one of the cigars into his mouth. “I think we’re all a bit crazy in this place. You know that sign they used to have in offices? ‘You don’t need to be mad to work here, but it helps’?
Alex Michaelides (The Silent Patient)
Eat, drink, smoke, swim in the ocean, play tennis, golf, and poker, watch polo, read trash, listen to pop singers, occasionally attend the theatre, opera, ballet, charity bashes, and private shindigs, buy clothes and trinkets, write to old friends, party with new friends, and sleep. I think that about covers it.
Lawrence Sanders (McNally's Risk (Archy McNally #3))
[“... ] Once, I remember, we came upon a man-of-war anchored off the coast. There wasn't even a shed there, and she was shelling the bush. It appears the French had one of their wars going on thereabouts. Her ensign dropped limp like a rag; the muzzles of the long six-inch guns stuck out all over the low hull; the greasy, slimy swell swung her up lazily and let her down, swaying her thin masts. In the empty immensity of earth, sky, and water, there she was, incomprehensible, firing into a continent. Pop, would go one of the six-inch guns; a small flame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech—and nothing happened. Nothing could happen. There was a touch of insanity in the proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by somebody on board assuring me earnestly there was a camp of natives—he called them enemies!—hidden out of sight somewhere. "We gave her her letters (I heard the men in that lonely ship were dying of fever at the rate of three a day) and went on. We called at some more places with farcical names, where the merry dance of death and trade goes on in a still and earthy atmosphere as of an overheated catacomb; all along the formless coast bordered by dangerous surf, as if Nature herself had tried to ward off intruders; in and out of rivers, streams of death in life, whose banks were rotting into mud, whose waters, thickened into slime, invaded the contorted mangroves, that seemed to writhe at us in the extremity of an impotent despair. Nowhere did we stop long enough to get a particularized impression, but the general sense of vague and oppressive wonder grew upon me. It was like a weary pilgrimage amongst hints for nightmares. [..."]
Joseph Conrad (Heart of Darkness)
As I drove down I-95 in my old smoking Ford Explorer with a blown gasket—the first car I’d ever bought with my own money—I got a phone call from my mom. I heard sniffling and heavy breathing on the other end. She tried to say my name, but her voice cracked. “Mike…” she finally said. “Mom, what’s wrong?” My heart clenched. I knew deep down what she was going to say. “Pop’s gone, Mike. He died.
Mike Majlak (The Fifth Vital)
Marvin, you're here now," Vale said. He stood up, his knees popping. "The food sucks. They have severed animal heads in the bar. I don't know if you know that." His cigarette sparked against the gravel and he ratcheted open my walker in front of me. "But you're among friends, okay, and you're still walking upright and taking solids. You're winning. Anything beyond that is thinking too far ahead
Keith Rosson (Smoke City)
Smell is the most powerful trigger to the memory there is. A certain flower, or a-a whiff of smoke can bring up experiences long forgotten. Books smell musty and-and-and rich. The knowledge gained from a computer is a… it, uh, it has no-no texture, no-no context. It’s-it’s there and then it’s gone. If it’s to last, then-then the getting of knowledge should be, uh, tangible. It should be, um, smelly.
Rupert Giles, Buffy the Vampire Slayer
In the empty immensity of earth, sky, and water, there she was, incomprehensible, firing into a continent. Pop, would go one of the six-inch guns; a small flame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech — and nothing happened. Nothing could happen. There was a touch of insanity in the proceeding, a sense of lugubrious drollery in the sight…
Joseph Conrad (Heart of Darkness)
Margo Brinker always thought summer would never end. It always felt like an annual celebration that thankfully stayed alive long day after long day, and warm night after warm night. And DC was the best place for it. Every year, spring would vanish with an explosion of cherry blossoms that let forth the confetti of silky little pink petals, giving way to the joys of summer. Farmer's markets popped up on every roadside. Vendors sold fresh, shining fruits, vegetables and herbs, wine from family vineyards, and handed over warm loaves of bread. Anyone with enough money and enough to do on a Sunday morning would peruse the tents, trying slices of crisp peaches and bites of juicy smoked sausage, and fill their fisherman net bags with weekly wares. Of all the summer months, Margo liked June the best. The sun-drunk beginning, when the days were long, long, long with the promise that summer would last forever. Sleeping late, waking only to catch the best tanning hours. It was the time when the last school year felt like a lifetime ago, and there were ages to go until the next one. Weekend cookouts smelled like the backyard- basil, tomatoes on the vine, and freshly cut grass. That familiar backyard scent was then smoked by the rich addition of burgers, hot dogs, and buttered buns sizzling over charcoal.
Beth Harbison (The Cookbook Club: A Novel of Food and Friendship)
The Sinsar Dubh popped up on my radar, and it was moving straight toward us. At an extremely high rate of speed. I whipped the Viper around, tires smoking on the pavement. There was nothing else I could do. Barrons looked at me sharply. “What? Do you sense it?” Oh, how ironic, he thought I’d turned us toward it. “No,” I lied, “I just realized I forgot my spear tonight. I left it back at the bookstore. Can you believe it? I never forget my spear. I can’t imagine what I was thinking. I guess I wasn’t. I was talking to my dad while I was getting dressed and I totally spaced it.” I worked the pedals, ripping through the gears. He didn’t even try to pat me down. He just said, “Liar.” I sped up, pasting a blushing, uncomfortable look on my face. “All right, Barrons. You got me. But I do need to go back to the bookstore. It’s . . . well . . . it’s personal.” The bloody, stupid Sinsar Dubh was gaining on me. I was being chased by the thing I was supposed to be chasing. There was something very wrong with that. “It’s . . . a woman thing . . . you know.” “No, I don’t know, Ms. Lane. Why don’t you enlighten me?” A stream of pubs whizzed by. I was grateful it was too cold for much pedestrian traffic. If I had to slow down, the Book would gain on me, and I already had a headache the size of Texas that was threatening to absorb New Mexico and Oklahoma. “It’s that time. You know. Of the month.” I swallowed a moan of pain. “That time?” he echoed softly. “You mean time to stop at one of the multiple convenience stores we just whizzed past so you can buy tampons? Is that what you’re telling me?” I was going to throw up. It was too close. Saliva was pooling in my mouth. How far behind me was it? Two blocks? Less? “Yes,” I cried. “That’s it! But I use a special kind and they don’t carry it.” “I can smell you, Ms. Lane,” he said, even more softly. “The only blood on you is from your veins, not your womb.” My head whipped to the left and I stared at him. Okay, that was one of the more disturbing things he’d ever said to me. “Ahhh!” I cried, letting go of both the wheel and the gearshift to clutch my head. The Viper ran up on the sidewalk and took out two newspaper stands and a streetlamp before crashing to a stop against a fire hydrant. And the blasted, idiotic Book was still coming. I began foaming at the mouth, wondering what would happen if it passed within a few feet of me. Would I die? Would my head really explode?
Karen Marie Moning (Faefever (Fever, #3))
mesmerizing -- gold, red, orange, black -- the colors of the dragons that had promised so much: prosperity, love, good health, a second chance, a new start. The fire began to pop, the small sounds lost in the constant boom of firecrackers going off in the streets of San Francisco in celebration of the Chinese New Year. No one would notice another noise, another spark of light, until it was too late. In the confusion of the smoke and the crowds, the dragons and the box they guarded would disappear. No one would ever know what had really happened. The flame reached the end of the gasoline-soaked rope and suddenly burst forth in a flash of intense, deadly heat. More explosions followed as the fire caught the cardboard boxes holding precious inventory and jumped toward the basement ceiling. A questioning cry came from somewhere, followed by the sound of footsteps running down the halls of the building that had once been their sanctuary, their dream for the future, where the treasures of the past were turned into cold, hard cash. The cost of betrayal would be high. They would be brothers no more. But then, their ties had never been of blood, only of friendship --
Barbara Freethy (Golden Lies)
If you want to predict how happy someone is, or how long she will live (and if you are not allowed to ask about her genes or personality), you should find out about her social relationships. Having strong social relationships strengthens the immune system, extends life (more than does quitting smoking), speeds recovery from surgery, and reduces the risks of depression and anxiety disorders. It’s not just that extroverts are naturally happier and healthier; when introverts are forced to be more outgoing, they usually enjoy it and find that it boosts their mood. Even people who think they don’t want a lot of social contact still benefit from it. And it’s not just that “we all need somebody to lean on”; recent work on giving support shows that caring for others is often more beneficial than is receiving help. We need to interact and intertwine with others; we need the give and the take; we need to belong. An ideology of extreme personal freedom can be dangerous because it encourages people to leave homes, jobs, cities, and marriages in search of personal and professional fulfillment, thereby breaking the relationships that were probably their best hope for such fulfillment.
Jonathan Haidt (The Happiness Hypothesis: Finding Modern Truth in Ancient Wisdom)
People like Mrs. Lee were used to only one kind of Chinese wedding banquet—the kind that took place in the grand ballroom of a five-star hotel. There would be the gorging on salted peanuts during the interminable wait for the fourteen-course dinner to begin, the melting ice sculptures, the outlandish floral centerpieces, the society matron invariably offended by the faraway table she had been placed at, the entrance of the bride, the malfunctioning smoke machine, the entrance of the bride again and again in five different gowns throughout the night, the crying child choking on a fish ball, the three dozen speeches by politicians, token ang mor executives and assorted high-ranking officials of no relation to the wedding couple, the cutting of the twelve-tier cake, someone’s mistress making a scene, the not so subtle counting of wedding cash envelopes by some cousin,* the ghastly Canto pop star flown in from Hong Kong to scream some pop song (a chance for the older crowd to take an extended toilet break), the distribution of tiny wedding fruitcakes with white icing in paper boxes to all the departing guests, and then Yum seng!†—the whole affair would be over and everyone would make the mad dash to the hotel lobby to wait half an hour for their car and driver to make it through the traffic jam.
Kevin Kwan (Crazy Rich Asians (Crazy Rich Asians, #1))
She wanted to say, I am made of smoke. My mind is smoke, my thoughts are smoke, I am all smoke and only smoke. This body is a garment I put on, which by my magic art I have made capable of functioning as a human body functions, it's so biologically perfect that it can conceive children and pop them out in threes, fours and fives. Yet I am not of this body and could, if I chose, inhabit another woman, or an antelope, or a gnat. Aristotle was wrong, for I have lived for aeons, and altered by body when I chose, like a garment of which I had grown tired. The mind and the body are two, she wanted to say, but she knew it would disappoint him to be disagreed with, so she held her tongue.
Salman Rushdie (Two Years Eight Months and Twenty-Eight Nights)
There are food stations around the room, each representing one of the main characters. The Black Widow station is all Russian themed, with a carved ice sculpture that delivers vodka into molded ice shot glasses, buckwheat blini with smoked salmon and caviar, borsht bite skewers, minipita sandwiches filled with grilled Russian sausages, onion salad, and a sour cream sauce. The Captain America station is, naturally, all-American, with cheeseburger sliders, miniwaffles topped with a fried chicken tender and drizzled with Tabasco honey butter, paper cones of French fries, mini-Chicago hot dogs, a mac 'n' cheese bar, and pickled watermelon skewers. The Hulk station is all about duality and green. Green and white tortellini, one filled with cheese, the other with spicy sausage, skewered with artichoke hearts with a brilliant green pesto for dipping. Flatbreads cooked with olive oil and herbs and Parmesan, topped with an arugula salad in a lemon vinaigrette. Mini-espresso cups filled with hot sweet pea soup topped with cold sour cream and chervil. And the dessert buffet is inspired by Loki, the villain of the piece, and Norse god of mischief. There are plenty of dessert options, many of the usual suspects, mini-creme brûlée, eight different cookies, small tarts. But here and there are mischievous and whimsical touches. Rice Krispies treats sprinkled with Pop Rocks for a shocking dining experience. One-bite brownies that have a molten chocolate center that explodes in the mouth. Rice pudding "sushi" topped with Swedish Fish.
Stacey Ballis (Out to Lunch)
An hour later, he was sitting upon his knapsack allowing himself the luxury of a modest fire. Tarp unfurled and ready for him to roll up in it, cover his head, and sleep. His legs were spread wide, and he held a long green branch to stir the edges of the fire, watching a ballet of small flames atop the logs, each pop of light roused by something inside the wood, now wavering, now seeming to slide to another spot, where it roused again. At first the sight was lovely to him. But then some instinct began to nag, an intimation that he was missing something. This was a tale told in light and blackened char, in twirling ribbons of smoke and steam, wordless and indifferent to human understanding, but a story nonetheless. A tree’s last breath as it burned, the exhalation of
Gil Adamson (Ridgerunner)
Theo!” Betheen’s voice carried down the laundry chute. He heard the crying before he saw her. She gripped the back of one of the kitchen chairs. Betheen was art, empirically beautiful, engendering awe in its full capacity—wonder and fear. He adhered to their rhythm of wait, approach, and retreat. “Beth?” “They’re dead. They died.” Her body clenched, a stiff extension of the bentwood chairback. Knuckles bloodless. She’d held his hand like that once, squeezing his fingers until the joints popped. Now, that too-tight grasp could break him. They pretended they didn’t miss those things. “What happened?” “It’s gone, the whole shuttle. An explosion.” A flicker from the living room showed that the television was on. Smoke against blue sky. “They’re supposed to be safe now,” she said.
Erika Swyler (Light from Other Stars)
But you must admit,it's taking up an inordinate amount of your time. Why it's taken us six months to have dinner together." "Is that all?" He misinterpreted the quiet response, and the gleam in her eyes.And leaned toward her. She slapped a hand on his chest. "Don't even think about it.Let me tell you something,pal.I do more in one day with my school than you do in a week of pushing papers in that office your grandfather gave you between your manicures and amaretto lattes and soirees. Men like you hold no interest for me whatsoever,which is why it's taken six months for this tedious little date.And the next time I have dinner with you,we'll be slurping Popsicles in hell.So take your French tie and your Italian shoes and stuff them." Utter shock had him speechless as she shoved open her door.As insult trickled in,his lips thinned. "Obviously spending so much time in the stables has eroded your manners, and your outlook." "That's right, Chad." She leaned back in the door. "You're too good for me. I'm about to go up and weep into my pillow over it." "Rumor is you're cold," he said in a quiet, stabbing voice. "But I had to find out for myself." It stung,but she wasn't about to let it show. "Rumor is you're a moron. Now we've both confirmed the local gossip." He gunned the engine once,and she would have sworn she saw him vibrate. "And it's a British tie." She slammed the car door, then watched narrow-eyed as he drove away. "A British tie." A laugh gurgled up,deep from the belly and up into the throat so she had to stand, hugging herself, all but howling at the moon. "That sure told me." Indulging herself in a long sigh, she tipped her head back,looked up at the sweep of stars. "Moron," she murmured. "And that goes for both of us." She heard a faint click, spun around and saw Brian lighting up a slim cigar. "Lover's spat?" "Why yes." The temper Chad had roused stirred again. "He wants to take me to Antigua and I simply have my heart set on Mozambique.Antigua's been done to death." Brian took a contemplative puff of his cigar.She looked so damn beautiful standing there in the moonlight in that little excuse of a black dress, her hair spilling down her back like fire on silk.Hearing her long, gorgeous roll of laughter had been like discovering a treasure.Now the temper was back in her eyes,and spitting at him. It was almost as good. He took another lazy puff, blew out a cloud of smoke. "You're winding me up, Keeley." "I'd like to wind you up, then twist you into small pieces and ship them all back to Ireland." "I figured as much." He disposed of the cigar and walked to her. Unlike Chad, he didn't misinterpret the glint in her eyes. "You want to have a pop at someone." He closed his hand over the one she'd balled into a fist, lifted it to tap on his own chin. "Go ahead." "As delightful as I find that invitation, I don't solve my disputes that way." When she started to walk away, he tightened his grip. "But," she said slowly, "I could make an exception." "I don't like apologizing, and I wouldn't have to-again-of you'd set me straight right off." She lifted an eyebrow.Trying to free herself from that big, hard hand would only be undignified.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
The silences between them were peculiar. There would be the swift, slight 'cluck' of her needle, the shard 'pop' of his lips as he let out the smoke, the warmth, the sizzle on the bars as he spar in the fire. Then her thoughts turned to William... she saw him a man, young, full of vigour, making the world glow again for her. And Morel sitting there, quite alone, and having nothing to think about, would be feeling vaguely uncomfortable. His soul would reach out in its blind way to her, and find her gone. He felt a sort of emptiness, almost like a vacuum in his soul. He was unsettled and restless. Soon he could not live in that atmosphere, and he affected his wife. Both felt an oppression on their breathing, when they were left together for some time. Then he went to bed, and she settled down to enjoy herself alone, working, thinking, living.
D.H. Lawrence (Sons and Lovers)
The fire started inside a barn. It was tiny at first, a glowing dot, some wisps of white smoke. But then flames reached up. They grabbed hold of a pile of hay. Crackle! Pop! And then, Boom! Towers of flame shot up, higher, higher, punching through the roof, reaching for the sky. Voices screamed out. “Fire! Fire! Fire!” Alarm bells clanged. Firefighters readied their horses and raced their pumpers through the streets. But it was too late. The flames blasted a shower of fiery sparks into the windy sky. Like a swarm of flaming wasps, they flew through the air, starting fires wherever they landed. Shops and homes erupted in flames. Warehouses exploded. Mansions burned. Crowds of panicked people fled their houses and rushed through the streets and along the wooden sidewalks. They screamed and pushed and knocked one another down, desperate to get away from the choking smoke and broiling flames. But there was no escape. The winds blew harder. Flames shot hundreds of feet in the air, spreading across miles and miles. And in the middle of it all was eleven-year-old Oscar Starling. Oscar had never felt so terrified, not even two years ago, when a killer blizzard hit his family’s Minnesota farm. He was trapped inside a burning house, fighting for his life. He’d made it down the stairs, desperate to escape. And then, Crash! A ball of fire and cinders crashed through the window, and the house exploded in flames. And suddenly, Oscar was in the fire’s ferocious grip. The flames clawed at him, seared him, threw him to the ground. Smoke gushed up his nose and into his mouth. But the worst was the blistering heat, the feeling of being roasted alive. Was this the end? Oscar had never wanted to come to this city. And now he was sure he was going to die here.
Lauren Tarshis (I Survived the Great Chicago Fire, 1871 (I Survived #11))
My arm reaches up. I don't know if I'm reaching for the pipe or for him. I want to touch his skin. I want to breathe in what he breathes. The yellow swirl. I want to be the yellow swirl. I want him to breathe me in, be sent riding on oxygen molecules deep into lungs. I want to travel through his body, seeing what makes him happy, attaching myself to whatever place in him sparks to life on my arrival. His blood. His tissues. His muscles. I want to burrow inside the folds like a wind-blown dusting of snow so that each time I melt away, he seeks me out again. There's no delineation between the pipe and the smoke and his body. It's all whole, I want in. I want him. 'Please,' I say softly, 'let me try.' Without letting go of the pipe, he swings his hand holding the lighter with incredible force, backhanding my face. My jaw pops. The lighter swings back under the pipe undulating back and forth, inhaling the curl as it rises from the tar, exactly the same as before he hit me, only now he's staring at me, hating me.
Josh Kilmer-Purcell (I Am Not Myself These Days)
THERE WERE LAUGHS, TOO. One night, after playing a college in Orlando, as I found myself sitting on the floor, full of a cheap red blend and organic tobacco smoke in a hotel room so sparse and lonely that even Bukowski would’ve been like, “They should get a fern in here or something,” my pity party was strangely and hilariously interrupted. Turned out, my hotel was right next to Disney World. And turned out, Disney World has fireworks every night. Gorgeous, sensational fireworks. Imagine a man, drunk and alone, trying to get a good cry going, slurring along to Adam Duritz playing out of an iPhone speaker, as every joyful color bounces and pops, splashing into the night sky as a barely visible Tinker Bell zips lines to and from the Magic Kingdom, literally granting wishes to the hope-filled children below, all of them audibly cheering and gasping with delight as I lie on the floor motionless, like a pair of sad pants kicked off and waiting for laundry day. I had to laugh. There I was, Depressed Guy, being depressed as gigantic speakers blasted over the cracking fireworks, You can fly! You can fly! You can flyyyy!
Pete Holmes (Comedy Sex God)
EVERY MORNING SHE WOKE EARLY, still listening for the clatter of Ma’s busy cooking. Ma’s favorite breakfast had been scrambled eggs from her own hens, ripe red tomatoes sliced, and cornbread fritters made by pouring a mixture of cornmeal, water, and salt onto grease so hot the concoction bubbled up, the edges frying into crispy lace. Ma said you weren’t really frying something unless you could hear it crackling from the next room, and all her life Kya had heard those fritters popping in grease when she woke. Smelled the blue, hot-corn smoke. But now the kitchen was silent, cold, and Kya slipped from her porch bed and stole to the lagoon. Months passed, winter easing gently into place, as southern winters do. The sun, warm as a blanket, wrapped Kya’s shoulders, coaxing her deeper into the marsh. Sometimes she heard night-sounds she didn’t know or jumped from lightning too close, but whenever she stumbled, it was the land that caught her. Until at last, at some unclaimed moment, the heart-pain seeped away like water into sand. Still there, but deep. Kya laid her hand upon the breathing, wet earth, and the marsh became her mother.
Delia Owens (Where the Crawdads Sing)
My dad gets mad pissed at us for lighting fireworks on the Fourth. Not ’cause they can turn our fingers into knobs but because he doesn’t fuck with July 4th or Christmas or Easter or Presidents’ Day or any other holiday. Too white for Pops—white Christmas, all white on Easter, dead white presidents. He comes outside. “Whose independence are you celebrating?” He pulls out a book and reads while the M-80 smoke swirls over our heads: “ ‘What, to the American slave, is your Fourth of July? I answer: a day that reveals to him, more than all other days in the year, the gross injustice and cruelty to which he is the constant victim. To him, your celebration is a sham; your boasted liberty, an unholy license; your national greatness, swelling vanity; your sounds of rejoicing are empty and heartless; your denunciation of tyrants, brass-fronted impudence; your shouts of liberty and equality, hollow mockery; your prayers and hymns, your sermons and thanksgivings, with all your religious parade and solemnity, are, to him, mere bombast, fraud, deception, impiety, and hypocrisy—a thin veil to cover up crimes which would disgrace a nation of savages.’ ” Roach
M.K. Asante (Buck: A Memoir)
her room now?” They were led down the hall by Beth. Before she turned away she took a last drag on her smoke and said, “However this comes out, there is no way my baby would have had anything to do with something like this, drawing of this asshole or not. No way. Do you hear me? Both of you?” “Loud and clear,” said Decker. But he thought if Debbie were involved she had already paid the ultimate price anyway. The state couldn’t exactly kill her again. Beth casually flicked the cigarette down the hall, where it sparked and then died out on the faded runner. Then she walked off. They opened the door and went into Debbie’s room. Decker stood in the middle of the tiny space and looked around. Lancaster said, “We’ll have the tech guys go through her online stuff. Photos on her phone, her laptop over there, the cloud, whatever. Instagram. Twitter. Facebook. Tumblr. Wherever else the kids do their electronic preening. Keeps changing. But our guys will know where to look.” Decker didn’t answer her. He just kept looking around, taking the room in, fitting things in little niches in his memory and then pulling them back out if something didn’t seem right as weighed against something else. “I just see a typical teenage girl’s room. But what do you see?” asked Lancaster finally. He didn’t look at her but said, “Same things you’re seeing. Give me a minute.” Decker walked around the small space, looked under piles of papers, in the young woman’s closet, knelt down to see under her bed, scrutinized the wall art that hung everywhere, including a whole section of People magazine covers. She also had chalkboard squares affixed to one wall. On them was a musical score and short snatches of poetry and personal messages to herself: Deb, Wake up each day with something to prove. “Pretty busy room,” noted Lancaster, who had perched on the edge of the girl’s desk. “We’ll have forensics come and bag it all.” She looked at Decker, obviously waiting for him to react to this, but instead he walked out of the room. “Decker!” “I’ll be back,” he called over his shoulder. She watched him go and then muttered, “Of all the partners I could have had, I got Rain Man, only giant size.” She pulled a stick of gum out of her bag, unwrapped it, and popped it into her mouth. Over the next several minutes she strolled the room and then came to the mirror on the back of the closet door. She appraised her appearance and ended it with the resigned sigh of a person who knows their best days physically are well in the past. She automatically reached for her smokes but then decided against it. Debbie’s room could be part of a criminal investigation. Her ash and smoke could only taint that investigation.
David Baldacci (Memory Man (Amos Decker, #1))
And today, for the first time, we are given a real recipe: making chocolate pudding from scratch. We stir cocoa and cornstarch and sugar together, then stir in milk. Chef guides us step by step and we all clean our stations as the pudding chills. As I'm putting away my ingredients, a little red bottle in the pantry calls my attention. I snatch it up and sprinkle some on my pudding. When Chef Ayden calls us up to test our dishes, I'm the first student to set my bowl in front of him. He grabs a clean plastic spoon and pulls my dish closer to him, leaning down to inspect it, turning the dish slowly in a circle. "Mmm. Nice chocolate color, smooth texture; you made sure the cream didn't break, which is great. And I'm curious what this is on top." He takes a tiny spoonful and pops it into his mouth, and the moment his mouth closes around the spoon his eyelids close, too. I wonder if my cooking woo-woo will work on him. "What is that?" he asks, his eyes still closed. I assume he means the spice on top and not whatever memory may have been loosened by my pudding. His eyes open and I realize the question was in fact for me. "I used a little smoked paprika," I say. Heat creeps up my neck. I hadn't even thought about what would happen if I used an ingredient that wasn't in the original recipe. "You trying to show off, Emoni?" Chef Ayden asks me very, very seriously. "No, Chef. I wasn't." "The ancient Aztecs too would pair chocolate with chipotle and cayenne and other spices, although it is not so common now. Why'd you add it?" "I don't know. I saw it in the pantry and felt the flavors would work well together." He takes another spoonful. Chef told us from the beginning that since every student is evaluated, he would very rarely take more than one bite of any single dish. I'm surprised he does so now, but he closes his eyes again as if the darkness behind his lids will help him better taste the flavors. His eyes pop open. "This isn't bad." He drops his spoon. "Emoni, I think creativity is good. And this, this..." He gives a half laugh like he's surprised he doesn't know what to say. He clears his throat and it seems almost like a memory has him choked up.
Elizabeth Acevedo (With the Fire on High)
Now, there are a few dryadologists who could resist the opportunity to sample faerie food, the enchanted sort served at the tables of the courtly fae---I know several who have dedicated their careers to the subject and would hand over their eye teeth for the opportunity. I stopped at a stand offering toasted cheese---a very strange sort of cheese, threaded with glittering mold. It smelled divine, and the faerie merchant rolled it in crushed nuts before handing it over on a stick, but as soon as it touched my palm, it began to melt. The merchant was watching me, so I put it in my mouth, pantomiming my delight. The cheese tasted like snow and melted within seconds. I stopped next at a stand equipped with a smoking hut. The faerie handed me a delicate fillet of fish, almost perfectly clear despite the smoking. I offered it to Shadow, but he only looked at me with incomprehension in his eyes. And, indeed, when I popped it into my mouth, it too melted flavorlessly against my tongue. I took a wandering course to the lakeshore, conscious of the need to avoid suspicion. I paused at the wine merchant, who had the largest stand. It was brighter than the others, snow piled up behind it in a wall that caught the lantern light and threw it back in a blinding glitter. I had to look down at my feet, blinking back tears, as one of the Folk pressed an ice-glass into my hand. Like the food, the wine smelled lovely, of sugared apples and cloves, but it slid eerily within the ice, more like oil than wine. Shadow kept growling at it, as he had not with the faerie food, and so I tipped it onto the snow. Beside the wine merchant was a stand offering trinkets, frozen wildflowers that many of the Folk threaded through their hair or wove through unused buttonholes on their cloaks, as well as an array of jewels with pins in them. I could not compare them to any jewels I knew; they were mostly in shades of white and winter grey, hundreds of them, each impossibly different from the next. I selected one that I knew, without understanding how, was the precise color of the icicles that hung from the stone ledges of the Cambridge libraries in winter. But moments after I pinned it to my breast, all that remained was a patch of damp.
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde #1))
Engine room fire alarm’?” Rusty said. There was a moment of confusion before it kicked in. “ENGINE ROOM FIRE ALARM?” * * * “What the hell is that sound?” Harvey Tharpe said, rubbing his eyes as he opened the cabin door. Being on this yacht was better than being on the lifeboat but not much. They were packed in like sardines. There was food but being woken up in the middle of the night by a blaring “Squeee! Squeee! ” was not his idea of fun. The former businessman had been “robust” before being cast adrift on a lifeboat in a zombie apocalypse. He still had his height and some solidity. So he was more than a bit surprised when the short, blonde skipper of the boat, wearing not much more than a camisole and panties smashed him out of the way like an NFL linebacker on her way aft. “MOVE PEOPLE!” the boat captain shouted, continuing to hammer her way through the crowd of refugees. * * * “Fuck a freaking duck,” Sophia said, opening the door to the engine compartment. The smoke wasn’t so bad she needed a respirator but it was bad. And they were dead in the water. All the power except the shrieking alarm was out. She threw the main battery disconnect, then picked up one of the industrial fire extinguishers and played it over the exterior of the main breakers which were the source of the fire. “Skipper?” Paula said, picking another one up. “We need to get it open before we use them all up,” Sophia said, putting her hand on the extinguisher. “Get Rusty to get all the passengers up, out and on the sundeck.” She slid one hand into a rubber glove and popped open the main breaker panel. The whole thing was smoldering so she played the rest of the fire extinguisher over it until it was cold. A tick checker showed that the whole thing was electrically cold as well. Now if only the batteries hadn’t discharged their whole load into the panel and killed themselves as well. “What can I do, Skipper?” Patrick said groggily. The “engineer” was wearing not much more than the skipper. “Get a hand-held,” Sophia said. “See if there’s a sub in range. Tell them we had a major electrical fire. Fire is under control. No power at this time. May be repairable but we may need assistance. Don’t at this time but may. Got it? Do not call mayday or PON-PON. Do not.” “Got it, Skipper,” Patrick said. “And get these people the HELL OUT OF MY ENGINE COMPARTENT!
John Ringo (To Sail a Darkling Sea (Black Tide Rising, #2))
I NEVER HEAR THE EXPLOSION. WHAT I HEAR IS THE AFTERMATH OF AN EXPLOSION. THERE IS A RINGING IN MY EARS, AND THOSE HIGH-PITCHED POPPING AND TICKING SOUNDS THAT A HOT ENGINE MAKES AFTER YOU SHUT IT OFF; AND PIECES OF THE SKY ARE FALLING, AND BITS OF WHITE—MAYBE PAPER, MAYBE PLASTER—ARE FLOATING DOWN LIKE SNOW. THERE ARE SILVERY SPARKLES IN THE AIR, TOO—MAYBE IT’S SHATTERED GLASS. THERE’S SMOKE, AND THE STINK OF BURNING; THERE’S NO FLAME, BUT EVERYTHING IS SMOLDERING. “WE’RE ALL LYING ON THE FLOOR. I KNOW THE CHILDREN ARE ALL RIGHT BECAUSE—ONE BY ONE—THEY PICK THEMSELVES UP OFF THE FLOOR. IT MUST HAVE BEEN A LOUD EXPLOSION BECAUSE SOME OF THE CHILDREN ARE STILL HOLDING THEIR EARS; SOME OF THEIR EARS ARE BLEEDING. THE CHILDREN DON’T SPEAK ENGLISH, BUT THEIR VOICES ARE THE FIRST HUMAN SOUNDS TO FOLLOW THE EXPLOSION. THE YOUNGER ONES ARE CRYING; BUT THE OLDER ONES ARE DOING THEIR BEST TO BE COMFORTING—THEY’RE CHATTERING AWAY, THEY’RE REALLY BABBLING, BUT THIS IS REASSURING. “THE WAY THEY LOOK AT ME, I KNOW TWO THINGS. I KNOW THAT I SAVED THEM—I DON’T KNOW HOW. AND I KNOW THAT THEY’RE AFRAID FOR ME. BUT I DON’T SEE ME—I CAN’T TELL WHAT’S WRONG WITH ME. THE CHILDREN’S FACES TELL ME SOMETHING IS WRONG. “SUDDENLY, THE NUNS ARE THERE; PENGUINS ARE PEERING DOWN AT ME—ONE OF THEM BENDS OVER ME. I CAN’T HEAR WHAT I SAY TO HER, BUT SHE APPEARS TO UNDERSTAND ME—MAYBE SHE SPEAKS ENGLISH. IT’S NOT UNTIL SHE TAKES ME IN HER ARMS THAT I SEE ALL THE BLOOD—HER WIMPLE IS BLOOD-STAINED. WHILE I’M LOOKING AT THE NUN, HER WIMPLE CONTINUES TO BE SPLASHED WITH BLOOD—THE BLOOD SPATTERS HER FACE, TOO, BUT SHE’S NOT AFRAID. THE FACES OF THE CHILDREN—LOOKING DOWN AT ME—ARE FULL OF FEAR; BUT THE NUN WHO HOLDS ME IN HER ARMS IS VERY PEACEFUL. “OF COURSE, IT’S MY BLOOD—SHE’S COVERED WITH MY BLOOD—BUT SHE’S VERY CALM. WHEN I SEE SHE’S ABOUT TO MAKE THE SIGN OF THE CROSS OVER ME, I REACH OUT TO TRY TO STOP HER. BUT I CAN’T STOP HER—IT’S AS IF I DON’T HAVE ANY ARMS. THE NUN JUST SMILES AT ME. AFTER SHE’S MADE THE SIGN OF THE CROSS OVER ME, I LEAVE ALL OF THEM—I JUST LEAVE. THEY ARE STILL EXACTLY WHERE THEY WERE, LOOKING DOWN AT ME; BUT I’M NOT REALLY THERE. I’M LOOKING DOWN AT ME, TOO. I LOOK LIKE I DID WHEN I WAS THE BABY JESUS—YOU REMEMBER THOSE STUPID SWADDLING CLOTHES? THAT’S HOW I LOOK WHEN I LEAVE ME. “BUT NOW ALL THE PEOPLE ARE GROWING SMALLER—NOT JUST ME, BUT THE NUNS AND THE CHILDREN, TOO.
John Irving (A Prayer for Owen Meany)
On a break from the tour, I went south to Bali, a place the choreographer Toni Basil, whom Eno and I had met during the Bush Of Ghosts sessions, had recommended as being transporting and all about performance. I rented a small motorcycle and headed up into the hills, away from the beach resort. I soon discovered that if one saw offerings of flowers and fruit being brought to a village temple compound in the afternoon, one could be pretty certain that some sort of ritual performance would follow there at night. Sure enough, night after night I would catch dances accompanied by gamelan orchestras and shadow-puppet excerpts from the Hindu Ramayana--epic and sometimes ritual performances that blended religious and theatrical elements. (A gamelan is a small orchestra made up mainly of tuned metallic gongs and xylophone-like instruments--the interplay between the parts is beautiful and intricate.) In these latter events some participants would often fall into a trance, but even in trance there were prescribed procedures. It wasn't all thrashing chaos, as a Westerner might expect, but a deeper kind of dance. As In Japanese theater, the performers often wore masks and extreme makeup; their movements, too, were stylized and "unnatural." It began to sink in that this kind of "presentational" theater has more in common with certain kinds of pop-music performance that traditional Western theater did. I was struck by other peripheral aspects of these performances. The audiences, mostly local villagers of all ages, weren't paying attention half the time. People would wander in and out, go get a snack from a cart or leave to smoke a bidi cigarette, and then return to watch some more. This was more like the behavior of audiences in music clubs than in Western theaters, where they were expected to sit quietly and only leave or converse once the show was over. The Balinese "shows" were completely integrated into people's daily lives, or so it seemed to me. There was no attempt to formally separate the ritual and the show from the audience. Everything seemed to flow into everything else. The food, the music, and the dance were all just another part of daily activity. I remembered a story about John Cage, who, when in Japan, asked someone what their religion was. The reply was that they didn't have a strict religion--they danced. Japanese do, of course, have Buddhist and Shinto rituals for weddings, funerals, and marriages, but a weekly thing like going to church or temple doesn't exist. The "religion" is so integrated into the culture that it appears in daily gestures and routines, unsegregated for ordinary life. I was beginning to see that theatricality wasn't necessarily a bad thing. It was part of life in much of the world, and not necessarily phony either.
David Byrne (How Music Works)
Lesson one: Pack light unless you want to hump the eight around the mountains all day and night. By the time we reached Snowdonia National Park on Friday night it was dark, and with one young teacher as our escort, we all headed up into the mist. And in true Welsh fashion, it soon started to rain. When we reached where we were going to camp, by the edge of a small lake halfway up, it was past midnight and raining hard. We were all tired (from dragging the ridiculously overweight packs), and we put up the tents as quickly as we could. They were the old-style A-frame pegged tents, not known for their robustness in a Welsh winter gale, and sure enough by 3:00 A.M. the inevitable happened. Pop. One of the A-frame pegs supporting the apex of my tent broke, and half the tent sagged down onto us. Hmm, I thought. But both Watty and I were just too tired to get out and repair the first break, and instead we blindly hoped it would somehow just sort itself out. Lesson two: Tents don’t repair themselves, however tired you are, however much you wish they just would. Inevitably, the next peg broke, and before we knew it we were lying in a wet puddle of canvas, drenched to the skin, shivering, and truly miserable. The final key lesson learned that night was that when it comes to camping, a stitch in time saves nine; and time spent preparing a good camp is never wasted. The next day, we reached the top of Snowdon, wet, cold but exhilarated. My best memory was of lighting a pipe that I had borrowed off my grandfather, and smoking it with Watty, in a gale, behind the summit cairn, with the teacher joining in as well. It is part of what I learned from a young age to love about the mountains: They are great levelers. For me to be able to smoke a pipe with a teacher was priceless in my book, and was a firm indicator that mountains, and the bonds you create with people in the wild, are great things to seek in life. (Even better was the fact that the tobacco was homemade by Watty, and soaked in apple juice for aroma. This same apple juice was later brewed into cider by us, and it subsequently sent Chipper, one of the guys in our house, blind for twenty-four hours. Oops.) If people ask me today what I love about climbing mountains, the real answer isn’t adrenaline or personal achievement. Mountains are all about experiencing a shared bond that is hard to find in normal life. I love the fact that mountains make everyone’s clothes and hair go messy; I love the fact that they demand that you give of yourself, that they make you fight and struggle. They also induce people to loosen up, to belly laugh at silly things, and to be able to sit and be content staring at a sunset or a log fire. That sort of camaraderie creates wonderful bonds between people, and where there are bonds I have found that there is almost always strength.
Bear Grylls (Mud, Sweat and Tears)
Slothrop is just settling down next to a girl in a prewar Worth frock and with a face like Tenniel’s Alice, same forehead, nose, hair, when from outside comes this most godawful clanking, snarling, crunching of wood, girls come running terrified out of the eucalyptus trees and into the house and right behind them what comes crashing now into the pallid lights of the garden but—why the Sherman Tank itself! headlights burning like the eyes of King Kong, treads spewing grass and pieces of flagstone as it manoeuvres around and comes to a halt. Its 75 mm cannon swivels until it’s pointing through the French windows right down into the room. “Antoine!” a young lady focusing in on the gigantic muzzle, “for heaven’s sake, not now. . . .” A hatch flies open and Tamara—Slothrop guesses: wasn’t Italo supposed to have the tank?—uh—emerges shrieking to denounce Raoul, Waxwing, Italo, Theophile, and the middleman on the opium deal. “But now,” she screams, “I have you all! One coup de foudre!” The hatch drops—oh, Jesus—there’s the sound of a 3-inch shell being loaded into its breech. Girls start to scream and make for the exits. Dopers are looking around, blinking, smiling, saying yes in a number of ways. Raoul tries to mount his horse and make his escape, but misses the saddle and slides all the way over, falling into a tub of black-market Jell-o, raspberry flavor, with whipped cream on top. “Aw, no . . .” Slothrop having about decided to make a flanking run for the tank when YYYBLAAANNNGGG! the cannon lets loose an enormous roar, flame shooting three feet into the room, shock wave driving eardrums in to middle of brain, blowing everybody against the far walls. A drape has caught fire. Slothrop, tripping over partygoers, can’t hear anything, knows his head hurts, keeps running through the smoke at the tank—leaps on, goes to undog the hatch and is nearly knocked off by Tamara popping up to holler at everybody again. After a struggle which shouldn’t be without its erotic moments, for Tamara is a swell enough looking twist with some fine moves, Slothrop manages to get her in a come-along and drag her down off of the tank. But loud noise and all, look—he doesn’t seem to have an erection. Hmm. This is a datum London never got, because nobody was looking. Turns out the projectile, a dud, has only torn holes in several walls, and demolished a large allegorical painting of Virtue and Vice in an unnatural act. Virtue had one of those dim faraway smiles. Vice was scratching his shaggy head, a little bewildered. The burning drape’s been put out with champagne. Raoul is in tears, thankful for his life, wringing Slothrop’s hands and kissing his cheeks, leaving trails of Jell-o wherever he touches. Tamara is escorted away by Raoul’s bodyguards. Slothrop has just disengaged himself and is wiping the Jell-o off of his suit when there is a heavy touch on his shoulder. “You were right. You are the man.” “That’s nothing.” Errol Flynn frisks his mustache. “I saved a dame from an octopus not so long ago, how about that?” “With one difference,” sez Blodgett Waxwing. “This really happened tonight. But that octopus didn’t.
Thomas Pynchon (Gravity's Rainbow)
Three days later, I popped two ludes, three black beauties, smoked a joint, drank four beers, and then drove to the clinic and had the abortion.
Cupcake Brown
I don’t know how to swim,” I said as we walked onto the back deck where the pool awaited. “I’ll teach you,” Bailey said, smiling over her shoulder. “First, I need to clean out some of the gunk from the storm.” After scooping up dead leaves and bugs until the pool looked pristine, Bailey jumped into the pool. “There’s a secret to swimming,” she said, giving me a wink. Tossing off my shirt, I didn’t think about how much I hated to go shirtless outside of the cage. I just walked into the water and returned her bright smile. “What’s the secret?” “Friction.” Before I could ask, Bailey slid her wet body against mine. “Lots of friction,” she murmured, grinning wildly. The moment my hands went to her ass, her legs wrapped around my waist. “I feel like I might drown. More friction might be necessary.” When I nibbled at her shoulder, she went soft in my arms. Getting cocky, I tugged at the strap of her bikini with my teeth. “Shit,” she muttered and I knew we had company. Glancing back, I found Kirk watching us while Sawyer gnawed at an ice cream. “Screwing my daughter in the pool,” he said, exhaling cigarette smoke. “I like a man with balls.” Bailey frowned. “We’re not screwing.” To ensure the moment was truly awkward, Bailey slid her hands up and down my chest. Nothing made a guy piss his pants like having his nutty girlfriend feel him up in front of her scary dad. “We’re going out to Longhorn’s for dinner tomorrow night. Brass Balls can come with us.” “Thanks, Pop,” Bailey said, grinning like her hands weren’t on my ass. “We’re grilling and your brothers are here.” Sawyer grinned at me then Bailey. “A man should die with a full stomach.” Snorting at his kid’s comment, Kirk took her hand then walked away. Bailey watched them leave then looked at me. “I was going to fuck you in the pool,” she whispered. “You’re going to get me killed.
Bijou Hunter (Damaged and the Dragon (Damaged, #5))
It happened as it always did, swallowing her swiftly and completely. Intense. Painful. Quick, vivid colors spun beneath her eyelids. Sounds were sharp inside her skull. Fire shot up through her bones. She may have been screaming and she wouldn’t have known. There was smoke in her nose, thick and black, and she couldn’t breathe. It stung her eyes and licked at her skin. Wood and metal crashed down as skin blistered and popped and she knew this wasn’t her, knew it was someone else, someone with a bigger body, bigger boots and darker jeans, and big ol’ hands with scars on the fingers. Men’s hands. Nails blunt and dirty with oil and grease and burning and- The cars were on fire. Paper burned and curled and rags ignited, the cement floor pockmarked by flash fires. Meat withered in her nose and she realized it was her. Him. Dancing embers blackened and burned bone. He screamed and she hoped she was not. He writhed and she really hoped she was not. He was dying, dead, and-
Angele Gougeon (Sticks and Stones)
The final poster before the door at the top of the stairs was of Bizness standing alone, bare chested, holding a semi-automatic MAC-10 pistol in one hand and smoking a joint with the other. Pops remembered the first time he had seen the poster. He had been awed, then, a black man with power who was unafraid of putting a finger up at society’s conventions; now, he found it all predictable and depressing. There was no message there, no purpose. The power was illusory. It was all about the money.
Mark Dawson (The Cleaner (John Milton, #1))
Will it get us to Las Máquinas?" asked Thor. "Well," said Catrina, "if we replace the two flat tires –" The car backfired a few times and black smoke began pouring out of the exhaust pipe. "– and fix that –" The hood of the car popped open, then tore free of its hinges and crashed to the floor. "– and that –" The engine burst into flames. "– no." "Then I guess we're stealing a car.
Eirik Gumeny (Dead Presidents (Exponential Apocalypse Book 2))
I scrubbed at the mirror harder and wondered how Tyler cleaned the one in his bathroom.  Or if he had someone else do it for him. Someone like Oksana. “Oksana, Oksana, Oksana,” I muttered as I continued cleaning the mirror. It was weird to be so deeply jealous of someone I knew nothing about. I had just finished up when I heard a noise. I figured it was Pigeon, but then she came in to sit on the floor next to my feet. She was whimpering. Which meant . . . I went down the hallway and found Oksana in the kitchen. I tried not to gasp. I’d chanted her name and had accidentally summoned her. She had spread groceries all over the counter. A large pot sat on the stove, and I heard bubbles popping, as if something was boiling. For all that was holy, I hoped it wasn’t a bunny. Whatever it was, it smelled a little like dirt and sulfur. Wasn’t that how brimstone was supposed to smell? Maybe she was cooking up something for her good buddy, Satan. “Hello.” I smiled and waved at her. She had a cigarette hanging from her lower lip. She paused from cutting up a head of cabbage to glare at me and then resumed her cutting. When it was obvious she wasn’t going to respond, I opted to be more direct. “What are you doing here?” Did somebody accidentally leave the gates of hell unlocked? I hoped I didn’t come across as too accusatory. I was genuinely bewildered to find her in my apartment again. Her eyebrows went up, as if my question were stupid. “Cooking.” “Oh. So, what are you, uh, making there?” “Borscht.” That was a kind of soup if I remembered correctly. “What do you use to make borscht?” She glared at me again, obviously not in the mood to talk, and it kind of surprised me when she answered. She held the large knife she was using against her shoulder, making me feel the tiniest bit of fear. “Beets. Cabbage. Knucklebones. And other things.” Knucklebones? Like . . . from people? What other animals had knuckles? This concerned me. “Well, that sounds . . . great. Have fun. I’m going to go clean.” She so didn’t care what I was going to do. I wanted to ask her not to smoke because I was a big fan of my own lungs and breathing in general, but I didn’t know if I had the authority to say so. I scampered away, trying not to think about how unfair it was that she not only looked that way but could cook, too. She’d probably never stick a cast-iron pan in the dishwasher.
Sariah Wilson (Roommaid)
espresso and tapas and it’s perfect for my current mood. As I walk along, pounding the hard pavement, a woman on roller skates burns past me, her white shirt billowing around like a puff of smoke as she elbows me out of the way. The roller skates remind me of Dad, and of clinging on to his hand as I attempted to balance on the pair of rainbow-coloured roller skates I got for my tenth birthday. Thinking of Dad makes me wonder what it must have been like for him all of those years ago. I ponder for a moment, and then after remembering what Sam said in the club, I pull my mobile out from my bag and scroll through the address book to find his number. ‘Hello darling, what a wonderful surprise. Is everything OK?’ His voice sounds worried. ‘Shouldn’t you be at work?’ There’s an awkward silence. ‘I am at work,’ I reply, a little too sharply. ‘Well, I just popped out and … err, I’m sorry I couldn’t talk to you the other day,’ I manage, trying to disguise the unease in my voice. ‘So how are you?’ I add, awkwardly. ‘I’m fine. A bit tired. Anyway, enough about me. It’s so nice to hear from you,’ he says, and for a moment it’s as though everything that’s gone on between us before has been forgotten in an instant. But then my back constricts. I start to feel as though calling him was a bad idea, and I realise that I’m just not ready to forget what he did to us … especially to Mum. ‘You know I was telling Uncle Geoffrey
Alex Brown (Carrington’s at Christmas: The Complete Collection: Cupcakes at Carrington’s, Me and Mr Carrington, Christmas at Carrington’s, Ice Creams at Carrington’s)
injured her ankle during the first week of physical training so that had been the end of her WAAF career. Now Susan extricated her arm from the blanket and glanced at her wristwatch. ‘The NAAFI should be open any time now for some cocoa and supper,’ she commented as Livvy rose to throw some more wood onto the stove that stood in the middle of the room. It was a temperamental thing, often throwing out more smoke than heat. ‘Ouch!’ Livvy cried as she opened the door and it spat at her. ‘I swear this ruddy thing waits for me to do that!’ She hastily threw the log she was holding in and slammed the door shut, causing smoke to billow into the hut and make them all cough. Amanda quickly took out her compact and applied lipstick and powder to her nose, then fluffing her hair up she asked, ‘So who’s coming then?’ As they had all discovered, Amanda hated being seen without her make-up, whereas the rest of them were usually bundled up in layers of clothing just intent on keeping as warm as they could with no thought to how they looked. They all rose and when Nell opened the door a gust of snow blew in at them. ‘Ugh! Bloody weather,’ Susan grumbled as they stepped out into the raging blizzard. ‘Perhaps we should have put the kettle on the stove and made our own drinks tonight!’ ‘Ah, but some of those handsome RAF chaps could be in,’ Amanda pointed out. The RAF base was not far from theirs and when the pilots weren’t flying they often used the NAAFI for a meal. Susan and Livvy exchanged an amused glance, then, heads bent, they picked their way through the deepening snow and just for a moment Livvy thought of the warm, cosy little kitchen back at the lodge. In the very kitchen that Livvy was thinking of, Sunday was just opening the door to John, who had popped in to check that all was well. Their relationship had undergone a subtle change since he had made the unexpected proposal. For a time, they had lost their easy relationship and she had felt slightly embarrassed when in his company and had stopped visiting Treetops as frequently as she had previously. But since the departure of Giles and Livvy they were becoming closer again, finding comfort in each other’s company. ‘How are you all?’ he asked as Sunday quickly closed the door behind him and he stamped the snow from his boots. Already his coat was beginning to steam in the warm atmosphere, and she smiled as she ushered him to the fireside chair and hurried off to set the kettle on the range. ‘We’re fine. Kathy is upstairs getting the twins to sleep.’ Without asking she spooned tea leaves into the pot from the caddy and lifted down two cups
Rosie Goodwin (Time to Say Goodbye)
LEGACY IS THE AFTERLIFE ON EARTH
Qwana M. "BabyGirl" Reynolds-Frasier
When I lived on Hollywood Boulevard, its heyday had long passed and a tired seediness had settled in—the tuxedos threadbare, the fur stoles gone to mange, and the champagne bubbles long since popped. Buses belched smoke where limousines once idled, and a tourist was more likely to have a personal encounter with a pickpocket than a movie star.
Lorna Landvik (Best to Laugh: A Novel)
What the fuck is that?” At the sound of V’s voice, John turned with the rest of them . . . and when he saw what was up at the head of the grand staircase, he blinked once. Twice. Twelve times. Lassiter was standing at the top of the carpeted steps, his blond-and-black hair styled in a pompadour, a heavy Bible under his armpit, piercings catching the light . . . But none of that was the real shocker. The fallen angel was dressed in a sparkling white Elvis costume. Complete with bell-bottoms, balloon sleeves, and lapels big enough to tent up the backyard. Oh, and rainbow wings that revealed themselves as he held his arms out, preacher style. “Time to get the party started,” he said as he jogged down, sequins winking and flashing. “And where the hell’s my pulpit?” V coughed out the smoke he’d just inhaled. “She’s having you do the service?” The angel popped his already mile-high collar. “She said she wanted the holiest thing in the house to do it.” “She got holey, all right,” somebody muttered. “Is that Butch’s Bible?” V asked. The angel flashed the goods. “Yup. And his BoC, he called it? I also got a sermon I did myself.” “Saints preserve us,” came from the opposite side of the crowd. “Wait, wait, wait.” V waved his hand-rolled around. “I’m the son of a deity and she picked you?” “You can call me Pastor—and before Mr. Sox Fan gets his panties in a wad, I want everyone to know I’m legit. I went online, took a minister’s course in under an hour, and I’m ordained, baby.” Rhage raised his hand. “Pastor Ass-hat, I have a question.” “Yes, my son, you are going to hell.” Lassiter made the sign of the cross and then looked around. “So where’s our bride? The groom? I’m ready to marry somebody.” “I didn’t bring enough tobacco for this,” V bitched. Rhage sighed. “There’s Goose in the bar, my brother—oh, wait. We don’t have a bar anymore.” “I think I’ll just run an IV of morphine.” “Can I put it in?” Lassiter asked. “That’s what she said,” somebody shot back
J.R. Ward (The King (Black Dagger Brotherhood, #12))
Standing in front of my bathroom mirror while music blares from my speakers, I wipe away the third crooked line I’ve drawn beneath my eye. My hands are shaking, damn it. Starting senior year of high school and seeing my boyfriend after a summer apart shouldn’t be so nerve-racking, but I’ve gotten off to a disastrous start. First, my curling iron sent up smoke signals and died. Then the button on my favorite shirt popped off. Now, my eyeliner decides it has a mind of its own. If I had any choice in the matter, I’d stay in my comfy bed and eat warm chocolate chip cookies all day.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
To a Christian, the dastardly liberals are not so much villains as victims. It's not their fault they're possessed by demons. But if I felt a slight diminishing of hostility, I also saw any hope of mutual accommodation go up in a blast of sulfurous smoke...these days, much of what liberals really anguish about behind closed doors is how to find common ground with people of faith. And now I realized that for at least some people, common ground will never be possible because they don't object to specific ideas that can be reframed or adjusted. They object to Satan, whose bidding we are doing. They may not hate us - they may believe they love us - but they hate him, and they won't negotiate with him either. We want to persuade them, reason with them, listen to them, and accommodate them. They want to save us. It's not even the same playing field.
Daniel Radosh (Rapture Ready!: Adventures in the Parallel Universe of Christian Pop Culture)
sounded calm when she answered the phone. Which meant that Jody had probably left. They had begun the day with the two women arguing about whose phone the government had legal and moral authority to tap. Pearl and her daughter could discuss such subjects until they were all talked out and Quinn had long since fled to wherever it might be legal and moral to smoke a cigar. “Still reeling from the Minnie Miner show?” Pearl asked him. “Not per se,” Quinn said. “That sounds like something Winston Castle would say. He must have gotten to you with his member-of-parliament persona.” “I suppose that’s why I’m calling,” Quinn said. “There’s something familiar about Winston Castle’s act. It reminds me of a magician’s patter, designed to get you looking at one hand while he’s doing something with the other. Just when everybody’s attention is distracted, Presto! Out of the hat pops the rabbit.” “Or the right card,” “Never play poker with them,” Quinn said. “Rabbits?” “People. Like the ones in Winston Castle’s whack-job family, or whatever it is. They have their patter.” “Meaning?” “Maybe somebody has a real Michelangelo up a sleeve.” “Magicians,” Pearl said, not quite understanding. “I’ve always kind of liked them.” “Their act wouldn’t work if you didn’t.” “I still like them.” “They cut people in half, you know.” “Only beautiful girls. And it doesn’t seem to hurt.” “I wouldn’t want to see you proved wrong.” “Where are you going with this,” Pearl asked with a sigh. Jody had apparently worn her down. “We are going to stake out the Far Castle’s Garden.” “I thought we were concentrating on D.O.A.” “Maybe we are,” Quinn said. “My guess is he’s not one of the many people who think Bellazza isn’t in the garden, just because an imitation has already been found there.” “Are we among the many, Quinn?” “On one hand, yes.” “But on the other?” “Presto!” 78 The searcher came by night, as Quinn had suspected he would, and hours after the restaurant had closed. Quinn was slouching low behind the steering wheel in the black Lincoln. He’d parked where he had a catty-corner view across the intersection and the Far Castle’s outdoor dining area. Beyond the stacked and locked tables and chairs loomed the shadowed topiary forms of the garden. Beginning several feet behind the flower beds was the larger garden, wilder and less arranged than the beds, with a variety of
John Lutz (Frenzy (Frank Quinn, #9))
I open the door, expecting to find another feeble human whom I have to appease, but my jaw pops open when I see who is sitting behind the desk in the counselor’s room. “So, honey, how was your first day of school?” he asks. “What are you doing here?” I ask as I quickly shut the door behind me. “I thought you’d be happier to see your new guidance counselor,” Dax says. He’s wearing a light yellow sweater with brown patches on the elbows and sucking on the end of a . . . “Is that a pipe?” He nods. “Not lit, of course. No smoking allowed on campus. I thought it made me look older. What do you think?” “I think you’re addled. What are you doing here? What if this Mr. Drol comes back?” “I am Mr. Drol,” he says, raising his eyebrows and biting the end of his pipe. “I am too old to pose as a student like you and Garrick, but I didn’t want to dump you here all on your own, so Simon got me a job instead. His powers of persuasion were quite effective on the administration.” I nod. “But the part I didn’t tell him is that this arrangement will give us better opportunities to talk in private. I think I might be recommending twice-weekly counseling sessions for you.” He smiles around the stem of his pipe. “You’re looking quite emotionally disturbed.” “I feel emotionally disturbed,” I say, sinking into the seat across the desk from him. “You were right; this place is torturous.” “So what’s this about you picking fights? Do I need to suspend you?
Bree Despain (The Shadow Prince (Into the Dark, #1))
The house was larger than it looked from the outside, and elegant, and smelled lightly of cigar smoke. A side hallway led toward what must’ve been two or three bedrooms. A library featured pop fiction and a big octagonal poker table with a green baize surface; the living room was cluttered with couches and chairs and small tables. An oversized television hung from one wall.
John Sandford (Silken Prey (Lucas Davenport #23))
Sloane handed the driver some money, told him to keep the change, and ran up the front steps where Dex stood at the top, opening the door. Sloane hauled him inside, slammed the door behind them, and pounced. He kissed Dex ravenously while divesting him of his clothes. Buttons popped, clothes were torn, but Sloane couldn’t care less. All he could think about was being inside Dex, of claiming his mate. His. “You’re
Charlie Cochet (Smoke & Mirrors (THIRDS, #7))
I want you to look at me,” Sloane ordered as he knelt on the couch. He pressed the tip of the dildo in his hand to Dex’s entrance, watching as Dex’s lips parted in anticipation. Slowly, he breached Dex’s hole; his grip on his feral half was tentative at best, especially when Dex grabbed the back of his knees and drew them closer to his chest. Sloane couldn’t help taking hold of his own cock and stroking. He groaned at the noises coming from Dex. His beautiful face was flushed, and he writhed as Sloane pulled out slightly before pushing the rest of the way in until the dildo was buried deep inside him. Sloane had never seen anything more decadent than Dex spreading wide for him, a cock stuck up his ass. Unable to help himself, Sloane stopped to get on his stomach, his elbows hooked under Dex’s knees as he licked from Dex’s hole up to his cock. He sucked and nibbled at Dex’s inner thigh before drawing Dex’s cock into his mouth. He took Dex down deep, loving the way Dex shivered underneath him, how he begged Sloane. The dildo moved, and Sloane popped off Dex with a low growl. “Don’t you fucking move. Keep it there until I’m done.” “Sloane,” Dex whined. “Please. I can’t.” “You can, and you will.” Sloane went back to driving Dex crazy with his mouth, circling his tongue around Dex’s cock, pressing the tip down against his slit. Dex whimpered, his fingers slipping into Sloane’s hair, grabbing fistfuls of it. Sloane groaned in the back of his throat, loving the way Dex tugged at his hair. He swallowed Dex down to the root before pressing his lips hard around Dex and moving back up. “Sloane,” Dex warned. Sloane
Charlie Cochet (Smoke & Mirrors (THIRDS, #7))
But every once in a great while, the pull of her heritage would hit her, and Grand-mere would cook something real. I could never figure out what it was that triggered her, but I would come home from school to a glorious aroma. An Apfel-strudel, with paper-thin pastry wrapped around chunks of apples and nuts and raisins. The thick smoked pork chops called Kasseler ribs, braised in apple cider and served with caraway-laced sauerkraut. A rich baked dish with sausages, duck, and white beans. And hoppel poppel. A traditional German recipe handed down from her mother. I haven't even thought of it in years. But when my mom left, it was the only thing I could think to do for Joe, who was confused and heartbroken, and it was my best way to try to get something in him that didn't come in a cardboard container. I never got to learn at her knee the way many granddaughters learn to cook; she never shared the few recipes that were part of my ancestry. But hoppel poppel is fly by the seat of your pants, it doesn't need a recipe; it's a mess, just like me. It's just what the soul needs. I grab an onion, and chop half of it. I cut up the cold cooked potatoes into chunks. I pull one of my giant hot dogs out, and cut it into thick coins. Grand-mere used ham, but Joe loved it with hot dogs, and I do too. Plus I don't have ham. I whisk six eggs in a bowl, and put some butter on to melt. The onions and potatoes go in, and while they are cooking, I grate a pile of Swiss cheese, nicking my knuckle, but catching myself before I bleed into my breakfast. By the time I get a Band-Aid on it, the onions have begun to burn a little, but I don't care. I dump in the hot dogs and hear them sizzle, turning down the heat so that I don't continue to char the onions. When the hot dogs are spitting and getting a little browned, I add the eggs and stir up the whole mess like a scramble. When the eggs are pretty much set, I sprinkle the cheese over the top and take it off the heat, letting the cheese melt while I pop three slices of bread in the toaster. When the toast is done, I butter it, and eat the whole mess on the counter, using the crispy buttered toast to scoop chunk of egg, potato, and hot dog into my mouth, strings of cheese hanging down my chin. Even with the burnt onions, and having overcooked the eggs to rubbery bits, it is exactly what I need.
Stacey Ballis (Recipe for Disaster)
Twenty-eight courses?" Dylan mused. "Get comfortable," Grace said with anticipation. They came on little spoons, tiny plates, in small glasses, atop mini-pedestals even speared and hung, suspended on custom-made wire serving devices like little edible works of art, which was entirely the point: mint-scented lamb lollypops, osetra and oysters on frothed tapioca, beet gazpacho and savory mustard shooters, foie gras porridge with a sweet ginger spritz in an atomizer, ankimo sashimi on house-made pop-rocks, plums in powdered yogurt, goat cheese marshmallows, venison maple syrup mastic, warm black truffle gumdrops with chilled sauternes centers. Foamed and freeze-dried, often accompanied by little spray bottles of fragrance and tiny scent-filled pillows, the food crackled and smoked and hissed and sizzled, appealing to all the senses. Thin slices of blast-frozen Kobe carpaccio were hung on little wire stands to thaw between courses at the table. All sorts of textures and presentations were set forth. Many were entirely novel and unexpected renderings of traditional dishes. Intrigued and delighted by the sensory spectacle, Dylan and Grace enjoyed the experience immensely, oohing and aahing, and mostly laughing. For as strange as each course might be, as curious as the decorative objects that presented them, each one was an adventure of sorts, and without exception, each one was delicious, some to the point of profound. And each one came with an expertly matched extraordinary wine, in the precisely correct Riedel glass.
Jeffrey Stepakoff (The Orchard)
After several courses, Dylan looked at the menu, noting that "Cheeseburger" was next up. "Okay, this is something I recognize," he said with relief. "Don't get too excited," said Grace knowingly as she sipped the last of a bright and barnyard funky Romanee-Saint-Vivant from a big-bowled burgundy stem. The waiter stepped out of the shadows and set two servings of the next course on the table simultaneously. Another server placed two very large Bordeaux stems on the table, and then carefully filled each with just one and a half ounces of wine. "This is Chef's cheeseburger," the waiter said. "Paired with the '70 Latour." The waiter and other server then backed away. Dylan and Grace leaned forward, examining the strange creation. It smelled amazing, though it looked much more like something from a science class than from a Michelin-starred restaurant-- a tiny piece of freeze-dried cheese on a teaspoon of bison tartare, lying atop a small lettuce pillow that had been filled with Vidalia onion smoke. It sat on a small warm open-face wheat bun, and the whole thing was presented on a miniature plate on which was a little pool of foamed heirloom tomato, and another of foamed mustard seed. And it was all topped with a few droplets of pureed brined Japanese cucumber. Dylan just stared at it. "I feel like it belongs in a museum." "I know. It's almost too beautiful to eat," Grace said. They were both captivated by the variety of scents coming from the presentation. It did, indeed, smell like an amazing cheeseburger. "Well, I'm gonna try," said Dylan, putting the little top bun on. Grace watched as he picked it all up with his thumb and forefinger, dapped it in the foamed tomato and mustard, and popped it in his mouth. Dylan's mouth and nose were filled to bursting with all the expected flavors and scents of a great cheeseburger-- bread, meat and cheese, ketchup and mustard, lettuce and pickle. Oh, wow, it was good. And as he chewed, he popped the lettuce pillow, adding just the right touch of sweet onion scent and flavor to the mouthful.
Jeffrey Stepakoff (The Orchard)
Some people smoked when they were upset, some did yoga, or drank, or paced, or picked fights, or counted to one hundred. Georgia cooked. As a small girl growing up in Massachusetts, she'd spent most of her time in her grandmother's kitchen, watching wide-eyed as Grammy kneaded the dough for her famous pumpernickel bread, sliced up parsnips and turnips for her world-class pot roast, or, if she was feeling exotic, butterflied shrimp for her delicious Thai basil seafood. A big-boned woman of solid peasant stock, as she herself used to say, Grammy moved around the cramped kitchen with grace and efficiency, her curly gray hair twisted into a low bun. Humming pop songs from the forties, her cheeks a pleasing pink, she turned out dish after fabulous dish from the cranky Tappan stove she refused to replace. Those times with Grammy were the happiest Georgia could remember. It had been almost a year since she died, and not a day passed that Georgia didn't miss her. She pulled out half a dozen eggs, sliced supermarket Swiss and some bacon from the double-width Sub-Zero. A quick scan of the spice rack yielded a lifetime supply of Old Bay seasoning, three different kinds of peppercorns, and 'sel de mer' from France's Brittany coast. People's pantries were as perplexing as their lives.
Jenny Nelson (Georgia's Kitchen)
times. This particular vehicle reeked of cigarettes and some other sour odor Rapp couldn’t quite place and wasn’t sure he wanted to. Crumpled pop cans, Styrofoam cups, and sandwich wrappers were strewn about the floor, and the ashtray was overflowing with smashed butts that had been smoked all the way to the nub. It was a ruse Rapp himself had used many times. A play on the Scarlet Pimpernel. Create the illusion that you are a witless slob and people pay you little, if any, attention. Being the CIA’s man in Mosul required a very delicate balancing act. You had to work the street so you could get information and build up your resources, but you needed to be constantly vigilant
Vince Flynn (Protect and Defend (Mitch Rapp, #10))
Karly- I stopped wearing my glasses after that day, when Jess Smith walked up and ripped them off my face and broke them in half, and poked me in the boob hard. I miss them, what wrong with glasses, they make you look sophisticated. Why was I so quiet and laid back, and a pushover? Marcel- She runs like everything for the bathroom, like always- not making it very far. She feels like some poor little girl, with a broken nose, and I remember when that happened. That is when I felt like she was in love with me she took the balls to the face for me. ‘I thought you liked balls in your face one boy said.’ You tripped and fell to the ground, hard, and I picked you up and carried you to safety, and we fell in love, even more, kissing under the bleachers. ‘You’re a weirdo,’ and the kiss was long and – fearing H-O-T! Like, kick your tongue out smoking hot! It’s still not as bad as the time my face was smashed to a brick wall, by some back boy- and I have to have something done about it, like getting my nose redone, yet I blamed it on my dad. Jenny- Sing the same girlie crap every year, you’ll blow chunks all over the place, which never happened, that’s why she stopped singing way back when. You can see here doing it on YouTube! Like- It happened! Jenny says every time someone brings it up. Until some unicycles guy flies into the frame where nothing freaking speedo- showing his tor·pe·do with the American flag up his ass! I don’t know if that is patriotic or what the hell that is… I am not sure what to look at. What can you say other than- ‘Ew-ah- gross…? Who does that…?’ Marcel- It kind of reunions the magic does it…? I spoke. Karly- Yep! I am glad I cannot see all that anyway! I am sure yours is better anyway. (She goes underneath his underwear down for it, getting a handful, and does what she feels is right in front of them all. It was more romantic than you would think pervs.) I did it for me and him, I did not give a crap; if they liked it or not… they can all look the other way. I have- a leaning popping lag kisses, and he rubbed his nose on mine saying it- I LOVE YOU! You’ll be fine… I’ll make sure of that. Karly- Back in time: We rain from the schoolyard to my house… stole my dad’s Nash and got married. My stepmother cased us down, with a bible in her hand saying we were sinners. Both- We’re sinner okay then- we all are- yet love is love even if age is in the way. Marcel- the very next day, it was all over. Say what you want to say… I know why- how- and who.
Marcel Ray Duriez (Nevaeh They Call Out)
I have to unblock myself from this bathroom before someone thinks I’m ending it. I spend thirty minutes in the bathroom, first washing my face and then reapplying makeup, even though my hands are unsteady, and my face keeps doubling up in the mirror, with my eye movements. I know at some point. My head is still fuzzy and pounding with every move or eyelid blink I make. I was trying so hard to not think yet this popped into my mind. ‘If you don't have trust, you don't have anything. And if you don’t trust them you lose them to someone that well.’ Jenny sees me down the hall and runs to my side… Saying- ‘Come on back. You're- such a baby, we didn’t mean anything by it.’ Jenny is such a bull-crapper and Maddie drunker and then me and with her. Liv is like a little girl on Ritalin when she has a sip too many and I’m antisocial and paranoid, and someone cracks a window to let out the smoke and sex stink yet know does. They're like are you nuts, it's freezing out… that was the look on their cold-hearted faces, everyone in the room is like icebergs to me, and I felt like the Titanic was about to sneak, no mercy, no compassion. I was a- nobody among everybody.
Marcel Ray Duriez (Young Taboo (Nevaeh))
Unlike the stereotyped carousing, hotel room-smashing, self-destructive pop star, Monroe did not smoke, drink, or use drugs. But he did love women. Many of them.
Richard D. Smith (Can't You Hear Me Calling: The Life Of Bill Monroe, Father Of Bluegrass)
Knives sliced cleanly through the salmon, pink flesh flaking on either side, the crust giving way with a satisfying crunch. Lenore and Maz were eating, too, but I kept my eyes fixed on Luke's fork. He tried a bite of the salmon plain first, chewing thoughtfully, then swept up some of my rice porridge with the seaweed-pickled vegetables, then returned for a bite of everything together, pink salmon and white porridge and pops of green and red all entering his parted lips. He closed his eyes as he tasted my food. He didn't open them again until he swallowed. "The salmon is perfect," he said. "Flaky and tender, with just the right amount of smoke, and the crunch of that crust is just..." He paused, those bottomless eyes on mine. The tip of his tongue darted over his lower lip. "Incredible." I didn't mean to smile, just nod appreciatively at any praise, but I felt it curl over my lips anyway. "Thank you." "I agree," said Lenore. "The salmon is something quite special. Is the crust rice alone?" "No," I said. "It's ground rice with some panko and a little nori." She nodded with approval. "And these seaweed-pickled vegetables are stellar. Bright and tangy, a lovely pop of acid against the richness of the salmon and the porridge.
Amanda Elliot (Sadie on a Plate)
Coop opens his mouth and his lips tremble. Tremble. Tremble. Words course and roll somewhere inside him, boiling always inside him. A hot kettle bleeding, blurring smoke. Buckle. Pop. Rumble. Always, always deep inside him, a moment--a look--a word--a thought away from bursting over in a fit of steam.
Allie Ray (Suffering Fools)
Counters selling local cheeses, rough rye breads, handmade chocolates, Finnish sausages and smoked fish fill each town's indoor kauppahalli (covered market). Tampere's – try traditional mustamakkara (blood sausage) – is typical, with delicious aromas wafting between stalls. In summer the kauppatori (market square) in the towns burst with straight-from-the-garden fruit and vegetables such as sweet, nutty new potatoes, juicy red strawberries, or peas popped fresh from the pod. Autumn’s approach is softened by piles of peppery chanterelles and glowing Lapland cloudberries, appearing in August like a magician’s trick.
Lonely Planet Finland
Bond wakes later to one of the most iconic pop-culture images of the 20th century: Jill painted head-to-toe in gold, as a not so subtle message to Bond regarding the stunt he pulled earlier. One wonders what would have happened had Bond woken up 30 minutes earlier. Would he have seen Oddjob standing over Jill, applying the second coat of gold while whistling and smoking a roll-up? Is that why he’s called ‘Oddjob’?
John Rain (Thunderbook: The World of Bond According to Smersh Pod)
I’d paid close attention when Cyrus had explained how to load a cannon, so I knew how to do it. And I’d learned a thing or two about jury-rigging explosives during my time at spy school. Now, I scrambled to create the diversion Erica needed before Lousy Sideburns sent reinforcements my way. There was a bag full of gunpowder charges by the cannon. By themselves, they would just pop and smoke for the enjoyment of the spectators, but all together, there was enough gunpowder in them to make a significant explosion. I threw two charges down the barrel of the cannon, then dug through Cyrus’s haversack. As I’d expected, there was a roll of duct tape inside.
Stuart Gibbs (Spy Camp (Spy School Book 2))
The small glass jars filled with a spread made from local smoked trout were packed into a cool box. Earlier in the week, Grace had helped her make the labels for the jars, as well as for the two puddings which she would serve the same way. The guests would be encouraged to take home any that were left, as well as the larger jars of pickled vegetables. She'd fermented cabbage with radishes, and cauliflower with haricots vests and carrots. The spice mixtures were not as hot as traditional kimchee- a concession to the bland English palate- but still had a good bit of pop. The spicy, crunchy veg made a perfect counterpoint to the soft creaminess of the smoked lamb and beans. Those she was serving together, in individual camping tins, to be warmed just before lunch in the Beck House warming ovens. It was all a bit precious, the jars and the tins, but she wanted the meal to be something people would remember. She'd made a seeded crispbread for the potted trout course, and flatbreads to serve warm with the lamb and pickles. In between the trout and the lamb she planned a salad course- fresh greens, topped with roasted pear halves she'd done the previous day, a local soft blue cheese, and a drizzle of caramel.
Deborah Crombie (A Bitter Feast (Duncan Kincaid & Gemma James, #18))
My dad loved to drive, but more than that he hated to stop. This made him at best a questionable tour guide. The hours would drone on as we crisscrossed the country in the dank and ever more malodorous car. The four of us would grow restless and cramped in the backseat, perennially arguing with each other and inventing games to fight off the monotony. My dad would press forward relentlessly, trying to make six hundred miles a day, every now and then invoking the three shut-ups rule and lashing out into the noise and cramped restlessness of the backseat. In the front seat my mom would patiently act as his navigator, reading the map, periodically making Wonder Bread and lunchmeat sandwiches, and now and then twisting the dial on the radio to try to find some music and local news. I finally figured it out. My dad’s mind had been shaped by flying a B-29 bomber on long-range missions. As he drove, my mother became the navigator, and we were the crew, although it wasn’t clear whom he wanted to bomb. You could see the business in his eyes. He smoked constantly, the strong odors of his Camel or self-rolled cigarettes or of his weird metal-stemmed pipe piercing our nostrils and often bringing the rear windows down, even in the most brutal heat of the day. His eyes were intent, never leaving the road in front of us. But every now and then an alert for a coming historical marker would pop up along the side of the road, causing my dad to suddenly snap out of his trance and remember that this was not actually his air crew sitting in the backseat. A teachable moment had arrived, giving him a quick opportunity to exercise his parenting skills and a chance to shower us with some much-needed cultural immersion. “Okay, guys, historical marker coming up on the right. I’m going to slow down to forty-five miles an hour. There it is, here it comes! Jim, read the SIGN!” I
James Webb (I Heard My Country Calling: A Memoir)
Sesame oil sizzled in the air, popping out of a hot wok filled with stir-fried enoki mushrooms, mustard greens, baby bok choy, and strips of pork tenderloin. My mother had danced by the stove against snakes of smoke emanating from sticks of sandalwood incense stuck in nearby pots of ash. scent filled our Chinatown apartment.
Roselle Lim (Natalie Tan's Book of Luck & Fortune)
And just now, I’ve chosen to trust someone who named his daughters after fucking pop stars and whose son is the youngest on record to be on the FBI watch list.
T.M. Frazier (Up in Smoke (King, #8))
And just now, I’ve chosen to trust someone who named his daughters after fucking pop stars and whose son is the youngest on record to be on the FBI watch list. There ain’t many people out there who have my respect. Respect needs to be earned. Preppy’s got mine. The man might have a case of verbal diarrhea there ain’t no cure for, but he’s been through hell and back. He’s been tortured and brutalized the likes of which most folks can’t begin to imagine. Most men, the strongest of men, in both body and spirit, would’ve caved after that. Not Preppy. Not Samuel Motherfucking Clearwater.
T.M. Frazier (Up in Smoke (King, #8))
A silver/blue Bentley sat waiting, the trunk pre-popped by Chad’s fob, and the aroma of unrestrained elegance wafting up my nose like pot smoke in the Mission District. You know what it is even if you’ve never partaken.
Kevin Brennan (Eternity Began Tomorrow)
Licorice tattoo turned a gun metal blue Scrawled across the shoulders of a dying town Took the one eyed-jacks across the railroad tracks And the scar on its belly pulled a stranger passing through He's a juvenile delinquent, never learned how to behave But the cops would never think to look in Burma-Shave And the road was like a ribbon and the moon was like a bone He didn't seem to be like any guy she'd ever known He kind of looked like Farley Granger with his hair slicked back She says, I'm a sucker for a fella in a cowboy hat How far are you going? Said depends on what you mean He says I'm only stopping here to get some gasoline I guess I'm going thataway just as long as it's paved And I guess you'd say I'm on my way to Burma Shave And with her knees up on the glove compartment She took out her barrettes and her hair spilled out like root beer And she popped her gum and arched her back Hell, Marysville ain't nothing but a wide spot in the road Some nights my heart pounds like thunder Don't know why it don't explode 'Cause everyone in this stinking town's got one foot in the grave And I'd rather take my chances out in Burma Shave Presley's what I go by, why don't you change the stations? Count the grain elevators in the rearview mirror She said mister, anywhere you point this thing It got to beat the hell out of the sting Of going to bed with every dream that dies here every mornin' And so drill me a hole with a barber pole And I'm jumping my parole just like a fugitive tonight Why don't you have another swig and pass that car if you're so brave I wanna get there before the sun comes up in Burma Shave And the spiderweb crack and the mustang screamed The smoke from the tires and the twisted machine Just a nickel's worth of dreams and every wishbone that they saved Lie swindled from them on the way to Burma Shave And the sun hit the derrick and cast a batwing shadow Up against the car door on the shotgun side And when they pulled her from the wreck You know she still had on her shades They say that dreams are growing wild Just this side Of Burma Shave
Tom Waits
He was just telling everyone to look at the perfect way Malfoy had stewed his horned slugs when clouds of acid green smoke and a loud hissing filled the dungeon. Neville had somehow managed to melt Seamus’s cauldron into a twisted blob, and their potion was seeping across the stone floor, burning holes in people’s shoes. Within seconds, the whole class was standing on their stools while Neville, who had been drenched in the potion when the cauldron collapsed, moaned in pain as angry red boils sprang up all over his arms and legs. “Idiot boy!” snarled Snape, clearing the spilled potion away with one wave of his wand. “I suppose you added the porcupine quills before taking the cauldron off the fire?” Neville whimpered as boils started to pop up all over his nose. “Take him up to the hospital wing,” Snape spat at Seamus. Then he rounded on Harry and Ron, who had been working next to Neville. “You — Potter — why didn’t you tell him not to add the quills? Thought he’d make you look good if he got it wrong, did you? That’s another point you’ve lost for Gryffindor.” This was so unfair that Harry opened his mouth to argue, but Ron kicked him behind their cauldron.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Blue I emerge from our yellow linoleum bathroom blue at one end of our single-wide trailer and I have the length of narrow hallway to consider before reaching the living room blue Blue!? And I know my mother is furious You look ridiculous it’s all she says and I do I had torn the pages from a magazine lined my bedroom floor with them and studied those punk rock spiked hair white teeth high fashion popped collar leather studded glossy photos strewn across my small space like a spread of tarot cards telling me a future I would never get to not out here not in the white trailer rusting amber thick of trees stretch of reservation of highway that stood between me and whatever else was out there record stores the mall parking lots where kids were skateboarding and smoking pot probably kids with boom boxes and bottles of beer out there were beaches with bands playing on them and these faces these shining faces with pink green purple and blue hair blue I could get that at least I could mix seventeen packets of blue raspberry Kool-Aid with a little water and I could get that it was alchemy it was potion-making but no one told me about the bleach about my dark hair needing to lift to lighten in order to get that blue no one told me that the mess of Kool-Aid would only run down my scalp my face my neck would stain me blue Blue is what you taste like he says still holding me on the twin bed in the glow of dawn my teenage curiosity has pushed me to ask What does my body taste like to you his fingers travel from neck to navel breath on my thigh and here in our sacred space he answers simply Blue you taste blue and I wonder if what he means is sad you taste sad taqʷšəblu the name is given to me when I am three to understand it my child brain has to break it apart taqʷšəblu talk as in talking as in to tell as in story sha as in the second syllable of my English name as in half of me blue as in the taste of me blue as in sad my grandmother was taqʷšəblu before me and now I am taqʷšəblu too
Sasha LaPointe