Pop Culture Love Quotes

Popular culture is a place where pity is called compassion, flattery is called love, propaganda is called knowledge, tension is called peace, gossip is called news, and auto-tune is called singing.

In a certain light, feminism is just the long, slow realization that the stuff you love hates you

I love pop culture -- the Rolling Stones, the Doors, David Lynch, things like that. That's why I said I don't like elitism.

Because it all derived from Superman. I mean, I love all the characters, but Superman is just this perfect human pop-culture distillation of a really basic idea. He's a good guy. He loves us. He will not stop in defending us. How beautiful is that? He's like a sci-fi Jesus. He'll never let you down. And only in fiction can that guy actually exist, because real guys will always let you down one way or another. We actually made up an idea that beautiful. That's just cool to me. We made a little paper universe where all of the above is true.

But happiness is a difficult thing-it is, as Aristotle posited in The Nicomachean Ethics, an activity, is is about good social behavior, about being a solid citizen. Happiness is about community, intimacy, relationships, rootedness, closeness, family, stability, a sense of place, a feeling of love. And in this country, where people move from state to state and city to city so much, where rootlessness is almost a virtue ("anywhere I hang my hat...is someone else's home"), where family units regularly implode and leave behind fragments of divorce, where the long loneliness of life finds its antidote not in a hardy, ancient culture (as it would in Europe), not in some blood-deep tribal rites (as it would in the few still-hale Third World nations), but in our vast repository of pop culture, of consumer goods, of cotton candy for all-in this America, happiness is hard.

Those East Coast rich kids are a different breed, on a fast track to nowhere. Your friends in Seattle are downright Canadian in their niceness. None of you has a cell phone. The girls wear hoodies and big cotton underpants and walk around with tangled hair and smiling, adorned backpacks. Do you know how absolutely exotic it is that you haven’t been corrupted by fashion and pop culture? A month ago I mentioned Ben Stiller, and do you remember how you responded? ‘Who’s that?’ I loved you all over again.

It is my belief that sometimes we keep secrets and our deepest insecurities because we believe that if other people found them out they would agree and believe them to be true, too.

Beware young brides: The cruelest behaviors on earth are done in the name of, what some call, 'love.' Therefore, the Shulamite does a much better job at defining love than pop-culture. pg 4

In the last 10 years, we have seen a rise in selfishness: selfies, self-absorbed people, superficiality, self-degradation, apathy, and self-destruction. So I challenge all of you to take initiative to change this programming. Instead of celebrating the ego, let's flip the script and celebrate the heart. Let's put the ego and celebrity culture to sleep, and awaken the conscience. This is the battle we must all fight together to win back our humanity. To save our future and our children.

It appears that countless women born between the years of 1965 and 1978 are in love with John Cusack. I cannot fathom how he isn't the number-one box office star in America, because every straight girl I know would seel her soul to share a milkshake with that motherfucker.

The 'medium' is unaware of its attractiveness, that's all. Everyone loves comics. I've proven this to my own satisfaction by handing them out to acountants, insurance brokers, hairdressers, mothers of children, black belts, pop stars, taxi drivers, painters, lesbians, doctors etc. etc. The X-Files, Buffy, the Matrix, X-Men - mainstream culture is not what it once was when science fiction and comics fans huddled in cellars like Gnostic Christians dodging the Romans. We should come up into the light soon before we suffocate.

As individuals die every moment, how insensitive and fabricated a love it is to set aside a day from selfish routine in prideful, patriotic commemoration of tragedy. Just as God is provoked by those who tithe simply because they feel that they must tithe, I am provoked by those who commemorate simply because they feel that they must commemorate.

Step 6: Stop enjoying things ironically. Just enjoy them Know what? I love Britney Spears and Forever 21. And I could pretend like it’s this whole meta thing where I’m not actually enjoying it but rather just making this esoteric statement on lowbrow culture, but (insert handjob motion here). The truth is that I love trashy dance pop and the garments that are its clothing equivalent. You don’t need to make your tastes a self-conscious statement about who you are. Just unapologetically like the things you like.

Understanding knowledge as an essential element of love is vital because we are bombarded daily with messages that tell us love is about mystery, about that which cannot be known. We see movies in which people are represented as being in love who never talk with one another, who fall into bed without ever discussing their bodies, their sexual needs, their likes and dislikes. Indeed, the message is received from the mass media is that knowledge makes love less compelling; that it is ignorance that gives love its erotic and transgressive edge. These messages are brought to us by profiteering producers who have no clue about the art of loving, who substitute their mystified visions because they do not really know how to genuinely portray loving interaction.

It’s tough enough to be a straight boy in a small town high school looking for the love of your life. But at least your possible loves are all out in the open.

I have comic-book loving, pop-culture-obsessed parents. The coolest. I’m sure the two Meadows girls and the seven Cobalt children would protest and say their parents are cool, but there’s no comparison. Hands down, mine are the goddamn best.

David Foster Wallace: I think the reason why people behave in an ugly manner is that it’s really scary to be alive and to be human, and people are really really afraid. And that the reasons… That the fear is the basic condition, and there are all kinds of reasons for why we’re so afraid. But the fact of the matter is, is that, is that the job that we’re here to do is to learn how to live in a way that we’re not terrified all the time. And not in a position of using all kinds of different things, and using people to keep that kind of terror at bay. That is my personal opinion. Well for me, as an American male, the face I’d put on the terror is the dawning realization that nothing’s enough, you know? That no pleasure is enough, that no achievement is enough. That there’s a kind of queer dissatisfaction or emptiness at the core of the self that is unassuageable by outside stuff. And my guess is that that’s been what’s going on, ever since people were hitting each other over the head with clubs. Though describable in a number of different words and cultural argots. And that our particular challenge is that there’s never been more and better stuff comin’ from the outside, that seems temporarily to sort of fill the hole or drown out the hole. Personally, I believe that if it’s assuageable in any way it’s by internal means. And I don’t know what that means. I think it’s fine in some way. I think it’s probably assuageable by internal means. I think those internal means have to be earned and developed, and it has something to do with, um, um, the pop-psych phrase is lovin’ yourself. It’s more like, if you can think of times in your life that you’ve treated people with extraordinary decency and love, and pure uninterested concern, just because they were valuable as human beings. The ability to do that with ourselves. To treat ourselves the way we would treat a really good, precious friend. Or a tiny child of ours that we absolutely loved more than life itself. And I think it’s probably possible to achieve that. I think part of the job we’re here for is to learn how to do this.

The mythology warped and twisted back along itself until Buffy Summers, the girl who once railed against the unfairness of being Chosen, looked at a squadron of girls who were just like she'd been and took away their right to Choose.

What came first, the music or the misery? Did I listen to music because I was miserable? Or was I miserable because I listened to music? Do all those records turn you into a melancholy person? People worry about kids playing with guns, and teenagers watching violent videos; we are scared that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands - literally thousands - of songs about broken hearts and pain and misery and loss. The unhappiest people I know, romantically speaking, are the ones who like pop music the most; and I don't know whether pop music has caused this unhappiness, but I do know that they've been listening to the sad songs longer than they've been living the unhappy lives.

I like YOU! I’ve liked you since before hitting puberty! Since before dinosaurs walked the Earth! Since before the old Taylor Swift died!

The extensive regulation of sex in many cultures, the attempt to link love to God and then to cut away the sex, is part of an elaborate defense against the gnawing fear of mortality.

They should." "Should be like a wood bee," she said. It was a private joke, a mocking appreciation of the slipperiness of even the simplest hope, a nonce catchphrase like so many others lifted from favorite movies or TV shows that served as a rote substitute for conversation and bound them like shut-in twins, each other's best and, most often, only audience.

centerless pop-culture country full of marginalized subnations that are themselves postmodern, looped, self-referential, self-obsessed, voyeuristic, passive, slack-jawed, debased.

At the risk of sounding like an after-school special, I can say that crying, for a variety of reasons, has made me a better person, a happier and more fully realized person, in ways that nothing else has.

All due respect, Renny,” said Mary Jo, “I have a pretty freaking good idea of your capabilities. And I think Mr. Traegar’s decision to bring us in first was the correct one. We don’t really know what we’re dealing with when it comes to the fae—there is no way that the sheriff’s office would. We had two werewolves, Mercy and the goblin king out there—and if it weren’t for the goblin king we’d have failed to bring him in ourselves.” He gave her a look. “I am going to ignore—just for a minute—how much my geek side is loving that apparently there is a goblin king in the world. And that he is—again apparently—here in the Tri-Cities. Even knowing that David Bowie is gone, I am giddy about this.” He said all that in a very dry, professional tone. I was starting to really like this guy.

The cure for self-centeredness is found in our vision, in how we see people. I suppose we could say that self-centered people have 'I' trouble and need their vision corrected.

Disabled, in the eyes of many is a dirty word because it shines a light on the differences of our world, and when we acknowledge difference, we must acknowledge privilege - and that opens a whole other can of worms.

A lot of coaches can yell or be nice, but what Pop does is different,” says assistant coach Chip Engelland. “He delivers two things over and over: He’ll tell you the truth, with no bullshit, and then he’ll love you to death.

He looked at Phillip and said, “I love this plan! I’m excited to be a part of it. Let’s do it!” Phillip said, “Ghostbusters.” He smiled, part out of admiration, part because he was delighted to get a pop culture reference for once.

Even though some individual scholars try to tell us there is no direct connection between images of violence and the violence confronting us in our lives, the commonsense truth remains- we are affected by the images we consume and by the states of mind we are in when watching them. If consumers want to be entertained, and the images shown us as entertaining are images of violent dehumanization, it makes sense that these acts become more acceptable in our daily lives and that we become less likely to respond to them with moral outrage or concern. Were we all seeing more images of loving human interaction, it would undoubtedly have a positive impact on our lives.

The cacophony of contemporary popular culture makes it hard to discern the call of truth and wisdom. There is no area in which practicing asceticism is more important.

Sinead and Prince are right. Nothing, absolutely nothing can compare to the real stuff.

It’s often said that the love of money is the root of all evil, but so is the love of one’s self.

I promise you, I don't need your cures or poorly thought-out pieces of advice, but I'll take free designer clothes, cheesecake, and a first-class plane ticket.

There is an extra bit of sting when you remember how people you love and who love you can hurt you in ways neither of you can recognize until after the fact.

Power is tricky to navigate; to understand it you have to lay the groundwork for what makes you powerful in the first place.

I should learn to sit in my joy longer and not immediately apologize for being proud and happy.

That’s the funny thing about having something you can’t change; you can aim for aloofness, but that lends itself to obsession and frustration that people absolutely pick up on.

There is power and excitement in reclaiming things that were once used to hurt or demean you.

I, too, feed into the idealization of youth and the ability to do things ‘young people should be able to do’ despite the fact that I know that’s ableist bullshit.

A CRUNCHY CON MANIFESTO 1. We are conservatives who stand outside the conservative mainstream; therefore, we can see things that matter more clearly. 2. Modern conservatism has become too focused on money, power, and the accumulation of stuff, and insufficiently concerned with the content of our individual and social character. 3. Big business deserves as much skepticism as big government. 4. Culture is more important than politics and economics. 5. A conservatism that does not practice restraint, humility, and good stewardship—especially of the natural world—is not fundamentally conservative. 6. Small, Local, Old, and Particular are almost always better than Big, Global, New, and Abstract. 7. Beauty is more important than efficiency. 8. The relentlessness of media-driven pop culture deadens our senses to authentic truth, beauty, and wisdom. 9. We share Russell Kirk's conviction that "the institution most essential to conserve is the family.

Trying is an art even when you try and fail every time you get up and keep going. When you stop dreaming and fight for what you want and what is necessary that's when the real change and growth begins.

Because men and women in a relationship have many conflicting interests, evolutionary theory does not view love relationships as harmonious partnerships for childrearing; but a universal feature of human cultures is that men and women form relationships intended to last for years (marriage) that constrain their sexual behavior in some way and institutionalize their ties to children and to each other.

Celebrities are often driven by a deep narcissistic quest to fuel their insatiable ego—a personality trait that often leads them to the entertainment industry in the first place. As Ellen DeGeneres once joked when hosting the Oscars, “We know that the most important thing in the world is love and friendship and family…and if people don’t have those things, well then, they usually get into show business.”294

...this midlevel cultural-capital audience is not as far from the average white pop critic as we might have expected. We usually make middling incomes or worse, and while most have university degrees, our expertise is usually more self-taught than PhD-certified, a pattern believed would produce an anxious, fact-hoarding intellectual style in contrast with the relaxed mastery of a fully legitimated cultural elite.

Pop is not music. Pop is celebrity. Fabricated personas that are all style, no substance. Pop is a celebration of fakeness. Artifice is the only cultural currency left, now that the internet has erased all contextual borders.

It’s been four years since Justin kissed his best friend Lucas when they were both just 12. Then Justin, afraid of what it meant, afraid of how he felt, afraid of what it made him, ran and has been running from and avoiding Lucas for these four years. The thing about running is that no matter how fast you run, the past always catches up with you, and when faced with his past and all the things he’s missed, Justin finds he doesn’t want to run anymore. Now Justin wants to try to make things right with Lucas; he wants his best friend back. But maybe it's too late. Maybe Lucas has moved on. Read the story to find out if Justin is successful. This story isn't only about internalized homophobia and the hurtful things it leads gay kids to do to themselves and others. It is much more about truth, love and hurt and coming to terms with those things, forgiving yourself, and loving yourself enough to hold yourself accountable.

When they’re tempted, conflicted, or confused, they’ll know where to turn for guidance. When the unwholesome voices in the pop culture call to them, they’ll have another voice inside their heads—yours—with your values, your love, your faith in them.

When I think about all the loss surrounding us in the world and in my own--the loss of high school classmates before our ten-year high school reunion, those with so much ahead of them--my chest tightens at the thought of who these people never got the chance to be.

Apparently our portmanteau is trending on Twitter." He let out a self-deprecating laugh. "I didn't even know what a portmanteau was before Jukebox Hero. It's a mashup of our names, like Brangelina or Robsten. No idea what ours is -- what do our names make?" He considered this a for a moment before shaking his head. "It's probably awful," he decided. "Could be worse, though; I hear the portmanteau for the main characters in The Hunger Games is... well, their names are Peeta and Katniss. I'll let you guys figure that one out on your own.

It’s much, much tougher when you’re a 17 year-old gay boy, part of only 10% or less of the school population and your possible loves are all in hiding, just as you are, due to the fear of being socially ostracized, laughed at, condemned and physically harassed by your peers.

God was dead: to begin with. And romance was dead. Chivalry was dead. Poetry, the novel, painting, they were all dead, and art was dead. Theatre and cinema were both dead. Literature was dead. The book was dead. Modernism, postmodernism, realism and surrealism were all dead. Jazz was dead, pop music, disco, rap, classical music, dead. Culture was dead. Decency, society, family values were dead. The past was dead. History was dead. The welfare state was dead. Politics was dead. Democracy was dead. Communism, fascism, neoliberalism, capitalism, all dead, and marxism, dead, feminism, also dead. Political correctness, dead. Racism was dead. Religion was dead. Thought was dead. Hope was dead. Truth and fiction were both dead. The media was dead. The internet was dead. Twitter, instagram, facebook, google, dead. Love was dead. Death was dead. A great many things were dead. Some, though, weren’t, or weren’t dead yet. Life wasn’t yet dead. Revolution wasn’t dead. Racial equality wasn’t dead. Hatred wasn’t dead. But the computer? Dead. TV? Dead. Radio? Dead. Mobiles were dead. Batteries were dead. Marriages were dead, sex

[H]e asked Renee, “What does rock and roll have today that it didn’t have in the sixties?” Renee said, “Tits,” which in retrospect strikes me as not a bad one-word off-the-dome answer at all. The nineties fad for indie rock overlapped precisely with the nineties fad for feminism. The idea of a pop culture that was pro-girl, or even just not anti-girl -- that was a 1990s mainstream dream, rather than a 1980s or 2000s one, and it was real for a while. Music was not just part of it but leading the way -- hard to believe, hard even to remember. But some of us do.

St. Teresa of Avila once said: “We can only learn to know ourselves and do what we can—namely, surrender our will and fulfill God’s will in us.” For Christians not of the prosperity persuasion, surrender is a virtue; the writings of the saints are full of commands to “let go” and to submit yourself to what seems to be the will of the Almighty. All of American culture and pop psychology scream against that. Never give up on your dreams! Just keep knocking, that door is about to open! Think positively! Self-improvement guaranteed!! The entire motivational-speaking industry rests on the assumption that you can have what you want, you can be what you want. Just do it. When prosperity believers live out their daily struggles with smiles on their faces, sometimes I want to applaud. They confront the impossible and joyfully insist that God make a way. They obediently put miracle oil on their failing bodies. They give large offerings to the church and expect great things. They stubbornly get out of their hospital beds and declare themselves healed, and every now and then, it works. They are addicted to self-rule, and so am I.

Some of my favorite songs: 'Only Love Can Break Your Heart' by Neil Young; 'Last Night I Dreamed That Somebody Loved Me' by the Smiths; 'Call Me' by Aretha Franklin; 'I Don't Want to Talk About It' by anybody. And then there's 'Love Hurts' and 'When Love Breaks Down' and 'How Can You Mend a Broken Heart' and 'The Speed of the Sound of Loneliness' and 'She's Gone' and 'I Just Don't Know What to Do with Myself 'and . . . some of these songs I have listened to around once a week, on average (three hundred times in the first month, every now and again thereafter), since I was sixteen or nineteen or twenty-one. How can that not leave you bruised somewhere? How can that not turn you into the sort of person liable to break into little bits when your first love goes all wrong? What came first, the music or the misery? Did I listen to music because I was miserable? Or was I miserable because I listened to music? Do all those records turn you into a melancholy person? People worry about kids playing with guns, and teenagers watching violent videos; we are scared that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands, of songs about broken hearts and rejection and pain and misery and loss. The unhappiest people I know, romantically speaking, are the ones who like pop music the most; and I don't know whether pop music has caused this unhappiness, but I do know that they've been listening to the sad songs longer than they've been living the unhappy lives.

rush of warmth fills my body as I remember why I love K-pop so much. How special it is to be able to share my language and my culture with people all over the world and have them truly see it. Understand it. Love it. I feel my smile stretch on my face and my heart feels light and free for the first time since this tour started.

Let's use our exclusion and invisibility as a power to create impermeable spaces for ourselves, unburdened by the ridiculous and biased premises of the dominant class. Let's use our erasure from this rotten-to-the-core Western notion of humanity to build up a different “new world,” one that is not defined in terms of dichotomies or hierarchies or emotional death—but centered on love: one in which we accept ambiguity and difference, grounded in an expansive, limitless “we.” We are at the center of a radical shift taking place in pro-animal discourse precisely because, upon self-reflection, we can see that our struggle is their struggle. I don't mean this symbolically. I mean this literally.

It was a glorious time for pop culture, the decade of Nirvana and Lollapalooza and Clueless and My So-Called Life and Sassy and Pulp Fiction and Greg Maddux and Garth Brooks and Green Day and Drew and Dre and Snoop and Wayne’s World. It was the decade Johnny Depp got his Winona Forever tattoo, the decade Beavis and Butthead got butt-shaped tattoos on their butts.

Gratitude practices as they’re generally presented in pop culture—usually some form of grateful-for-what-you-have exercise, like “Every day, write a list of ten things you’re grateful for”—don’t cut it, empirically speaking. When Emily tried this, it always made her feel worse because it just reminded her of how many people don’t have those things, which made her feel helpless and inadequate. Then she read the research herself and followed the instructions of the evidence-based interventions…and it worked like a charm. There are two techniques that really get the job done, and neither involves gratitude-for-what-you-have. The key is practicing gratitude-for-who-you-have and gratitude-for-how-things-happen. A Short-Term Quick-Fix Gratitude Boost is gratitude-for-who-you-have. Mr. Rogers, accepting a Lifetime Achievement Award, asked everyone in the audience to take ten seconds to remember some of the people who have “helped you love the good that grows within you, some of those people who have loved us and wanted what was best for us, […] those who have encouraged us to become who we are.” That’s how to gratitude-for-who-you-have.

Then, just for a blessed few hours, he had climbed out of that chopper into the high, cold, piney air of Bhutan, and gone for a ramble in the king’s Land Rover, and hiked up a misty mountain that had struck him as being straight from a 1970s album cover. And he had done some introspection about the fact that he couldn’t even take such a lovely place at face value but only liken it to such pop culture references.

What's it like for a young teen of barely 14, trying to cope with all the normal problems of adolescence, and wrestling with the realization that he's gay on top of all that? Juvenalius struggles with accepting himself and with the idea of coming out, as well as trying to find a boy who he can love and be loved back in return. Narrated by him, find out how he deals with it all and how those important to his life help.

Thus is the defining characteristic of gay millennials: we straddle the pre-Glee and post-Glee worlds. We went to high school when faggot wasn’t even considered an F-word, when being a lesbian meant boys just didn’t want you, when being nonbinary wasn’t even a remote option. We grew up without queer characters in our cartoons or Nickelodeon or Disney or TGIF sitcoms. We were raised in homophobia, came of age as the world changed around us, and are raising children in an age where it’s never been easier to be same-sex parents. We’re both lucky and jealous. As the state of gay evolved culturally and politically, we were old enough to see it and process it and not take it for granted–old enough to know what the world was like without it. Despite the success of Drag Race, the existence of lesbian Christmas rom-coms, and openly transgender Oscar nominees, we haven’t moved on from the trauma of growing up in a culture that hates us. We don’t move on from trauma, really. We can’t really leave it in the past. It becomes a part of us, and we move forward with it. For LGBTQ+ millennials, our pride is couched in painful memories of a culture repulsed and frightened by queerness. That makes us skittish. It makes us loud. It makes us fear that all this progress, all this tolerance , all of Billy Porter's red carpet looks can vanish as quickly as it all appeared.

Your dad wasn't a big talker," Sam said, his voice a rumble against my chest. "As you know. But I feel like I could tell, from the way he checked his mail, that he was super proud." I bit the inside of my cheek. "Could not." "Oh yeah," he said. "You should've seen it. He'd do this shuffle down the driveway--- it screamed that his daughter was about to become a doctor, he was obnoxious about it, to tell you the truth--- and then he'd open the mailbox and peer inside. Then he'd pull out the envelopes and start sorting them like he was reading through the paper you presented at the pop culture conference last year, the one about masculinity and monstrosity in The Shining---" I propped myself up on my elbows. "Wait, how---?" "I Googled you," Sam said. "Anyway, then he'd amble back up the driveway, his gait making it clear to the whole neighborhood that his daughter was strong and empathetic, smart and hilarious, and gorgeous.

[T]he modern West is the first culture in human history that has managed to strip time and space of all sacredness and to produce a fully practical, efficient, and profane world. This is the world that religious fundamentalists find unbearable and are sometimes willing to use force against. [S]acredness is so irrepressible that it intrudes repeatedly into the modern profane world in the form of "crypto-religious" behavior. [E]ven a person committed to a profane existence has 'privileged places, qualitatively different from all others - a man's birthplace, or the scenes of his first love, or certain places in the first foreign city he visited in youth. Even for the most frankly nonreligious man, all these places still retain an exceptional, a unique quality; they are the "holy places" of his private universe, as if it were in such spots that he had received the revelation of a reality other than that in which he participates through his ordinary daily life.

I'm sure you're thinking, "Is she honestly trying to claim she was indoctrinated into the patriarchy due to JC (son of God) and JC (Chasez) being in cahoots to love-bomb us via Scripture and/or song, causing us to believe these unrealistic highly respectful wholesome men need to save us, thus grooming us to be deferential and 'save' ourselves for them?" Yes, yes, I am. I'm not sure it's working, but these are the things I think about in my spare time. Is this conspiracy more or less believable than blue balls? I digress.

…there is, presumably, something in the very nature of shit that makes it so looooooved. And however much the theoreticians of popular culture try to explain why shit ought to be loved, the most attractive aspect of shit is nevertheless its availability. Shit is accessible to everyone, shit is what unites us, we can stumble across shit at every moment, step in it, slip on it, shit followed us wherever we go, shit waits patiently on our doorstep. So who wouldn’t love it! And love alone is the magic formula that can transform shit into gold.

Bee, darling, you’re a child of the earth, the United States, Washington State, and Seattle. Those East Coast rich kids are a different breed, on a fast track to nowhere. Your friends in Seattle are downright Canadian in their niceness. None of you has a cell phone. The girls wear hoodies and big cotton underpants and walk around with tangled hair and smiling, adorned backpacks. Do you know how absolutely exotic it is that you haven’t been corrupted by fashion and pop culture? A month ago I mentioned Ben Stiller, and do you remember how you responded? “Who’s that?” I loved you all over again

Because I don't make the mistake that high-culture mongers do of assuming that because people like cheap art, their feelings are cheap, too,” the late filmmaker Dennis Potter once said, explaining why pop songs were so important in his work, from Pennies from Heaven to The Singing Detective to Lipstick on Your Collar, his paean to the 1950s, the time he shared with the Independent Group—and Potter was also defining a pop ethos, defining what I think is happening in Paolizzi's collage. "When people say, 'Oh listen, they're playing our song,' they don't mean 'Our song, this little cheap, tinkling, syncopated piece of rubbish, is what we felt when we met.' What they're saying is, 'That song reminds us of that tremendous feeling we had when we met.' Some of the songs I use are great anyway, but the cheaper songs are still in the direct line of descent from David's Psalms. They're saying, 'Listen, the world isn't quite like this, the world is better than this, there is love in it,' 'There's you and me in it,' or 'The sun is shining in it.' So-called dumb people, simple people, uneducated people, have as authentic and profound depth of feeling as the most educated on earth. Anyone who says different is a fascist.

For the weekend before, we had had a blowout of tarts, a tart bender, tart madness- even, I dare say, a Tart-a-pa-looza, if you will forgive one final usage of the construction before we at last bury that cruelly beaten dead pop-culture horse. Tarte aux Pêches, Tarte aux Limettes, Tarte aux Poires, Tarte aux Cerises. Tarte aux Fromage Frais, both with and without Pruneaux. Tarte aux Citron et aux Amandes, Tarte aux Poires à la Bourdalue, and Tarte aux Fraises, which is not "Tart with Freshes," as the name of the Tarte aux Fromage Frais ("Tart with Fresh Cheese," of course) might suggest, but rather Tart with Strawberries, which was a fine little French lesson. (Why are strawberries, in particular, named for freshness? Why not blackberries? Or say, river trout? I love playing amateur- not to say totally ignorant- etymologist....) I made two kinds of pastry in a kitchen so hot that, even with the aid of a food processor, the butter started melting before I could get it incorporated into the dough. Which work resulted in eight tart crusts, perhaps not paragons of the form, but good enough. I made eight fillings for my eight tart crusts. I creamed butter and broke eggs and beat batter until it formed "the ribbon." I poached pears and cherries and plums in red wine.

American cold war culture represented an age of anxiety. The anxiety was so severe that it sought relief in an insistent, assertive optimism. Much of American popular culture aided this quest for apathetic security. The expanding white middle class sought to escape their worries in the burgeoning consumer culture. Driving on the new highway system in gigantic showboat cars to malls and shopping centers that accepted a new form of payment known as credit cards, Americans could forget about Jim Crow, communism, and the possibility of Armageddon. At night in their suburban homes, television allowed middle class families to enjoy light domestic comedies like The Adventures of Ozzie and Harriet, Father Knows Best, and Leave It to Beaver. Somnolently they watched representations of settled family life, stories where lost baseball gloves and dinnertime hijinks represented the only conflicts. In the glow of a new Zenith television, it became easy to believe that the American dream had been fully realized by the sacrifice and hard work of the war generation. American monsters in pop culture came to the aid of this great American sleep. Although a handful of science fiction films made explicit political messages that unsettled an apathetic America, the vast majority of 'creature features' proffered parables of American righteousness and power. These narratives ended, not with world apocalypse, but with a full restoration of a secure, consumer-oriented status quo. Invaders in flying saucers, radioactive mutations, and giant creatures born of the atomic age wreaked havoc but were soon destroyed by brainy teams of civilian scientists in cooperation with the American military. These films encouraged a certain degree of paranoia but also offered quick and easy relief to this anxiety... Such films did not so much teach Americans to 'stop worrying and love the bomb' as to 'keep worrying and love the state.

There had been an attempt over the summer to mix that Camden Lock lot with this Caldwell lot, but Keisha Blake did not especially care for Baudelaire or Bukowski or Nick Drake or Sonic Youth or Joy Division or boys who looked like girls or vice versa or Anne Rice or William Burroughs of Kafka's Metamorphosis or CND or Glastonbury or the Situationists or Breathless or Samuel Beckett or Andy Warhol or a million other Camden things, and when Keisha brought a wondrous Monie Love 7-inch to play on Leah's hi-fi there was something awful in the way Leah blushed and conceded it was probably OK to dance to. They had only Prince left, and he was wearing thin.

Pop culture and love songs, in particular, can contribute to our belief that love is all about chemistry and insanity. It is when you are enduring careless, neglectful, unkind, and disconnected words and behavior from a partner, and falling back on “chemistry” as the rationale, that you need to take a long hard look at the idea of chemistry as a factor that may be imprisoning you in a one-sided, narcissistic relationship. Sometimes the good guys and gals get their opportunity once a person has already been through the wringer with a narcissist. After a person experiences the scorpion’s sting, the comfort of a kind person can become a soft and loving place to land.

Raskin's memoir is oddly entertaining. Perhaps it is his earnestness and determination. So long as he believes Ando will guide and support him, who are we to spoil the illusion? Who are we to doubt? Perhaps it is the way Raskin peculiarly juxtaposes love with food, history with pop culture, and his life in San Francisco with his travels through Asia. Perhaps it is his voice, confident yet humble, self-effacing and unassuming. Or perhaps it is simply how he reminds us of the guys we knew in college, the ones who frequently faltered but genuinely meant well, who were inherently messed up but had significant potential, the ones who carried themselves a certain way, in short, the ones we couldn't help rooting for.

Some of my favorite songs: 'Only Love Can Break Your Heart' by Neil Young; 'Last Night I Dreamed That Somebody Loved Me' by the Smiths; 'Call Me' by Aretha Franklin; 'I Don't Want to Talk About It' by anybody. And then there's 'Love Hurts' and 'When Love Breaks Down' and 'How Can You Mend a Broken Heart' and 'The Speed of the Sound of Loneliness' and 'She's Gone' and 'I Just Don't Know What to Do with Myself 'and . . . some of these songs I have listened to around once a week, on average (three hundred times in the first month, every now and again thereafter), since I was sixteen or nineteen or twenty-one. How can that not leave you bruised somewhere? How can that not turn you into the sort of person liable to break into little bits when your first love goes all wrong? What came first, the music or the misery? Did I listen to music because I was miserable? Or was I miserable because I listened to music? Do all those records turn you into a melancholy person? People worry about kids playing with guns, and teenagers watching violent videos; we are scared that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands, of songs about broken hearts and rejection and pain and misery and loss. The unhappiest people I know, romantically speaking, are the ones who like pop music the most; and I don't know whether pop music has caused this unhappiness, but I do know that they've been listening to the sad songs longer than they've been living the unhappy lives.

God was dead: to begin with. And romance was dead. Chivalry was dead. Poetry, the novel, painting, they were all dead, and art was dead. Theatre and cinema were both dead. Literature was dead. The book was dead. Modernism, postmodernism, realism and surrealism were all dead. Jazz was dead, pop music, disco, rap, classical music, dead. Culture was dead. Decency, society, family values were dead. The past was dead. History was dead. The welfare state was dead. Politics was dead. Democracy was dead. Communism, fascism, neoliberalism, capitalism, all dead, and marxism, dead, feminism, also dead. Political correctness, dead. Racism was dead. Religion was dead. Thought was dead. Hope was dead. Truth and fiction were both dead. The media was dead. The internet was dead. Twitter, instagram, facebook, google, dead. Love was dead. Death was dead. A great many things were dead. Some, though, weren’t, or weren’t dead yet. Life wasn’t yet dead. Revolution wasn’t dead. Racial equality wasn’t dead. Hatred wasn’t dead. But the computer? Dead. TV? Dead. Radio? Dead. Mobiles were dead. Batteries were dead. Marriages were dead, sex lives were dead, conversation was dead. Leaves were dead. Flowers were dead, dead in their water. Imagine being haunted by the ghosts of all these dead things. Imagine being haunted by the ghost of a flower. No, imagine being haunted (if there were such a thing as being haunted, rather than just neurosis or psychosis) by the ghost (if there were such a thing as ghosts, rather than just imagination) of a flower. Ghosts themselves weren’t dead, not exactly. Instead, the following questions came up: “are ghosts dead are ghosts dead or alive are ghosts deadly” but in any case forget ghosts, put them out of your mind because this isn’t a ghost story, though it’s the dead of winter when it happens, a bright sunny post-millennial global-warming Christmas Eve morning (Christmas, too, dead), and it’s about real things really happening in the real world involving real people in real time on the real earth (uh huh, earth, also dead):

Main Street is dead, which is no news to the families whose families ran family businesses on Main Street. When I returned...I found that all the local businesses from my childhood had been extirpated by Wal-Mart. If there is one single symbol for the demise of regional American culture, it is this superstore prototype, a huge capitalist boot that stomped the moms and pops, like soft, damp worms, to death. Don’t get me wrong. I love Wal-Mart. There is nothing I like more than to consign a mindless afternoon to those aisles, suspending thought, judgment. It’s like television. But to a documentarian of American culture, Wal-Mart is a nightmare. When it comes to towns, Hope, Alabama, becomes the same as Hope, Wyoming, or, for that matter, Hope, Alaska, and in the end, all that remains of our pioneering aspirations are the confused and self-conscious simulacra of relic culture: Ye Olde Curiosities ‘n’ Copie Shoppe, Deadeye Dick’s Saloon and Karaoke Bar—ingenious hybrids and strange global grafts that are the local businessperson’s only chance of survival in economies of scale.

I make the very best halwa chebakia. With mint tea, or qamar-el-deen- you can take some home to your family." Such an offer cannot be refused. I know this from experience. Years of traveling with my mother have taught me that food is a universal passport. Whatever the constraints of language, culture or geography, food crosses over all boundaries. To offer food is to extend the hand of friendship; to accept is to be accepted into the most closed of communities. I wondered if Francis Reynaud had ever thought of this approach. Knowing him, he hasn't. Reynaud means well, but he isn't the type to buy halwa chebakia or to drink a glass of mint tea in the little café on the corner of the Boulevard P'tit Baghdad. I followed Fatima into the house, making sure to leave my shoes at the door. It was pleasantly cool inside and smelt of frangipani; the shutters closed since midday to guard against the heat of the sun. A door led into the kitchen, from which I caught the mingled scents of anise and almond and rosewater and chickpeas cooked in turmeric, and chopped mint, and toasted cardamom, and those wonderful halwa chebakia, sweet little sesame pastries deep-fried in oil, just small enough to pop into the mouth, flower-shaped and brittle and perfect with a glass of mint tea...

CONFESSIONS OF A CLING-ON If a man is walking in a forest and makes a statement, but there is no woman around to hear it, is he still wrong? Or if a woman is walking in the forest and asks for something, and there is no man around to hear her, is she still needy? These Zen koans capture some of the frustrations people have with the opposite gender. And where is the dividing line between someone simply having a need, and someone being a needy person? Is it written in heaven somewhere what is too much need, too little need and just right amount of need for the “normal person?” Ask pop radio psychologists Dr. Laura, or Sally Jessie Rafael, or any number of experts who claim to know for sure, and you’ll get some very different answers. And isn’t it fun to see the new sophisticated ways our advanced culture is developing to make each other wrong? You better keep up with the latest technical terminology or you will be at the mercy of those who do. Whoever has read the latest most recent self-help book has the clear advantage. Example: Man: “Get real, would you! Your Venusian codependency has got you trapped in your learned helpless victim act, and indulging in your empowerment phobia again.” Woman: “When you call me codependent, I feel (notice the political correctness of the feeling word) that you are simply projecting your own disowned, unintegrated, emotionally unavailable Martian counterdependency to protect your inner ADD two year old from ever having to grow up. So there!” Speaking of diagnosis, remember the codependent. Worrying about codependency was like a virus that everyone had from about 1988 to 1994. Here’s a prayer to commemorate the codependent: The Codependent’s Prayer by Kelly Bryson Our Authority, which art in others, self-abandonment be thy name. Codependency comes when others’ will is done, At home, as it is in the workplace. give us this day our daily crumbs of love. And give us a sense of indebtedness, As we try to get others to feel indebted to us. And lead us not into freedom, but deliver us from awareness. For thine is the slavery and the weakness and the dependency, For ever and ever. Amen.

Grandfather Shi must have loved Ita Thao. His relatives were certainly making his last hours there memorable ones. Though the ceremony did not have strippers (at least none that we saw), there was no shortage of other elements designed to produce 'hot noise' that's an indispensable feature of any Taiwanese funeral. Designed to celebrate the life of the deceased and ensure their smooth passing into the next world, Grandfather Shi's hot noise included gongs mixed with rigorous Buddhist chanting, pop music, karaoke, and later, a live band complete with drummers and an accordion. All of this was taking place under a covered tent set up in the alleyway next to the Cherry Feast Resort, where we'd booked a three-day stay in advance.

Some viewed Chinese investors as the latest “dumb money” to hit Hollywood. It is no doubt true that financing movies is not the smartest way for any investor, from anywhere in the world, to earn the best returns. Others had a different theory—that some wealthy Chinese individuals and businesses were seeking to get their money out of China, where an autocratic government could still steal anyone’s wealth at any time, for any reason. Certainly Hollywood had long been a destination for legal money laundering. But those who worked most closely with the Chinese knew that the biggest reason for these investments was a form of reverse-colonialism. After more than a decade as a place for Hollywood to make money, China wanted to turn the tables. The United States had already proved the power of pop culture to help establish a nation’s global dominance. Now China wanted to do the same. The Beijing government considered art and culture to be a form of “soft power,” whereby it could extend influence around the world without the use of weapons. Over the past few years, locally produced Chinese films had become more successful at the box office there. But most were culturally specific comedies and love stories that didn’t translate anywhere else. China had yet to produce a global blockbuster. And with box-office growth in that country slowing in 2016 and early 2017, hits that resonated internationally would be critical if the Communist nation was to grow its movie business and use it to become the kind of global power it wanted to be. So Chinese companies, with the backing of the government, started investing in Hollywood, with a mission to learn how experienced hands there made blockbusters that thrived worldwide. Within a few years, they figured, China would learn how to do that without anyone’s help. “Working with a company like Universal will help us elevate our skill set in moviemaking,” the head of the Chinese entertainment company Perfect World Pictures said, while investing $250 million in a slate of upcoming films from the American studio. Getting there wouldn’t be easy. One of the highest-profile efforts to produce a worldwide hit out of China was The Great Wall, starring Matt Damon and made by Wanda’s Legendary Pictures. The $150 million film, about a war against monsters set on the Chinese historic landmark, grossed an underwhelming $171 million and a disastrous $45 million in the United States. Then, to create another obstacle, Chinese government currency controls established in early 2017 slowed, at least temporarily, the flow of money from China into Hollywood. But by then it was too late to turn back. As seemed to always be true when it came to Hollywood’s relationship with China, the Americans had no choice but to keep playing along. Nobody else was willing to pour billions of dollars into the struggling movie business in the mid-2010s, particularly for original or lower-budget productions.

Me and the Texas Woman, it was not love at first sight. In fact, my match with her was a bit of an arranged marriage. Once with a rocky start, potholed by cultural misunderstandings and distrust. It took decades of observation to fully appreciate the Yellow Rose in all her glories. All her contradictions. All her glorious contradictions. Was she Southern? All belles and balls? Or was she Western? Ready to rope and ride and shoot the head off a rattler? You already know the answer. You know, that like sulfur, charcoal, and bat guano, the ingredients don't really pop until they're mixed up together into gunpowder. The Texas Woman is a hybrid with all the vigor that comes from the perfect pairing of the best of two species. She is Southern but with the Western grit handed down by her foremothers, who could give birth during a Comanche attack, help out when it came time to turn the bulls into steers, and still end up producing more Miss USAs that any other state in the union.

This attitude — that the inner guru is enough — is often adopted by those whose intellectual orientation is slightly nihilistic or who are from very controlling, high- achieving families and resent the idea of yet another powerful person breathing down their necks. Then there are others who like to be led. Even when it comes to mundane issues, they don’t trust their own judgment or inner voice. They can barely go to the grocery store without being full of doubt. They also tend to be a little bit lazy, asking the guru for advice on every little thing that pops into their heads. These types of people have to learn to trust themselves and rely less on the outer guru. They might find that the more they trust the inner and secret gurus, the more they rely on and love the outer guru. Ultimately, the question of whether the inner guru is enough for you is irrelevant if your spiritual aim is to attain enlightenment. But there is an easy way to find the answer. If you can overcome any and all external circumstances, then maybe you don’t need the outer guru, because by then all appearance and experience arise as the guru anyway. On the other hand, if a practitioner is not able to control circumstances and situations, then all kinds of mind training are necessary. Therefore, one needs to be led, to be poked, to be spoon-fed. To find out whether or not you are controlled by circumstances and situations, there are myriad things you can do, such as skip lunch. If you are a man, wear a bra and walk around in public. If you are a woman, go to a fancy party in your bedroom slippers. If you are married, see if you can tolerate someone pinching your spouse’s bottom. See if you are swayed by praise, criticism, being ignored, or being showered with attention. If you get agitated, embarrassed, or infuriated, then more than likely you are still under the spell of the conditions of habit and culture. You are still a victim of causes and conditions. When a loved one dies or the life you are trying to build collapses, it’s likely that your understanding of the inner and secret gurus will not ease the pain. Nor will your understanding of “form is emptiness and emptiness is form” provide solace. In this case, you need to insert a new cause to counter these conditions. Because your understanding of the inner and secret gurus is only intellectual, you cannot call upon them. This is where the outer, physical, reachable guru is necessary. As long as you dwell in a realm where externally existing friends and lovers are necessary, as long as you are bothered by externally existing obstacles like passions and moral judgments, you need a guru. Basically, as long as you have a dualistic mind, don’t kid yourself by thinking that an inner guru is enough. When you reach a point where you can actually communicate with your inner guru, you will have little or no more dualism. You will no longer be repelled by or attracted to an outer guru. Therefore, the outer guru is necessary until you at least have the gist of the inner and secret gurus. When you realize the inner and secret gurus, you won’t even be able to find the outer guru anymore.

But similarly, I would get upset not that people didn’t like it, but sometimes the reason they’d put forth for not liking it made it clear they really hadn’t seen the show. Or they hadn’t seen it in years. There’s a lot of shows that occupied that sort of geek pop-culture space, where if you didn’t get certain references, you were excluded from the show, but we always tried to make Big Bang an open tent. And sure, that was tricky sometimes… but you didn’t need to understand the reference to get the joke. We always tried to be inclusive, so people from all walks of life liked it, or people who weren’t really interested in science or pop culture, people who didn’t grow up involved in those things, loved these characters, too. And that’s a testament to this cast, who were just incredible.

Love provides the motivation for caring. Caring is complex and messy.

Vienna's reputation as a city of luxury, merrymaking and indulgence actually lies much further in the past, in the time of the Babenbergs at whose courts the Minnesinger were prestigious guests, similar to publicity-seeking pop stars of today. the half-censorious, half-envious comments of foreigners often reflect the ambivalence that so many have felt about a city that was both seductive and dangerous. Such was indeed how Grillparzer described the city he loved and hated in his "Farewell to Vienna"(1843) though he had more in mind than simply the temptations of the flesh. But if Vienna was insidiously threatening under its hedonistic surface for a Grillparzer, others have simply regarded it as cheerfully, even shamelessly, immoral. 'lhe humanist scholar Enea Silvio Piccolomini, private secretary to Friedrich III and subsequently elected Pope Pius II, expressed his astonishment at the sexual freedom of the Viennese in a letter to a fellow humanist in Basel written in 1450: "'lhe number of whores is very great, and wives seem disinclined to confine their affections to a single man; knights frequently visit the wives of burghers. 'lhe men put out some wine for them and leave the house. Many girls marry without the permission of their fathers and widows don't observe the year of mourning." 'the local equivalent of the Roman cicisbeo is an enduring feature of Viennese society, and the present author remembers a respectable middle-class intellectual (now dead) who habitually went on holiday with both wife and mistress in tow. Irregular liaisons are celebrated in a Viennese joke about two men who meet for the first time at a party. By way of conversation one says to the other: "You see those two attractive ladies chatting to each other over there? Well, the brunette is my wife and the blonde is my mistress." "that's funny," says his new friend; "I was just about to say the same thing, only the other way round." In Biedermeier Vienna (1815-48), menages d trois seem not to have been uncommon, since the gallant who became a friend of the family was officially known as the Hausfreund. 'the ambiguous status of such a Hausfreund features in a Wienerlied written in 1856 by the usually non-risque Johann Baptist Moser. It con-terns a certain Herr von Hecht, who is evidently a very good friend of the family of the narrator. 'lhe first six lines of the song innocently praise the latter's wife, who is so delightful and companionable that "his sky is always blue"; but the next six relate how she imported a "friend", Herr von Hecht, and did so "immediately after the wedding". This friend loves the children so much "they could be his own." And indeed, the younger one looks remarkably like Herr von Hecht, who has promised that the boy will inherit from him, "which can't be bad, eh?" the faux-naivete with which this apparently commonplace situation is described seems to have delighted Moser's public-the song was immensely popular then and is still sung today.

Why is our singleness viewed as a negative thing to begin with? Who gets to determine that for us? Society? Pop culture? Married people? Did we label it as negative? Why are we made to feel less than or lacking or incomplete just because we happen to check the box marked “Single” on tax forms and job applications?

Elena came up with the idea of a fusion elote, taking her beloved Mexican street corn and adding Pakistani and Filipino twists to match with Adeena's and my respective backgrounds. Not only did Jae gave us his mother's recipe for the oksusu cha, or Korean corn tea, but he'd also volunteered to handle all elote duties: slathering the corn with thick, creamy coconut milk before rolling it in a fragrant spice mix that included amchur powder and red chili powder, grilling it, then squeezing calamansi over the corn before sprinkling it with your choice of kesong puti or cotija cheese. It was a simple yet laborious task, but he seemed to enjoy himself ( I wasn't one for gender stereotypes, but what was with guys and grills?) and I'd caught him sneaking more than one smoky, salty treat as he worked. The benefit of being the cook. Meanwhile, I arranged the sweet offerings I'd prepared: mais ube sandwich cookies, mais kon keso bars, and two types of ice candy--- mais kon yelo and ginataang mais. Corn as a dessert ingredient may seem strange to some people, but Filipinos absolutely love and embrace corn in all its salty-sweet possibilities. My first offering sandwiched ube buttercream between corn cookies, the purple yam's subtle vanilla-like sweetness pairing well with the salty-sweet corn. Cheese and corn are a popular savory pairing, but guess what? It makes one of my absolute favorite Filipino ice cream flavors as well, and I channeled that classic combo into a cheesecake bar with a corn cookie crust. Mais kon yelo, literally corn with ice, is a Filipino dessert consisting of shaved ice with corn, sugar, and milk, while ginataang mais, a simple porridge made with coconut milk, glutinous rice, and sweet corn, is usually served warm for breakfast or meryenda. My take on these simple, refreshing snacks utilized those same flavors in a portable, easy-to-eat ice pop bag. However, if you wanted to try the traditional versions, you could just pop down a few booths over to Tita Rosie's Kitchen, the restaurant run by my paternal aunt and grandmother. While my aunt, Tita Rosie, handled the savory side of the menu, offering small cups of corn soup and paper cones full of cornick, or corn nuts flavored with salt and garlic, my grandmother, Lola Flor, reigned over the sweets. The aforementioned mais kon yelo and ginataang mais were the desserts on offer, in addition to maja blanca, a simple corn and coconut pudding. Truly a gluten-free sweet tooth's paradise.

We Boys and Men need to know how to Love. Though It may sometimes hurt, we need to persevere and party it out.

To a Christian, the dastardly liberals are not so much villains as victims. It's not their fault they're possessed by demons. But if I felt a slight diminishing of hostility, I also saw any hope of mutual accommodation go up in a blast of sulfurous smoke...these days, much of what liberals really anguish about behind closed doors is how to find common ground with people of faith. And now I realized that for at least some people, common ground will never be possible because they don't object to specific ideas that can be reframed or adjusted. They object to Satan, whose bidding we are doing. They may not hate us - they may believe they love us - but they hate him, and they won't negotiate with him either. We want to persuade them, reason with them, listen to them, and accommodate them. They want to save us. It's not even the same playing field.

[Hooni Kim] is pleased at the global Hallyu phenomenon, but he doesn't think that food has a place in Hallyu. "For me food is so much more real than a pop song or a video," he said. As with all great chefs I've met, he talks about food as a man would talk about a woman he's in love with. Once more adopting his lyric speech rhythms, he said, "Looking, hearing is one thing. Tasting, touching is another. Smelling and tasting is the heart and soul of what Korea is. As much as pop culture wants to globalize, food is the best way for Koreans to share their soul and culture." Turning the expression "you are who you eat" on its head, Kim said, "No. You eat who you are. No one describes who you are like your food.

The machinery of compulsory equalization works against the finest trait of the human species, the fact that we recognize ourselves in our differences and build links based on them. The best of the world lies in the many worlds the world contains, the different melodies of life, their pains and strains: the thousand and one ways of living and speaking, thinking and creating, eating, working, dancing, playing, loving, suffering, and celebrating that we have discovered over so many thousands of years. Equalization, which makes us all goofy and all the same, can’t be measured. No computer could count the crimes that the pop culture business commits each day against the human rainbow and the human right to identity. But its devastating progress is mind-boggling. Time is emptied of history, and space no longer acknowledges the astonishing diversity of its parts. Through the mass media the owners of the world inform us all of our obligation to look at ourselves in a single mirror.

I remember the summer of 1996, at a drunken wedding with one of my professors, a Hendrix-freak baby boomer, when he was complaining about the 'bullet-in-the-head rock and roll' the kids were listening to today, and he asked Renée, 'What does rock and roll have today that it didn't have in the sixties?' Renée said, ‘Tits’, which in retrospect strikes me as not a bad one-word off-the-dome answer at all. The nineties fad for indie rock overlapped precisely with the nineties fad for feminism. The idea of a pop culture that was pro-girl, or even just not anti-girl - that was a 1990s mainstream dream, rather than a 1980s or 2000s one, and it was real for a while. Music was not just part of it but leading the way - hard to believe, hard even to remember. But some of us do.

Bombing and killing others is not the way that most Muslims live, however, and to say that all of them must act in this way or they are not true Muslims would be an insult to all peace-loving Muslims.

So the first thing is to spend less energy digesting food. Skip dinner (so your body is not trying to digest when you sleep), go to sleep early, don’t expose yourself to news, avoid pop culture, don’t drink alcohol, try to only be around the people you love, and have a sense of surrender and gratitude.

...you need the tiniest bit of bravery. People get scared when you try to do something, especially when it looks like you're succeeding. People do not get scared when you are failing. It calms them. That's why the show Intervention is a hit and everyone loves "worrying about" Amanda Bynes.

Change is a beautiful thing. Just ask a butterfly. Or the owner of a new car. Or an infant with a dirty diaper. Jimmy Buffet was right: Changes in latitudes spark changes in attitudes. New Year’s Eve is a global cultural celebration. Though nothing truly changes when the clock strikes midnight (except the year’s number), we still kiss loved ones, pop champagne corks, and watch various objects drop like there’s no tomorrow. The old is gone. The new is here. Deep down we all hunger for change, yet we also know there’s a price for transformation.

We are not Republicans, not Democrats, not Greenback and not Prohibitionists. We simply intend to support good men and condemn bad ones, no matter what party they belong to. We shall tell no lies about persons for love, malice or money. It is no part of a newspapers business to array itself on the side of this or that party, or fight, lie or wrangle for it.77

What matters more is what The Phantom Menace has come to represent: the saddest repudiation—and the harshest confirmation—of the entire Generation X ethos. The pop culture lionized by young adults of the nineties was often based on a myth: the dogmatic belief that things they’d loved as children had always been appreciated with adult minds.

The pop culture lionized by young adults of the nineties was often based on a myth: the dogmatic belief that things they’d loved as children had always been appreciated with adult minds. There was a misguided notion that the populist esoterica of the seventies that had come to signify kitschy subversion—the daredevil Evel Knievel, the sitcom Good Times, the pop band ABBA—had always been seen and experienced in the same way they were now being recalled in retrospect. To classify this as simple “nostalgia” isn’t quite accurate, because the process was proactive and methodical; the goal, it seemed, was to increase the intellectual value of bygone consumer art in order to make it match the emotional resonance that had been there all along.

When he was on, he was on—loving everything, everybody. But when he was off, he was off—cold, distant, short. Tom Hall came up with a nickname for the behavior. In computers, information is represented in bits. A bit can be either on or off. Tom called Romero’s mood swings the bit flip.