Pool Game Quotes

We've searched our database for all the quotes and captions related to Pool Game. Here they are! All 100 of them:

I can hear President Snow's voice in my head. 'On the seventy-fifth anniversary, as a reminder to the rebels that even the strongest among them cannot overcome the power of the capital, the male and female tributes will be reaped from their existing pool of victors.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Value yourself for what the media doesn't - your intelligence, your street smarts, your ability to play a kick-ass game of pool, whatever. So long as it's not just valuing yourself for your ability to look hot in a bikini and be available to men, it's an improvement.
Jessica Valenti (Full Frontal Feminism)
Heard my girl Avery stomped you so hard in a game of pool that Grayson had to take pity on you before every college freshman at UVU saw just how small your junk is.
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
A pool game mixes ritual with geometry.
Mary Karr (The Liars' Club)
My idea of Heaven has nothing to do with fluffy clouds or angels. In my Heaven there's butter pecan ice cream and swimming pools and baseball games. The Brooklyn Dodgers always win, and I have the best seat in the house, right behind the Dodger's dugout. That's the only advantage that I can see about being dead: You get the best seat in the house.
Jennifer L. Holm (Penny from Heaven)
One more victim sucked in by John. You get into the room with him and you just fall into a warm pool of beer and video games and penis jokes, staring at the universe with him and saying, "Do you believe this shit?
David Wong (John Dies at the End (John Dies at the End #1))
I felt the little beads of sweat pooling on my temple. Sit here and look nice...I could do that. But answer questions? I knew I wasn't going to win this little game; that wasn't the issue. I just really, really didn't want to look like a moron in front of the entire country.
Kiera Cass (The Selection (The Selection, #1))
On the very outside chance that we might play again, you should know that pool is the closest thing I have to a religion. Don't ever throw a game with me again.
Jennifer Crusie (Welcome to Temptation (Dempseys, #1))
An incomplete list: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible. When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth. "Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger." Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud? "Grilled cheese?" I said hesitantly. "Okay, good. What else?" I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
Stephanie Klein (Straight Up and Dirty)
He was too busy checking out and checking in, making and breaking plans, buying and losing cell phones, playing computer games and pool, looking at stock quotes, and living the chaotic life that effectively took up all his energy and time.
Dalma Heyn (Drama Kings: The Men Who Drive Strong Women Crazy)
He's crying so hard now that he's getting that fat kid in a white t-shirt at a pool look.
Bratniss Everclean (The Hunger But Mainly Death Games: A Parody)
Tell me what game Steph Landry and I used to play in the big dirt pile they made while they were digging my family’s pool, back when we were both seven, or I’ll know you’re an alien replacement and you’ve got the real Steph up in your mother ship!” I glared at him. “G.I. Joe meets Spelunker Barbie,” I said. “And stop being so ridiculous. We have to go. We’re going to end up at a bad table for lunch.
Meg Cabot (How to Be Popular)
A soft mist blew around them. Raindrops glistened in his hair, shimmering under the pale glow of the light post. His eyes were shadowed beneath wispy fringes, but the silver in them glinted like pools of liquid mercury. Her breath caught. It must have made a sound because his fingers tightened. His shaky exhale whispered across her face. “This,” he whispered so quietly she almost didn’t hear him. “Is why you are so bad for me.
Airicka Phoenix (Games of Fire)
Day followed day, and night followed night, until Dany knew she could not endure a moment longer. She would kill herself rather than go on, she decided one night... Yet when she slept that night, she dreamt the dragon dream again. Viserys was not in it this time. There was only her and the dragon. Its scales were black as night, wet and slick with blood. Her blood, Dany sensed. Its eyes were pools of molten magma and when it opened its mouth, the flame came roaring out in a hot jet. She could hear it singing to her. She opened her arms to the fire, embraced it, let it swallow her whole, let it cleanse her and temper her and scour her clean. She could feel her flesh sear and blacken and slough away, could feel her blood boil and turn to steam, and yet there was no pain. She felt strong and new and fierce. And the next day, strangely, she did not seem to hurt quite as much.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Ours was a ragged and uneven parting. Each of us had intended to see the other again. Each of us had had final words to say. My days with the Fool ended like a half-played game of Stones, the outcome poised and uncertain, possibilities hovering. Sometimes it seemed to me a cruelty that so much was unresolved between us; at other times, a blessing that a hope of reunion lingered. It is like the anticipation that a clever minstrel evokes when he pauses, letting silence pool before sweeping into the final refrain of his song. Sometimes a gap can seem like a promise yet to be fulfilled.
Robin Hobb (Fool's Fate (Tawny Man, #3))
This was the Mecca of the American Dream, the world that everyone wanted. A world of sleek young women (allied with Slenderella to be so) in shorts and halters, driving 400-horsepower station wagons to air-conditioned, music-serenaded supermarkets of baby-sitter corporations and culture condensed into Great Books discussion groups. A life of barbecues by the swimming pool and drive in movies open all year. It did't appeal to me. Fuck health insurance plans and life insurance. They wanted to live without leaving the womb. It made me more alive to play a game without rules against society, and I was prepared to play it to the end. A tremor almost sexual passed through me as I anticipated the comming robbery.
Edward Bunker (No Beast So Fierce)
I never win anything," Dolorous Edd complained. "The gods always smiled on Watt, though. When the wildlings knocked him off the Bridge of Skulls, somehow he landed in a nice depp proof of water. How lucky was that, missing all those rocks?" "Was it a long fall?" Green wanted to know. "Did landing in the pool of water save his life?" "No," said Dolorous Edd. "He was dead already, from that axe in his head. Still, it was pretty lucky, missing the rocks.
George R.R. Martin
XXIX You have set me among those who are defeated. I know it is not for me to win, nor to leave the game. I shall plunge into the pool although but to sink to the bottom. I shall play the game of my undoing. I shall stake all I have and when I lose my last penny I shall stake myself, and then I think I shall have won through my utter defeat.
Rabindranath Tagore (Fruit-Gathering)
All they needed was a title. Carmack had the idea. It was taken from The Color of Money, the 1986 Martin Scorsese film in which Tom Cruise played a brash young pool hustler. In one scene Cruise saunters into a billiards hall carrying his favorite pool cue in a stealth black case. “What you got in there?” another player asks. Cruise smiles devilishly, because he knows what fate he is about to spring upon this player, just as, Carmack thought, id had once sprung upon Softdisk and as, with this next game, they might spring upon the world. “In here?” Cruise replies, flipping open the case. “Doom.
David Kushner (Masters of Doom: How Two Guys Created an Empire and Transformed Pop Culture)
it was the meaning of more than the game of pool, more than the five-by-ten-foot microcosm of ambition and desire. It seemed to him as if all men must know this because it is in every meeting and every act, in the whole gigantic hustle of men’s lives.
Walter Tevis (The Hustler (Eddie Felson, #1))
Her clothes were almost dry by the time she reached the gatehouse. The portcullis was down and the gates barred, so she turned aside to a postern door. The gold cloaks who had the watch sneered when she told them to let her in. “Off with you,” one said. “The kitchen scraps are gone, and we’ll have no begging after dark.” “I’m not a beggar,” she said. “I live here.” “I said, off with you. Do you need a clout on the ear to help your hearing?” “I want to see my father.” The guards exchanged a glance. “I want to fuck the queen myself, for all the good it does me,” the younger one said. The older scowled. “Who’s this father of yours, boy, the city ratcatcher?” “The Hand of the King,” Arya told him. Both men laughed, but then the older one swung his fist at her, casually, as a man would swat a dog. Arya saw the blow coming even before it began. She danced back out of the way, untouched. “I’m not a boy,” she spat at them. “I’m Arya Stark of Winterfell, and if you lay a hand on me my lord father will have both your heads on spikes. If you don’t believe me, fetch Jory Cassel or Vayon Poole from the Tower of the Hand.” She put her hands on her hips. “Now are you going to open the gate, or do you need a clout on the ear to help your hearing?
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
There was something a little creepy about sitting in this small pool of light in the middle of total darkness. It was so eerily quiet - just the crackling of the fire, the occasional lap of water from the lake, and - A fucking wolf. That was a fucking wolf howl. "What the fuck was that?" Ilya said. He couldn't conceal the terror in his voice. But who the fuck cared, because they were surrounded by hungry wolves! Shane laughed. "It's a loon." "A what?" "A loon!" Shane was really laughing now. "It's a bird. Like a duck, kind of. Oh my god, you thought it was a wolf!" "What the fuck bird makes a noise like that?" "A loon!" Shane said again. Then he doubled over in hysterics. Ilya wanted to push him into the fire. "Fuck you and your loon!" Ilya said. "Stupid Canadian wolf bird.
Rachel Reid (Heated Rivalry (Game Changers #2))
Last night I had a nightmare. That me and someone I cared a lot about were playing a game in a pool. We'd take turns submerging ourselves under the water while the other person kept time. At one point it felt like the other person might be drowning, so  I jumped in to pull her up. She smiled and laughed and pushed me away. Then she turned blue and died. I could not resuciate her. I woke up at 3, sweating, in shock and pain. Frightened. But then I realized it was only a dream. But then I realized it was just like real life... Sometimes people we care about play risky games and then don't want our help. There is nothing we can do for them, no matter how much we care...
José N. Harris (MI VIDA: A Story of Faith, Hope and Love)
If I ever meet Michael Phelps, I’m going to tell him that I am that Michael Phelps of random thoughts. Then I’ll challenge him to a game of pool.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
At first glance, it seems hard to believe these two men are even related let alone brothers. Tom is content if there happens to be a game on and a soft place from which to watch it. Navidson works out every day, devours volumes of esoteric criticism, and constantly attaches the world around him to one thing: photography. Tom gets by, Navidson succeeds. Tom just wants to be, Navidson must become. And yet despite such obvious differences, anyone who looks past Tom's wide grin and considers his eyes will find surprisingly deep pools of sorrow. Which is how we know they are brothers, because like Tom, Navidson's eyes share the same water.
Mark Z. Danielewski (House of Leaves)
Is six a.m. too early to watch The Bachelor and mock all the giggly, desperate women?" "Go for it. Though I bet it'd work better as a drinking game," Laurel said. "One shot for the flirty arm touch. Chug if they strip and bum-rush the pool." Anne hit play. "Like they'd get their hair wet." Laurel stared at the screen, laughed at Anne's comments but felt another weird pang upset her insides. "Would you say this show makes something incredibly complex--you know, relationships--into something mind-numbingly vapid? Or does it make something actually rather simple into a big fucking circus?" "Both. That's why I love it." "I couldn't stand competing for a man like that," Laurel murmured. "I don't have the right...programming for it. Like to fight like that. Some people get an adrenaline rush and they're like foosh, give me somebody to beat down. I just, like curl up into a ball and want to hide." "I'm somewhere in the middle," Anne said. "I'm like a ninja. I'll like, come out of my shadowy hiding space and beat you down, bitches. You won't even see me.
Cara McKenna (Willing Victim (Flynn and Laurel, #1))
On the seventy-fifth anniversary, as a reminder to the rebels that even the strongest among them cannot overcome the power of the Capitol, the male and female tributes will be reaped from their existing pool of victors.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
I wanted to cut for the cut itself, for the delicate severing of capillaries, the transgression of veins. I needed to cut the way your lungs scream for air when you swim the length of the pool underwater in one breath. It was a craving so organic it seemed to have arisen from my skin itself. Imagining the sticky-slick scarlet trails of my own blood soothed me. This
Caroline Kettlewell (Skin Game: A Memoir)
Healing pools are not as common as you seem to think, the way you go around getting yourself kicked.” “Nor are physicians common enough for you to go around stabbing everyone who crosses you.” She smiled. “Remember that, next time you think of crossing me. Are you all right?” “I’m fine. They just knocked the wind out of me.” “Yes, and probably took a few of your ribs with it.
Jennifer A. Nielsen (The Traitor's Game (The Traitor's Game, #1))
anniversary, as a reminder to the rebels that even the strongest among them cannot overcome the power of the Capitol, the male and female tributes will be reaped from their existing pool of victors.” Yes, victors are our strongest. They’re the ones who survived
Suzanne Collins (Catching Fire (The Hunger Games, #2))
While Terry joined the others in the pool, I subjected myself to a dreadful thing called musical chairs, another cruel game. There's one chair short, and when the music stops you have to run for a seat. The life lessons never stop at a children's party. The music blares. You never know when it's going to stop. You're on edge the whole game; the tension is unbearable. Everyone dances in a circle around the ring of chairs, but it's no happy dance. Everyone has his eyes on the mother over by the radio, her hand poised on the volume control. Now and then a child wrongly anticipates her and dives for a chair. He's shouted at. He jumps off the seat again. He's a wreck. The music plays on. The children's faces are contorted in terror. No one wants to be excluded. The mother taunts the children by pretending to reach for the volume. The children wish she were dead. The game is an analogy for life: there are not enough chairs or good times to go around, not enough food, not enough joy, nor beds nor jobs nor laughs nor friends nor smiles nor money nor clean air to breathe...and yet the music goes on.
Steve Toltz
He loathed Jimmy Carter, whom he called a “big-toothed cretin.” In 1980, when we were still in Kabul, the U.S. announced it would be boycotting the Olympic Games in Moscow. “Wah wah!” Baba exclaimed with disgust. “Brezhnev is massacring Afghans and all that peanut eater can say is I won’t come swim in your pool.
Khaled Hosseini (The Kite Runner)
gives a faint shriek and Prim buries her face in her hands, but I feel more like the people I see in the crowd on television. Slightly baffled. What does it mean? Existing pool of victors? Then I get it, what it means. At least, for me. District 12 only has three existing victors to choose from. Two male. One female . . . I am going
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Pool is a game of thinking, strategy and accuracy - just like in business.
Shay Mizrahi
They would be even more powerful if that pox epidemic hadn’t flattened their birthrate and made them so desperate for a new gene pool and breeders.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
My heart is making a dull, drumming sound and I’m thinking that my life is a waiting game and I’m sinkin’ all the while.
Henry Rollins (The First Five: "High Adventure in the Great Outdoors", "Pissing in the Gene Pool", "Art to Choke Hearts", "Bang!", "One from None" (Henry Rollins))
And I can get my own phone," said Leslie, "with unlimited text messaging!" "And I can get my car fixed," I said. "Or maybe even a new car." "Or a new house that already has a swimming pool," said Leslie. "And a hot tub," I said. "And a game room, and a pool table," said Leslie. "And a giant TV with surround sound, and every kind of video game." And, and, and... That's the trouble with money.
Louis Sachar (The Cardturner: A Novel about a King, a Queen, and a Joker)
To beat the other man. To beat him as utterly, as completely as possible: This was the deep and abiding meaning of the game of pool. And, it seemed to Eddie in that minute of thought, it was the meaning of more than the game of pool, more than the five-by-ten-foot microcosm of ambition and desire. It seemed to him as if all men must know this because it is in every meeting and every act, in the
Walter Tevis (The Hustler (Eddie Felson, #1))
Twenty-one out of twenty-two of the stadiums, arenas, sports halls and swimming pools built for the Games are either derelict, in a state of disrepair, boarded up or unable to find a buyer and underused.
Jules Boykoff (Power Games: A Political History of the Olympics)
Billy's native arrogance might well have been a gift of miffed genes, then come to splendid definition through the tests to which a street like Broadway puts a young man on the make: tests designed to refine a breed, enforce a code, exclude all simps and gumps, and deliver into the city's life a man worthy of functioning in this age of nocturnal supremacy. Men like Billy Phelan, forged in the brass of Broadway, send, in the time of their splendor, telegraphic statements of mission: I, you bums, am a winner. And that message, however devoid of Christ-like other-cheekery, dooms the faint-hearted Scottys of the night, who must sludge along, never knowing how it feels to spill over with the small change of sassiness, how it feels to leave the spillover on the floor, more where that came from, pal. Leave it for the sweeper.
William Kennedy (Billy Phelan's Greatest Game)
Robb got to his feet slowly and sheathed his sword, and Catelyn found herself wondering whether her son had ever kissed a girl in the godswood. Surely he must have. She had seen Jeyne Poole giving him moist-eyed glances, and some of the serving girls, even ones as old as eighteen . . . he had ridden in battle and killed men with a sword, surely he had been kissed. There were tears in her eyes. She wiped them away angrily.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Noah held his hand out. She accepted it - it was bone-cold, as always - and together they turned to face the huge room. Noah took a deep breath as if they were preparing to explore the jungle instead of stepping deeper into Monmouth Manufacturing. It seemed bigger with just the two of them there. The cobwebbed ceiling soared, dust motes making mobiles overhead. They turned their heads sideways and read the titles of the books aloud. Blue peered at Henrietta through the telescope. Noah daringly reattached one of the broken miniature roofs on Gansey's scale town. They went through the fridge tucked in the bathroom. Blue selected a soda. Noah took a plastic spoon. He chewed on it as Blue fed Chainsaw a leftover hamburger. They closed Ronan's door - if Gansey still managed to inhabit the rest of the apartment, Ronan's presence was still decidedly pervasive in his room. Noah showed Blue his room. They jumped on his perfectly made bed and then they played a bad game of pool. Noah lounged on the new sofa while Blue persuaded the old record player to play an LP too clever to interest either of them. They opened all the drawers on the desk in the main room. One of Gansey's EpiPens bounced against the interior of the topmost drawer as Blue withdrew a fancy pen. She copied Gansey's blocky handwriting onto a Nino's receipt as Noah put on a preppy sweater he'd found balled under the desk. She ate a mint leaf and breathed on Noah's face. Crouching, they crab-walked along the aerial printout Gansey had spread the length of the room. He'd jotted enigmatic notes to himself all along the margin of it. Some of them were coordinates. Some of them were explanations of topography. Some of them were Beatles lyrics.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
I was drowning in wedding crap and estrogen back at the house, so I called up Lawson to see if he wants to grab a couple beers and play a game of pool. I needed to get out and do something manly so I don’t feel like I’ve completely lost my damn balls.
Danielle Jamie (Mine Would Be You (Sweet Home Alabama #1))
But not until the first game was over and I bought a Pepsi from a vending machine and started drinking it did I even think of him. It was the Pepsi machine that did it: there had been one in the pool hall we used to play in, and we had often bet drinks on the outcome of our games.
Haruki Murakami (Norwegian Wood (Vintage International))
No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities.
Emily St. John Mandel (Station Eleven)
The first was the news that if the great American swimmer Buster Crabbe, winner of the 1932 men’s 400-meter freestyle, had swum in the present Olympic Games at the same pace he did in 1932 (and admittedly this would be asking a lot, as he has been dead for many years), he would have lost to Ian Thorpe by two full pool lengths. Isn’t that amazing?
Bill Bryson (In a Sunburned Country)
Pity does not get you aid. Admiration at your refusal to give in does. I cut the remains of the pant leg off at the knee and examine the injury more closely. The burned area is about the size of my hand. None of the skin is blackened. I think it’s not too bad to soak. Gingerly I stretch out my leg into the pool, propping the heel of my boot on a rock so the
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
It turned out to be just his sort of life in Melbourne [Florida] -- a little three-room mini apartment to himself, and down on the strip, five different bars where you had women going around in bathing suits. In the backyard, his mother's new husband had grown a miraculous tree, a lemon trunk grafted with orange, tangerine, satsuma, kumquat, and grapefruit limbs, each bearing its own vivid fruit. Every morning, Jeff would go out and fill his arms, and squeeze himself a pitcher of juice, thick and sun-hot. That house was good for his mother, too. The swimming pool trimmed fifteen pounds off of her. She didn't seem to have moods anymore, and she didn't fly off the handle when Jeff beat her in the cribbage games they played most afternoons.
Wells Tower (Everything Ravaged, Everything Burned)
and then a Teixcalaanlitzlim of a gender Mahit didn’t recognize, and then it was back to the initial challenger—who changed the game again, adding another element: now each quatrain had to start with the last line of the previous one, be in dactylic verse with a vowel-repeated caesura, and be on the subject of repairs made to City infrastructure. Three Seagrass was annoyingly good at describing repairs to City infrastructure. She was lucid even through many glasses of ahachotiya, laughing, saying lines like the grout seal around the reflecting pool / lapped smooth and clear-white by the tongues of a thousand Teixcalaanli feet / nevertheless frays granular and impermanent / and will be spoken again, remade in the image / of one department or another / clamoring,
Arkady Martine (A Memory Called Empire (Teixcalaan, #1))
I dream that someone in space says to me: So let us rush, then, to see the world. It is shaped like an egg, covered with seas and continents, warmed and lighted by the sun. It has churches of indescribable beauty, raised to gods that have never been seen; cities whose distant roofs and smokestacks will make your heart leap; ballparks and comfortable auditoriums in which people listen to music of the most serious import; to celebrate life is recorded. Here the joy of women’s breasts and backsides, the colors of water, the shapes of trees, athletes, dreams, houses, the shapes of ecstasy and dismay, the shape even of an old shoe, are celebrated. Let us rush to see the world. They serve steak there on jet planes, and dance at sea. They have invented musical instruments to express love, peaceableness; to stir the finest memories and aspirations. They have invented games to catch the hearts of young men. They have ceremonies to exalt the love of men and women. They make their vows to music and the sound of bells. They have invented ways to heat their houses in the winter and cool them in the summer. They have even invented engines to cut their grass. They have free schools for the pursuit of knowledge, pools to swim in, zoos, vast manufactories of all kinds. They explore space and the trenches of the sea. Oh, let us rush to see this world.
John Cheever (The Journals of John Cheever)
Mrs. French's cat is missing. The signs are posted all over town. "Have you seen Honey?" We've all seen the posters, but nobody has seen Honey the cat. Nobody. Until last Thursday morning, when Miss Colette Piscine swerved her car to miss Honey the cat as she drove across a bridge. Well this bridge, now slightly damaged, is a bit of a local treasure and even has its own fancy name; Pont de Flaque. Now Collette, that sounds like Culotte. That's Panty in French. And Piscine means Pool. Panty pool. Flaque also means pool in French, so Colete Piscine, in French Panty Pool, drives over the Pont de Flaque, the Pont de Pool if you will, to avoid hitting Mrs. French's cat that has been missing in Pontypool. Pontypool. Pontypool. Panty pool. Pont de Flaque. What does it mean? Well, Norman Mailer, he had an interesting theory that he used to explain the strange coincidences in the aftermath of the JFK assasination. In the wake of huge events, after them and before them, physical details they spasm for a moment; they sort of unlock and when they come back into focus they suddenly coincide in a weird way. Street names and birthdates and middle names, all kind of superfluous things appear related to eachother. It's a ripple effect. So, what does it mean? Well... it means something's going to happen. Something big. But then, something's always about to happen.
Pontypool 2007
You become eligible for the reaping the day you turn twelve. That year, your name is entered once. At thirteen, twice. And so on and so on until you reach the age of eighteen, the final year of eligibility, when your name goes into the pool seven times. That’s true for every citizen in all twelve districts in the entire country of Panem. But here’s the catch. Say you are poor and starving as we were. You can opt to add your name more times in exchange for tesserae.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
there he was in her brain, Jeremy Fogelman, her first love, as sexually formative as Phoebe Cates coming out of the swimming pool in Fast Times at Ridgemont High, or a Judy Blume novel. So much of becoming an adult was distancing yourself from your childhood experiences and pretending they didn’t matter, then growing to realize they were all that mattered and composed 90 percent of your entire being. If you didn’t remember how you felt during that one game of Truth or Dare when you were a sophomore in high school, who were you?
Emma Straub (All Adults Here)
On the seventy-fifth anniversary, as a reminder to the rebels that even the strongest among them cannot overcome the power of the Capitol, the male and female tributes will be reaped from their existing pool of victors.” My mother gives a faint shriek and Prim buries her face in her hands, but I feel more like the people I see in the crowd on television. Slightly baffled. What does it mean? Existing pool of victors? Then I get it, what it means. At least, for me. District 12 only has three existing victors to choose from. Two male. One female . . . I am going back into the arena.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Already it is twilight down in the Laredito. Bats fly forth from their roostings in courthouse and tower and circle the quarter. The air is full of the smell of burning charcoal. Children and dogs squat by the mud stoops and gamecocks flap and settle in the branches of the fruit trees. They go afoot, these comrades, down along a bare adobe wall. Band music carries dimly from the square. They pass a watercart in the street and they pass a hole in the wall where by the light of a small forgefire an old man beats out shapes of metal. They pass in a doorway a young girl whose beauty becomes the flowers about. They arrive at last before a wooden door. It is hinged into a larger door or gate and all must step over the foot-high sill where a thousand boots have scuffled away the wood, where fools in their hundreds have tripped or fallen or tottered drunkenly into the street. They pass along a ramada in a courtyard by an old grape arbor where small fowl nod in the dusk among the gnarled and barren vines and they enter a cantina where the lamps are lit and they cross stooping under a low beam to a bar and belly up one two three. There is an old disordered Mennonite in this place and he turns to study them. A thin man in a leather weskit, a black and straightbrim hat set square on his head, a thin rim of whiskers. The recruits order glasses of whiskey and drink them down and order more. There are monte games at tables by the wall and there are whores at another table who look the recruits over. The recruits stand sideways along the bar with their thumbs in their belts and watch the room. They talk among themselves of the expedition in loud voices and the old Mennonite shakes a rueful head and sips his drink and mutters. They'll stop you at the river, he says. The second corporal looks past his comrades. Are you talking to me? At the river. Be told. They'll jail you to a man. Who will? The United States Army. General Worth. They hell they will. Pray that they will. He looks at his comrades. He leans toward the Mennonite. What does that mean, old man? Do ye cross that river with yon filibuster armed ye'll not cross it back. Don't aim to cross it back. We goin to Sonora. What's it to you, old man? The Mennonite watches the enshadowed dark before them as it is reflected to him in the mirror over the bar. He turns to them. His eyes are wet, he speaks slowly. The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Hear me. Ye carry war of a madman's making into a foreign land. Ye'll wake more than the dogs. But they berated the old man and swore at him until he moved off down the bar muttering, and how else could it be? How these things end. In confusion and curses and blood. They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. He lay on his side in the dust of the courtyard. The men were gone, the whores were gone. An old man swept the clay floor within the cantina. The boy lay with his skull broken in a pool of blood, none knew by whom. A third one came to be with them in the courtyard. It was the Mennonite. A warm wind was blowing and the east held a gray light. The fowls roosting among the grapevines had begun to stir and call. There is no such joy in the tavern as upon the road thereto, said the Mennonite. He had been holding his hat in his hands and now he set it upon his head again and turned and went out the gate.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Without warning, Jay reached over and grabbed her belt. With a hard yank, he pulled her toward him. Her robe slid up her thighs and Zara licked her lips in shameless hunger. Did he know how wet she was? How her breasts ached? How desperately she wanted him? Jay gave a satisfied growl, holding her in place. "The law requires your consent for a search." He pulled her closer, his gaze hot and roaming. "I have to warn you. I am very thorough." "I have nothing to hide." She was burning. Liquid fire rushed through her veins, pooling between her legs. It was like Jay had plucked her deepest darkest fantasies from her mind and was making them all come true. He gave a small, calculating smile. "I don't leave anything untouched, sweetheart." "I'm not your sweetheart." "You will be when I'm done with you." He devoured her with his gaze, his eyes so dark they were almost black. "Robe off. I need to assess the search area." She slid the robe over her arms and lay back on the bed. "How's this?" He inhaled sharply, his gaze raking over her body, and then again more slowly in blatant sexual appraisal. "I see you've decided to make things difficult, but I can't be distracted." "I'm not afraid of you." She arched her back, parted her legs just enough to tease. Did he think he was the one in control? "You should be." His voice dropped to a husky growl.
Sara Desai (The Singles Table (Marriage Game, #3))
I’m heading into Nephi for a little refreshment and possibly a game of pool. That honky-tonk is still on Main, isn’t it?” “Yeah. We don’t call it a honky-tonk though, Texas. That’s stretching it a little. We call it a bar. But there’s a pool table in the back, and if you’re lucky, someone to play with who can still stand,” Georgia said dryly. “Did ya hear that, Moses? She’s already given me a nickname. Tag 1, Moses 0.” He cackled and let himself out the front door before I could respond. Georgia laughed, but I wanted to follow him out and throw his ass to the ground. Tag didn’t always know when to shut his mouth. But as soon as he was gone, I would have gladly welcomed him back.
Amy Harmon (The Law of Moses (The Law of Moses, #1))
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Origin-ea Key Generator- All Games.exe 88854 DVD9 Version Robert Shaw
Marriage is a paradox second only to life itself. That at the age of twenty or so, with little knowledge of each other and a dangerous overdose of self-confidence, two human beings should undertake to commit themselves for life – and that church and state should receive their vows with a straight face – all this is absurd indeed. And it is tolerable only if it is reveled in as such. A pox on all the neat little explanations as to why it is reasonable that two teenagers should be bound to each other until death. It is not reasonable. It happens to be true to life, but it remains absurd. Down with the books that moralize reasonably on the subject of why divorce is wrong. Divorce is not a wrong; it is a metaphysical impossibility. It is an attempt to do something about life rather than with it - to work out the square root of –I rather than to use it. Up with the absurdity of marriage then. Let the peasant rejoice. He is a very odd ball on a very odd pool table, and his marriage is one of the few things left to him that will roll properly in this game. And up with the marriage service. Let the peasant go back and read it while he rejoices - preferably in the old unbowdlerized version still used by the Church of England. It is full of death and cast iron. And it is one of the great remaining sanity markers. The world is going mad because it has too many reasonable options, and not enough interest or nerve to choose anything for good. In such a world, the marriage service is not reasonable, but it is sane; which is quite another matter. The lunatic lives in a world of reason, and he goes mad without making sense; it is precisely paradox that keeps the rest of us sane. To be born, to love a woman, to cry at music, to catch a cold, to die – these are not excursions on the narrow road of logic; they are blind launchings on a trackless sea. They are not bargains, they are commitments, and for ordinary people, marriage is the very keel of their commitment, the largest piece of ballast in their small and storm-tossed boat. Its unqualified hurling of two people into their deathbead is absurd, but so is the rest of that welter of unqualified hurlings we call life. You cannot contract out of being born, out of crying, out of loving, out of dying; you cannot contract out of marriage. It may be uncomfortable, it certainly is absurd; but it is not abnormal.
Robert Farrar Capon (Bed and Board: Plain Talk About Marriage)
Hey,” I said, wondering why I was either short on words or babbling when I spoke to him. I touched his hat. “Didn’t help. I still lost.” The game, anyway. I’d won a date. “Mac’s pretty good at pool,” he said. “You’re no slouch, either.” “It didn’t look like you were paying attention.” In the beginning, until Mac had shown up, I’d been riveted. “When I was looking at the program last night, I noticed you and Mac play for the same university,” I said, doing our usual change-the-subject thing. “You must know each other pretty well.” “Pretty well.” “He seems really nice.” “He’s a pretty good guy.” Not exactly a resounding endorsement. But then guys probably didn’t spend a lot of time complimenting other guys. He’s the best. He’s the greatest. If I were a girl, I’d definitely go out with him.
Rachel Hawthorne (The Boyfriend League)
AN INCOMPLETE LIST: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take photographs of concert stages. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one’s hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position—but no, this wasn’t true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
Liars” was one of our favorite pastimes. Played with the serial numbers of dollar bills, the game developed some of the same intellectual rigors as handicapping horses. If you said four fives and there were only two fives on your dollar bill, then there had better be two more on the bill your opponent was holding. If there weren’t, and you were called upon to produce the four fives you’d claimed the existence of, you lost your bill. The idea was to trick your opponent into making a claim he’d have to support entirely on his own. If you could convince him that your bill contained, say, threes, and it was in reality devoid of threes, you could challenge him later if he claimed to have an inordinate number of them. It was a wicked little game that placed a premium on confident bluffing, misdirection and rapid analysis of probability.
Richard Russo (The Risk Pool)
Alexander laughs. They kiss exuberantly. “Now—much more seriously,” she says, “what would you like to play, Captain? Marco Polo?” “How about Little Red Riding Tania?” he says, all teeth. “Okey-dokey.” Making her voice high high high, she says gamely, batting her eyes, “Oh, Captain, what big arms you have...” “All the better to hold you with, my dear.” He squeezes her wet body to him. “Oh, Captain, what big hands you have...” “All the better to grab you with, my dear.” He grabs her behind and presses into her. “Oh, my, Captain! What a—” Anthony takes a running jump, right into the pool, right into his mother and father. Alexander pushes his son underwater and when he releases him, Tatiana pushes her son underwater, and when she releases him they both embrace him and kiss his face. “Ant, want to play Marco Polo?” “Yes, Dad,” says Anthony. “You’re it. And no chasing only Mommy this time.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
What to Make a Game About? Your dog, your cat, your child, your boyfriend, your girlfriend, your mother, your father, your grandmother, your friends, your imaginary friends, your summer vacation, your winter in the mountains, your childhood home, your current home, your future home, your first job, your worst job, the job you wish you had. Your first date, your first kiss, your first fuck, your first true love, your second true love, your relationship, your kinks, your deepest secrets, your fantasies, your guilty pleasures, your guiltless pleasures, your break-up, your make-up, your undying love, your dying love. Your hopes, your dreams, your fears, your secrets, the dream you had last night, the thing you were afraid of when you were little, the thing you’re afraid of now, the secret you think will come back and bite you, the secret you were planning to take to your grave, your hope for a better world, your hope for a better you, your hope for a better day. The passage of time, the passage of memory, the experience of forgetting, the experience of remembering, the experience of meeting a close friend from long ago on the street and not recognizing her face, the experience of meeting a close friend from long ago and not being recognized, the experience of aging, the experience of becoming more dependent on the people who love you, the experience of becoming less dependent on the people you hate. The experience of opening a business, the experience of opening the garage, the experience of opening your heart, the experience of opening someone else’s heart via risky surgery, the experience of opening the window, the experience of opening for a famous band at a concert when nobody in the audience knows who you are, the experience of opening your mind, the experience of taking drugs, the experience of your worst trip, the experience of meditation, the experience of learning a language, the experience of writing a book. A silent moment at a pond, a noisy moment in the heart of a city, a moment that caught you unprepared, a moment you spent a long time preparing for, a moment of revelation, a moment of realization, a moment when you realized the universe was not out to get you, a moment when you realized the universe was out to get you, a moment when you were totally unaware of what was going on, a moment of action, a moment of inaction, a moment of regret, a moment of victory, a slow moment, a long moment, a moment you spent in the branches of a tree. The cruelty of children, the brashness of youth, the wisdom of age, the stupidity of age, a fairy tale you heard as a child, a fairy tale you heard as an adult, the lifestyle of an imaginary creature, the lifestyle of yourself, the subtle ways in which we admit authority into our lives, the subtle ways in which we overcome authority, the subtle ways in which we become a little stronger or a little weaker each day. A trip on a boat, a trip on a plane, a trip down a vanishing path through a forest, waking up in a darkened room, waking up in a friend’s room and not knowing how you got there, waking up in a friend’s bed and not knowing how you got there, waking up after twenty years of sleep, a sunset, a sunrise, a lingering smile, a heartfelt greeting, a bittersweet goodbye. Your past lives, your future lives, lies that you’ve told, lies you plan to tell, lies, truths, grim visions, prophecy, wishes, wants, loves, hates, premonitions, warnings, fables, adages, myths, legends, stories, diary entries. Jumping over a pit, jumping into a pool, jumping into the sky and never coming down. Anything. Everything.
Anna Anthropy (Rise of the Videogame Zinesters: How Freaks, Normals, Amateurs, Artists, Dreamers, Drop-outs, Queers, Housewives, and People Like You Are Taking Back an Art Form)
What do you typically like to do on a first date with a woman?" "That answer depends on the woman, since you're not all the same. Some women actually would enjoy beer and pool on a Friday night"---he stopped to give her a raised brow to emphasize his statement---"while others would want to have dinner at a nice restaurant. Some might want to hang out at home, order pizza and watch a movie just so we could talk and get to know each other. Another woman might be more interested in going to see a basketball game. Or maybe go to a museum." "And you'd be interested in doing any of those things." He shrugged. "I'm interested in doing a lot of different things. I'm not just a rancher. I like to get out of my element and learn something new." She stared at him. Dammit. She loved that answer. He really thought about what a woman might want to do. And he was open to new experiences. A lot of guys just did their own thing, expecting the woman to fall in line. "That's...very nice.
Jaci Burton (The Matchmaker's Mistletoe Mission (Boots and Bouquets, #0.5))
Who cheats? Well, just about anyone, if the stakes are right. You might say to yourself, I don’t cheat, regardless of the stakes. And then you might remember the time you cheated on, say, a board game. Last week. Or the golf ball you nudged out of its bad lie. Or the time you really wanted a bagel in the office break room but couldn’t come up with the dollar you were supposed to drop in the coffee can. And then took the bagel anyway. And told yourself you’d pay double the next time. And didn’t. For every clever person who goes to the trouble of creating an incentive scheme, there is an army of people, clever and otherwise, who will inevitably spend even more time trying to beat it. Cheating may or may not be human nature, but it is certainly a prominent feature in just about every human endeavor. Cheating is a primordial economic act: getting more for less. So it isn’t just the boldface names — inside-trading CEOs and pill-popping ballplayers and perkabusing politicians — who cheat. It is the waitress who pockets her tips instead of pooling them. It is the Wal-Mart payroll manager who goes into the computer and shaves his employees’ hours to make his own performance look better. It is the third grader who, worried about not making it to the fourth grade, copies test answers from the kid sitting next to him. Some cheating leaves barely a shadow of evidence. In other cases, the evidence is massive. Consider what happened one spring evening at midnight in 1987: seven million American children suddenly disappeared. The worst kidnapping wave in history? Hardly. It was the night of April 15, and the Internal Revenue Service had just changed a rule. Instead of merely listing the name of each dependent child, tax filers were now required to provide a Social Security number. Suddenly, seven million children — children who had existed only as phantom exemptions on the previous year’s 1040 forms — vanished, representing about one in ten of all dependent children in the United States.
Steven D. Levitt (Freakonomics: A Rogue Economist Explores the Hidden Side of Everything)
Look around you, piglet. What do you see? Same thing you see in the mirror—fat, weak, lazy slugs. The gene pool so diluted that you can barely recognize these pale blobs as human, all their juice watered down. We did this to ourselves, piglet. Back before you and me were born, all the politicians got scared about all the crime, and all the wars, so they pumped everybody full of antidepressants and soy and estrogen, trying to dull that fire, that natural fire that’s supposed to burn inside all of us. They gave all the men porn and video games, to soak up their conqueror instincts. Worked like a charm—crime went way down, rape went way down, pregnancy went way down. And the only price was they turned all the men into fat little toothless blobs and the girls into arrogant, squealing little piglets, like you. Puttin’ that fire out forever, that natural fire that comes from the balls. The fire that built this world. Well, I’m here to tell you, there are still some men left. So no, there’s not gonna be no negotiation. The lion don’t negotiate with the gazelle.” He
David Wong (Futuristic Violence and Fancy Suits (Zoey Ashe, #1))
I’d been reborn since Marlboro Man had entered my life; his wild abandon and unabashed passion had freed me from the shackles of cynicism, from thinking that love had to be something to labor over or agonize about. He’d ridden into my life on a speckled gray horse and had saved my heart from hardness. He’d taught me that when you love someone, you say it--and that when it comes to matters of the heart, games are for pimply sixteen-year-olds. Up until then that’s all I’d been: a child masquerading as a disillusioned adult, looking at love much as I’d looked at a round of Marco Polo in the pool at the country club: when they swam after me, I’d swim away. And there are accusations of peeking and cheating, and you always wind up sunburned and pruney and pooped. And no one ever wins. It was Marlboro Man who’d helped me out of the pool, wrapped a towel around my blistering shoulders, and carried me to a world where love has nothing to do with competition or sport or strategy. He told me he loved me when he felt like it, when he thought of it. He never saw any reason not to.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me. "Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically. The man sprints off the seat as my face flames. His pregnant girlfriend? "Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together." "That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds. Time passes quickly for an eight-hour flight. We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle. "At least they're practical," he says. "What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall." "At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?" "I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?" "Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!" We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase. There's a lot of blood. And Mickey Mouse ears. After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there. He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here. I'm home.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
He needs to be talked to." "This is funny, but I know how to talk, too." Brian swore under his breath. "He prefers singing." "Excuse me?" "I said,he prefers singing." "Oh." Keeley tucked her tongue in her cheek. "Any particular tune? Wait, let me guess. Finnegan's Wake?" Brian''s steely-eyed stare had her laughing until she had to lean weakly against the gelding.The horse responded by twisting his head and trying to sniff her pockets for apples. "It's a quick tune," Brian said coolly, "and he likes hearing his name." "I know the chorus." Gamely Keeley struggled to swallow another giggle. "But I'm not sure I know all the words.There are several verses as I recall." "Do the best you can," he muttered and strode off.His lips twitched as he heard her launch into the song about the Dubliner who had a tippling way. When he reached Betty's box, he shook his head. "I should've known. If there's not a Grant one place, there's a Grant in another until you're tripping over them." Travis gave Betty a last pat on the shoulder. "Is that Keeley I hear singing?" "She's being sarcastic, but as long as the job's done. She's dug in her heels about grooming Finnegan." "She comes by it naturally.The hard head as well as the skill." "Never had so many owners breathing down my neck.We don't need them, do we, darling?" Brian laid his hands on Beetty's cheek, and she shook her head, then nibbled his hair. "Damn horse has a crush on you." "She may be your lady, sir, but she's my own true love.Aren't you beautiful, my heart?" He stroked, sliding into the Gaelic that had Betty's ears pricked and her body shifting restlessly. "She likes being excited before a race," Brian murmured. "What do you call it-pumped up like your American football players.Which is a sport that eludes me altogether as they're gathered into circles discussing things most of the time instead of getting on with it." "I heard you won the pool on last Monday nights game," Travis commented. "Betting's the only thing about your football I do understand." Brian gathered her reins. "I'll walk her around a bit before we take her down. She likes to parade.You and your missus will want to stay close to the winner's circle." Travis grinned at him. "We'll be watching from the rail." "Let's go show off." Brian led Betty out.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
over to Ross with John Cobb, the groom. Shortly after my return I heard the wheels of his trap in the yard, and, looking out of my window, I saw him get out and walk rapidly out of the yard, though I was not aware in which direction he was going. I then took my gun and strolled out in the direction of the Boscombe Pool, with the intention of visiting the rabbit warren which is upon the other side. On my way I saw William Crowder, the game-keeper, as he had stated in his evidence; but he is mistaken in thinking that I was following my father. I had no idea that he was in front of me. When about a hundred yards from the pool I heard a cry of “Cooee!” which was a usual signal between my father and myself. I then hurried forward, and found him standing by the pool. He appeared to be much surprised at seeing me and asked me rather roughly what I was doing there. A conversation ensued which led to high words and almost to blows, for my father was a man of a very violent temper. Seeing that his passion was becoming ungovernable, I left him and returned towards Hatherley Farm. I had not gone more than 150 yards, however, when I heard a hideous outcry behind me, which caused me to run back again. I found my father expiring upon the ground, with his head terribly injured. I dropped my gun and held him in my arms,
Arthur Conan Doyle (The Adventures of Sherlock Holmes)
driven over to Ross with John Cobb, the groom. Shortly after my return I heard the wheels of his trap in the yard, and, looking out of my window, I saw him get out and walk rapidly out of the yard, though I was not aware in which direction he was going. I then took my gun and strolled out in the direction of the Boscombe Pool, with the intention of visiting the rabbit warren which is upon the other side. On my way I saw William Crowder, the game-keeper, as he had stated in his evidence; but he is mistaken in thinking that I was following my father. I had no idea that he was in front of me. When about a hundred yards from the pool I heard a cry of “Cooee!” which was a usual signal between my father and myself. I then hurried forward, and found him standing by the pool. He appeared to be much surprised at seeing me and asked me rather roughly what I was doing there. A conversation ensued which led to high words and almost to blows, for my father was a man of a very violent temper. Seeing that his passion was becoming ungovernable, I left him and returned towards Hatherley Farm. I had not gone more than 150 yards, however, when I heard a hideous outcry behind me, which caused me to run back again. I found my father expiring upon the ground, with his head terribly injured. I dropped my gun and held him in my arms,
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To understand Bashō’s place in Japanese poetry, it’s useful to have some sense of the literary culture he entered. The practice of the fine arts had been central to Japanese life from at least the seventh century, and virtually all educated people painted, played musical instruments, and wrote poems. In 17th century Japan, linked-verse writing was as widespread and popular as card games or Scrabble in mid-20th-century America. A certain amount of rice wine was often involved, and so another useful comparison might be made to playing pool or darts at a local bar. The closest analogy, though, can be found in certain areas of online life today. As with Dungeons and Dragons a few years ago, or Worlds of War and Second Life today, linked verse brought its practitioners into an interactive community that was continually and rapidly evolving. Hovering somewhere between art-form and competition, renga writing provided both a party and a playing field in which intelligence, knowledge, and ingenuity might be put to the test. Add to this mix some of street rap’s boundary-pushing language, and, finally, the video images of You-Tube. Now imagine the possibility that a “high art” form of very brief films might emerge from You-Tube, primarily out of one extraordinarily talented young film-maker’s creations and influence. In the realm of 17th-century Japanese haiku, that person was Basho.
Jane Hirshfield (The Heart of Haiku)
Motor-scooter riders with big beards and girl friends who bounce on the back of the scooters and wear their hair long in front of their faces as well as behind, drunks who follow the advice of the Hat Council and are always turned out in hats, but not hats the Council would approve. Mr. Lacey, the locksmith,, shups up his shop for a while and goes to exchange time of day with Mr. Slube at the cigar store. Mr. Koochagian, the tailor, waters luxuriant jungle of plants in his window, gives them a critical look from the outside, accepts compliments on them from two passers-by, fingers the leaves on the plane tree in front of our house with a thoughtful gardener's appraisal, and crosses the street for a bite at the Ideal where he can keep an eye on customers and wigwag across the message that he is coming. The baby carriages come out, and clusters of everyone from toddlers with dolls to teenagers with homework gather at the stoops. When I get home from work, the ballet is reaching its cresendo. This is the time roller skates and stilts and tricycles and games in the lee of the stoop with bottletops and plastic cowboys, this is the time of bundles and packages, zigzagging from the drug store to the fruit stand and back over to the butcher's; this is the time when teenagers, all dressed up, are pausing to ask if their slips shows or their collars look right; this is the time when beautiful girls get out of MG's; this is the time when the fire engines go through; this is the time when anybody you know on Hudson street will go by. As the darkness thickens and Mr. Halpert moors the laundry cart to the cellar door again, the ballet goes under lights, eddying back nad forth but intensifying at the bright spotlight pools of Joe's sidewalk pizza, the bars, the delicatessen, the restaurant and the drug store. The night workers stop now at the delicatessen, to pick up salami and a container of milk. Things have settled down for the evening but the street and its ballet have not come to a stop. I know the deep night ballet and its seasons best from waking long after midnight to tend a baby and, sitting in the dark, seeing the shadows and hearing sounds of the sidewalk. Mostly it is a sound like infinitely patterning snatches of party conversation, and, about three in the morning, singing, very good singing. Sometimes their is a sharpness and anger or sad, sad weeping, or a flurry of search for a string of beads broken. One night a young man came roaring along, bellowing terrible language at two girls whom he had apparently picked up and who were disappointing him. Doors opened, a wary semicircle formed around him, not too close, until police came. Out came the heads, too, along the Hudsons street, offering opinion, "Drunk...Crazy...A wild kid from the suburbs" Deep in the night, I am almost unaware of how many people are on the street unless someone calls the together. Like the bagpipe. Who the piper is and why he favored our street I have no idea.
Jane Jacobs
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William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
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IN JANUARY 1959 Police Chief Herbert Jenkins found a poem tacked to a bulletin board at his departmental headquarters. Tellingly, the anonymous author had titled it “The Plan of Improvement,” in sarcastic tribute to Mayor Hartsfield’s 1952 program for the city’s expansion and economic progress. The poem looked back over a decade of racial change and spoke volumes about the rising tide of white resentment. It began with a brief review of the origins of residential transition and quickly linked the desegregation of working-class neighborhoods to the desegregation of the public spaces surrounding them: Look my children and you shall see, The Plan of Improvement by William B. On a great civic venture we’re about to embark And we’ll start this one off at old Mozeley Park. White folks won’t mind losing homes they hold dear; (If it doesn’t take place on an election year) Before they have time to get over the shock, We’ll have that whole section—every square block. I’ll try something different for plan number two This time the city’s golf courses will do. They’ll mix in the Club House and then on the green I might get a write up in Life Magazine. And now comes the schools for plan number three To mix them in classrooms just fills me with glee; For I have a Grandson who someday I pray Will thank me for sending this culture his way. And for my finale, to do it up right, The buses, theatres and night spots so bright; Pools and restaurants will be mixed up at last And my Plan of Improvement will be going full blast. The sarcasm in the poem is unmistakable, of course, but so are the ways in which the author—either a policeman himself or a friend of one—clearly linked the city’s pursuit of “progress” with a litany of white losses. In the mind of the author, and countless other white Atlantans like him, the politics of progress was a zero-sum game in which every advance for civil rights meant an equal loss for whites.
Kevin M. Kruse (White Flight: Atlanta and the Making of Modern Conservatism)
If a man jumped as high as a louse (lice), he would jump over a football field. In Ancient Egypt, the average life expectancy was 19 years, but for those who survived childhood, the average life expectancy was 30 years for women and 34 years for men. The volume of the moon is equivalent to the volume of the water in the Pacific Ocean. After the 9/11 incident, the Queen of England authorized the guards to break their vow and sing America’s national anthem for Americans living in London. In 1985, lifeguards of New Orleans threw a pool party to celebrate zero drownings, however, a man drowned in that party. Men and women have different dreams. 70 percent of characters in men’s dreams are other men, whereas in women its 50 percent men and 50 percent women. Men also act more aggressively in dreams than women. A polar bear has a black skin. 2.84 percent of deaths are caused by intentional injuries (suicides, violence, war) while 3.15 percent are caused by diarrhea. On average people are more afraid of spiders than they are afraid of death. A bumblebee has hairs on its eyes, helping it collect the pollen. Mickey Mouse’s creator, Walt Disney feared mice. Citarum river in Indonesia is the dirtiest and most polluted river in the world. When George R R Martin saw Breaking Bad’s episode called “Ozymandias”, he called Walter White and said that he’d write up a character more monstrous than him. Maria Sharapova’s grunt is the loudest in the Tennis game and is often criticized for being a distraction. In Mandarin Chinese, the word for “kangaroo” translates literally to “bag rat”. The first product to have a barcode was a chewing gum Wrigley. Chambarakat dam in Iraq is considered the most dangerous dam in the world as it is built upon uneven base of gypsum that can cause more than 500,000 casualties, if broken. Matt Urban was an American Lieutenant Colonel who was nicknamed “The Ghost” by Germans because he always used to come back from wounds that would kill normal people.
Nazar Shevchenko (Random Facts: 1869 Facts To Make You Want To Learn More)
One night, Kevin and I were at a pool hall where we saw a guy playing pool by himself; this guy looked like a hustler. He asked me if I wanted to play for twenty dollars. “I’ll tell you what,” I told him. “You can play my buddy Kevin. If you win two out of three games, I’ll give you twenty dollars. If he wins, you have to leave with us and go to a Bible study.” The guy looked at me like I was nuts. He walked around the pool table a few times, pondering my offer. I took a twenty-dollar bill out and placed it on the table. “Okay,” he said. “Let’s do it.” What he didn’t know was that Kevin is quite the player and that I don’t make bets with eternal consequences on the line unless I know we’re going to win! Of course, my buddy Kevin beat him. In fact, Kevin broke and ran the table in two straight games. The other guy never even took a shot! To my surprise, the guy followed through on his bet, although he didn’t seem too happy about it. As we walked to my truck to leave, he threw a full can of beer across the road and declared he was ready for a change in his life anyway. I thought that was a powerful statement since he didn’t even know what we were going to share with him. He knew how we rolled, despite our presence in such a rugged place. We studied the Bible with him for several hours and baptized him the same night. What I didn’t know was that the guy was sentenced to prison for an earlier crime the very next day! I wouldn’t see him again until he showed up unannounced with his Bible in hand at my house on Christmas Day a couple of years later. “Hey, I just got out of jail,” he told me. “Did they let you out or did you escape?” I asked him. “I was released,” he said. He then tearfully thanked me for sharing with him and let me know that was the best thing that could have happened to him before the two years of prison. Obviously, neither one of us believed our encounter had been an accident. He came to our church a couple of times over the next few months, and I continued to study with him. After a while, though, he quit coming around and I lost track of him.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Let’s take the threshold idea one step further. If intelligence matters only up to a point, then past that point, other things—things that have nothing to do with intelligence—must start to matter more. It’s like basketball again: once someone is tall enough, then we start to care about speed and court sense and agility and ball-handling skills and shooting touch. So, what might some of those other things be? Well, suppose that instead of measuring your IQ, I gave you a totally different kind of test. Write down as many different uses that you can think of for the following objects: a brick a blanket This is an example of what’s called a “divergence test” (as opposed to a test like the Raven’s, which asks you to sort through a list of possibilities and converge on the right answer). It requires you to use your imagination and take your mind in as many different directions as possible. With a divergence test, obviously there isn’t a single right answer. What the test giver is looking for are the number and the uniqueness of your responses. And what the test is measuring isn’t analytical intelligence but something profoundly different—something much closer to creativity. Divergence tests are every bit as challenging as convergence tests, and if you don’t believe that, I encourage you to pause and try the brick-and-blanket test right now. Here, for example, are answers to the “uses of objects” test collected by Liam Hudson from a student named Poole at a top British high school: (Brick). To use in smash-and-grab raids. To help hold a house together. To use in a game of Russian roulette if you want to keep fit at the same time (bricks at ten paces, turn and throw—no evasive action allowed). To hold the eiderdown on a bed tie a brick at each corner. As a breaker of empty Coca-Cola bottles. (Blanket). To use on a bed. As a cover for illicit sex in the woods. As a tent. To make smoke signals with. As a sail for a boat, cart or sled. As a substitute for a towel. As a target for shooting practice for short-sighted people. As a thing to catch people jumping out of burning skyscrapers.
Malcolm Gladwell (Outliers: The Story of Success)
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Kathleen E. Woodiwiss (A Rose in Winter)
But…but that’s tragic! To go through life without color? Unable to appreciate art, or beauty?” He laughed. “Now, sweet-hold your brush before you paint me a martyr’s halo. It’s not as though I’m blind. I have a great appreciation for art, as I believe we’ve discussed. And as for beauty…I don’t need to know whether your eyes are blue or green or lavender to know that they’re uncommonly lovely.” “No one has lavender eyes.” “Don’t they?” His gaze caught hers and refused to let go. Leaning forward, he continued, “Did that tutor of yours ever tell you this? That your eyes are ringed with a perfect circle a few shades darker than the rest of the…don’t they call it the iris?” Sophia nodded. “The iris.” He propped his elbow on the table and leaned forward, his gaze searching hers intently. “An apt term it is, too. There are these lighter rays that fan out from the center, like petals. And when your pupils widen-like that, right there-your eyes are like two flowers just coming into bloom. Fresh. Innocent.” She bowed her head, mixing a touch of lead white into the sea-green paint on her palette. He leaned closer still, his voice a hypnotic whisper. “But when you take delight in teasing me, looking up through those thick lashes, so saucy and self-satisfied…” She gave him a sharp look. He snapped his fingers. “There! Just like that. Oh, sweet-then those eyes are like two opera dancers smiling from behind big, feathered fans. Coy. Beckoning.” Sophia felt a hot blush spreading from her bosom to her throat. He smiled and reclined in his chair. “I don’t need to know the color of your hair to see that it’s smooth and shiny as silk. I don’t need to know whether it’s yellow or orange or red to spend an inordinate amount of time wondering how it would feel brushing against my bare skin.” Opening his book to the marked page, he continued, “And don’t get me started on your lips, sweet. If I endeavored to discover the precise shade of red or pink or violet they are, I might never muster the concentration for anything else.” He turned a leaf of his book, then fell silent. Sophia stared at her canvas. Her pulse pounded in her ears. A bead of sweat trickled down the back of her neck, channeling down between her shoulder blades, and a hot, itchy longing pooled at the cleft of her legs. Drat him. He’d known she was taunting him with her stories. And now he sat there in an attitude of near-boredom, making love to her with his teasing, colorless words in a blatant attempt to fluster her. It was as though they were playing a game of cards, and he’d just raised the stakes. Sophia smiled. She always won at cards. “Balderdash,” she said calmly. He looked up at her, eyebrow raised. “No one has violet lips.” “Don’t they?” She laid aside her palette and crossed her arms on the table. “The slope of your nose is quite distinctive.” His lips quirked in a lopsided grin. “Really.” “Yes.” She leaned forward, allowing her bosom to spill against her stacked arms. His gaze dipped, but quickly returned to hers. “The way you have that little bump at the ridge…It’s proving quite a challenge.” “Is that so?” He bent his head and studied his book. Sophie stared at him, waiting one…two…three beats before he raised his hand to rub the bridge of his nose. Quite satisfactory progress, that. Definite beginnings of fluster.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
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Ambelin Kwaymullina (The Interrogation of Ashala Wolf (The Tribe, #1))
Joke: What was the octopus's favorite game at the beach BBQ? Tidal Pool Twister
Heather Wolf
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SAFARI tents remain zipped, hotel pools are empty, game guides idle among lions and elephants. Tour operators across Africa are reporting the biggest drop in business in living memory. A specialist travel agency, SafariBookings.com, says a survey of 500 operators in September showed a fall in bookings of between 20% and 70%. Since then the trend has accelerated, especially in Botswana, Kenya, South Africa and Tanzania. Several American and European agents have stopped offering African tours for the time being. The reason is the outbreak of the Ebola virus in west Africa, which has killed more than 5,000 people. The epidemic is taking place far from the big safari destinations in eastern and southern Africa—as far or farther than the
Anonymous
401(k) industry “the largest dark pool of assets where nobody really knows how or whose hands are getting greased.
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Luckily, it was summer in Arizona, he had a pool, and Brian had a pre-teen daughter. Simple as that. After a month of regular family cookouts, it was no longer uncommon for Brian to show up at the house unannounced, grab an unoffered beer, and plant himself on the couch to catch a game uninvited.
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