“
Some people care too much. I think it's called love.
”
”
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
“
How do you spell 'love'?" - Piglet
"You don't spell it...you feel it." - Pooh
”
”
A.A. Milne
“
How lucky am I to have something that makes saying goodbye so hard.
”
”
A.A. Milne (The Complete Tales of Winnie-the-Pooh)
“
To her-
Hand in hand we come
Christopher Robin and I
To lay this book in your lap.
Say you're surprised?
Say you like it?
Say it's just what you wanted?
Because it's yours-
because we love you.
”
”
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
“
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches.
May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty.
When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer.
Guide her, protect her
When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age.
Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels.
What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit.
May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers.
Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait.
O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed.
And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it.
And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back.
“My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
”
”
Tina Fey (Bossypants)
“
Oh, Bear!” said Christopher Robin. “How I do love you!” “So do I,” said Pooh.
”
”
A.A. Milne (Winnie the Pooh (Winnie-the-Pooh, #1))
“
Pooh, how do you spell love?' 'You don't spell love Piglet, you feel it
”
”
A.A. Milne
“
Well, look at the other characters in Winnie the Pooh. They all actually demonstrate that Pooh is the most mentally balanced. There’s Tigger, I mean, that tiger just can’t stay in the moment and enjoy it. He’s too much of a hedonist; he always wants the next adventure. That’s not healthy, he’ll burn out.” I started properly laughing. “And what about Eeyore?” “Well he’s a depressive, isn’t he? If Eeyore walked into my doctor’s office he’d be prescribed with a lifetime supply of antidepressants. And not just because US doctors dole them out like candy canes at Christmas.” The music stopped and I found myself clapping without even looking. “But Pooh?” “Pooh lives in the moment. He doesn’t fret about the past, or freak about the future. He’s an expert at mindfulness.” Kyle
”
”
Holly Bourne (How Hard Can Love Be? (The Spinster Club, #2))
“
Oh, pooh, you’re just like akri. No, Simmi, don’t be breathing fire around the flammable objects or small children. Except for that black plastic card that’s not really plastic. It some metal thing, but the Simi loves it cause it let her buy everything she want without limit. He never say no to Simi when she use it. Oh, hello, there, Fang. You okay? You looking kind of peaked or piqued or…? Oh, heck, the Simi can never keep those straight. (Simi)
”
”
Sherrilyn Kenyon (Bad Moon Rising (Dark-Hunter, #18; Were-Hunter, #4; Hellchaser, #2))
“
Christopher Robin is going.
At least I think he is.
Where?
Nobody knows.
But he is going -
I mean he goes
(To rhyme with "knows")
Do we care?
(To rhyme with "where")
We do
Very much.
(I haven't got a rhyme for that "is" in the second line yet.
Bother).
(Now I haven't got a rhyme for bother. Bother)
Those two bothers will have to rhyme with each other
Buther.
The fact is this is more difficult
than I thought,
I ought -
(Very good indeed)
I ought
to begin again,
But it is easier
To stop.
Christopher Robin, good-bye,
I
(Good)
I
And all your friends
Sends -
I mean all your friend
Send -
(Very awkward this, it keeps going wrong.)
Well, anyhow, we send
Our love
END.
”
”
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
“
Pooh! away with love! Nay, my dear, we loved each other so dearly we should never have been happy with any one else; but that's a different thing. People aren't like what they were when we were young. All the love nowadays is just silly fancy, and sentimental romance, as far as I can see.
”
”
Elizabeth Gaskell (Wives and Daughters)
“
YOU
You are that song that plays rarely on the radio,
But when it does I have to sing it out loud…
You are the water that formed a puddle on a rainy day,that I played in,
When I was only eight years old.
You are the first snowfall of the season,
And the reason I like the morning...
You’re a single seashell that washed up onto the shore.
You are my set of old medals
Hidden deep in a drawer…
You are the sun, the moon, the stars, and all the planets.
You are the first breath of a baby just born.
Eres una dandelion que encuentro,
I pull, make a wish, then blow.
You are the sunrise that I tried to paint
after I woke up in Eilat.
You give the nights its meaning…
to dream, while others just sleep.
You are my 3rd grade valentine,
Read, frayed and loved a thousand times.
Eres perfección envuelto en humildad…
Eres oro, plata, y diamantes…
Eres mi querido viejito Pooh, que nunca lo abandonare.
You are my first time driving my brother’s Impala,
When I was just fourteen.
You are the name hidden deep inside my name…
And I’m the fingers interlaced with yours.
Eres el PS: I love you at the end la carta,
Y yo soy el PS: I love you too.
Somos el principio, el medio y la ultima palabra
De mi libro final.
Eternamente nosotros, nosotros, nosotros…
Porque nosotros siempre es mejor
Que solamente… yo…
YOU
”
”
José N. Harris
“
Do go and see, Owl. Because Pooh hasn’t got very much brain, and he might do something silly, and I do love him so, Owl. Do you see, Owl?
”
”
A.A. Milne (Winnie the Pooh (Winnie-the-Pooh, #1))
“
I love to read, but all through school I hated it when books were pulled apart and analyzed. Winnie-the-pooh as a political allegory, that sort of thing. It never really worked for me. There's a line in The Barretts of Wimpole Street - you know, the play - where Elizabeth Barrett is trying to work out the meaning of one of Robert Browning's poems, and she shows it to him, and he reads it and he tells her that when he wrote that poem, only God and Robert Browning knew what it meant and now only God knows. And that's how I feel about studying English. Who knows what the writer was thinking, and why should it matter? I'd rather just read for enjoyment."
'The Winter Sea
”
”
Susanna Kearsley
“
Some people care too much. I think it’s called love. -Winnie the Pooh
”
”
Lani Lynn Vale (Last Day of My Life (Freebirds, #4))
“
Vespers
Little Boy kneels at the foot of the bed,
Droops on the little hands little gold head.
Hush! Hush! Whisper who dares!
Christopher Robin is saying his prayers.
God bless Mummy. I know that's right.
Wasn't it fun in the bath tonight?
The cold's so cold, and the hot's so hot.
Oh! God bless Daddy -- I quite forgot.
If I open my fingers a little bit more,
I can see Nanny's dressing-gown on the door.
It's a beautiful blue, but it hasn't a hood.
Oh! God bless Nanny and make her good.
Mine has a hood, and I lie in bed,
And pull the hood right over my head,
And I shut my eyes, and I curl up small,
And nobody knows that I'm there at all.
Oh! Thank you, God, for a lovely day.
And what was the other I had to say?
I said "Bless Daddy," so what can it be?
Oh! Now I remember. God bless Me.
Little Boy kneels at the foot of the bed.
Droops on the little hands little gold head.
Hush! Hush! Whisper who dares!
Christopher Robin is saying his prayers.
”
”
A.A. Milne (When We Were Very Young (Winnie-the-Pooh, #3))
“
It took Lucy forty hours to die and we hardly left her side. . . .We spent those last hours kissing her frequently and telling her how deeply we loved her. Then I began to read Leah’s children’s books out loud to her. She had lived a storyless childhood, so I read in the last day of her life the books she had missed. I told her about Winnie the Pooh and Yertle the Turtle, took her Where the Wild Things Are, introduced her to Peter Rabbit and Alice in Wonderland. Each of us took turns reading to her out of Grimm’s Fairy Tales, and, at the very last, Leah insisted that I tell all the Great Dog Chippie stories I had told her during our year of exile from the family in Rome.
”
”
Pat Conroy (Beach Music)
“
Roo climbed off, and sat down next to him.
“Oo, Tigger,” he said excitedly, “are we at the top?”
“No,” said Tigger.
“Are we going to the top?”
“No,” said Tigger.
“Oh,” said Roo rather sadly. And then he went on hopefully: “That was a lovely bit just now, when you pretended we were going to fall-bump-to-the-bottom, and we didn’t. Will you do that bit again?”
“NO,” said Tigger.
Roo was silent for a little while, and then he said, “Shall we eat our sandwiches, Tigger?” And Tigger said, “Yes, where are they?” And Roo said, “At the bottom of the tree.” And Tigger said, “I don’t think we’d better eat them just yet.” So they didn’t.
”
”
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
“
Perhaps love is the process of my gently leading you back to yourself.” For that’s what that little dog did. He led, I followed, and in the end I became the man I dreamed of being when I was a little boy. So they went off together. But wherever they go, and whatever happens to them on the way, in that enchanted place on the top of the Forest, a little boy and his Bear will always be playing. —A. A. MILNE, THE HOUSE AT POOH CORNER
”
”
Tom Ryan (Following Atticus: Forty-Eight High Peaks, One Little Dog, and an Extraordinary Friendship)
“
What she thinks is: this could have been me. Why not? A real girl, in a real house, with a mother and a father and a brother and a sister and an aunt and an uncle and a nephew and a niece and a cousin and all those other words for the map of people who love each other and stay together. The map called family.
Growing up and growing old. Playing. Exploring. Like Pooh and Piglet. And then like the Famous Five. And then like Heidi and Anne of Green Gables. And then like Pandora, opening the great big box of the world and not being afraid, not even caring whether what’s inside is good or bad. Because it’s both. Everything is always both.
But you have to open it to find that out.
”
”
M.R. Carey (The Girl with All the Gifts (The Girl With All the Gifts, #1))
“
But in the Garden, we make our own heroes. The kids in the projects love Aunt Pooh because she gives them money. They don't care how she gets it. My dad talked about foul shit, yeah, but it's shit that happens around here. That makes him a hero. Maybe I can be one, too.
”
”
Angie Thomas (On the Come Up)
“
How about whatever song comes on next, that’s our song. It’ll be fate.”
“We can’t just make our own fate.”
“Sure we can.” Peter reaches over to turn on the radio.
“Wait! Just any radio station? What if it’s not a slow song?”
“Okay so we’ll put on Lite 101.” Peter hits the button.
“Winnie the Pooh doesn’t know what to do, got a honey jar stuck on his nose,” a woman croons.
Peter says, “What the hell?” as I say, “This can’t be our song.”
“Best out of three?” he suggests.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
at eleven o’clock in the morning, and he was very glad to see Rabbit getting out the plates and mugs; and when Rabbit said, ‘Honey or condensed milk with your bread?’ he was so excited that he said, ‘Both,’ and then, so as not to seem greedy, he added, ‘But don’t bother about the bread, please.’ And for a long time after that he said nothing … until at last, humming to himself in a rather sticky voice, he got up, shook Rabbit lovingly by the paw, and said that he must be going on.
”
”
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
“
Guess what song they picked for their first dance.”
“What song?”
“‘From This Moment On’ by Shania Twain.”
He frowns. “I never heard of that before.”
“It’s really cheesy, but they love it, apparently. Do you realize that we don’t have a song? Like, a song that’s ours.”
“Okay, then let’s pick one.”
“It doesn’t work like that. You don’t just pick your song. The song picks you. Like the Sorting Hat.”
Peter nods sagely. He finally finished reading all seven Harry Potter books and he’s always eager to prove that he gets my references. “Got it.”
“It has to just…happen. A moment. And the song transcends the moment, you know? My mom and dad’s song was ‘Wonderful Tonight’ by Eric Clapton. They danced to it at their wedding.”
“So how did it become their song, then?”
“It was the first song they ever slow danced to in college. It was at a dance, not long after they first started dating. I’ve seen pictures from that night. Daddy’s wearing a suit that was too big on him and my mom’s hair is in a French twist.”
“How about whatever song comes on next, that’s our song. It’ll be fate.”
“We can’t just make our own fate.”
“Sure we can.” Peter reaches over to turn on the radio.
“Wait! Just any radio station? What if it’s not a slow song?”
“Okay so we’ll put on Lite 101.” Peter hits the button.
“Winnie the Pooh doesn’t know what to do, got a honey jar stuck on his nose,” a woman croons.
Peter says, “What the hell?” as I say, “This can’t be our song.”
“Best out of three?” he suggests.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
How about whatever song comes on next, that’s our song. It’ll be fate.”
“We can’t just make our own fate.”
“Sure we can.” Peter reaches over to turn on the radio.
“Wait! Just any radio station? What if it’s not a slow song?”
“Okay so we’ll put on Lite 101.” Peter hits the button.
“Winnie the Pooh doesn’t know what to do, got a honey jar stuck on his nose,” a woman croons.
Peter says, “What the hell?” as I say, “This can’t be our song.”
“Best out of three?” he suggests.
“Let’s not force it. We’ll know it when we hear it, I think.”
“Maybe we’ll hear it at the prom,” Peter offers. “Oh, that reminds me. What color is your dress? My mom’s going to ask her florist friend to make your corsage.”
“It’s dusty pink.” It came in the mail yesterday, and when I tried it on for everybody, Trina said it was “the most Lara Jean” dress she’d ever seen. I texted a picture to Stormy, who wrote back, “Ooh-la-la,” with a dancing woman emoji.
“What the heck is dusty pink?” Peter wants to know.
“It’s like a rose gold color.” Peter still looks confused, so I sigh and say, “Just tell your mom. She’ll know.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Now, 'that sort of Bear' is of course a bear who wants to be flattered, and it is plain that the Christophoric ear is using Pooh to make its own devious request that it (the ear's projection, 'Christopher Robin') be made the center of attention. The Milnean voice, however, in its didactic-paternal role, is unprepared simply to feed the self-love of the Christophoric ear; it (the voice) must also see that it (the ear) is properly edified in a moral sense. The stories, therefore, will express a vector of the two forces pleasing and teaching the Christophoric ear.
”
”
Frederick C. Crews (The Pooh Perplex)
“
The ability to draw a connection between two things that had previously appeared to be unrelated is an important part of creativity, and it appears that it can be enhanced by electrical stimulation. Compared to participants who were given fake tDCS, those who got electricity created more unusual analogies—that is, analogies between things that seemed very unlike one another. Nevertheless, these highly creative analogies were just as accurate as the more obvious ones created by the participants whose devices were secretly turned off. Dopaminergic drugs can do the same thing. Although some patients who take dopaminergic drugs for Parkinson’s disease develop devastating compulsions, others experience enhanced creativity. One patient who came from a family of poets had never done any creative writing. After starting dopamine-boosting drugs for his Parkinson’s disease, he wrote a poem that won the annual contest of the International Association of Poets. Painters treated with Parkinson’s medication often increase their use of vivid color. One patient who developed a new style after being treated said, “The new style is less precise but more vibrant. I have a need to express myself more. I just let myself go.” Just like Winnie-the-Pooh: “It is the best way to write poetry, letting things come.
”
”
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
“
Maggie felt an unexpected pang. She had thought beforehand chiefly at her own deliverance from her teasing hair and teasing remarks about it, and something also of the triumph she should have over her mother and her aunts by this very decided course of action; she didn't want her hair to look pretty,–that was out of the question,–she only wanted people to think her a clever little girl, and not to find fault with her. But now, when Tom began to laugh at her, and say she was like an idiot, the affair had quite a new aspect. She looked in the glass, and still Tom laughed and clapped his hands, and Maggie's cheeks began to pale, and her lips to tremble a little.
"Oh, Maggie, you'll have to go down to dinner directly," said Tom. "Oh, my!"
...But Maggie, as she stood crying before the glass, felt it impossible that she should go down to dinner and endure the severe eyes and severe words of her aunts, while Tom and Lucy, and Martha, who waited at table, and perhaps her father and her uncles, would laugh at her; for if Tom had laughed at her, of course every one else would; and if she had only let her hair alone, she could have sat with Tom and Lucy, and had the apricot pudding and the custard! What could she do but sob? She sat as helpless and despairing among her black locks as Ajax among the slaughtered sheep. Very trivial, perhaps, this anguish seems to weather-worn mortals who have to think of Christmas bills, dead loves, and broken friendships; but it was not less bitter to Maggie–perhaps it was even more bitter–than what we are fond of calling antithetically the real troubles of mature life. "Ah, my child, you will have real troubles to fret about by and by," is the consolation we have almost all of us had administered to us in our childhood, and have repeated to other children since we have been grown up. We have all of us sobbed so piteously, standing with tiny bare legs above our little socks, when we lost sight of our mother or nurse in some strange place; but we can no longer recall the poignancy of that moment and weep over it, as we do over the remembered sufferings of five or ten years ago. Every one of those keen moments has left its trace, and lives in us still, but such traces have blent themselves irrecoverably with the firmer texture of our youth and manhood; and so it comes that we can look on at the troubles of our children with a smiling disbelief in the reality of their pain. Is there any one who can recover the experience of his childhood, not merely with a memory of what he did and what happened to him, of what he liked and disliked when he was in frock and trousers, but with an intimate penetration, a revived consciousness of what he felt then, when it was so long from one Midsummer to another; what he felt when his school fellows shut him out of their game because he would pitch the ball wrong out of mere wilfulness; or on a rainy day in the holidays, when he didn't know how to amuse himself, and fell from idleness into mischief, from mischief into defiance, and from defiance into sulkiness; or when his mother absolutely refused to let him have a tailed coat that "half," although every other boy of his age had gone into tails already? Surely if we could recall that early bitterness, and the dim guesses, the strangely perspectiveless conception of life, that gave the bitterness its intensity, we should not pooh-pooh the griefs of our children.
”
”
George Eliot (The Mill on the Floss)
“
The Mother’s Prayer for Its Daughter First, Lord: No tattoos. May neither the Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For Childhood is short—a Tiger Flower blooming Magenta for one day— And Adulthood is long and Dry-Humping in Cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, That I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes. Amen
”
”
Tina Fey (Bossypants)
“
Then call me Pierce because we're friends." He bent in close in the turn, eyes gleaming as they dropped to her lips. "Intimate friends, if I get my wish."
This time there was no mistaking his meaning. But he was so practiced and smooth that she couldn't help herself-she laughed. When that made him frown, she tried to suppress her amusement, but that only made her laugh harder.
"What's so funny?" he muttered.
"I'm sorry," she said, swallowing her amusement. "It's just that I've heard my brothers make such insinuations to women in that tone of voice for years, but I've never been on the receiving end."
Pierce's smile would rival that of Casanova. "I don't know why not," he said in a lazy drawl. His gaze raked her appreciatively as they swirled about the room. "Tonight, in that purple gown, you look particularly fetching. The color suits you."
"Thank you." Minerva had been trying to get her to stop wearing browns and oranges for years, but Celia had always pooh-poohed her sister's opinions. It was only after Virginia had said exactly the same thing last month that she'd begun to think she should listen. And to order new gowns accordingly.
"You're a lovely woman with the figure of a Venus and a mouth that could make a man-"
"You can stop now." Her amusement vanished. She'd be flattered if he meant a single word, but clearly this was just a game to him. "I don't need the full rogue treatment, I assure you."
Interest sparked in his eyes. "Hasn't it occurred to you that I might be sincere?"
"Only if you're sincerely trying to seduce me."
He cast her a blatantly carnal glance as he held her tighter. "Well, of course I'm trying to seduce you. What else would I be doing?"
She pitched her voice over the music. "I'm a respectable woman, you know."
"What has that got to do with anything?"
She arched an eyebrow at him as they moved in consort.
"Even a respectable woman might be tempted into, say, slipping out with a gentleman for a walk in the moonlit courtyard. And if said gentleman should happen to steal a kiss or two-"
"Lord Devonmont!"
"Fine." He smiled ruefully. "Bu you can't blame me for trying. You do look ravishing this evening."
"There you go again," she said, exasperated. "Can you never talk to a woman as if she's a normal person?"
"How dull that would be." When she frowned, he shook his head. "Very well. What scintillating topics of conversation did you have in mind?
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
From the very moment of Kanga's appearance the pastoral playground is overshadowed by doubt and guilt, for the all-too-loving anima-Woman has pitched her temple here!
”
”
Frederick C. Crews (The Pooh Perplex)
“
In a way, Melanie’s feelings about Miss Justineau have changed too, after that day. Or rather, they haven’t changed at all, but they’ve become about a hundred times stronger. There can’t be anyone better or kinder or lovelier than Miss Justineau anywhere in the world; Melanie wishes she was a god or a Titan or a Trojan warrior, so she could fight for Miss Justineau and save her from Heffalumps and Woozles. She knows that Heffalumps and Woozles are in Winnie-the-Pooh, not in a Greek myth, but she likes the words, and she likes the idea of saving Miss Justineau so much that it becomes her favourite thought. She thinks about it whenever she’s not thinking about anything else.
”
”
M.R. Carey (The Girl with All the Gifts (The Girl With All the Gifts, #1))
“
Lawrence hid himself in the Air Force under the name of Shaw to avoid being introduced for the rest of his life as ‘Lawrence of Arabia’. I do not want C. R. Milne ever to wish that his names were Charles Robert. The comparison between Lawrence of Arabia and Christopher Robin, which at first seems rather ridiculous, has real reverberations. Robert Graves once wrote of Lawrence, ‘He both despised and loved the legend that surrounded him’, and this was also true of Christopher Milne at different stages of his life. The great difference, of course, was that Lawrence’s legend was based on his own achievements, Christopher Robin’s on nothing he had done himself –and his mixed feelings would eventually transfer from the legend to his father, the author of it.
”
”
Ann Thwaite (Goodbye Christopher Robin: A.A. Milne and the Making of Winnie-the-Pooh)
“
So Pooh really didn’t know about his plan for murder. Poor thing. She was just in love and he’d manipulated her into being his little puppet.
”
”
Nika Michelle (The Reunion: A Forbidden Fruit Story 2 (Finale))
“
In the political realm, Republicans could never get away with what Bill Clinton did. South Carolina Governor Mark Sanford was widely castigated within his party for having a love affair with a woman from Argentina. Sanford, unlike Clinton, wasn’t just exercising his sex organs; he was genuinely smitten by the woman. The affair was consensual, and the two of them got engaged, although they subsequently parted ways and never married. Republicans, however, promptly initiated impeachment proceedings against Sanford. Contrast Republican intolerance for sexual harassment with Democratic approval for it. Democrats ferociously resisted Republican attempts to impeach Bill Clinton. Not only did Democrats pooh-pooh Bill’s conduct but they even excused his lying under oath, insisting that lying about sex should not be counted in this category. Throughout Bill’s career, Democrats have turned a blind eye to his history of sordid behavior toward women.
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Dinesh D'Souza (Hillary's America: The Secret History of the Democratic Party)
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You don´t spell it... you feel it
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Winnie the Pooh (Winnie The Pooh: Love Is...)
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I have one more gift for you,” Noah said, pulling out a small package, wrapped in simple Kraft paper.
Opening it, Arie found an old copy of A.A. Milne’s Winne the Pooh.
“It’s a first edition. I hope you’ll read it to our kids one day. You can even tell them the story about how a Princess had a picnic with Pooh and his friends at a castle on an island.”
She beamed. At that very moment, she couldn’t love him more, even if she tried.
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N.A. Leigh (Mr. Hinkle's Verum Ink: the navy blue book (Mr. Hinkle's Verium Ink 1))
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Little things repeated over time in community have a formative effect (why do you think US public schools begin each day with their own version of a creed, the Pledge of Allegiance?). As Winnie the Pooh once said, “Sometimes the smallest things take up the most room in your heart.
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James K.A. Smith (You Are What You Love: The Spiritual Power of Habit)
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Teaching and learning that are attuned to the spiritual power of habit recognize the cumulative power of little things, the formative power of micro practices. Little things repeated over time in community have a formative effect (why do you think US public schools begin each day with their own version of a creed, the Pledge of Allegiance?). As Winnie the Pooh once said, “Sometimes the smallest things take up the most room in your heart.
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James K.A. Smith (You Are What You Love: The Spiritual Power of Habit)
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Before Emily got sick, the last time I’d been to their house was when she invited me to an award banquet in honor of Paul. Please. I don’t want to be around those university wives alone, she said when she called. They’re so aggressive. I was surprised, we hadn’t been close for years, not since Dad died. But I went anyway, and of course Emily was completely in her element, the professors’ wives all half envious and half in love with her. I had spent the better part of the night by her side, playing the role of big sister—champion and bodyguard—before I realized that she invited me not to give her support, but to bear witness to her greatness. To the spectacle of her in rare form. Queen even in a world that pooh-poohed Hollywood. If religion is the opium of the people, one of her tenured professor friends said within earshot of me, then film is our partial lobotomy.
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Liska Jacobs (The Worst Kind of Want)