Pond Water Quotes

If you feel lost, disappointed, hesitant, or weak, return to yourself, to who you are, here and now and when you get there, you will discover yourself, like a lotus flower in full bloom, even in a muddy pond, beautiful and strong.

Man shouldn’t be able to see his own face--there’s nothing more sinister. Nature gave him the gift of not being able to see it, and of not being able to stare into his own eyes. Only in the water of rivers and ponds could he look at his face. And the very posture he had to assume was symbolic. He had to bend over, stoop down, to commit the ignominy of beholding himself. The inventor of the mirror poisoned the human heart.

After all, when a stone is dropped into a pond, the water continues quivering even after the stone has sunk to the bottom.

Landscapes of great wonder and beauty lie under our feet and all around us. They are discovered in tunnels in the ground, the heart of flowers, the hollows of trees, fresh-water ponds, seaweed jungles between tides, and even drops of water. Life in these hidden worlds is more startling in reality than anything we can imagine. How could this earth of ours, which is only a speck in the heavens, have so much variety of life, so many curious and exciting creatures?

Imagine you’re a fish, swimming in a pond. You can move forward and back, side to side, but never up out of the water. If someone were standing beside the pond, watching you, you’d have no idea they were there. To you, that little pond is an entire universe. Now imagine that someone reaches down and lifts you out of the pond. You see that what you thought was the entire world is only a small pool. You see other ponds. Trees. The sky above. You realize you’re a part of a much larger and more mysterious reality than you had ever dreamed of.

Rivers, ponds, lakes and streams — they all have different names, but they all contain water. Just as religions do — they all contain truths

The rose petal floats on water. The kingfisher flashes above the pond. Life and beauty swirl in the midst of death.

Memory warps time, as it does the sights and sounds and smells of reality; for what shapes it is emotion, which can twist what seems clear, just as the surface of a pond seems to bend the stick thrust into the water.

All things are meltable, and replaceable. Not at this moment, but soon enough, we are lambs and we are leaves, and we are stars, and the shining, mysterious pond water itself.

Now and then, an inch below the water's surface, the muscles of his stomach tightened involuntarily as he recalled another detail. A drop of water on her upper arm. Wet. An embroidered flower, a simple daisy, sewn between the cups of her bra. Her breasts wide apart and small. On her back, a mole half covered by a strap. When she climbed out of the pond a glimpse of the triangular darkness her knickers were supposed to conceal. Wet. He saw it, he made himself see it again. The way her pelvic bones stretched the material clear of the skin, the deep curve of her waist, her startling whiteness. When she reached for her skirt, a carelessly raised foot revealed a patch of soil on each pad of her sweetly diminished toes. Another mole the size of a farthing on her thigh and something purplish on her calf--a strawberry mark, a scar. Not blemishes. Adornments.

Beauty: "You called me beautiful last night." Beast: "You do not believe me then?" Beauty: "Well - no. Any number of mirrors have told me otherwise." Beast: "You will find no mirrors here, for I cannot bear them: nor any quiet water in ponds. And since I am the only one who sees you, why are you not then beautiful?

he was like water—cold, deep, unpredictable, and, like the pond up the canyon, dangerous, because you could never see what was beneath the surface. And just like I’d done all my life, I jumped in head first, even though I’d been forbidden. But this time, I drowned.

Knowledge can be like the skin on the surface of the water in a pond, or it can go all the way down to the mud. It can be the tiny tip of the iceberg or the whole hundred percent.

Maybe we all have in us a secret pond where evil and ugly things germinate and grow strong. But this culture is fenced, and the swimming brood climbs up only to fall back. Might it not be that in the dark pools of some men the evil grows strong enough to wriggle over the fence and swim free? Would not such a man be our monster, and are we not related to him in our hidden water? It would be absurd if we did not understand both angels and devils, since we invented them.

I was only then, when I knew I was alone, at least for the moment, that I reached under my gown into the pocket of my dress. As I pulled out my key from the yellow house, which I'd kept on my bureau since the day Nate left, I traced the shape one last time before folding my hand tightly around it. Behind me, Cora was calling again. My family was waiting. Looking down at the pond, all I could think was that it is an incredible thing, how a whole world can rise from what seems like nothing at all. I stepped closer to the edge, keeping my eyes on my reflection as I dropped the key into the water, where it landed with a splash. At first, the fish darted away, but as it began to sink they circled back, gathering around. Together, they followed it down, down until it was gone.<3

We fitted together like the two halves of an oyster-shell. I was Narcissus, embracing the pond in which I was about to drown. However much we had to hide our love, however guarded we had to be about our pleasure, I could not long be miserable about a thing so very sweet. Nor, in my gladness, could I quite believe that anybody would be anything but happy for me if only they knew.

What's the worth of sadness in front of happiness? Like a leaf that's blown away by the wind. What's the worth of despair in front of hope? Like a dirty stone that's thrown in a clean pond. What's the worth of chaos in front of peace? Like a flying kite that's string has been cut down. What's the worth of disunion in front of the union? Like a fish that's breathing but not in water.

At Blackwater Pond At Blackwater Pond the tossed waters have settled after a night of rain. I dip my cupped hands. I drink a long time. It tastes like stone, leaves, fire. It falls cold into my body, waking the bones. I hear them deep inside me, whispering oh what is that beautiful thing that just happened?

I catch a flash of red-gold beneath the surface of the water, and realize that there are koi in the pond, massive, serene, and I wonder: are they dreams of fish, or fish who dream?

When a stone is dropped into a pond, the water continues quivering even after the stone has sunk to the bottom.

Among our Potawatomi people, women are the Keepers of Water. We carry the sacred water to ceremonies and act on its behalf. “Women have a natural bond with water, because we are both life bearers,” my sister said. “We carry our babies in internal ponds and they come forth into the world on a wave of water. It is our responsibility to safeguard the water for all our relations.

There must be quite a few things a hot bath won’t cure, but I don’t know many of them. Whenever I’m sad I’m going to die, or so nervous I can’t sleep, or in love with somebody I won’t be seeing for a week, I slump down just so far and then I say: 'I’ll go take a hot bath.' I meditate in the bath.The water needs to be very hot, so hot you can barely stand putting your foot in it. Then you lower yourself, inch by inch, till the water’s up to your neck. I remember the ceiling over every bathtub I’ve stretched out in. I remember the texture of the ceilings and the cracks and the colors and the damp spots and the light fixtures. I remember the tubs, too: the antique griffin-legged tubs, and the modern coffin-shaped tubs, and the fancy pink marble tubs overlooking indoor lily ponds, and I remember the shapes and sizes of the water taps and the different sorts of soap holders. I never feel so much myself as when I’m in a hot bath.

Without thinking, I knelt in the grass, like someone meaning to pray. When I tried to stand again, I couldn't move, my legs were utterly rigid. Does grief change you like that? Through the birches, I could see the pond. The sun was cutting small white holes in the water. I got up finally; I walked down to the pond. I stood there, brushing the grass from my skirt, watching myself, like a girl after her first lover turning slowly at the bathroom mirror, naked, looking for a sign. But nakedness in women is always a pose. I was not transfigured. I would never be free.

All her life she had believed in something more, in the mystery that shape-shifted at the edge of her senses. It was the flutter of moth wings on glass and the promise of river nymphs in the dappled creek beds. It was the smell of oak trees on the summer evening she fell in love, and the way dawn threw itself across the cow pond and turned the water to light.

Old pond — frogs jumped in — sound of water

The Pond" August of another summer, and once again I am drinking the sun and the lilies again are spread across the water. I know now what they want is to touch each other. I have not been here for many years during which time I kept living my life. Like the heron, who can only croak, who wishes he could sing, I wish I could sing. A little thanks from every throat would be appropriate. This is how it has been, and this is how it is: All my life I have been able to feel happiness, except whatever was not happiness, which I also remember. Each of us wears a shadow. But just now it is summer again and I am watching the lilies bow to each other, then slide on the wind and the tug of desire, close, close to one another, Soon now, I'll turn and start for home. And who knows, maybe I'll be singing.

What of miniature boats constructed of birch bark and fallen leaves, launched onto cold water clear as air? How many fleets were pushed out toward the middles of ponds or sent down autumn brooks, holding treasures of acorns, or black feathers, or a puzzled mantis? Let those grassy crafts be listed alongside the iron hulls that cleave the sea, for they are all improvisations built from the daydreams of men, and all will perish, whether from the ocean siege or October breeze.

Willow trees dipped their bare branches into pond water like girls testing the temperature with their toes.

We'll always keep our bangles in brown pond water in the future. They're so much more beautiful that way

King Arthur: I am your king. Peasant Woman: Well, I didn't vote for you. King Arthur: You don't vote for kings. Peasant Woman: Well, how'd you become king, then? [Angelic music plays... ] King Arthur: The Lady of the Lake, her arm clad in the purest shimmering samite, held aloft Excalibur from the bosom of the water, signifying by divine providence that I, Arthur, was to carry Excalibur. That is why I am your king. Dennis the Peasant: Listen. Strange women lying in ponds distributing swords is no basis for a system of government. Supreme executive power derives from a mandate from the masses, not from some farcical aquatic ceremony. Arthur: Be quiet! Dennis the Peasant: You can't expect to wield supreme power just 'cause some watery tart threw a sword at you!

Instead, she's as still as a leaf-littered pond, dark water evaporating, waiting desperately for rain.

The sign outside this tent is accompanied by a small box full of smooth black stones. The text instructs you to take one with you as you enter. Inside, the tent is dark, the ceiling covered with open black umbrellas, the curving handles hanging down like icicles. In the center of the room there is a pool. A pond enclosed within a black stone wall that is surrounded by white gravel. The air carries the salty tinge of the ocean. You walk over to the edge to look inside. The gravel crunches beneath your feet. It is shallow, but it is glowing. A shimmering, shifting light cascades up through the surface of the water. A soft radiance, enough to illuminate the pool and the stones that sit at the bottom. Hundreds of stones, each identical to the one you hold in your hand. The light beneath filters through the spaces between the stones. Reflections ripple around the room, making it appear as though the entire tent is underwater. You sit on the wall, turning your black stone over and over in your fingers. The stillness of the tent becomes a quiet melancholy. Memories begin to creep forward from hidden corners of your mind. Passing disappointments. Lost chances and lost causes. Heartbreaks and pain and desolate, horrible loneliness. Sorrows you thought long forgotten mingle with still-fresh wounds. The stone feels heavier in your hand. When you drop it in the pool to join the rest of the stones, you feel lighter. As though you have released something more than a smooth polished piece of rock.

I knew, even as we touched that I had never wanted anything more in all my life. All my crabbed cravings were as a cupful of pond water beside the vast ocean of longing I felt surging through me. My head swam; my eyes blurred. I burned from the inside out as if my blood and bones were consumed with liquid fire.

The first place that I can well remember, was a large pleasant meadow with a pond of clear water in it. Some shady trees leaned over it, and rushes and water-lilies grew at the deep end. Over the hedge on one side we looked into a plowed field, and on the other we looked over a gate at our master's house, which stood by the roadside;

Directly beneath the Lotus Pond of Paradise lay the lower depths of Hell, and as He peered through the crystalline waters, He could see the River of Three Crossings and the Mountain of Needles as clearly as if He were viewing pictures in a peep-box.

There are times in relationships, when we blow it. In spite of our best intentions, we wrong others. Our jealousy makes us feel inferior. Our own wounds cause us to act irrationally. Our insecurities lead us to say hurtful things. And so, we find ourselves acting out. In short, we cloud our lives with muddy water. We trash around the pond of our emotions until things are just too messed up to figure out how to fix them. It is in the times of muddy water that we learn how to wait it out. We have to wait until the mud settles. We must wait until we can clearly see where the water of our lives ends and the mud of misplaced emotions begin. Have the patience to wait until the mud settles. Be still until the water is clear. In clear water, words come. Right actions reveal them selves and healing appears.---From the Devotional A Word in Season

A narrow pond would form in the orchard, water clear as air covering grass and black leaves and fallen branches, all around it black leaves and drenched grass and fallen branches, and on it, slight as an image in an eye, sky, clouds, trees, our hovering faces and our cold hands.

In order to elucidate especially and most clearly the origination of this error (...) let us imagine a man who, while standing on the street, would say to himself: "It is six o'clock in the evening, the working day is over. Now I can go for a walk, or I can go to the club; I can also climb up the tower to see the sunset; I can go to the theater; I can visit this friend or that one; indeed, I also can run out of the gate, into the wide world, and never return. All of this is strictly up to me, in this I have complete freedom. But still I shall do none of these things now , but with just as free a will I shall go home to my wife". This is exactly as if water spoke to itself: "I can make high waves (yes! in the sea during a storm), I can rush down hill (yes! in the river bed), I can plunge down foaming and gushing (yes! in the waterfall), I can rise freely as a stream of water into the air (yes! in the fountain), I can, finally boil away and disappear (yes! at a certain temperature); but I am doing none of these things now, and am voluntaringly remaining quiet and clear water in the reflecting pond.

In Darwinian terms, a religion that ignores scientific facts and refuses to change its beliefs is like a fish stranded in a slowly drying pond and refusing to flip to deeper water because it doesn’t want to believe its world has changed.

I love how golf courses have water hazards. But the ponds feel empty without ducks. I'd like to start a business renting my ducks out to country clubs.

Boys [should be] inured from childhood to trifling risks and slight dangers of every possible description, such as tumbling into ponds and off of trees, etc., in order to strengthen their nervous system... They ought to practice leaping off heights into deep water. They ought never to hesitate to cross a stream over a narrow unsafe plank for fear of a ducking. They ought never to decline to climb up a tree, to pull fruit merely because there is a possibility of their falling off and breaking their necks. I firmly believe that boys were intended to encounter all kinds of risks, in order to prepare them to meet and grapple with risks and dangers incident to man’s career with cool, cautious self-possession...

Oh, pride, pride. I was so wrong. It defeated me. It simply proved insurmountable. There was so much, oh, far too much for me. I mean, there's the weather, there's the water and the land, there are the animals, and the buildings, and the past and the future, there's space, there's history. There's this thread or something caught between my teeth, there's the old woman across the way, did you notice she switched the donkey and the squirrel on her windowsill? And, of course, there's time. And place. And there's you, Mrs. D. I wanted to tell part of the story of part of you. Oh, I'd love to have done that." "Richard. You wrote a whole book." "But everything's left out of it, almost everything. And then I just stuck on a shock ending. Oh, now, I'm not looking for sympathy, really. We want so much, don't we?" "Yes. I suppose we do." "You kissed me beside a pond." "Ten thousand years ago." "It's still happening.

You squeeze the eyedropper, and a drop of pond water drips out onto the microscope stage. You look at the projected image. The drop is full of life - strange beings swimming, crawling, tumbling; high dramas of pursuit and escape, triumph and tragedy. This is a world populated by beings far more exotic than in any science fiction movie...

The point is this: that the stream of memory may lead you to the river of understanding. And understanding, in turn, may be a tributary to the river of forgiveness. Perhaps, Dominick, you have yet to emerge fully from the pond where you swam that morning so long ago. And perhaps, when you do, you will no longer look into the water and see the reflection of a son of a bithc.

About suffering they were never wrong, The Old Masters; how well, they understood Its human position; how it takes place While someone else is eating or opening a window or just walking dully along; How, when the aged are reverently, passionately waiting For the miraculous birth, there always must be Children who did not specially want it to happen, skating On a pond at the edge of the wood: They never forgot That even the dreadful martyrdom must run its course Anyhow in a corner, some untidy spot Where the dogs go on with their doggy life and the torturer’s horse Scratches its innocent behind on a tree. In Breughel’s Icarus, for instance: how everything turns away Quite leisurely from the disaster; the ploughman may Have heard the splash, the forsaken cry, But for him it was not an important failure; the sun shone As it had to on the white legs disappearing into the green Water; and the expensive delicate ship that must have seen Something amazing, a boy falling out of the sky, had somewhere to get to and sailed calmly on.

But the laughter was like a water bug on a pond, skating across the surface of his mind. He was amused and he laughed, but nothing was deeply funny; life was simply stupid most of the time.

When you drop a pebble into a pond, ripples spread out, changing all the water in the pool. The ripples hit the shore and rebound, bumping into one another, breaking each other apart. In some small way, the pond is never the same again.

The audience had run to beards and magenta shirts and original ways of arranging its neckwear; and not content with the ravages produced in its over-excitable nervous system by the remorseless workings of its critical intelligence, it had sat through a film of Japanese life called 'Yes,' made by a Norwegian film company in 1915 with Japanese actors, which lasted an hour and three-quarters and contained twelve close-ups of water-lilies lying perfectly still on a scummy pond and four suicides, all done extremely slowly.

The Boys and the Frogs SOME BOYS, playing near a pond, saw a number of Frogs in the water and began to pelt them with stones. They killed several of them, when one of the Frogs, lifting his head out of the water, cried out: "Pray stop, my boys: what is sport to you, is death to us.

The night folded around them with a sweetness and poignancy heightened by the new pale stars that prickled silver fire in the water of the lily ponds, by the scented winds, and by the nearness of each other.

On the fourth day, we came upon a cavern with a perfectly still pool that gave the illusion of a night sky, its depths sparkling with tiny luminescent fish. Mal and I were slightly ahead of the others. He dipped his hand in, then yelped and drew back. “They bite.” “Serves you right,” I said. “‘Oh, look, a dark lake full of something shiny. Let me put my hand in it.’” “I can’t help being delicious,” he said, that familiar cocky grin flashing across his face like light over water. Then he seemed to catch himself. He shouldered his pack, and I knew he was about to move away from me. I wasn’t sure where the words came from: “You didn’t fail me, Mal.” He wiped his damp hand on his thigh. “We both know better.” “We’re going to be traveling together for who knows how long. Eventually, you’re going to have to talk to me.” “I’m talking to you right now.” “See? Is this so terrible?” “It wouldn’t be,” he said, gazing at me steadily, “if all I wanted to do was talk.” My cheeks heated. You don’t want this, I told myself. But I felt my edges curl like a piece of paper held too close to fire. “Mal—” “I need to keep you safe, Alina, to stay focused on what matters. I can’t do that if . . .” He let out a long breath. “You were meant for more than me, and I’ll die fighting to give it to you. But please don’t ask me to pretend it’s easy.” He plunged ahead into the next cave. I looked down into the glittering pond, the whorls of light in the water still settling after Mal’s brief touch. I could hear the others making their noisy way through the cavern. “Oncat scratches me all the time,” said Harshaw as he ambled up beside me. “Oh?” I asked hollowly. “Funny thing is, she likes to stay close.” “Are you being profound, Harshaw?” “Actually, I was wondering, if I ate enough of those fish, would I start to glow?” I shook my head. Of course one of the last living Inferni would have to be insane. I fell into step with the others and headed into the next tunnel. “Come on, Harshaw,” I called over my shoulder. Then the first explosion hit.

Fireflies.” “What?” Iseult splashed upright. Chill bumps raced down her arms. “There.” Aeduan waved across the pond. “Fireflies. They’re good luck in Marstok, I’ve heard. And children make wishes on them.” There was something light to Aeduan’s voice, as if he … “Are you making a joke?” Iseult pushed to her feet. Water droplets splattered across the stone. “No.” Iseult didn’t believe him.

It snows. So I don't even have to go to the pond for fresh water — just reach out the door for a handful of snow. Melt it, and it's sweet as the sky.

All her life she had believed in something more, in the mystery that shape-shifted at the edge of her senses. It was the flutter of moth wings on glass and the promise of river nymphs in the dappled creek beds. It was the smell of oak trees on the summer evening she fell in love, and the way dawn threw itself across the cow pond and turned the water to light.

A man's face is the surface of a pond, reflecting the sky, reflecting the trees, reflecting whatever is the object of his gaze and his love, the reflection hiding his depths. But when the wave passes, in the swell, for an instant, you can see what lies beneath the waters.

As for life, I'm humbled, I'm without words sufficient to say how it has been hard as flint, and soft as a spring pond, both of these and over and over, and long pale afternoons besides, and so many mysteries beautiful as eggs in a nest, still unhatched though warm and watched over by something I have never seen – a tree angel, perhaps, or a ghost of holiness. Every day I walk out into the world to be dazzled, then to be reflective. It suffices, it is all comfort – along with human love, dog love, water love, little-serpent love, sunburst love, or love for that smallest of birds flying among the scarlet flowers. There is hardly time to think about stopping, and lying down at last to the long afterlife, to the tenderness yet to come, when time will brim over the singular pond, and become forever, and we will pretend to melt away into the leaves. As for death, I can't wait to be the hummingbird, can you?

The water in the pond inside my heart doesn't shine anymore. It has turned dark. Every ghost from my mind breaks all the barriers and take a dip there, making it darker. and every time it happens, my soul in the pond cries with pain.

And who in his mind has not probed the black water? Maybe we all have in us a secret pond where evil and ugly things germinate and grow strong. But this culture is fenced, and the swimming brood climbs up only to fall back. Might it not be that in the dark pools of some men the evil grows strong enough to wriggle over the fence and swim free? Would not such a man be our monster, and are we not related to him in our hidden water? It would be absurd if we did not understand both angels and devils, since we invented them.

The first sorrow of autumn is the slow good-bye of the garden that stands so long in the evening—a brown poppy head, the stalk of a lily, and still cannot go. The second sorrow is the empty feet of a pheasant who hangs from a hook with his brothers. The woodland of gold is folded in feathers with its head in a bag. And the third sorrow is the slow good-bye of the sun who has gathered the birds and who gathers the minutes of evening, the golden and holy ground of the picture. The fourth sorrow is the pond gone black, ruined, and sunken the city of water—the beetle's palace, the catacombs of the dragonfly. And the fifth sorrow is the slow good-bye of the woodland that quietly breaks up its camp. One day it's gone. It has only left litter—firewood, tent poles. And the sixth sorrow is the fox's sorrow, the joy of the huntsman, the joy of the hounds, the hooves that pound; till earth closes her ear to the fox's prayer. And the seventh sorrow is the slow good-bye of the face with its wrinkles that looks through the window as the year packs up like a tatty fairground that came for the children.

Like the ripples from a stone tossed into the pond from the water’s edge, the effects of our choices extend infinitely outward. Even the smallest of acts reverberates in the ears of unwritten histories.

Anytime that is ‘betwixt and between’ or transitional is the faeries’ favorite time. They inhabit transitional spaces: the bottom of the garden, existing in a space between manmade cultivation and wilderness. Look for them in the space between nurture and nature, they are to be found at all boarders and boundaries, or on the edges of water where it is neither land nor lake, neither path nor pond. They come when we are half-asleep. They come at moments when we least expect them; when our rational mind balances with the fluid irrational.

There’s a simple joy in casting a rock into still waters and watching the ripples spread. It’s the thrill of destruction combined with the surety that all will be well again—everything as it was. A stone had fallen into my comfortable existence at court, so large that the waves washed me to the ends of the earth, but perhaps on my return I would find it as before, unchanged and waiting to receive me. Much of what men do in later life is just throwing stones, albeit bigger stones into different ponds.

Perhaps swimming was dancing under the water, he thought. To swim under lily pads seeing their green slender stalks wavering as you passed, to swim under upraised logs past schools of sunfish and bluegills, to swim through reed beds past wriggling water snakes and miniature turtles, to swim in small lakes, big lakes, Lake Michigan, to swim in small farm ponds, creeks, rivers, giant rivers where one was swept along easefully by the current, to swim naked alone at night when you were nineteen and so alone you felt like you were choking every waking moment, having left home for reasons more hormonal than rational; reasons having to do with the abstraction of the future and one's questionable place in the world of the future, an absurdity not the less harsh for being so widespread.

The orange of the golden carp appeared at the edge of the pond. . . . We watched in silence at the beauty and grandeur of the great fish. Out of the corners of my eyes I saw Cico hold his hand to his breast as the golden carp glided by. Then with a switch of his powerful tail the golden carp disappeared into the shadowy water under the thicket.

Does a caterpillar sit on the same leaf when it's a butterfly? No! It goes for a little fly and sees something of the world. Does the tadpole stay in the same pond once it's a frog? No! It stretches its legs, goes for a jump, explores other waters. Did Cinderella go back cleaning hearths once she married the prince? ... Transformation means moving forward. If a butterfly stays on the same leaf and a frog stays in the same pond, then they may as well have stayed a caterpillar or a tadpole. There was no point in metamorphosing.

I watched bulls bred to cows, watched mares foal, I saw life come from the egg and the multiplicative wonders of mudholes and ponds, the jell and slime of life shimmering in gravid expectation. Everywhere I looked, life sprang from something not life, insects unfolded from sacs on the surface of still waters and were instantly on prowl for their dinner, everything that came into being knew at once what to do and did it, unastonished that it was what it was, unimpressed by where it was, the great earth heaving up bloodied newborns from every pore, every cell, bearing the variousness of itself from every conceivable substance which it contained in itself, sprouting life that flew or waved in the wind or blew from the mountains or stuck to the damp black underside of rocks, or swam or suckled or bellowed or silently separated in two.

Tell you something," the raven said. "I was flying over the Midwest once." He stopped abruptly, closed his eyes for a moment, opened them, and began again. "I was flying over the Midwest. Iowa or Illinois, or some place like that. And I saw this big damn seagull. Right in the middle of Iowa, a seagull. And he was flying around in big, wide circles, real sweeping circles, the way a seagull flies, flapping his wings just enough to keep on the updrafts. Every time he saw water he'd go flying down toward it, yelling, "I found it! I found it!" The poor sonofabitch was looking for the ocean. And every time he saw water, he thought that was the ocean. He didn't know anything about ponds or lakes or anything. All the water he ever saw was the ocean. He thought that was all the water there was.

[Adapted and condensed Valedictorian speech:] I'm going to ask that you seriously consider modeling your life, not in the manner of the Dalai Lama or Jesus - though I'm sure they're helpful - but something a bit more hands-on, Carassius auratus auratus, commonly known as the domestic goldfish. People make fun of the goldfish. People don't think twice about swallowing it. Jonas Ornata III, Princeton class of '42, appears in the Guinness Book of World Records for swallowing the greatest number of goldfish in a fifteen-minute interval, a cruel total of thirty-nine. In his defense, though, I don't think Jonas understood the glory of the goldfish, that they have magnificent lessons to teach us. If you live like a goldfish, you can survive the harshest, most thwarting of circumstances. You can live through hardships that make your cohorts - the guppy, the neon tetra - go belly-up at the first sign of trouble. There was an infamous incident described in a journal published by the Goldfish Society of America - a sadistic five-year-old girl threw hers to the carpet, stepped on it, not once but twice - luckily she'd done it on a shag carpet and thus her heel didn't quite come down fully on the fish. After thirty harrowing seconds she tossed it back into its tank. It went on to live another forty-seven years. They can live in ice-covered ponds in the dead of winter. Bowls that haven't seen soap in a year. And they don't die from neglect, not immediately. They hold on for three, sometimes four months if they're abandoned. If you live like a goldfish, you adapt, not across hundreds of thousands of years like most species, having to go through the red tape of natural selection, but within mere months, weeks even. You give them a little tank? They give you a little body. Big tank? Big body. Indoor. Outdoor. Fish tanks, bowls. Cloudy water, clear water. Social or alone. The most incredible thing about goldfish, however, is their memory. Everyone pities them for only remembering their last three seconds, but in fact, to be so forcibly tied to the present - it's a gift. They are free. No moping over missteps, slip-ups, faux pas or disturbing childhoods. No inner demons. Their closets are light filled and skeleton free. And what could be more exhilarating than seeing the world for the very first time, in all of its beauty, almost thirty thousand times a day? How glorious to know that your Golden Age wasn't forty years ago when you still had all you hair, but only three seconds ago, and thus, very possibly it's still going on, this very moment." I counted three Mississippis in my head, though I might have rushed it, being nervous. "And this moment, too." Another three seconds. "And this moment, too." Another. "And this moment, too.

A forest is a living thing like a human body...each part dependent on all the other parts. A forest needs its birds, its beaver...all its animals and plants. The forest gives shelter to the birds, but they repay the debt with the insects they eat, the droppings they leave, the seeds they carry off to plant elsewhere. The beaver builds dams for himself, but the dams keep water on the land, and although the beaver cut trees to use and to eat, their ponds provide water for the trees during the hot, dry months....Listen, and you can hear the forest breath.

The magic in that country was so thick and tenacious that it settled over the land like chalk-dust and over floors and shelves like sticky plaster-dust. (House-cleaners in that country earned unusually good wages.) If you lived in that country, you had to de-scale your kettle of its encrustation of magic at least once a week, because if you didn't, you might find yourself pouring hissing snakes or pond slime into your teapot instead of water. (It didn't have to be anything scary or unpleasant, especially in a cheerful household - magic tended to reflect the atmosphere of the place in which it found itself -- but if you want a cup of tea, a cup of lavender-and-gold pansies or ivory thimbles is unsatisfactory.)

There was a child went forth every day, And the first object he look'd upon, that object he became, And that object became part of him for the day or a certain part of the day, Or for many years or stretching cycles of years. The early lilacs became part of this child, And grass and white and red morning glories, and white and red clover, And the song of the phoebe-bird, And the Third-month lambs and the sow's pink-faint litter, and the mare's foal and the cow's calf, And the noisy brood of the barnyard or by the mire of the pond-side, And the fish suspending themselves so curiously below there, and the beautiful curious liquid, And the water-plants with their graceful flat heads, all became part of him.

The first time I looked into a microscope at seaweed and pond water micro- organisms, there was something inside me that shifted—like the way people describe falling in love. And if I hadn’t been given the opportunity to cut into a cow’s eyeball at the age of fifteen, maybe I would have never majored in science, or gone on the semester study abroad trip to Colombia with the UC Santa Cruz biology department. So yes, I blamed seaweed and pond water microorganisms, a cow’s eyeball, and my teachers, the real culprits, for starting me down this path. Just like accident investigators put together a timeline, I call this the causation analysis of my love life.

Now I dream of the soft touch of women, the songs of birds, the smell of soil crumbling between my fingers, and the brilliant green of plants that I diligently nurture. I am looking for land to buy and I will sow it with deer and wild pigs and birds and cottonwoods and sycamores and build a pond and the ducks will come and fish will rise in the early evening light and take the insects into their jaws. There will be paths through this forest and you and I will lose ourselves in the soft curves and folds of the ground. We will come to the water’s edge and lie on the grass and there will be a small, unobtrusive sign that says, THIS IS THE REAL WORLD, MUCHACHOS, AND WE ARE ALL IN IT.—B. TRAVEN. . . .

Underneath all things means that beneath the floorboards, in the depths, in the spaces between the pebbles or sandy floor that contain the pond, that hold our own inside person, is something that can't be destroyed, a foundation that keeps all the water from sinking back into the earth. Something is there, something we need, when we come to rest, when all is lost.

Now.Go all the way into the pond." "Um...how,exactly?" I was afraid she was going to make me hop out into the water until it was over my head, an image too mortifying to even contemplate. Cal stepped forward, hopefully to come to my rescue. "I could toss her off the pier, Ms. Vanderlyden." Or not. "Good," the Vandy said with a brisk nod, like that had been her plan all along. Then Cal leaned down and swept me into his arms. There were more giggles, and even a few sighs. I knew most girls would give up a vital organ for Cal to hold them, but my face flamed red. I wasn't sure this was any less embarrassing than flopping out into the pond on my own.

Do you know anything about frogs?" "Frogs?" "Yes, various biological studies have shown that if a frog is placed in a container along with water from its own pond, it will remain there, utterly still, while the water is slowly heated up. The frog doesn't react to the gradual increase in temperature, to the changes in its environment, and when the water reaches the boiling point, the frog dies, fat and happy. On the other hand, if a frog is thrown into a container full of already boiling water it will jump straight out again, scalded, but alive!" Olivia doesn't quite see what this has to do with the destruction of the world. Igor goes on: "I was like that boiled frog. I didn't notice the changes. I thought everything was fine, that the bad things would just go away, that it was just a matter of time. I was ready to die because I lost the most important thing in my life, but instead of reacting, I sat there bobbing apathetically about in water that was getting hotter by the minute.

Season late, day late, sun just down, and the sky Cold gunmetal but with a wash of live rose, and she, From water the color of sky except where Her motion has fractured it to shivering splinters of silver, Rises. Stands on the raw grass. Against The new-curdling night of spruces, nakedness Glimmers and, at bosom and flank, drips With fluent silver. The man, Some ten strokes out, but now hanging Motionless in the gunmetal water, feet Cold with the coldness of depth, all History dissolving from him, is Nothing but an eye. Is an eye only. Sees The body that is marked by his use, and Time's, Rise, and in the abrupt and unsustaining element of air, Sway, lean, grapple the pond-bank. Sees How, with that posture of female awkwardness that is, And is the stab of, suddenly perceived grace, breasts bulge down in The pure curve of their weight and buttocks Moon up and, in swelling unity, Are silver and glimmer. Then The body is erect, she is herself, whatever Self she may be, and with an end of the towel grasped in each hand, Slowly draws it back and forth across back and buttocks, but With face lifted toward the high sky, where The over-wash of rose color now fails. Fails, though no star Yet throbs there. The towel, forgotten, Does not move now. The gaze Remains fixed on the sky. The body, Profiled against the darkness of spruces, seems To draw to itself, and condense in its whiteness, what light In the sky yet lingers or, from The metallic and abstract severity of water, lifts. The body, With the towel now trailing loose from one hand, is A white stalk from which the face flowers gravely toward the high sky. This moment is non-sequential and absolute, and admits Of no definition, for it Subsumes all other, and sequential, moments, by which Definition might be possible. The woman, Face yet raised, wraps, With a motion as though standing in sleep, The towel about her body, under her breasts, and, Holding it there hieratic as lost Egypt and erect, Moves up the path that, stair-steep, winds Into the clamber and tangle of growth. Beyond The lattice of dusk-dripping leaves, whiteness Dimly glimmers, goes. Glimmers and is gone, and the man, Suspended in his darkling medium, stares Upward where, though not visible, he knows She moves, and in his heart he cries out that, if only He had such strength, he would put his hand forth And maintain it over her to guard, in all Her out-goings and in-comings, from whatever Inclemency of sky or slur of the world's weather Might ever be. In his heart he cries out. Above Height of the spruce-night and heave of the far mountain, he sees The first star pulse into being. It gleams there. I do not know what promise it makes him.

From Koltovitch's copse and garden there came a strong fragrant scent of lilies of the valley and honey-laden flowers. Pyotr Mihalitch rode along the bank of the pond and looked mournfully into the water. And thinking about his life, he came to the conclusion that he had never said or acted upon what he really thought, and that other people had repaid him in the same way. And so the whole of life seemed to him as dark as this water in which the night sky was reflected and water-weeds grew in a tangle. And it seemed to him that nothing could ever set it right.

Mom frowned, and I wanted to give her a thumbs-up to let her know I was okay. All I could manage was raising my bound hands in her general direction, clocking Cal on the chin as I did so. "Sorry." "No problem. Must be weird for you, having your mom here." "Weird for me, weird for her, probably weird for you since you had to give up your swinging bachelor pad." "Mrs. Casnoff let me install my heart-shaped Jacuzzi in my new dorm room." "Cal," I said with mock astonishment, "did you just make a joke?" "Maybe," he replied. We'd reached the end of the pier. I looked down at the water and tried not to shudder. "I'll be pretending, of course, but do you have any advice on how I'm supposed to not drown?" I asked Cal. "Don't breathe in water." "Oh,thanks,that's super helpful." Cal shifted me in his arms, and I tensed. Just before he tossed me into the pond, he leaned in and whispered, "Good luck." And then I hit the water. I can't say what my first thought was as I sunk below the surface, because it was mostly a string of four-letter words. The water was way too cold for a pond in Georgia in May, and I could feel the chill sinking all the way into my bones. Plus my chest started burning almost immediately, and I sunk all the way to the bottom, landing in the slimy mud. Okay,Sophie,I thought. Don't panic. Then I glanced over to my right, and through the murky water, made out a skull grinning back at me. I panicked.

Like That" Love me like a wrong turn on a bad road late at night, with no moon and no town anywhere and a large hungry animal moving heavily through the brush in the ditch. Love me with a blindfold over your eyes and the sound of rusty water blurting from the faucet in the kitchen, leaking down through the floorboards to hot cement. Do it without asking, without wondering or thinking anything, while the machinery’s shut down and the watchman’s slumped asleep before his small TV showing the empty garage, the deserted hallways, while the thieves slice through the fence with steel clippers. Love me when you can’t find a decent restaurant open anywhere, when you’re alone in a glaring diner with two nuns arguing in the back booth, when your eggs are greasy and your hash browns underdone. Snick the buttons off the front of my dress and toss them one by one into the pond where carp lurk just beneath the surface, their cold fins waving. Love me on the hood of a truck no one’s driven in years, sunk to its fenders in weeds and dead sunflowers; and in the lilies, your mouth on my white throat, while turtles drag their bellies through slick mud, through the footprints of coots and ducks. Do it when no one’s looking, when the riots begin and the planes open up, when the bus leaps the curb and the driver hits the brakes and the pedal sinks to the floor, while someone hurls a plate against the wall and picks up another, love me like a freezing shot of vodka, like pure agave, love me when you’re lonely, when we’re both too tired to speak, when you don’t believe in anything, listen, there isn’t anything, it doesn’t matter; lie down with me and close your eyes, the road curves here, I’m cranking up the radio and we’re going, we won’t turn back as long as you love me, as long as you keep on doing it exactly like that.

The universe was a disorderly mess, the only interesting bits being the organised anomalies. Hackworth had once taken his family out rowing on the pond in the park, and the ends of the yellow oars spun off compact vortices, and Fiona, who had taught herself the physics of liquids through numerous experimental beverage spills and in the bathtub, demanded an explanation for these holes in water. She leaned over the gunwale, Gwendolyn holding the sash of her dress, and felt those vortices with her hands, wanting to understand them. The rest of the pond, simply water in no particular order, was uninteresting.

Oak raised his head, and wondering what he could do, listlessly surveyed the scene. By the outer margin of the Pit was an oval pond, and over it hung the attenuated skeleton of a chrome-yellow moon which had only a few days to last—the morning star dogging her on the left hand. The pool glittered like a dead man’s eye, and as the world awoke a breeze blew, shaking and elongating the reflection of the moon without breaking it, and turning the image of the star to a phosphoric streak upon the water. All this Oak saw and remembered.

We needn't quibble about numbers," I said, loftily. "Oh, I think we do need," he said, and then just when I was about to relax, thinking I'd steered us back into safer waters, he dropped his arms again and his face went open and a little pale, leaving scared pink standing out on the edges of his collarbone. "I'd - - I'd like to ask. But not - - in here. After we - - if we - -" "Don't even try. I'm not getting engaged to go out with you," I said rudely, shoving in before he could drag us back onto the shoals. "If you're not asking, that's sufficient unto the day! If we make it out of here alive and you slog across the pond to come ask me, I'll decide what I think of it at the time, and until then, you can keep your Disney movie fantasies," and your secret pet mal, my brain unhelpfully inserted, "to yourself." He said, "Okay, okay, fine!" in a tone one-tenth irritation and nine-tenths relief, while I looked away, trying to stop my mouth contorting around the laugh I was having to fight so desperately to keep in yet again: thanks ever so, Aadhya. Her mum was a genius, actually.

The Frogs and the Well Some frogs lived happily in a puddle. Then summer arrived; as one hot day succeeded another, the puddle shrank until it disappeared altogether. The frogs had no choice but to seek a new home. They hopped painfully along, but everywhere they went they found dried-up ponds and empty river beds. Finally they came to a well. Looking down the deep shaft, they saw water at the bottom. "We're saved!" croaked one frog. "Let's jump in now!" "Wait a moment," said his less impulsive friend. "What will we do if this one also dries up?

There! The boys are in from the pond.” Winnie heard a burst of voices downstairs, and in a moment Miles and Jesse were climbing to the loft. “Here, child,” said Mae hastily. “Hide your eyes. Boys? Are you decent? What’d you put on to swim in? I got Winnie up here, do you hear me?” “For goodness’ sake, Ma,” said Jesse, emerging from the stairwell. “You think we’re going to march around in our altogether with Winnie Foster in the house?” And Miles, behind him, said, “We just jumped in with our clothes on. Too hot and tired to shed ’em.” It was true. They stood there side by side with their wet clothes plastered to their skins, little pools of water collecting at their feet. “Well!” said Mae, relieved. “All right. Find something dry to put on. Your pa’s got supper nearly ready.” And she hustled Winnie down the narrow stairs.

One day, the lotus spoke again. "You remember me? The flower that grows through the mud?" I did. I said as much. "Have you ever considered my significance? I'm everywhere - art, religion, nature.... Have you ever wondered why?" ... It spoke, "Nothing touches me. I radiate beauty. You can do the same." "How?" I asked. "Easy," it said. "I grow in a pond. I take the water and nutrients I need to grow, and let the rest sink to the bottom. What's in mud, anyway? Water, nutrients, life and a little bit of sludge. Let the sludge go like I do. Then stand tall above the leaves.

For long hours they sat without thinking, when, in the earliest stirrings of the long dawn, the fog lifting in peels from the surface of the warming water, Marie saw at the farthest edge of the pool the shape of a deer. And it was a doe, because a fawn was nuzzling at its belly, but it was unworldly, because it wore a rack of antlers upon its head and its body was made of the purest white. Seeing this creature as if fog gathered and made flesh, Marie held her breath and went entirely still. If her aunt had seen the doe, it would already be dead, blood unspooling in ribbons into the water. Then the white doe lifted her head and looked at Marie across the pond; looked her entire self into the girl. She spoke something there into the wordlessness at the center of Marie. Time stilled. The forest watched. Then the doe turned and with a single bound disappeared into the shrubbery with the fawn leaping behind.

Perhaps swimming was dancing in the water, he thought. To swim under lily pads seeing their green slender stalks wavering as you passed, to swim under upraised logs past schools of sunfish and bluegills, to swim through reed beds past wriggling water snakes and miniature turtles, to swim in small lakes, big lakes, Lake Michigan, to swim in small farm ponds, creeks, rivers, giant rivers where one was swept along easefully by the current, to swim naked alone at night when you were nineteen and so alone you felt like you were choking every waking moment, having left home for reasons more hormonal than rational; reasons having to do with the abstraction of the future and one's questionable place in the world of the future, an absurdity not the less harsh for being so widespread.

Flint's pond! Such is the poverty of our nomenclature. What right had the unclean and stupid farmer, whose farm abutted on this sky water, whose shores he has ruthlessly laid bare, to give his name to it? Some skin-flint, who loved better the reflecting surface of a dollar, or a bright cent, in which he could see his own brazen face; who regarded even the wild ducks which settled in it as trespassers; his fingers grown into crooked and bony talons from the long habit of grasping harpy-like; — so it is not named for me. I go not there to see him nor to hear of him; who never saw it, who never bathed in it, who never loved it, who never protected it, who never spoke a good word for it, nor thanked God that He had made it. Rather let it be named from the fishes that swim in it, the wild fowl or quadrupeds which frequent it, the wild flowers which grow by its shores, or some wild man or child the thread of whose history is interwoven with its own; not from him who could show no title to it but the deed which a like-minded neighbor or legislature gave him who thought only of its money value; whose presence perchance cursed — him all the shores; who exhausted the land around it, and would fain have exhausted the waters within it; who regretted only that it was not English hay or cranberry meadow — there was nothing to redeem it, forsooth, in his eyes — and would have drained and sold it for the mud at its bottom. It did not turn his mill, and it was no privilege to him to behold it. I respect not his labors, his farm where everything has its price, who would carry the landscape, who would carry his God, to market, if he could get anything for him; who goes to market for his god as it is; on whose farm nothing grows free, whose fields bear no crops, whose meadows no flowers, whose trees no fruits, but dollars; who loves not the beauty of his fruits, whose fruits are not ripe for him till they are turned to dollars. Give me the poverty that enjoys true wealth.

If she’d had any doubts he was a real deal country boy, they disappeared when he unabashedly stripped down to nothing—the sun had kissed his arms to mid-bicep, although his torso wasn’t without a faint tan. She’d thought lazily that maybe he had a pond. She’d like to go skinny dipping with him. Leap onto his back and wrap her legs around his lean hips. Hold on to his broad shoulders and press her naked breasts into his back and drift into the cool water together. As he opened his button-fly jeans, revealing snug briefs underneath, she’d whispered for him to stop. He was hard and sinewy in all the right places, with shadows and valleys she wanted to explore with her mouth and hands and eyes, but her touch first went to the line where dark faded to light on his arm, neatly following the curve of his muscles. “Nice farmer’s tan.

Flute Notes from a Reedy Pond" Now coldness comes sifting down, layer after layer, To our bower at the lily root. Overhead the old umbrellas of summer Wither like pithless hands. There is little shelter. Hourly the eye of the sky enlarges its blank Dominion. The stars are no nearer. Already frog-mouth and fish-mouth drink The liquor of indolence, and all thing sink Into a soft caul of forgetfulness. The fugitive colors die. Caddis worms drowse in their silk cases, The lamp-headed nymphs are nodding to sleep like statues. Puppets, loosed from the strings of the puppetmaster Wear masks of horn to bed. This is not death, it is something safer. The wingy myths won't tug at us anymore: The molts are tongueless that sang from above the water Of golgotha at the tip of a reed, And how a god flimsy as a baby's finger Shall unhusk himself and steer into the air.

But if you could read my thoughts, you would be welcome to come in and listen to the story of my life. At least, you could slip your arm through the bars and touch me and I will hold out my forepaw to greet you, after retracting my claws, of course. You are carried away by appearances - my claws and fangs and the glowing eyes frighten you no doubt. I don't blame you. I don't know why God has chosen to give us this fierce make-up, the same God who has created the parrot, the peacock, and the deer, which inspire poets and painters. I would not blame you for keeping your distance — I myself shuddered at my own reflection on the still surface of a pond while crouching for a drink of water, not when I was really a wild beast, but after I came under the influence of my Master and learnt to question, 'Who am I?' Don't laugh within yourself to hear me speak thus. I'll tell you about my Master presently.

They told tales as they sat at their work, and every one related what wonderful things he had seen or experienced. One afternoon I heard an old man among them say that God knew every thing, both what had happened and what would happen. That idea occupied my whole mind, and towards evening, as I went alone from the court, where there was a deep pond, and stood upon some stones which were just within the water, the thought passed through my head, whether God actually knew everything which was to happen there. Yes, he has now determined that I should live and be so many years old, thought I; but, if I now were to jump into the water here and drown myself, then it would not be as he wished; and all at once I was firmly and resolutely determined to drown myself. I ran to where the water was deepest, and then a new thought passed through my soul. "It is the devil who wishes to have power over me!" I uttered a loud cry, and, running away from the place as if I were pursued, fell weeping into my mother's arms. But neither she nor any one else could wring from me what was amiss with me.

The Beast turned back to me. I could look at him fairly steadily this time. After a moment he said harshly: “I am very ugly, am I not?” “You are certainly, uh, very hairy,” I said. “You are being polite,” he said. “Well, yes,” I conceded. “But then you called me beautiful, last night.” He made a noise somewhere between a roar and a bark, and after an anxious minute, I decided it was probably a laugh. “You do not believe me then?” he inquired. “Well’—no,” I said, hesitantly, wondering if this might anger him. “Any number of mirrors have told me otherwise.” “You will find no mirrors here,” he said, “for I cannot bear them: nor any quiet water in ponds. And since I am the only one who sees you, why are you not then beautiful?

Winter Landscape, with Rocks Water in the millrace, through a sluice of stone, plunges headlong into that black pond where, absurd and out-of-season, a single swan floats chaste as snow, taunting the clouded mind which hungers to haul the white reflection down. The austere sun descends above the fen, an orange cyclops-eye, scorning to look longer on this landscape of chagrin; feathered dark in thought, I stalk like a rook, brooding as the winter night comes on. Last summer's reeds are all engraved in ice as is your image in my eye; dry frost glazes the window of my hurt; what solace can be struck from rock to make heart's waste grow green again? Who'd walk in this bleak place? Sylvia Plath was one of the first and best of the modern confessional poets. She won a Pulitzer Prize posthumously for her Collected Poems after committing suicide at the age of 31, something she seemed to have been predicting in her writing and practicing for in real life.

Astra is a beauty. (...) Astra is so beautiful that I have no wish to describe her beauty. I will say only that her beauty is the expression of her soul. Her beauty lives in her quiet walk, in her shy movements, in her always-lowered eyelids, in her barely perceptible smile, in the soft outline of her girlish shoulders, in the chastity of her poor, almost beggarly clothing, in her thoughtful grey eyes. She is a white water lily in a pond shadowed by the branches of trees, born amid still, contemplative water. (...) The world of modest female beauty finds its expression in Astra. As for what may lie hidden in the depths of these waters, no-one can say unless he breaks the water's smooth surface, walks barefoot through the cutting sedge and treads the silty, sucking mud — now cold, now strangely warm. But I only stand on the shore, admiring the lily from a distance

She wanted George with some uncorrelated sector of Her Gart, she wanted George to correlate for her, life here, there. She wanted George to define and to make definable a mirage, a reflection of some lost incarnation, a wood maniac, a tree demon, a neuropathic dendrophile...She wanted George to make the thing an integral, herself integrity. She wanted George to make one of his drastic statements that would dynamite her world away for her. She wanted this, but even as she wanted it she let herself sink further, further, she saw that her two hands reached toward George like the hands of a drowned girl. She knew she was not drowned. Where others would drown-lost, suffocated in this element-she knew that she lived. She had no complete right yet to this element, hands struggled to be pulled out. White hands waved above the water like sea spume or inland-growing pond flowers...She wanted George to pull her out, she wanted George to push her in, let Her be drowned utterly.

As humans, our territory is on land. If we were meant to control the skies, we would have been given wings, and if we were meant to control the seas and oceans, we would have been designed to breathe underwater. The Creator created for us many natural water sources: lakes, ponds, rivers, springs, and streams — so that we would not tamper with the seas or oceans. This is why there is salt in the them, so we do not drink from them, or bother the huge creatures he put there to control the food chain. The salt content found in huge bodies of water is extremely vital to the elevation and balancing of the earth. This can be explained through basic physics or metaphysics. At the same time, wild creatures were also placed in jungles and forests to keep humans out of them. Plants are vital to purifying the atmosphere, and many wild animals rely on them as their food and medicine. Had the Creator not placed animals like tigers, wolves, bears, and other big creatures in untamed regions which are intended to remain inhabited, he knew that mankind would take over those areas — leaving nothing for the animals.

There’s a pretty good old rowboat. I’ll take you out for a row after supper.” “No, I will,” said Jesse. “Let me. I found her first, didn’t I, Winnie Foster? Listen, I’ll show you where the frogs are, and…” “Hush,” Tuck interrupted. “Everyone hush. I’ll take Winnie rowing on the pond. There’s a good deal to be said and I think we better hurry up and say it. I got a feeling there ain’t a whole lot of time.” Jesse laughed at this, and ran a hand roughly through his curls. “That’s funny, Pa. Seems to me like time’s the only thing we got a lot of.” But Mae frowned. “You worried, Tuck? What’s got you? No one saw us on the way up. Well, now, wait a bit--yes, they did, come to think of it. There was a man on the road, just outside Treegap. But he didn’t say nothing.” “He knows me, though,” said Winnie. She had forgotten, too, about the man in the yellow suit, and now, thinking of him, she felt a surge of relief. “He’ll tell my father he saw me.” “He knows you?” said Mae, her frown deepening. “But you didn’t call out to him, child. Why not?” “I was too scared to do anything ,” said Winnie honestly. Tuck shook his head. “I never thought we’d come to the place where we’d be scaring children,” he said. “I guess there’s no way to make it up to you, Winnie, but I’m sure most awful sorry it had to happen like that. Who was this man you saw?” “I don’t know his name,” said Winnie. “But he’s a pretty nice man, I guess.” In fact, he seemed supremely nice to her now, a kind of savior. And then she added, “He came to our house last night, but he didn’t go inside.” “Well, that don’t sound too serious, Pa,” said Miles. “Just some stranger passing by.” “Just the same, we got to get you home again, Winnie,” said Tuck, standing up decisively. “We got to get you home just as fast as we can. I got a feeling this whole thing is going to come apart like wet bread. But first we got to talk, and the pond’s the best place. The pond’s got answers. Come along, child. Let’s go out on the water.

Politics is the science of domination, and persons in the process of enlargement and illumination are notoriously difficult to control. Therefore, to protect its vested interests, politics usurped religion a very long time ago. Kings bought off priests with land and adornments. Together, they drained the shady ponds and replaced them with fish tanks. The walls of the tanks were constructed of ignorance and superstition, held together with fear. They called the tanks “synagogues” or “churches” or “mosques.” After the tanks were in place, nobody talked much about soul anymore. Instead, they talked about spirit. Soul is hot and heavy. Spirit is cool, abstract, detached. Soul is connected to the earth and its waters. Spirit is connected to the sky and its gases. Out of the gases springs fire. Firepower. It has been observed that the logical extension of all politics is war. Once religion became political, the exercise of it, too, could be said to lead sooner or later to war. “War is hell.” Thus, religious belief propels us straight to hell. History unwaveringly supports this view. (Each modern religion has boasted that it and it alone is on speaking terms with the Deity, and its adherents have been quite willing to die—or kill—to support its presumptuous claims.) Not every silty bayou could be drained, of course. The soulfish that bubbled and snapped in the few remaining ponds were tagged “mystics.” They were regarded as mavericks, exotic and inferior. If they splashed too high, they were thought to be threatening and in need of extermination. The fearful flounders in the tanks, now psychologically dependent upon addictive spirit flakes, had forgotten that once upon a time they, too, had been mystical. Religion is nothing but institutionalized mysticism. The catch is, mysticism does not lend itself to institutionalization. The moment we attempt to organize mysticism, we destroy its essence. Religion, then, is mysticism in which the mystical has been killed. Or, at least diminished. Those who witness the dropping of the fourth veil might see clearly what Spike Cohen and Roland Abu Hadee dimly suspected: that not only is religion divisive and oppressive, it is also a denial of all that is divine in people; it is a suffocation of the soul.