Pond Reflection Quotes

Man shouldn’t be able to see his own face--there’s nothing more sinister. Nature gave him the gift of not being able to see it, and of not being able to stare into his own eyes. Only in the water of rivers and ponds could he look at his face. And the very posture he had to assume was symbolic. He had to bend over, stoop down, to commit the ignominy of beholding himself. The inventor of the mirror poisoned the human heart.

I mistook stars reflected in a pond at night for those in the sky.

THE FOUR HEAVENLY FOUNTAINS Laugh, I tell you And you will turn back The hands of time. Smile, I tell you And you will reflect The face of the divine. Sing, I tell you And all the angels will sing with you! Cry, I tell you And the reflections found in your pool of tears - Will remind you of the lessons of today and yesterday To guide you through the fears of tomorrow.

Looking into the spirit of others is sometimes like looking into a pond. Though we aim to see what's deep in the bottom, we are often distracted by our own reflection.

wisdom is like a bottomless pond. You throw stones in and they sink into darkness and dissolve. Her eyes looking back do not reflect anything. I think this to myself even though I love my daughter. She and I have shared the same body. There is a part of her mind that is a part of mine. But when she was born she sprang from me like a slippery fish, and has been swimming away ever since. All her life, I have watched her as though from another shore.

I was only then, when I knew I was alone, at least for the moment, that I reached under my gown into the pocket of my dress. As I pulled out my key from the yellow house, which I'd kept on my bureau since the day Nate left, I traced the shape one last time before folding my hand tightly around it. Behind me, Cora was calling again. My family was waiting. Looking down at the pond, all I could think was that it is an incredible thing, how a whole world can rise from what seems like nothing at all. I stepped closer to the edge, keeping my eyes on my reflection as I dropped the key into the water, where it landed with a splash. At first, the fish darted away, but as it began to sink they circled back, gathering around. Together, they followed it down, down until it was gone.<3

Without him in my life I'm a frozen pond reflecting the daylight but never absorbing its heat.

This gown, is it cut from shadow?" the general asked. "I can barely feel it between my fingers." Not for want of trying, thought Madrigal. "Perhaps it is a reflection of the night sky," he suggested, "skimmed from a pond?" She supposed that he was being poetic. erotic, even. In return, as unerotically as possible- more like complaining of a stain that wouldn't come out-she said, "Yes, my lord. I went for a dip, and the reflection clung.

Then the other door opened. I wen't rigid. If I had thought Reth's was beautiful, it was nothing to this soul. It filled the night with light, dancing and rippling like the reflection on a pond. I hadn't seen many souls, but I knew this one was special. I wanted it. I needed it.

Rin slept inside the oak’s thought. Its own memories of weather and growth continued to hum, and like a pond, its stillness reflected back herself.

The sign outside this tent is accompanied by a small box full of smooth black stones. The text instructs you to take one with you as you enter. Inside, the tent is dark, the ceiling covered with open black umbrellas, the curving handles hanging down like icicles. In the center of the room there is a pool. A pond enclosed within a black stone wall that is surrounded by white gravel. The air carries the salty tinge of the ocean. You walk over to the edge to look inside. The gravel crunches beneath your feet. It is shallow, but it is glowing. A shimmering, shifting light cascades up through the surface of the water. A soft radiance, enough to illuminate the pool and the stones that sit at the bottom. Hundreds of stones, each identical to the one you hold in your hand. The light beneath filters through the spaces between the stones. Reflections ripple around the room, making it appear as though the entire tent is underwater. You sit on the wall, turning your black stone over and over in your fingers. The stillness of the tent becomes a quiet melancholy. Memories begin to creep forward from hidden corners of your mind. Passing disappointments. Lost chances and lost causes. Heartbreaks and pain and desolate, horrible loneliness. Sorrows you thought long forgotten mingle with still-fresh wounds. The stone feels heavier in your hand. When you drop it in the pool to join the rest of the stones, you feel lighter. As though you have released something more than a smooth polished piece of rock.

Just as the sun in the heaven is unchanged, but is mirrored as a thousand suns in ponds, lakes, rivers, and oceans, so do you know the Sun of the Spirit within you from the broken reflections that you find in the lower self.

In order to elucidate especially and most clearly the origination of this error (...) let us imagine a man who, while standing on the street, would say to himself: "It is six o'clock in the evening, the working day is over. Now I can go for a walk, or I can go to the club; I can also climb up the tower to see the sunset; I can go to the theater; I can visit this friend or that one; indeed, I also can run out of the gate, into the wide world, and never return. All of this is strictly up to me, in this I have complete freedom. But still I shall do none of these things now , but with just as free a will I shall go home to my wife". This is exactly as if water spoke to itself: "I can make high waves (yes! in the sea during a storm), I can rush down hill (yes! in the river bed), I can plunge down foaming and gushing (yes! in the waterfall), I can rise freely as a stream of water into the air (yes! in the fountain), I can, finally boil away and disappear (yes! at a certain temperature); but I am doing none of these things now, and am voluntaringly remaining quiet and clear water in the reflecting pond.

Don’t mistake the stars reflected in a pond at night for those in the sky.

But you want a placid pond, a glassy surface to reflect your own casual desires and nothing more. You will never fathom the depths of my savage ocean.

A stone has been cast into the reliable immutable pond of the past, and as the ripples subside everything appears different. The reflections are quite other; everything has swung and shattered, it is all beyond recovery

The point is this: that the stream of memory may lead you to the river of understanding. And understanding, in turn, may be a tributary to the river of forgiveness. Perhaps, Dominick, you have yet to emerge fully from the pond where you swam that morning so long ago. And perhaps, when you do, you will no longer look into the water and see the reflection of a son of a bithc.

This fool he promised me is like to be my own reflection in a pond.

A man's face is the surface of a pond, reflecting the sky, reflecting the trees, reflecting whatever is the object of his gaze and his love, the reflection hiding his depths. But when the wave passes, in the swell, for an instant, you can see what lies beneath the waters.

As for life, I'm humbled, I'm without words sufficient to say how it has been hard as flint, and soft as a spring pond, both of these and over and over, and long pale afternoons besides, and so many mysteries beautiful as eggs in a nest, still unhatched though warm and watched over by something I have never seen – a tree angel, perhaps, or a ghost of holiness. Every day I walk out into the world to be dazzled, then to be reflective. It suffices, it is all comfort – along with human love, dog love, water love, little-serpent love, sunburst love, or love for that smallest of birds flying among the scarlet flowers. There is hardly time to think about stopping, and lying down at last to the long afterlife, to the tenderness yet to come, when time will brim over the singular pond, and become forever, and we will pretend to melt away into the leaves. As for death, I can't wait to be the hummingbird, can you?

She had the world’s worst poker face: her feelings floated across them like reflections on a still pond.

The magic in that country was so thick and tenacious that it settled over the land like chalk-dust and over floors and shelves like sticky plaster-dust. (House-cleaners in that country earned unusually good wages.) If you lived in that country, you had to de-scale your kettle of its encrustation of magic at least once a week, because if you didn't, you might find yourself pouring hissing snakes or pond slime into your teapot instead of water. (It didn't have to be anything scary or unpleasant, especially in a cheerful household - magic tended to reflect the atmosphere of the place in which it found itself -- but if you want a cup of tea, a cup of lavender-and-gold pansies or ivory thimbles is unsatisfactory.)

The house, the pond, the tree—it was all both overwhelmingly familiar and different from what she remembered—smaller and shabbier, somehow. It was like waking up to find that your reflection in the mirror had aged overnight, or had sprouted a new mole: You were forced to admit that things changed, whether you gave them permission to or not.

One does not find solitude, one creates it. Solitude is created alone. I have created it. Because I decided that here was where I should be alone, that I would be alone to write books. It happened this way. I was alone in this house. I shut myself in—of course, I was afraid. And then I began to love it. This house became the house of writing. My books come from this house. From this light as well, and from the garden. From the light reflecting off the pond. It has taken me twenty years to write what I just said.

This week, many will be reminded that no explosion of atoms generates so hopeful a light as the reflection of a star, seen appreciatively in a pasture pond.

Just as a clear pond reflects the sky, mindfulness allows us to see the truth of our experience.

There is an old Zen saying about seeing the moon's reflection in a pond. If the surface of the pond is agitated and full of ripples, the moon's reflection won't look anything like the moon. That agitation, those ripples, are your constant thoughts and feelings, which disturb your ability to perceive truth. When the pond is perfectly still, however -when your thoughts and feelings withdraw and stay quiet -then you can see the moon's reflection. You can perceive the truth.

Maybe I am staring into a piece of paper like it is a pond, hoping one day that what looks back is not my own reflection, but my great-grandmother's face. Maybe poetry is the distance between my face and her face. Maybe it's the difference between how the moon looks in the sky and how it contorts when a mayfly travels across the pond.

From Koltovitch's copse and garden there came a strong fragrant scent of lilies of the valley and honey-laden flowers. Pyotr Mihalitch rode along the bank of the pond and looked mournfully into the water. And thinking about his life, he came to the conclusion that he had never said or acted upon what he really thought, and that other people had repaid him in the same way. And so the whole of life seemed to him as dark as this water in which the night sky was reflected and water-weeds grew in a tangle. And it seemed to him that nothing could ever set it right.

Oak raised his head, and wondering what he could do, listlessly surveyed the scene. By the outer margin of the Pit was an oval pond, and over it hung the attenuated skeleton of a chrome-yellow moon which had only a few days to last—the morning star dogging her on the left hand. The pool glittered like a dead man’s eye, and as the world awoke a breeze blew, shaking and elongating the reflection of the moon without breaking it, and turning the image of the star to a phosphoric streak upon the water. All this Oak saw and remembered.

In my book entitled 'L'eau et les reves, I collected many other literary images in which the pond is the very eye of the landscape, the reflection in water the first view that the universe has of itself, and the heightened beauty of a reflected landscape presented as the very root of cosmic narcissism.

Liza Hempstock, who had been Bod's friend for the last six years, was different in another way; she was less likely to be there for him when Bod went down to the nettle patch to see her, and on the rare occasions when she was, she would be short-tempered, argumentative and often downright rude. Bod talked to Mr Owens about this, and after a few moments' reflection, his father said, "It's just women, I reckon. She liked you as a boy, probably isn't sure who you are now you're a young man. I used to play with one little girl down by the duck pond every day until she turned about your age, and then she threw an apple at my head and did not say another word to me until I was seventeen." Mrs Owens stiffened. "It was a pear I threw," she said, tartly, "and I was talking to you again soon enough, for we danced a measure at your cousin Ned's wedding, and that was but two days after your sixteenth birthday." Mr Owens said, "Of course you are right, my dear." He winked at Bod, to tell him that it was none of it serious. And then mouthed "Seventeen" to show that, really, it was.

Flint's pond! Such is the poverty of our nomenclature. What right had the unclean and stupid farmer, whose farm abutted on this sky water, whose shores he has ruthlessly laid bare, to give his name to it? Some skin-flint, who loved better the reflecting surface of a dollar, or a bright cent, in which he could see his own brazen face; who regarded even the wild ducks which settled in it as trespassers; his fingers grown into crooked and bony talons from the long habit of grasping harpy-like; — so it is not named for me. I go not there to see him nor to hear of him; who never saw it, who never bathed in it, who never loved it, who never protected it, who never spoke a good word for it, nor thanked God that He had made it. Rather let it be named from the fishes that swim in it, the wild fowl or quadrupeds which frequent it, the wild flowers which grow by its shores, or some wild man or child the thread of whose history is interwoven with its own; not from him who could show no title to it but the deed which a like-minded neighbor or legislature gave him who thought only of its money value; whose presence perchance cursed — him all the shores; who exhausted the land around it, and would fain have exhausted the waters within it; who regretted only that it was not English hay or cranberry meadow — there was nothing to redeem it, forsooth, in his eyes — and would have drained and sold it for the mud at its bottom. It did not turn his mill, and it was no privilege to him to behold it. I respect not his labors, his farm where everything has its price, who would carry the landscape, who would carry his God, to market, if he could get anything for him; who goes to market for his god as it is; on whose farm nothing grows free, whose fields bear no crops, whose meadows no flowers, whose trees no fruits, but dollars; who loves not the beauty of his fruits, whose fruits are not ripe for him till they are turned to dollars. Give me the poverty that enjoys true wealth.

The whole game is undone, this nightmare of evolution, and you are exactly where you were prior to the beginning of the whole show. With a sudden shock of the utterly obvious, you recognize your own Original Face, the face you had prior to the Big Bang, the face of utter Emptiness that smiles as all creation and sings as the entire Kosmos—and it is all undone in that primal glance, and all that is left is the smile, and the reflection of the moon on a quiet pond, late on a crystal clear night.

Along with the greening of May came the rain. Then the clouds disappeared and a soft pale lightness fell over the city, as if Kyoto had broken free of its tethers and lifted up toward the sun. The mornings were as dewy and verdant as a glass of iced green tea. The nights folded into pencil-gray darkness fragrant with white flowers. And everyone's mood seemed buoyant, happy, and carefree. When I wasn't teaching or studying tea kaiseki, I would ride my secondhand pistachio-green bicycle to favorite places to capture the fleeting lushness of Kyoto in a sketchbook. With a small box of Niji oil pastels, I would draw things that Zen pots had long ago described in words and I did not want to forget: a pond of yellow iris near a small Buddhist temple; a granite urn in a forest of bamboo; and a blue creek reflecting the beauty of heaven, carrying away a summer snowfall of pink blossoms. Sometimes, I would sit under the shade of a willow tree at the bottom of my street, doing nothing but listening to the call of cuckoos, while reading and munching on carrots and boiled egg halves smeared with mayonnaise and wrapped in crisp sheets of nori. Never before had such simple indulgences brought such immense pleasure.

At the fruit of existence, there is a single concept of anonymity. This unknown concept is well known however. All one has to do is simply look behind the mirror for the answer. Yet, the answer won't come until the right question is asked. Because the illusions of reality are dressed in endless reflections, the blind will continue to be guided by the blind. The unknown concept is recognized to those who have tasted the fruit of existence, and as distant as the woman trying to grab Heaven from the reflection of an empty pond.

You mistake stars reflected in a pond for the night sky.

And in my village we have a saying about separated sisters. They are like a woman and her reflection, doomed to stay on opposite sides of the pond.

Contemplation - A Haiku Amber autumn gaze, A pond of deep reflection, Awareness ripples.

She realises how little she knows about this man. Her knowledge little more than a thin sheen of brightness, like reflected sunlight on an opaque pond.

I am no more lonely than the loon in the pond that laughs so loud, or than Walden Pond itself.

mistook stars reflected in a pond at night for those in the sky.

As well to clutch at the moon’s reflection in a still midnight pond as to seek a grip on that bright mind.

But if you could read my thoughts, you would be welcome to come in and listen to the story of my life. At least, you could slip your arm through the bars and touch me and I will hold out my forepaw to greet you, after retracting my claws, of course. You are carried away by appearances - my claws and fangs and the glowing eyes frighten you no doubt. I don't blame you. I don't know why God has chosen to give us this fierce make-up, the same God who has created the parrot, the peacock, and the deer, which inspire poets and painters. I would not blame you for keeping your distance — I myself shuddered at my own reflection on the still surface of a pond while crouching for a drink of water, not when I was really a wild beast, but after I came under the influence of my Master and learnt to question, 'Who am I?' Don't laugh within yourself to hear me speak thus. I'll tell you about my Master presently.

Dog doesn’t eat dog, and doctors don’t bite doctors, not even when they are mad doctors. I shouldn’t care to cast any reflection on my eminent predecessor in Potter’s Pond, if I could avoid it;

Winter Landscape, with Rocks Water in the millrace, through a sluice of stone, plunges headlong into that black pond where, absurd and out-of-season, a single swan floats chaste as snow, taunting the clouded mind which hungers to haul the white reflection down. The austere sun descends above the fen, an orange cyclops-eye, scorning to look longer on this landscape of chagrin; feathered dark in thought, I stalk like a rook, brooding as the winter night comes on. Last summer's reeds are all engraved in ice as is your image in my eye; dry frost glazes the window of my hurt; what solace can be struck from rock to make heart's waste grow green again? Who'd walk in this bleak place? Sylvia Plath was one of the first and best of the modern confessional poets. She won a Pulitzer Prize posthumously for her Collected Poems after committing suicide at the age of 31, something she seemed to have been predicting in her writing and practicing for in real life.

Maybe part of the problem is that you’re not making enough time for reflection and solitude and prayer. Are you avoiding God, Joel? Are you trying to run from Him the way Shadow has run from us?” He

Three figures crossed the Abbey gardens as the moon broke from behind a drifting cloudbank. The nearby pond was bathed in a silver sheen, parts of the sandstone wall reflecting back a wavery bluish light.

The Moths There's a kind of white moth, I don't know what kind, that glimmers by mid-May in the forest, just as the pink moccasin flowers are rising. If you notice anything, it leads you to notice more and more. And anyway I was so full of energy. I was always running around, looking at this and that. If I stopped the pain was unbearable. If I stopped and thought, maybe the world can't be saved, the pain was unbearable. Finally, I had noticed enough. All around me in the forest the white moths floated. How long do they live, fluttering in and out of the shadows? You aren't much, I said one day to my reflection in a green pond, and grinned. The wings of the moths catch the sunlight and burn so brightly. At night, sometimes, they slip between the pink lobes of the moccasin flowers and lie there until dawn, motionless in those dark halls of honey.

Maybe she’ll have a file labeled, My Evil Plan,” I suggested. “That would be super helpful.” It had taken us three days to come up with a strategy to get into the office. Cal was distracting Lara with questions about his own powers and how they might be useful to “the cause,” while Jenna and Archer kept an eye on Mrs. Casnoff. Since she’d taken to just wandering in circles around the pond, that wasn’t particularly challenging. Which left the most important part to me and Elodie using Elodie’s magic to get into the office and search it for anything that might help us stop the Casnoffs. As far as plans went, it wasn’t exactly D-day, but it was the best next step. Now Elodie looked at my reflection and said, “It’s weird. Looking in a mirror and seeing you.” Yes, I think we’ve established this is kind of awful for everyone involved. Can we go now? We don’t have much time.”

...when we "lose our mind" and "come to our senses" in the fullest possible way, the chattering, texting, e-mailing, twittering mind will eventually quiet down and almost silence itself. This is a sacred and connected silence...It's like a deep, still pond reflecting the stars of the night sky. I believe this is the baseline for human consciousness, and I'm convinced that the birds are the best mentors in the natural world for bringing us to it.

The Plain Sense of Things" After the leaves have fallen, we return To a plain sense of things. It is as if We had come to an end of the imagination, Inanimate in an inert savoir. It is difficult even to choose the adjective For this blank cold, this sadness without cause. The great structure has become a minor house. No turban walks across the lessened floors. The greenhouse never so badly needed paint. The chimney is fifty years old and slants to one side. A fantastic effort has failed, a repetition In a repetitiousness of men and flies. Yet the absence of the imagination had Itself to be imagined. The great pond, The plain sense of it, without reflections, leaves, Mud, water like dirty glass, expressing silence Of a sort, silence of a rat come out to see, The great pond and its waste of the lilies, all this Had to be imagined as an inevitable knowledge, Required, as a necessity requires.

Anne went to the little Avonlea graveyard the next evening to put fresh flowers on Matthew’s grave and water the Scotch rosebush. She lingered there until dusk, liking the peace and calm of the little place, with its poplars whose rustle was like low, friendly speech, and its whispering grasses growing at will among the graves. When she finally left it and walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight— ‘a haunt of ancient peace.’ There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne’s heart, and she gratefully opened the gates of her soul to it.

She wanted George with some uncorrelated sector of Her Gart, she wanted George to correlate for her, life here, there. She wanted George to define and to make definable a mirage, a reflection of some lost incarnation, a wood maniac, a tree demon, a neuropathic dendrophile...She wanted George to make the thing an integral, herself integrity. She wanted George to make one of his drastic statements that would dynamite her world away for her. She wanted this, but even as she wanted it she let herself sink further, further, she saw that her two hands reached toward George like the hands of a drowned girl. She knew she was not drowned. Where others would drown-lost, suffocated in this element-she knew that she lived. She had no complete right yet to this element, hands struggled to be pulled out. White hands waved above the water like sea spume or inland-growing pond flowers...She wanted George to pull her out, she wanted George to push her in, let Her be drowned utterly.

It had all dropped into place, like the last bit of the jigsaw, which you thought all along was a bit of left-hand sky, but when you turn it over you realise it's the last chunk of right-hand sea, or the sky tricksily reflected in the surface of the pond.

THE STATE OF SELF REALISATION BEHIND THE MIND The reflection of the Self is like that of the moon in a pond, which is distorted due to the ripples of the restless mind. It is when the mind becomes still in the no-mind state that the Self can experience itself.

And I wonder: do other queens and princesses and duchesses feel as I do? In other realms, in other times? Have they peered at their reflections in ponds and warm bathwater and magic mirrors and wondered who they've become? How they lost the girl they once were?

Death can be a very liberating thing, especially when you are still among the living. Knowing that you will die frees you from the crushing burden that is Life, and yes, we all know that we are going to die, but we don't all accept that fact; we don't all live with that comforting knowledge. Instead, we strive in vain to be that one person who never dies, clawing away for that position that will ensure our immortality. The journey of Life is to meet Death on our own terms, and once that can be accepted, the world is wide open. - The Reflecting Pond; Insights of Alsop Tambor

When the mind is clear and calm, the images it reflects are real and the knowledge it gathers is true. When the mind is agitated and confused, it's like throwing a stone into a still pond, or holding a camera with a shaky hand: the images it reflects are distorted and do not accord with reality.

The hawk turned slowly and flexed his great wings to maintain his height. In this cold wind, he flew merely to see and to travel. Gone was the exhilaration of fast-rising summer air carrying him so high into the sky's blue vacuum that the pond became a silver speck and the great southern lake dazzled him with a glaring slash of reflected sun.

When she...walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight- 'a haunt of ancient peace'. There was a freshness in the air as of a wind that had blown over honeysweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. 'Dear old world,' she murmured, 'you are very lovely, and I am glad to be alive in you.

As I walked by a small pond—my reflection was looking back at me. The cloudy sky reflection makes the pond look like dark clouds are underwater. I know how that feels— mentally, it is a prison of dark forces tying your legs together as it refuses to let you kick and swim so that you can breathe. Instead, it drowns your thoughts with darkness and despair.

But hell! You saw the mirrors! And the mirrors shoved me half in, half out the grave. Showed me all wrinkles and rot! Blackmailed me! Blackmailed Miss Foley so she joined the grand march Nowhere, joined the fools who wanted everything! Idiot thing to want: everything. Poor damned fools. So wound up with nothing like, the dumb dog who dropped his bone to go after the reflection of the bone in the pond.

His mother had always been a headstrong woman, and with her grayish-white mane and unsmiling face, she appeared as regal and intimidating as she had ever been. Still, seeing her through other people’s eyes, Hanfeng realized that all that made her who she was—the decades of solitude in her widowhood, her coldness to the prying eyes of people who tried to mask their nosiness with friendliness, and her faith in the notion of living one’s own life without having to go out of one’s way for other people—could be deemed pointless and laughable. Perhaps the same could be said of any living creature: a caterpillar chewing on a leaf, unaware of the beak of an approaching bird; an egret mesmerized by its reflection in a pond, as if it were the master of the universe; or Hanfeng’s own folly of repeating the same pattern of hope and heartbreak, hoping despite heartbreak.

When the Golden Temple reflected the evening sun or shone in the moon, it was the light of the water (in the pond before it) that made the entire structure look as if it were mysteriously floating along and flapping its wings. The strong bonds of the temple's form were loosened by the reflection of the quivering water, and at such moments the Golden Temple seemed to be constructed of materials like wind and water and flame that are commonly in motion.

I remember when we found the first population of living Cerion agassizi in central Eleuthera. Our hypothesis of Cerion's general pattern required that two predictions be affirmed (or else we were in trouble): this population must disappear by hybridization with mottled shells toward bank-interior coasts and with ribby snails toward the bank-edge. We hiked west toward the bank-interior and easily found hybrids right on the verge of the airport road. We then moved east toward the bank-edge along a disused road with vegetation rising to five feet in the center between the tire paths. We should have found our hybrids but we did not. The Cerion agassizi simply stopped about two hundred yards north of our first ribby Cerion. Then we realized that a pond lay just to our east and that ribby forms, with their coastal preferences, might not favor the western side of the pond. We forded the pond and found a classic hybrid zone between Cerion agassizi and ribby Cerions. (Ribby Cerion had just managed to round the south end of the pond, but had not moved sufficiently north along the west side to establish contact with C. agassizi populations.) I wanted to shout for joy. Then I thought, "But who can I tell; who cares?" And I answered myself, "I don't have to tell anyone. We have just seen and understood something that no one has ever seen and understood before. What more does a man need?

Across the lilies was a pond, its waters a vibrant green from reflecting the trees around it. In the center of the pond swam two elegant white birds, their long necks curved toward one another. "Swans!" Cinderella breathed. She leaned against the bridge's rail and gazed at the pair of swans gliding across the pond. At her side, Charles rested his elbows on the bridge. "They're here every evening before sundown. Sometimes, during sunset, you can see the light dapple their feathers. Look." Rays of golden light stroked the swans' wings, which shimmered against the still waters. "I used to come here whenever I could to watch them," said Prince Charles. "I'm certain it's been the very same pair of swans for years. When I saw them, I'd feel a little less lonely." "How happy they look," mused Cinderella, watching as the swans took flight, their feet skidding across the pond before they soared into the sky. "Free to come and go as they please.

An age-old city is like a pond. With its colours and reflections. Its chills and murk. Its ferment, its sorcery, its hidden life. A city is like a woman, with a woman’s desires and dislikes. Her abandon and restraint. Her reserve - above all, her reserve. To get to the heart of a city, to learn its most subtle secrets, takes infinite tenderness, and patience sometimes to the point of despair. It calls for an artlessly delicate touch, a more or less unconditional love. Over centuries. Time works for those who place themselves beyond time. You’re no true Parisian, you do not know your city, if you haven’t experienced its ghosts. To become imbued with shades of grey, to blend into the drab obscurity of blind spots, to join the clammy crowd that emerges, or seeps, at certain times of day from the metros, railway stations, cinemas or churches, to feel a silent and distant brotherhood with the lonely wanderer, the dreamer in his shy solitude, the crank, the beggar, even the drunk - all this entails a long and difficult apprenticeship, a knowledge of people and places that only years of patient observation can confer.

A place with a pond, in the fifth month when the rains are falling, is a very moving thing. It's deeply affecting to sit for hours on end staring out at the garden, a sea of monochrome soft green with the pond's water as deep green as the sweet flag and reeds that crowd it, and the heavy rain clouds hanging above. Indeed all places with ponds are at all times moving and delightful, and of course this is too on winter mornings when the water is frozen over. Rather than a carefully tended pond, I find delightful the sort that have been left neglected to the rampant water weed, where patches of reflected moonlight gleam whitely on the water here and there between the swathes of green. All moonlight is moving, wherever it may be.

This garden was peaceful and calm. Pink cherry blossoms and violet plum blossoms graced the sweeping trees. The petals fell like snowflakes, dancing and swirling until they touched the soft, verdant grass. There was something familiar about this place. Her eyes traveled down the flat stone steps. She knew this path, knew those stones. The third one from the bottom had a crack in the middle- from when she was five and the neighbor's boy convinced her there were worms on the other side of the stones. She'd hammered the stone in half, eager to catch a few worms to play with. There weren't any, of course, but her mother had helped her find some dragonflies by the pond instead, and they'd spent an afternoon counting them in the garden. Mulan smiled wistfully at the memory. This can't be the same garden. I'm in Diyu. Yet no painter could have re-created what she saw more convincingly. Every detail was as she remembered. At the bottom of the stone-cobbled path was a pond with rose-flushed lilies, and a marble bench under the cherry tree. She used to play by the pond when she was a little girl, catching frogs and fireflies in wine jugs and feeding the fish leftover rice husks and sesame seeds until her mother scolded her. And beyond the moon gate was- Mulan's hand jumped to her mouth. Home. That smell of home- of Baba's incense from the family temple, sharp with amber and cedar; of noodles in Grandmother Fa's special pork broth; of jasmine flowers that Mama used to scent her skin.

A Passion for Everything For most of us, passion is employed only with regard to one thing, sex; or you suffer passionately and try to resolve that suffering. But I am using the word passion in the sense of a state of mind, a state of being, a state of your inward core, if there is such a thing, that feels very strongly, that is highly sensitive—sensitive alike to dirt, to squalor, to poverty, and to enormous riches and corruption, to the beauty of a tree, of a bird, to the flow of water, and to a pond that has the evening sky reflected upon it. To feel all this intensely, strongly, is necessary. Because without passion life becomes empty, shallow, and without much meaning. If you cannot see the beauty of a tree and love that tree, if you cannot care for it intensely, you are not living.

It is not easy being seventy-nine and lose your whole life- my life was that girl. I guess that my assignment in life is over my next stop is up on the hill, next to her I presume.' ‘Life goes by like a blink of an eye. I did the best I could, but I frequently wonder if my best was good enough. Maybe, I was too hard on her.' 'Maybe she was unhappy; maybe it was me? The only hobby I have, as I get older is looking at the scenery that surrounds me.' 'Looking over the pond that cascades a reflection of the trees on along the walkway. Plus, stumbling back and forth from the kitchen, I mumble in whispers, remembering her voice in my mind, while trying to write my fragmented thoughts down on paper, as they rush in my head faster than I can scribble with my pencil.' ‘Oddly Nevaeh is the writer I am not, yet I have given her all my notes about my memories.

There are perhaps no days of our childhood we lived so fully as those . . . we spent with a favorite book. Everything that filled them for others, so it seemed, and that we dismissed as a vulgar obstacle to a divine pleasure: the game for which a friend would come to fetch us at the most interesting passage; the troublesome bee or sun ray that forced us to lift our eyes from the page or to change position; the provisions for the afternoon snack that we had been made to take along and that we left beside us on the bench without touching, while above our head the sun was diminishing in force in the blue sky; the dinner we had to return home for, and during which we thought only of going up immediately afterward to finish the interrupted chapter, all those things with which reading should have kept us from feeling anything but annoyance, on the contrary they have engraved in us so sweet a memory (so much more precious to our present judgment than what we read then with such love), that if we still happen today to leaf through those books of another time, it is for no other reason than that they are the only calendars we have kept of days that have vanished, and we hope to see reflected on their pages the dwellings and the ponds which no longer exist.

One of the reasons concealment is so important is because animals live in the woods and humans only visit the wild. Animals make their homes throughout the woods. Just like I’m alert to someone pulling up in my driveway or walking through my yard, wild animals are highly sensitive to trespassers. During one scouting trip at a beaver pond on Phil’s property, I saw the biggest beaver hut I’d ever seen. It was probably thirty feet tall! It wasn’t a very cool day, and I was kind of hot from all the walking. For whatever reason, I decided I was going to crawl into the beaver hut to see what was inside of it. I started trying to nudge my way into a bunch of different holes in the beaver dam, and I finally found one that was big enough for me on the back side of it. I was amazed at how the inside of the beaver hut looked. Compared to the chaos on the outside, it was like it was furnished on the inside. As I was breaking limbs, punching holes, and digging into it, I heard something growling! I turned around and there was a thirty-pound beaver standing about three feet from me. It was on its hind legs in the kill position. I remember thinking, Man, I’ve got to get out of here! Fortunately, I escaped from the beaver before it could get its teeth into me. It was one of the dumbest things I’ve ever done.

This small lake was of most value as a neighbor in the intervals of a gentle rain-storm in August, when, both air and water being perfectly still, but the sky overcast, mid-afternoon had all the serenity of evening, and the wood thrush sang around, and was heard from shore to shore. A lake like this is never smoother than at such a time; and the clear portion of the air above it being, shallow and darkened by clouds, the water, full of light and reflections, becomes a lower heaven itself so much the more important. From a hilltop near by, where the wood had been recently cut off, there was a pleasing vista southward across the pond, through a wide indentation in the hills which form the shore there, where their opposite sides sloping toward each other suggested a stream flowing out in that direction through a wooded valley, but stream there was none. That way I looked between and over the near green hills to some distant and higher ones in the horizon, tinged with blue. Indeed, by standing on tiptoe I could catch a glimpse of some of the peaks of the still bluer and more distant mountain ranges in the northwest, those true-blue coins from heaven’s own mint, and also of some portion of the village. But in other directions, even from this point, I could not see over or beyond the woods which surrounded me.

What I have observed of the pond is no less true in ethics. Such a rule of the two diameters not only guides us toward the sun in the system and the heart in man, but draws lines through the length and breadth of the aggregate of a man’s particular daily behaviors and waves of life into his coves and inlets, and where they intersect will be the height and depth of his character. Perhaps we only need to know how his shores trend, and his adjacent country or circumstances, to infer his depth and concealed bottom. If he is surrounded by mountainous circumstances, an Achillean shore, whose peaks overshadow and are reflected in his bosom, they suggest a corresponding depth to him. But a low and smooth shore proves him shallow on that side. Also there is a bar across the entrance of our every cove, or particular inclination; each is a harbor for a season, in which we are detained and partially landlocked. These inclinations are not whimsical usually, but their form, size, and direction are determined by the promontories of the shore, the ancient axes of elevation. When this bar is gradually increased by storms, tides, or currents, or there is a subsidence of waters…It becomes an individual lake, cut off from the ocean, wherein the thought secures its own conditions, changes, perhaps, from salt to fresh, becomes a sweet sea, dead sea, or a marsh.

It is a hot summer day in Tennessee in the midst of the sixth decade of this century. The girl has climbed the fence to get to the swimming hole she has visited so many summers of her life in the time before this part of the land was enclosed. She stands now at the edge of it. Her body is sticky with heat. The surface of the water moves slightly. Sunlight shimmers and dances in a green reflection that seems as she stares at it to pull her in even before her skin is wet with it. Drops of water on the infant’s head. All the body immersed for baptism. Do these images come to her as she sinks into the coolness? The washing of hands before Sunday’s midday meal. All our sins washed away. Water was once the element for purification. But at the bottom of this pool, There is no telling what is there now. This is what the girl’s father will say to her finally: corroded cans of chemical waste, some radioactive substances. That was why they put the fence there. She is not thinking of that now. The words have not yet been said, and so for her no trouble exists here. The water holds up her body. She is weightless in this fulsome element, the waves her body makes embracing her with their own benediction. Beneath her in the shadowy green, she feels the depth of the pond. In this coolness as the heat mercifully abates, her mind is set free, to dream as the water dreams.

From Tomorrow to Yesterday The tree trunks move in time with the rhythm of her rubber soles on the wet path, where the air is still cool after the night rain. The woodland floor is white with anemones; in one place, growing close to the roots of an ancient tree, they make her think of an old, wrinkled hand. She could go on and on without getting tired, without meeting anyone or thinking of anything in particular, and without coming to the edge of the woods. As if the town did not begin just behind the trees, the leafy suburb with its peaceful roads and its houses hidden behind close-trimmed hedges. She doesn't want to think about anything, and almost succeeds; her body is no more than a porous, pulsating machine. The sun breaks through the clouds as she runs back, its light diffused on the gravel drive and the magnolia in front of the kitchen window. His car is no longer parked beside hers, he must have left while she was in the woods. He hadn't stirred when she rose, and she'd already been in bed when he came home late last night. She lay with her back turned, eyes closed, as he undressed, taking care not to wake her. She leans against one of the pillars of the garage and stretches, before emptying the mailbox and letting herself into the house. She puts the mail on the kitchen table. The little light on the coffeemaker is on; she switches it off. Not so long ago, she would have felt a stab of irritation or a touch of tenderness, depending on her mood. He always forgets to turn off that machine. She puts the kettle on, sprinkles tea leaves into the pot, and goes over to the kitchen window. She observes the magnolia blossoms, already starting to open. They'll have to talk about it, of course, but neither of them seems able to find the right words, the right moment. She pauses on her way through the sitting room. She stands amid her furniture looking out over the lawn and the pond at the end of the garden. The canopies of the trees are dimly reflected in the shining water. She goes into the bathroom. The shower door is still spotted with little drops. As time went on they have come to make contact during the day only briefly, like passing strangers. But that's the way it has been since the children left home, nothing unusual in that. She takes off her clothes and stands in front of the mirror where a little while ago he stood shaving. She greets her reflection with a wry smile. She has never been able to view herself in a mirror without this moue, as if demonstrating a certain guardedness about what she sees. The dark green eyes and wavy black hair, the angularity of her features. She dyes her hair exactly the color it would have been if she hadn't begun to go gray in her thirties, but that's her only protest against age.

The Common Perch, _Perca flavescens_, which name describes well the gleaming, golden reflections of its scales as it is drawn out of the water, its red gills standing out in vain in the thin element, is one of the handsomest and most regularly formed of our fishes, and at such a moment as this reminds us of the fish in the picture which wished to be restored to its native element until it had grown larger; and indeed most of this species that are caught are not half grown. In the ponds there is a light-colored and slender kind, which swim in shoals of many hundreds in the sunny water, in company with the shiner, averaging not more than six or seven inches in length, while only a few larger specimens are found in the deepest water, which prey upon their weaker brethren. I have often attracted these small perch to the shore at evening, by rippling the water with my fingers, and they may sometimes be caught while attempting to pass inside your hands. It is a tough and heedless fish, biting from impulse, without nibbling, and from impulse refraining to bite, and sculling indifferently past. It rather prefers the clear water and sandy bottoms, though here it has not much choice. It is a true fish, such as the angler loves to put into his basket or hang at the top of his willow twig, in shady afternoons along the banks of the stream. So many unquestionable fishes he counts, and so many shiners, which he counts and then throws away. Old Josselyn in his "New England's Rarities," published in 1672, mentions the Perch or River Partridge.

Truth is One: Sages call it by various names. It is the one sun which reflects in all the ponds; It is the one water which slakes the thirst of all; It is the one air which sustains all life; Systems of faith may be different, but God is one.

The Happy Crow Once upon a time, there lived a crow in a forest. This crow was absolutely satisfied and happy with its life. One day it happened to go to a pond to drink water. It looked at its reflection in the water and turned its face this way and that. It preened its wings and thought about how shiny they were. The crow was convinced of its beauty. But then he saw a white swan swim by. Some ducks standing near the pond laughed at the crow for its black color and complimented and praised the swan. The crow was full of admiration for the swan. He told the swan that it was beautiful and also added, “you must be the happiest bird in the world.” The swan, however, did not appear so happy. When the crow asked her the reason the swan replied, “I also thought that I was the most beautiful and the happiest bird around, until I saw the parrot. You will not believe it. You and I have just one color, but the parrot has two, green and red. In my opinion, the parrot must be the happiest bird in the world.” The crow was intrigued and went to meet the parrot. When he saw the parrot, he too was convinced that it was indeed the most beautiful bird in the forest. When the crow asked the parrot, “you must be the happiest bird in the forest,” the parrot laughed and said, “I too lived under the same illusion, until I saw the peacock. You won’t believe how beautiful the peacock is. I have never seen a more colorful bird.” The inquisitive crow now went to meet the peacock and indeed it was the most colorful bird anyone could imagine. It danced happily with its wings spread and the crow watched mesmerized. However, a bird catcher hiding in the bush too had the same reaction and he captured the colorful peacock. The colorful parrot and the white swan too could not escape this fate. However, the crow with its shiny feathers and lustrous wings escaped this fate. The society’s bias against dark color saved the crow. The peacock, parrot, and swan looked at the crow flying about freely and thought “this must be the happiest bird in the world.

That evening he put me up at the Glasshouse Mountains Motel, a few miles from the zoo. Steve was very chivalrous. I met his parents and had dinner with the whole family. I also got my first taste of Australian humor. That night at dinner, I poured myself what I thought was a nice glass of juice. The entire Irwin family sat quiet and straight-faced. As I took a big swig, it nearly choked me. That’s when I learned about cordial, which is supposed to be mixed with water. I had poured it full strength. We all had a good laugh. The next night Steve and I went to dinner in Caloundra, a nearby town. He took me to a resort that featured an all-you-can-eat buffet dinner--seafood banquet, my favorite. I loaded my plate high with prawns, crab, oysters, and everything I loved. I didn’t know it then, but Steve was a bit worried that I was going to eat more than he did. At one point a little piece of crab flicked onto the crook of my arm. I deftly reached down with my tongue and managed to grab it off my elbow and eat it. Suddenly I felt self-conscious. Steve was staring at me. He looked at me with such love in his eyes, and I thought, He’s going to say something wonderful. Steve leaned forward and said affectionately, “ Gosh, you aren’t ladylike at all.” I burst out laughing. Apparently I’d done the right thing. I reflected back on my dad’s advice: No matter what, always be yourself. And it sure had worked. As we left the restaurant, Steve said, “You know, I smell ducks.” We walked outside, and sure enough, there was a flock of beautiful ducks bobbing around on a pond. “Steve, you are the most amazing bushman I’ve ever met,” I said. Of course, the resort and the pond had been there for years, and Steve had known about the ducks for just as long. “I smell ducks” was a Crocodile Dundee trick that had nevertheless worked its magic on this naïve American girl. And then, suddenly, the weekend was over. Steve drove me back down to Brisbane. I had the biggest ache in my heart. I had fallen hard. As we said good-bye, he put his arms around me for the first time, and I felt all his strength and warmth in that embrace. But it was over. I was going back to my side of the world. I had no idea if I would ever see Steve Irwin again.

But on a moment’s reflection, it didn’t seem that natural at all. Mere hours ago I was as good as dead in Deborah’s eyes, lower than pond scum—and for the very same reason that she now found my company desirable. It was such a cold and utilitarian about-face, so completely reptilian, that I should have admired it. I didn’t. I needed more.

You are not lost. You are found.” She lowers her hands. “And we are the ones left waiting for the coming day, still trapped in this life like fish in a pond, unable to see past the surface. We look up, and there’s only a mirror reflecting our faces as we search for those who have gone ahead.” There’s

I’ll tell you what I think. I think the sages are the growing tip of the secret impulse of evolution. I think they are the leading edge of the self-transcending drive that always goes beyond what went before. I think they embody the very drive of the Kosmos toward greater depth and expanding consciousness. I think they are riding the edge of a light beam racing toward a rendezvous with God. And I think they point to the same depth in you, and in me, and in all of us. I think they are plugged into the All, and the Kosmos sings through their voices, and Spirit shines through their eyes. And I think they disclose the face of tomorrow, they open us to the heart of our own destiny, which is also already right now in the timelessness of this very moment, and in that startling recognition the voice of the sage becomes your voice, the eyes of the sage become your eyes, you speak with the tongues of angels and are alight with the fire of a realization that never dawns nor ceases, you recognize your own true Face in the mirror of the Kosmos itself: your identity is indeed the All, and you are no longer part of that stream, you are that stream, with the All unfolding not around you but in you. The stars no longer shine out there, but in here. Supernovas come into being within your heart, and the sun shines inside your awareness. Because you transcend all, you embrace all. There is no final Whole here, only an endless process, and you are the opening or the clearing or the pure Emptiness in which the entire process unfolds—ceaselessly, miraculously, everlastingly, lightly. The whole game is undone, this nightmare of evolution, and you are exactly where you were prior to the beginning of the whole show. With a sudden shock of the utterly obvious, you recognize your own Original Face, the face you had prior to the Big Bang, the face of utter Emptiness that smiles as all creation and sings as the entire Kosmos—and it is all undone in that primal glance, and all that is left is the smile, and the reflection of the moon on a quiet pond, late on a crystal clear night.

When I felt better, I tried to remember what had been beautiful in my life. I did not think about love or how I had wandered all over the world. I did not think about night flights across the ocean or how I played Canadian hockey in Prague. I remembered walking along the brooks, rivers, ponds, and dams to fish. I realized that these were the most beautiful experiences in my life.

It is not as though you have never witnessed my humiliation,” she pointed out. “In fact, on more than one occasion you have been the source of it.” “On what occasion?” “This past July, for one. Have you forgotten pushing me into a pond?” He bristled. “I did not push you into a pond. It was a reflecting pool, and you stumbled.” How dare he point out the truth. “But you did not catch me.” “I was six paces away.” “A true gentleman would have made a heroic leap. Or at least dived in to rescue me.” “Rescue you? The water was ankle-deep. You were not injured.

You mistook the stars reflected in a pond at night for the sky.

Leaves and Angels" True fact (as my freshmen used to write): In Florence, Italy, there’s a wing of a psychiatric hospital specializing in patients who suffer from over-exposure to great art. Patients are observed experiencing delusions, free-floating anxiety, paranoia, even depression. Why? If poetry makes nothing happen, as W.H. Auden famously wrote, shouldn’t the same be true of art? Stand in front of Michelangelo’s David; what do you see? An impossibly outsized right hand, all the more beautiful for being so; and a face reminding one of Lord Byron (or is that the Apollo Belvedere?): a warp and woof between real and ideal. As for crass indifference—shouldn’t that, too, be a ticket of admission to the Florence nuthouse? Last night, a dream-voice whispered a bittersweet nothing in my ear: If you say to someone breathlessly, “I saw an angel fall in the street today!” they look at you askance. If you say to someone breathlessly, “I saw a leaf fall in the street today!” they look at you askance.               shimmering ponds of dream—                             wearying                                   of my reflection Steven Carter, A Hundred Gourds 2:2

Malin had only ever been a dream; an image reflected back off a still pond of water. So close, but when he reached out to touch her, the image shattered. And he finally understood that to know the identity of his true mate was no gift of the Goddess. But a curse instead.

In The Metamorphoses, the Roman poet Ovid tells the story of a handsome youth named Narcissus, a tale he learned from Greek mythology. Narcissus is so intent on his own desires that he is unable to fall in love, rejecting the advances of all who are attracted to him. Never having seen his own image, he understands the power of his beauty only through the reactions others have to him. When he rebuffs the love of Echo, a nymph, her unrequited passion causes her to waste away and die. When one of Echo’s handmaidens prays to Nemesis, the goddess of revenge, Nemesis responds by declaring that Narcissus shall get a taste of his own medicine: If he should ever fall in love, he will be denied the very thing he so desires. One day, while stopping to drink from a forest pool, Narcissus catches a glimpse of his reflection in the smooth water. Smitten by the sight, he falls madly in love with his own beautiful image. He lies next to the pond, staring at his own reflection in the water. But whenever he reaches into the water and tries to embrace the image, it dissolves. Unable to kiss, or hold, or in any way capture his true heart’s desire, he too dies of unrequited love.

The clouds of the west faded into grey and a great round yellow moon rose over the fields to be reflected brokenly in the pond,

Reconsideration is hard; it takes courage.

My night was carved into little bits. One bit for sleep, one for bad dreams, one for hot chocolate, one for the moon's reflection on the pond, one for regrets and melancholy, and yet another for sleep.

Marty used to tell her she had the world’s worst poker face: her feelings floated across her features like reflections on a still pond.

Each generation produces its oracles and sages, independent thinkers whom serve as cultural bearers. Every generation produces perceptive individuals whose special radiance answers the trumpet call of the pernicious challenges bestowed by their times. These compassionate mavens provide worthy insights on humankind’s gallant attempt to escape its balmy pond of alienation and frigid sea of desolation. Conversations conducted by past and present essayist speaking in consonance between parallel times judiciously reflect the polyphonic cadence of robust jubilation wrought through living purposefully. The coruscating voices of the muses from times of yore manufacture the accordion spine of humankind’s expanding éclat anthology.

In Manhattan, appreciation of history is exemplified in Collect Pond Park, a one-acre green space in Manhattan’s Civic Center whose name commemorates a pond where many pivotal events took place in the first two centuries of the city’s history. In 2012, the city began a reconstruction project that included a reflecting pool to evoke the park’s namesake pond. To

Relationship with another is like gazing into a still pond. You will either see your own face reflected or the depth of the water, but never both at the same time.

Below, the upraised arms of the trees chastised us for foolishness, and the scattered ornamental ponds, reflecting the moon, winked in complicity.

When I return to Almada at midnight after the film, the Tagus is like a still pond. The river's glassy surface reflects Cacilhas dock through a soft mist.