Pole Star Quotes

Unending Love I seem to have loved you in numberless forms, numberless times... In life after life, in age after age, forever. My spellbound heart has made and remade the necklace of songs, That you take as a gift, wear round your neck in your many forms, In life after life, in age after age, forever. Whenever I hear old chronicles of love, it's age old pain, It's ancient tale of being apart or together. As I stare on and on into the past, in the end you emerge, Clad in the light of a pole-star, piercing the darkness of time. You become an image of what is remembered forever. You and I have floated here on the stream that brings from the fount. At the heart of time, love of one for another. We have played along side millions of lovers, Shared in the same shy sweetness of meeting, the distressful tears of farewell, Old love but in shapes that renew and renew forever. Today it is heaped at your feet, it has found its end in you The love of all man's days both past and forever: Universal joy, universal sorrow, universal life. The memories of all loves merging with this one love of ours - And the songs of every poet past and forever.

I dislike my fellow-mortals. Justice compels me to add that they appear for the most part to dislike me. The Man from Archangel

My love of creativity is one of my constants, a pole star amid the many constellations of possibilities and personalities that make up all the people I could be.

People no longer live by sun and moon, by wind and stars, but by some slyly contrived conventions known as clocks and calendars.

She saw the snowy poles of moonless Mars, That marvellous round of milky light Below Orion, and those double stars Whereof the one more bright Is circled by the other

Let a ruler base his government upon virtuous principles, and he will be like the pole-star, which remains steadfast in its place, while all the host of stars turn towards it

There is an of-quoted passage in Walden, in which Thoreau exhorts us to find our pole star and to follow it unwaveringly as would a sailor or a fugitive slave. It's a thrilling sentiment - one so obviously worthy of our aspirations. But even if you had the discipline to maintain the true course, the real problem, it has always seemed to me, is how to know in which part of the heavens your star resides

Normally I’d run off in the other direction when faced with a man wearing what were essentially pyjamas to work, but this time... well, they matched my boxers.

A man lay before me. He had sunk as low as any I had ever known. Then he had fought his way back and back and had become worthy. A man far better than I, for he had located his moral pole star and set his course by it though it had cost his life.

Stars are good, too. I wish I could get some to put in my hair. But I suppose I never can. You would be surprised to find how far off they are, for they do not look it. When they first showed, last night, I tried to knock some down with a pole, but it didn't reach, which astonished me; then I tried clods till I was all tired out, but I never got one. It was because I am left-handed and cannot throw good. Even when I aimed at the one I wasn't after I couldn't hit the other one, though I did make some close shots, for I saw the black blot of the clod sail right into the midst of the golden clusters forty or fifty times, just barely missing them, and if I could have held out a little longer maybe I could have got one.

From my boyhood I have had an intense and overwhelming conviction that my real vocation lay in the direction of literature. I have, however, had a most unaccountable difficulty in getting any responsible person to share my views. - Cyprian Overbeck Wells: A Literary Mosaic

But silence continued in the layers of the earth, and this density that I could feel at my shoulders continued harmonious, sustained, unaltered through eternity. I lay there pondering my situation, lost in the desert, and in danger, naked between sky and sand and stars, withdrawn by too much silence from the poles of my life.

Years ago, when I was working on my master's thesis, I went to New York for a semester as an exchange student. What struck me most was the sky. On that side of the world, so far away from the North Pole, the sky is flat and gray, a one-dimensional universe. Here, the sky is arched, and there's almost no pollution. In spring and fall the sky is dark blue or violet, and sunsets last for hours. The sun turns into a dim orange ball that transforms clouds into silver-rimmed red and violet towers. In winter, twenty-four hours a day, uncountable stars outline the vaulted ceiling of the great cathedral we live in. Finnish skies are the reason I believe in God.

Be not guided by the will-o'-the-wisp of policy, but by the pole-star of divine authority.

If a night-moth were to concentrate its will on flying to a star or some equally unattainable object, it wouldn't succeed. Only, it wouldn't even try in the first place. A moth confines its search to what has sense and value for it, what it needs, what is indispensable to its life... if I imagined that I wanted under all circumstances to get to the North Pole, then to achieve it I would have to desire it strongly enough that my whole being was ruled by it. But if I were to decide to will that the pastor should stop wearing his glasses, it would be useless. That would be making a game of it.

The world of things entered your infant mind To populate that crystal cabinet. Within its walls the strangest partners met, And things turned thoughts did propagate their kind. For, once within, corporeal fact could find A spirit. Fact and you in mutual debt Built there your little microcosm - which yet Had hugest tasks to its small self assigned. Dead men can live there, and converse with stars: Equator speaks with pole, and night with day; Spirit dissolves the world's material bars - A million isolations burn away. The Universe can live and work and plan, At last made God within the mind of man.

the North Pole, but to someone looking from the equator, it appears to lie just at the horizon. From the difference in the apparent position of the North Star in Egypt and Greece, Aristotle even quoted an estimate that the distance

You're my lodestar – that's the one that sailors followed, the Pole Star that took them safely home to harbour.” he said. “And I suppose you're like a shooting star” she responded “Always travelling in unexpected directions” And like a shooting star, he had disappeared over the edge of her world, taking all the light and leaving her in cold darkness.

you never wish on shooting stars you wish on the ones that have the courage to shine where they are, no matter how dark the night.

They emblazoned the cotton with the words “California Republic.” Above that they drew a star and what they intended to be the figure of a grizzly bear. Then they ran the flag up the pole. The Mexican Californians who had gathered around, suddenly foreigners in their own land, looked up, pondered it silently, and wondered why the Americans had chosen a pig as the symbol of their ascension to power. The

Side note: Down here, you're either an Amundsen guy, a Shackleton guy, or a Scott guy. Amundsen was the first to reach the Pole, but he did it by feeding dogs to dogs, which makes Amundsen the Michael Vick of polar explorers: you can like him, but keep it to yourself, or you'll end up getting into arguments with a bunch of fanatics. Shackleton is the Charles Barkley of the bunch: he's a legend, all-star personality, but there's the asterisk that he never reached the Pole, i.e. won a championship. How this turned into a sports analogy, I don't know. Finally, there's Captain Scott, canonized for his failure, and to this day never fully embraced because he was terrible with people. He has my vote, you understand.

Mr. Morris, you should be proud of your great state. Its reception into the Union was a precedent which may have far-reaching effects hereafter, when the Pole and the Tropics may hold alliance to the Stars and Stripes. The power of Treaty may yet prove a vast engine of enlargement, when the Monroe doctrine takes its true place as a political fable.

Prince Arulmozhivarmar is like that pole star. If young men like you follow his ideals, you will achieve your goal in life.

The choice of a spiritual path is closer to marriage: one wants a partner for life, one whose companionship will prove as trustworthy and durable as the pole star in the night sky.

Neither Tiphys nor Argus nor old Nauplius (whose great-grandfather and namesake had been the first Greek ever to steer by the Pole Star) could calculate their position with certainty.

The eternal opposites meet and kiss. The wolf and the lamb lie down together, the dove and the serpent share one nest. The stars bend down and touch the earth and the young and the old forgive each other. Night and day meet here, so do the poles. The East leans over towards the West and the circle is complete.

... one star appears to stand almost overhead hour after hour, night after night, seemingly never moving even as the others circle perpetually around it. In recognition thereof, it is dubbed Polaris, the pole star ...

[S]till the Pole Star leers down from the same place in the black vault, winking hideously like an insane watching eye which strives to convey some strange message, yet recalls nothing save that it once had a message to convey.

The devotional came on. A minister talked about beating swords into plowshares. Then the “Star Spangled Banner” played over scenes of majestic snow-capped mountains, wide, waving fields of wheat and corn, running streams, verdant forests and mighty cities; it ended with an image of the American flag, stretched out and immobile on a pole sunk into the surface of the moon. The picture froze, lingered for a few seconds, and then static filled the screen as the local station signed off.

The first and most basic thing we can and must do is to keep God before our minds… This is the fundamental secret of caring for our souls. Our part in this practicing the presence of God is to direct and redirect our minds constantly to Him. In the early time of our ‘practicing’ we may well be challenged by our burdensome habits of dwelling on things less than God. But these are habits – not the law of gravity – and can be broken… A new, grace-filled habit will replace the former ones as we take intentional steps toward keeping God before us. Soon our minds will return to God as the needle of a compass constantly returns to the north. If God is the great longing of our souls, He will become the pole star of our inward beings.

MY WOMAN My woman came with me as far as Brest, she got off the train and stayed on the platform, she grew smaller and smaller, she became a kernel of wheat in the infinite blue, then all I could see were the tracks. Then she called out from Poland, but I couldn't answer, I couldn't ask, "Where are you, my rose, where are you?" "Come," she said, but I couldn't reach her, the train was going like it would never stop, I was choking with grief. Then patches of snow were rotting on sandy earth, and suddenly I knew my woman was watching : "Did you forget me," she asked, "did you forget me?" Spring marched with muddy bare feet on the sky. Then stars lighted on the telegraph wires, darkness dashed the train like rain, my woman stood under the telegraph poles, her heart pounding as if she were in my arms, the poles kept disappearing, she didn't move, the train was going like it would never stop, I was choking with grief. Then suddenly I knew I'd been on that train for years - I'm still amazed at how or why I knew it - and always singing the same great song of hope, I'm forever leaving the cities and women I love, and carrying my losses like wounds opening inside me, I'm getting closer, closer to somewhere.

Lorenzo il Magnifico, the Plato Four, the humanists had taught him that man was the center of the universe; and this was never more demonstrable that when he stood looking upward and found himself, a lone individual, serving as the central pole holding up the tarpaulin of sun and clouds, moon and stars, knowing that, lone or abandoned as he might feel, without his support the heavens would fall.

Eiffel Tower" To Robert Delaunay Eiffel Tower Guitar of the sky Your wireless telegraphy Attracts words As a rosebush the bees During the night The Seine no longer flows Telescope or bugle EIFFEL TOWER And it's a hive of words Or an inkwell of honey At the bottom of dawn A spider with barbed-wire legs Was making its web of clouds My little boy To climb the Eiffel Tower You climb on a song Do re mi fa sol la ti do We are up on top A bird sings in the telegraph antennae It's the wind Of Europe The electric wind Over there The hats fly away They have wings but they don't sing Jacqueline Daughter of France What do you see up there The Seine is asleep Under the shadow of its bridges I see the Earth turning And I blow my bugle Toward all the seas On the path Of your perfume All the bees and the words go their way On the four horizons Who has not heard this song I AM THE QUEEN OF THE DAWN OF THE POLES I AM THE COMPASS THE ROSE OF THE WINDS THAT FADES EVERY FALL AND ALL FULL OF SNOW I DIE FROM THE DEATH OF THAT ROSE IN MY HEAD A BIRD SINGS ALL YEAR LONG That's the way the Tower spoke to me one day Eiffel Tower Aviary of the world Sing Sing Chimes of Paris The giant hanging in the midst of the void Is the poster of France The day of Victory You will tell it to the stars

No, rebellion is what the Duke of Monmouth did, it is a petty disturbance, an aberration, predestined to fail. Revolution is like the wheeling of stars round the pole. It is driven by unseen powers, it is inexorable, it moves all things at once, and men of discrimination may understand it, predict it, benefit from it.

The Idea of Order at Key West She sang beyond the genius of the sea. The water never formed to mind or voice, Like a body wholly body, fluttering Its empty sleeves; and yet its mimic motion Made constant cry, caused constantly a cry, That was not ours although we understood, Inhuman, of the veritable ocean. The sea was not a mask. No more was she. The song and water were not medleyed sound Even if what she sang was what she heard, Since what she sang was uttered word by word. It may be that in all her phrases stirred The grinding water and the gasping wind; But it was she and not the sea we heard. For she was the maker of the song she sang. The ever-hooded, tragic-gestured sea Was merely a place by which she walked to sing. Whose spirit is this? we said, because we knew It was the spirit that we sought and knew That we should ask this often as she sang. If it was only the dark voice of the sea That rose, or even colored by many waves; If it was only the outer voice of sky And cloud, of the sunken coral water-walled, However clear, it would have been deep air, The heaving speech of air, a summer sound Repeated in a summer without end And sound alone. But it was more than that, More even than her voice, and ours, among The meaningless plungings of water and the wind, Theatrical distances, bronze shadows heaped On high horizons, mountainous atmospheres Of sky and sea. It was her voice that made The sky acutest at its vanishing. She measured to the hour its solitude. She was the single artificer of the world In which she sang. And when she sang, the sea, Whatever self it had, became the self That was her song, for she was the maker. Then we, As we beheld her striding there alone, Knew that there never was a world for her Except the one she sang and, singing, made. Ramon Fernandez, tell me, if you know, Why, when the singing ended and we turned Toward the town, tell why the glassy lights, The lights in the fishing boats at anchor there, As the night descended, tilting in the air, Mastered the night and portioned out the sea, Fixing emblazoned zones and fiery poles, Arranging, deepening, enchanting night. Oh! Blessed rage for order, pale Ramon, The maker's rage to order words of the sea, Words of the fragrant portals, dimly-starred, And of ourselves and of our origins, In ghostlier demarcations, keener sounds

I pray that his lot may be a happier one in that life than it has been in this.

Visit her, gentle Sleep! with wings of healing,          And may this storm be but a mountain-birth, May all the stars hang bright above her dwelling,          Silent as though they watched the sleeping Earth!                 With light heart may she rise,                 Gay fancy, cheerful eyes,          Joy lift her spirit, joy attune her voice; To her may all things live, from pole to pole, Their life the eddying of her living soul!          O simple spirit, guided from above, Dear Lady! friend devoutest of my choice, Thus mayest thou ever, evermore rejoice.

Antarctica is the highest, driest, coldest, and windiest place on the planet. The South Pole averages sixty below zero, has hurricane-strength winds, and sits at an altitude of ten thousand feet. In other words, those original explorers didn’t have to just get there, but had to climb serious mountains to do so. (Side note: Down here, you’re either an Amundsen guy, a Shackleton guy, or a Scott guy. Amundsen was the first to reach the Pole, but he did it by feeding dogs to dogs, which makes Amundsen the Michael Vick of polar explorers: you can like him, but keep it to yourself, or you’ll end up getting into arguments with a bunch of fanatics. Shackleton is the Charles Barkley of the bunch: he’s a legend, all-star personality, but there’s the asterisk that he never reached the Pole, i.e., won a championship. How this turned into a sports analogy, I don’t know. Finally, there’s Captain Scott, canonized for his failure, and to this day never fully embraced because he was terrible with people. He has my vote, you understand.)

Oh, make no mistake. I am no callow, ardent youth. I am an elderly man, broken in health and body, and soon to die. I am a scientist and a philosopher. I, as all the generations of philosophers before me, know woman for what she is—her weaknesses and meannesses and immodesties and ignobilities, her earth-bound feet and her eyes that have never seen the stars. But—and the everlasting, irrefragable fact remains: Her feet are beautiful, her eyes are beautiful, her arms and breasts are paradise, her charm is potent beyond all charm that has ever dazzled man; and, as the pole willy nilly draws the needle, just so, willy nilly, does she draw man.

Shackleton is the Charles Barkley of the bunch: he’s a legend, all-star personality, but there’s the asterisk that he never reached the Pole, i.e., won a championship. How this turned into a sports analogy, I don’t know.

We are a difficult, ungovernable species, forever staving off chaos with one hand and succumbing to it with the other. We aren’t here long enough to stop fighting death, to relax into our existence and gaze clearly. We thrash, mostly blindly, from one pole of oblivion to another. We are lucky if we truly notice three or five things in between. The rest is shouting, or being shouted at, or hiding underneath a blasted scrap from a raging storm.

Vede insieme l'uno e l'altro polo, Le stelle vaghe e lor viaggio torto; E vedi, 'I veder nostro quanto e corto. (You see both poles at once, the travelling stars in their winding courses, and you see just how limited our seeing really is.)

A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off. At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.

He had lived in an apartment with books touching the ceilings, and rugs thick enough to hide dice; then in a room and a half with dirt floors; on forest floors, under unconcerned stars; under the floorboards of a Christian who, half a world and three-quarters of a century away, would have a tree planted to commemorate his righteousness; in a hole for so many days his knees would never wholly unbend; among Gypsies and partisans and half-decent Poles; in transit, refugee, and displaced persons camps; on a boat with a bottle with a boat that an insomniac agnostic had miraculously constructed inside it; on the other side of an ocean he would never wholly cross; above half a dozen grocery stores he killed himself fixing up and selling for small profits; beside a woman who rechecked the locks until she broke them, and died of old age at forty-two without a syllable of praise in her throat but the cells of her murdered mother still dividing in her brain; and finally, for the last quarter century, in a snow-globe-quiet Silver Spring split-level: ten pounds of Roman Vishniac bleaching on the coffee table; Enemies, A Love Story demagnetizing in the world’s last functional VCR; egg salad becoming bird flu in a refrigerator mummified with photographs of gorgeous, genius, tumorless great-grandchildren.

When Emerson poetically noted that mosses favour the north sides of trees (‘The moss upon the forest bark, was pole-star when the night was dark’) he really meant lichens, for in the nineteenth century mosses and lichens weren’t distinguished. True mosses aren’t actually fussy about where they grow, so they are no good as natural compasses.

The Winding Stair My Soul. I summon to the winding ancient stair; Set all your mind upon the steep ascent, Upon the broken, crumbling battlement, Upon the breathless starlit air, 'Upon the star that marks the hidden pole; Fix every wandering thought upon That quarter where all thought is done: Who can distinguish darkness from the soul My Self. The consecretes blade upon my knees Is Sato's ancient blade, still as it was, Still razor-keen, still like a looking-glass Unspotted by the centuries; That flowering, silken, old embroidery, torn From some court-lady's dress and round The wodden scabbard bound and wound Can, tattered, still protect, faded adorn My Soul. Why should the imagination of a man Long past his prime remember things that are Emblematical of love and war? Think of ancestral night that can, If but imagination scorn the earth And intellect is wandering To this and that and t'other thing, Deliver from the crime of death and birth. My Self. Montashigi, third of his family, fashioned it Five hundred years ago, about it lie Flowers from I know not what embroidery - Heart's purple - and all these I set For emblems of the day against the tower Emblematical of the night, And claim as by a soldier's right A charter to commit the crime once more. My Soul. Such fullness in that quarter overflows And falls into the basin of the mind That man is stricken deaf and dumb and blind, For intellect no longer knows Is from the Ought, or knower from the Known - That is to say, ascends to Heaven; Only the dead can be forgiven; But when I think of that my tongue's a stone. II My Self. A living man is blind and drinks his drop. What matter if the ditches are impure? What matter if I live it all once more? Endure that toil of growing up; The ignominy of boyhood; the distress Of boyhood changing into man; The unfinished man and his pain Brought face to face with his own clumsiness; The finished man among his enemies? - How in the name of Heaven can he escape That defiling and disfigured shape The mirror of malicious eyes Casts upon his eyes until at last He thinks that shape must be his shape? And what's the good of an escape If honour find him in the wintry blast? I am content to live it all again And yet again, if it be life to pitch Into the frog-spawn of a blind man's ditch, A blind man battering blind men; Or into that most fecund ditch of all, The folly that man does Or must suffer, if he woos A proud woman not kindred of his soul. I am content to follow to its source Every event in action or in thought; Measure the lot; forgive myself the lot! When such as I cast out remorse So great a sweetness flows into the breast We must laugh and we must sing, We are blest by everything, Everything we look upon is blest

Do not worry,” the Rebbe told me, or rather I told myself using the image of that aged Jew who was dressed as a rabbi. “Loneliness means not knowing how to be with oneself.” Of course, I do not mean to imply that a child of seven years can speak in such a fashion. But I understood these things, albeit not in a rational manner. The Rebbe, being an internal image, put things into my mind that were not intellectual. He made me feel something that I swallowed, in the way that a newly hatched eaglet, its eyes still closed, swallows the worm that is placed in its beak. Much later as an adult I began to find words to translate things that were, at that young age—how can I explain it?—openings into other planes of reality. “You are not alone. Remember last week when you were surprised to see a sunflower growing in the courtyard? You concluded that the wind had blown a seed there. A seed, though it looks insignificant, contains the future flower. This seed somehow knew what plant it was going to be, and this plant was not just in the future: although immaterial, although only a design, the sunflower existed there, in that seed, blowing in the wind over hundreds of kilometers. And not only was the plant there, but also the love of light, the turning in search of the sun, the mysterious union with the pole star, and—why not?—a form of consciousness. You are not different. All that you are going to be, you are. What you will know, you already know. What you will search for, you are already seeking: it is in you. I may not be real, but the old man who you now see, although he has my inconsistent appearance, is real because he is you, which is to say, he is what you will be.

Esoteric tradition teaches us that until we find the Grail, and it should be clearly understood that it is not a physical object in this time-space continuum, Lucifer must play out his role as the sacrificial king. He is doomed to incarnate in a ‘cloak of flesh’ as an avatar for the human race and pay the ultimate price as a scapegoat on their behalf. This is the ultimate sacrifice for being the light-bearer who brought down from Heaven the illumination of Gnostic wisdom and the primal fire of creativity. Lucifer eternally dies and is reborn to save humanity of itself. As the human race progresses spiritually so he can slowly ascend the Ladder of Lights back to the realm of the Gods beyond the Pole Star. He is the Lord of the Morning Star and the Lux Mundi (Light of the World) whose rebirth from darkness we celebrate every year at the winter solstice.

In my shame and despair I sometimes scream frantically, begging the dream-creatures around me to waken me ere the Inutos steal up the pass behind the peak Noton and take the citadel by surprise; but these creatures are daemons, for they laugh at me and tell me I am not dreaming. They mock me whilst I sleep, and whilst the squat yellow foe may be creeping silently upon us. I have failed in my duty and betrayed the marble city of Olathoë; I have proven false to Alos, my friend and commander. But still these shadows of my dream deride me. They say there is no land of Lomar, save in my nocturnal imaginings; that in those realms where the Pole Star shines high and red Aldebaran crawls low around the horizon, there has been naught save ice and snow for thousands of years, and never a man save squat yellow creatures, blighted by the cold, whom they call “Esquimaux.

But now as Phoebus anointed Phaethon With medicinal blocker To protect him from the burning And fixed the crown of rays on the boy’s head He saw the tragedy to come And sighed: “At least, if you can, Stick to these instructions, my son. First: use the whip not at all, or lightly. But rein the team hard. It is not easy. Their whole inclination is to be gone. Second: avoid careering Over the whole five zones of heaven. Keep to that broad highway that curves Within three zones, temperate and tropic. Avoid the poles, and their killing blizzards. Keep to that highway, follow the wheel ruts. Share your heat fairly Between heaven and earth, not too low And not crashing in among the stars. Too high, You will set heaven aflame—and, too low, earth. The middle way is best, and safest. And do not veer too far to the right Where your wheels might crush the Serpent, nor to the left Where they might be shattered against the Altar. Take a bearing between them.

I have again been asked to explain how one can "become a Daoists..." with all of the sad things happening in our world today, Laozi and Zhuangzi give words of advice, tho not necessarily to become a Daoist priest or priestess... " So many foreigners who want to become “Religious Daoists” 道教的道师 （道士） do not realize that they must not only receive a transmission of a Lu 籙 register which identifies their Daoist school, and learn as well how to sing the ritual melodies, play the flute, stringed instruments, drums, and sacred dance steps, required to be an ordained and functioning Daoist priest or priestess. This process usually takes 10 years or more of daily discipleship and practice, to accomplish. There are 86 schools and genre of Daoist rituals listed in the Baiyun Guan Gazeteer, 白雲觀志, which was edited by Oyanagi Sensei, in Tokyo, 1928, and again in 1934, and re-published by Baiyun Guan in Beijing, available in their book shop to purchase. Some of the schools, such as the Quanzhen Longmen 全真龙门orders, allow their rituals and Lu registers to be learned by a number of worthy disciples or monks; others, such as the Zhengyi, Qingwei, Pole Star, and Shangqing 正一，清微，北极，上请 registers may only be taught in their fullness to one son and/or one disciple, each generation. Each of the schools also have an identifying poem, from 20 or 40 character in length, or in the case of monastic orders (who pass on the registers to many disciples), longer poems up to 100 characters, which identify the generation of transmission from master to disciple. The Daoist who receives a Lu register (給籙元科, pronounced "Ji Lu Yuanke"), must use the character from the poem given to him by his or her master, when composing biao 表 memorials, shuwen 梳文 rescripts, and other documents, sent to the spirits of the 3 realms (heaven, earth, water /underworld). The rituals and documents are ineffective unless the correct characters and talismanic signature are used. The registers are not given to those who simply practice martial artists, Chinese medicine, and especially never shown to scholars. The punishment for revealing them to the unworthy is quite severe, for those who take payment for Lu transmission, or teaching how to perform the Jinlu Jiao and Huanglu Zhai 金籙醮，黃籙齋 科儀 keyi rituals, music, drum, sacred dance steps. Tang dynasty Tangwen 唐文 pronunciation must also be used when addressing the highest Daoist spirits, i.e., the 3 Pure Ones and 5 Emperors 三请五帝. In order to learn the rituals and receive a Lu transmission, it requires at least 10 years of daily practice with a master, by taking part in the Jiao and Zhai rituals, as an acolyte, cantor, or procession leader. Note that a proper use of Daoist ritual also includes learning Inner Alchemy, ie inner contemplative Daoist meditation, the visualization of spirits, where to implant them in the body, and how to summon them forth during ritual. The woman Daoist master Wei Huacun’s Huangting Neijing, 黃庭內經 to learn the esoteric names of the internalized Daoist spirits. Readers must be warned never to go to Longhu Shan, where a huge sum is charged to foreigners ($5000 to $9000) to receive a falsified document, called a "license" to be a Daoist! The first steps to true Daoist practice, Daoist Master Zhuang insisted to his disciples, is to read and follow the Laozi Daode Jing and the Zhuangzi Neipian, on a daily basis. Laozi Ch 66, "the ocean is the greatest of all creatures because it is the lowest", and Ch 67, "my 3 most precious things: compassion for all, frugal living for myself, respect all others and never put anyone down" are the basis for all Daoist practice. The words of Zhuangzi, Ch 7, are also deeply meaningful: "Yin and Yang were 2 little children who loved to play inside Hundun (ie Taiji, gestating Dao). They felt sorry because Hundun did not have eyes, or eats, or other senses. So everyday they drilled one hole, ie 2 eyes, 2 ears, 2 nostrils, one mouth; and on the 7th day, Hundun died.

Thus we on this our earth say that the earth is the center, and all the philosophers ancient and modern, of whatsoever sect, will say, this is the center, according to their own principles, just as we say, we are in the center of the great circular horizon of our own ethereal region, which remains a circular, equidistant boundary wherever we stand, so we regard ourselves as standing in the center. In the same way, those on the moon would with no less justification assume that they were in the center of their own horizon which encircles their land, and the sun and every other star will also believe they stand amidst the radii of their own horizon, but they are no more the center than is the earth or any of the other mundane spheres; and they are no more the certain poles than is the earth a certain pole for them; all are likewise, from different perspectives, each the center point of some circumference, and a pole, and a zenith for somewhere else. The earth, therefore, is not the absolute center of the universe, but only the center as seen from our location.

And, under and above it all, there was the fear of death before which he was naked and without defense; he had to go forward and meet his end like any other living thing upon the earth. And regulating his attitude toward death was the fact that he was black, unequal, and despised. Passively, he hungered for another orbit between two poles that would let him live again; for a new mode of life that would catch him up with the tension of hate and love. There would have to hover above him, like the stars in a full sky, a vast configuration of images and symbols whose magic and power could lift him up and make him live so intensely that the dread of being black and unequal would be forgotten; that even death would not matter, that it would be a victory. This would have to happen before he could look them in the face again: a new pride and a new humility would have to be born in him, a humility springing from a new identification with some part of the world in which he lived, and this identification forming the basis for a new hope that would function in him as pride and dignity.

From horizon to horizon, the blue ice of the bald plateau stretched out under winking stars, the calmest and clearest air they had seen since reaching this wind-swept dome. The northern horizon was barely washed with rose and crimson and green, the southern horizon black mystery sweeping off to the pole. The auroral lights wavered in shimmering curtains about them, intensified slightly off to the northeast, in the direction of Big Magnet base and the magnetic pole. The brightest stars had dancing crystalline duplicates in the sparkling ice underfoot.

Justice is the central star which governs societies, the pole around which the political world revolves, the principle and the regulator of all transactions. Nothing takes place between men save in the name of right; nothing without the invocation of justice. Justice is not the work of the law: on the contrary, the law is only a declaration and application of justice in all circumstances where men are liable to come in contact. If, then, the idea that we form of justice and right were ill-defined, if it were imperfect or even false, it is clear that all our legislative applications would be wrong, our institutions vicious, our politics erroneous: consequently there would be disorder and social chaos. This hypothesis of the perversion of justice in our minds, and, as a necessary result, in our acts, becomes a demonstrated fact when it is shown that the opinions of men have not borne a constant relation to the notion of justice and its applications; that at different periods they have undergone modifications: in a word, that there has been progress in ideas. Now, that is what history proves by the most overwhelming testimony.

NEUTRINOS | The neutrino (meaning “little neutral one”) has no electrical charge and almost no mass. A fundamental particle, neutrinos are copiously produced in nuclear reactions and hardly ever interact with matter. As you read this, one hundred billion of them pass through every square centimeter of your body every second, but only a few will ever jostle even one of your atoms in your lifetime. The only way to detect neutrinos, then, is to force-feed them lots of atoms with which to interact. This is the idea behind IceCube, a giant neutrino detector located at the South Pole. Hot water bores holes in the ice, into which cables carrying light detectors are lowered. Then the water freezes around them. When neutrinos jostle an atom in the ice, these detectors see a characteristic flash of light. By this clever technique, IceCube transforms an entire cubic kilometer of Antarctic ice into a dedicated neutrino detector. Even more amazing, some of the neutrinos IceCube detected will have hit Earth at the North Pole and traveled all the way through the planet without interacting with a single atom before they enter the cubic kilometer of ice at the South Pole.

My Soul. I summon to the winding ancient stair; Set all your mind upon the steep ascent, Upon the broken, crumbling battlement, Upon the breathless starlit air, Upon the star that marks the hidden pole; Fix every wandering thought upon That quarter where all thought is done: Who can distinguish darkness from the soul? . . . My Soul. Why should the imagination of a man Long past his prime remember things that are Emblematical of love and war? Think of ancestral night that can, If but imagination scorn the earth And intellect its wandering To this and that and t'other thing, Deliver from the crime of death and birth.

Most intellectuals and most artists belong to the same type. Only the strongest of them force their way through the atmosphere of the bourgeois earth and attain to the cosmic. The others all resign themselves or make compromises. Despising the bourgeoisie, and yet belonging to it, they add to its strength and glory; for in the last resort they have to share their beliefs in order to live. The lives of these infinitely numerous persons make no claim to the tragic; but they live under an evil star in a quite considerable affliction; and in this hell their talents ripen and bear fruit. The few who break free seek their reward in the unconditioned and go down in splendor. They wear the thorn crown and their number is small. The others, however, who remain in the fold and from whose talents the bourgeoisie reaps much gain, have a third kingdom left open to them, an imaginary and yet a sovereign world, humor. The lone wolves who know no peace, these victims of unceasing pain to whom the urge for tragedy has been denied and who can never break through the starry space,who feel themselves summoned thither and yet cannot survive in its atmosphere—for them is reserved, provided suffering has made their spirits tough and elastic enough, a way of reconcilement and an escape into humor. Humor has always something bourgeois in it, although the true bourgeois is incapable of understanding it. In its imaginary realm the intricate and manyfaceted ideal of all Steppenwolves finds its realisation. Here it is possible not only to extol the saint and the profligate in one breath and to make the poles meet, but to include the bourgeois, too, in the same affirmation. Now it is possible to be possessed by God and to affirm the sinner, and vice versa, but it is not possible for either saint or sinner (or for any other of the unconditioned) to affirm as well that lukewarm mean, the bourgeois. Humor alone, that magnificent discovery of those who are cut short in their calling to highest endeavor, those who falling short of tragedy are yet as rich in gifts as in affliction, humor alone (perhaps the most inborn and brilliant achievement of the spirit) attains to the impossible and brings every aspect of human existence within the rays of its prism. To live in the world as though it were not the world, to respect the law and yet to stand above it, to have possessions as though "one possessed nothing," to renounce as though it were no renunciation, all these favorite and often formulated propositions of an exalted worldly wisdom, it is in the power of humor alone to make efficacious.

King of Qin, rides a tiger, touring eight poles Sword's light shining in empty sky from jade Xihe strikes the sun, as glass is sounded Robbed ashes fly to ends, past, present level Dragon head, flows out wine, inviting wine star Golden groove, pipa in the night: “cheng cheng” Dongting rain, upon the feet, comes blowing sheng Wine hearty, drinking moon, causes change of shape Silver clouds, dense and denser, jade temple bright Palace gates, holding affairs, announces one watch Flower house, jade phoenix, sounds seductive, fierce Sea silk fabric, red text, fragrance shallow, clear Yellow beauty, stumbles dance, thousand year vessel Celestial being, candle’s plant wax smoking lightly Goddess of Qing, drunk, tears of deepest waters

Jill had, as you might say, quite fall in love with the Unicorn. She thought- and she wasn't far wrong- that he was the shiningest, delicatest, most graceful animal she had ever met; and he was so gentle and soft of speech that, if you hadn't known, you would hardly have believed how fierce and terrible he could be in battle. "Oh, this is nice!" said Jill. "Just walking along like this. I wish there could be more of this sort of adventure. It's a pity there's always so much happening in Narnia." But the Unicorn explained to her that she was quite mistaken. He said that the Sons and Daughters of Adam and Eve were brought out of their own strange world into Narnia only at times when Narnia was stirred and upset, but she mustn't think it was always like that. In between their visits there were hundreds and thousands of years when peaceful King followed peaceful King till you could hardly remember their names or count their numbers, and there was really hardly anything to put into the History Books. And he went on to talk of old Queens and heroes whom she had never heard of. He spoke of Swanwhite the Queen who had lived before the days of the White Witch and the Great Winter, who was so beautiful that when she looked into any forest pool the reflection of her face shone out of the water like a star by night for a year and a day afterwards. He spoke of Moonwood the Hare who had such ears that he could sit by Caldron Pool under the thunder of the great waterfall and hear what men spoke in whispers at Cair Paravel. He told how King Gale, who was ninth in descent from Frank the first of all Kings, had sailed far away into the Eastern seas and delivered the Lone Islanders from a dragon and how, in return, they had given him the Lone Islands to be part of the royal lands of Narnia for ever. He talked of whole centuries in which all Narnia was so happy that notable dances and feasts, or at most tournaments, were the only things that could be remembered, and every day and week had been better than the last. And as he went on, the picture of all those happy years, all the thousands of them, piled up in Jill's mind till it was rather like looking down from a high hill on to a rich, lovely plain full of woods and waters and cornfields, which spread away and away till it got thin and misty from distance.

The stars of the Milky Way galaxy trace a big, flat circle. With a diameter-to-thickness ratio of one thousand to one, our galaxy is flatter than the flattest flapjacks ever made. In fact, its proportions are better represented by a crépe or a tortilla. No, the Milky Way’s disk is not a sphere, but it probably began as one. We can understand the flatness by assuming the galaxy was once a big, spherical, slowly rotating ball of collapsing gas. During the collapse, the ball spun faster and faster, just as spinning figure skaters do when they draw their arms inward to increase their rotation rate. The galaxy naturally flattened pole-to-pole while the increasing centrifugal forces in the middle prevented collapse at midplane. Yes, if the Pillsbury Doughboy were a figure skater, then fast spins would be a high-risk activity. Any stars that happened to be formed within the Milky Way cloud before the collapse maintained large, plunging orbits. The remaining gas, which easily sticks to itself, like a mid-air collision of two hot marshmallows, got pinned at the mid-plane and is responsible for all subsequent generations of stars, including the Sun. The current Milky Way, which is neither collapsing nor expanding, is a gravitationally mature system where one can think of the orbiting stars above and below the disk as the skeletal remains of the original spherical gas cloud. This general flattening of objects that rotate is why Earth’s pole-to-pole diameter is smaller than its diameter at the equator. Not by much: three-tenths of one percent—about twenty-six miles. But Earth is small, mostly solid, and doesn’t rotate all that fast. At twenty-four hours per day, Earth carries anything on its equator at a mere 1,000 miles per hour. Consider the jumbo, fast-rotating, gaseous planet Saturn. Completing a day in just ten and a half hours, its equator revolves at 22,000 miles per hour and its pole-to-pole dimension is a full ten percent flatter than its middle, a difference noticeable even through a small amateur telescope. Flattened spheres are more generally called oblate spheroids, while spheres that are elongated pole-to-pole are called prolate. In everyday life, hamburgers and hot dogs make excellent (although somewhat extreme) examples of each shape. I don’t know about you, but the planet Saturn pops into my mind with every bite of a hamburger I take.

Why Roses are Red......      (a poem on a little artist girl, who lived with her mother on a remote Hill)    A little girl painted...  with the brush of imagination...  and with the colours borrowed from Spring...  on the paper of time  a picture  a picture of a tiny glittering star  and gave it the name... innocence    next hour  with the brush of imagination  with artificial colours  she painted... a picture  a picture of sharp edged knife  and gave it the name... experience    she picked both the pictures  and hung them on a rope  in the middle of her rose garden  And left the garden to attend her ailing mother    As the wind of fate blew  and the element of chance entered  from the door of cruelty  the knife attacked the tiny star  and the innocent star bled, bled, and bled    the drops of blood fell on...fell on...and fell on...  the roses beneath  And....................  the roses turned red    when little girl came back  she looked ,looked and looked...  at both...  the tiny star and the red roses    Benumbed and shocked  she dressed the little, the beautiful star  and threw it high in the sky  and it got fixed there  and it gave direction to humanity  and we call it pole star    with anger she threw the picture of knife  down the hill...  and there was...                          strife,                          conspiracy                          violence                         murders                          and revolts                          in the plains    Today when I look at  red roses in someone's hands  they remind me of the....    Two ideas of a single artist  which gave the world  direction and destruction           The

The perplexed man cried out within the clergyman, and pressed for some acknowledgment from God of the being he had made. But—was it strange to tell? or if strange, was it not the most natural result nevertheless?—almost the same moment he began to pray in this truer fashion, the doubt rushed up in him like a torrent-spring from the fountains of the great deep—Was there—could there be a God at all? a real being who might actually hear his prayer? In this crowd of houses and shops and churches, amidst buying and selling, and ploughing and praising and backbiting, this endless pursuit of ends and of means to ends, while yet even the wind that blew where it listed blew under laws most fixed, and the courses of the stars were known to a hair's-breadth, —was there—could there be a silent invisible God working his own will in it all? Was there a driver to that chariot whose multitudinous horses seemed tearing away from the pole in all directions? and was he indeed, although invisible and inaudible, guiding that chariot, sure as the flight of a comet, straight to its goal? Or was there a soul to that machine whose myriad wheels went grinding on and on, grinding the stars into dust, matter into man, and man into nothingness? Was there—could there be a living heart to the universe that did positively hear him—poor, misplaced, dishonest, ignorant Thomas Wingfold, who had presumed to undertake a work he neither could perform nor had the courage to forsake, when out of the misery of the grimy little cellar of his consciousness he cried aloud for light and something to make a man of him? For now that Thomas had begun to doubt like an honest being, every ugly thing within him began to show itself to his awakened probity.

While they fought for the privilege of carrying him on their shoulders along the steep escarpment by the cliffs, men and women became aware for the first time of the desolation of their streets, the dryness of their courtyards, the narrowness of their dreams as they faced the splendor and beauty of their drowned man. They let him go without an anchor so that he could come back if he wished and whenever he wished, and they all held their breath for the fraction of centuries the body took to fall into the abyss. They did not need to look at one another to realize that they were no longer all present, that they would never be. But they also knew that everything would be different from then on, that their houses would have wider doors, higher ceilings, and stronger floors so that Esteban's memory could go everywhere without bumping into beams and so that no one in the future would dare whisper the big boob finally died, too bad, the handsome fool has finally died, because they were going to paint their house fronts gay colors to make Esteban's memory eternal and they were going to break their backs digging for springs among the stones and planting flowers on the cliffs so that in future years at dawn the passengers on great liners would awaken, suffocated by the smell of gardens on the high seas, and the captain would have to come down from the bridge in his dress uniform, with his astrolabe, his pole star, and his row of war medals and, pointing to the promontory of roses on the horizon, he would say in fourteen languages, look there, where the wind is so peaceful now that it's gone to sleep beneath the beds, over there, where the sun's so bright that the sunflowers don't know which way to turn, yes, over there, that's Esteban's village.

Meet Me In Toyland by Stewart Stafford Santa handed me the keys to Toyland, And, placing them squarely in the palm of my hand, He bid me go and have lots of fun, With all kinds of everyone. I skipped across the gingerbread bridge, Yuletide coffee flowing down from the ridge, To a Christmas tree consisting of mint, Lit all around by falling star glint. At the frosting gates of Castle St Nicholas, Silver snake tinsel began to hiss, As polar bears to a clockwork orchestra danced, With elves as their partners gleefully entranced. Multitudes of children whooped and cheered, Forgetting all their doubts and fears, Celebrating their gifts of toys, With every kind of girl and boy. Alas, our midwinter joy came to an end, And I tearfully bid adieu to all my new friends, And took a shooting star comet home, Across the Northern Lights in the sky’s dome. © Stewart Stafford, 2021. All rights reserved.

My point though is the totem pole of paychecks, with school as one thing that gets you up there, and another one being where you live, country or city. But the main thing is, whatever you’re doing, who is it making happy? Are you selling the cheapest-ass shoes imaginable to Walmart shoppers, or high-class suits to business guys? Even the same exact work, like sanding floors, could be at the Dollar General or a movie star mansion. Show me your paycheck, I’ll make a guess which floor. If you are making a rich person happy, or a regular person feel rich, aka better than other people, the money rolls. If it’s lowlifes you’re looking after, not so much. And if it’s kids, good luck, because anything to do with improving the life of a child is on the bottom. Schoolteacher pay is for the most part in the toilet. I gather this is common knowledge, but I had no idea, the day Miss Barks said, So long sucker, I’m chasing the big bucks now. Schoolteacher!

Light breaks where no sun shines - 1914-1953 Light breaks where no sun shines; Where no sea runs, the waters of the heart Push in their tides; And, broken ghosts with glow-worms in their heads, The things of light File through the flesh where no flesh decks the bones. A candle in the thighs Warms youth and seed and burns the seeds of age; Where no seed stirs, The fruit of man unwrinkles in the stars, Bright as a fig; Where no wax is, the candle shows its hairs. Dawn breaks behind the eyes; From poles of skull and toe the windy blood Slides like a sea; Nor fenced, nor staked, the gushers of the sky Spout to the rod Divining in a smile the oil of tears. Night in the sockets rounds, Like some pitch moon, the limit of the globes; Day lights the bone; Where no cold is, the skinning gales unpin The winter's robes; The film of spring is hanging from the lids. Light breaks on secret lots, On tips of thought where thoughts smell in the rain; When logics dies, The secret of the soil grows through the eye, And blood jumps in the sun; Above the waste allotments the dawn halts.

This is the Paradox of the Universe, resulting from the Principle of Polarity which manifests when THE ALL begins to Create — hearken to it for it points the difference between half-wisdom and wisdom. While to THE INFINITE ALL, the Universe, its Laws, its Powers, its Life, its Phenomena, are as things witnessed in the state of Meditation or Dream; yet to all that is Finite, the Universe must be treated as Real, and life, and action, and thought, must be based thereupon, accordingly, although with an ever understanding of the Higher Truth. Each according to its own Plane and Laws. Were THE ALL to imagine that the Universe were indeed Reality, then woe to the Universe, for there would be then no escape from lower to higher, divineward — then would the Universe become a fixity and progress would become impossible. And if Man, owing to half-wisdom, acts and lives and thinks of the Universe as merely a dream (akin to his own finite dreams) then indeed does it so become for him, and like a sleep-walker he stumbles ever around and around in a circle, making no progress, and being forced into an awakening at last by his falling bruised and bleeding over the Natural Laws which he ignored. Keep your mind ever on the Star, but let your eyes watch over your footsteps, lest you fall into the mire by reason of your upward gaze. Remember the Divine Paradox, that while the Universe IS NOT, still IT IS. Remember ever the Two Poles of Truth — the Absolute and the Relative. Beware of half-Truths.

Every July, when Eli was grwoing up, his mother would close the cabin and move the family to the Sun Dance. Eli would help the other men set up the tepee, and then he and Norma and Camelot would run with the kids in the camp. They would ride horses and chase each other across the prairies, their freedom interrupted only by the ceremonies. Best of all, Eli liked the men’s dancing. The women would dance for four days, and then there would be a day of rest and the men would begin. Each afternoon, toward evening, the men would dance, and just before the sun set, one of the dancers would pick up a rifle and lead the other men to the edge of the camp, where the children waited. Eli and the rest of the children would stand in a pack and wave pieces of scrap paper at the dancers as the men attacked and fell back, surged forward and retreated, until finally, after several of these mock forays, the lead dancer would breach the fortress of children and fire the rifle, and all the children would fall down in a heap, laughing, full of fear and pleasure, the pieces of paper scattering across the land. Then the dancers would gather up the food that was piled around the flagpole—bread, macaroni, canned soup, sardines, coffee—and pass it out to the people. Later, after the camp settled in, Eli and Norma and Camelot would lie on their backs and watch the stars as they appeared among the tepee poles through the opening in the top of the tent. And each morning, because the sun returned and the people remembered, it would begin again.” (p. 116)

Due west, halfway to the zenith, Venus was an unblinking diamond; and opposite her, in the eastern sky, was a brilliant twinkling star set off exquisitely, as was Venus, in the sea of blue. In the northeast a silver-green serpentine aurora pulsed and quivered gently. In places the Barrier's whiteness had the appearance of dull platinum. It was all delicate and illusive. The colors were subdued and not numerous; the jewels few; the setting simple. But the way these things went together showed a master's touch. I paused to listen to the silence. My breath, crystallized as it passed my cheeks, drifted on a breeze gentler than a whisper. The wind vane pointed toward the South Pole. Presently the wind cups ceased their gentle turning as the cold killed the breeze. My frozen breath hung like a cloud overhead. The day was dying, the night being born-but with great peace. Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! That was what came out of the silence -a gentle rhythm, the strain of a perfect chord, the music of the spheres, perhaps. It was enough to catch that rhythm, momentarily to be myself a part of it. In that instant I could feel no doubt of man's oneness with the universe. The conviction came that that rhythm was too orderly, too harmonious, too perfect to be a product of blind chance-that, therefore, there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.

We tend to be unaware that stars rise and set at all. This is not entirely due to our living in cities ablaze with electric lights which reflect back at us from our fumes, smoke, and artificial haze. When I discussed the stars with a well-known naturalist, I was surprised to learn that even a man such as he, who has spent his entire lifetime observing wildlife and nature, was totally unaware of the movements of the stars. And he is no prisoner of smog-bound cities. He had no inkling, for instance, that the Little Bear could serve as a reliable night clock as it revolves in tight circles around the Pole Star (and acts as a celestial hour-hand at half speed - that is, it takes 24 hours rather than 12 for a single revolution). I wondered what could be wrong. Our modern civilization does not ignore the stars only because most of us can no longer see them. There are definitely deeper reasons. For even if we leave the sulphurous vapours of our Gomorrahs to venture into a natural landscape, the stars do not enter into any of our back-to-nature schemes. They simply have no place in our outlook any more. We look at them, our heads flung back in awe and wonder that they can exist in such profusion. But that is as far as it goes, except for the poets. This is simply a 'gee whiz' reaction. The rise in interest in astrology today does not result in much actual star-gazing. And as for the space programme's impact on our view of the sky, many people will attentively follow the motions of a visible satellite against a backdrop of stars whose positions are absolutely meaningless to them. The ancient mythological figures sketched in the sky were taught us as children to be quaint 'shepherds' fantasies' unworthy of the attention of adult minds. We are interested in the satellite because we made it, but the stars are alien and untouched by human hands - therefore vapid. To such a level has our technological mania, like a bacterial solution in which we have been stewed from birth, reduced us. It is only the integral part of the landscape which can relate to the stars. Man has ceased to be that. He inhabits a world which is more and more his own fantasy. Farmers relate to the skies, as well as sailors, camel caravans, and aerial navigators. For theirs are all integral functions involving the fundamental principle - now all but forgotten - of orientation. But in an almost totally secular and artificial world, orientation is thought to be un- necessary. And the numbers of people in insane asylums or living at home doped on tranquilizers testifies to our aimless, drifting metaphysic. And to our having forgotten orientation either to seasons (except to turn on the air- conditioning if we sweat or the heating system if we shiver) or to direction (our one token acceptance of cosmic direction being the wearing of sun-glasses because the sun is 'over there'). We have debased what was once the integral nature of life channelled by cosmic orientations - a wholeness - to the ennervated tepidity of skin sensations and retinal discomfort. Our interior body clocks, known as circadian rhythms, continue to operate inside us, but find no contact with the outside world. They therefore become ingrown and frustrated cycles which never interlock with our environment. We are causing ourselves to become meaningless body machines programmed to what looks, in its isolation, to be an arbitrary set of cycles. But by tearing ourselves from our context, like the still-beating heart ripped out of the body of an Aztec victim, we inevitably do violence to our psyches. I would call the new disease, with its side effect of 'alienation of the young', dementia temporalis.

Comus. The Star that bids the Shepherd fold, Now the top of Heav'n doth hold, And the gilded Car of Day, [ 95 ] His glowing Axle doth allay In the steep Atlantick stream, And the slope Sun his upward beam Shoots against the dusky Pole, Pacing toward the other gole [ 100 ] Of his Chamber in the East. Mean while welcom Joy, and Feast, Midnight shout, and revelry, Tipsie dance and Jollity. Braid your Locks with rosie Twine [ 105 ] Dropping odours, dropping Wine. Rigor now is gone to bed, And Advice with scrupulous head, Strict Age, and sowre Severity, With their grave Saws in slumber ly. [ 110 ] We that are of purer fire Imitate the Starry Quire, Who in their nightly watchfull Sphears, Lead in swift round the Months and Years. The Sounds, and Seas with all their finny drove [ 115 ] Now to the Moon in wavering Morrice move, And on the Tawny Sands and Shelves, Trip the pert Fairies and the dapper Elves; By dimpled Brook, and Fountain brim, The Wood-Nymphs deckt with Daisies trim, [ 120 ] Their merry wakes and pastimes keep: What hath night to do with sleep? Night hath better sweets to prove, Venus now wakes, and wak'ns Love. Com let us our rights begin, [ 125 ] Tis onely day-light that makes Sin, Which these dun shades will ne're report. Hail Goddesse of Nocturnal sport Dark vaild Cotytto, t' whom the secret flame Of mid-night Torches burns; mysterious Dame [ 130 ] That ne're art call'd, but when the Dragon woom Of Stygian darknes spets her thickest gloom, And makes one blot of all the ayr, Stay thy cloudy Ebon chair, Wherin thou rid'st with Hecat', and befriend [ 135 ] Us thy vow'd Priests, till utmost end Of all thy dues be done, and none left out, Ere the blabbing Eastern scout, The nice Morn on th' Indian steep From her cabin'd loop hole peep, [ 140 ] And to the tel-tale Sun discry Our conceal'd Solemnity. Com, knit hands, and beat the ground, In a light fantastick round.

There was an artist in the city of Kouroo who was disposed to strive after perfection. One day it came into his mind to make a staff. Having considered that in an imperfect work time is an ingredient, but into a perfect work time does not enter, he said to himself, It shall be perfect in all respects, though I should do nothing else in my life. He proceeded instantly to the forest for wood, being resolved that it should not be made of unsuitable material; and as he searched for and rejected stick after stick, his friends gradually deserted him, for they grew old in their works and died, but he grew not older by a moment. His singleness of purpose and resolution, and his elevated piety, endowed him, without his knowledge, with perennial youth. As he made no compromise with Time, Time kept out of his way, and only sighed at a distance because he could not overcome him. Before he had found a stock in all respects suitable the city of Kouroo was a hoary ruin, and he sat on one of its mounds to peel the stick. Before he had given it the proper shape the dynasty of the Candahars was at an end, and with the point of the stick he wrote the name of the last of that race in the sand, and then resumed his work. By the time he had smoothed and polished the staff Kalpa was no longer the pole-star; and ere he had put on the ferule and the head adorned with precious stones, Brahma had awoke and slumbered many times. But why do I stay to mention these things? When the finishing stroke was put to his work, it suddenly expanded before the eyes of the astonished artist into the fairest of all the creations of Brahma. He had made a new system in making a staff, a world with full and fair proportions; in which, though the old cities and dynasties had passed away, fairer and more glorious ones had taken their places. And now he saw by the heap of shavings still fresh at his feet, that, for him and his work, the former lapse of time had been an illusion, and that no more time had elapsed than is required for a single scintillation from the brain of Brahma to fall on and inflame the tinder of a mortal brain. The material was pure, and his art was pure; how could the result be other than wonderful?

The flag story is important, Berntson thought. Before the assault was over, Christmas had sent Frank Thomas, his gunnery sergeant, to find an American flag. He knew it was against the rules. This was a war on behalf of the Republic of Vietnam, and the correct flag to run up the pole at its province headquarters would have been Saigon’s yellow and red ensign. But Christmas’s men had bled and died all the way across southern Hue, not ARVN troops. They had looked up at that enemy flag the whole way. They had taken it down, and they wanted to show who had done it. The Stars and Stripes had earned its place. Berntson continued jotting down Christmas’s words: “‘Proudest moment of my life—to be given opp to do it’ . . . ‘main thought was getting the flag up—so it would fly and everyone could see that flag flying’ . . . Capt. Ron Christmas, 27, 2001 S.W. 36th Ave, Fort Lauderdale, FLA CO for 2/5 Hotel . . . ‘street fighting is dirtiest close in. Biggest problem is control—keeping all platoons in line—communication also problem . . . platoons have done extremely well . . . flag. ‘inspiration thing I have ever seen in my lifetime—because it was a hard thing. That feeling of patriotism . . . all you could hear are cheers . . . really brings out America Spirit.’” Hours later, Christmas was paid a visit by two officers, both majors, one army and the other marine. They had been sent by Colonel Hughes from the compound. They said the American flag would have to come down. The South Vietnamese flag was the appropriate one. The men around Christmas were still loading up the wounded and dead. “I don’t think my men are going to like that,” he said. “That doesn’t make any difference,” said one. “You are violating protocol.” “Well, I’ll tell you what,” said Christmas. “If you want to take the flag down, you guys go take it down. But I cannot be responsible for all of my men.” Kaczmarek, who was sitting close enough to overhear the exchange, chose that moment to reposition his rifle. The majors left. The flag remained. Christmas had a gunny sergeant haul it down at sunset, and the next morning a bright yellow South Vietnamese flag flew in its place. But watching Old Glory run up that afternoon was a sight none of the marines who witnessed it would ever regret, or forget.

I turn my body from the sun. What ho, Tashtego! Let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow, - death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! Thus, I give up the spear!" The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the groove; - ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths. For an instant, the tranced boat's crew stood still; then turned. "The ship? Great God, where is the ship?" Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight. But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched; - at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it. Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.

Through the breach, they heard the waters pour, as mountain torrents down a flume. "The ship! The hearse!--the second hearse!" cried Ahab from the boat; "its wood could only be American!" Diving beneath the settling ship, the whale ran quivering along its keel; but turning under water, swiftly shot to the surface again, far off the other bow, but within a few yards of Ahab's boat, where, for a time, he lay quiescent. "I turn my body from the sun. What ho, Tashtego! let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow,--death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! THUS, I give up the spear!" The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the grooves;--ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths. For an instant, the tranced boat's crew stood still; then turned. "The ship? Great God, where is the ship?" Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight. But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched;--at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it. Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.

But not without help from the NASA Technical Services Division. A flag doesn’t fly without wind. The moon has no atmosphere to speak of, and thus no wind. And though it has only about a sixth the gravity of Earth, that is enough to bring a flag down in an inglorious droop. So a crossbar was hinged to the pole and a hem sewn along the top of the flag. Now the Stars and Stripes would appear to be flying in a brisk wind—convincingly enough to prompt decades of moon hoax jabber—though in fact it was hanging, less a flag than a diminutive patriotic curtain.

James, watching Cathy being chatted up by that pussy-shark was like witnessing a nun accidentally walk onto a porno set. She was totally out of her element. Baby steps next time, okay?" Jamie glared at him. "It wasn't that bad. I thought she handled herself very smoothly. You're overprotective." She poked him in the chest for emphasis. "Which is ironic considering how familiar you are with porno sets yourself." This was a low-blow considering Clay had actually dated a gay porn star briefly and had visited Large Lars on set exactly twice but had not actually participated in the adult film industry. "Oh. We're taking this to an ugly place, are we? Miss Former Pole Grinder?" He arched an eyebrow at Jamie.

Location.—The star α in Aries, known as Hamal, and sometimes as Arietis, a star of the second magnitude, is about 7° south of α Trianguli. A line drawn from the Pole Star to γ Andromedæ, and prolonged about 20°, ends at Hamal.

They drove together under the stars to the lake, where they sat with fishing poles in a metal rowboat and waited for something to bite. Zack ate the toast, Uncle Orson gave some pointers, and then they cast their lines, again and again, into the pale fog. Dawn broke. The sunrise cracked. Clouds settled across the sky. The fog scattered as the air heated. And they still weren’t catching anything. And that whole time, the exact same gull was circling overhead. “Nothing’s happening,” Zack complained. But Uncle Orson smiled at the clouds and smiled at the rowboat and smiled at the gull and smiled at the poles. “Nothing has to happen,” Uncle Orson had said.

Interestingly, because of the wobbling motion of the Earth's axis (called "precession"), the celestial pole will draw even closer to Polaris (closest in 2100 AD), but then as time wears on it will gradually draw away from it. In fact, in about 12,000 years our descendants will have Vega as the North Star.

Dalton gaped at something in the stream. "Did you see that trout? Where's my fishing pole when I need it?" He was leaning so far over she feared he might fall in headfirst. She grasped his arm and pulled him back. "You made that up," she laughed. "You didn't see a fish. Trout don't swim at night." "What makes you think that? They don't have a little house to go home to when the sun goes down, with a small woodstove and comfortable bed.

Dhruva embodies the Pole Star, a child who wants to sit on Vishnu’s lap, the only seat from which no one can pull him down, so that he can enjoy forever the affection of his divine father. Niti

deep--Was there--could there be a God at all? a real being who might actually hear his prayer? In this crowd of houses and shops and churches, amidst buying and selling, and ploughing and praising and backbiting, this endless pursuit of ends and of means to ends, while yet even the wind that blew where it listed blew under laws most fixed, and the courses of the stars were known to a hair's-breadth, --was there--could there be a silent invisible God working his own will in it all? Was there a driver to that chariot whose multitudinous horses seemed tearing away from the pole in all directions? and was he indeed, although invisible and inaudible, guiding that chariot, sure as the flight of a comet, straight to its goal? Or was there a soul to that machine whose myriad wheels went grinding on and on, grinding the stars into dust, matter into man, and man into nothingness? Was there--could there be a living heart to the universe that did positively hear him--poor, misplaced, dishonest, ignorant Thomas Wingfold, who had presumed to undertake a work he neither could perform nor had the courage to forsake, when out of the misery of the grimy little cellar of his consciousness he cried aloud for light and something to make a man of him? For now that Thomas had begun to doubt like an honest being, every ugly thing within him began to show itself to his awakened probity.

Specially in Nepal and Indian simultaneously in pure consciousness soul in UK, in Europe, America, Australia, Asia and few parts of Africa they tell a fable about Shreeom as a Vishnu that: There was once a great devotee of Dhurba who prayed night and day to see his God Shreeom Vishnu. The father and mother of Dhrub name are Uttanapad and Suniti respectively. The devotion is a lesson in surrendering all one's cares and worries to the Divine Shreeom Vishnu. King Uttanapada,the son of Manu had two wives, one named Suruchi who was very dear to him and the other, Suniti, to whom he was indifferent. helpless on account of the king’s neglect. One day Suniti’s son Dhruva saw Uttama, Suruchi’s son, sitting on the lap of the king, their father. When the king took up Dhurba on his lap, a jealous Suruchi severely abused the king. Dhruva went away heart-broken to his mother, who advised him that the one way to overcome the bad effects of one’s own past actions was to seek shelter at your feet. Hearing his mother’s words, Dhruva just five years old but highly sensitive and self-respecting, very faithful and devotion left the city, determined to devote himself to Vishnu Shreeom worship. He had an opportune meeting with Sage Narada and being instructed in Shreeom sacred name, then Dhurba entered the forest of Madhu, where he engaged himself in severe austerities in adoration and devotion of Shreeom. Finally because of such great devotion Shreeom appeared as a Vishnu and blessed Dhurba. Knowing this, Shreeom affectionately touched his cheek and his body with hand, was the seed of all sound and solving of all the problems of Dhruba. Shreeom had been provided all the necessary knowledge of the world to Dhurba . He then sang Shreeom Vishnu praise, having been purified and enlightened by Shreeom's touch. After many years Dhurba and his mother and father entered the region called Dhruva-loka and lived there joyfully even now as the Pole Star, the Dhruva Tara. That story is about thousands of years ago. Now again in this time Shreeom Vishnu is on earth as a human form with Sankha and Chakra and many Gods and Goddess, Brahmas, Devis, father's and mother's soul all the time, fortunate male and female divinity and Sadhus, Santas, Pandits, scientists and presidents and prime ministers of every nations, kings and queens, pure and Knowledgeable existence are with Shreeom.

a leader does not convert to Confucianism without risk, because doing so also reminds people of the old Confucian ideal of the noble philosopher king: a ruler is so wise, virtuous, and just that his charisma alone inspires people and brings order to society. “He who rules through moral strength is like the pole star,” it says in the Analects of Confucius. “He stays in his place and all the other stars circle about him.” For the Confucians, a good king is no autocrat, pursuing power without limits; and a good government neither intervenes excessively in society, nor doles out punishments. Ministers and scholars have not only the right but the duty to contradict the ruler if he strays from the correct path. By these measures, Xi’s rule is anything but Confucian.

Now it is claimed that it is by means of the cycle of 25,868 years (the Sidereal year) that the approximate year of the erection of the Great Pyramid can be ascertained. "Assuming that the long narrow downward passage was directed towards the pole star of the pyramid builders, astronomers have shown that . . . . Alpha Draconis, the then pole-star, was in the required position about 3,350 B.C., as well as in 2,170 B.C. (Proctor, quoted by Staniland Wake.) But we are also told that "this relative position of Alpha Draconis and Alcyone being an extraordinary one . . it could not occur again for a whole sidereal year" (ibid). This demonstrates that, since the Dendera Zodiac shows the passage of three sidereal years, the great Pyramid must have been built 78,000 years ago, or in any case that this possibility deserves to be accepted at least as readily as the later date of 3,350 B.C. Now on the Zodiac of a certain temple in far

Looking at these stars suddenly dwarfed my own troubles and all the gravities of terrestrial life. I thought of their unfathomable distance, and the slow inevitable drift of their movements out of the unknown past into the unknown future. I thought of the great precessional cycle that the pole of the earth describes. Only forty times had that silent revolution occurred during all the years that I had traversed. And during these few revolutions all the activity, all the traditions, the complex organizations, the nations, languages, literatures, aspirations, even the mere memory of Man as I knew him, had been swept out of existence.

Indra has everything, yet he lives in fear of losing it all. Swarga may be paradise, but it is no heaven.’ ‘What is heaven then?’ ‘Heaven is a place where there is no hunger.’ ‘Does such a place exist?’ ‘Under the Pole Star sits Shiva on a mountain of stone covered with snow. No grass grows there, but his bull, Nandi, does not complain. Nandi does not fear being eaten by Shakti’s tiger either. The snake around Shiva’s neck does not fear being eaten by Kartikeya’s peacock and it does not seek to eat Ganesha’s rat. Clearly, that is a place where there is no hunger. In Swarga there is prosperity, but no peace. I seek peace, I seek Kailas. That must be heaven.

Trustworthy and durable as a pole star in the night sky.

The evolution of sentience reflects the constant movement between those two poles. Evil—the dark side—won’t be eradicated until it has been discarded as an option for acquiring power, subjugating would-be opponents, or offsetting feelings of anger, envy, or exclusion. Where victims of injustice exist, the dark side finds initiates.

A resident [of Chukotka] had stuck a flyer on a telegraph pole advertising his flat in exchange for a one-way ticket to Moscow. Unemployment runs at seventy per cent in the surrounding villages.

I mean it when I say hallelujah. I don’t believe that Jesus of Nazareth was the holy son of God, or that he died so that mankind could be saved from our sins, or that he was resurrected as our messiah. But I believe in messiahs. I believe in miracles and hexes, curses and omens, I believe that you should never put your purse on the floor or split a pole, and when I’m feeling aimless I can fall for a little bit of ill-informed astrology. I don’t step on cracks. I believe in an infinite, mysterious universe, and I believe that that universe is mostly dark matter, and that one day the sun will implode. And I don’t expect that I’ll be alive to see it, but if I am, I will look up at that star I have known and loved more than any other star, and I will say “oh, lord Jesus,” and I will be talking about Black Jesus. When I say hallelujah, I mean it. I really mean it.

But that night in her dream she flew high above the earth in a moonless sky. Behind her, like a falling star, sailed a silver sled.

The stars were extra bright tonight, and they shone and glimmered as if each one had something it wanted to say.

The first experimental determination that the speed of light was not infinite was made by the seventeenth-century Danish astronomer, Ole Romer. In 1676, Romer was attempting to solve one of the great scientific and engineering challenges of the age; telling the time at sea. Finding an accurate clock was essential to enable sailors to navigate safely across the oceans, but mechanical clocks based on pendulums or springs were not good at being bounced around on the ocean waves and soon drifted out of sync. In order to pinpoint your position on Earth you need the latitude and longitude. Latitude is easy; in the Northern Hemisphere, the angle of the North Star (Polaris) above the horizon is your latitude. In the Southern Hemisphere, things are more complicated because there is no star directly over the South Pole, but it is still possible with a little astronomical know-how and trigonometry to determine your latitude with sufficient accuracy for safe navigation.

There was an artist in the city of Kouroo who was disposed to strive after perfection. One day it came into his mind to make a staff. Having considered that in an imperfect work time is an ingredient, but into a perfect work time does not enter, he said to himself, It shall be perfect in all respects, though I should do nothing else in my life. He proceeded instantly to the forest for wood, being resolved that it should not be made of unsuitable material; and as he searched for and rejected stick after stick, his friends gradually deserted him, for they grew old in their works and died, but he grew not older by a moment. His singleness of purpose and resolution, and his elevated piety, endowed him, without his knowledge, with perennial youth. As he made no compromise with Time, Time kept out of his way, and only sighed at a distance because he could not overcome him. Before he had found a stock in all respects suitable the city of Kouroo was a hoary ruin, and he sat on one of its mounds to peel the stick. Before he had given it the proper shape the dynasty of the Candahars was at an end, and with the point of the stick he wrote the name of the last of that race in the sand, and then resumed his work. By the time he had smoothed and polished the staff Kalpa was no longer the pole-star; and ere he had put on the ferrule and the head adorned with precious stones, Brahma had awoke and slumbered many times. But why do I stay to mention these things? When the finishing stroke was put to his work, it suddenly expanded before the eyes of the astonished artist into the fairest of all the creations of Brahma. He had made a new system in making a staff, a world with fun and fair proportions; in which, though the old cities and dynasties had passed away, fairer and more glorious ones had taken their places. And now he saw by the heap of shavings still fresh at his feet, that, for him and his work, the former lapse of time had been an illusion, and that no more time had elapsed than is required for a single scintillation from the brain of Brahma to fall on and inflame the tinder of a mortal brain. The material was pure, and his art was pure; how could the result be other than wonderful?

The Horned Master governs the generative powers of the kingdom of the beasts, the raw forces of life, death and renewal which sustains the natural world.” Nigel A Jackson. The Call of the Horned Piper: 38 The Art and Craft of the Witches is found at the crossroad, where this world and the other side meets and all possibility become reality. This simple fact is often forgotten as one rushes to the Sabbath or occupies oneself with formalities of ritual. The cross marks the four quarters, the four elements, the path of Sun, Moon and Stars. The cross was fused or confused with the Greek staurus, meaning ‘rod’, ‘rood’ or ‘pole’. Various forms of phallic worship are simply, veneration for the cosmic point of possibility and becoming. It is at the crossroads we will gain all or lose all and it is natural that it is at the crossroads we gain perspective. The crossroad is a place of choice, the spirit-denizens of the crossroads are said to be tricky and unreliable and it is of course where we find the Devil. One of the most famous legends of recent times concerns the blues-man Robert Johnson (1911– 1938). He claimed that, one night, just before midnight he had gone to the crossroads. He took out his guitar and played, whereupon a big black guy appeared, tuned his guitar, played a song backwards and handed it back.2 This incident altered Johnson’s playing and his finest and most everlasting compositions were the fruit of the few years of life left to him. This legend tells us how he needed to bury himself at the crossroads, offering himself to the powers dwelling there. Business done with the Devil is said to give him the upper hand. The ill omens and malefica associated with such deals is present in Johnson’s story. He got fame and women, but he died less than three years later before he reached thirty. His body was found poisoned at a crossroads, the murderer’s identity a mystery. Around the Mississippi no less than three tombs carry the name of Robert Leroy Johnson. The image of the Devil remains one of threat, blessing, beauty and opportunity. Where we find the Devil we find danger, unpredictability and chaos. If he offers a deal we know we are in for a complicated bargain. The Devil says that change is good, that we need movement in order to progress. His world is about cunning and ordeal entwined like the serpents of past and future on the pole of ascent. It is to the crossroads we go to make decisions. It is at the crossroads we set the course for the journey. It is at the crossroads we confront ourselves and realize our

At the pole, the stars hover against the black of the universe. Below, a frozen ocean is lit by starlight and the thinnest paring of moon, its platinum surface pushed up into broken dunes, shadow rippling in the trenches between. Where the tides have tugged rips in the ice, narrow channels of open water breathe fog as they freeze over. Never has Marian seen a landscape so suffused with hush, so monochromatic and devoid of life.

the Cottonwood Creek one, or maybe it was Indian Creek—so that I could park near the broken-down van that had given up one of its occupants that cold night. I parked and got out, walking toward whatever damn creek it was, and looked up at the makeshift poster still stapled to the power pole. The snow was falling steadily, very much like the night Jeanie One Moon had gone missing, almost as if the fates were toying with me, laughing in my face. I reached up and tore the now brittle plastic from the tree, having been fastened there for over a year, and studied the photo of the missing girl with half her face faded away, as if she were lying in a snowdrift somewhere, waiting to be discovered. Carefully folding the notice, I slipped it into the inside pocket of my jacket just as a pair of headlights appeared in the distance from the south, roiling the snow in their wake. I watched, fully expecting it to continue on I-90 up to Billings, but instead it slowed, turned in, and pulled up behind my truck. The big, full-ton turbo diesel dually engine rattled to a stop and the lights shut off. A large man extricated himself from the driver’s seat and lumbered toward me. “How did you know I would be here?” Lyndon Iron Bull stomped through the couple of inches of snow and pulled up the collar on his blanket-lined coat, his glasses steaming with his breath. “This is my land;