Pole Shed Quotes

We've searched our database for all the quotes and captions related to Pole Shed. Here they are! All 36 of them:

As a child, she’d always had what she imagined were fascinating thoughts, but didn’t ever say them. Once, as a little girl, at recess, she thought that if she ran very fast at a pole and then caught it and swung quickly around, part of her would keep going, and she would become two girls.
Tao Lin (Bed)
Growing up spoiled a lot of things. It spoiled the nice game they had when there was nothing to eat in the house. When money gave out and food ran low, Katie and the children pretended they were explorers discovering the North Pole and had been trapped by a blizzard in a cave with just a little food. They had to make it last till help came. Mama divided up what food there was in the cupboard and called it rations and when the children were still hungry after a meal, she'd say, 'Courage, my men, help will come soon.' When some money came in and Mama bought a lot of groceries, she bought a little cake as celebration, and she'd stick a penny flag in it and say, 'We made it, men. We got to the North Pole.' One day after one of the 'rescues' Francie asked Mama: 'When explorers get hungry and suffer like that, it's for a reason . Something big comes out of it. They discover the North Pole. But what big things comes out of us being hungry like that?' Katie looked tired all of a sudden. She said something Francie didn't understand at the time. She said, 'You found the catch in it.
Betty Smith (A Tree Grows in Brooklyn)
One thing which even the most seasoned and discerning masters of the art of choice do not and cannot choose, is the society to be born into - and so we are all in travel, whether we like it or not. We have not been asked about our feelings anyway. Thrown into a vast open sea with no navigation charts and all the marker buoys sunk and barely visible, we have only two choices left: we may rejoice in the breath-taking vistas of new discoveries - or we may tremble out of fear of drowning. One option not really realistic is to claim sanctuary in a safe harbour; one could bet that what seems to be a tranquil haven today will be soon modernized, and a theme park, amusement promenade or crowded marina will replace the sedate boat sheds. The third option not thus being available, which of the two other options will be chosen or become the lot of the sailor depends in no small measure on the ship's quality and the navigation skills of the sailors. Not all ships are seaworthy, however. And so the larger the expanse of free sailing, the more the sailor's fate tends to be polarized and the deeper the chasm between the poles. A pleasurable adventure for the well-equipped yacht may prove a dangerous trap for a tattered dinghy. In the last account, the difference between the two is that between life and death.
Zygmunt Bauman (Globalization: The Human Consequences)
For no reason at all, I thought of New Year's Eve, when all those people crowd into Times Square and scream like jackals as the lighted ball slides down the pole, ready to shed its thin party glare on three hundred and sixty-five new days in this best of all possible worlds. I have always wondered what it would be like to be caught in one of those crowds, screaming and not able to hear your own voice, your individuality momentarily wiped out and replaced with the blind empathic overslop of the crowd's lurching, angry anticipation, hip to hip and shoulder to shoulder with no one in particular.
Richard Bachman
As soon as Nicholas was born, my mother swore she'd rather see her daughters become Jehovah's Witnesses or pole dancers before she saw her first grandchild in daycare when my sister went back to work. I don't think it was originally the idea of daycare that didn't sit well with her but the fact that there, in a bassinet, was a fresh slate, a lump of clay that could be worked on and molded into the perfect child who had eluded her the first time around with her own daughters.
Laurie Notaro (We Thought You Would Be Prettier: True Tales of the Dorkiest Girl Alive)
Middling monsters died at the point of pitchforks, burned with torches, or at the butt of silver-capped canes wielded by angry, geriatric Poles. Middling people were dime-a-dozen, emptied souls, shorn sheeple, human husks. A good monster didn’t worry about what it was doing; it just did it. A true predator didn’t worry about guilt, or being popular, or anything. It just cruised along, living for the kill, surviving. A good person, well, she’d put a bullet in her head or weigh her feet down and throw herself into the Chicago River, holding her breath until she went to the sludgy, filthy bottom, and had to open wide and breathe water until she died.
D.T. Neal (Saamaanthaa)
A small cabin stands in the Glacier Peak Wilderness, about a hundred yards off a trail that crosses the Cascade Range. In midsummer, the cabin looked strange in the forest. It was only twelve feet square, but it rose fully two stories and then had a high and steeply peaked roof. From the ridge of the roof, moreover, a ten-foot pole stuck straight up. Tied to the top of the pole was a shovel. To hikers shedding their backpacks at the door of the cabin on a cold summer evening -- as the five of us did -- it was somewhat unnerving to look up and think of people walking around in snow perhaps thirty-five feet above, hunting for that shovel, then digging their way down to the threshold. [1971]
John McPhee (Encounters with the Archdruid)
This was a cruel world she had been born into, all pink and squirming. She'd never wanted to see reality. Now, like the cold, it was impossible to ignore.
Chris Kurtz (The Adventures of a South Pole Pig)
I was surprised she'd heard us. When you're that low on the totem pole, you sometimes think you're so unimportant that no one can hear you. My sense of invisibility had made me loose-lipped.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
It was, of course, the memory of Sophie and Nathan's long-ago plunge that set loose this flood [of tears], but it was also a letting go of rage and sorrow for the many others who during these past months had battered at my mind and now demanded my mourning: Sophie and Nathan, yes, but also Jan and Eva -- Eva with her one-eyed mis -- and Eddie Farrell, and Bobby Weed, and my young black savior Artiste, and Maria Hunt, and Nat Turner, and Wanda Muck-Horch von Kretschmann, who were but a few of the beaten and butchered and betrayed and martyred children of the earth. I did not weep for the six million Jews or the two million Poles or the one million Serbs or the five million Russians -- I was unprepared to weep for all humanity -- but I did weep for these others who in one way or another had become dear to me, and my sobs made an unashamed racket across the abandoned beach; then I had no more tears to shed, I lowered myself to the sand...and slept...When I awoke it was nearly morning...I heard children chattering nearby. I stirred...Blessing my resurrection, I realized that the children had covered me with sand, protectively, and that I lay as safe as a mummy beneath this fine, enveloping overcoat.
William Styron (Sophie’s Choice)
A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off. At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.
Annie Dillard (Pilgrim at Tinker Creek)
Grinning, she hovered over him. Then, like a fist closing around a doorknob, her grin closed around him. With her lips, she turned the knob first one way and then the other: left, right, open, shut; left, right, open, shut. The knob did not squeak. In fact, Wiggs was unusually quiet. Now, falling into rhythm, she sucked the knob from its axle, sucked the axle from its door, the door from its hinges. Out onto the lawn, tempo increasing, she sucked up the flagstone walk, the rosebushes, the petunia bed, the sprinkler, the driveway, and the small Japanese car parked in the driveway: oh, what a feeling! Toyota! Wiggs moaned as the neighborhood disappeared. The towers of the city began to sway, and soon, the planet itself fell victim to the force, swelling at its equator, throbbing at its poles. It wobbled violently on its axis, once, twice, then exploded. The Big Bang theory, proven at last. Continuing to impersonate a black hole, she pulled in every drop and particle – she’d never had a man in such entirety – and it wasn’t until the final spasm had subsided and the cosmos was at peace that she loosened her grip and, lips glistening like the Milky Way, looked up to see – the legs of a third party standing there.
Tom Robbins
That's something for me to consider. So what else can you tempt me with?" Breckenridge hid a wry smile; he'd guessed that, in common with her female Cynster mentors, she'd be drawn to the prospect of managing a large household and the estate's people. Organizing ran in the blood. "I believe I mentioned that I'm under sisterly edict to marry. Unsurprisingly, a large and pertinent motive behind my sisters' prodding is the desirability of me begetting an heir, or more, thus securing the succession. Perish the thought the estate might ever revert to the Crown, so you could view your pole as my future countess as in part holding the ton line against King George and his cronies." She narrowed her eyes on his. That's the most inventive way I've ever heard of saying you want children." His lips curved, then he let the expression fade. "I do-but do you?" She looked forward. "Yes, of course." After a moment she added, "I can't imagine not wanting children, truth be told." "Well, then we're in agreement on that." "Don't get carried away-you haven't yet convinced me we should wed.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
After that she'd have to go elsewhere anyway for breadth of experience. A different part of the world where she would develop expertise in more than frostbite, and lost toes, and idiots frozen to their fishing poles. But Rue, followed by Ben, followed by Rigel and Orion, had put a stop to that plan too; children being the enemies of plans and anything new besides themselves.
Laurie Frankel (This Is How It Always Is)
Vague speculation thrives in weather like this. The world is muffled in white, motor-roads and telegraph-poles vanish, a few castles appear in the middle distance; everything slips back hundreds of years. The details of the landscape - the leafless trees, the sheds, the church towers, the birds and the animals, the sledges and the woodmen, the sliced ricks and the occasional cowmen driving a floundering herd from barn to barn - all these stand out dark in isolation against the snow, distinct and momentous.
Patrick Leigh Fermor (A Time of Gifts (Trilogy, #1))
This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs. I'm not sure if there is any pattern to these selections. I did not spend a lot of time with those that seemed afraid to tell stories, that handled plot as if it were a hair in the soup, unwelcome and embarrassing. I also tended not to revisit stories that seemed bleak without having earned it, where the emotional notes were false, or where the writing was tricked out or primped up with fashionable devices stressing form over content. I do know that the easiest and the first choices were the stories to which I had a physical response. I read Jennifer Egan's "Out of Body" clenched from head to toe by tension as her suicidal, drug-addled protagonist moves through the Manhattan night toward an unforgivable betrayal. I shed tears over two stories of childhood shadowed by unbearable memory: "The Hare's Mask," by Mark Slouka, with its piercing ending, and Claire Keegan's Irishinflected tale of neglect and rescue, "Foster." Elizabeth McCracken's "Property" also moved me, with its sudden perception shift along the wavering sightlines of loss and grief. Nathan Englander's "Free Fruit for Young Widows" opened with a gasp-inducing act of unexpected violence and evolved into an ethical Rubik's cube. A couple of stories made me laugh: Tom Bissell's "A Bridge Under Water," even as it foreshadows the dissolution of a marriage and probes what religion does for us, and to us; and Richard Powers's "To the Measures Fall," a deftly comic meditation on the uses of literature in the course of a life, and a lifetime. Some stories didn't call forth such a strong immediate response but had instead a lingering resonance. Of these, many dealt with love and its costs, leaving behind indelible images. In Megan Mayhew Bergman's "Housewifely Arts," a bereaved daughter drives miles to visit her dead mother's parrot because she yearns to hear the bird mimic her mother's voice. In Allegra Goodman's "La Vita Nuova," a jilted fiancée lets her art class paint all over her wedding dress. In Ehud Havazelet's spare and tender story, "Gurov in Manhattan," an ailing man and his aging dog must confront life's necessary losses. A complicated, only partly welcome romance blossoms between a Korean woman and her demented
Geraldine Brooks (The Best American Short Stories 2011)
That man,” she announced huffily, referring to their host, “can’t put two words together without losing his meaning!” Obviously she’d expected better of the quality during the time she was allowed to mix with them. “He’s afraid of us, I think,” Elizabeth replied, climbing out of bed. “Do you know the time? He desired me to accompany him fishing this morning at seven.” “Half past ten,” Berta replied, opening drawers and turning toward Elizabeth for her decision as to which gown to wear. “He waited until a few minutes ago, then went of without you. He was carrying two poles. Said you could join him when you arose.” “In that case, I think I’ll wear the pink muslin,” she decided with a mischievous smile. The Earl of Marchman could scarcely believe his eyes when he finally saw his intended making her way toward him. Decked out in a frothy pink gown with an equally frothy pink parasol and a delicate pink bonnet, she came tripping across the bank. Amazed at the vagaries of the female mind, he quickly turned his attention back to the grandfather trout he’d been trying to catch for five years. Ever so gently he jiggled his pole, trying to entice or else annoy the wily old fish into taking his fly. The giant fish swam around his hook as if he knew it might be a trick and then he suddenly charged it, nearly jerking the pole out of John’s hands. The fish hurtled out of the water, breaking the surface in a tremendous, thrilling arch at the same moment John’s intended bride deliberately chose to let out a piercing shriek: “Snake!” Startled, John jerked his head in her direction and saw her charging at him as if Lucifer himself was on her heels, screaming, “Snake! Snake! Snnnaaaake!” And in that instant his connection was broken; he let his line go slack, and the fish dislodged the hook, exactly as Elizabeth had hoped. “I saw a snake,” she lied, panting and stopping just short of the arms he’d stretched out to catch her-or strangle her, Elizabeth thought, smothering a smile. She stole a quick searching glance at the water, hoping for a glimpse of the magnificent trout he’d nearly caught, her hands itching to hold the pole and try her own luck. Lord Marchman’s disgruntled question snapped her attention back to him. “Would you like to fish, or would you rather sit and watch for a bit, until you recover from your flight from the serpent?” Elizabeth looked around in feigned shock. “Goodness, sir, I don’t fish!” “Do you sit?” he asked with what might have been sarcasm. Elizabeth lowered her lashes to hide her smile at the mounting impatience in his voice. “Of course I sit,” she proudly told him. “Sitting is an excessively ladylike occupation, but fishing, in my opinion, is not. I shall adore watching you do it, however.” For the next two hours she sat on the boulder beside him, complaining about its hardness, the brightness of the sun and the dampness of the air, and when she ran out of matters to complain about she proceeded to completely spoil his morning by chattering his ears off about every inane topic she could think of while occasionally tossing rocks into the stream to scare off his fish.
Judith McNaught (Almost Heaven (Sequels, #3))
After hunting for an hour, they found a stray cat small enough to ride in the palm of Noboru’s hand, a mottled, mewing kitten with lackluster eyes. By then they were sweating heavily, so they undressed and took turns splashing in a sink in one corner of the shed. While they bathed, the kitten was passed around. Noboru felt the kitten’s hot heart pumping against his wet naked chest. It was like having stolen into the shed with some of the dark, joy-flushed essence of bright summer sunlight. “How are we going to do it?” “There’s a log over there. We can smack it against that—it’ll be easy. Go ahead, number three.” At last the test of Noboru’s hard, cold heart! Just a minute before, he had taken a cold bath, but he was sweating heavily again. He felt it blow up through his breast like the morning sea breeze: intent to kill. His chest felt like a clothes rack made of hollow metal poles and hung with white shirts drying in the sun. Soon the shirts would be flapping in the wind and then he would be killing, breaking the endless chain of society’s loathsome taboos. Noboru seized the kitten by the neck and stood up. It dangled dumbly from his fingers. He checked himself for pity; like a lighted window seen from an express train, it flickered for an instant in the distance and disappeared. He was relieved. The chief always insisted it would take acts such as this to fill the world’s great hollows. Though nothing else could do it, he said, murder would fill those gaping caves in much the same way that a crack along its face will fill a mirror. Then they would achieve real power over existence.
Yukio Mishima (The Sailor Who Fell from Grace with the Sea)
First off, demon, let’s get one thing straight. I. Am. Not. Weak. What you saw last night was another fucking subclause of Lucifer’s that makes me of the same strength physically and magically as when I died, but only when on the mortal plane in the presence of the souls I damned. Any other time, I am not to be messed with.” “If you’re so bad ass, how come I never heard of you?” “I prefer to stay out of the spotlight, unlike some sorceress’s I know,” she said with a smile as she came to stop in front of him. “But I do have a nickname.” “Hot on a stick?” “No.” “Spanks with magic?” “Most definitely not.” “I know, you must be the famous BJ Swallows.” “I am going to hurt you.” “I was right?” “No. And your made up names are just pissing me off.” “Made up? I’ll have you know those monikers are just a few of the more famous witch ones I know. Of course, I don’t know if their magical abilities extend beyond the pole they dance on, but still, they’re very well known in my circles.” “Why am I not surprised?” “Are you going to tell what your name is then? ‘Cause I’m gonna wager it isn’t Magical Pie.” He really needed to learn how to keep certain thoughts to himself, an easy thing to promise with the iron grip she had on his balls. Not exactly how he pictured their first time touching. She twisted. He winced. “Let this be a reminder not to fuck with me. And just so you know, while my nickname is the Blood Witch, my true title is Satan’s Assistant.” She was the one who had all the damned souls trembling? Hot damn. “I have heard of you.” “Good, then you know what I can do. And might I add it hurts.” She leaned up on tiptoe as she said it, her lips so close to his. But Ysabel wasn’t the only one with surprises. And truly, she’d pushed the boundaries of temptation too far. He snapped her magic binding and wrapped his arms around her, bringing her flush against his chest. “Did I mention, apart from ability with fire, I can unravel several forms of magic?” Then he kissed her, and by all the coals in the furnace of Hell, he’d never burned hotter.
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
Are you sure you’re all right?” Oscar asked. “I’m sure.” The sound of their voices disturbed the night, and her dishonesty disturbed her. How could she be all right? She’d been abducted at knifepoint. She’d heard the chanting again and seen the eerie black skeletal face on the bathwater’s surface. What were those things, if not part of the Umandu curse? “Are you sure he didn’t touch you?” Oscar asked, the softness of his question poles apart from the anger and irritation he’d shown all day. It was obvious he didn’t want to go chasing after Umandu, but she couldn’t imagine the prospect of bringing her father back to life would make him so sour. Camille sat up, holding the thin blanket around her neck. An odd thought struck her: They were on land, alone in a room, and they hadn’t yet struggled with an awkward stretch of silence. Camille liked the change and hoped it stuck. Oscar lay on the floor, beneath the double windows. He had one arm over his chest, the other behind his head. He saw her and pushed himself up, his own covers loose around his waist. He still wore his clothes, and she grinned, knowing it was for her benefit only. He’d be sweating rivers tonight in the heavy heat. Oscar wrapped his arm around one knee. “You have no idea what went through my mind tonight when I found that bathtub empty,” he whispered. “I can’t let anything happen to you, Camille.” She sat up a little straighter, hoping he wouldn’t pledge his protection just to honor his dead captain. “I didn’t mean to make you worry, Oscar. But my safety isn’t your burden.” Though she couldn’t see him clearly in the shadowed room, Camille felt his eyes on her. “You’re not a burden, Camille. Not to me.” She searched his dark outline. A patch of moonlight fell on a swath of bare skin on the curve of his neck. It glistened with sweat, and she felt her own skin fire with the charged silence growing between them. She didn’t know how to respond; he wouldn’t look away. “He didn’t touch me,” she whispered instead, answering his original question. She lay back and turned onto her side, disappointed she hadn’t found something more to say. Something to make the moment last a hair longer. Oscar’s covers rustled as he settled back as well. “That was smart of him,” he replied, and said no more.
Angie Frazier (Everlasting (Everlasting, #1))
Each pregnant Oak ten thousand acorns forms Profusely scatter'd by autumnal storms; Ten thousand seeds each pregnant poppy sheds Profusely scatter'd from its waving heads; The countless Aphides, prolific tribe, With greedy trunks the honey'd sap imbibe; Swarm on each leaf with eggs or embryons big, And pendent nations tenant every twig ... —All these, increasing by successive birth, Would each o'erpeople ocean, air, and earth. So human progenies, if unrestrain'd, By climate friended, and by food sustain'd, O'er seas and soils, prolific hordes! would spread Erelong, and deluge their terraqueous bed; But war, and pestilence, disease, and dearth, Sweep the superfluous myriads from the earth... The births and deaths contend with equal strife, And every pore of Nature teems with Life; Which buds or breathes from Indus to the Poles, And Earth's vast surface kindles, as it rolls!
Erasmus Darwin (The Temple of Nature)
It was a soft, quiet kiss, that much more startling for its gentleness from this big, rough man. No big clacking together of positive and negative poles—a simple brush of lips, but more than that. Something that had been building between them for two days now, ever since she’d tripped over him on her way out of the building.
Anonymous
Josefina had grown up hearing tales of treasures hidden by thieves, gold mines with secret entrances, jars of coins buried by old men afraid of being robbed. She’d always enjoyed these legends, shared by good storytellers when shadows were long and imaginations ran high. She’d never heard of anyone actually finding lost treasure. But she’d never seen a map marked with landmarks and strange sketches, either. Josefina tried to push the image of the map from her mind so that she could go to sleep, but it was no use. Finally, afraid she might wake her sisters, she got up. Wrapping her rebozo around her shoulders against the cool night breeze, she tiptoed out of the sala. She lit a candle and crept to the storeroom where she and Teresita kept their remedios and dyes. Josefina loved the musty-spicy smells of the plant bundles hanging from poles overhead. She loved seeing bins and gourds and baskets filled with supplies that might help ward off illness or cure disease. Sitting on a banco, she savored the peaceful stillness. She could feel her muscles relaxing. Soon she would be ready for sleep. Then an unexpected sound jerked Josefina upright. The candle fell to the hard earthen floor and snuffed out. In the sudden darkness, Josefina strained to hear the sound that had disturbed her. There it was again! A faint crying sound. Was one of her sisters awake? Was Francisca in the courtyard, weeping for Ramón? Josefina cocked her head, but when she heard the sound again, she was sure it came from outside the house. Josefina stepped closer to the window, carefully avoiding a basket of pumpkin stems. Pressing a palm against the wall, she held her breath. And the sound came again, drifting through the open window above her head—a woman’s sob, low and full of anguish. Josefina’s bones turned to ice. Only one woman roamed at night, weeping and wailing: the ghost, La Llorona!
Kathleen Ernst (Secrets in the Hills: A Josefina Mystery (American Girl))
The old Day of Atonement, once held every year in accordance with the Mosaic covenant, has been superseded, because we have the ultimate sacrifice for sin: Jesus himself, who shed his blood on our behalf, a perfect moral sacrifice. He offers up his life, takes our death, and bears our sin away in a fashion that no animal ever could. The law pointed forward to that sole means of God reconciling rebels to himself and brings together in Jesus the poles of Exodus 34: God abounds “in love and faithfulness” (34:6), and he forgives “wickedness, rebellion and sin” (34:7), not because he leaves the guilty unpunished but because another bears their punishment. Here is the God who legislates, and even in his legislation he points us to Jesus.
D.A. Carson (The God Who Is There: Finding Your Place in God's Story)
We need to have sex. I’m talking no-holds-barred, hanging from the ceiling, tearing each other’s clothes off, animal-fucking sex.” His delicious descriptions swept through me like a hurricane. My hormones stirred to life and licked their lips, ready to climb him right there. But… “I don’t know. Doesn’t that sounds…wrong to you?” my stupid conscience prompted me to say as I pressed my hand to my forehead. Colton grinned one of his panty-dropping grins. “Oh, baby doll. Wrong’s just the way I like it.” “See…” I pointed at him, frowning. “You say shit like that, and I know I should get annoyed and offended by it and want to smack your arrogant face, but no…no. Stupid me, I just want to climb you like a freaking stripper pole, shedding clothes as I go.
Linda Kage (Consolation Prize (Forbidden Men, #9))
Kate found a sled, a pair of skis, and poles in the back of a van. She grabbed the gear and dragged it back over to Luke. She strapped her son to the sled, found some rope and cord in the van where she’d stashed him, and then slipped into her skis.
Alexandria Clarke (The Pulse Super Boxset: EMP Post Apocalyptic Fiction)
Your uncle thinks that if Luna shows up, you should take her aside and talk to her.” “Oh, awesome. I was hoping I’d get to have a delicate conversation with a potentially fatal supernatural today.” “Jayne, she won’t hurt you. That would be a huge escalation. She’d be taking on the entire North Pole if she did that. No, if she’s going to do anything, it’ll be directed at Sanders.
Kristen Painter (Miss Frost Saves the Sandman (Jayne Frost, #3))
Mabel was well over a foot shorter than Jay. At the bakery Christmas party, she'd glanced with loathing at the limbo pole, walked straight underneath it, and headed for the bar. She still managed to look down her nose at him now. "Valuable life lesson. If you feel comfortable shoveling handfuls of stolen sweets into your pockets, I might feel comfortable shoveling you headfirst into a pipe." Jay raised his brows at Sylvie. "Have we considered moving Mabel's workstation so she's slightly farther away from the paying customers? Perhaps about"---he made a pinching motion with his finger and thumb--- "two post codes to the left?" "Have we considered getting a haircut, so we look slightly less like an aging rockstar?" Mabel asked conversationally. "It's swell of you to take over potions class while Sylvie's back on telly, Axl Rose, but you don't have to go full wizard cosplay.
Lucy Parker (Battle Royal (Palace Insiders, #1))
Dusty beer bottles on both sides of the squishy steps vibrated and danced every time anyone descended down them. There were bottles on various ledges and within cases that were stacked like totem poles. The kids used a large wooden spool as a table and sat on seats torn from junk cars. They told jokes that everyone knew by heart, or stories that they could recite verbatim. The top of the spool was littered with ashtrays, full of snuffed butts, as well as empty beer bottles, or “dead soldiers.” At the bottom of the bottles, engorged cigarette butts resembled leeches, having been drowned in a lethal cocktail of backwash and saliva. Half the cigarettes inside the ashtrays had white filters, lovingly imprinted with Gail’s pink lipstick that she’d rubbed out in the ashtray. Of late, I was smoking more, sucking on the cigarettes that I bummed off the girls. Sucking in their essence.
Gary J. Floyd (Barbarians in the Halls of Power)
Once male and female poles have bonded together, the undifferentiated energies of life can then circulate through us. Looking at the state of the earth, it's no surprise that we worship the patriarchal state of stillness and silence while disregarding the feminine artistic and biological forces. We exist in a patriarchal society where the feminine influence of production has been distorted and ignored. The profound feminine intelligence within us is our souls, the spirit world, the natural world, and our emotions. These were all stolen, killed, or demonized. The patriarchal axis forces us into stereotypical awareness. In somatic studies, the brain, the "working" force, and our rational minds are portrayed. We need that force to shed light on our ideas, to act upon our feminine intuition. There will always be two polarities of masculine forms of consciousness at odds with one another. The masculine vs. the feminine, me vs. someone else— what we see as opposite and inward and outwardly warring forces. There is a triple form of consciousness rooted in the feminine pole: the power to see two things but also what lies between them, to access liminal space, to continually create and re-create. In the end, this is the power from which we all emerge to separate into binary consciousness. Only by revering intensely the feminine force of existence, by linking the head with the body, the masculine with the feminine, may we push beyond the constraints of patriarchal truth and into awareness of the divine concept that gave birth to all of us. It is an incorrect assumption to state that awakening kundalini is purely feminine energy or energy of the goddess. The power of creation and evolution, which are profoundly feminine powers, certainly never stops being. Yet illumination arrives as the masculine and feminine powers within us intertwine and embrace each other rather than hinder each other. By merging these feminine and masculine principles, we move into wholeness beyond a state of separation and thus become fully realized. We become masculine and feminine, empty, and full. We can even go beyond those states and witness them, observe consciousness or energy waves that flow through our body. In kundalini awakenings, the completion state is not one of a single energy chain streaming from the genitals through the top of the head or into the brain, but of all energies merging and becoming one, and both flowing downwards, entangled, into the space of the heart. This is a state of being constantly at odds with each other within and without, between two forces— male and female, void and non-void, extension and contraction, fullness, and absence. This is a state of being both forces at the same time, as well as falling between them.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
Licorice tattoo turned a gun metal blue Scrawled across the shoulders of a dying town Took the one eyed-jacks across the railroad tracks And the scar on its belly pulled a stranger passing through He's a juvenile delinquent, never learned how to behave But the cops would never think to look in Burma-Shave And the road was like a ribbon and the moon was like a bone He didn't seem to be like any guy she'd ever known He kind of looked like Farley Granger with his hair slicked back She says, I'm a sucker for a fella in a cowboy hat How far are you going? Said depends on what you mean He says I'm only stopping here to get some gasoline I guess I'm going thataway just as long as it's paved And I guess you'd say I'm on my way to Burma Shave And with her knees up on the glove compartment She took out her barrettes and her hair spilled out like root beer And she popped her gum and arched her back Hell, Marysville ain't nothing but a wide spot in the road Some nights my heart pounds like thunder Don't know why it don't explode 'Cause everyone in this stinking town's got one foot in the grave And I'd rather take my chances out in Burma Shave Presley's what I go by, why don't you change the stations? Count the grain elevators in the rearview mirror She said mister, anywhere you point this thing It got to beat the hell out of the sting Of going to bed with every dream that dies here every mornin' And so drill me a hole with a barber pole And I'm jumping my parole just like a fugitive tonight Why don't you have another swig and pass that car if you're so brave I wanna get there before the sun comes up in Burma Shave And the spiderweb crack and the mustang screamed The smoke from the tires and the twisted machine Just a nickel's worth of dreams and every wishbone that they saved Lie swindled from them on the way to Burma Shave And the sun hit the derrick and cast a batwing shadow Up against the car door on the shotgun side And when they pulled her from the wreck You know she still had on her shades They say that dreams are growing wild Just this side Of Burma Shave
Tom Waits
She looked in display windows and read, really read, the flyers on telephone poles: yard sales, lost pets, cash for ugly houses. She’d pass a flooring place and imagine her life selling carpet. She’d pass a beauty salon and imagine her life doing hair. Mostly, she tried to imagine contentment: the state of being content. She didn’t think it was something she’d ever been before, so it was difficult for her to accurately imagine how it might feel. But she did try.
Emily M. Danforth (Plain Bad Heroines)
Now, as far as I was concerned there are two ways of living, and because we’re on a ball in space these were more or less exactly poles apart. The first, accept the world as it is. The world is concrete and considerable, with beauties and flaws both, and both immense, profound and perplexing, and if you can take it as it is and for what it is you’ll all but guarantee an easier path, because it’s a given that acceptance is one of the keys to any kind of contentment. The second, that acceptance is surrender, that there’s a place for it but that place is somewhere just before your last breath where you say All right then, I have tried and accept that you have lived and loved as best you could, have pushed against every wall, stood up after every disappointment, and, until that last moment, you shouldn’t accept anything, you should make things better. This was more or less the philosophy of Tess Grogan, who, well into her nineties, kept the finest garden in Faha. We lost a garden, she’d say, speaking of the time of Adam like it wasn’t so long ago, pressing gently the swollen joints of her arthritic fingers and smiling the sagacious smile of the nonagenarian, ‘We lost a garden, our whole lives we have to remake it.
Niall Williams (This Is Happiness)
The belugas spent the winter in the Bering Sea, between Russia and Alaska, where Arctic pack ice could not trap them. Now it's almost spring. The ice is melting, splitting, retreating toward the pole. The whales' migration route is opening up. The older females lead the way, north and east, teaching younger belugas how to find Canada's Beaufort Sea. At more than 2500 km (1550 mi.), the belugas' journey takes months to complete. It's worth it. When the whales reach the Mackenzie River Delta, they'll rub against the ocean floor, shedding itchy layers of yellowed skin until they're glowing white again. Pregnant mothers will also give birth. The shallow coastal waters will protect the newborns from hungry orcas. While the babies play, their mothers will feast on krill and codfish, regaining their strength. Their rich milk will fatten the calves all summer, before the journey south begins.
L.E. Carmichael (Polar: Wildlife at the Ends of the Earth)
There was also a collection of outbuildings. Most of them were small—a chicken coop, a tool shed, a dilapidated barn, a well house, and a pump house affirmed that the place was indeed a mini-farm. The largest of the structures was a pole building the size of a suburban garage, organized with a workbench, storage racks, a pantry, and a freezer. Just steps from the back door, the aluminum building provided much-needed space for all of the things that wouldn’t fit in the house
Gregg Olsen (If You Tell: A True Story of Murder, Family Secrets, and the Unbreakable Bond of Sisterhood)
He liked the staccato beat of the rain drumming on the roof of the carving shed.
R.J. Harlick (Silver Totem of Shame (Meg Harris #6))