Poker Life Quotes

We've searched our database for all the quotes and captions related to Poker Life. Here they are! All 100 of them:

Life is not always a matter of holding good cards, but sometimes, playing a poor hand well.
Jack London
All men live enveloped in whale-lines. All are born with halters round their necks; but it is only when caught in the swift, sudden turn of death, that mortals realize the silent, subtle, ever-present perils of life. And if you be a philosopher, though seated in the whale-boat, you would not at heart feel one whit more of terror, than though seated before your evening fire with a poker, and not a harpoon, by your side.
Herman Melville (Moby-Dick or, The Whale)
In the land of the blind the one-eyed man is king
Michael Lewis (Liar's Poker)
Yamamoto was considered, both in Japan and the United States, as intelligent, capable, aggressive, and dangerous. Motivated by his skill as a poker player and casino gambler, he was continually calculating odds on an endless variety of options. He played bridge and chess better than most good players. Like most powerful leaders he was articulate and persuasive, and once in a position of power he pushed his agenda relentlessly. Whether he would push his odds successfully in the Pacific remained to be seen.
Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
It doesn't matter what has happened to you, it matters what you do with what has happened to you. Life is like a poker game. You don't get to choose the cards you are dealt, but it's entirely up to you how to play the hand.
Regina Brett (God Never Blinks: 50 Lessons for Life's Little Detours)
The way he saw it, poker and life had a lot in common. You played the cards you were dealt, figured the odds, took the gamble or not. And when your cards were shit, you bluffed if the pot was worth it, and if you had balls.
Nora Roberts
Life may deal you a bad hand or take away a good hand you were already dealt. The way you play the hand is how your life is defined. Just like in poker you can end up winning no matter how bad the cards are you have.
Benjamin Bayani (The Nation)
Life! What Inscrutable Card Shall Ye Throw Next Upon the Soft Felt of Our Days?
Colson Whitehead
It was easy to be great. Every entertainer has a night when everything is clicking. These nights are accidental and statistical: Like lucky cards in poker, you can count on them occurring over time. What was hard was to be good, consistently good, night after night, no matter what the abominable circumstances.
Steve Martin (Born Standing Up: A Comic's Life)
I wonder how much the general population of this country know that the legal system has far more to do with playing a good hand of poker than it does with justice.
Jodi Picoult (My Sister’s Keeper)
People who’ve been hurt like hurting others [..]
Alice Walsh (A Poker Game of Love)
Everyone has to deal with the hand that they are dealt with in the poker game called Life.
Hannah Andronic
It was getting very difficult for me to keep from being excited in other places. Watching Abby own my brothers—and a poker veteran like my father—hand after hand was turning me on. I’d never seen a women so sexy in my life, and this one happened to be my girlfriend.
Jamie McGuire (Walking Disaster (Beautiful, #2))
As it often did when I thought about chicken wings and entropy, my mind turned to Emerson. "Life is a journey, not a destination." Now that was one stone-cold motherfucker who was not afraid to deliver the truth: After the torments of the journey, you have been well-prepared for the agonies of the destination.
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
Emotional exhibitionism is one block away from whoring for attention.
Alice Walsh (A Poker Game of Love)
I kept my poker face on and listened to him with an air of interest and respect (I thought of what it says in one of Rand's novels, how the winner can afford to be generous).
Harvey Pekar (American Splendor: The Life and Times of Harvey Pekar)
One fine day you decide to talk less and less about the things you care most about, and when you have to say something, it costs you an effort . . . You’re good and sick of hearing yourself talk . . . you abridge . . . You give up … For thirty years you’ve been talking . . . You don’t care about being right anymore. You even lose your desire to keep hold of the small place you’d reserved yourself among the pleasures of life . . . You’re fed up … From that time on you’re content to eat a little something, cadge a little warmth, and sleep as much as possible on the road to nowhere. To rekindle your interest, you’d have to think up some new grimaces to put on in the presence of others . . . But you no longer have the strength to renew your repertory. You stammer. Sure, you still look for excuses for hanging around with the boys, but death is there too, stinking, right beside you, it’s there the whole time, less mysterious than a game of poker. The only thing you continue to value is petty regrets, like not finding time to run out to Bois-Colombes to see your uncle while he was still alive, the one whose little song died forever one afternoon in February. That horrible little regret is all we have left of life, we’ve vomited up the rest along the way, with a good deal of effort and misery. We’re nothing now but an old lamppost with memories on a street where hardly anyone passes anymore.
Louis-Ferdinand Céline (Journey to the End of the Night)
I plastered on my best poker face, attempting to appear cool and casual even thought I had never been so eager to deliver two Chicken Parmagianas in my life. "Just be careful, hon," Rosanna said. "Oh, are the plates hot?" I flinched back just before my hands made contact. Rosanna laughed. "No, but hot boys can burn just as easily.
C.J. Duggan (The Boys of Summer (Summer, #1))
[...] if you don't know what you're running away from, chances are you'll bring it along anywhere you go.
Alice Walsh (A Poker Game of Love)
With words as valueless as poker chips, we play games whose object it is to keep us from seeing each other's cards.
Frederick Buechner
Conventional wisdom nor scientific, mathematical prove of randomness in life could do nothing to deter human's curiosity for the unknown, however small the chance of a positive outcome maybe.
Vann Chow (The White Man and the Pachinko Girl)
Life is so fragile and unpredictable, especially when you are in a gang or in a life of crime. It’s like playing poker; you think to yourself that you have a good hand. However, it is only when you reveal your hand do you sometimes discover to your horror that someone else’s hand is better.
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
The best decisions he has made in his life, he said, were completely unexpected, the ones that cut against convention. Then he went even further. He said that every decision he has forced himself to make because it was unexpected has been a good one.
Michael Lewis (Liar's Poker)
Spoiler: I didn't win the Main Event. You had suspicions, you say? For one thing, the subtitle of this book would be "The Amazing Life-Affirming Story of an Unremarkable Jerk Who Won the World Series of Poker!" instead of having the word "Death" in it. For another, do these sound like the words of a motherfucker who won a million goddamn dollars?
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
The decisions we make in our lives—in business, saving and spending, health and lifestyle choices, raising our children, and relationships—easily fit von Neumann’s definition of “real games.” They involve uncertainty, risk, and occasional deception, prominent elements in poker. Trouble follows when we treat life decisions as if they were chess decisions.
Annie Duke (Thinking in Bets: Making Smarter Decisions When You Don't Have All the Facts)
How to get and keep men interested in you (A Guide for the Modern Woman): Put them in the “friend” or “fuck” zone. Leave them there.
Alice Walsh (A Poker Game of Love)
Through experience, he had learnt to pick up all of the unmistakable signs of vulnerability in a woman, everything that pointed to her being an easy prey.
Alice Walsh (A Poker Game of Love)
Fold or Make them fold. Don't show all your cards in each game.
Pooja Garg
No one tells you that you should never settle for anything less than what you want.
Alice Walsh (A Poker Game of Love)
Love alone is worthless. It cannot sustain a relationship … any relationship
Alice Walsh (A Poker Game of Love)
[..] being the most attractive rarely meant being the most beautiful
Alice Walsh (A Poker Game of Love)
The stakes were suddenly so high that we wanted out of the game. When you’re playing poker with the devil, however, no one leaves the table before he does.
Dean Koontz (Life Expectancy)
To make love last, you've got to treat it like the ultimate poker hand; you've got to go all in.
Max Hawthorne
although i had been told my whole life that money couldnt buy you happiness, it was certainly clear to me that it could provide some desirable upgrades
Molly Bloom (Molly's Game: From Hollywood's Elite to Wall Street's Billionaire Boys Club, My High-Stakes Adventure in the World of Underground Poker)
You play everything so close to your vest, it’s like your entire life is one long poker hand.
Dean Koontz (The Other Emily)
The mere fact of Vegas, its necessity, was an indictment of our normal lives. If we needed this place--to transform into a high roller or a sexy swinger, to be someone else, a winner for once--then certainly the world beyond the desert was a small and mealy place indeed.
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
I think that success in life is largely a matter of luck. It has little correlation with merit, and in all fields of life there have been many people of great merit who did not succeed – Popper
David Edmonds (Wittgenstein's Poker: The Story of a Ten Minute Argument Between Two Great Philosophers)
Life with a man is more businesslike after it, and money matters work better. And then, you see, if you have rows, and he turns you out of doors, you can get the law to protect you, which you can't otherwise, unless he half-runs you through with a knife, or cracks your noddle with a poker. And if he bolts away from you--I say it friendly, as woman to woman, for there's never any knowing what a man med do-- you'll have the sticks o' furniture, and won't be looked upon as a thief.
Thomas Hardy (Jude the Obscure)
Life is just like the game of poker, you never know what cards you will get. Sitting against the people, you can either win with the king or live on a joker. Many times in life you are forced to play the blind bet, and achieve overwhelming success, with loads of cash in your pocket or you may reach disastrous conclusions, losing everything you have got. That’s the reason I love playing poker.
Prerna Varma (The Dumb and the Dumbfounded)
There was one sure way, and only one sure way, to get ahead, and everyone with eyes in 1982 saw it: Major in economics; use your economics degree to get an analyst job on Wall Street; use your analyst job to get into the Harvard or Stanford Business School; and worry about the rest of your life later. So,
Michael Lewis (Liar's Poker)
I see life in the same terms. We all get dealt cards. Some of us get better cards than others. And while it’s easy to get hung up on our cards, and feel we got screwed over, the real game lies in the choices we make with those cards, the risks we decide to take, and the consequences we choose to live with. People who consistently make the best choices in the situations they’re given are the ones who eventually come out ahead in poker, just as in life. And it’s not necessarily the people with the best cards.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Life is just a big game of Texas hold'em, unexpected things may arise that may suite you or destroy you. You gotta make the best of the cards your dealt, adjust accordingly, and always understand that you control your decisions.
Mustafa Said
But any idiot can see you two are gaga for one another.” As in Lady Gaga? Because I do enjoy riding Wade’s disco stick and playing our own version of poker face. And even though I’m terrified we’ll wind up having a bad romance, leaving me to just dance while watching Wade ride off into the sunset with Alejandro as the paparazzi followed in a frenzy, I can’t seem to stop myself from loving him. I shook the nonsense out of my head.
Ethan Day (Life in Fusion (Summit City, #2))
All serious poker players try to minimize their tells, obviously. There are a couple ways to go about this. One is the robotic approch: where your face becomes a mask and your voice a monotone, at least while the hand is being played. . . . The other is the manic method, where you affect a whole bunch of tics, twitches, and expressions, and mix them up with a river of insane babble. The idea is to overwhelm your opponents with clues, so they can't sort out what's going on. This approach can be effective, but for normal people it's hard to pull off. (If you've spent part of your life in an institution, this method may come naturally.)
Dan Harrington (Harrington on Hold 'em: Expert Strategy for No-Limit Tournaments, Volume I: Strategic Play)
The previous governess had used various monsters and bogeymen as a form of discipline. There was always something waiting to eat or carry off bad boys and girls for crimes like stuttering or defiantly and aggravatingly persisting in writing with their left hand. There was always a Scissor Man waiting for a little girl who sucked her thumb, always a bogeyman in the cellar. Of such bricks is the innocence of childhood constructed. Susan’s attempts at getting them to disbelieve in the things only caused the problems to get worse. Twyla had started to wet the bed. This may have been a crude form of defense against the terrible clawed creature that she was certain lived under it. Susan had found out about this one the first night, when the child had woken up crying because of a bogeyman in the closet. She’d sighed and gone to have a look. She’d been so angry that she’d pulled it out, hit it over the head with the nursery poker, dislocated its shoulder as a means of emphasis and kicked it out of the back door. The children refused to disbelieve in the monsters because, frankly, they knew damn well the things were there. But she’d found that they could, very firmly, also believe in the poker. Now she sat down on a bench and read a book. She made a point of taking the children, every day, somewhere where they could meet others of the same age. If they got the hang of the playground, she thought, adult life would hold no fears. Besides, it was nice to hear the voices of little children at play, provided you took care to be far enough away not to hear what they were actually saying. There were lessons later on. These were going a lot better now she’d got rid of the reading books about bouncy balls and dogs called Spot. She’d got Gawain on to the military campaigns of General Tacticus, which were suitably bloodthirsty but, more importantly, considered too difficult for a child. As a result his vocabulary was doubling every week and he could already use words like “disemboweled” in everyday conversation. After all, what was the point of teaching children to be children? They were naturally good at it.
Terry Pratchett (Hogfather (Discworld, #20))
You mean something like ‘truth or dare’? I haven’t played that in a long time.” She didn’t think he would ever get himself entangled in a game like that, but it was addictive, a compromising icebreaker featuring all the strategy of Poker, minus the cards, mixed with a dash of danger from Russian Roulette, without the revolver.
E.A. Bucchianeri (Brushstrokes of a Gadfly, (Gadfly Saga, #1))
Think of a good joke. “Yesterday I walked into a bar. You know how it goes. You walk into a bar, and you expect a bartender, maybe some video poker. A man needs his distractions. No guy wants to get off work and go into some bar and see a penguin mixing drinks…” In conversation we switch between first-, second-, and third-person points of view. The constant shift controls the intimacy and authority of our story; for instance, “I walked” has the authority of first person. Second person addresses the listeners and enlists them: “You walk.” And the shift to third person controls the pace, “No guy wants,” by moving from the specific “I” to the general “guy.
Chuck Palahniuk (Consider This: Moments in My Writing Life After Which Everything Was Different)
How did you find out?” he asked. I dropped the coat I’d been holding. “How do you think? She told me. She couldn’t wait to tell me.” He sighed and sat on the arm of my couch and stared into space. “That’s it? You have nothing else to say?” I asked. “I’m sorry. God, I’m really sorry. I didn’t mean for you to find out like this.” “Were you ever going to tell me?” “Yeah...of course.” His voice was so sweet and so gentle that it momentarily defused the anger that wanted to explode out of me. I stared at him, looking hard into those amber brown eyes. “She said...she said you didn’t drink, but you did, right? That’s what happened?” I sounded like I was Kendall’s age and suspected I wore the pleading expression Yasmine had given Jerome. Seth’s face stayed expressionless. “No, Thetis. I wasn’t drunk. I didn’t drink at all.” I sank down into the arm chair opposite him. “Then…then…what happened?” It took a while for him to get the story out. I could see the two warring halves within him: the one that wanted to be open and the one that hated to tell me things I wouldn’t like. “I was so upset after what happened with us. I was actually on the verge of calling that guy…what’s his name? Niphon. I couldn’t stand it—I wanted to fix things between us. But just before I did, I ran into Maddie. I was so…I don’t know. Just confused. Distraught. She asked me to get food, and before I knew it, I’d accepted.” He raked a hand through his hair, neutral expression turning confused and frustrated. “And being with her…she was just so nice. Sweet. Easy to talk to. And after leaving things off physically with you, I’d been kind of…um…” “Aroused? Horny? Lust-filled?” He grimaced. “Something like that. But, I don’t know. There was more to it than just that.” The tape in my mind rewound. “Did you say you were going to call Niphon?” “Yeah. We’d talked at poker…and then he called me once. Said if I ever wanted…he could make me a deal. I thought it was crazy at the time, but after I left you that night…I don’t know. It just made me wonder if maybe it was worth it to live the life I wanted and make it so you wouldn’t have to worry so much.” “Maddie coming along was a blessing then,” I muttered. Christ. Seth had seriously considered selling his soul. I really needed to deal with Niphon. He hadn’t listened to me when I’d told him to leave Seth alone. I wanted to rip the imp’s throat out, but my revenge would have to wait. I took a deep breath. “Well,” I told Seth. “That’s that. I can’t say I like it…but, well…it’s over.” He tilted his head curiously. “What do you mean?” “This. This Maddie thing. You finally had a fling. We’ve always agreed you could, right? I mean, it’s not fair for me to be the only one who gets some. Now we can move on.” A long silence fell. Aubrey jumped up beside me and rubbed her head against my arm. I ran a hand over her soft fur while I waited for Seth’s response. “Georgina,” he said at last. “You know…I’ve told you…well. I don’t really have flings.” My hand froze on Aubrey’s back. “What are you saying?” “I…don’t have flings.” “Are you saying you want to start something with her?” He looked miserable. “I don’t know.
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
[...] every guy out there gets one shot per woman in a lifetime [...]
Alice Walsh (A Poker Game of Love)
She knew that sex was a means of getting ahead and saw nothing wrong in exploiting male weaknesses for her own purposes.
Alice Walsh (A Poker Game of Love)
To be in love at my age would mean not to have learnt anything at all.
Alice Walsh (A Poker Game of Love)
Everyone‟s got a story and everyone thinks theirs is worth telling and worth listening to.
Alice Walsh (A Poker Game of Love)
[...] all women want to be objectified.
Alice Walsh (A Poker Game of Love)
..People don’t know how to be happy; they wouldn’t know what to do with their lives if they woke up one morning and discovered they had everything they ever dreamt of.
Alice Walsh (A Poker Game of Love)
All women like to think they‟re special. Even the ones that aren‟t.
Alice Walsh (A Poker Game of Love)
lying was also permissible to save a life, play poker, or to keep her mother from getting upset.
E.M. Foner (Guest Night on Union Station (EarthCent Ambassador, #8))
To say that someone freely chose to squander his life's savings at the poker table is to say that he had every opportunity to do otherwise and that nothing about what he did was inadvertent.
Sam Harris (Free Will)
To say that someone freely chose to squander his life's savings at the poker tabile is to say that he had every opportunity to do otherwise and that nothing about what he did was inadvertent
Sam Harris (Free Will)
So coming back from a journey, or after an illness, before habits had spun themselves across the surface, one felt that same unreality, which was so startling; felt something emerge. Life was most vivid then. One could be at one’s ease. Mercifully one need not say, very briskly, crossing the lawn to great old Mrs. Beckwith, who would be coming out to find a corner to sit in, “Oh, good-morning, Mrs. Beckwith! What a lovely day! Are you going to be so bold as to sit in the sun? Jasper’s hidden the chairs. Do let me find you one!” and all the rest of the usual chatter. One need not speak at all. One glided, one shook one’s sails (there was a good deal of movement in the bay, boats were starting off) between things, beyond things. Empty it was not, but full to the brim. She seemed to be standing up to the lips in some substance, to move and float and sink in it, yes, for these waters were unfathomably deep. Into them had spilled so many lives. The Ramsays’; the children’s; and all sorts of waifs and strays of things besides. A washerwoman with her basket; a rook; a red-hot poker; the purples and grey-greens of flowers: some common feeling held the whole.
Virginia Woolf (To the Lighthouse)
Where some saw a cold-hearted calculating slut, there was actually a girl who had done a lot of growing up to realise she should only get something of equal or greater value for everything she gave.
Alice Walsh (A Poker Game of Love)
In the words of Ralph Waldo Emerson: “The purpose of life is not to be happy. It is to be useful, to be honorable, to be compassionate, to have it make some difference that you have lived and lived well.
Haseeb Qureshi (How to Be a Poker Player: The Philosophy of Poker)
There’s a moment in every man’s life when he senses his downfall. Sees it hurtling straight at him like a goddamn torpedo. Maybe it’s a bad poker bet, a wrong turn in a terrible neighborhood, or one line of coke too many. Mine is a redhead.
Jessa Kane
Well, you played me, Rabbit. You played me, and it worked, and I’m not the kind of person to make the same mistake twice. Your whole life is a game, but you know what? I already have a life. Poker’s nothing to me but a goddamn deck of cards.
Elle Lothlorien (Alice in Wonderland)
Memoir today is like one big game of misery poker: The more outlandish, outrageous, or just plain out-there the recounted life, the more likely the book is to attract the attention of reviewers, talk-show bookers, and, ultimately, the public.
Ben Yagoda
You make plans and decisions assuming randomness and chaos are for chumps. The illusion of control is a peculiar thing because it often leads to high self-esteem and a belief your destiny is yours for the making more than it really is. This over-optimistic view can translate into actual action, rolling with the punches and moving ahead no matter what. Often, this attitude helps lead to success. Eventually, though, most people get punched in the stomach by life. Sometimes, the gut-punch doesn’t come until after a long chain of wins, until you’ve accumulated enough power to do some serious damage. This is when wars go awry, stock markets crash, and political scandals spill out into the media. Power breeds certainty, and certainty has no clout against the unpredictable, whether you are playing poker or running a country. Psychologists point out these findings do not suggest you should throw up your hands and give up. Those who are not grounded in reality, oddly enough, often achieve a lot in life simply because they believe they can and try harder than others. If you focus too long on your lack of power, you can slip into a state of learned helplessness that will whirl you into a negative feedback loop of depression. Some control is necessary or else you give up altogether. Langer proved this when studying nursing homes where some patients were allowed to arrange their furniture and water plants—they lived longer than those who had had those tasks performed by others. Knowing about the illusion of control shouldn’t discourage you from attempting to carve a space for yourself out of whatever field you want to tackle. After all, doing nothing guarantees no results. But as you do so, remember most of the future is unforeseeable. Learn to coexist with chaos. Factor it into your plans. Accept that failure is always a possibility, even if you are one of the good guys; those who believe failure is not an option never plan for it. Some things are predictable and manageable, but the farther away in time an event occurs, the less power you have over it. The farther away from your body and the more people involved, the less agency you wield. Like a billion rolls of a trillion dice, the factors at play are too complex, too random to truly manage. You can no more predict the course of your life than you could the shape of a cloud. So seek to control the small things, the things that matter, and let them pile up into a heap of happiness. In the bigger picture, control is an illusion anyway.
David McRaney (You Are Not So Smart)
What, then, should you do? With an excellent hand, you should bet: You lose nothing if your opponent folds, while giving yourself a good chance of winning a big pot if he calls. But with a middling hand, you shouldn't bet: If he has a bad hand, he'll fold, and you'll win the ante, which is what you'd have won anyway by checking; but if he has a good hand, he'll call and win. It's heads he wins, tails you don't. You should check instead, and hope your middling hand wins the ante. What about with a terrible hand? Should you check or bet? The answer is surprising. Checking would be unwise, because the hands will be compared and you will lose. It actually makes more sense to bet with these bad hands, because the only way he might drop out is if you make a bet. Perversely, you are better off betting with awful cards than with mediocre ones, the quintessential (and rational) bluff. There's a second reason for you to bet with terrible cards rather than middling ones: Your opponent will have to call a little more often. Because he knows that your bets are sometimes very weak, he can't afford to fold too easily. That means that when you bet with a good hand, you are more likely to be called, and to win when you are. Because you are bluffing with bad cards, your good hands make more money.
Tim Harford (The Logic of Life: The Rational Economics of an Irrational World)
I needed a beer. There was no beer. And why was there no beer at this weekly poker game? Because the dude bringing it was late. I’m pretty sure that somewhere written in the guy code of life was a rule that stated, “He who brings the beer shows up on time.” Clearly this guy needed a class on guy code.
Cambria Hebert (Text (Take It Off, #4))
Do you want to hold her?” Qhuinn asked. Xcor recoiled as if someone had inquired whether he’d like a hot poker in his hands. Then he recovered, shaking his head as he made a manly show of scrubbing his tears away like they were permanent marker on his cheeks. “I don’t think I’m quite ready for that. She looks…so delicate.” “She’s strong, though. She’s got her mahmen’s blood in her, too.” Qhuinn looked at Blay. “And she’s got good parents. They both do. We’re in this together, people, three fathers and one mom, two kids. Bam!” Xcor’s voice got low. “A father…?” He laughed softly. “I went from having no family, to having a mate, a brother, and now…” Qhuinn nodded. “A son and a daughter. As long as you are Layla’s hellren, you are their father, too.” Xcor’s smile was transformative, so wide that it stretched his face into something she had never seen. “A son and a daughter.” “That’s right,” Layla whispered with joy. But then instantly that expression on his face was gone, his lips thinning out and his brows dropping down like he was ready to go on the attack. “She is never dating. I don’t care who he is—” “Right!” Qhuinn put his palm out for a high five. “That’s what I’m talking about!” “Now, hold on,” Blay interjected as they clapped hands. “She has every right to live her life as she chooses.” “Yes, come on,” Layla added. “This double-standard stuff is ridiculous. She’s going to be allowed…” As the argument started up, she and Blay fell in beside each other, and Qhuinn and Xcor lined up shoulder to shoulder, their massive forearms crossed over their chests. “I’m good with a gun,” Xcor said like that was the end of things. “And I can handle the shovel,” Qhuinn tacked on. “They’ll never find the body.” The two of them pounded knuckles and looked so dead serious that Layla had to roll her eyes. But then she was smiling. “You know something?” she said to the three of them. “I really believe…that it’s all going to be okay. We’re going to work it out, together, because that’s what families do.” As she rose up on her tiptoes and kissed her male, she said, “Love has a way of fixing everything…even your daughter starting to date.” “Which is not going to happen,” Xcor countered. “Ever.” “My man,” Qhuinn said, backing him up. “I knew I liked you—” “Oh, for the love,” Layla muttered as the debate resumed, and Blay started laughing and Qhuinn and Xcor continued bonding. -Qhuinn, Xcor, Layla, & Blay
J.R. Ward (The Chosen (Black Dagger Brotherhood, #15))
Bagpipe Music' It's no go the merrygoround, it's no go the rickshaw, All we want is a limousine and a ticket for the peepshow. Their knickers are made of crêpe-de-chine, their shoes are made of python, Their halls are lined with tiger rugs and their walls with heads of bison. John MacDonald found a corpse, put it under the sofa, Waited till it came to life and hit it with a poker, Sold its eyes for souvenirs, sold its blood for whiskey, Kept its bones for dumb-bells to use when he was fifty. It's no go the Yogi-Man, it's no go Blavatsky, All we want is a bank balance and a bit of skirt in a taxi. Annie MacDougall went to milk, caught her foot in the heather, Woke to hear a dance record playing of Old Vienna. It's no go your maidenheads, it's no go your culture, All we want is a Dunlop tyre and the devil mend the puncture. The Laird o' Phelps spent Hogmanay declaring he was sober, Counted his feet to prove the fact and found he had one foot over. Mrs Carmichael had her fifth, looked at the job with repulsion, Said to the midwife 'Take it away; I'm through with overproduction'. It's no go the gossip column, it's no go the Ceilidh, All we want is a mother's help and a sugar-stick for the baby. Willie Murray cut his thumb, couldn't count the damage, Took the hide of an Ayrshire cow and used it for a bandage. His brother caught three hundred cran when the seas were lavish, Threw the bleeders back in the sea and went upon the parish. It's no go the Herring Board, it's no go the Bible, All we want is a packet of fags when our hands are idle. It's no go the picture palace, it's no go the stadium, It's no go the country cot with a pot of pink geraniums, It's no go the Government grants, it's no go the elections, Sit on your arse for fifty years and hang your hat on a pension. It's no go my honey love, it's no go my poppet; Work your hands from day to day, the winds will blow the profit. The glass is falling hour by hour, the glass will fall for ever, But if you break the bloody glass you won't hold up the weather.
Louis MacNeice
Being in the town is a daily act of utter intercourse, so complete that it makes what you and your wife do in the squeaky bed look like a handshake. Being in the town is prosaic, sensuous, alcoholic. And in the dark, the town is yours and you are the town's and together you sleep like the dead, like the very stones in your north field. There is no life here but the slow death of days, and so when the evil falls on the town, its coming seems almost preordained, sweet and morphic. It is almost as though the town knows the evil was coming and the shape it would take. The town has its secrets, and keeps them well...[S]ome will later be known and some will never be known. The town keeps them all with the ultimate poker face.
Stephen King ('Salem's Lot)
True love isn’t something you pick; it’s something the universe picks for you. It’s like you’re born knowing this woman can cook your sausage patties the way you like, will humor your Thursday night poker games, and will stand by your side as you fight whatever life throws you just because you’re you. For no other reason. That,” he says, jabbing a finger my way, “is true love.
Adriana Locke (Crank (The Gibson Boys, #1))
It's kind of surprising, considering he spends most of his time in Vegas, playing poker (professionally, of all things), man-whoring, and tossing back his family's infamous Louisiana bourbon. That was his great-grandfather, Willard West's legacy. Hunter's father, Conrad West, after a long life in politics, is Secretary of State. He disapproves of Hunter’s lifestyle, or so I’ve heard.
Ella James (Selling Scarlett (Love Inc., #1))
He walked to the grandfather clock and pretended to check the time on his watch, when he wanted to grab the poker next to the grate and smash everything in the room. The children they were going to have. The life they were going to share. Everything slashed and burned in a vicious assault by reality. And her, oblivious to his pain, throwing away their happiness as if it were last week's bread.
Sherry Thomas (Private Arrangements)
I went up above the quay past the steps to the hotel. I saw a man through the window with a beer in his hand, and another man with a basket full of eggs. I was feeling heavy now, and tired, and I stood there leaning backwards with my hands crossed behind my back at the end of the breakwater before I walked on to the beach on the other side and some way along on the hard-frozen white sand. It had started to blow a bit, and it was still cold with no snow, so I took off my scarf and tied it round my head and ears and sat down in the shelter of a dune and blew into my hands to warm them before I lit a cigarette. Poker ran along the edge of the water with a seagull’s wing in his mouth, and I was so young then, and I remember thinking: I’m twenty-three years old, there is nothing left in life. Only the rest.
Per Petterson (To Siberia)
All men live enveloped in whale-lines. All are born with halters round their necks; but it is only when caught in the swift, sudden turn of death, that mortals realize the silent, subtle, everpresent perils of life. And if you be a philosopher, though seated in the whale-boat, you would not at heart feel one whit more of terror, than though seated before your evening fire with a poker, and not a harpoon, by your side.
Herman Melville (Moby Dick: or, the White Whale)
I tend to believe that the place into which fate decides to drop us doesn't really say much about us. It certainly does not make us better or worse. At best, it just seems to provide a set of circumstances and a hand of cards with which to engage in the poker game of life. We forge our own identity, our worth or shame, as we go, as we play the cards and try to become a fairly decent version of ourselves. The train is the same for us all; we just get on at different stations.
Carlos Ruiz Zafón (Marina)
… the countryside and the village are symbols of stability and security, of order. Yet they are also, as I have noted, liminal spaces, at a very narrow remove from the atavistic Wild. Arcadia is not the realm even of Giorgione and of Claude, with its cracked pillars and thunderbolts, its lurking banditti; still less is it Poussin’s sun-dappled and regularised realm of order, where, although the lamb may be destined for the altar and the spit, all things proceed with charm and gravity and studied gesture; least of all is it the degenerate and prettified Arcady of Fragonard and Watteau, filled with simpering courtier-Corydons, pallid Olympians, and fat-arsed putti. (It is only family piety that prevents me from taking a poker to an inherited coffee service in gilt porcelain with bastardised, deutero-Fragonard scenes painted on the sides of every damned thing. Cue Wallace Greenslade: ‘… “Round the Horne”, with Marie Antoinette as the dairymaid and Kenneth Williams as the manager of the camp-site….’) No: Arcadia is the very margin of the liminal space between the safe tilth and the threatening Wild, in which Pan lurks, shaggy and goatish, and Death proclaims, from ambush, et in Arcadia ego. Arcadia is not the Wide World nor the Riverbank, but the Wild Wood. And in that wood are worse than stoats and weasels, and the true Pan is no Francis of Assisi figure, sheltering infant otters. The Wild that borders and penetrates Arcady is red in tooth and claw.
G.M.W. Wemyss
Focus on yourself instead. Go see a therapist and dig into your earliest memories, what makes you tick, what you want from your life, and what you expect from love. Dig in and figure out who you are. Keep a journal and write down your thoughts every morning and every night. Listen to music if that helps you to access your emotions more easily. While you’re doing this, train your social energies on enriching your friendships. Think about what it would take to have closer friendships with people. Would you have to see each other more often for camaraderie and familiarity to build? Would you need to have lunch or dinner so you could sit across from each other and talk? What if you hosted a weekly poker game with the same people every week, women and men? What if you tried to go out to a movie with a friend once a month? Casual friendships grow into close friendships with repeated experience, so allow it to happen. Accumulate experience together. As you each open up, trust will build.
Heather Havrilesky (How to Be a Person in the World: Ask Polly's Guide Through the Paradoxes of Modern Life)
A lot of poker comes down to luck,” Annie told me. “Just like life. You never know where you’ll end up. When I checked myself into the psych hospital my sophomore year, there’s no way I would have guessed I would end up as a professional poker player. But you have to be comfortable not knowing exactly where life is going. That’s how I’ve learned to keep the anxiety away. All we can do is learn how to make the best decisions that are in front of us, and trust that, over time, the odds will be in our favor.
Charles Duhigg (Smarter Faster Better: The Secrets of Being Productive in Life and Business)
Like I said earlier, Jase was the only one of our four sons who stayed the course and never deviated to the right or left. He always looked straight ahead; he never drank, never cursed, and always lived his life the way God wanted him to live. I think one of the reasons Jase and Willie never strayed too far is because they were so involved in the youth group at White’s Ferry Road Church. Willie’s only problem was that he believed he was a ladie’s man until he met Korie. He was always jumping from one girl to the next until he settled down. It really made an impact on both of them. Jase was always looking out for his brothers. Even though Jase and Willie were very competitive growing up, Jase always had Willie’s best interest at heart. One time, Willie and Jase were at a friend’s house in high school. Jase walked into the basement and found Willie playing strip poker with some other kids. “What are you doing?” Jase asked him. “Playing strip poker,” Willie replied. “You’ve stripped enough,” Jase told him. “Let’s go.
Phil Robertson (Happy, Happy, Happy: My Life and Legacy as the Duck Commander)
Still, it was tempting to tell him to quit looking at the scratch. It hadn’t changed or gotten worse since the last time he’d examined it. The thing to do with wounds was ignore them, like your hole cards in a game of stud poker, which also never changed, no matter how many times you looked at them. Like Sully’s knee, which he allowed himself to examine once, first thing in the morning, and which he then ignored the rest of the day. Like all the mistakes a man made in his life, which could be worried and picked at like scabs but were better left alone.
Richard Russo (Nobody's Fool (Sully #1))
The problem in these instances is mediocre comfort—enough of it that it prevents you from getting up off the nail. The nice car, the regular paycheck, the fun weekend of football games—all of it keeps you at the poker table with the same strategy, the same bets, and the same cards. In the end, nothing changes but the passage of time. At some point, you have to decide: What’s more important? Your UNSCRIPTED dreams? Or watching the Yankees third game on a ten-game home stand? Your long-term happiness? Or your drunken stupors at the lake on Saturday afternoon?
M.J. DeMarco (UNSCRIPTED: Life, Liberty, and the Pursuit of Entrepreneurship)
Poker eminence Doyle Brunson called Hold'em “the Cadillac of poker,” and I was only qualified to steer a Segway. In one of the fiction-writing manuals, it says that there are only two stories: a hero goes on a journey, and a stranger comes to town. I don't know. This being life, and not literature, we'll have to make do with this: A middle-aged man, already bowing and half broken under his psychic burdens, decides to take on the stress of being one of the most unqualified players in the history of the Big Game. A hapless loser goes on a journey, a strange man comes to gamble.
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
You’re born with an energy that connects to someone else’s, and for reasons we will never understand, you’re brought together and it isn’t a choice anymore. That’s true love.” “I don’t know about that,” I say, forcing a swallow. “I do. True love isn’t something you pick; it’s something the universe picks for you. It’s like you’re born knowing this woman can cook your sausage patties the way you like, will humor your Thursday night poker games, and will stand by your side as you fight whatever life throws you just because you’re you. For no other reason. That,” he says, jabbing a finger my way, “is true love.
Adriana Locke (Crank (The Gibson Boys, #1))
Well, imagine you are alone in a room. The lights are down low, you’ve got some scented candles going. Soothing New Age tunes, nothing too druid-chanty, seep out of the hi-fi to gently massage your cerebral cortex. Feel good? Are you the best, most special person in the room right now? Yes. That’s the gift of being alone. Then a bozo in a CAT Diesel Power cap barges in. What’s the chance that you are the best, most special person in the room now? Fifty-fifty. If you both were dealt two cards, those would be your odds of holding the winning hand. Now imagine ten people are in the room. It’s cramped. You’re elbow to elbow, aerosolized dandruff floats in the air, and the candle’s lavender scent is complicated by BO tones, with a tuna sandwich finish. What are the chances you’re the best, most special person in the room? If you were handed cards, you might expect to be crowned one time out of ten. People, as ever, are the problem. The more people there are, the tougher you have it. Just by sitting next to you, they fuck you up, as if life were nothing more than a bus ride to hell (which it is). But what if you moved to another seat? Changed position? Your seat is everything. It can give you room to relax, to contemplate your next move. Or it might instigate your unraveling.
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
   Feet frozen, squeezed inside boots stiffened by showers and puddles, skull white hot from the gas burner hissing above his head, M. Folantin had barely eaten anything and even now bad luck wouldn't let him be; his fire was faltering, his lamp was smoking, his tobacco was damp and kept going out, staining the cigarette paper with yellow nicotine.    A great depression gripped him; the emptiness of his narrow life became apparent, and as he stirred the coals with his poker, M. Folantin, leaning forward in his armchair, his forehead resting on the mantelpiece, began to review his forty-year Way of the Cross, stopping in despair at each Station.
Joris-Karl Huysmans (Downstream)
Compare two commitments that will change some aspects of your life: buying a comfortable new car and joining a group that meets weekly, perhaps a poker or book club. Both experiences will be novel and exciting at the start. The crucial difference is that you will eventually pay little attention to the car as you drive it, but you will always attend to the social interaction to which you committed yourself. By WYSIATI (it's an acronym explained at the beginning of the book to explain how we only take into account minimal information of the type that we can most readily access e.g. how we're feeling right at this moment to answer how we feel about our lives in general) you are likely to exaggerate the long-term benefits of the car, but you are not likely to make the same mistake for a social gathering or for inherently attention-demanding activities such as playing tennis or learning to play the cello. The focusing illusion (your focus on something makes it feel more important than it actually is at that moment in time when you're focussing on it) creates a bias in favour of goods and experiences that are initially exciting, even if they will eventually lose their appeal. Time is neglected, causing experiences that will retain their attention value in the long term to be appreciated less than they deserve to be.
Daniel Kahneman (Thinking, Fast and Slow)
I married him—despite all the very good reasons that no one should ever partner up for a third time—because early on, he reminded me of the best father figure of my life, my ninth-grade English teacher. When that man died, his friends (eighty-year-old poker buddies, pals from his teaching days, devoted former students of all ages and types) wept. He was old, fat, diabetic, and often brusque. Women desired him and my children loved him and most men liked his company a great deal. He was loyal, imperious, needy, charming, bighearted, and just about the most selfish, lovable, and foolishly fearless person I had ever known. And then I met Brian and found another.
Amy Bloom (In Love: A Memoir of Love and Loss)
Scott still stares at Sid, then turns to Alice and hands her the Scotch. “We’re going to go see Joanie today,” he says. Alice grins. “And Chachi?” she asks. Sid bursts out laughing and Scott turns back to him, then places a hand on his shoulder, which makes me fear for his life. “You be quiet, son,” Scott says. “I could kill you with this hand. This hand has been places.” I shake my head and look at both Sid and Alex. Scott lifts his hand off Sid’s shoulder and turns again to his wife. “No, Alice. Our Joanie. Our daughter. We’re going to give her anything she wants.” He glares at me. “Think about what she would want, Alice. We’re going to get it for her and bring it to her. Bring it right to her bed.” “Joanie and Chachi,” Alice chants. “Joanie and Chachi!” “Shut up, Alice!” Scott yells. Alice looks at Scott as though he just said “Cheese.” She clasps her hands together and smiles, staying in the pose for a few seconds. He looks at her face and squints. “Sorry, old gal,” he says. “You go ahead and say whatever you want.” “It was funny,” Sid says. “All I was doing was laughing. She has a good sense of humor. That’s all. Maybe she knows she’s being funny. I think she does.” “I’m going to hit you,” Scott says. His arms hang alongside him, the muscles flexed, veins big like milk-shake straws. I know he’s going to hit Sid because that’s what he does. I’ve seen him hit Barry. I, too, have been hit by Scott after I beat him and his buddies at a game of poker. His hands are in fists, and I can see his knobby old-man knuckles, the many liver spots almost joining to become one big discoloration, like a burn. Then he pops his fist up toward Sid, a movement like a snake rearing its head and lunging forth. I see Sid start to bring his arm up to block his face, but then he brings it down and clutches his thigh. It’s almost as if he decided not to protect himself. The end result is a punch in his right eye, a screaming older daughter, a frightened younger daughter, a father trying to calm many people at once, and a mother-in-law cheering wildly as though we have all done something truly amazing.
Kaui Hart Hemmings (The Descendants)
He had a particular facination with the I Ching, that art of tossing three coins three times and divining a pattern out of heads and tails. Pete would begin with questions: What determined the pattern? Was it random? Was it a higher power? Was is mathematical? Wasn't poker based on mathematical probability and not just luck? Did that mean randomness was actually mathematical? And if the I Ching was governed by mathematics, hey, wouldn't that mean the I Ching was actually predictable, a prescribed answer? And if it was prescribed, did that mean that your life followed the I Ching, like some sort of equation? Or did the I Ching simply capture correctly what had already been determined as the next series of events in your life?
Amy Tan (The Opposite of Fate: Memories of a Writing Life)
What I listen for is someone who really wanted something that could be obtained only through taking the risk, whether that risk was big or small. It's not even important that she managed the risk skillfully; it's only important that she knew it was there, respected it, but took it anyway. Most people wander through life, carelessly taking whatever risk crosses their path without compensation, but never consciously accepting extra risk to pick up the money and other good things lying all around them. Other people reflexively avoid every risk or grab every loose dollar without caution. I don't mean to belittle these strategies; I'm sure they make sense to the people who pursue them. I just don't understand them myself. I do know that none of these people will be successful traders.
Aaron Brown (The Poker Face of Wall Street)
I am Ra. Let us give the example of the man who sees all the poker hands. He then knows the game. It is but child’s play to gamble, for it is no risk. The other hands are known. The possibilities are known and the hand will be played correctly but with no interest. In time/space and in the true-color green density, the hands of all are open to the eye. The thoughts, the feelings, the troubles: all these may be seen. There is no deception and no desire for deception. Thus much may be accomplished in harmony, but the mind/body/spirit gains little polarity from this interaction. Let us re-examine this metaphor and multiply it into the longest poker game you can imagine: a lifetime. The cards are love, dislike, limitation, unhappiness, pleasure, etc. They are dealt, and re-dealt, and re-dealt continuously. You may, during this incarnation begin—and we stress begin—to know your own cards. You may begin to find the love within you. You may begin to balance your pleasure, your limitations, etc. However, your only indication of other-selves’ cards is to look into the eyes. You cannot remember your hand, their hands, perhaps even the rules of this game. This game can only be won by those who lose their cards in the melting influence of love; can only be won by those who lay their pleasures, their limitations, their all upon the table face up and say inwardly: “All, all of you players, each other-self, whatever your hand, I love you.” This is the game: to know, to accept, to forgive, to balance, and to open the self in love. This cannot be done without the forgetting, for it would carry no weight in the life of the mind/body/spirit beingness totality.
Donald Tully Elkins (The Ra Contact: Teaching the Law of One: Volume 1)
They’d been sitting on the couch for a few hours trying to find something to watch. Cop and military type shows were out—too much like real life. The Walking Dead marathon was out, because people you liked always died on that show—too much like what they feared life might become. Ike had suggested the World Series of Poker, but Jess thought watching people play cards was boring. She’d suggested a dancing reality show, but Ike put the kibosh on that idea with a single look. Ike’s desire to put off sleeping alone again had him finally agreeing to a house hunting show Jess liked where the couple saw three houses and had to decide which to buy. Ike’s conclusion: people were idiots sometimes. “Should’ve picked the older house. More character,” he said. “Right?” Jess said, smiling. “You can fix up an older house, but it’s harder to give a newer house that kind of character.” “I knew I liked you for a reason,” he said, giving her a wink. “Because I’m awesome.” She turned toward him on the couch and propped her elbow on the back of the couch.
Laura Kaye (Hard as Steel (Hard Ink, #4.5; Raven Riders, #0.5))
For in America this season is decreed “family season”. (Eat your hearts out, you pitiable loners who don’t have families!) Melancholy as Thanksgiving is, the Christmas-New year’s season is far worse and lasts far longer, providing rich fund of opportunities for self-medicating, mental collapse, suicide and public mayhem with firearms. In fact it might be argued that the Christmas-New year’s season which begins abruptly after Thanksgiving is now the core-sason of American life itself, the meaning of American life„ the brute existencial point of it. How without families must envy us who bask in parental love, in the glow of yule-logs burning in fireplaces stoked by our daddie’s robust pokers, we who are stuffed to bursting with our mummie’s frantic holiday cooking; how you wish you could be us, pampered/protected kids tearing expensive foil wrappings off too many packages to count, gathered about the Christmas tree on Christmas morning as Mummy gently chided: “Skyler! Bliss! Show Daddy and Mummy what you’ve just opened, please! And save the little cards, so you know who gave such nice things to you
Joyce Carol Oates (My Sister, My Love)
For in America this season is decreed “family season”. (Eat your hearts out, you pitiable loners who don’t have families!) Melancholy as Thanksgiving is, the Christmas-New year’s season is far worse and lasts far longer, providing rich fund of opportunities for self-medicating, mental collapse, suicide and public mayhem with firearms. In fact it might be argued that the Christmas-New year’s season which begins abruptly after Thanksgiving is now the core-sason of American life itself, the meaning of American life„ the brute existencial point of it. How without families must envy us who bask in parental love, in the glow of yule-logs burning in fireplaces stoked by our daddie’s robust pokers, we who are stuffed to bursting with our mummie’s frantic holiday cooking; how you wish you could be us, pampered/protected kids tearing expensive foil wrappings off too many packages to count, gathered about the Christmas tree on Christmas morning as Mummy gently chided: “Skyler! Bliss! Show Daddy and Mummy what you’ve just opened, please! And save the little cards, so you know who gave such nice things to you”.
Joyce Carol Oates
In this sense, therefore, inasmuch as we have access to neither the beautiful nor the ugly, and are incapable of judging, we are condemned to indifference. Beyond this indifference, however, another kind of fascination emerges, a fascination which replaces aesthetic pleasure. For, once liberated from their respective constraints, the beautiful and the ugly, in a sense, multiply: they become more beautiful than beautiful, more ugly than ugly. Thus painting currently cultivates, if not ugliness exactly - which remains an aesthetic value - then the uglier-than-ugly (the 'bad', the 'worse', kitsch), an ugliness raised to the second power because it is liberated from any relationship with its opposite. Once freed from the 'true' Mondrian, we are at liberty to 'out-Mondrian Mondrian'; freed from the true naifs, we can paint in a way that is 'more naif than naif', and so on. And once freed from reality, we can produce the 'realer than real' - hyperrealism. It was in fact with hyperrealism and pop art that everything began, that everyday life was raised to the ironic power of photographic realism. Today this escalation has caught up every form of art, every style; and all, without discrimination, have entered the transaesthetic world of simulation. There is a parallel to this escalation in the art market itself. Here too, because an end has been put to any deference to the law of value, to the logic of commodities, everything has become 'more expensive than expensive' - expensive, as it were, squared. Prices are exorbitant - the bidding has gone through the roof. Just as the abandonment of all aesthetic ground rules provokes a kind of brush fire of aesthetic values, so the loss of all reference to the laws of exchange means that the market hurtles into unrestrained speculation. The frenzy, the folly, the sheer excess are the same. The promotional ignition of art is directly linked to the impossibility of all aesthetic evaluation. In the absence of value judgements, value goes up in flames. And it goes up in a sort of ecstasy. There are two art markets today. One is still regulated by a hierarchy of values, even if these are already of a speculative kind. The other resembles nothing so much as floating and uncontrollable capital in the financial market: it is pure speculation, movement for movement's sake, with no apparent purpose other than to defy the law of value. This second art market has much in common with poker or potlatch - it is a kind of space opera in the hyperspace of value. Should we be scandalized? No. There is nothing immoral here. Just as present-day art is beyond beautiful and ugly, the market, for its part, is beyond good and evil.
Jean Baudrillard (The Transparency of Evil: Essays in Extreme Phenomena)
Is it Randall?” Oscar sounded out the name with care, as if testing dangerous waters. Camille closed her eyes and turned her face away from him, not wanting to have to see him when she said what she needed to say. “I have a duty, Oscar, just like my mother did. She failed at hers and look what happened; she destroyed so much. My father asked me not to say anything, but if I don’t marry Randall…I’m sorry, Oscar, I just have to.” Camille tried to edge by him, but Oscar held her back with his arm. “Do you think I’m a fool, Camille? Don’t try to blame marrying Randall on some duty you think you have.” She parted her lips to insist he was wrong. He cut her off. “If this is how you really feel, then you had no right to ask me to stay with you that night. You gave me a taste of what being with you might be like, and now you’re asking me to walk away. Who do you think you are?” Camille shook her head. He wasn’t listening. He had no idea how difficult it was for her, too, to have that one taste, that single moment of pure bliss to feed off of for the rest of her life. “I don’t have a choice-“ He slammed his fist against the pantry shelf behind her. “I don’t have a bank vault filled with money, or ten suits hanging in my closet to choose from each morning. I know I couldn’t give you all the things he could, but I can give you something he’ll never be able to. I love you, Camille,” he said, his mouth so close to hers his breath moistened her lips. “I love you. Not your last name or your pretty face or all the business opportunities you could bring me.” He laid his palm just beneath her neck, his thumb caressing the skin above where her heart lay. “Just you.” She stared at him, unblinking, unable to breathe, let alone speak. Oscar’s arm fell away. “You do have a choice, Camille. Or should I already be calling you Mrs. Jackson?” He stormed from the pantry, Camille on his heels. Promise or no promise to her father, she had to tell Oscar everything. “Please, Oscar, wait, if you’ll just listen-“ The companionway steps rattled, and Ira bounded into the galley. Oscar scooped up his shirt and shoved his arms inside the sleeves as Ira kicked out a bench at the table and sat down. “I’ve never been so friggin’ tried in my life,” Ira said, grabbing a mug for coffee. “And I once played a game of poker that lasted two days. Camille ignored him, Oscar’s anger still stinging. She’d created a massive mass. Ira peered at her, then at Oscar. “Why’re you two all red in the face?” he asked. Then his cheeks drew up and his teeth glistened. Oscar caught him before he could speak. “Save it, Ira,” he said, quickly glancing at Camille. She couldn’t plead with him to listen to her explain with Ira there. Oscar buttoned his shirt and left the galley. Ira directed his wily grin toward her. “Save it, Ira,” she echoed, and resumed scrubbing the floor.
Angie Frazier (Everlasting (Everlasting, #1))
Okay, fine. You wanna know? You really think you wanna know? Well, here it is. First of all, I have an abandonment complex. Obviously. My mom left. My dad. Then everyone else.” “Yeah, I got some friends in similar situations. It’s really tough. I hope you understand that none of those losses were about you, though.” “Sure, whatever. And I need constant reassurance. I’m really insecure. And I have a really hard time trusting anyone. And I sometimes get really involved in work.” I went on for what seemed like forever, laying out all of my greatest shames, the things that I hoped I could hide for another few months, at least. He remained terrifyingly poker-faced the whole time, and I guessed he’d tricked me into digging my own grave. At the end, he absorbed my failings in silence for a minute and then nodded. “Okay. Is that it? Yeah, sure.” “What do you mean, ‘Yeah, sure’?” “I mean sure, that’s doable.” “How do you know? Maybe it’s not.” “I don’t know, there’s a lot of trauma and abandonment and anger around here. Your issues are solidly within my wheelhouse. Thanks for telling me. It’s good to know, and I think we can make it work.” “But maybe you’ll get tired of it. I mean, I’ll still work on my shit. I promise.” “Sure, and I’m glad for that, thank you,” he shrugged. “But, you know, it’s okay to have some things you never get over.” It’s okay to have some things you never get over. In the span of half an hour, this man whom I had known for less than a season did what nobody in my life ever had: He took all of my sins and simply forgave them. He didn’t demand relentless improvement. There were no ultimatums. He asserted that I was enough, as is. The gravity of it stunned me into silence. Joey was the opposite of the dread.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
(50.7) Questioner Thank you. Can you expand on the concept which is this: that it is necessary for an entity to, during incarnation in the physical, as we call it, become polarized or interact properly with other entities, and why this isn’t possible in between incarnations when he is aware of what he wants to do, but why must he come into an incarnation and lose memory, conscious memory, of what he wants to do and then act in a way that he hopes to act? Could you expand on that please? Ra I am Ra. Let us give the example of the man who sees all the poker hands. He then knows the game. It is but child’s play to gamble, for it is no risk. The other hands are known. The possibilities are known and the hand will be played correctly but with no interest. In time/ space and in the true-color green density, the hands of all are open to the eye. The thoughts, the feelings, the troubles: all these may be seen. There is no deception and no desire for deception. Thus much may be accomplished in harmony, but the mind/ body/ spirit gains little polarity from this interaction. Let us re-examine this metaphor and multiply it into the longest poker game you can imagine: a lifetime. The cards are love, dislike, limitation, unhappiness, pleasure, etc. They are dealt, and re-dealt, and re-dealt continuously. You may, during this incarnation begin—and we stress begin—to know your own cards. You may begin to find the love within you. You may begin to balance your pleasure, your limitations, etc. However, your only indication of other-selves’ cards is to look into the eyes. You cannot remember your hand, their hands, perhaps even the rules of this game. This game can only be won by those who lose their cards in the melting influence of love; can only be won by those who lay their pleasures, their limitations, their all upon the table face up and say inwardly: “All, all of you players, each other-self, whatever your hand, I love you.” This is the game: to know, to accept, to forgive, to balance, and to open the self in love. This cannot be done without the forgetting, for it would carry no weight in the life of the mind/ body/ spirit beingness totality.
Donald Tully Elkins (The Ra Contact: Teaching the Law of One: Volume 1)
When a Single Glance Can Cost a Million Dollars Under conditions of stress, the human body responds in predictable ways: increased heart rate, pupil dilation, perspiration, fine motor tremors, tics. In high-pressure situations, such as negotiating an employment package or being cross-examined under oath, no matter how we might try to play it cool, our bodies give us away. We broadcast our emotional state, just as Marilyn Monroe broadcast her lust for President Kennedy. We each exhibit a unique and consistent pattern of stress signals. For those who know how to read such cues, we’re essentially handing over a dictionary to our body language. Those closest to us probably already recognize a few of our cues, but an expert can take it one step further, and closely predict our actions. Jeff “Happy” Shulman is one such expert. Happy is a world-class poker player. To achieve his impressive winnings, he’s spent much of his life mastering mystique. At the highest level of play, winning depends not merely on skill, experience, statistics, or even luck with the cards, but also on an intimate understanding of human nature. In poker, the truth isn’t written just all over your face. The truth is written all over your body. Drops of Sweat, a Nervous Blink, and Other “Tells” Tournament poker is no longer a game of cards, but a game of interpretation, deception, and self-control. In an interview, Happy says that memorizing and recognizing your opponent’s nuances can be more decisive than luck or skill. Imperceptible gestures can reveal a million dollars’ worth of information. Players call these gestures “tells.” With a tell, a player unintentionally exposes his thoughts and intentions to the rest of the table. The ability to hide one’s tells—and conversely, to read the other players’ tells—offers a distinct advantage. At the amateur level, tells are simpler. Feet and legs are the biggest moving parts of your body, so skittish tapping is a dead giveaway. So is looking at a hand of cards and smiling, or rearranging cards with quivering fingertips. But at the professional level, tells would be almost impossible for you or me to read. Happy spent his career learning how to read these tells. “If you know what the other player is going to do, it’s easier to defend against it.” Like others competing at his level, Happy might prepare for a major tournament by spending hours reviewing tapes of his competitors’ previous games in order to instantly translate their tells during live competition.
Sally Hogshead (Fascinate: Your 7 Triggers to Persuasion and Captivation)