“
Is there some particular reason that you're here?" ...
"Not this again."
"Not what again?" said Clary.
"Every time I annoy him, he retreats into his No Mundanes Allowed tree house." Simon pointed at Jace.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Sometimes things happen in life that you didn’t plan for. All you can do is suck it up and start mapping out a new plan.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
If I were a carpenter, I would build you a window to my soul. But I would leave that window shut and locked, so that every time you tried to look through it all you would see is your own reflection. You would see that my soul is a reflection of you.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Never, under any circumstances, take a sleeping pill and a laxative on the same night.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
I love being with yo so bad
When we aren't together, I miss you so bad
One of these days I'm going to marry you so bad
and it'll be
so
so
good.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
My heart pounds against my chest. Not because I'm nervous. Not even because I want her worse that I've ever wanted her before. It's pounding against my chest because I realize I've never been so sure about the rest of my life than I am in this moment. This girl is the rest of my life.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Well, you would realize…
Like i eventually realized…
That the good things about her?
All the beautiful?
It’s not real.
It’s fake.
So you keep your ocean,
I’ll take the lake.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Love is the most beautiful thing in the world. Unfortunately, it’s also one of the hardest things in the world to hold on to, and one of the easiest things to throw away.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
I know how you like to be asked and not told. But I'm not asking you to marry me...I'm telling you to marry me, Lake.. because I can't live without you.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
A guy can tell a girl he's in love with her until he's blue in the face. Words don't mean anything to a woman when her head’s full of doubt. You have to show her.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Get out, Get out, get out, get out!" I do what any sane male would do in this situation; I run down the hall and lock myself in her bedroom.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
It's like you came along and woke up my soul
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
I’ll never be able to give you everything you deserve, but I’ll definitely spend the rest of my life trying.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Okay. Would you rather I looked like Hugh Jackman or George Clooney?”
“Johnny Depp,” she says.
She answers a little too fast for my comfort. “What the hell, Lake? You’re supposed to say Will! You’re supposed to say you want me to look like me!”
“But you weren't one of the options,” she says.
“Neither was Johnny Depp!
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
There are moments in every relationship that define when two people start to fall in love.
A first glance
A first smile
A first kiss
A first
fall
...
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
Colleen Hoover (Point of Retreat (Slammed, #2))
“
He got one of those intelligent phones. Now he's trying to twit the President.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Every time I annoy him he retreats into his No Mundanes Allowed tree house." Simon pointed at Jace.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
I brush her hair out of her eyes and run my finger along the edge of her face. "I love you, Lake."
"Say it again," she says.
I kiss her forehead and repeat what I said. "I love you, Lake."
"One more time."
"I." I kiss her lips. "And love." I kiss them again. "And you."
"I love you, too.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
I'm telling you to marry me Lake....because I can't live without you.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
I love you because of you. Because of every single thing about you.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
The points are not the point; the point is poetry.
”
”
Allan Wolf
“
I'm not giving up
You're not giving in
This battle will turn into a war
Before I let it come to an end.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
So I'm not about to apologize for loving all these things about you, no matter the reasons or the circumstances behind them.
And no, I don't need
days
, or
weeks
, or
months
to think about
why
I love you.
It's an easy answer for me.
I love you because of
you
.
Because of
every
single
thing
about
you
.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Butterfly.
What a beautiful word
What a delicate creature.
Delicate like the cruel words that flow right out of your mouths and the food that flies right out of your hands…
Does it make you feel better?
Does it make you feel good ?
Does picking on a girl make you more of a man?
Well, I’m standing up for myself
Like I should have done before
I’m not putting up with your Butterfly anymore."
(Kiersten slides the sack off her wrist and opens it, pulling out a handful of hand-made butterflies. She takes the microphone out of the stand and begins walking down the stairs as she continues speaking.)
“I’d like to extend to others what others have extended to me.”
(She walks up to Mrs. Brill first and holds out a butterfly)
“Butterfly you, Mrs. Brill.”
(Mrs. Brill smiles at her and takes the butterfly out of her hands. Lake laughs out loud and I have to nudge her to get her to be quiet. Kiersten walks around the room, passing out butterflies to several of the students, including the three from the lunchroom.)
“Butterfly you, Mark.
Butterfly you, Brendan.
Butterfly you, Colby.”
(When she finishes passing out the butterflies, she walks back onto the stage and places the microphone back into the stand.)
“I have one thing to say to you
And I’m not referring to the bullies
Or the ones they pursue.
I’m referring to those of you that just stand by
The ones who don’t take up for those of us that cry
Those of you who just…turn a blind eye.
After all it’s not you it’s happening to
You aren’t the one being bullied
And you aren’t the one being rude
It isn’t your hand that’s throwing the food
But…it is your mouth not speaking up
It is your feet not taking a stand
It is your arm not lending a hand
It is your heart
Not giving a damn.
So take up for yourself
Take up for your friends
I challenge you to be someone
Who doesn’t give in.
Don’t give in.
Don’t let them win.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
It’s worth all the aches,
All the tears,
the mistakes…
The heart of a man and a woman in love?
It’s worth all of the pain in the world.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Now that I have you back, I’m never letting you go. That’s a promise. I’m not letting you go again.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Her lips are in close proximity to mine, so of course I have to kiss them.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
My suck was losing my best friend to an eleven year old.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Lake, I love you. The last thing in the world I want to do is hurt you. You know that.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Sometimes women just need to cry.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
We've got an entire lifetime ahead of us to do things like get married. But sometimes things in people's lives don’t happen in chronological order like they should. Especially in our lives. Our chronological order got mixed up a long time ago.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Hermione, will you please —”
“Don’t you tell me what to do, Harry Potter!” she screeched. “Don’t you dare! Give it back now! And YOU!”
She was pointing at Ron in dire accusation: It was like a malediction, and Harry could not blame Ron for retreating several steps.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Twenty-two hours and our war begins
Our war of limbs
and lips
and hands...
The best part of finally
Not calling retreat?
The showers above us
Raining down on our feet
While the bombs are exploding and the guns fire their rounds. Before the two of us collapse to the ground. Before the battle, before the war...
You need to know
I'd go fifty-nine more.
Whatever it takes to let you win.
I'd retreat all over
and over
again.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Sometimes it feels good to have your biggest fears discounted with a simple compliment.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Wife? Are you sure you're ready to not call retreat? Right now?
"I'm butterflying positive.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
...take it from someone who’s had it before…you don’t want to let it slip away. Fight for her.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
I want to have friends that I can trust, who love me for the man I've become…not the man that I was.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
It's the clear headedness behind her voice and the calm reasonable expression in her eyes that rips my heart right out of my chest. She turns to leave and all I can do is let her go. I just let her go.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
She loves me. She just doesn't like me right now.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
I could go on all night, Lake. I could go on and on and on about all the reasons I’m in love with you. And you know what? Some of them are the things that life has thrown our way. I do love you because you’re the only other person I know who understands my situation. I do love you because both of us know what it’s like to lose your mom and your dad. I do love you because you’re raising your little brother, just like I am. I love you because of what you went through with your mother.
I love you because of what we went through with your mother. I love the way you love Kel. I love the way you love Caulder. And I love the way I love Kel. So I’m not about to apologize for loving all these things about you, no matter the reasons or the circumstances behind them. And no, I don’t need days, or weeks, or months to think about why I love you. It’s an easy answer for me. I love you because of you. Because of every single thing about you.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
I'm butterflying positive
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
I've been kissing her every day for over a year, and
it somehow still gets better every time.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
[There's a] point where you have to leave the dough alone. It's silly to anthropomorphize bread, but I love the fact that it needs to sit quietly, to retreat from touch and noise and drama, in order to evolve.
I have to admit, I often feel that way myself.
”
”
Jodi Picoult (The Storyteller)
“
I may not be a role model, but at least I'm raising really smart children.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
I don't need days, or weeks, or months to think about why i love you. it's an easy answer for me. i love you because of you. because of every single thing about you.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
I've never been so sure about the rest of my life than I am in this moment. This girl is the rest of my life.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Sometimes two people have to fall apart to realize how much they need to fall back together. —AUTHOR UNKNOWN
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
I get a text from my grandfather informing me that my grandmother is cooking us dinner. His text ended with the word “roast,” preceded by a hash tag.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Sorry,” Kiersten says to Lake and I. “Mom says the FCC is responsible for inventing cusswords just for media shock value. She says if everyone would just use them enough, they wouldn’t be considered cusswords anymore and no one would ever be offended by them”
This kid is hard to keep up with!
“Your mother encourages you to cuss?” Gavin says.
Kiersten nods. “I don’t see it that way. It’s more like she’s encouraging us to undermine a system flawed through overuse of words that are made out to be harmful, when in fact they’re just letters, mixed together like every other word. That’s all they are, mixed up letters. Like, take the word “butterfly” for example. What if someone decided one day that butterfly is a cussword? People would eventually start using butterfly as an insult, and to emphasize things in a negative way. The actual WORD doesn’t mean anything. It’s the negative association people give these words that make them cusswords. So if we all just decided to keep saying butterfly all the time, eventually people would stop caring. The shock value would subside…and it would just become another word again. Same with every other so-called bad word. If we would all just start saying them all the time, They wouldn’t be bad anymore. That’s what my mom says anyway.”
“Kiersten?” Eddie says. “Will you be my new best friend?”
Lake grabs a french fry off her plate and throws it at Eddie, hitting her in the face with it. “That’s Bullshit,” Lake says.
“Oh, go BUTTERFLY yourself,” Eddie says. She returns a fry in Lakes direction.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
I stroke her hair, then the side of her face. "I'm sorry it took me so long to get it. It's my faul you had doubts. I promise, there won't be a day that goes by from now on that I won't show you how
much you mean to me.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
El amor es la cosa más hermosa del mundo. Desafortunadamente, es también una de las cosas más difíciles del mundo a las que aferrarse, y una de las cosas más fáciles de desechar.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
You need to know, I'd go fifty-nine more. What ever it takes to let you win I'd retreat all over and all over and all over again
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
There are moments in life when a man retreats defensively, when he must give ground, when he must surrender less important positions in order to protect the more important ones. But should it come to the very last, the most important one, at this point a man must halt and stand firm if he doesn't want to begin life all over again with idle hands and a feeling of being shipwrecked.
”
”
Milan Kundera (Laughable Loves)
“
I thought you were best friends," he says. He sounds relieved to be talking about something else.
"We used to be. Things change. People change. People get new best friends," I say.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
No, she says the only way to get the facts is to ask the questions
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
I'm not asking you. I'm telling you to marry me Lake...because I can't live without you.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Take notes my love,” Trik pointed at Syndra’s retreating form. “That is why she is Queen."
Cassie nodded. “Got it. Note to self: Successful Queen equals bitch.”
“I heard that,” Syndra yelled.
Cassie gave Trik a high five. “You’re well on your way, beautiful,” he told her with a wink.
”
”
Quinn Loftis
“
But the heart of a man and a woman in love Can be worse than not having a heart at all Because at least if you have no heart at all It can't die when it breaks apart
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Push your boundaries, that's what they're there for
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
I'll never be able to give you everything you deserve, but I'll definitely spend the rest of my life trying.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Men seek retreats for themselves, houses in the country, sea-shores, and mountains; and thou too art wont to desire such things very much. But this is altogether a mark of the most common sort of men, for it is in thy power whenever thou shalt choose to retire into thyself. For nowhere either with more quiet or more freedom from trouble does a man retire than into his own soul, particularly when he has within him such thoughts that by looking into them he is immediately in perfect tranquility; and I affirm that tranquility is nothing else than the good ordering of the mind. Constantly then give to thyself this retreat, and renew thyself; and let thy principles be brief and fundamental, which, as soon as thou shalt recur to them, will be sufficient to cleanse the soul completely, and to send thee back free from all discontent with the things to which thou returnest. For with what art thou discontented? With the badness of men? Recall to thy mind this conclusion, that rational animals exist for one another, and that to endure is a part of justice, and that men do wrong involuntarily; and consider how many already, after mutual enmity, suspicion, hatred, and fighting, have been stretched dead, reduced to ashes; and be quiet at last.- But perhaps thou art dissatisfied with that which is assigned to thee out of the universe.- Recall to thy recollection this alternative; either there is providence or atoms, fortuitous concurrence of things; or remember the arguments by which it has been proved that the world is a kind of political community, and be quiet at last.- But perhaps corporeal things will still fasten upon thee.- Consider then further that the mind mingles not with the breath, whether moving gently or violently, when it has once drawn itself apart and discovered its own power, and think also of all that thou hast heard and assented to about pain and pleasure, and be quiet at last.- But perhaps the desire of the thing called fame will torment thee.- See how soon everything is forgotten, and look at the chaos of infinite time on each side of the present, and the emptiness of applause, and the changeableness and want of judgement in those who pretend to give praise, and the narrowness of the space within which it is circumscribed, and be quiet at last. For the whole earth is a point, and how small a nook in it is this thy dwelling, and how few are there in it, and what kind of people are they who will praise thee.
”
”
Marcus Aurelius (The Meditations of Marcus Aurelius)
“
In an extroverted society, we rarely see ourselves in the mirror. We get alienating feedback. Alienating feedback comes in the form of repeated encouragement to join or talk, puzzled expressions, well-intended concern, and sometimes, all-out pointing and laughing. Alienating feedback happens when we hear statements like, “What kind of loser would be home on a Saturday night?” Alienating feedback happens where neighborhoods, schools, and offices provide no place to retreat. Alienating feedback happens when our quiet spaces and wilderness sanctuaries are seen as places to colonize.
”
”
Laurie A. Helgoe (Introvert Power: Why Your Inner Life Is Your Hidden Strength)
“
This girl is the rest of my life.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
He aprendido algo sobre mi corazón.
Puede romperse.
Puede rasgarse.
Puede endurecerse y congelarse.
Puede detenerse. Completamente.
Puede destrozarse en un millón de pedazos.
Puede explotar
Puede morir.
¿Lo único que hizo que comenzara a latir de nuevo?
El momento en que abriste los ojos.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
So if you could find it in your heart To give a man a second start I promise things won’t end the same. —THE AVETT BROTHERS
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
There are moments in every relationship that define when two people start to fall in love.
A first glance
A first smile
A first kiss
A first fall…
(I remove the Darth Vader house shoes from my satchel and look down at them.)
You were wearing these during one of those moments.
One of the moments I first started to fall in love with you.
The way you gave me butterflies that morning
Had absolutely nothing to do with anyone else,
and everything to do with you.
I was falling in love with you that morning
because of you.
(I take the next item out of the satchel. When I pull it out and look up, she brings her hands to her mouth in shock.)
This ugly little gnome
With his smug little grin…
He's the reason I had an excuse to invite you into my house.
Into my life.
You took a lot of aggression out on him over those next few months.
I would watch from my window as you would kick him over every time you walked by him.
Poor little guy.
You were so tenacious.
That feisty, aggressive, strong-willed side of you….
The side of you that refused to take crap from this concrete gnome?
The side of you that refused to take crap from me?
I fell in love with that side of you
because of you.
(I set the gnome down on the stage and grab the CD)
This is your favorite CD
‘Layken’s shit.’
Although now I know you intended for shit to be possessive, rather than descriptive.
The banjo started playing through the speakers of your car
and I immediately recognized my favorite band.
Then when I realized it was your favorite band, too?
The fact that these same lyrics inspired both of us?
I fell in love with that about you.
That had absolutely nothing to do with anyone else.
I fell in love with that about you
because of you.
(I take a slip of paper out of the satchel and hold it up. When I look at her, I see Eddie slide her a napkin. I can’t tell from up here, but that can only mean she’s crying.)
This is a receipt I kept.
Only because the item I purchased that night was on the verge of ridiculous.
Chocolate milk on the rocks? Who orders that?
You were different, and you didn’t care.
You were being you.
A piece of me fell in love with you at that moment,
because of you.
This? (I hold up another sheet of paper.)
This I didn’t really like so much.
It’s the poem you wrote about me.
The one you titled 'mean?'
I don’t think I ever told you…
but you made a zero.
And then I kept it
to remind myself of all the things I never want to be to you.
(I pull her shirt from my bag. When I hold it into the light, I sigh into the microphone.)
This is that ugly shirt you wear.
It doesn’t really have anything to do with why I fell in love with you.
I just saw it at your house and thought I’d steal it.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
We may now have reached a point where this gap in our make-up has become unsustainable; partly because what in the past would have counted as material plenty has become the norm for the majority in much of the world; and partly because the slow retreat of religion that coincided with the spread of a capitalist economy has left a gaping hole in millions of people's lives. (Geoff Mulgan)
”
”
Dalai Lama XIV (Compassion or Competition?)
“
No todos van a ser agradables, Kel. Hay muchas personas crueles en el mundo, desafortunadamente
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Well, well, well,” Santa said once the elf had retreated. “Come and sit on my lap, little boy.”
This Santa’s beard was real, and so was his hair. He wasn’t fucking around.
“I’m not really a little boy,” I pointed out.
“Get on my lap, then, big boy.”
I walked up to him. There wasn’t much lap under his belly. And even though he tried to disguise it, as I went up there, I swear he adjusted
his crotch.
“Ho ho ho!” he chortled.
I sat gingerly on his knee, like it was a subway seat with gum on it.
“Have you been a good little boy this year?” he asked.
I didn’t feel that I was the right person to determine my own goodness or badness, but in the interest of speeding along this encounter, I said yes.
He actually wobbled with joy.
“Good! Good! Then what can I bring you this Christmas?”
I thought it was obvious.
“A message from Lily,” I said. “That’s what I want for Christmas. But I want it right now.”
“So impatient!” Santa lowered his voice and whispered in my ear. “But Santa does have a little something for you”—he shifted a little in
his seat—“right under his coat. If you want to have your present, you’ll have to rub Santa’s belly.”
“What?” I asked.
He gestured with his eyes down to his stomach. “Go ahead.”
I looked closely and saw the faint outline of an envelope beneath his red velvet coat.
“You know you want it,” he whispered.
The only way I could survive this was to think of it as the dare it was.
Fuck off, Lily. You can’t intimidate me.
I reached right under Santa’s coat. To my horror, I found he wasn’t wearing anything underneath. It was hot, sweaty, Geshy, hairy … and
his belly was this massive obstacle, blocking me from the envelope. I had to lean over to angle my arm in order to reach it, the whole time
having Santa laugh, “Oh ho ho, ho ho oh ho!” in my ear.
I heard the elf scream, “What the hell!” and various parents start to shriek. Yes, I was feeling up Santa. And now the corner of the envelope was in my hand. He tried to jiggle it away from me, but I held tight and yanked it
out, pulling some of his white belly hair with me. “OW ho ho!” he cried. I jumped o1 his lap.
“Security’s here!” the elf proclaimed.
The letter was in my hand, damp but intact.
“He touched Santa!” a young child squealed.
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
I’ve had a lot of sucks in life
A lot
My parents died almost four years ago, right after I turned seven
With every day that goes by I remember them less and less
Like my mom…I remember that she used to sing.
She was always happy,
always dancing.
Other than what I’ve seen of her in pictures, I don’t really remember what she looks like.
Or what she smells like
Or what she sounds like
And my Dad
I remember more things about him, but only because I thought he was the most amazing man in the world.
He was smart. He knew the answer to everything.
And he was strong.
And he played the guitar.
I used to love lying in bed at night, listening to the music coming from the living room.
I miss that the most.
His music.
After they died, I went to live with my grandma and grandpaul.
Don’t get me wrong…I love my grandparents.
But I loved my home even more.
It reminded me of them.
Of my mom and dad.
My brother had just started college the year they died.
He knew how much I wanted to be home.
He knew how much it meant to me,
so he made it happen.
I was only seven at the time, so I let him do it.
I let him give up his entire life just so I could be home.
Just so I wouldn’t be so sad.
If I could do it all over again, I would have never let him take me.
He deserved a shot, too. A shot at being young.
But sometimes when you’re seven, the world isn’t in 3-D.
So,
I owe a lot to my brother.
A lot of ‘thank you’d’
A lot of ‘I’m sorry’s’
A lot of ‘I love you’s’
I owe a lot to you, Will
For making the sucks in my life a little less suckier
And my sweet?
My sweet is right now.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
The heart of a man is no heart at all If his heart isn’t loved by a woman. The heart of a woman is no heart at all If her heart isn’t loving a man. But the heart of a man and a woman in love Can be worse than not having a heart Because at least if you have no heart at all It can’t die when it breaks apart.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
To get better at wintering, we need to address our very notion of time. We tend to imagine that our lives are linear, but they are in fact cyclical. I would not, of course, seek to deny that we gradually grow older, but while doing so, we pass through phases of good health and ill, of optimism and deep doubt, of freedom and constraint. There are times when everything seems easy, and times when it all seems impossibly hard. To make that manageable, we just have to remember that our present will one day become a past, and our future will be our present. We know that because it’s happened before. The things we put behind us will often come around again. The things that trouble us now will often come around again. Each time we endure the cycle, we ratchet up a notch. We learn from the last time around, and we do a few things better this time; we develop tricks of the mind to see us through. This is how progress is made. In the meantime, we can deal only with what’s in front of us at this moment in time. We take the next necessary action, and the next. At some point along the line, that next action will feel joyful again.
”
”
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
“
(I pull the second to last item out of my bag. Her purple hair clip. She told me once how much it meant to her, and why she always keeps it.)
This purple hair clip?
It really is magic…just like your dad told you it was.
It’s magic because, no matter how many times it lets you down…you keep having hope in it.
You keep trusting it.
No matter how many times it fails you,
You never fail it.
Just like you never fail me.
I love that about you,
because of you.
(I set it back down and pull out a strip of paper and unfold it.)
Your mother.
(I sigh)
Your mother was an amazing woman, Lake.
I'm blessed that I got to know her,
And that she was a part of my life, too.
I came to love her as my own mom…just as she came to love Caulder and I as her own.
I didn’t love her because of you, Lake.
I loved her because of her.
So, thank you for sharing her with us.
She had more advice about
Life and love and happiness and heartache than anyone I've ever known.
But the best advice she ever gave me?
The best advice she ever gave us?
(I read the quote in my hands)
"Sometimes two people have to fall apart, to realize how much they need to fall back together."
(She’s definitely crying now. I place the slip back inside the satchel and take a step closer to the edge of the stage as I hold her gaze.)
The last item I have wouldn’t fit, because you’re actually sitting in it.
That booth.
You’re sitting in the exact same spot you sat in when you watched your first performance on this stage.
The way you watched this stage with passion in your eyes…I'll never forget that moment.
It's the moment I knew it was too late.
I was too far gone by then.
I was in love with you.
I was in love with you because of you.
(I back up and sit down on the stool behind me, still holding her stare.)
I could go on all night, Lake.
I could go on and on and on about all the reasons I'm in love with you.
And you know what? Some of them are the things that life has thrown our way.
I do love you because you're the only other person I know that understands my situation.
I do love you because both of us know what it's like to lose your mom and your dad.
I do love you because you're raising your little brother, just like I am.
I love you because of what you went through with your mother.
I love you because of what we went through with your mother.
I love the way you love Kel.
I love the way you love Caulder.
And I love the way I love Kel.
So I'm not about to apologize for loving all these things about you, no matter the reasons or the circumstances behind them.
And no, I don’t need days, or weeks, or months to think about why I love you.
It’s an easy answer for me.
I love you because of you.
Because of
every
single
thing
about you.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Just calling one's practice "approach and accomplishment" and staying in retreat for years will produce nothing but hardship. Completing hundreds of millions of mantras will not even bring the warmth of the ordinary qualities that mark one's progress on the path! In other words, if the essential points of the path are not taken into account, perseverance will amount to nothing more than chasing a mirage.
”
”
Patrul Rinpoche (Deity Mantra and Wisdom: Development Stage Meditation in Tibetan Buddhist Tantra)
“
When I returned, instead of beating swift retreat she suggested we should have fun together. I dunked her a couple of times. Unfortunately, I was pointing a gun at hotel security at the time, and the sheriff's deputies showed up. Raphael ate it up. I was finally acting like a mated shapeshifter : irrationnal, possessive and head over heels in love.
”
”
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
“
We enter that strange period between Christmas and New Year, when time seems to muddle, and we find ourselves asking again and again, What day is it? What date? I always mean to work on these days, or at least to write, but this year, like every other, I find myself unable to gather up the necessary intent. I used to think that these were wasted days, but I now realise that’s the point. I am doing nothing very much, not even actively being on holiday. I clear out my cupboards, ready for another year’s onslaught of cooking and eating. I take Bert out to play with friends. I go for cold walks that make my ears ache. I am not being lazy. I’m not slacking. I’m just letting my attention shift for a while, away from the direct ambitions of the rest of my year. It’s like revving my engines.
”
”
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
“
She perks up and smiles. “Are you asking me out on a real, live date?”
I nod my head.
“Well, you suck at it, you know. You always have. Sometimes girls like to be asked and not told.”
She’s trying to play hard to get, which is pointless. I’ve already got her…but I play her game anyway. I kneel down on the floor in front of her and look into her eyes. “Lake, will you do me the honor of accompanying me on a date tomorrow night? ”
She leans back into the couch and looks away. “I don’t know, I’m sort of busy,” she says. “I’ll check my schedule and let you know.” She tries to look put out, but a smile breaks out on her face. She leans forward and hugs me, but I lose my balance and we end up in the floor. I roll her onto her back and she stares up at me and laughs. “Fine. Pick me up at seven.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
The standards for what is "normal" have become so formalized and yet so restrictive that people need a break from that horrible feeling of never being able to measure up to whatever it is they think will make them acceptable to other people and therefore to themselves. People get sick with this idea of change; I have been sick with it. We search for transformation in retreats, juice fasts, drugs and alcohol, obsessive exercise, extreme sports, sex. We are all trying to escape our existence, hoping that a better version of us is waiting just behind that promotion, that perfect relationship, that award or accolade, that musical performance, that dress size, that raucous night at a party, that hot night with a new lover. Everyone needs to be pursuing something, right? Otherwise, who are we? How about, quite simply, people? How about human?
”
”
Emily Rapp (The Still Point of the Turning World)
“
One could start just by taking a few minutes out of every day to sit quietly and do nothing, letting what moves one rise to the surface. One could take a few days out of every season to go on retreat or enjoy a long walk in the wilderness, recalling what lies deeper than the moment or the self. One could even, as Cohen was doing, try to find a life in which stage sets and performances disappear and one is reminded, at a level deeper than all words, how making a living and making a life sometimes point in opposite directions. The
”
”
Pico Iyer (The Art of Stillness: Adventures in Going Nowhere (TED Books))
“
Mother told me once that some Westonians privately criticised Dad for retreating so soon. They apparently felt it would have been more dignified to have waited a week or so before running away. I think this view misses the essential point of running away, which is to do it the moment the idea has occurred to you. Only an obsessional procrastinator would cry, “Let’s run for our lives, but not till Wednesday afternoon.
”
”
John Cleese (So, Anyway...)
“
When he settles back onto his knee, he wipes a tear away from his own eyes. “Sherry, until I met you I didn’t know what life was. I had no clue that I wasn’t even alive. It’s like you came along and woke up my soul." He's looking straight at her as he talks. He doesn't sound nervous at all, like he's determined to prove to her how serious he is. He takes a deep breath and then continues. "I’ll never be able to give you everything you deserve, but I’ll definitely spend the rest of my life trying.”
He pulls the ring out of the box and slides it on her finger. “I’m not asking you to marry me, Sherry. I’m telling you to marry me, because I can’t live without you.”
Sherry wraps her arms around his neck and they hold onto one another and cry. “Okay,” she finally says. When they begin to kiss, his hand reaches over and turns off the camera.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
You've passed like three stores that sell batteries," she says. "We need to get one now in case it's too late on our way back."
“You don’t need a battery. Your battery is fine,” I say.
I avoid looking over at her but I can see her watching me, waiting for more explanation.
I don’t immediately respond. I flick the blinker on and turn onto my grandparent’s street. When I pull into their driveway, I turn the car off and tell her the truth. What harm could it do at this point?
“I unhooked your battery cable before you tried to leave today.” I don’t wait for her reaction as I get out of the car and slam the door. I’m not sure why I slam the car door. I’m not mad at her, I’m just frustrated. Frustrated that she doubts me after all this time.
“You what!?” she yells. When she gets out of the car, she slams her door intentionally.
I keep walking, shielding the wind and snow with my jacket until I reach the front door. She rushes after me. I almost walk inside without knocking but remember how it feels, so I knock.
“I said I unhooked your battery cable. How else was I going to convince you to ride with me?”
"That's real mature, Will.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
The weight of him pressed me out. I felt covered, safe; something dark in me retreated and, for what felt like the first time in the arms of a man, I felt safe. I was still me -- the switch was not flicked, but the terrible feeling haunting me then didn't reach me. Which is one of the things that love can feel like. Peter stayed there for some time. He may have fallen asleep at some point. And so it is that when I hear stories of how thin he became, I can't reconcile them with the weight of the boy who pinned me to myself, made me feel the place in me where I attached to the world.
”
”
Alexander Chee (How to Write an Autobiographical Novel)
“
Indeed, four men like them, four men devoted to each other from their money to their lives, four men always supporting each other, never retreating, performing singly or together the resolutions they had made in common; four arms threatening the four points of the compass or all turning to a single point, must inevitably, be it surreptitiously, be it openly, be it by mines, by entrenchments, by guile, or by force, open a way to the end they wanted to reach, however well defended or far off it might be.
”
”
Alexandre Dumas (The Three Musketeers)
“
This, as Joseph had pointed out on retreat, is the lie we tell ourselves our whole lives: as soon as we get the next meal, party, vacation, sexual encounter, as soon as we get married, get a promotion, get to the airport check-in, get through security and consume a bouquet of Auntie Anne’s Cinnamon Sugar Stix, we’ll feel really good. But as soon as we find ourselves in the airport gate area, having ingested 470 calories’ worth of sugar and fat before dinner, we don’t bother to examine the lie that fuels our lives. We tell ourselves we’ll sleep it off, take a run, eat a healthy breakfast, and then, finally, everything will be complete. We live so much of our lives pushed forward by these “if only” thoughts, and yet the itch remains. The pursuit of happiness becomes the source of our unhappiness.
”
”
Dan Harris (10% Happier)
“
I find that some philosophers think that my whole approach to qualia is not playing fair. I don’t respect the standard rules of philosophical thought experiments. “But Dan, your view is so counterintuitive!” No kidding. That’s the whole point. Of course it is counterintuitive. Nowhere is it written that the true materialist theory of consciousness should be blandly intuitive. I have all along insisted that it may be very counterintuitive. That’s the trouble with “pure” philosophical method here. It has no resources for developing, or even taking seriously, counterintuitive theories, but since it is a very good bet that the true materialist theory of consciousness will be highly counterintuitive (like the Copernican theory--at least at first), this means that “pure” philosophy must just concede impotence and retreat into conservative conceptual anthropology until the advance of science puts it out of its misery. Philosophers have a choice: they can play games with folk concepts (ordinary language philosophy lives on, as a kind of aprioristic social anthropology) or they can take seriously the claim that some of these folk concepts are illusion-generators. The way to take that prospect seriously is to consider theories that propose revisions to those concepts.
”
”
Daniel C. Dennett (Sweet Dreams: Philosophical Obstacles to a Science of Consciousness (Jean Nicod Lectures))
“
Write poorly.
Suck
Write
awful
Terribly
Frightfully
Don't
care
Turn off the inner editor
Let yourself
write
Let it
flow
Let yourself
fail
Do something
crazy
Write fifty thousand words in the month of
November.
I did it.
It was
fun
, it was
insane
, it was
one thousand six
hundred and sixty-seven words a day.
It was
possible.
But you have to turn off your inner critic.
Off completely.
Just
write.
Quickly.
In
bursts.
With
joy.
If you can't write, run away for a few.
Come
back.
Write
again.
Writing is like anything else.
You won't get good at it immediately.
It's a craft, you have to keep getting better.
You don't get to Juilliard unless you practice.
If you want to get to Carnegie Hall,
practice, practice, practice.
...Or give them a lot of money.
Like anything else, it takes ten thousand hours to master.
Just like Malcolm Gladwell says.
So
write.
Fail.
Get your
thoughts
down.
Let it
rest.
Let it
marinate.
Then
edit.
But don't edit as you type,
that just slows the brain down.
Find a daily practice,
for me it's blogging every day.
And it's
fun.
The
more
you write, the
easier
it gets. The more it is a
flow,
the less a
worry.
It's not for
school,
it's not for a
grade,
it's just to get your thoughts
out there.
You
know
they want to come
out.
So
keep at it.
Make it a practice. And write
poorly,
write
awfully,
write with
abandon
and it may end up being
really
really
good.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Escrito pobremente.
Apestoso
Escrito horroroso
Terriblemente
Espantosamente
No importa
Apaga el editor interno
Déjate escribir
Déjate fluir
Déjate fallar
Haz algo loco
Escribe cincuenta mil palabras en el mes de noviembre.
Yo lo hice
Fue divertido, fue una locura, fueron mil sesenta y siete palabras por día.
Fue imposible.
Pero, tienes que apagar tu crítico interno.
Apagar completamente.
Sólo escribe.
Rápidamente.
En ráfagas. 
Con alegría
Si no puede escribir, huya por un rato.
Regrese.
Escriba de nuevo
La escritura es como cualquier otra cosa.
Tú no serás bueno en eso inmediatamente.
Es un arte que tienes que seguir mejorando.
No consigues ir a Julliard, a menos que practiques.
Si quieres llegar a Carnegie Hall, practica, practica, practica. ... O dales un montón de dinero.
Como cualquier otra cosa, toma diez mil horas conseguir la maestría.
Tal y como Malcolm Gladwell dice.
Así que escribe.
Falla.
Consigue volcar tus pensamientos.
Déjate reposar.
Déjate marinar.
Y luego, edita.
Pero no modifiques mientras escribas, que eso sólo desacelera al cerebro.
Encuentra una práctica diaria, para mí está blogueando todos los días.
Y es divertido.
Cuanto más escribas, más fácil será.
Cuánto más se trata de fluir, menos de la preocupación.
No es para la escuela, no es para un grado, es sólo para conseguir sacar tus pensamientos. 
Tú sabes que quieren salir.
Así que déjalos.
Que sea una práctica.
Y escribe pobremente, escribe terriblemente, escribe con abandono y puede llegar a ser Realmente
Realmente
Bueno.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
There are countries in which the communal provision of housing, transport, education and health care is so inferior that inhabitants will naturally seek to escape involvement with the masses by barricading themselves behind solid walls. The desire for high status is never stronger than in situations where 'ordinary' life fails to answer a median need for dignity or comfort.
Then there are communities—far fewer in number and typically imbued with a strong (often Protestant) Christian heritage—whose public realms exude respect in their principles and architecture, and whose citizens are therefore under less compulsion to retreat into a private domain. Indeed, we may find that some of our ambitions for personal glory fade when the public spaces and facilities to which we enjoy access are themselves glorious to behold; in such a context, ordinary citizenship may come to seem an adequate goal. In Switzerland's largest city, for instance, the need to own a car in order to avoid sharing a bus or train with strangers loses some of the urgency it has in Los Angeles or London, thanks to Zurich's superlative train network, which is clean, safe, warm and edifying in its punctuality and technical prowess. There is little reason to travel in an automotive cocoon when, for a fare of only a few francs, an efficient, stately tramway will provide transport from point A to point B at a level of comfort an emperor might have envied.
One insight to be drawn from Christianity and applied to communal ethics is that, insofar as we can recover a sense of the preciousness of every human being and, even more important, legislate for spaces and manner that embody such a reverence in their makeup, then the notion of the ordinary will shed its darker associations, and, correspondingly, the desires to triumph and to be insulated will weaken, to the psychological benefit of all.
”
”
Alain de Botton (Status Anxiety)
“
felt it for the first time when I was working on the legal codes and drafts of the Enlightenment. They were based on the belief that a good order is intrinsic to the world, and that therefore the world can be brought into good order. To see how legal provisions were created paragraph by paragraph out of this belief as solemn guardians of this good order, and worked into laws that strove for beauty and by their very beauty for truth, made me happy. For a long time I believed that there was progress in the history of law, a development towards greater beauty and truth, rationality and humanity, despite terrible setbacks and retreats. Once it became clear to me that this belief was a chimera, I began playing with a different image of the course of legal history. In this one it still has a purpose, but the goal it finally attains, after countless disruptions, confusions, and delusions, is the beginning, its own original starting point, which once reached must be set off from again.
”
”
Bernhard Schlink (The Reader)
“
Our Chasers Aren’t Cheating! That was the stunned reaction of Quidditch fans across Britain last night when the so-called “Stooging Penalty” was announced by the Department of Magical Games and Sports last night. “Instances of stooging have been on the increase,” said a harassed-looking Departmental representative last night. “We feel that this new rule will eliminate the sever Keeper injuries we have been seeing only too often. From now on, one Chaser will attempt to beat the Keeper, as opposed to three Chasers beating the Keeper up. Everything will be much cleaner and fairer.” At this point the Departmental representative was forced to retreat as the angry crowd started to bombard him with Quaffles. Wizards from the Department of Magical Law Enforcement arrived to disperse the crowd, who were threatening to stooge the Minister of Magic himself. One freckle-faced six-year-old left the hall in tears. “I loved stooging,” he sobbed to the Daily Prophet. “Me and me dad like watching them Keepers flattened. I don’t want to go to Quidditch no more.” Daily Prophet, 22 June 1884
”
”
J.K. Rowling (Quidditch Through the Ages)
“
Let us take a limited example and compare the war machine and the state apparatus in the context of the theory of games. Let us take chess and Go, from the standpoint of game pieces, the relations between the pieces and the space involved. Chess is a game of the State, or of the court: the emperor of China played it. Chess pieces are coded; they have an internal nature and intrinsic properties from which their movements, situations, and confrontations derive. They have qualities; a knight remains a knight, a pawn a pawn, a bishop a bishop. Each is like a subject of the statement endowed with relative power, and these relative powers combine in a subject of enunciation, that is, the chess player or the game’s form of interiority. Go pieces, I contrast, are pellets, disks, simple arithmetic units, and have only an anonymous, collective, or third-person function: “It” makes a move. “It” could be a man, a woman, a louse, an elephant. Go pieces are elements of a nonsubjectified machine assemblage with no intrinsic properties, only situational ones. Thus the relations are very different in the two cases.
Within their milieu of interiority, chess pieces entertain biunivocal relations with one another, and with the adversary’s pieces: their functioning is structural. One the other hand, a Go piece has only a milieu of exteriority, or extrinsic relations with nebulas or constellations, according to which it fulfills functions of insertion or situation, such as bordering, encircling, shattering. All by itself, a Go piece can destroy an entire constellation synchronically; a chess piece cannot (or can do so diachronically only). Chess is indeed a war, but an institutionalized, regulated, coded war with a front, a rear, battles. But what is proper to Go is war without battle lines, with neither confrontation nor retreat, without battles even: pure strategy, whereas chess is a semiology. Finally, the space is not at all the same: in chess, it is a question of arranging a closed space for oneself, thus going from one point to another, of occupying the maximum number of squares with the minimum number of pieces. In Go, it is a question of arraying oneself in an open space, of holding space, of maintaining the possibility of springing up at any point: the movement is not from one point to another, but becomes perpetual, without aim or destination, without departure or arrival. The “smooth” space of Go, as against the “striated” space of chess. The nomos of Go against the State of chess, nomos against polis. The difference is that chess codes and decodes space, whereas Go proceeds altogether differently, territorializing and deterritorializing it (make the outside a territory in space; consolidate that territory by the construction of a second, adjacent territory; deterritorialize the enemy by shattering his territory from within; deterritorialize oneself by renouncing, by going elsewhere…) Another justice, another movement, another space-time.
”
”
Gilles Deleuze
“
However opinionated, perhaps even high-handed his presentations were, he was unquestionably an ingenious man--that was evident in the stimulating, thought-provoking effect his words had on a highly gifted young mind like Adri Leverkühn's. What had chiefly impressed him, as he revealed on the way home and the following day in the schoolyard, was the distinction Kretzschmar had made between cultic and cultural epochs and his observation that the secularization of art, its separation from worship, was of only a superficial and episodic nature. The high-school sophomore was manifestly moved by an idea that the lecturer had not even articulated, but that had caught fire in him:: that the separation of art from any liturgical context, its liberation and elevation to the isolated and personal, to culture for culture's sake, had burdened it with a solemnity without any point of reference, an absolute seriousness, a pathos of suffering epitomized in Beethoven's terrible appearance in the doorway--but that did not have to be its abiding destiny, its perpetual state of mind. Just listen to the young man! With almost no real, practical experience in the field of art, he was fantasizing in a void and in precocious words about art's apparently imminent retreat from its present-day role to a happier, more modest one in the service of a higher fellowship, which did not have to be, as at one time, the Church. What it would be, he could not say.
”
”
Thomas Mann (Doctor Faustus)
“
Will and Lake,
Love is the most beautiful thing in the world. Unfortunately, it's also one of the hardest things in the world to hold on to, and one of the easiest to throw away.
Neither of you has a mother or a father to go to for relationship advice anymore. Neither of you has anyone to go to for a shoulder to cry on when things get touch, and they will get touch. Neither of you has someone to go to when you just want to share the funny, or the happy, or the heartache. You are both at a disadvantage when it comes to this aspect of love. You both only have each other, and because of this, you will have to work harder at building a strong foundation for your future together. You are not only each other's love; you are also one another's sole confidant.
I hand wrote some things onto strips of paper and folded them into stars. It might be an inspirational quote, an inspiring lyric, or just some downright good parental advice. I don't want you to open one and read it until you truly feel you need it. If you have a bad day, if the two of you fight, or if you just need something to lift your spirits...that's what these are for. You can open one together; you can open one alone. I just want there to be something both of you can go to, if and when you ever need it.
Will...thank you. Thank you for coming into our lives. So much of the pain and worry I've been feeling has been alleviated by the mere fact that I know my daughter is loved by you....You are a wonderful man, and you've been a wonderful friend to me. I thank you from the bottom of my heart for loving my daughter like you do. You respect her, you don't need to change for her, and you inspire her. You can never know how grateful I have been for you, and how much peace you have brought my soul.
And Lake; this is me-nudging your shoulder, giving you my approval. You couldn't have picked anyone better to love if I would have hand-picked him myself. Also, thank you for being so determined to keep our family together. You were right about Kel needing to be with you. Thank you for helping me see that. And remember when things get touch for him, please teach him how to stop caring pumpkins...
I love you both and with you a lifetime of happiness together.
-Julia
"And all around my memories, you dance..." ~The Avett Brothers
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Kenji goes suddenly still.
At the creak of the door Kenji’s eyebrows shoot up; a soft click and his eyes widen; a muted rustle of movement and suddenly the barrel of a gun is pressed against the back of his head. Kenji stares at me, his lips making no sound as he mouths the word psychopath over and over again.
The psychopath in question winks at me from where he’s standing, smiling like he couldn’t possibly be holding a gun to the head of our mutual friend. I manage to suppress a laugh.
“Go on,” Warner says, still smiling. “Please tell me exactly how she’s failed you as a leader.”
“Hey—“ Kenji’s arms fly up in mock surrender. “I never said she failed at anything, okay? And you are clearly over-react—“
Warner knocks Kenji on the side of the head with the weapon. “Idiot.”
Kenji spins around. Yanks the gun out of Warner’s hand. “What the hell is wrong with you, man? I thought we were cool.”
“We were,” Warner says icily. “Until you touched my hair.”
“You asked me to give you a haircut—“
“I said nothing of the sort! I asked you to trim the edges!”
“And that’s what I did.”
“This,” Warner says, spinning around so I might inspect the damage, “is not trimming the edges, you incompetent moron—“
I gasp. The back of Warner’s head is a jagged mess of uneven hair; entire chunks have been buzzed off.
Kenji cringes as he looks over his handiwork. Clears his throat. “Well,” he says, shoving his hand in his pockets. “I mean—whatever, man, beauty is subjective—“
Warner aims another gun at him.
“Hey!” Kenji shouts. “I am not here for this abusive relationship, okay?” He points to Warner. “I did not sign up for this shit!”
Warner glares at him and Kenji retreats, backing out of the room before Warner has another chance to react; and then, just as I let out a sign of relief, Kenji pops his head back into the doorway and says
“I think the cut looks cute, actually”
and Warner slams the door in his face.
”
”
Tahereh Mafi (Restore Me (Shatter Me, #4))
“
The first truth about mortals is that none of us wants to die, but all of us are going to. It’s in the name – mortals – the dying ones. If you don’t understand that bit, you won’t understand the rest of it. Here you are, some 5-hundred years old and you haven’t yet figured out something that a 3 year old human is starting to understand. You see, as soon as we can even think, our brains are wrapping themselves around that One Truth, that one offensive, undeniable, irrevocable Truth. The rest of our existence grows up in the shadow of a dead leaning tree, which will at one point in the not unimaginable future fall and crush all that has grown up beneath it…
…Rescue them for what? Why from dying! Does that mean they won’t die? No, it just means they won’t die today. At best, we’re talking about delaying the inevitable death sentence laid on our friends. Now how does this particular truth strike you, Mister Immortal…?
…And why? Why not merely stand now and fall sooner rather than later? Because there is something precious and sacred about rearguard action. It’s an active retreat that’s been repeated valiantly and ceaselessly from the beginning of mortal time. It just seems wrong to give up. It seems invalid and invalorous. More importantly, it’s indecent to simply lie down and be overrun…
…Instead we rage against it and sing our defiance through bloodied teeth. Somehow, in our pointless battle, we find moments for compassion and passion and love. Yes, love. What other reason would a mortal creature have for descending into the Abyss of Gehenna to rescue another mortal soul, sentenced to return in time to that very place, except that that soul is... his beloved, whose very existence is what makes him fight rather than lie down, is what makes him absurdly threaten an immortal creature so beyond him in strength and power and knowledge and years. Love is what makes him hold a hand up to strike an immortal being who will not even feel the blow, but will strike back with lightning fingers rather than fingers of flesh…
…If you immortals have so much time, you’d think you could spend some time of it listening to mad mortals rather than always interrupting!
”
”
J. Robert King (Abyssal Warriors (Planescape: Blood Wars, #2))
“
There was no politics in Persia because the great king was the master of slaves, not rulers of citizens. The point is beautifully made by Herodotus, the father of history and our own starting point. The exiled Spartan king, Demaratus, had taken refuge at the court of the great king of Persia, Darius I, in 491 BCE. Darius made him the ruler of Pergamum and some other cities. In 480 Darius's son and successor, Xerxes, took him to see the enormous army he had assembled to avenge his father's humiliation by the Athenians in an earlier attempt to conquer Greece. 'Surely,' he said to Demaratus, "the Greeks will not fight against such odds.' He was displeased when Demaratus assured him that they certainly would. 'How is it possible that a thousand men-- or ten thousand, or fifty thousand should stand up to an army as big as mine, especially if they were not under a single master but all perfectly free to do as they pleased?' He could understand that they might feign courage if they were whipped into battle as his Persian troops would be, but it was absurd to suppose that they would fight against such odds. Not a bit of it, said Demaratus. THey would fight and die to preserve their freedom. He added, 'They are free--yes--but they are not wholly free; for they have a master, and that master is Law, which they fear much more than your subjects fear you. Whatever this master commands they do; and his command never varies: it is never to retreat in battle, however great the odds, but always to remain in formation and to conquer or die.' They were Citizens, not subjects, and free men, not slaves; they were disciplined but self-disciplined. Free men were not whipped into battle.
”
”
Alan Ryan (On Politics: A History of Political Thought From Herodotus to the Present)
“
I soon saw, however, that Creed's obsession with death was typical of most of the children. This came out in their play.
"Let's play funeral" was a favorite game at recess. To me, it seemed bizarre and mawkish play. All that saved it was the spontaneous creativity of the children and the fact that, unerringly, they caught the incongruities and absurdities of their elders.
One child would be elected to be "dead" and would lay himself out on the ground, eyes closed, hands dutifully crossed across his chest. Another would be chosen to be the "preacher," all the rest, "mourners." I remember one day when Sam Houston Holcomb was the "corpse" and Creed Allen, always the class clown of the group, was elected "preacher." Creed, already at ten an accomplished mimic, was turning in an outstanding performance. I stood watching, half-hidden in the shado of the doorway.
Creed (bellowing in stentorian tones): "You-all had better stop your meanness and I'll tell you for why. Praise the Lord! If you'uns don't stop being so defend ornery, you ain't never goin' gift to see Brother Holcomb on them streets paved with rubies and such-like, to give him the time of day, 'cause you'uns are goin' to be laid out on the coolin' board and then roasted in hellfire."
The "congregation" shivered with delight, as if they were hearing a deliciously scary ghost story. The corpse opened one eye to see how his mourners were taking this blast; he sighed contentedly at their palpitations; wriggled right leg where a fly was tickling; adjusted grubby hands more comfortably across chest.
Creed then grasped his right ear with his right hand and spat. Only there wasn't enough to make the stream impressive. So preacher paused, working his mouth vigorously, trying to collect more spit. Another pucker and heave. Ah! Better!
Sermon now resumed: "Friends and neighbors, we air lookin' on Brother Holcombe's face for the last time." (Impressive pause.). "Praise the Lord! We ain't never goin' see him again in this life." (Impressive pause.). "Praise the Lord!"
Small preacher was now really getting warmed up. He remembered something he must have heard at the last real funeral. Hearty spit first, more pulling of ear: "You air enjoyin' life now, folks. Me, I used to git pleasured and enjoy life too. But now that I've got religion, I don't enjoy life no more." At this point I retreated behind the door lest I betray my presence by laughing aloud.
”
”
Catherine Marshall (Christy)
“
At this point, I must describe an important study carried out by Clare W. Graves of Union College, Schenectady, N.Y. on deterioration of work standards. Professor Graves starts from the Maslow-McGregor assumption that work standards deteriorate when people react against workcontrol systems with boredom, inertia, cynicism... A fourteen-year study led to the conclusion that, for practical purposes, we may divide people up into seven groups, seven personality levels, ranging from totally selfpreoccupied and selfish to what Nietzsche called ‘a selfrolling wheel’-a thoroughly self-determined person, absorbed in an objective task. This important study might be regarded as an expansion of Shotover’s remark that our interest in the world is an overflow of our interest in ourselves—and that therefore nobody can be genuinely ‘objective’ until they have fully satiated the subjective cravings. What is interesting—and surprising—is that it should not only be possible to distinguish seven clear personality-ypes, but that these can be recognised by any competent industrial psychologist. When Professor Graves’s theories were applied in a large manufacturing organisation—and people were slotted into their proper ‘levels’—the result was a 17% increase in production and an 87% drop in grumbles.
The seven levels are labelled as follows:
(1) Autistic
(2) Animistic
(3) Awakening and fright
(4) Aggressive power seeking
(5) Sociocentric
(6) Aggressive individualistic
(7) Pacifist individualistic.
The first level can be easily understood: people belonging to it are almost babylike, perhaps psychologically run-down and discouraged; there is very little to be done with these people. The animistic level would more probably be encountered in backward countries: primitive, superstitious, preoccupied with totems and taboos, and again poor industrial material. Man at the third level is altogether more wide-awake and objective, but finds the complexity of the real world frightening; the best work is to be got out of him by giving him rules to obey and a sense of hierarchical security. Such people are firm believers in staying in the class in which they were born. They prefer an autocracy. The majority of Russian peasants under the Tsars probably belonged to this level. And a good example of level four would probably be the revolutionaries who threw bombs at the Tsars and preached destruction. In industry, they are likely to be trouble makers, aggressive, angry, and not necessarily intelligent. Management needs a high level of tact to get the best out of these. Man at level five has achieved a degree of security—psychological and economic—and he becomes seriously preoccupied with making society run smoothly. He is the sort of person who joins rotary clubs and enjoys group activities. As a worker, he is inferior to levels three and four, but the best is to be got out of him by making him part of a group striving for a common purpose.
Level six is a self-confident individualist who likes to do a job his own way, and does it well. Interfered with by authoritarian management, he is hopeless. He needs to be told the goal, and left to work out the best way to achieve it; obstructed, he becomes mulish.
Level seven is much like level six, but without the mulishness; he is pacifistic, and does his best when left to himself. Faced with authoritarian management, he either retreats into himself, or goes on his own way while trying to present a passable front to the management.
Professor Graves describes the method of applying this theory in a large plant where there was a certain amount of unrest. The basic idea was to make sure that each man was placed under the type of supervisor appropriate to his level. A certain amount of transferring brought about the desired result, mentioned above—increased production, immense decrease in grievances, and far less workers leaving the plant (7% as against 21% before the change).
”
”
Colin Wilson (New Pathways in Psychology: Maslow & the Post-Freudian Revolution)