Poem Poppies Quotes

He has achieved success who has lived well, laughed often, and loved much; Who has enjoyed the trust of pure women, the respect of intelligent men and the love of little children; Who has filled his niche and accomplished his task; Who has never lacked appreciation of Earth's beauty or failed to express it; Who has left the world better than he found it, Whether an improved poppy, a perfect poem, or a rescued soul; Who has always looked for the best in others and given them the best he had; Whose life was an inspiration; Whose memory a benediction.

Ask yourself my love whether you are not very cruel to have so entrammelled me, so destroyed my freedom. Will you confess this in the Letter you must write immediately, and do all you can to console me in it — make it rich as a draught of poppies to intoxicate me —write the softest words and kiss them that I may at least touch my lips where yours have been. For myself I know not how to express my devotion to so fair a form: I want a brighter word than bright, a fairer word than fair.

Central Intelligence cutting Meo opium fields! China Lobby copping poppies in Burma! How long this Addict government support our oil-burner matter-habit

We owned a garden on a hill, We planted rose and daffodil, Flowers that English poets sing, And hoped for glory in the Spring. We planted yellow hollyhocks, And humble sweetly-smelling stocks, And columbine for carnival, And dreamt of Summer's festival. And Autumn not to be outdone As heiress of the summer sun, Should doubly wreathe her tawny head With poppies and with creepers red. We waited then for all to grow, We planted wallflowers in a row. And lavender and borage blue, - Alas! we waited, I and you, But love was all that ever grew.

Only with kisses and red poppies can I love you, with rain-soaked wreaths, contemplating ashen horses and yellow dogs. Only with waves at my back can I love you, between dull explosions of brimstone and reflective waters, swimming against cemeteries that circulate in certain rivers, drowned pasture flooding the sad, chalky tombstones, swimming across submerged hearts and faded lists of unburied children.

Trying to remember old dreams. A voice. Who came in. And meanwhile the rain, all day, all evening, quiet steady sound. Before it grew too dark watched the blue iris leaning under the rain, the flame of the poppies guttered and went out. A voice. Almost recalled. There have been times the gods entered. Entered a room, a cave? A long enclosure where I was, the fourth wall of it too distant or too dark to see. The birds are silent, no moths at the lit windows. Only a swaying rosebush pierces the table’s reflection, raindrops gazing from it. There have been hands laid on my shoulders. What has been said to me, how has my life replied? The rain, the rain...

And the heart sounds like a sour conch, calls, oh sea, oh lament, oh molten panic, scattered in the unlucky and disheveled waves: the sea reports sonorously on its languid shadows, its green poppies.

There is that poem. Scott Holland, I think. How does it go? ‘I have only slipped away into the next room’…or something. Yes. ‘I have only slipped away into the next room. I am I and you are you. Whatever we were to each other, that we are still.

Thoughts are such fleet magic things. Betsy's thoughts swept a wide arc while Uncle Keith read her poem aloud. She thought of Julia learning to sing with Mrs. Poppy. She thought of Tib learning to dance. She thought of herself and Tacy and Tib going into their 'teens. She even thought of Tom and Herbert and of how, by and by, they would be carrying her books and Tacy's and Tib's up the hill from high school.

O soft embalmer of the still midnight, Shutting, with careful fingers and benign, Our gloom-pleas'd eyes, embower'd from the light, Enshaded in forgetfulness divine: O soothest Sleep! if so it please thee, close In midst of this thine hymn my willing eyes, Or wait the "Amen," ere thy poppy throws Around my bed its lulling charities. Then save me, or the passed day will shine Upon my pillow, breeding many woes,— Save me from curious Conscience, that still lords Its strength for darkness, burrowing like a mole; Turn the key deftly in the oiled wards, And seal the hushed Casket of my Soul. To Sleep

I am a runaway, lost at sea. I am a broken bird, yearning to fly free. I am a sinner, unworthy and unholy. I am a rose, wilting slowly. I am a raindrop, touching your cheek. I am a child who plays hide and seek. I am nothing, and yet I am everything. I am contradictions and complexities. I am a face with a hundred entities. I am love and I am hate. I am the voice that cannot communicate. I am a melody, haunting and sad. I am a soul that has slowly gone mad. I am death in a living body. I am a dangerous opium poppy. I am rage, running through my veins. I am pain, bound in chains. I am isolation, imprisoned in my mind. I am abandoned and left behind. I am tenderness, soft and kind. I am trust, naïve and blind. I am remorse, shattered and frozen. I am the path I have not chosen. I am sadness, drowning in an ocean. I am faith, yearning for devotion. I am madness, rebellious and wild. I am sanity, safely filed. I am wisdom, cursed and blessed. I am a name that will burn in your chest. I am a journey, destination unknown. I am a heart turned to stone. I am forever alone.

She woke up chanting classical analects, which terrified Kesegi, who thought she had been possessed by ghosts. And in a way, she had been—she dreamed of ancient poems by long dead voices and woke up shaking from nightmares where she’d got them wrong.

The sun is touching every door and making wonder of the wheat. The first wine is pink in colour, is sweet with the sweetness of a child, the second wine is able-bodied, strong like the voice of a sailor, the third wine is a topaz, is a poppy and a fire in one. My house has both the sea and the earth, my woman has great eyes the colour of wild hazelnut, when night comes down, the sea puts on a dress of white and green...

But pleasure are like poppies spread, you sieze the flower, its bloom is spread

But pleasures are like poppies spread, you seize the flower, its bloom is shed

And in a way, she had been—she dreamed of ancient poems by long-dead voices and woke up shaking from nightmares where she’d gotten them wrong.

But pleasures are like poppies spread, you seize the flow'r, its bloom is shed; or like the snow falls in the river, a moment white - then melts forever.

The ceaseless rain is falling fast, And yonder gilded vane, Immovable for three days past, Points to the misty main, It drives me in upon myself And to the fireside gleams, To pleasant books that crowd my shelf, And still more pleasant dreams, I read whatever bards have sung Of lands beyond the sea, And the bright days when I was young Come thronging back to me. In fancy I can hear again The Alpine torrent's roar, The mule-bells on the hills of Spain, The sea at Elsinore. I see the convent's gleaming wall Rise from its groves of pine, And towers of old cathedrals tall, And castles by the Rhine. I journey on by park and spire, Beneath centennial trees, Through fields with poppies all on fire, And gleams of distant seas. I fear no more the dust and heat, No more I feel fatigue, While journeying with another's feet O'er many a lengthening league. Let others traverse sea and land, And toil through various climes, I turn the world round with my hand Reading these poets' rhymes. From them I learn whatever lies Beneath each changing zone, And see, when looking with their eyes, Better than with mine own.

He has achieved success who has lived well, laughed often, and loved much, who has enjoyed the trust of pure women, the respect of intelligent men, and the love of little children, who has filled his niche and accomplished his task, who has left the world better than he found it, whether by an improved poppy, a perfect poem, or a rescued soul, who has never lacked appreciation of Earth’s beauty or failed to express it, who has always looked for the best in others and given them the best he had, whose life was an inspiration, whose memory a benediction. —BESSIE ANDERSON STANLEY

The Song Of The Happy Shepherd The woods of Arcady are dead, And over is their antique joy; Of old the world on dreaming fed; Grey Truth is now her painted toy; Yet still she turns her restless head: But O, sick children of the world, Of all the many changing things In dreary dancing past us whirled, To the cracked tune that Chronos sings, Words alone are certain good. Where are now the warring kings, Word be-mockers?—By the Rood, Where are now the watring kings? An idle word is now their glory, By the stammering schoolboy said, Reading some entangled story: The kings of the old time are dead; The wandering earth herself may be Only a sudden flaming word, In clanging space a moment heard, Troubling the endless reverie. Then nowise worship dusty deeds, Nor seek, for this is also sooth, To hunger fiercely after truth, Lest all thy toiling only breeds New dreams, new dreams; there is no truth Saving in thine own heart. Seek, then, No learning from the starry men, Who follow with the optic glass The whirling ways of stars that pass— Seek, then, for this is also sooth, No word of theirs—the cold star-bane Has cloven and rent their hearts in twain, And dead is all their human truth. Go gather by the humming sea Some twisted, echo-harbouring shell. And to its lips thy story tell, And they thy comforters will be. Rewording in melodious guile Thy fretful words a little while, Till they shall singing fade in ruth And die a pearly brotherhood; For words alone are certain good: Sing, then, for this is also sooth. I must be gone: there is a grave Where daffodil and lily wave, And I would please the hapless faun, Buried under the sleepy ground, With mirthful songs before the dawn. His shouting days with mirth were crowned; And still I dream he treads the lawn, Walking ghostly in the dew, Pierced by my glad singing through, My songs of old earth’s dreamy youth: But ah! she dreams not now; dream thou! For fair are poppies on the brow: Dream, dream, for this is also sooth.

In Flanders fields the poppies blow Between the crosses, row on row That mark our place; and in the sky The larks, still bravely singing, fly Scarce heard amid the guns below We are the Dead Short days ago We lived, felt dawn, saw sunset glow/Loved, and were loved, and now we lie In Flanders Fields Take up our quarrel with the foe To you from failing hands we throw The torch be yours to hold it high If ye break faith with us who die We shall not sleep/though poppies grow In Flanders Fields

In his comfortable coffin, face veiled in dark silk, eyes open or closed, Pan Loudermilk lies waiting, a player from a tribe never stilled so much as gathered, potential as potent as a knife in the scabbard, a poem in the mind, a wind that rises as a breeze in the tropics, later to lash the wintry coastline, and smash its boats and sailors on the shore. Or perhaps that is purest make-believe, as a puppet is only a tool, made of wood, and wool, and wire. As we are blood, and fancy, and bites of bone and dream.

The Garden of Proserpine" Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams. I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers, Desires and dreams and powers And everything but sleep. Here life has death for neighbour, And far from eye or ear Wan waves and wet winds labour, Weak ships and spirits steer; They drive adrift, and whither They wot not who make thither; But no such winds blow hither, And no such things grow here. No growth of moor or coppice, No heather-flower or vine, But bloomless buds of poppies, Green grapes of Proserpine, Pale beds of blowing rushes Where no leaf blooms or blushes Save this whereout she crushes For dead men deadly wine. Pale, without name or number, In fruitless fields of corn, They bow themselves and slumber All night till light is born; And like a soul belated, In hell and heaven unmated, By cloud and mist abated Comes out of darkness morn. Though one were strong as seven, He too with death shall dwell, Nor wake with wings in heaven, Nor weep for pains in hell; Though one were fair as roses, His beauty clouds and closes; And well though love reposes, In the end it is not well. Pale, beyond porch and portal, Crowned with calm leaves, she stands Who gathers all things mortal With cold immortal hands; Her languid lips are sweeter Than love's who fears to greet her To men that mix and meet her From many times and lands. She waits for each and other, She waits for all men born; Forgets the earth her mother, The life of fruits and corn; And spring and seed and swallow Take wing for her and follow Where summer song rings hollow And flowers are put to scorn. There go the loves that wither, The old loves with wearier wings; And all dead years draw thither, And all disastrous things; Dead dreams of days forsaken, Blind buds that snows have shaken, Wild leaves that winds have taken, Red strays of ruined springs. We are not sure of sorrow, And joy was never sure; To-day will die to-morrow; Time stoops to no man's lure; And love, grown faint and fretful, With lips but half regretful Sighs, and with eyes forgetful Weeps that no loves endure. From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no life lives for ever; That dead men rise up never; That even the weariest river Winds somewhere safe to sea. Then star nor sun shall waken, Nor any change of light: Nor sound of waters shaken, Nor any sound or sight: Nor wintry leaves nor vernal, Nor days nor things diurnal; Only the sleep eternal In an eternal night.

We do not ask the trees to teach us moral lessons, and only the Salvation Army feels it necessary to pin texts upon them. We know that these texts are ridiculous, but many of us do not yet see that to write an obvious moral all over a work of art, picture, statue, or poem, is not only ridiculous, but timid and vulgar. We distrust a beauty we only half understand, and rush in with our impertinent suggestions.

BRIDE SONG Too late for love, too late for joy, Too late, too late! You loitered on the road too long, You trifled at the gate: The enchanted dove upon her branch Died without a mate; The enchanted princess in her tower Slept, died, behind the grate; Her heart was starving all this while You made it wait. Ten years ago, five years ago, One year ago, Even then you had arrived in time, Though somewhat slow; Then you had known her living face Which now you cannot know: The frozen fountain would have leaped, The buds gone on to blow, The warm south wind would have awaked To melt the snow. Is she fair now as she lies? Once she was fair; Meet queen for any kingly king, With gold-dust on her hair, Now these are poppies in her locks, White poppies she must wear; Must wear a veil to shroud her face And the want graven there: Or is the hunger fed at length, Cast off the care? We never saw her with a smile Or with a frown; Her bed seemed never soft to her, Though tossed of down; She little heeded what she wore, Kirtle, or wreath, or gown; We think her white brows often ached Beneath her crown, Till silvery hairs showed in her locks That used to be so brown. We never heard her speak in haste; Her tones were sweet, And modulated just so much As it was meet: Her heart sat silent through the noise And concourse of the street. There was no hurry in her hands, No hurry in her feet; There was no bliss drew nigh to her, That she might run to greet. You should have wept her yesterday, Wasting upon her bed: But wherefore should you weep today That she is dead? Lo we who love weep not today, But crown her royal head. Let be these poppies that we strew, Your roses are too red: Let be these poppies, not for you Cut down and spread.

There is a monstrous garden in the sky Nightly they sow it fresh. Nightly it springs, Luridly splendid, towards the moon on high. Red-poppy flares, and fire-bombs rosy-bright Shell-bursts like hellborn sunflowers, gold and white Lilies, long-stemmed, that search the heavens' height... They tend it well, these gardeners on wings! How rich these blossoms, hideously fair Sprawling above the shuddering citadel As though ablaze with laughter! Lord, how long Must we behold them flower, ruthless, strong Soaring like weeds the stricken worlds among Triumphant, gay, these dreadful blooms of hell? O give us back the garden that we knew Silent and cool, where silver daisies lie, The lovely stars! O garden purple-blue Where Mary trailed her skirts amidst the dew Of ageless planets, hand-in-hand with You And Sleep and Peace walked with Eternity..... But here I sit, and watch the night roll by. There is a monstrous garden in the sky! (written during an air raid, London, midnight, October 1941)

You're Beautiful Like the green romance of a bud and lily's pink, gentle sway. You: more beautiful than yesterday. Wildflower's blue surprise. Daisy's white, sunny play. You're more beautiful than yesterday. Orchid's purple mystery Mum's bronze ole` You: more beautiful than yesterday. Rose's orange perfume, even tulip's yellow secrets say: You're more beautiful that yesterday. Poppy's red, teasing lips, but YOUR beauty will never fade. You: more lovely than yesterday, You: my dazzling bouquet.

Autumn eats its leaf out of my hand: we are friends. From the nuts we shell time and we teach it to walk: then time returns to the shell. In the mirror it’s Sunday, September 17, 2017 in dream there is room for sleeping, our mouths speak the truth. My eye moves down to the sex of my loved one: we look at each other, we exchange dark words, we love each other like poppy and recollection, we sleep like wine in the conches, like the sea in the moon’s blood ray. We stand by the window embracing, and people look up from the street: it is time they knew! It is time the stone made an effort to flower, time unrest had a beating heart. It is time it were time. It is time. ("Corona")

Trick Candle Torches feeding on the dark between the stars a river of ice and fire converge in her chest a kiss like a hot spring, a tongue of embers breath of ash with sparking lips words that crash like the tide and a judge’s hammer a touch like a bed of poppies and spiderwebs hips like the curve of an hourglass and sex pure sex manifested in the flesh a body to take a bullet for I am drunk and drugged, dashed upon the shore of her soul a soul to set the angels and demons to war I am stranded in no man’s land in between her ribs like a madman guardian searching for her womb seeking death or rebirth those bittersweet twins one a flicker the other a trick candle I crawl towards the light

As they’re walking on the beach, in the dark sky above the person’s life is played out for them to see. As each scene is played, like a movie reel, the person notices that two sets of footprints were left in the sand behind them. And as they continued, every new scene brought with it a trail of their footprints.” Poppy’s attention honed in on our footprints. “When all the scenes had been played, the person looks back on the trail of footprints and notices something strange. They notice that during the saddest, or most despairing times of their life, there was only one set of footprints. For happier times there was always two sets.” My eyebrows furrowed, wondering where the story was headed. Poppy lifted her chin and blinked in the bright glare of the sun. With watery eyes, she looked at me and continued. “The person is really troubled by this. The Lord said that, when a person dedicates their life to Him, He would walk with them through all the ups and downs. The person then asked the Lord: why, at the worst points of their life, did He abandon them? Why did He leave?” An expression of deep comfort washed over Poppy’s face. “And what?” I prompted. “What does the Lord say?” A single tear fell from her eye. “He tells the person that He had walked with them their whole life through. But, He explains, the times where there is only a single set of footprints were not when He walked beside them, but instead, when He carried them.” Poppy sniffed and said, “I don’t care if you’re not religious, Rune. The poem is not only for the faithful. We all have people who carry us through the worst of times, the saddest of times, the times that seem impossible to break free from. In one way or another, whether it’s through the Lord or a loved one or both, when we feel like we can’t walk on anymore, someone swoops in to help us … someone carries us through.” Poppy rested her head on my chest, wrapping herself

Did you like him?” Poppy hesitated. “Mr. Rutledge is . . . unsettling. He’s charming, but one has the feeling he’s capable of nearly anything. He’s like some wicked angel from a William Blake poem.” “I wish I could have seen him,” Beatrix said wistfully. “And I wish even more that I could visit the curiosities room. I envy you, Poppy. It’s been so long since anything interesting has happened to me.” Poppy laughed quietly. “What, when we’ve just gone through nearly the entire London season?” Beatrix rolled her eyes. “The London season is about as interesting as a snail race. In January. With dead snails.

I think they secretly like each other,” Beatrix had said mildly. Poppy had been so astonished by the idea, she had laughed. “They war with each other whenever they’re in the same room, which, thank heavens, isn’t often. Why would you suggest such a thing?” “Well, if you consider the mating habits of certain animals—ferrets, for example—it can be quite a rough-and-tumble business—” “Bea, please don’t talk about mating habits,” Poppy said, trying to suppress a grin. Her nineteen-year-old sister had a perpetual and cheerful disregard for propriety. “I’m sure it’s vulgar, and . . . how do you know about mating habits?” “Veterinary books, mostly. But also from occasional glimpses. Animals aren’t very discreet, are they?” “I suppose not. But do keep such thoughts to yourself, Bea. If Miss Marks heard you, she would write another poem for us to memorize.” Bea looked at her for a moment, her blue eyes innocent. “Young ladies never contemplate . . . the ways that creatures procreate . . .” “Or their companion will be irate,” Poppy finished for her.

are the Dead,” she thought, remembering the war poem. “Short days ago we lived, felt dawn, saw sunset glow, / Loved and were loved…” Ellen Adams looked behind her at the relatives watching her. Then back to the blankets, like a field of poppies.

In 1915 the Canadian soldier and poet Lieutenant Colonel John McCrae wrote the poem 'In Flanders Fields' about the war and the poppies he'd seen growing on the battlefields. Poppies were the first flowers to grow on the battlefields after the fighting had ended. Their red colour is a symbol of the blood shed and their growth is a sign of new life.

as he passed on some of the greatest poems of the twentieth century: “Ariel,” “Purdah,” “Daddy,” “Lady Lazarus,” “Fever 103°,” “Poppies in October,” and “Sheep in Fog,” among others. The New Yorker still thought of itself as a family magazine, and these poems were too shocking for a publication that sat on living room coffee tables.

What does he look like?” “Quite handsome, actually. He’s very tall, and—” “As tall as Merripen?” Kev Merripen had come to live with the Hathaways after his tribe had been attacked by Englishmen who had wished to drive the Gypsies out of the county. The boy had been left for dead, but the Hathaways had taken him in, and he had stayed for good. Recently he had married the second oldest sister, Winnifred. Merripen had undertaken the monumental task of running the Ramsay estate in Leo’s absence. The newlyweds were both quite happy to stay in Hampshire during the season, enjoying the beauty and relative privacy of Ramsay House. “No one’s as tall as Merripen,” Poppy said. “But Mr. Rutledge is tall nonetheless, and he has dark hair and piercing green eyes . . .” Her stomach gave an unexpected little leap as she remembered. “Did you like him?” Poppy hesitated. “Mr. Rutledge is . . . unsettling. He’s charming, but one has the feeling he’s capable of nearly anything. He’s like some wicked angel from a William Blake poem.

In Flanders Fields           In Flanders fields the poppies blow           Between the crosses, row on row,            That mark our place; and in the sky            The larks, still bravely singing, fly           Scarce heard amid the guns below.           We are the Dead.  Short days ago           We lived, felt dawn, saw sunset glow,            Loved and were loved, and now we lie,                       In Flanders fields.           Take up our quarrel with the foe:           To you from failing hands we throw            The torch; be yours to hold it high.            If ye break faith with us who die           We shall not sleep, though poppies grow                       In Flanders fields. The

Two girls there are : within the house One sits; the other, without. Daylong a duet of shade and light Plays between these. In her dark wainscoted room The first works problems on A mathematical machine. Dry ticks mark time As she calculates each sum. At this barren enterprise Rat-shrewd go her squint eyes, Root-pale her meager frame. Bronzed as earth, the second lies, Hearing ticks blown gold Like pollen on bright air. Lulled Near a bed of poppies, She sees how their red silk flare Of petaled blood Burns open to the sun’s blade. On that green alter Freely become sun’s bride, the latter Grows quick with seed. Grass-couched in her labor’s pride, She bears a king. Turned bitter And sallow as any lemon, The other, wry virgin to the last, Goes graveward with flesh laid waste, Worm-husbanded, yet no woman.

Some nights she comes to act as courier, midwife to our own skills. Emily, come like a UFO to implant her genius in us. Our Queen Mab, condemned to be the only woman mentioned in the lyric omnibuses of her epoch; easy scapegoat of men’s centuries, she stood in for all women. So now, of course, she comes to blow off steam in the privacy of the green room. All those living years she walked from yard to yard, gardens flourished in opium poppies; went out at night to see the owls and wed her genius. She applied her passion like a hot iron sword. And no one can take off her clothes, ever—she comes and her language takes them off of us, not piece by piece, not fumbling buttons, but all at once in a single shot, her tiny poems like grenades that fit in the hand. And we here bask in the debris, stripped down to our private parts, the snow white of the bone, the authentic corpse in heat. The absolute original.

At evening the complaint of the cuckoo Grows still in the wood. The grain bends its head deeper, The red poppy. Darkening thunder drives Over the hill. The old song of the cricket Dies in the field. The leaves of the chestnut tree Stir no more. Your clothes rustle On the winding stair. The candle gleams silently In the dark room; A silver hand Puts the light out; Windless, starless night.

XIX. Girl Lithe and Tawny" Girl lithe and tawny, the sun that forms the fruits, that plumps the grains, that curls seaweeds filled your body with joy, and you luminous eyes and your mouth that has the smile of water. A black yearning sun is braided into the strands of your black mane, when you stretch your arms. You play with the sun as with a little brook and it leaves two dark pools in your eyes. Girl lithe and tawny, nothing draws me towrds you. Everything bears me farther away, as though you were noon. You are the frenzied youth of the bee, the drunkenness of the wave, the power of the wheat-ear. My sombre heart searches for you, nevertheless, and I love your joyful body, your slender and flowing voice. Dark butterfly, sweet and definitive like the wheat-field and the sun, the poppy and the water.

What goes up in sound must come down in silence / She who was with us in dusk is by dawn no longer / Death's corridor is a corn poppy meadow where a chord of Danubian meadow vipers becomes -- /A triangular welcome rug / An ancestral tambourine / An unspooling mother tongue

He has achieved success who has lived well, laughed often, and loved much; who has enjoyed the trust of pure women, the respect of intelligent men and the love of little children; who has filled his niche and accomplished his task; who has left the world better than he found it whether by an improved poppy, a perfect poem or a rescued soul; who has never lacked appreciation of Earth's beauty or failed to express it; who has always looked for the best in others and given them the best he had; whose life was an inspiration; whose memory a benediction.

My grandfather, Poppy, died before Christmas in 1977. He died in his bathtub. He liked to take baths. He took one, and his heart stopped. Poppy worked hard his whole life and had a good time fishing and writing his stupid poems. He was a good man. He loved water, and he died in a tub of warm water, so that was that.